#no more 'but ALEX did THIS first'

[instantly-panicked]

I love the Billford ship

Not because it's good or healthy or that I want to see them together again but that an old man and a triangle demon were in a fucked up situationship. And now Bill is the pathetic ex who is NOT over Ford and Ford is out there, surrounded by a loving family and living his best life without him.

I like the ship because it ends in divorce.

Also Ford fucking a floating triangle is objectively hilarious

[bixels]

I feel like I've seen most of what interests me in FiMFiction for the time being, so I read through some good ol' reliable Stardew Valley fanfics last night, only to realize.

Haley x Female Farmer is basically Rarijack. Rarijack adjacent.

[wrylu]

FUCK!!! it's finally done. after a whole day

COD CHARACTERS, but they're B U G S

cw insects!! if you get hibbie jibbies from buggo art or just bugs in general, u can scroll💗

and for those who wanna see the art, it looks better if you click on it and zoom in on it or something :)

the worms in my brain bothered me last night to draw cod characters but they're bugs and this morning i started IMMEDIATELY

at the cost of my fingers, wrists, and hands 🕊

the amount of tags on this one.

[artistfingers]

you know him. you love him. it's. SCP!Danny !! (puppy version)

the first is one of my original things that bleed pitch sketches, and the second ones were a little later! these are based on designs by @kkachis with bonus inspiration from her SWWDF illustration too hehe

you can probably tell that the initial tone of my proto-TTB sketches was super lighthearted. then it quickly became. less lighthearted >:)

it's hard to believe i first tossed out the initial idea of TTB to Kei and Kkachi one year ago today! it's literally insane that it's been a full year. i've had so much fun creating TTB with them, and sharing it with yall, it's been beyond amazing and means the world to me 💚

by the way, things that bleed chapter 3 is up!! (☆▽☆)

[el-cabroncito]

Tik Tok decided to make me feel things today Pt1

[chobit92]

[nicoscheer]

Serpico (1973)

like seriously fuck you Miles for doing this

The post

[gammija]

so, has anyone actually seen a popular influencer unironically talk like that, with that amount of twitter speak? I specifically don't mean just using online slang or AAVE, but to that degree. if you have, plz drop a link. (do influencers even say 'big mood' anymore? what's a mood about holding a shovel?)

[geddy-leesbian]

@raccoons-garbage-can is the realest because I can just send him something insane about how I think medicine in the island lab looks like heartburn medicine and then an even more insane explanation of why I think it makes complete sense for Los Illuminados to stock up on heartburn medicine and he just accepts it 🫶 ily

[windydrawallday]

I'm slowly working on the next entries for "Ghost Heart" but I'll probably share them during the weekend so! In the meantime have some of the sketches I'm using as references during the process of each artwork!

[valyrfia]

i understand why charles signed the mega contract with ferrari and why it's important to him to stay and win with ferrari but dammit lestappen rbr would've given us some of the best racing in recent memory

[cluedoenthusiast]

Bits I liked from The Alligator Hour with Joshua Homme and Alex Turner

[juvian]

Luxray - The gleam eyes Pokemon ⚡️

• Happy birthday Dana @travestismo 💙

[luvscharlos]

welp, happy birthday to alex ig (his birthday present is logans car)

[onthewaytosomewhere]

HAPPY FULL MOON - HAVE SOME SMUT!!!

OKAY peeps it's full moon day so that means I no longer hafta sit on this bb!!! MONSTER-BONING FIC IS LIVE!!!

WEREPIRE FULL MOON SEXIN' AND A BIT OF ALEX SELF EXPLORING OF HIS WOLFED-OUT COCK CUZ - WHY NOT?! LOLZ

link first and then a smutty snip under the cut

and smutty bit:

Alex continues his exploration. His breath hitches as his middle finger drags along the prominent ridge that runs from his taint to tip. He notes that it’s extra sensitive and thinks it’s too bad he can’t operate his phone to make a spreadsheet and document all the differences. It also feels fucking amazing, and all thoughts of spreadsheets slip from his mind as his finger drifts up and down along the ridge, bringing pre-come along with it as he glides down from his leaking tip. Even his pre-come seems different, thicker, and more effusively leaking as if it’s meant to help guide the way of a much larger cock.

Alex wraps his hand around his cock, done teasing and playing, and tugs. His larger and hairier palm and fingers envelop his dick and drag along the slick surface of his cock. The friction is delicious as he pulls his hand up and down. The size of him now, so much larger in all ways than when he’s in his human form, makes his grip feel tighter and more intense, and he lets out a low growl as his hips instinctively buck into his hand.

His strokes become faster, the need building inside him like a wildfire. Every tug, every pull sends shockwaves through his body, his hips rolling in time with the rhythm of his hand. His cock pulses with need, his knot swelling just enough to tease him with the idea of what’s to come. He can feel the tension coiling low in his abdomen, tightening with every pass of his hand, every drag of his fingers over the ridge that drives him closer to the edge.

