#no feedback? then why publish?
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one of the absolute worst unironic takes i've seen on the instawebs is "only people from x background can write main characters from x background" like holy shit how can you possibly politicize literature to this extent?
it's genuinely shocking to me that some people's personal motto when it comes to art and media creation is "only write what you are". with this mindset, writing inherently becomes about social and political identity when it should be about "let's do justice to this character and their background the best we can".
#being from the caribbean which is so defined by métissage is one of the myriad reasons why this is so insane to me#like research write and get feedback when you write things that you aren’t#if your work still sucks after all of that then yeah people should call you out#but the idea that only x can write x is ludicrous and also pathetic#publishing is such a dumpster fire post-tiktok#for anyone new here i’m both muslim and indo-caribbean this isn’t some kinda lowkey internalized racism post btw#books#literature#reader#book blog#media literacy#reading comprehension#books and literature#identity politics#literary criticism#critical reading#woc writers#writing#poc dark academia
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The dichotomy between what's popular according to booktok (from what I've see) from the most blandest books imaginable to the most taboo erotica you can think of is kinda wild.
I think that what gets me with taboo books recommended by BookTok is that they're usually very poorly written. And if the writing is poor, you're not really getting the full "shock" value.
Like, when you read Sierra Simone's Thornchapel series, the scenes read as really intense because Sierra is an excellent writer. In contrast, a book like Hooked (that one dark romance~ modern Captain Hook book, a concept I was very open to and wanted to like, for the record) is very badly written. There's taboo content and a horrible hero, but like... It just reads juvenile.
I'm about 65% through A Kiss at Midnight by Anne Stuart, a historical romance that is QUITE dark, but the writing is frankly fabulous. Because Stuart can write, the darkness (which is not like, the corny "oh he's so bad he's in a motorcycle gang" torture sequence stuff--it's TRULY intense and pretty accurate for the era) is balanced out by emotional progression and honestly? A very dry, at times dark humor. If a lesser writer handled this plotline, it would just seem like shock factor after shock factor layered on just to get people talking. Very 2edgy4me.
And I'm gonna be really real here. Some fanfic authors are made to transition to actual published books. I think Ali Hazelwood writes a really solid contemporary romance. I really enjoyed You, Again by Kate Goldbeck, and that's based on a fic I actually read. The Hurricane Wars works as a book. (And mind you, let's not take away from the work the editors and authors did to rework fics into actual books here.)
Some fic authors are meant to stay fic authors and to excel at that. I personally think that one of the reasons why we have so many blaaand romance novels right now is that a) some of them are written by less-equipped fic authors trying to write real books and b) some of the authors have read less actual books than they have fics.
There are some tensely plotted, exciting fics out there. But personally? I think the standout nature of those fics--fics like Manacled, which... I think.... is not.... for me. However, bland it is not lol--makes people think that is the NORM for fic, when it's not. The norm for fic, and what I think a lot of more casual fic consumers and people who read more fic than they do books (compared to a lot of romance readers who turn to fic to supplement their reading habits) is very plotless slice of life stuff.
And that's not meant to be derogatory. It works, especially when you're writing about characters a lot of people know and love and are PROGRAMMED to know and love. Even if it's AU and they're basically other people, if you're writing a modern, sedate romcom about Katniss and Peeta and she mentions going to archery classes and Peeta being a baker, people are like aawwwww and they enjoy the nicely written scenes that are just people being people.
That.... ultimately creates a bland story when you're writing a book about original characters nobody has a preexisting investment in.
