#no cause i love this fucking movie

[umblrspectrum]

you'll never guess which movie i finally watched after 2 years of being lazy

[lemonavocado]

"oh i love frankenstein! my favorite quote from the novel is i have love in me the likes of which you can scarcely imagine-" grabs you by the throat and chokes you violently

[felsicveins]

His heart belongs to another

And no other heart will do

[fiendishartist2]

shout out to elias bouchard for fucking up a perfectly good mildly toxic workplace. you literally couldn't have done worse

[oifaaa]

Can't believe people have cognitive thoughts after seeing across the spiderverse all my brains been able to do for the last hour is buzz with various intervals of oh my fucking god that movie!!!

[ilovemesomevincentprice]

Scooby Doo giving Vincent Van Ghoul a kiss is the greatest thing you'll see today. 💋

Vincent Price as Vincent Van Ghoul - 13 Ghosts of Scooby Doo (1985)

[nebuladreamz]

The voices are loud and I am WEAK

[xxplastic-cubexx]

so like do you think they made the plastic wheelchair ALONGSIDE the plastic prison as a Just In Case situation, only after they realized charles was going to be a frequent visitor, or both as in because they knew charles was going to be the only person visiting him during planning they decided to make him a chair ahead of time

[carnivalcarriondiscarded]

watched Grease the other night with my buddy and. well. obviously i Had To

[velvet-games]

I think I've said a couple times that seeing too much radiosilence angst made me want a fluffier qpr version, but tbh I still want all of the angst; it just needs to be framed as eventually leading to a happy ending.

alastor and vox hating each other is thematically inevitable. I am in love with the fake enemies trope; I tried playing around with that, but there is no universe where these characters are remotely close to canon and actually like each other lmao. I think it needs to be more "vox pretends he only hates alastor and alastor pretends he doesn't care about vox but they actually both understand that they really had something and destroyed it because of mutual differences." like, symbolically, it's old vs. new, right? and alastor is good because he values what worked in the past and cares about artistic integrity but bad because he refuses to see progress or accept change; vox is good because he's innovative and ambitious but bad because he's tacky and too profit-driven. that dynamic has way too much potential for us to skip the part where they grow to see the good side of each other's perspectives while keeping their own identities intact.

AUGH the angst would just be too good; vox and alastor kind of being on the same wavelength at first when they weren't too far apart era-wise, alastor not really taking his ambitions seriously and finding them entertaining, vox actually caring at first about making TV as a legitimate creative endeavor and them connecting over a love for entertainment ... but eventually vox gains power, he starts getting distracted by money and takes shortcuts, he stops creating almost completely because it's easier to make contracted souls do it instead. alastor's cute plaything (that maybe was actually interesting to talk to and had good ideas ...) becomes this tacky capitalist that he can't manipulate as easily, so he gets bored of him. vox is so happy when he finally becomes an overlord; alastor is gonna be so proud! only for him to realize that alastor never saw him that way. alastor never actually liked him, did he?

cue them getting mad at each other and starting a feud that is much more comical on the outside than it is privately. vox is still a little confused and very much in pain ... he knows his own flaws but his greed has too much of a hold on him to make him actually change for alastor (vox: I'll do anything! just tell me what to do, what to change, and I will. please just stay. alastor: would you give up your company? power? money? would you stay with *me*? vox: ...). alastor is disappointed and tries to make it seem like he really had no affection for vox, but those memories of drinking together on sunday nights, listening to how excited vox was about a new invention ... maybe, in the very back of his mind, he realizes he misses that. that he feels left behind.

[too-many-rooks]

In a world of heavy footprints, be untraceable. Wage wars! Get rich! Die handsome!

- The Mountain Goats

[mavenbeeee]

i know everyone is praising ify for how he’s playing this season and i do think he is slaying but some of his moves kinda bother me😭😭😭i didn’t like how he took all the drug juice i feel like brennan obviously had a plan for how that was gonna work with persimmon dead AND everyone would’ve got a cool moment with the drugs but he kinda just took it :/ obviously it worked out and it did lead to that convo w liv and russell but idk i felt like jacob in that moment and i’m not even playing LMAO like i would rather have just seen what brennan was gonna do and got to see how everyone was gonna take it

[crossthread]

Okay I swear to God I hope the directors of avatar (the alien movie) sees this post somehow but the whole reason the way of water flopped so badly is cause it was written over 10 years ago. So I like avatar. I thought it was a cool concept and good characters and overall a solid action movie. But the characterisation is just a dacade old man. It's really outdated. It instantly turned me off when Jake was seen to be a 'hardass' to his kids, and having them call him Sir, and have Neytiri taking kind of a secondary role as the 'peacekeeper' parent who goes 'but your dad loves you, he just wants you safe' bullshit trope that's just really not what this generation is looking for rn.

Emotionally mature parents is what's on topic rn. Dad's that step up and know what they're doing and don't have the 2000s 'military hardass emotionally distant' bullcrap. Just look at all the other movies and shows with family themes that did really fucking well. The Last of Us. Ultraman: Rising. Nimona. Even Maleficent, which I think is one of the earliest movies of this trope that's well known. They did well for a reason. You can't make Jake Sully a bad father and think the current audience will dig it. All of his kids, one way or another felt the pressure of living up to their dad's expectations, and im sure, whether he really loves them. And I assure you for all intents and purposes it felt like Neteyam died thinking he wasnt enough. You can't have those 'your dad loves you but he just doesn't know how to show it' bullshit anymore and expect the audience to like or even relate to that character cause a lot of us don't take that shit anymore from our own parents. A lot of millennials are actively trying to be present and good parents to their kids. So yeah. The way Jake Sully, and to a certain extent, Neytiri were characterised is probably one of the biggest reasons this entire movie flopped. It could have been great. But it isn't. And I kind of hate it actually.