[daddy-long-legssss]

The Story Behind The Song: Arctic Monkeys’ early ambitions on ‘A Certain Romance’

Lucy Harbron – Far Out Magazine | January 17, 2024

It was 2006. Mortgages were crashing, and businesses were going bust. Tony Blair was on his last legs in office as the longest-serving prime minister since Margaret Thatcher, and the hangover of ‘Cool Brittania’ was beginning to set in with an unexpected ferocity. Things were bleak when a young Alex Turner sang, “There ain’t no romance around there” through the public’s speakers. Arctic Monkeys were about to write themselves into musical history as the voice of a new generation.

The final song on their debut album, there has always been something special about ‘A Certain Romance’. In 2022, after the release of their seventh album, The Car, Turner seemed to find himself reflecting back on that 2006 track. To the musician, that early cut holds a clue to everything that was to come as he said the piece “showed that we did actually have these ambitions beyond what we once thought we were capable of”.

Coming in at over the five-minute mark, ‘A Certain Romance’ almost feels like the Arctic Monkeys’ version of a rock opera, summarising all the themes, feelings and energy that came before it on their seminal album Whatever People Say I Am, That’s What I’m Not. It has the cheekiness of ‘Fake Tales Of San Francisco’ and the catchy instrumentals of hits like ‘Dancing Shoes’ or ‘I Bet That You Look Good On The Dancefloor’. Utilising the northern charm of ‘Mardy Bum’, it stands as a final, neatly summarising point on the social commentary found in their early tracks like ‘From The Ritz To The Rubble’ or ‘Riot Van’. Really, it could be argued that ‘A Certain Romance’ is the ultimate example of Arctic Monkeys’ original sound, perfectly encapsulating all the things that made the world listen up and pay attention.

It’s like they seemed to know that, too, always allowing the song a special place. In fact, it was really the band’s opening remark. Years before the offer of a debut album came around, the group were a well-oiled machine with their own local hits. They had the northern live music scene in their hands as their homemade demo CD was passed around like everyone’s worst-kept secret. Beneath the Boardwalk features eight out of the 13 songs that would be on Whatever People Say I Am, That’s What I’m Not, albeit in a slightly different, lower-quality version. But the opening number, ‘A Certain Romance’, sounds just the same.

It’s all there, from the rolling opening drums to that final guitar solo. Recorded and produced in a rented studio at only age 17, the existence of ‘A Certain Romance’, one of the band’s most explorative and energetic numbers, in this form this early in their career feels like a diamond sitting in a mine. It proves that they were always onto something special.

They never needed any help. In fact, their producer, Jim Abbiss, noted that they even seemed nervous about the help. “I think they were probably a bit weary, like ‘who’s this guy? And is he gonna make our sound this or that.’”

They didn’t want anything to change too much, as the group already had the songs figured out. Turner certainly did, as the track’s meandering narrative about hometown lads, fights, and local boredom is already there. Talking on a podcast, original member Andy Nicholson revealed the story behind the song. “We had a practice room with a pool table in, and we had a party in there, and we invited another band who were friends of ours, and we all had some drinks,” he said. “Then something happened, someone throws a pool cue, someone throws a pool ball, and everyone ends up fighting,” he added, explaining the lyrics, “there’s boys in bands / And kids who like to scrap with pool cues in their hands.”

But the magic of Arctic Monkeys lies in their nuance. What begins as a snooty analysis of his local landscape is a genuinely affectionate take. “Well, over there, there’s friends of mine / What can I say? I’ve known ’em for a long long time / And, yeah, they might overstep the line / But you just cannot get angry in the same way,” Turner sings, looking around at his bandmates and lifelong friends. ‘A Certain Romance’ is not only a time capsule for the group’s beginnings but is an ode to all the people who were there with them. It’s an ode to the hometown that made them and all its various characters.

But as the last guitar solo roars to life, there is an unspoken statement that they’re going to be bigger than what they came from. “I remember when we were recording ‘A Certain Romance’ and having a conversation with the producer about the final guitar solo,” Turner told NME, recalling the moment these songs were reworked for their debut. But they wouldn’t let anyone mess with ‘A Certain Romance’, knowing exactly what they were doing and trying to say with that one. In the 2003 demo version, all the feeling is already there, and Turner wouldn’t risk it.

“There’s something that happens at the end of that track where we break some rules in a single moment,” he continued. What happens at the end of the piece feels even more special, considering how the album was recorded. “These are the songs we wanna do, and I think this is the order we wanna do them in,” Alex Turner told their producer, recounting the conversation in 2007 to RadioX, “And he goes, ‘alright, we’ll try to record them in that order as well.’” As the final song, that last guitar solo is the last thing recorded for the album, standing as a cathartic outlet and a chance for the band to prove themselves.

“We focused on the [emotional] effect of the instrumentals over the words,” Turner reflected on the track, concluding, “and I feel like we’ve been trying to do that again and again since then.”

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