#no amount of arguing how it’s actually

[spartazia-blog]

Pen stans handwaving Colin criticism as “obviously bad” and not engaging with it(and then making the argument that Colin’s entire journey should be about discovering his feelings for Pen) so they can write a whole screed about how the Plot Device story is good actually and we should want it to get to a proposal is the most transparent bullshit I’ve seen lately. And that says a lot given the amount of transparent Pen stan bullshit there is in this fandom.

This goes hand in hand with “Pen is allowed to lash out when she is hurt, but Colin can be hurt and angry but needs to be of so nice about how he expresses it because otherwise bb Pen might *actually* have to feel the impact of her actions. And, yeah, the fact that Pen shuts down or lashed out when confronted should NOT mean Colin can’t review his feelings. That’s a point where Pen needs to grow. People shouldn’t have to modulate their emotions because she’s immature in how she communicates and fights.

I think I’ve reached a point where, yeah, I kind of do struggle to have empathy for Pen because EVERYTHING in this fandom must be centred upon her and her feelings in order to be seen as “valid.” Not to mention, I’m sorry but Pen’s job is literally her profiting off talking behind people’s backs and no one wants to talk about how part of her growth should be recognizing that that’s fucked ip and STOPPING that. Instead it’s just all “but people are mean to her” and “she built a business (of the backs of other women’s suffering) and is thus a girlboss”

Also, every time you make the argument ever the PD is there to parallel Marina, I immediately write you off. Because, my friends, the scorekeeping and desire for Colin to be “punished” for daring to like someone before Pen is clear no matter how you try to dress it up.

[evenmyhivemindisempty]

My controversial opinion about Hob Gadling is that I believe he’s absolutely the sort of guy that “puts things behind him”, and tries to wash his hands clean of the things he feels icky about. This is implied pretty well in the show, with him blithely moving from soldiering and robbery to printing, from slaving to… whatever it was he was doing in the 19th century instead. That being said, this is not at all the same as actively trying to atone, or even making a concerted effort to be a better person, and I really wish fandom could tell the difference!

[batsplat]

after 2015 until 2018 it seemed that things had calmed down a bit between valentino and marc, in the sense that they had started to be polite between them again and valentino no longer seemed to be on a war footing. then after argentina obviously the situation worsened again. in the podcast where valentino spoke in 2021 if I'm not mistaken, when he talks about marc,however, he only refers to the events of sepang and not to what happened in argentina which instead seemed to have been the final “divorce”. so my question is, during 2016 and 2017 did valentino just pretend to put up with marc? because in that podcast you can feel valentino's resentment is still a lot even after many years, so I imagine it must have been even greater in the two years immediately following sepang, even if it didn't seem if you see how he behaved

well. look. it was reflected in how valentino behaved... I think sometimes if you see isolated photos and gifsets, you can maybe be left with a bit of a mistaken impression of what that dynamic actually looked like for those two years. they got to a point post-catalunya where they were civil to each other, and maybe they'd exchange two lines in greeting, at podium celebrations, when somebody in a presser made a joke... and maybe marc at the very least was sincerely hoping they could get back to something like what they had before 2015. in reality, though, it was still very very far away. it wasn't open hostilities... at some point in 2016, valentino realised he simply couldn't go on like this. I talked about it a bit here:

you get this discrepancy in his 2016 output, actually. if you compare what he's saying that autumn for written press interviews vs what he's saying with marc right next to him... he'd clearly decided there was zero point in directly fanning the flames. at the sepang 2016 presser when marc and him are quizzed on what had happened the previous year, he just goes with marc's response and decides against reopening the controversy by adding anything from his side. but he still made it clear he hadn't changed his mind in interviews from the exact same time period! at times, he tolerates marc's tentative advances - at other times, he's almost accidentally sucked in, like he can't quite help himself from laughing at something marc has said. but there was never a period where he forgave marc for what he'd done... for various reasons he just decided he wasn't going to harp on about it too much. he did basically say as much post-argentina 2018:

