#no I don't think this is genuinely what the writers planned

[zuko-always-lies]

You post a lot criticising Zuko. Do you like Zuko or not?

(genuine q)

Well, let me break that down a bit:

Do I think we should have sympathy for Zuko?

I think as a 16 year old abuse victim he deserves a lot of sympathy and should get support.

Would I enjoy being around him?

No, I think the Zuko we see is a deeply unpleasant person and I doubt I would enjoy it if I were around him. However, I suspect I would also find Azula, Mai, Ty Lee, and Toph quite unpleasant to be around too, so that's hardly unique to Zuko.

Do I think Zuko is an interesting character?

I think Book 1 Zuko is actually quite interesting and in his own way quite likeable, even if he's a terrible person. Book 1 is where Zuko's writing peaks for me.

Beyond that, I honestly think Zuko becomes much more boring. The writers started leaning entirely on having viewers closely emotionally identify with Zuko and feel personal emotional catharsis when he "achieves redemption." If you don't, Zuko becomes much more boring and the flaws in his writing become much more apparent.

I also think Zuko isn't a particularly interesting or unique character in general. Azula, Ty Lee, and even Mai all manage to be way more interesting and unique than Zuko, despite getting vastly less character development time. At their core, Zuko's arc and themes amount to rejecting an abusive father in favor of a better surrogate father, which feels pretty standard to be honest. By contrast, I can think of only one character the least like Azula in any Western media, Miles Vorkosigan from the Vorkosigan Saga.

Honestly, the most interesting thing about Zuko is analyzing the difference between how the narrative frames him verses what his actions actually suggest about who he really is. That's probably why I write so many "Zuko critical" posts, because I find analyzing the difference interesting.

Do I think Zuko's arc was well-written?

No. The writers were very good at tugging at the heartstrings but beyond that I think "Zuko's redemption arc" is not nearly as good as people make it out to be. In particular, the way that the narrative after Book 1 stops holding him accountable for anything he does weakens his arc badly. That, along with making Iroh the center of Zuko's arc at all costs, made things drastically worse than the original writing plans for Zuko.

Do I think Zuko is the morally pure perfect Firelord the narrative tries to sell him as?

The finale tries to present him that way, but it falls flat for me. Zuko is a very badly flawed person who never addressed most of his flaws, and he's not the least bit suited to be Firelord. The narrative needs him to be the perfect, rightful prince who will redeem the Fire Nation from darkness, and if Zuko had been written differently and his arc had been taken in a different direction, he could be that, but he's not. I could never buy the person we see at the end of the show being a good ruler, and I could never buy him being happy as a ruler.

Could Zuko be an interesting character?

Hell yes. If the narrative had been less prone to gloss over Zuko's many flaws, and more inclined to force him to address them and deal with the consequences of his actions, he could be very interesting. Even if the narrative was willing to seriously acknowledge Zuko's flaws without having him ever improve on them, things would be more interesting. The Zuko-Azula relationship is actually super-interesting if you think deeply about it, but you need to ignore everything about how the narrative frames them for it to be interesting. "Good boy tormented by evil demon psycho younger sister" is boring as hell.

[linde-writes]

Alright. Time for the conspiracy theory I came up with to cope with my dissatisfaction with the ending of season 2, which I guess will never be debunked now.

TW: Discussion of a Suicide Attempt

Izzy knew Ricky had the gun, and let him keep it because he's still passively suicidal. After his speech to Ed he passed out from blood loss. His speech makes the crew realize just how fucked up everything still is, and that they can't truly heal while Ed (and, by extension, Stede) are still on the ship. So they patch Izzy up, hide him on the ship, and fake his death by burying either an English corpse or just wrapping a bunch of junk in a burial shroud, in order to convince Ed and Stede to...retire.

Support:

For all my gripes about s2, the writing was still competent enough that its flaws were able to be overlooked until after I was done watching and actually thought of the bigger picture. Not so with Izzy's death. I wasn't even to feel properly sad at Izzy's death, because the holes in the scene itself were so big that I just felt angry.

