#no more needs for those rags

[ju-liczka]

When it comes to Morgott we all can agree he is just build... different✨ (that shoulders five times his head *shivers*) So there are some of my thoughts if u wanna read them because they kinda explain my take on him in this drawing lol

I was thinking recently more about his fur and how it looks on his body. It's patchy, It looks rough and uneven... Even his tail when you look closer, It's shape is more defined by the muscles rather than the hair on it. Every artist drawing him gives him much more fluff and I truly think it's well deserved. And from the game design/lore perspective it's completely understandable. He is made to look grotesque, deformed, aged and ugly even... That's all intended... BUT!

I was thinking... What if it's mostly just lack of... maintenance? Lack of care. Malnourishment and neglect of a kind? We know that the Erdtree has a kind of sickening effects on Omens as well. Mohg is for sure holding up much better and I kind of don't believe they would be so much different from eachother (the influence of Formless Mother on Mohgs looks is after all not entirely known). He has more pride in himself and so he carries himself better than his brother that is still loyal and so close to the Golden Order. Mohg took his chance at getting away from the Erdtree and I think it is obvious that this freedom did him some good. I personally belive that Morgott could also achive such change if it wasn't for his deep rooted loyality to the Order and crippling self-resentment.

So to sum my thoughts up... What if he's just not thriving?

Just imagine this kind of idealistic scenario when he can finally put his needs first. When he can take care of himself or let others care for him. He puts on some more weight, rounding up his already muscular body giving it softer, healthier look. His furr thickens and follows up to the rest of his body not just limbs (could be just as thick as the rest or more like a soft fuzz maybe idk). His posture straightens, as with healthy body comes healthy mind. Of course, he is still an old man at the end of it. The years made their mark on his features and some of them are irreversable. But he is healing~

And I personaly love imaginging him in this healing state that unfortuntly is impossible to get in game. But game is game and fan work is fan work. And in my tiny rotten brain I give him little forehead kisses and tell him how precious he is uwu

[i-dreamed-i-had-a-son]

“because he never accepts that it's never been about righteousness--it's about repentance.” except javert killing himself IS repentance.

well, it’s like 12 different things, because bro had gone days without sleeping and very little food and water and he already had low self-worth and kept asking the amis to kill him and just assumed he was going to die AND THEN valjean upended his understanding of the world and morality. he was really going through it & there are a lot of overlapping reasons for why he jumps into the seine.

but javert is like Number One Most Responsible guy in the whole story. taking responsibility is his Thing (forever bitter the musical doesn’t include the punish me monsieur le maire scene). how else, in his derailment, could he atone for his conceived misdeeds other than by handing in his resignation to god? in the brick he had already left a note urging his superiors to treat convicts at toulon better, which is another step in his repentance (and another crime the musical commits by not including it). jumping into the seine was another step.

honestly a lot of ppl who like the book think the musical was dead wrong to exclude him from the big heaven group sing, because it COMPLETELY undermines the themes of forgiveness and compassion threaded throughout les mis. like the musical was simply wrong lol.

This is helpful context! I am still finishing the brick, although I have fully read the abridged version, and that detail about the letter wasn't included, so I didn't know that occurred! (And thank you for the message--this is a long response but I'd love to hear more of your thoughts!)

I agree that Javert is certainly deeply distraught and remorseful; like you mentioned, his worldview is literally falling apart, and his actions reflect his mental state. But his death isn't really repentance--in the sense that it's not what God would have wanted. To me it reads like a Judas situation: a desperate realization of a huge mistake, and doing the only thing you think can make it right, namely, ending it all. That's the just punishment for someone so wrong, isn't it?

But true repentance, meaning the repentance that the Lord desires, is about changing your ways, not "paying a price." Had Javert really understood the beauty of Valjean's mercy (an image of Christ's, just as the bishop's undeserved mercy was to Valjean himself), rather than killing himself, he would have lived to also become "an honest man"--in heart. One who could forgive and understand forgiveness, for himself as well as others. One who could recognize that he is not The Law, that he can fall, but that he can also be "brought to the light." One who could accept that men like Valjean, and men like himself, CAN change, and be changed.