but yeah, argentina 2018. it's an interesting one, isn't it? the stuff that valentino says there doesn't actually feel... quite in line with anything else he's said about marc. typically, when valentino criticises marc, it really is all about sepang 2015 - it's very focused, very specific, he's talking about being unable to forgive marc on a personal level for something marc had done to valentino... but it's not like he's really coming at marc for anything else... when other riders have gotten into spats with marc, he's stayed out of it - and generally he remains pretty neutral when he talks about everything else concerning marc. so, for example, there's a world where the moment alex rins is saying marc doesn't respect other riders in 2019, valentino immediately jumps at the opportunity to offer his hot take... but he doesn't do that. and yes, he had criticised marc's riding before, in particular in marc's moto2 days, but obviously those criticisms were considerably more restrained and sounded at times quite worried for marc's sake. (he also got close to that in silverstone 2016 when he remarked marc had 'something special' for their battles, but a) he's not wrong, except insofar as it's clearly mutual, and b) he explicitly said he didn't have a problem with that fight and considered it hard but fair). in 2017, when valentino was criticising other riders for being too aggressive... well, he wasn't doing so with marc, and he even conceded the point to marc in subsequent races after marc had obliquely criticised valentino at cota for his rhetoric not matching up to his own riding. when valentino's young riders have gotten into their own spats with marc, he's not waded in either, at most saying stuff about marc's fight with pecco that from his lips sounds almost like something akin to praise. radio silence after bez's run in with marc at the end of last year... argentina 2018 is the exception not the rule

and you know... at the end of the day, that was an emotional reaction. valentino might be wearing the habitual smile on his face during the media debrief and sound reasonably calm and composed, but he was furious. which, it's always worth remembering, isn't an entirely unreasonable reaction to that specific situation. yes, valentino doesn't have a clean track record either, but you're going to struggle to find such a... weaponised carelessness, a blatant disinterest in his fellow riders while shoving them aside, in the way marc was exhibiting that day - and indeed that whole weekend. looking back, of course argentina 2018 ended up being an isolated blot on marc's track record that he's not come close to repeating since (yes, he's made high profile errors that took out other riders, but it's different)... but we didn't know that at the time. also, I doubt valentino much appreciated being treated just like an obstacle in marc's path! the fact that valentino wasn't the only marc victim that weekend kind of has an interesting effect, because you have to doubt whether it would have helped if valentino felt like he was being targeted specifically by marc, but on the other hand... well, it's almost disrespectful, isn't it... being singled out is in a way still better than being brushed aside like any other rider

still, valentino's pushing it with his criticisms, he's out of line, and he clearly did lash out in the heat of the moment - which was of course largely a product of the resentment he'd been holding onto those past two years. calling marc's behaviour that day dangerous? sure, you'd find a lot of agreement for that. saying that marc was ruining the sport? that he was intentionally causing other riders to crash? ... well, hold on one moment. I reckon the simplest explanation is the best one here: valentino was angry and said stuff he wouldn't otherwise say, which we know because he's not done so before or since. of course, he was never going to retract what he said about marc that day - he wasn't ever going to apologise for it. not with their history, not when there was still just enough about those argentina comments that he meant... so he wasn't going to feel too much regret about the bits he wouldn't have said under any other circumstance. the problem post-2015 for valentino is that constantly signalling his fury to the world wasn't doing him much good... but pretending like everything was just fine clearly also took a bit of a toll. argentina 2018 wiped the slate clean - even though they gradually crept back towards basic civility after that. and valentino really didn't continue with that line of critique... since then he's basically completely reverted back to a sepang 2015-centric approach. maybe a few hints at it... in 2021, he said something along the lines of how he doesn't feel good when he's on-track with marc, but that's pretty generic while also crucially being personal - he's not saying marc is a problem for the series, he's saying it's them specifically that have an issue with each other