We get some hints that Izzy is still not doing great. The shark thing is never addressed, he's still drinking heavily, his overt cheeriness in s2e7 is pretty out of character and reminiscent of his "Blackbeard's doing great!!!" attitude in s1e10, and after Ned Low's attack he puts physical distance between himself and the crew while singing.

OFMD LOVES its s1 parallels, and s1 ended with both a fuckery to fake a death AND a fake-out death to the audience. And we get a mutiny at the beginning and end of s1 and the beginning of s2, so it makes sense for s2 to end with a mutiny of sorts as well.

It would explain all those lines that bring attention to the fact that they never address these characters' trauma. Frenchie and his box, Izzy and his shark, Archie's "yeah, captains abusing their authority is just what happens" lines, Ed being out of the cat collar by the time Lucius/Pete finish their engagement sex, etc.

"It's a suicide mission"/"Only if we die" is a deeply unfunny line when a suicide survivor dies during said mission. If it were foreshadowing an actual suicide attempt that the character is allowed to recover from, then it gains some weight as foreshadowing.

It explains why Wee John isn't at the funeral and everyone else brushes off Izzy's death so quickly.

Izzy got shot in the famously invulnerable left side, SURELY Jenkins and the writers didn't just "kind of forget"—

Benefits:

More Izzy pain :)

REAL character development for Ed and Stede when they have to grapple with just how unwell everyone still is, and how they've abused their power so badly that the crew goes to such lengths to get them off the ship.

Talking it through, as a crew.

Character development for the crew, both in their relationship to Izzy and in growing the confidence and emotional awareness to stick up for themselves instead of just doing what their captains want.

[burntoutdaydreamer]

To Write Better Antagonists, Have Them Embody the Protagonist's Struggles

(Spoilers for The Devil Wears Prada, Avatar the Last Airbender, Kung Fu Panda 2, and The Hunger Games triology).

Writing antagonists and villains can be hard, especially if you don't know how to do so.

I think a lot of writers' first impulse is to start off with a placeholder antagonist, only to find that this character ends up falling flat. They finish their story only for readers to find the antagonist is not scary or threatening at all.

Often the default reaction to this is to focus on making the antagonist meaner, badder, or scarier in whatever way they can- or alternatively they introduce a Tragic Backstory to make them seem broken and sympathetic. Often, this ends up having the exact opposite effect. Instead of a compelling and genuinely terrifying villain, the writer ends up with a Big Bad Edge Lord who the reader just straight up does not care about, or actively rolls their eyes at (I'm looking at you, Marvel).

What makes an antagonist or villain intimidating is not the sheer power they hold, but the personal or existential threat they pose to the protagonist. Meaning, their strength as a character comes from how they tie into the themes of the story.

To show what I mean, here's four examples of the thematic roles an antagonist can serve:

1. A Dark Reflection of the Protagonist

The Devil Wears Prada

Miranda Priestly is initially presented as a terrible boss- which she is- but as the movie goes on, we get to see her in a new light. We see her as an bonafide expert in her field, and a professional woman who’s incredible at what she does. We even begin to see her personal struggles behind the scenes, where it’s clear her success has come at a huge personal cost. Her marriages fall apart, she spends every waking moment working, and because she’s a woman in the corporate world, people are constantly trying to tear her down.

The climax of the movie, and the moment that leaves the viewer most disturbed, does not feature Miranda abusing Andy worse than ever before, but praising her. Specifically, she praises her by saying “I see a great deal of myself in you.” Here, we realize that, like Miranda, Andy has put her job and her career before everything else that she cares about, and has been slowly sacrificing everything about herself just to keep it. While Andy's actions are still a far cry from Miranda's sadistic and abusive managerial style, it's similar enough to recognize that if she continues down her path, she will likely end up turning into Miranda.

In the movie's resolution, Andy does not defeat Miranda by impressing her or proving her wrong (she already did that around the half way mark). Instead, she rejects the values and ideals that her toxic workplace has been forcing on her, and chooses to leave it all behind.

2. An Obstacle to the Protagonist's Ideals

Avatar: The Last Airbender

Fire Lord Ozai is a Big Bad Baddie without much depth or redemptive qualities. Normally this makes for a bad antagonist (and it's probably the reason Ozai has very little screen time compared to his children), but in Avatar: The Last Airbender, it works.