It's tragic to me because so much of "Stars," and his character in the book as well as the musical, is about wanting to be righteous, to rise above his birth and the sinfulness he associates it with. It's about wanting to please the Lord by his actions. But in his end, he shows he never understood what God really wanted from him, and that's where my original phrase comes in: not righteousness, but repentance. To live, and face the man you were, knowing it's no longer the man you are. That it's never been about what you've done or can do, but about what's been done for you. That's the Gospel that he could never fully accept.

To use another example you mentioned, that misunderstanding drives why he asks the Mayor (Valjean) to punish him--in his worldview, mercy is unjust, or at the very least, unfair. Evil must be punished; "those who fall like Lucifer fell" receive "the sword." But "as it is written," God "desires mercy, not sacrifice" (Matthew 9:13). God would have wanted Javert to live, and Javert couldn't see that, and that's why it's devastating to me. In his misunderstanding of the heart of God, he misses what would have set him free from the chains of sin he's always been trying to escape.

That's why he's contrasted with Valjean, who (though he carries guilt about his past till the end of his life) is eventually able to face it and confess what he had done to those he loves. He knew there was mercy to be found, if only it was asked for. Javert was too blinded by pride and shame to realize it, and so, while broken, he never was able to truly repent.

For that, you must go on.

[uygfiug]

podcast people, what do you do whilst listening to your podcasts??

[runefactorynonsense]

Waiting at work with a horse who needs meds to sit on their skin for ~10 minutes, and my sister decides to snapchat me that she's trying out RF4.

FINALLY

[stupidrant]

i think the most we will get is PC release (if that) this year but that means we gotta deal with those trolls bc changing angrb0da’s skin color is such a big deal to these mfs and i still dont understand that sweet baby inc shit bcuz all the information im seeing is just bundled bullshit LMFAOOO i feel like her actual character gets overshadowed by the made up problems and no one actually talks abt HER as a character or even analyses her fr (outside of here ofc) lol sms abt to make a banger with her and atreus istg

[mizuhandpics]

I keep thinking about the car chase in @kiraman s john wick au and now I’m thinking……… fast and furious au ?!

[delightfuldevin]

Been seein some rather cold takes about Daisy lately…

I’ve seen some people say that she has no personality outside of fanon, but that’s just not true. There is a very very common misconception among the fandom (at least that I’ve noticed) that if a character doesn’t appear in a “mainline” game, then they have no personality. But I’d argue that the spinoffs actually offer waaaaay more in terms of looking into character personalities. And no, I’m not talking about the RPGs ala M&L and Paper Mario as those are obviously full of personality (and Daisy isn’t in those). I’m talking about the Party, Kart, Tennis, and other sports games.

Yes, Daisy hasn’t appeared in any mainline game since her debut, but she’s been in nearly every sports game and her traits, stats, abilities, victory/loss animations, and various other tiny details add up to her personality. The fact that she’s nearly always yelling or just speaking really loud in general (noticeably more than any other character), the fact that she constantly feels a need to say her name and make herself known, how she loves flowers and considers even a small patch of flowers worth protecting, how she’s easily bored by tasks that don’t excite her and isn’t so reliable for them. She tends to jump around a lot, and spin and dance around when she’s excited! She’s apparently a rather fast runner and that is considered her specialty! These are all traits that are displayed in the spinoffs, and there’s probably soooo many more that I just can’t remember right now.

Now, I do think her tomboyish nature is probably fanon, as I don’t really remember seeing anything to show that she acts that way in the games. I think people probably think she’s tomboyish due to how loud and energetic she is. But hey, there’s plenty of fanon for just about any character from any fandom out there. And what’s so wrong with that? Isn’t the whole point of making fanworks to expand on the framework already provided by canon? If we want to stick to what’s actually “canon” then nearly everything the fandom has created would have to be tossed, because there really isn’t much to work with. Fanworks and fandoms thrive on what fans can create based on the canon work, not just sticking to it perfectly.

It’s fine if you think the “fanon” Daisy outshines the “canon” Daisy and you dislike that. But to say that she has no personality aside from fanon interpretations just tells me that you have a very narrow idea of what counts as “canon” in an already rather simplistic world. The Mario games are very simple and straightforward without much consistent lore that actually makes sense cohesively, but the characters are what keep everything tied together despite that. The characters are nearly always consistent, and that includes Daisy. Even when the setting is completely different and some random new villain shows up with some random new power source to steal or species to torment, our same well-known lovable characters will be the center of the story and that’s what makes it fun!