which doesn't mean he didn't believe what he said in argentina 2018 in the moment... when they reconvened in cota and had marc and valentino do separate media debriefs from the main presser, valentino said he stood by his comments - but also didn't actually repeat them or elaborate on them or anything. he's back to terse short responses to the press' questions, saying he wants to focus on the race ahead: kind of the go-to approach when it comes to marc post-sepang (with notable exceptions). he's walked his strongest comments back as much as he was probably ever going to - by simple virtue of the fact that he's left it at that. and you know, he's a complicated guy... 2016-17 was both pretending and it also wasn't. he didn't act like everything was forgotten, but he certainly was willing to let people believe that this relationship might end up being mended - which quite frankly was probably never going to happen. mostly, he was just sort of sick of the whole thing, struggling to enjoy himself in what had become such a charged, hostile environment for all the riders involved. at the same time, look - fundamentally, the interpersonal chemistry with marc was always fine. they click as people! they click as riders! marc makes valentino laugh! sometimes, that line between 'pretending' and 'letting yourself pretend' and 'actually not pretending at all' can be quite thin. when valentino talks in that time period about how much he enjoyed a battle with marc, of course he isn't lying - because he really does enjoy those fights! that's what racing is all about for him, and that's something him and marc still share! as long as marc isn't barging him aside and causing him to crash, that is. maybe it'd be easier if it were all a pretence, but it wasn't... sometimes, when you say you thought a race was hard and fair, you really do mean it and you really did have a lot of fun. sometimes, the struggle isn't actually acting nice for the cameras, it's trying to bite down the temptation to laugh alongside your sworn enemy

see also assen 2016... like, isn't this kinda wild? you've just had catalunya the race before, you've just had the mere semblance of a tentative start to a possible reconciliation - then they return to the place that was really the beginning of the end for them. they go on a few track familiarisation laps, including to check out the resurfaced final chicane (aka the scene of the crime). they race each other on said track familiarisation laps. then marc brings it up in the presser, giggling about the whole thing, and apparently valentino also finds it pretty funny - before he visibly swallows up his grin. later that weekend, marc pointedly decides to try out valentino's final chicane move himself during the warm up session. this is all obviously deranged, but it's a type of deranged where they are fundamentally on the same wavelength. it's the kind of ridiculous behaviour they're both incredibly fond of... you see it in how valentino shrugs off the towing at catalunya 2019, and thinks it speaks to marc's smarts and wiliness - unsurprising, really, because they're so similar in that regard, and valentino has never shaken his admiration for marc as a competitor

valentino can clamp down on his animosity towards a rival during his direct interactions with them... lord knows if you watch a few of the casey and valentino face-to-face interactions over the years, you really wouldn't match that up with the sheer vitriol of some of the stuff they were concurrently saying about each other in the press. that rivalry was never really personal (on valentino's end), it was never fraught in the same way (for valentino anyway) - still, it shows he's theoretically capable of separating this stuff out when he needs to... and he just about managed with marc for two years. if he had just been waiting for an excuse, surely you would have heard at least a hint of that when him and marc swapped paint in 2017. you never quite knew how he was going to answer the inevitable questions about marc's riding, but no direct criticism was forthcoming at any stage. the post-argentina 2018 rhetoric wasn't in any way premeditated from valentino's side, and personally I don't think he was just waiting for an excuse either. it was the result of a constant internal conflict between knowing that engaging in any more active beef with marc wouldn't do anyone any good, and the fact that he still hadn't forgiven marc... and then a race came along that simply pissed him off enough to push him over the edge

from 2016 onwards, valentino both very much wanted and very much did not want further conflict with marc, and neither of those impulses ever quite go away. usually, he's disciplined enough to avoid stoking the flames any further... potshots to the press outside of the paddock are essentially a free and harmless outlet in that regard, and even there you can tell he was trying to scale it back in the years where he was being forced to directly interact with marc. he was pretending and not pretending and sometimes pretending like he wasn't pretending and sometimes pretending like he was pretending. maybe it would have always just taken one major on-track confrontation for things to fall apart between them again... but you do kinda have to acknowledge the whole thing was really unfortunate. I've long thought that something like sepang 2015 was pretty inevitable as long as valentino managed to put himself in title contention once marc had joined the premier class, but I don't actually feel the same way about argentina 2018. an awful marriage of circumstance and coincidence and bad choices caused the relationship to fall apart again this badly. valentino might have had some more or less sincere misgivings about marc's riding, but at the end of the day he wasn't going to ever express them unless it got personal - because all of these people are incredibly self-centred and valentino wouldn't have felt like it was worth it. he lost his temper, he said some stuff he might partly but not fully believe, he's not inclined to bring it up again. that's that