Why?

Because his very existence is a threat to Aang's values of nonviolence and forgiveness.

Fire Lord Ozai cannot be reasoned with. He plans to conquer and burn down the world, and for most of the story, it seems that the only way to stop him is to kill him, which goes against everything Aang stands for. Whether or not Aang could beat the Fire Lord was never really in question, at least for any adults watching the show. The real tension of the final season came from whether Aang could defeat the Fire Lord without sacrificing the ideals he inherited from the nomads; i.e. whether he could fulfill the role of the Avatar while remaining true to himself and his culture.

In the end, he manages to find a way: he defeats the Fire Lord not by killing him, but by stripping him of his powers.

3. A Symbol of the Protagonist's Inner Struggle

Kung Fu Panda 2

Kung Fu Panda 2 is about Po's quest for inner peace, and the villain, Lord Shen, symbolizes everything that's standing in his way.

Po and Lord Shen have very different stories that share one thing in common: they both cannot let go of the past. Lord Shen is obsessed with proving his parents wrong and getting vengeance by conquering all of China. Po is struggling to come to terms with the fact that he is adopted and is desperate to figure out who he is and why he ended up left in a box of radishes as a baby.

Lord Shen symbolizes Po's inner struggle in two main ways: one, he was the source of the tragedy that separated him from his parents, and two, he reinforces Po's negative assumptions about himself. When Po realizes that Lord Shen knows about his past and confronts him, Lord Shen immediately tells Po exactly what he's afraid of hearing: that his parents abandoned him because they didn't love him. Po and the Furious Five struggle to beat Shen not because he's powerful, but because Po can't let go of the past, and this causes him to repeatedly freeze up in battle, which Shen uses to his advantage.

Po overcomes Shen when he does the one thing Shen is incapable of: he lets go of the past and finds inner peace. Po comes to terms with his tragic past and recognizes that it does not define him, while Shen holds on to his obsession of defying his fate, which ultimately leads to his downfall.

4. A Representative of a Harsh Reality or a Bigger System

The Hunger Games

We don't really see President Snow do all that much on his own. Most of the direct conflict that Katniss faces is not against him, but against his underlings and the larger Capitol government. The few interactions we see between her and President Snow are mainly the two of them talking, and this is where we see the kind of threat he poses.

President Snow never lies to Katniss, not even once, and this is the true genius behind his character. He doesn't have to lie to or deceive Katniss, because the truth is enough to keep her complicit.

Katniss knows that fighting Snow and the Capital will lead to total war and destruction- the kind where there are survivors, but no winners. Snow tells her to imagine thousands upon thousands of her people dead, and that's exactly what happens. The entirety of District 12 gets bombed to ashes, Peeta gets brainwashed and turned into a human weapon, and her sister Prim, the very person she set out to protect at the beginning of the story, dies just before the Capitol's surrender. The districts won, but at a devastating cost.

Even after President Snow is captured and put up for execution, he continues to hurt Katniss by telling her the truth. He tells her that the bombs that killed her sister Prim were not sent by him, but by the people on her side. He brings to her attention that the rebellion she's been fighting for might just implement a regime just as oppressive and brutal as the one they overthrew and he's right.

In the end, Katniss is not the one to kill President Snow. She passes up her one chance to kill him to take down President Coin instead.

[soaps-mohawk]

I'm going to be honest

I'm having a genuinely hard time making this post. I've been fighting with it for a couple weeks now, but I think it's time I finally make it.

I'm not having fun on this blog anymore.

It sounds bad, but honestly, it kind of is.

I think a lot of it started from the very beginning with the precedence and expectations I put on myself. I've always tried to respond to every comment I get. Even from the beginning. It's just a polite thing to do since those who leave comments took the time to write out what they think of my fic, even if it's just a keysmash. I've always felt the need to thank those who leave comments or reblog my writing or (now that tumblr has it) replied to my fics. It worked fine before because none of my fics were particularly popular. Even my most popular fic (at that time) didn't get as much attention as CRCB has. I've never had a "big blog" before, nor a fic as popular as CRCB has gotten.

It was fine at first, responding to everyone, engaging with everyone. I was riding that high of omg so many people are reading and enjoying my fic! I've never had anything quite like this before.