#romance novel blogging#lol idk sometimes i feel like fic gets this sweeping pass bc we're not supposed to critique the work#and not critiquing the work is fine i'm not here to tell y'all a thing someone is doing for free is bad when they don't want feedback#BUT... i think it's fair to critique the way fic has been uplifted and held on this pedestal compared to books#and EQUATED to books#which is my biggest complaint always#it's not better or worse it's different and if you think you can transition from fics to books#without reworking your products and your style#and frankly often putting a lot more work in#... idk man that's just so low effort and i personally think that's one reason why we see subpar books where nothing happens#they've always existed some people just do that lol but some of it i read and i'm like#this is like someone wrote a review 200k word fic about absolutely nothing changed the names and bit publish#(and another thing--one way you CAN tell there is a different type of work being done with fic is the wordcount dif#the standard for say a historical romance#which is often given more room traditionally in terms of word count than a contemporary romance#is 100k words#contemporaries often have landed between 80k-100k#then you have these 150k contemporaries and they're bloated as hell#but that wordcount is not unusual for fics#and fics are nORMALLY if edited at all being edited by amateur beta readers who do not professionally edit work#and often only look for typos or scene/character issues versus things like overarching plot and structural weakness#ADDITIONALLY! when you read a fic you're usually reading someone writing in real time#whereas if you are reading a well-done actual book you're reading someone's like... billionth draft that's been worked over by#multiple eyes. and i include indie in this bc the really good indie books have usually been professionally edited#on top of critique partners proofers etc)#ANYWAY. MY RANT.
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Out of curiosity do you think that Golarion's Caliban and hagspawn from 3.5 ed could coexist in the same setting or would they prove to be redundant?
Yes! I wrote the caliban, so I should know. At least, I mostly wrote the caliban. It was an RPG Superstar entry I wrote, and then a lot of the content from that year ended up in Tears at Bitter Manor. The gorget of living whispers was mine too, and they ended up giving it to the final boss!
My original flavor text had nothing to do with hags. I wanted the calibans to be the children of parents who were "blessed" by Lamashtu. The inspiration was various hybrid cryptids from the mid-to-late 20th century, like the Lake Worth Monster, Honey Island Swamp Monster and the Goatman (hence the axe). In the original stat block, the caliban's share deformity ability could also affect mental ability scores (so you could have a scholarly caliban parasitizing his intellectual rivals, or one who wants to be beautiful stealing abilities from pretty faces). The third flavor change that Paizo made was making them all male; again, as a way of making them relate more to hags than Lamashtu.
The art is perfect, though. No notes.
For a "mutant child created by hags", I would use my invunche statistics or 3.5 hagspawn, and use calibans for more general monstrous mutants.
#caliban#hags#invunche#pathfinder rpg#paizo publishing#editing#i get why they made the changes#but i still like my version better#feedback#about the author
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Something about doing twice as much work as I usually do in one month immediately after a nasty recovery from surgery drove me into a depression flare-up that even a four day weekend hasn't fully kicked.
Shocking, I know! I never could have saw it coming either! But it's led me to resurrecting the Big Damn Table of prompts from Ye Olde LiveJournal era and by Jo, I think I could actually complete this thing for the first time in my life. 😮
Not all at once, obviously, (there's 200 prompts!). But I already have 4 one-shots drafted, and I barely even tried. So yay! Maybe publishing some of those will finally make me feel like I'm good at writing again! 🤞
#I've published 17 chapters and over 120k words on the same fic#which is about 58 scene changes (I counted)#And that's apparently the magic number to make me good at plotting self-contained one-shots o_O#Before 'Can We Keep Her' every story idea was a 20k word fic MINIMUM so I wrote barely any of them#Now? I know how to end things#After writing 58 endings in the past year I guess that makes sense#Now if only I understood middles maybe I wouldn't be suffering from this depression flare up :S#(or maybe if I had gotten my average 16 comments on the latest chapter instead of 9 plus crickets....)#(... yes I know that sounds so spoiled but writing is really hard you guys!! I bleed and bleed and bleed onto the page and for what?! Why?!#(No seriously why. I need readers to tell me so I can build up the stamina to keep going.)#(It's a feedback loop! Both literally and figuratively!)
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#why am i like this#is it because when i publish i get no feedback but people respond to the dms??#probably#on fanfiction
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Also, an update for my Nightmare Before Christmas readers-
I promised to publish a rewrite of the Tokyopop comic series, Mirror Moon, but haven’t delivered on that. I wrote down some notes on how I’d like that story to go, and even started writing an introduction for its first chapter, but haven’t touched it since. I don’t know if I will continue with that project, since there is now another TNBC comic in the works(The Battle for Pumpkin King), and what I had in mind for my rewrite was a little...big. So, that story would require a lot of free time and constant motivation.. If I happen to have that in the future, I’ll tackle it! But for now, I have no plans on working on that project for awhile.