[necrogfie]

why am i back in my hp era noo

also holy fck i need more lily x reader fanfic i wanna kiss her pls

[celepeace]

Sometimes I'm surprised that monster hunter isn't more popular among the creature design and spec evo corners of tumblr, at least the portions that also play video games, and then I remember that it's just about as hard as soulsborne games (I'd argue some specific entries are even harder) but doesn't have any of the atmospheric or story elements to attract people. It gets by on sheer gameplay alone and isn't a pvp game either. There is no way to make the game easier besides picking one of the less mechanically complex weapons and git gud. If it wasn't for the neat dinosaurs I couldn't think of a game less alluring to the average tumblr user

[navarchus]

tag drop me hearties.

[slippery-minghus]

tonight's "late" night thought is brought to you by: i probably would be a lot less selfish if i had any siblings, but i'm glad i don't because becoming an adult and learning to care about myself and respect my own boundaries when i didn't have siblings to raise/defend was hard enough thanks.

[hayatheauthor]

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[flesh-is-the-fever]

I'm up to the "I dunno maybe children working 13 hour shifts is bad, guys" part of Capital and it feels important to inform people that haven't read it yet that capitalists in the 19th century were not by any means wringing their hands and twirling their mustaches about employing children to squeeze out profits, they were hiring "experts" to write newspaper articles for them, explaining how "well, the socialists have these big demands about an 8-hour work day, and taking Saturdays off, but it's actually just so complicated, it's too complicated for most people to understand, we just NEED to hire children for night shifts because the stamina of their strong, youthful bodies is the only way we can survive as a business! It's science, you see. Economics doesn't work like that, just ask our economics professors at Oxford. You CAN'T turn a profit only working people 8 hours! Trust the experts, they know. It's just so complicated..."

That exact infuriating cadence that you read in New York Times articles, in the Atlantic Monthly, in the WaPo and all the other bourgeois rags where "everything is so complicated, and it's actually a lot more complicated than you think.." that has been around since the beginning. It is nothing new. So the next time you see some op-ed from Matt Yglesias or any of those other guys huffing their own farts about how "complicated" everything is, and how "unrealistic" a 30-hour work week is, remember that Marx was dealing with that exact class of "intellectuals" "explaining" how working 13 hours at age 10 was "vital" to the "moral fibre" of those poor kids.

[caraecethrae]

I need to buckle down and figure out what my personal understanding of Ceirt/Cert is.

it's fascinating how it seems to have these two diametrically opposing possible meanings (not unlike nGétal), one being tied to coir and right judgment and kingship, which actually fits apple extremely well folklorically, and one connected to madness, misfortune, sacrifice, and illness, which fit both potential etymologies of either Rag or Bush.

it seemed clear to me in the past that the secondary meaning had to be original, especially given my/the bias against the crannogham, but it's still very frustratingly simple that the current Modern Irish meaning is Rightness.

perhaps the meaning of the word shifted to match the evolving understanding of the fid, given the medieval love for the arboreal and more recentness of the Immrama? of course that's a reach but ...

[mejomonster]

My mean brain is cycling on "you should look up how to find love" again. Despite knowing ill see 200 articles ive read before, 10 books ive read before, and probably 20 new ones to depress me

[nereidprinc3ss]

bambi

in which spencer reid and fem!reader fuck like they missed each other (because they always do) and he teases her for her shaky legs

18+ (smut) warnings/tags: softdom spencer, piv sex (riding, a first for nereidprinc3ss) /oral f receiving (in that order) mentions of him accidentally grabbing her hips too hard, slight somno SORT OF like he starts going down on her while she’s sleepy and then she kind of goes in and out but its all consensual, sorry haters i fucking love sleepy sex and I always will, teasing, lots of praise, fluffy, established relationship, he loves her badddd, aftercare, literally nothing bad happens no angst for once they just are having sex cause they are in love which is arguably the most superior kind of sex! a/n: I don’t think I’ve ever written smut that is so wham bam thank you ma’am like really we just get RIGHT into it!! also no gif no pics we r going old nereidprinc3ss on this one I hope you loveeee!!!

You roll over onto Spencer and kiss once, long and deep and sweet. He hums into it, too whipped to pretend like he’s got self control or respect, hands finding the soft skin of your bare waist and settling there. 