[grinchwrapsupreme]

being super normal about White calling Billy "a dreamer"after the events of Maybe No Go

[suckishima]

love when im writing a fic that isn't set in the us and i realize i've written a line/plot point that is probably a very culturally english-speaking country thing and i get to google fun things like 'do they have shotgun in japan'

[weirdgirlbymommylonglegs]

there’s being a teenage girl in your 20s then there’s whatever the fuck the babyface by sorry mom experience is

[nightswatchdisbandmentera]

Might be a hot take but a major character’s death is really only as good as the weight and the treatment that the narrative gives it. Sure, any author has the ability to write death as they see fit. But whether the consumer (of any given form of media) is actually able to emotionally connect and resonate with the departure of someone who has occupied a good chunk of narrative space very heavily depends on how it’s treated within the story. If it’s a major character, the narrative needs enough built-in breathing space. As in, the consumer doesn’t have to fill in the blanks as to how the death impacted the plot or the remaining characters. Let the narrative do that for them, and that would actually allow the consumer to better react and relate to that major death (sadness, anger, joy, etc). Allow the rest of the characters (who were impacted by the deceased) to react to their parting. Let them engage with the death in a manner that helps justify the character’s inclusion in the narrative to begin with. Make it clear how the character’s life and (especially) their death relate to the larger themes of the story. Because most consumers aren’t stupid. We don’t want our hands held at every waking moment, but we also don’t want our investment in a story to be insulted just for the sake of a cheap shock. Give us time to breathe and grieve. And respect that we have put in a lot of emotional investment in a story and its characters, and we deserve to have that acknowledged.

[nctyaoi]

Damijon is losing to BruDick in this tumblr Ao3 polls as well…

which is a better couple: two best friends exploring life and growing together or a 20 year old with his 40 year old father

[everymlmhybrid]

this part genuinely makes me feel like eating dry wall like i can't explain how i feel about it without making some of you finally tire of me and block me about it i think

[mattzerella-sticks]

We know the lasso of lies makes any lie the user holds come true, makes people believe the lie.

What if that is how Lizzie was born?

Someone, or even Diana, says that she has a daughter while holding the lasso and because she's holding it the lie becomes 'truth'.

It would also make sense why she would even keep the lasso of lies as maybe she needs to hold it to stay tethered to reality, to stay alive. Especially since it's wrapped around her more like an accessory than equipment.

And also why she feels so disconnected from her 'mother' Diana, because Diana is a woman of truth and she was born of lies.

Plus this would also make it so Diana doesn't have to 'spend time' pregnant in the world of comics, people will believe she had already been pregnant, and also do away with any questions of who Lizzie's dad is (unless she makes the lie while holding the rope with someone, or the 'King of America' created her to burden Diana and so he is technically her father).

I hate that I'm thinking of this. I blame all the artists I like announcing their own variant covers for the Trinity special dropping in 2024. Shows how much DC really wants this to be a success + want to sell as many as possible using variant covers to point to as proof of concept (like they're doing with the WW series rn - why wait until NOW for Jim Lee to do the final piece of the triptych).

[dreamlessinspace]

Dude, why are the YouTube Elder Scrolls fans so pro genocide?? Like, I get some may be roleplaying, but like… idk man some ppl just be too into it. It’s not even just a handful of comments on a few videos, it’s everywhere. Like, why do so many of you wanna kill all non-human races in this fun fantasy land? Chill.