I have also promised another sequel in my line of TNBC works, to follow after Our Nightmare. THIS I definitely plan on writing, but, again -- when I have the time. I’ve been working on another story for a different fandom in the meantime, so when that one is done, I’ll look into properly plotting out my next Jack x Sally story in my series.
Since it’s been so long, I’ll tell you all what it’ll be about: Jack and Sally’s children. (Obviously.) I’ve never actually made proper OCs for their kids, so it will take some time to create and develop them, then longer to actually write the story. I’ll also be acknowledging a bit of my canon divergence in this particular fic, to circle back to the movie. It’ll be interesting. I also want to write all the family/domestic fluff I can of Jack/Sally and the kids -- so I promise to deliver on all that!
As for the Jack X Sally requests/prompts, I quickly lost motivation for them. I may have to scrap it for the time being. I’ve still kept all the prompts I’ve gotten, so if/when I ever want to write them, I have them! But don’t expect any new additions for that one, until I have the motivation....I apologize. :( It’s likely I’ll get in the mood, come September-ish, and the season is right. I might post something then.
Thank you all for the patience, and here’s hoping I can write...something...soon! Ahaha.
#update#writing for tnbc is a little hard since fics dont get much traction until the halloween season#kind of like the situation w fanart honestly#and so i dont want to publish something and get little following/feedback#i do not write for those things believe me but i had to end Our Nightmare because my feedback dropped considerably and it really deterred m#im afraid of that happening again#and i want to write another full fledged story with many chapters#so i want the timing to be more right if you know what i mean?#i would also love to make a story about lock shock and barrel since i had to cut it short with them in our nightmare#there's a lot of potential and things i want to dig into with them#and maybe a mirrorverse fic would be cool to do too#but ive no motivation to do any of these for now#i have many Ideas but life has been hard and its probably why i lost so much inspiration#my life will soon settle down again so hoping i pick up something at the end of the year#<:)
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[Wow, I wrote two fight-centric chapters in a row in Recruited? How did I do that?]
#.:ooc:.#im re-reading#idk why#i know i likely won't get the motivation to continue it#*thinks about how i should also be working on my original stuff*#*on getting published*#*is not doing it*#doesn't help that i can't get any feedback on the thing i did finish but :/
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Editing Fanfiction
nobody: “How many times have you edited this chapter of your fanfiction?”
me: *experiencing something akin to war flashbacks* “What...? How... many... times?”
nobody: “...How many times have you edited--”
me: “HOW MANY TIMES?! Are you seriously asking me HOW MANY TIMES I’ve read, reread, and rewritten this part of my fanfiction? A sentence? A paragraph? A whole page? A whole chapter?”
nobody: “Yes?”
me: “YES! That is the answer! ‘How many times?‘ - Yes, many times! So many times! So many, many times...! So many... many... many...” *slumps and draws circles in a corner*
#fanfiction#rambling#it's true though#Not that I mind#Not really#I want my stuff to be good#this is why feedback is so important to me#I'm mostly rerarranging sentences to improve the flow of reading#And I translate and retranslate my stuff as my publishing language (EN) isn't my first language
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.
#why am i so insecure about my writing all the sudden#like suddenly im scared to post anything and its making me struggle to write#cus now im second guessing if everything ive written recently#published or unpublished#is shit#i get no feedback idk if its even good#and everyone's really putting a look of quality work into the fandom rn#i just feel like im in the edge of the field kicking a little soccer ball by myself during the big match
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Am tipsy and just watched two hours of Good Omens, might fuck around and reread more of my own writing
#i only have to download the files I sent my friends#then cozily read Michele's office from the comfort of my own couch#beablabbers#I will admit I aaaaam quite high on my own writing#Yes tomorrow I have to shower and make cookies and do my homework#buuut ... just a little buuuut ... sunday evening? Bea gets to proofread more of her own shit? 🥺#I worked so hard for this success I deserve it#And I know my ego will be hurt when I publish it and no one will read it but that is why I have to savour it rn#as well as every single feedback by a trusted friend
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okay but in an academic setting this is still probably considered self plagiarism and is still against academic integrity policies. of course if you posted the art to your website AFTER submitting it for class that would be fine, but pulling something you previously wrote/created to submit for an assigment instead of doing the assignment fresh for that specific class is actually still considered plagiarism. Obviously it is a clearer issue if you have already submitted it to a different class and are re-using it. but if it is previously published somewhere, like your website, you are going to get into trouble. For the same reason, dont submit a blog post you wrote that kind of works for a class essay prompt. any plagiarism software will find the blog post and flag that and it will still be considered plagiarism. If you really want to engage with something you already made, the most you can do is cite yourself, but in terms of academic integrity policies you are supposed to be creating something completely new for all assignments.