Now...it just feels more like a chore. I set this precedence on this blog that I respond to everyone and I know a lot of people have said that they're surprised I responded to them and to everyone, and now I'm getting why a lot of writers don't. I'm exhausted. I feel like I've just been robotically saying the same thing over and over trying to respond to people now. I used to love seeing asks in my inbox and reblogs and replies but now? All I feel is dread because I have to respond to all of those.

Turning anon off was a big help. It lessened the sheer volume of asks I was getting a day. And while I do feel bad for all of my anons who prefer to stay anons, with everything that happened (the multiple incidents) with anon that kind of started to suck the joy out of everything. That paired with the obsessive need to constantly have my inbox cleared and make sure everyone gets a response...I can understand now too why big blogs will have 200+ asks in their inbox. It's hard and it's exhausting and I'm burning out.

First it was the fic that was burning me out. Things have gone on far longer than I planned and I just wasn't prepared for this fic to go on and for a while there it was dragging. I'll admit that. If I could go back, I'd speed up a few things, but it's done, it's posted there's no going back. I kind of hoped I would have the mental capacity to upload more than once a week too, but I just couldn't. I still can't.

I've come to dread posting chapters because I know I'm going to have to reply and respond to everyone. The only thing keeping me posting is the fact that we're in the part of the story I've been excited about since the beginning and also because I keep leaving everyone on cliffhangers and I love torturing y'all with all of them.

So that being said, this is in no way to shame anyone for interacting with me, anyone leaving comments or replies or sending asks. Don't feel bad about doing it please. I appreciate all of you that have engaged with me and it really means so much to me. Honestly, earlier this year, if I didn't have this fic and everyone on this blog, I might not have made it to now. It's been a really rough year and it's still going to be into next year. It's just getting to the point where I need a break.

I've needed a break for a long time. I thought taking days off the blog would help, and it did for a couple of weeks, but now even on the days I'm supposed to be on the blog and engaging, I just find myself queueing stuff up and just being offline most of the day still.

I'm tired. That's the best reason I can give. I'm tired and burned out on life and I'm tired and burned out on this blog.

So...I think I need a break. I need to not keep responding to every single reply and reblog every chapter. I need to not force myself to answer every ask right away, no matter how much I want to. I feel bad, but I know everyone would rather have me here and enjoying the blog than forcing myself to interact to the point where I'm dreading it and just robotically repeating myself over and over with every reply and answer and comment.

I won't be pausing the fic, I won't be not uploading. I'll still be posting chapters, I just might not be interacting as much as I have been. It's just putting such a mental strain on me still, even with anon off, even with days off. And with things getting busier for me, it's going to be too much to try and deal with irl stuff and write and try to be super active on the blog. There's going to come a point where I have to sacrifice the writing or the blog and I'd rather sacrifice the blog to keep myself sane, and also to keep trying to finally get this fic done. I love this fic, don't get me wrong, but I'm just burning out.

I'm already burned out in a lot of ways.

I was planning kinktober this year but honestly I'm considering not doing it because I know interaction is going to be insane and it's going to be a lot to keep up on. Plus trying to write that many fics is hard and I'm not sure I have the ability to do it. I have a few done but now I'm just like...is that something I want to do on top of irl stuff and CRCB.

There's just no joy in it anymore. It's not anyone's fault but mine. I put the pressure on myself, I held myself to that standard for this long despite the fact I knew it was draining me. I've tried to push through when I should have prioritized myself. I feel so guilty not responding to everyone. I feel so guilty being a day or two late responding to everyone.

I want to be here and interacting and responding to things but I just can't bring myself to anymore. It's no one's fault, and this is not a drag on anyone, or an attempt to make anyone feel bad or guilty for interacting or sending asks or anything. I'm just airing out the truth and saying what I need to say because I feel like I've been so robotic and lifeless with my responses these last couple weeks and I feel like I need to explain why. It's nothing anyone has done. It's my fault. It's 100% my fault.