[bookalicent]

it's obvious the way some people talk about palestinians and israelis, they've never met a person from the middle east. you are a white american who grew up with aladdin and sayid from LOST and think the only ethnicity in the middle east is "arab", stop talking about race in the middle east. ik it's "baby's first time learning that the middle east is more than just deserts and terrorists!" but go back to calling for a permanent ceasefire and stay out of the way.

[medicinemane]

The problem with people who are "right" because they insist they're right, and the only way to be right is to simply perfectly follow their every dictation on the subject unquestioningly is this...

Ok, let's just take it as a given that you're right... the problem here is that if that's what's right I'm afraid I have to dig my heels into being wrong. If you are as righteous and just as you insist you are then I've got no choice but to be the villain because I can't stand what you're saying I'd have to do to be good

Shockingly I even think it's wrong, which is odd because we've already defined it that you're inherently and unassailably right... yet here we are

Worst part is there's a lot of these things where I'm not even full stop against it, I actually might be on their side if they could stop and address a couple of issues I consider kind of important... but they won't, because they're morally right and don't have time for addressing nonexistent issues I'm clearly just dreaming up

Undoubtedly right they are, the defect must surely be my own... and yet here we are. Vile and wicked as it might make me, I still can't just go along with you

[boneless-mika]

Everything allos say about relationships just makes them seem worse

[dandelion-network]

If you don't use your library's Libby and Hoopla collections, you run the risk of losing that access. Your library will see the low numbers and think "no one is using this service and we need to save money so let's get rid of it". I am saying this because at the library I work at, the collections team reduced the number of books you can check out each month for Hoopla. They reduced the amount by more than half - 25 to 10 - all because people weren't using it at the same capacity they were during lockdown.

Digital collections are expensive yes but when libraries are able to show the library board or city that their services are highly sought after and used in large numbers, that aids in arguing for increasing the budget - or at least keeping the budget where it's at.

Whatever your opinion on pirating is, you are doing not a single person favors by not using library resources just because you have a misunderstanding in how it actually works.

[helaintoloki]

Hey I want to request something since I saw your request was open. So can you do a fic where five and y/n ( they are already married) end up in the deli with the other fives.

Basically there are only few fives that have a y/n but she's died in their timeline. So basically it's just the other fives wanting to know more about her abd the fives telling their stories of their y/n

Y/n absolutely loves the attention she almost sequeled when she saw the other fives lol.

a/n: so this actually ended up turning into a more depressing piece than i planned LOL but the original intention is there

warnings: language, angst, mentions of death, light amount of fluff

summary: your search for answers leads you to a deli with multiple versions of your husband inside

As the danger of the impending apocalypse finally begins to sink in for Five, he realizes he needs to get you somewhere safe until he figures out a way to stop the world from ending. Thus, while his siblings continued to fight off the monstrous cleanse that was Ben and Jennifer, Five quickly grabbed hold of you and jumped you both to the only place he could think of.

You stumble over your own feet as your body adjusts to being dropped into a new setting, your hand quickly raising to shield your eyes from the bright neons that hang above you as you take in your surroundings. A subway car comes to a screeching halt in front you, and before you can protest Five is quickly ushering you inside.

“Five, where are we?” You demand, completely disoriented from having been transported away from the fight without warning and preoccupied with worry at the thought of your family fighting against the Cleanse without you both present. “Where are we going?”

“I’m taking you somewhere safe where you can stay until I figure out how to undo this mess,” he instructs you hastily, his lips pulling back into an exasperated frown at your resistance to enter the subway car. He doesn’t have time for you to fight him on this, his siblings need him, and he needs you away from the fight. Though you’re skilled at combat and wickedly smart, you don’t have powers, and Five can’t risk something happening to you while he’s preoccupied with saving the world.

“You’re leaving me?!” You exclaim in distress as panic immediately begins to take over your rational mind. You push against him harder to move away from the train, but despite all your efforts the boy doesn’t budge.

“It’s only temporary, I promise you,” he assures you, and when you shove him hard in the chest once more he tightly takes hold of your hands and brings them to his lips to comfort you. “I’ll take you somewhere nice, somewhere with a beautiful house and a garden full of strawberry bushes. I found it while exploring other timelines in search of clues on how to prevent the apocalypse, I know it’s safe because I went there alone. You can stay in the house until this is all over and I’ll come back for you.”