#the only real exception i can think of is a dissertation or thesis because that is treated more like what i think maybe an art portfolio#would be?#like if you are turning in a portfolio of your work at the end of your program#obviously it is all stuff you previously did#and often for writing you will be encouraged to develop your thesis chapters during your coursework if you can#and that is more considered part of the revision/feedback process#but similar to a portfolio a thesis is supposed to be the culmination of all the research you did in your program#look i am salty about self plagiarism rn#because i work on a peer reviewed publication#and the number of academics submitting previously published work to us#is staggering#like i cannotttt believe it#and some of them just really do not understand why self plagiarism is a problem#so like if we can get people at the student level to actually understand it#maybe! my job would be easier got dam#in the publication setting some of the issue is copyright related#but a lot of it is just in order to be seen as a relevant academic publication you have to be#publishing NEW research not just recycling stuff people have already read elsewhere#from the student/prof aspect tho the issue is more that the purpose of the class is for you to be practicing certain skills#and if you are not creating something NEW for your assignment#you arent actually getting that practice#and you probably wont actually be fulfilling the assignment prompt either even if you THINK it is close enough#like profs design prompts very carefully to guide you towards practicing certain skills#so something you did previously just on your own might somewhat fit the theme of the assignment but likely wont#fulfill the entire rubric#like i know surface level it self plagiarism seems like a stupid concept#but there are actually practical reasons why it is not acceptable in many different settings
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You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"
Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.
Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.
Question 1: Should the current law providing for the inspection of wills be preserved?
Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.
Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?
No.
Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?
Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you. I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.
"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age." -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.
Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?
Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.
Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!
Did you even speak to any historians before coming up with this idea?
Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?
Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?
No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.
Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.
There is no good version of this plan. The physical documents should be preserved.
Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?
This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.
Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?
Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.
Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.
No, all the documents should be preserved indefinitely.
Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.
No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.
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anyone notice a new trend of really entitled people joining fandom?
I feel like jerks have existed since the beginning of time, but it feels worse lately.
So far this year, I've witnessed:
People offering free unasked criticism to artists because they're not happy with the way their favourites are portrayed, stating that 'they deserve to know what they did wrong so they can improve' while the feedback they offered was 'why does everyone look like they're on ozem***' (idk if i need to tw this word)
Also giving feedback AND REVIEWS to FANFIC as if they're published works (and adding them on GOODREADS TO RATE)
People mass producing binded fanfiction and making THOUSANDS of dollars off work they did not create (they stole the artwork too)
People running incomplete fanfictions through AI because the writer wasn't updating and COMMENTING on the fic telling others to do the same so they can get an ending
And now, in the span of two days:
People trying to argue that if they can't sell binded fanfiction, then you're not allowed to commission fanart from artists either
The same people encouraging people to use AI or steal fanart for their binds
ALSO the same people openly admitting that when they typset fics, they will edit the fanfiction and change entire sentences so that it 'makes more sense to them' -- one person complained the entire fic was rough gramatically and was seeking permission not from the author but OTHER BINDERS to freely edit as they please
I'm trying to be a positive person in the communities I'm in, but GOD I am so tired. Every day I fight a battle deciding if I should just be a worse person, everyone's doing whatever the hell they want anyway.
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its anxiety time again wowie havent had it this bad in a while
#very much feeling the Terror rn#why the hell would i make my friends cry how would i even have done that#no im not dying where did you get that idea#the feedback will be published after the deadline not before even though i already handed in mine 😠😠😠#stop fucking THINKING SO MUCH#vent
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ENHYPEN BEING JEALOUS
Jealous bf!𝐄𝐍𝐇𝐘𝐏𝐄𝐍
OT7 ENHYPEN x female reader . GENRE / WARNING(S) :: est relationship + possessiveness + fluff + not proofread && WORD COUNT ;; 680 ;; CHECK BOX !!
yu-note : started writing this during BTHB release, finally decided to publish it widbcib
( reblogs + feedback always appreciated !! )
𝗟𝗘𝗘 𝗛𝗘𝗘𝗦𝗘𝗨𝗡𝗚
You guys were our with with your friends and a couple of other people invited at the arcade. Heeseung sees a boy eyeing you from afar and he glares at him while he approaches you, wrapping his arms around your waist. "Why so sudden?" You ask, the action piqued you interest. "I just don't want anyone to steal you sway from me." He grumbles, and you raise an eyebrow cluelessly. "What do you mean?" You see his pretty eyes shift towards a guy by the polo table who immedietly looks away after seeing you both turn to him.