My point is: if there's gonna be a third movie, the best bet to make sure it doesn't follow the way of waters footsteps is to overhaul a lot of the characterisation and plot. See what the audience wants rn, and what they audience relates to. It was clear the writing to that movie was old as balls and gen z or gen alpha don't take that shit man. Give us good parents

Edit: okay as someone pointed it out it wasn't actually a 'flop' flop because they grossed by over a billion or smth in the box office I think but to be fair half this post has been sitting in my drafts for like 2 years and I wrote this soon after I watched it back then, and a LOT of people werent that happy with it. But yall know what I mean. I waited for this movie for 10 years and all I felt was this low simmering disappointment because it could have been so good, but it wasn't.

[hamartia-grander]

I'm a real tragedy enjoyer but Luis's death is no longer narratively enjoyable for me, now it just feels like an insult. I'm tired of characters having to die to be "redeemed". It's not their death that is the redemption, it's the fact that they were willing to die in the first place; it's the intent of sacrifice. I much prefer a narrative where Luis survives and is forced to every day atone for his past mistakes. I much prefer when characters don't get the respite of death, when they have to live with their demons, when they have to face their past and maintain their growth. And it's especially maddening when the only reason Luis dies is because he did in the original. They'll change his character so much to give him substance but they won't change his fate? I don't want that.

[lanadelreis]

art credit from left to right up and down btw :3

Tristan and Iseult by August Spiess

Study for Butterfly Couple by Joseph Christian Leyendecker

The Kiss by Francesco Hayez

The Kiss by Silvio Allason

Adoration by Ste Phan Sinding

The Meeting on the Turret Stairs by Frederic William Burton

The Piano Man by Robert Mcginnis

Le Vertige by Hubert-Denis Etcheverry

The Wedding by Andrew Loomis

[a-dumb-sarcastic-bisexual]

Nimona headcanons plus little bonus part 2 electric boogaloo

After Nimona found out about Ambrosius' allergies they demanded to test every single meal he eats 

They’ll take the plate away from him and have a test bite and only after they deem it “safe” will they let him eat it

Doesn’t matter if they're out eating or at home she does this every time 

He can literally say “Nim Bal made this for me it’s not gonna have anything I’m allergic to” and she’ll respond with “You don’t know that he could finally be sick of you and the only thing saving you is me” 

Ambrosius and Bal will share literally everything they eat 

Whenever they go out they’ll usually order something they know they’ll both like 

And if they know the other one is between two options they’ll just order one of the options and share both meals 

It’s a pretty normal thing that they’ve been doing since they were kids so they don’t even question it anymore 

Nimona jokingly calls it sickening as she steals food off their plates 

No one in the trio is neurotypical 

Bal is autistic Ambrosius has ADHD Nimona is a mix of both

Talking to these dorks is absolute hell

It’s kind of like the interrogation scene except it’s not one topic 

They often get sidetracked and lose the plot of the conversation 

They’ll have 10 different conversations at once and only finish like 5

Bal forgets a whole bunch of shit because he has long-term brain damage and Nimona and Ambrosius forget shit cause of the ADHD 

It’s not uncommon for someone to say “Hey remind me to” and then they’ll be cut off by the other person who just says “You know I won’t remember that just put a reminder in your phone” 

Their house is covered to the brim in sticky notes and random pieces of paper for reminders 

The grocery list is on the front door the chore list is in the kitchen and random little tasks are scattered around the house 

When Nimona doesn’t want to do something he’ll just erase his name from that task

He fooled the boys for a while but Bal started keeping score of who did what and when and called his sneaky ass out 

Little bonus part 2 electric boogaloo: this time it’s my sister and my mama and my sister also was acting like I was killing her firstborn not asking her to watch a movie 

Me: “look mama it’s the siblings” my sister: “but they’re gay” me: “yeah but people thought they were siblings” my sister: “if you ever look at me like that I’m calling the cops” (the scene on the catwalk) 

“Yeah you better cheer” (when Bal was getting knighted)

“I knew something was wrong with the sword” “So did Bal” “Yeah but I knew first”

Apparently both my Mama and my sister didn’t know that Ambrosius cut off Bal’s arm so I got to see both of their reactions 

This was my Mama’s “damn what happened to being a lover not a fighter” “he’s a knight Mama” “Who cares!!” 

This was my sister's “Wow really took the whole arm huh?” “That’s how they were trained” “And?” 

My mama was talking to my sister when Nimona met Bal “Who does that remind you of?” “Roo” “Exactly”

 “Oh look it’s tiny dick!” (Talking about Todd) 

“What a fucking bitch” (when she found out the director swapped the sword) 

This was when Bal and Ambrosius were fighting Me: “Is there anything gayer than having an argument in the middle of a sword fight” My mama: “They’ll fight with their other swords later” 

“Who fucking asked” “bla bla bla I’m a racist bitch” (when the Director went on her monologue in the office)

She saw Ambrosius’ username and laughed for like two minutes straight

After the sword fight my sister would pretend like Bal and Ambrosius were making out every time they were on screen together 

“Because I love you *making out noises*” at the tavern 

“Oh there’s their third wheel (Todd)” “Nah he’s racist as fuck” “Who isn’t in the institute?”

When Ambrosius tried to stop the director she said this is what he meant “No you can’t set off the laser that’s my kid!” (She believes the trio is a family too) 

“Awe they’re hugging *more making out noises*” 

She called it cute in the end and I made fun of her for bitching about it

I asked my sister who her favorite is and she says “what’s his name balls?” I started cackling my ass off and she goes “I’m joking I know his name is Ballister and he’s still my favorite”