“Five, what if…” you swallow harshly as tears begin to well in your eyes, your emotions overtaking you at the thought of this being goodbye, “…what if you don’t come back?”

Five refuses to meet your gaze when the question leaves your lips. He’d never lie to you, and he knows he can’t guarantee he’ll live long enough to join you in the peaceful timeline he’d found, but he doesn’t have the heart to voice this to you. How can he look you in your tear filled eyes and tell you that this might be the last time you’ll be together as husband and wife?

Sighing, he releases your hands in exchange for cupping your face so that he may brush away the tears that slide down your warm cheeks. He hopes that one day you’ll be able to understand that every moment leading up to this has been for you, and he would happily die a hundred times over if it meant keeping you safe. “You’re just going to have to trust me.”

You open your mouth to argue only to snap it shut when your gaze falls over his shoulder and lands on another figure in the subway. You blink away your tears to get a better view and are left speechless when you realize you’re staring back at the face of your husband.

But how can that be when he’s standing right in front of you?

Noticing your change in demeanor, Five follows your gaze and spots the lookalike that stands across the way from you both. His features contort into confusion as you both watch the second Five offer you a wave in greeting before disappearing down the stairs. Exchanging looks of uncertainty, Five and yourself immediately rush after the doppelgänger to figure out just what exactly is going on.

Your quick chase leads you both to the front doors of a deli, the dazzling sign above welcoming you warmly as you cautiously open the doors and set foot into Max’s despite Five’s protests to wait. If this other Five has the answers you need to return home safely together, then you’ll stop at nothing to get them.

Your originally confident demeanor quickly dwindles when the restaurant becomes deathly silent upon your entry. While you only expected to see one Five, you now find about twenty of them staring intently at you as you slowly walk towards the lookalike from the subway that waves you over to his table. Five is quick to rush after you and place a protective arm around your waist; you’re not the only one unsettled by their stares, and he feels uncharacteristically territorial in the presence of himself.

“Have a seat,” the subway lookalike offers with a gesture towards the empty space across from him, and you’re both quick to slide into the cushions at his command. “I’m glad you found me.”

“What is this place?” Your husband demands impatiently as another Five dressed in a waiter’s uniform approaches your table with three cups of coffee in hand.

“This is where all the Fives come after they decide to give up on figuring out a way to stop the apocalypse.”

As he speaks, a plate of pie is suddenly placed in front of you, and before you can even open your mouth to question it, the waiter offers you wink and assures you, “It’s on the house.”

Picking up the fork, your eyes widen in surprise as you realize what specific dessert has been given to you. Looking up at the Five across from you, you ask, “How did he know that-“

“Pumpkin pie is your favorite?” The lookalike finishes for you with an amused smile before leaning back to take a drink of his coffee. “We all know that, because we all know you.”

“Me?” You repeat quietly, brows drawn together in confusion as you look to your husband who seems rather displeased with all of the attention you’re getting. He never once thought to think of himself as potential competition over you, but it figures. Who better than himself to sweep you off your feet?

“Mind telling me why you all seem to have such a great interest in my wife?” Five demands with a wry smile, eyes blazing with annoyance and a subtle hint of jealousy.

“‘Your’ wife?” The Five behind the deli counter scoffs in amusement. “Take a number, pal.”

“What deli Five means to say is that each and every one of us has our own y/n in our own perspective timelines,” the boy across from you clarifies before gesturing to the the back of the shop. Your eyes widen in shock as you take in all the various pictures of yourself that line the wall from top to bottom, and it takes you a moment to process the fact that various versions of you have existed throughout time unbeknownst to you.

“My y/n was a trained assassin,” the Five at the table next to you describes with a dreamy smile before biting into his sandwich.

“Mine was sent alongside Hazel and Cha Cha to kill me,” another voices while pulling down the collar of his shirt to showcase the ghastly scar on his chest. “She gave me this along with three beautiful kids before I screwed it all up with this end of the world bullshit.”