Things have just gotten to be too much and it's my fault for forcing myself to be so active. The social battery has dropped into the negatives. I'm not a social person. I can only handle so much interaction and I've pushed so far beyond that, that things have gotten to this point. I want to be here and I want to have fun and I want to use this as an escape but I just don't feel that way about it anymore. It's a chore for me, a job, something I feel like I have to do and it's my fault that I feel that way. It's my own standards and expectations I set on myself, and my expectations on what I think my followers want and deserve and now I feel like I've gone on too long like this that I can't change things without hurting anyone's feelings. I don't want people to think I'm ignoring them in favor of others because I know there's writers out there that do that. They only respond to a certain group and ignore others that comment and reblog. I don't want to make anyone feel like I'm doing that to them and that's now led me to here.

I'm forcing it and I'm tired.

It's been hard these last few weeks. The life has just been draining and draining continuously. The joy and the love I have for this blog and my followers and the interactions and the fic. The last anon bullshit that happened was just kind of the last nail in the coffin so to speak. The straw that broke the camel's back. Things stopped being fun. It made me feel bad (and not in the guilty way, though that was a part of it) and I'm honestly just over it. I'm over the blog, I'm over interacting, I'm over life at this point. August is a hard month for me and every year it seems to get worse and worse. A lot of it is unrelated to anything online and I was going to make a post about it but honestly I just don't want to. Those that know, know. Those that don't...it doesn't matter.

I'm getting annoyed by the blog, I'm getting annoyed every time I look in my notifications and see an ask or a reply or a comment. I'm getting annoyed by some of my followers and that's not fair to you. Everyone always talks about how nice and kind and patient I am when I'm really not. I'm not the person I present myself to be on this blog, the way I mask myself so I can present myself as being a normal, kind human being. The mask is coming off because I'm so tired I can't keep it up anymore. It's happening here and it's happening in real life. I'm tired and I'm frustrated and I'm angry at a lot of things and the last thing I want is to start taking it out on my followers. You don't deserve that, especially when it's not your fault, it's nothing any of you have done. It's all me.

It's not you, it's me.

So for the sake of not burning this whole thing to the ground, I'm going to take a break. I'm not replying to everyone, I'm not responding to every reblog, I won't reply to every ask I get right away, if at all because sometimes I just don't have anything to say in response and I need to learn that's okay. It's nothing against you. It's not aimed at anyone specifically, I'm just trying to put myself first and stop things from escalating. I need a break and I'm going to do something selfish and I'm going to take it.

Don't apologize because it's not your fault. Don't apologize because you think you might have contributed to this because you didn't. It is no one's fault but my own.

I'm the one that needs to apologize to all of you because I've just not been myself because I've been forcing myself to be someone I'm not. I've been very unfair to a lot of people over the last seven months that this blog has been active and I've held a precedent that is not sustainable in the long run and made everyone believe that I was capable of maintaining that kind of interaction when I'm not.

I'm sorry. I'm sorry I've been putting everyone through this. I'm sorry I've been so detached and robotic and ingenuine. I'm sorry I led everyone to believe I'm someone I'm not. I'm sorry I've dragged this on this long that it's gotten to the point that I have to make this post.

I considered just disappearing but that wouldn't be fair to you either. I don't want to put you through that, so I'm pouring all of my thoughts out and making you read through this fucking novel of a post. If you've made it this far, then congrats I guess. Gold metals to you who bothered reading this far.

Anyway, all of that aside, I'll still be posting chapters. I'll have them scheduled and I'll probably come on and add links places to keep things current. I'll respond and reply and answer asks when I feel like it. You don't have to stop sending them, but just don't expect them to be responded to right away anymore. I'll probably still be here reblogging things I want and doing things when I feel like it.

I just need a few weeks to myself. Time I don't have to care about the blog at all and keeping up with it. Anon will remain off for the sake of keeping asshole trolls away, and also so I don't open tumblr and have 200 asks in my inbox after a week. Sorry to my anons but it's just the way it needs to be right now. Maybe once this break is over and I've dealt with irl stuff, I'll consider putting it back on. I just can't after everything I dealt with recently on anon.

It'll be the same on Ao3, for those that follow here and read there. Comments will probably sit for a while. They won't be answered right away anymore unless I get the energy to burn through them. Even then I won't try to answer them all at once like I did this last weekend.