How it got to this point so quickly, no more than fifteen minutes after he walked through the door, you can’t say. Usually the two of you are a bit more domestic when he gets home from a case, but eight days is a long time to be apart, and the trail of clothing leading from the welcome mat to the foot of the bed attests to that. 

So does the lack of teasing, of begging—at least, a lack up until this point. Right now, there’s only him, patient and content to let you play at being in charge. You pull back and reach down to grab him gently, aligning him at your entrance with a trembling hand. This part, you’re not usually responsible for. 

He assures you with a hand to the small of your back, rubbing soothing circles. “You got it. Slowly.”

You do as he says, brow furrowing in focus as you sink down an inch or two onto him. Spencer’s breathing grows erratic as you take more and more of him, and in a heroic display of overachieving, you take the rest of him at once with nothing but a squeak. He laughs breathily as his fingers dig into your hips. 

“Fuck—I said slow.”

You can’t think. The overwhelm of it all is too much as you crumple forward onto his chest. The subtle rocking you’re doing to try and alleviate some of the pressure in your core is apparently too much as he stops you by the hips, fingers pressing into those same tender spots.

Spencer’s breath is ragged. “Don’t… do not move.”

“Fuck,” you breathe into his shoulder, long and drawn out as despite his wishes you wriggle around, trying to get comfortable. “Oh my god.”

“My lovely girl, please… please don’t move,” Spencer gasps, a plead, and you try to stop for him, nuzzling even deeper against his neck. “I need a minute.”

“It’s too much,” you slur, dizzy as you try to adjust to the feeling. “Please.” You don’t know what you’re asking for. Maybe relief from the sensation that he can’t offer you. Maybe more. 

Spencer is undone by you—the way you writhe on top of him, the way your voice shakes, the way you’re so totally and completely overwhelmed and he can feel it and he loves it. 

“Baby,” he breathes, and he meant to say a lot more than that, but it’s the best he can manage when he is this overstimulated. “Baby,” he whispers again, wrapping his arms around you in an effort to ground you, to give you something else to focus on as you both get used to the feeling. 

It’s going well—for a moment, before your back is arching. 

“Spence, I need to move, I can’t—”

“Okay, okay.” He takes a deep breath, returning his hands to your waist and mentally preparing himself not to cum early. He’s desperate to give you want you want, to feel you like this. “Go ahead. Move, honey. Please.”

By the time you slowly lift your hips up and drop back down with a low cry, Spencer’s lost. His head falls back against the pillow and his eyes squeeze shut. 

“Fuck,” he groans. “Oh, angel, I missed you.”

You do it again, motivated by his praise, and he can hear your little gasps and desperate gulps of air. 

“I missed you so much,” you whine and clench around him, pleasure so intense it’s a resounding ache in the far reaches of your body. “Oh, fuck, Spencer.”

Spencer shivers. He loves when you make it personal, when you say his name like that and it becomes clear this isn’t just about the physical.

“My girl. Just like that. Doing so well, baby, just like that.”

Each pass of your hips has you whining. Your lips skim over his neck, not cognizant enough to actually kiss—only to know that you want the contact. 

“Please can I go faster?”

Spencer almost doesn’t realize you’re speaking to him he’s so lost in pleasure. The idea of faster is as compelling as it is troublesome. Spencer doesn’t know if he can’t take faster, not when he has you like this, but he certainly wants to find out. 

“Yeah, lovely. Do whatever feels good.”

You readjust and begin to pick up the pace, stumbling over a few false starts as it’s clearly more sensation than you’d been prepared for. 

Spencer, on the other hand, has his eyes screwed shut tight, and is attempting to draw a two-dimensional Császár polyhedron on your back, but he loses his place with every twitch of your hips, so eventually he decides to trace imperfect Mandelbrots down your spine—anything to avoid thinking about how the pH of your body interacts with sweet vanilla perfume to create a scent so deeply intoxicating he’d leave his entire life behind just to trail after it, or how you fucking feel against him, on top of him, around him, how miraculous it is that you keep letting him touch you—

“Oh—” you whine quietly, a strangled sort of noise that has his heart skipping. Your hand tangles desperately in his hair as you rock your hips faster and faster and he lets out a tortured groan. “Spencer, oh my fucking god.”