“If you all care so much about her then why did you give up trying to save the world?” Your husband protests in agitation. Your search for answers is going absolutely nowhere, and you’re both left with more questions than solutions. If these doppelgängers were really meant to be him from different timelines, then why did they quit so easily? His sole purpose, his entire being, was doing everything in his power to ensure the safety of his family. Come hell or high water, Five would always be willing to get his hands dirty if it meant you and his siblings lived to see another day. So why weren’t they doing the same? “Why come here instead of preventing the apocalypse so she has the chance to live a safe and happy life even if it means you can’t be in it?”

A forlorn silence fills the deli at his question, and now none of the Fives can find it in themselves to look at you. Their features are almost shameful, their eyes full of guilt and their shoulders full of tension as no one dares to answer.

“When us Fives find a way to save the world, y/n is the one that pays the price,” the boy across from you discloses somberly before tilting his head to meet your gaze. Looking at you is like looking at a ghost, and he has to stop himself from reaching out to you as if you are his own. “The Handler killed my y/n after discovering my betrayal of the Commission.”

Another Five raises a woeful hand before announcing, “Viktor killed my y/n on accident with his bow after he discovered his powers.”

“My wife took a bullet for me because she thought my life was worth more than her own.”

“Dad had y/n disposed of in my timeline because he saw her as a distraction to me and my siblings.”

“Cha Cha tracked us down, found our home, and burned it to the ground with y/n still in it while I was away trying to save the world.”

You swallow harshly and ignore the knots in your stomach at hearing all the violent ways in which other versions of you had met their end. Your heart aches at learning what these men have been through and how much they’ve lost, but it also makes you begin to wonder if your fate will be worse than any story they can come up with. Sensing your discomfort, Five wraps a comforting arm around your figure and pulls you closer into his side.

“No matter how many times I traveled back to make it right, the result was the same,” the boy across from you relents in a desolate tone. “If I couldn’t even keep the most important woman in my life safe then how could I expect myself to save the world?”

“I’m sorry for your loss,” you murmur softly, taking it upon yourself to reach across for his hand and offer your comfort. “I’m sorry for all of your losses. But as a y/n myself, I don’t think she would have wanted you to give up. She would have wanted you to keep going in spite of her death because that’s what she loved about you- your strength and your resilience when it comes to saving the people you care about.”

“God, you sound just like her,” he comments with a doleful laugh before shaking his head and pulling his hand away. “Believe me, I did everything I could. But no matter what we do, there’s no escaping the apocalypse.”

“So that’s it? There’s nothing we can do?” Five retorts in disbelief. This was all a complete waste of his time. He’s nowhere near close to preventing the Cleanse, and you’re still not somewhere safe away from the impending apocalypse.

“You can enjoy the time you have left with your y/n,” the lookalike instructs firmly, the other Fives in the deli nodding along. “You got lucky, you still have your wife, so why don’t you do us all a favor and take her somewhere nice?”

“I’m not giving up on this,” your husband argues before hastily rising from his seat in the booth. “There has to be a way to save the world, and I won’t stop until I figure it out myself.”

You watch him stalk out of the deli with purpose as he slams the door open and begins to formulate his next move. The room is silent other than the bell that jingles above the door, and you take this as your cue to leave.

“I should probably go after him,” you admit with a meek smile before scooting your way out of the booth. The Five from the subway rises to meet you, and he can’t help but to carefully cup your face in his hands and admire your features for just a moment. This might be the last time he’ll ever get to see you in person, and he’d like to commit every detail of you to memory from the reflection of the light in your eye to the smell of your perfume.

“If he ever gives you any trouble, you know where to find us,” he instructs you firmly before pressing a kiss to the crown of your head and releasing you from his hold. Smiling faintly, you return the gesture by chastely pressing your lips to his cheek before rushing off after your husband.

Who would have guessed that in every timeline, in every possible version of himself to exist, Five’s love for you knows no bounds.