I'll try to reblog something every day so y'all know I'm alright. I don't want y'all to panic and it's not fair to put you through that, especially those that might not see this or bother reading it. Those that follow simply for the fic and nothing else. I'm here, I'm just not...here.

This week's chapter is in the queue to be posted tomorrow as usual. Chapters will still come out as planned since I'm not stopping writing, just taking a break from the blog itself.

Thank you those of you who stuck through to the end here. I appreciate all of you so much. You have no idea. I'm sorry I let things get to this point and I'm sorry to anyone that I've gotten rude or snappy with because I couldn't be selfish and put myself first. I'm sorry to anyone that got a robotic, repeated response to something they were probably excited to share. I'm sorry I've been so unfair to everyone and I hope you can forgive me.

Take care and I'll talk to everyone when I have the energy to.

[arlertwhore]

pairing: paige bueckers x fem! “sneaky link” reader.

synopsis: paige & you find a new hookup spot: your parents' house. what else do you find? that the chemistry never left after all - you just have to get paige in the right space - literally. warning(s): smut, strap 😬, paige eats it from da back, dirty talk / fluffy pretty much, degrading, choking, idk bro this is from memory i didn't read it so 🤷‍♀️ find out yourself word count: 4.1k (SHESSH) Author Note: the anticipated part 6 that took forever to write because of terrible writers' block. the creative spark just isn't there for this series anymore, so this alone will serve as the conclusion to the series, however — i do have a draft i'll release that can be regarded as a part 7. thanks tons for all the support on something i played around with and got hooked on! love u all sm ☺️❣️

Being at the family home of the girl Paige was casually involved with wasn't exactly how she pictured the UCONN long weekend off going. She and the team had planned a series of fun activities, and although your invitation completely disrupted those plans, she couldn't say no. "Hello? I… Team's awake, I'm in the washroom, be quick."

You chuckle softly. "So I guess that means now isn't a good time to tell you you're coming back home with me this weekend?" Paige sees her reflection and watches her resolve surface, anticipating that you're going to try to escalate things back into what they shouldn't be, breaking down the walls she has up.

She scoffs. "Y/N, you know we can't do that." "I won, Paige, fair and square. You said 'anything', you promised!" you insist, taking advantage of the fact that as a competitor, she'll honor her word. "Yeah, but don't you think it's a little bit intense for me to meet your family? I mean, I just don't want to overstep any boundaries," she stammers, uncertain. You glare at your phone, staring at the wavering voicebox of Paige. "You realize I'm doing this for you, right? How I always am? And because it's too hot to keep banging you in your car?" you say firmly. Finding new spots for clandestine rendezvous was proving increasingly challenging. At least with the constant change of locations, sneaking around, and adventure, you could pretend to yourself that you were going on the first date you knew Paige would never officially give you. And if she wasn't going to give you that first date, the least you could ask for was a comfortable bed. But you knew her, you knew her rules, and the only thing you had left was that victory over her head on the club Friday, so you wanted to use it.

It falls silent on her end. Paige doesn't want to talk about your sacrifices for this.

For you and her. For her. You want to tell Paige how it affects you to be nothing but a secret to her, especially now that she's afraid of her team's disapproval and seemingly everyone else's, meanwhile, you bust your ass, comply, and accommodate everything that being her confidante requires, but for the sake of your own feelings, you know you can't. She will leave you. She'd made that clear from the beginning. Paige's commitment issues and seemingly inability to have genuine emotions for a girl are frustrating, especially given her actions toward you. Perhaps back then, before she forgave your sins against her strict rules, took your virginity, and got to know you far beyond casual, you didn't care. But now, you knew her well enough to trust her around your family and you couldn't risk losing the only person in the world who just seemed to get you. None of your 'close' friends, who didn't care for a thing to do with you, deserved to be the one you chose. Even if she sometimes treated you like you were nothing, you knew the only person for you was her. And plus, your parents were nice people. She didn't have to worry about judgment like she always did — I mean for crying out loud they raised you, nerdy, quiet, and a loner up until this point of your life. Male or female, they'd be proud to see something good with the person they put out into the world.