“I know, baby,” he manages, endeared by the fact that you feel so good you have to share it with him. Even now you’re trying to explain it because you want him to be part of it—as if he doesn’t know exactly what you’re feeling already. “That feels good, huh?”

“Mm—f—eels—” you cut yourself off with a cry into the crook of his neck, and he holds the back of your head, vision greying as he stares unseeing at the ceiling because if he looks down this’ll be over too soon. 

“You’re so good,” he breathes, “you’re perfect.”He hears you gasp at the same time as your rhythm falters, and presses a kiss somewhere indiscriminately on your head. “Gonna cum?” He murmurs in your ear, and you nod desperately, rutting against him hopelessly as your thighs tremble from exertion. 

Even the smallest drop-off in friction has his head spinning like he stood up too quickly, so he gives himself enough leverage to start fucking you. You cry out and shift your weight like you’re going to try and evade the feeling—self-sabotage, you always do this—and he again has to hold your hips in an iron vice, just to force you to feel it. 

“You’re okay, I’m gonna get you there.”

“Fuck!” You very nearly yell, still trying to wriggle away up until the very last second like the tide going out before the tsunami comes. When you do cum, your demeanor instantly changes—you get heavy and clingy and whiny as you rock back and forth through your orgasm. 

“Good girl,” Spencer murmurs, being careful in the way he continues to fuck you until he reaches his peak as well, not long after. You shudder, and Spencer feels the way your entire body tenses the way it sometimes does after a particularly strong orgasm, and he fights his way out of the brain fog to rub your back with the skimming tips of his fingers. “Shh. You’re okay. Relax, baby.”

And you do, unwound by the dance of his hand and with a few shallow breaths that gradually deepen, until you’re once more slack on top of him. 

“You’re incredible,” he exhales, with his lips pressed to your hairline. 

So clearly overwhelmed, the only response you can muster is a soft squeak. Spencer laughs fondly, still mapping the soft curve of your back. He feels the way you’re still attempting to train your breathing and kisses your hair again. “What do you need, angel?”

“I’m s’posed to be taking care of you,” you slur. Spencer chuckles again and his brow knits. 

“According to who?”

“According to… I was on top…”

“Yeah. You did all the hard stuff. Your legs are shaking.”

You whine softly. “No they’re not.”

His hand slides down to your thigh, and he rubs the trembling muscles. 

“No? No Bambi legs for me this time?”

You squeeze them around his waist like you could shrink away from his touch. “Spence…”

“I’m teasing you, honey,” he murmurs, pressing kisses wherever he can reach. “You’re cute.”

“Hm.”

“Look at me,” he murmurs, angling his head expectantly as you slowly raise yours. The look on your face is so sweet—eyes half lidded, lips swollen and much higher in color than usual. Your cheek is warm to the touch. His heart flutters like it did on your first date, and the first time he kissed you, and the first time you fell asleep on his shoulder. This view will never get old. “Wow. Look at you, beautiful girl. Can I have a kiss?”

And you grant him his wish, with a long, soft kiss that’s worth every second of that burning feeling in his lungs, every time. 

Eventually you huff out the remainder of your air against his well-kissed lips and your head flops to his chest. 

“I’m sleepy.”

“So go to sleep,” he murmurs, so warm from your kiss he feels nothing could be wrong in the world at this moment. 

“I can’t.”

“Why’s that?”

“’Cause you just got home ’nd I missed you and I wanna spend time with you.”

“We have three days to spend together. If you go to sleep now, we’ll actually get more time together tomorrow.”

“But it’s more about, like, how it feels—how much time it feels like we spend together right when you get home, and if I go to sleep now, it’s gonna feel like less time, and—basically you’re just not understanding my math.”

“What math?” He laughs, continuing to rub your legs all the way up to your hips, at which point you hiss and buck—a very visceral feeling when he’s still inside of you. “What? What hurts?”

“You tried to fucking tear my hip flexors from my body, is what hurts,” you grumble. 

“Tender?”

“Mhm.”

“I’m really sorry, angel. Tylenol?”

“Mm-mm. Can you kiss me better?” Sleep stains your voice. Spencer smiles to himself. 

“Yeah?”

“Mhm.”

“Lie down.”