𝗣𝗔𝗥𝗞 𝗝𝗢𝗡𝗚𝗦𝗘𝗢𝗡𝗚
Bluntly says, "I don't like him," after you return to him from chatting with someone else at the function. "Who?" you ask, trying to hear what he says over all the surrounding conversations. "That guy you just spoke to. He's too friendly." Jay points out and you can't contain your giggles at how he's acting right now. "Sweetie, don't be ridiculous, he has a girlfriend." Jay is still cautious and says, "So? You're too perfect not to like." while sliding his finger in between yours as his eyes trail your hands, his fingers curcling your knuckles. "Sometimes, jealous Jay is entertaining," you joke.
𝗦𝗜𝗠 𝗝𝗔𝗘𝗬𝗨𝗡
During picnic in the park, you two come across a guy from your chem class, and he approached you two first during the lovely date, ruining it all for Jake.. You try to usher him away, and when he finally does, Jake asks. "Are you sure he's just a friend?" You sigh and nod your head, tired by the fact that he even asked. "Of course he is, sweetie." "Well, that's what they all say." he shrugs carelessly and you shake your head. "If it really bothers you, I might consider stop speaking to him." Jake almost instantly gave you the puppy eyes, and you gave in.
𝙋𝘼𝙍𝙆 𝙎𝙐𝙉𝙂𝙃𝙊𝙊𝙉
It wasn't evident that he's jealous until you pay extra close attention to his behaviour. Not only was he less touchy, but he refrained from speaking with you at all costs. You saw him make eye contact with you, and usually he'd light up, but not this time. "Hoon? Why are you so cold? Have I done something?" You ask, not liking the tense atmosphere. "I don't know. You tell me." You feel offended by his question. "Is it about () ?" You see him nod, and you rest your hands on your hips. "I'll stop being close with him then." You sigh and Sunghoon gives you a kiss..
𝗞𝗜𝗠 𝗦𝗨𝗡𝗢𝗢
Sunoo hugs you from behind, his arms engulfing you around the waist. "Am I not pretty enough for you?" He asks with an underlying tone in his voice that's sharp like fangs. "Of course you are. What makes you say otherwise, baby?" You ask, letting yours hands find and rest on his. "I just don't like seeing you with that guy, he gives me the creeps." Sunoo mocks shivers running down his spine and you chuckle. "Alright, if you say so, but we're just friends, you know?" Sunoo rolls his eyes. "Yeah yeah."
𝗬𝗔𝗡𝗚 𝗝𝗨𝗡𝗚𝗪𝗢𝗡
"You know I love you, angel, and I hate to say this, but Who was he?" You hear Jungwon question scincerily after you returned home. "He's a guy from my class. He just accompanied me home, babe." You answer, knowing that he is jealous. "You could've called me, you know?" He leans his head on your shoulder and you chuckle. "I just didn't wanna disturb you." You say and Jungwon clicks his tounge, "you're never a disturbance to me."
𝗡𝗜𝗦𝗛𝗜𝗠𝗨𝗥𝗔 𝗥𝗜𝗞𝗜
"Should I be scared that I've competition?" He jokes, crossing his arms as he nudges your shoulder. "Competition?" You echo, not sure by what he means. "That guy is testing me, babe." He explains and you look over at the said 'guy'. "Don't look at him." Riki hisses while gently turning you to face him again by the chin. "Ok ok, I won't speak to him anymore ." You sigh at last, and he smiles at you widely.