"This isn't... meeting your family isn't 'anything,'" Paige countered, hushing after hearing footsteps pass the washroom door. "And plus, we have shit planned for this weekend. What do I tell th—" Team. You roll your eyes. The team left, the team right, the team all around. You cut her off. "You're visiting your Grandma."

And again, you win. Still, Paige sighs. "This isn't exactly fair for you to just spring on me, y'know? I've been so hyped for the plans this weekend and you just... you ruined them!" You can hear she's serious, her tone half angry yet delivered with a lightheartedness that doesn't ease the blow of her words. All you did was invite her to come home with you, supposedly 'ruining' her plans. You retort, "Ruining? Jeez, thanks, Paige." "Yeah!" she refutes, still trying to whisper. You giggle, then mutter provocatively, "Should've eaten my pussy better, loser," knowing it'll halt her momentum. You gloat, "Gosh, how do you fail at something as easy as that? Something you've been doing since you were 16!" The banter continues. "You'll change your mind on that soon," she predicts.

You chuckle confidently. "We'll see about that, peanut butter. Bags packed, 10 am sharp. Don't keep me waiting, loser," making your point clear.

You end the call with Paige and smirk to yourself, feeling a mix of anticipation and defiance. You can't believe how much of a rebel you've become, just as Paige can't—once so pristine when she first met you, she's corrupted you to the point of using your parents' place as a sneaky link spot. But with you guys left rendered optionless, Paige's next move was to fabricate a story about picking up her clothes if their shared app alerted her location. However, the plan was soiled with the early arrival of your new roommate, a freshman named Maggie, and you had no choice but to evacuate Connecticut altogether, returning to your place in the city just over; calmer, more serene, and familiar. You quickly text your parents: "Bringing a friend," before rushing off to pack. You'll try to keep them out of your hair as much as possible. It's only a 4-day stay, and they're both very schedule-oriented people, so you anticipate that you and Paige will have the house to yourselves mostly. Just as you're about to finish packing, you recall the strap and text Paige again, sending a picture of you holding it with the caption, "Bring??" She ignores your question about the strap and instead frets like she did the day you first showed it to her, as if she has a big performance the next day. She texts you back:

"Should I dress girly? Do I bring a gift? Are you sure they're okay with us?" She's overwhelmed with uncertainty, unsure of how to navigate this new territory, but you don't give her any tips because Paige needs to figure it out herself. You know it's how she's always rolled, relying on herself. You ignore her and continue, "Sooo, strap on or not? I'd love to try it out on you finally.☺️"

"Now especially no," she shoots back. Then she follows up, cryptically, "You're not the only one with surprises. Trust me. We won't need it." At that remark, you hop into bed eagerly and await sleep, yearning for the day to arrive faster. You stop thinking obsessively about why she won't let you use it on her, and it's the last thing on your mind before you doze off. At 9 AM, you're awake, welcoming your new roommate Maggie, and by 10, you're out and at Paige's dorm. She's waiting outside, readied. She doesn't know how to not dress like a tomboy, so she's awkwardly masculine, but now in pink, and the sight throws you off guard. You thought she'd figure her shit out better than that, and you laugh as you film her, to use it as blackmail in case she ever leaks the many pictures and videos she has of you (which you know she won't). When she climbs into the car after stowing her bag in the backseat, she grabs your wrists and uses her strong grip to hold them in one hand as she deletes the videos, uttering, "Think you're funny, huh, ma?" "No... I think you are," you chuckle, and Paige pushes you away playfully by the forehead. You tease her relentlessly, the amusement of your time with her just beginning and already infectious. She rolls her eyes, shaking her head at your immaturity with a shy smile on her face. "I can't believe I agreed to this," she grumbles and you echo the words from last night, chortling, "You had no choice, remember, Paige Puckers?" a play on words at how she drunkenly, clumsily, and messily explored a tactic that, while it did get you off eventually, was hard to get the hang of at first. She smirks and you see the challenge in her eyes. "I'll make you eat those words, ma, just watch." As you guys veer off, Paige takes control of the music and begins shedding layers until she's left in just the pink flannel, a sports bra, and basketball shorts, feeling overheated. She's so absorbed in the music that when you arrive, she doesn't notice she's partially undressed until the door swings open to your parents, and she quickly tugs the flannel over her body tighter. She watches with a smile as you hug your mother warmly, while Paige stands back, observing. "And you must be the friend she spoke of!" your father extends his hand for a shake, and Paige reciprocates, resisting the urge to give him a fist bump, as that's all she knows. "Paige," she replies calmly, "It's nice to meet you, sir. And Ma'am," she nods to your mother afterward, who smiles before stepping aside. "Well, come on in, girls, this heat is stifling." You all sit down with a cold pitcher of iced tea after bringing your bags up to your room. As you settle at the kitchen island, your parents strike up a friendly conversation with Paige across from you.