Again you whine as you slip off of him, landing heavily on your back. He sits up, watches with so much affection the way you squeeze your thighs together and arch ever so slightly against the empty feeling. 

“Spencer?” You whisper as he cups the top of your knees. 

“Hm?”

“I love you.”

He pushes your legs apart gently so he can settle in between them and kisses you again. “I love you. So much.”

“Glad we’re on the same page.”

He presses a kiss to your head, down your neck, taking the scenic route to your hip bones, but you don’t seem to mind. 

The feeling of his lips gentle on the tender flesh has you humming softly, eyes fluttering shut as he showers you with gentle kisses. His traces every place his fingers had pressed earlier—feels the way you relax further underneath him. Nobody’s ever let him in this deeply before, but you trust him with everything you have; your body, your soul, in life or death, awake and in sleep. He’ll never take that for granted. He will never pass on an opportunity like this, to be the one who takes care of you, who puts you back together, as long as you’ll let him. 

Still dancing the line of consciousness, you part your legs, the slow drag of your bare thigh like a jumper cable to his heart. Fingertips trace desirous paths up your inner thigh and back down again. He recognizes this invitation for what it is, and he knows exactly how to give you what you want, but he asks first anyway. 

“Was that on purpose?”

“I d’know what you mean. I’m so sleepy,” you slur, and he believes the second half of your statement to be fact. 

Spencer pushes your thigh a little higher, and you’re completely pliable for him, completely gorgeous. As soon as he skims your thigh with a barely-there kiss, exactly the way you like, you’re lacing a hand in his hair. 

“Please, Spence…” you murmur, and he can’t argue with that. He especially can’t argue when you widen your legs just that slightest bit more, and your arousal is opalescent between your legs. 

He hums, trailing more kisses up until he’s setting the softest one yet against your clit. “Beautiful girl…”

The following gasp is so tiny he could’ve missed it if he wasn’t so attuned to your noises—and then he gets lost in you, making sure to keep his ministrations light as you already came twice recently and are sure to be sensitive. He doesn’t want to wake you from whatever twilight half-slumber trance you’re in, either, sensing that if he does you’ll fight all over again to stay up.

And admittedly, he adores being trusted to take care of you like this.

Your back arches as much as you’re capable of in this state, and he can’t help the way he just barely suctions onto you at that moment, coaxing a sighing moan so sweet and vulnerable and open it gives him chills. Fuck. He really wants to make you cum. But instead he practices patience, tracing you with the tip of his tongue, pressing gentle kisses everywhere you need them—he draws it out. For he doesn’t know how long. 

The first time you get close, your hips begin to roll, and you spout little ah’s, but he talks you back down again, laughing lightly at your angelic cooing, your little sounds of sleepy pleasure. Even now you’re so responsive, moving against his mouth as he slips a finger into your soaked entrance, fucks you for a moment, and then retreats. Maybe he’s being unfair, but you don’t seem to mind. 

In fact, you’re slipping in and out of sleep as he devours you for what feels like hours, one hand pressed lovingly to your stomach, stroking the soft skin there. Spencer’s never had this long to explore you with his mouth and he takes full advantage of every moment, but he keeps all his kisses and licks and touches gentle and reverent and so loving. 

You don’t know how long it’s been, or how many times he’s made you cum when he finally retreats—you half-wake just as he’s finishing cleaning you up. Soon he tosses the towel aside and presses feather-light kisses to each of your cheeks, tear-stained and warm with pleasure. You feel completely drained and completely loved. 

“Hi, sleeping beauty,” he murmurs, climbing into bed with you, at some point having gotten dressed. 

You manage an embarrassed little laugh. More tears crawl down your cheeks as you roll to your side. Spencer brushes them away and pulls you into him, slinging your thigh over his waist. He chuckles. 

“Shaky?”

“Stop,” you whine, embarrassed by his teasing, and hide your face against his chest. “That’s not my fault.”

“It’s nobody’s fault. It’s sweet,” he insists as he rubs your back. And then, a moment later, “So—do you think we’ve spent enough time together for tonight?”

“No.”

He sighs good-naturedly. 

“You’re gonna wear me out, you know that?”

“’F you… can’t handle the heat… get outta the kitchen.”

When he next speaks you can hear the smile in his voice. 

“Go to sleep, Bambi. Let’s see if you can walk in the morning.”