TAGLIST : @dollyhoon @itjengirl @saeivra @orimuraa
#yuvany's work౨ৎ#enhypen x reader#enhypen fluff#enhypen#enhypen imagines#enhypen drabbles#enhypen x you#enhypen scenarios#enha x reader#enha fluff#enha imagines#lee heeseung#park jay#sim jake#jake sim#jay park#park sunghoon#sunghoon#sunghoon x reader#heeseung x reader#jay x reader#jake x reader#sunoo x reader#kim sunoo#yang jungwon#jungwon x reader#ni ki x reader#ni ki enhypen#riki x reader#nishimura riki
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NO IDEA ☆ l.dh
pairing: loser!donghyuck x fem!reader
no idea synopsis: a story where both you and lee donghyuck seem to get what you want. he's the perfect pawn in making your ex-boyfriend jealous and the smarty pants tutor helping you pass your math class. donghyuck has it easy too, he's finally able to seek out and experience the world of dating through you, his long-devoted crush and surprisingly enthusiastic tutoring student. but then again, when meaningless tutoring sessions soon evolve into reciprocated feelings, is it really that easy?
genre: college au, nonidol au, fake dating au, social media au (includes written chapters), classmates to friends to lovers, he's a nerd & she's a popular cheerleader (you see where this is going), he fell first but she fell harder trope, kinda based off to all the boys i've loved before, fluff, crack/humor, angst, one-sided pining that turns into mutual pining
warnings: explicit language, unrealistic college partying, talks about family issues (this does NOT reflect any of the idol's families!), yuqi has an ex gf, some alcohol consumption, kys and sexual humor, bullying, hyuck and his buds are mistreated ☹️, hyunjin is a bad bf!!!, cheesy af, unrequited love, bad insults that sound like they're from the 2000s, HELLA miscommunication
no idea playlist: btr's no idea, taylor swift's you belong with me, the vamps + demi lovato's somebody to you, james arthur's can i be him, ariana grande's daydreamin, fitz & the tantrums' out of my league, shawn mendes' treat you better, bruno mars' just the way you are, lonely god's marlboro nights, the 1975's i'm in love with you, sam smith's like i can, arctic monkeys' wanna be yours
author's note: FIRST HYUCK SMAUU! how we feeling 😏 i needed to get this idea out of my system! plus, i love this type of trope, and haechan just fits the nerdy role 😭 I HAD TO! but happy reading :D <3
comment if you wish to be tagged for the story's updates!
profiles: "ncu freaks" + jeno 🤔 | gal pals & two men
intro. #manifestationiskey 🩷
ep 1. but a FAILING?
ep 2. i guess i'm her tutor
ep 3. WHY IS HE ATTRACTIVE
ep 4. COUGH y/n bag him COUGH
ep 5. i know i can treat youuu bettterr
ep 6. YNHYUCK PLOT IS FINALLY SAILING!
ep 7. bro texts with his 𝓯𝓻𝓮𝓪𝓴𝔂 𝓪𝓵𝓹𝓱𝓪 mode on 🐺👅
ep 8. bro fumbled HARD 🤦♂️
ep 9. LET THE BOY LIVE!! HES IN LOVE!!
ep 10. THE HARD LAUNCH GOES CRAZY
ep 11. lemme guess, fake boyfriend responsibilities? (written)
ep 12. jeno got me up... plotting
ep 13. AMAZING fake boyfriend
ep 14.
ep 15.
ep 16.
ep 17.
ep 18.
more to come. . .!
started: 09/06/24 finished:
© JIRSUNGS. ANY TRANSLATIONS/REPOSTS/PUBLISHES OF MY WORKS ON ANY PLATFORM ARE STRICTLY PROHIBITED! ALL COMMENTS, REBLOGS, LIKES, & FEEDBACK ARE GREATLY APPRECIATED! THANK YOU SO MUCH! I LOVE YOU, MWA! <3
#nct dream imagines#nct dream smau#nct dream texts#nct imagines#nct smau#haechan fluff#haechan smau#lee haechan smau#haechan fake texts#nct haechan#nct 127 smau#nct 127 scenarios#nct texts#lee donghyuck smau#lee donghyuck fluff#haechan texts#nct 127 texts#nct 127 fake texts#nct dream fake texts#haechan x reader#haechan x female reader#nct dream fluff#nct 127 imagines#nct dream scenarios#haechan imagines#haechan scenarios#kpop texts#nct dream x reader#nct fluff#kpop smau
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