You start to regret the whole situation when your mom and Paige hit it off too well, and your mom embarrasses you. "Y'know, it's about time I met a friend of hers, Paige. You're the first; she's never really had any," your mom remarks, and you feel yourself blush. "Mom!" you interject, embarrassed.

"No, no, let her. You've been teasing me all day, you deserve it," Paige chimes in with a chuckle, playfully slapping her knee. "So, I hear Paige plays basketball, Y/N. Seeing as she's never really been the athlete type, you know, more of a bookworm? How did you two meet?" she inquires. You grow hotter, not good for the warm weather. You can't tell your Mom & Dad that: "Hey Mom, I got hammered at a party for the first time, drunkenly approached Paige's friends, and ranted to them about how I would marry her, then made out with her in the bathroom before proceeding to let her fuck me within an inch of my life the following weekend." You were still their little, strange, friendless, and focused girl. "Things just clicked," Paige answers, PG'ing and summarizing the story. "She was just... looking like the life of the party, and I thought she looked fun, so I wanted to get to know her." "Did you find out that looks are deceiving?" your mom asks again, and Paige is genuinely and seriously laughing—not the "haha parent way," but actual laughter. When even your father chimes in and says, "I bet she forces you to practice Telekinesis and stuff like that, huh?" is when you truly decide you won't tolerate the bullying. "Cytokinesis, Dad," you correct as you get up. "And I study developmental biology now. That Bio for children." And besides, you didn't want Paige to get too close to them anyway—just close enough to exist in their house unbothered.

We're gonna go pick you girls up some dinner!" said your mom cheerfully. "We'd love you to join us."

Paige begins to say yes, but you interject, "Actually, we're gonna have a nap. The ride was exhausting." She doesn't budge, so enthralled with your parents that she isn't catching on until you have to gently pull her out of her chair, trailing off with her as she calls back to your mom who had asked, "Paige, what do you like?"

"Y'alls sense of humor!" she chuckles, because Paige just gets her (they enjoy teasing you together).

"Okay, girls, don't nap too hard!" jokes your dad, and before the door can even close, you're kissing Paige deeply in the upstairs corridor, trying to make her forget everything she'd been told. Napping is the last thing you'll be doing. Her hand comes to your chest, attempting to push you away, but you're resilient and hold her with determination as you back her into the doorframe of your bedroom. "Since when were you such a scaredy pants?" you tease as you strip off your clothes, not bothering to lock the door. "We've been walking around in public everywhere these days, and inside is when you get nervous?" Within seconds, before Paige even shuts the bedroom door behind her, you're naked against her, pressing your tits against hers firmly as you shower her with a barrage of kisses. "Gonna make me eat my words still?" you challenge her. Paige slowly realizes you weren't joking about just wanting a comfortable place to have sex with her, and that it was the primary purpose of her visit. She still can't shift gears because she'd been with your parents just a moment ago, and now you're in this intimate moment. So you help her.

"Because it looks like I'm making you eat yours." you smirk at her teasingly. Before you know it, you've pumped the gas so hard she has you turned over on all fours on the bed, back arched invitingly. She wastes no time with you, and despite your usual verbosity, the way you yield to her the moment her tongue delves into your cunt is undeniable. You press back into her face, enveloping her between your thighs and asscheeks, and Paige thinks if she's going to go, she wouldn't have it any other way. You whimper softly in pleasure, squirming as you press against her warm tongue, and Paige chuckles, the vibrations from the deep shrill causing you to jolt forward, feeling the hum pulsate through your pussy hauntingly. "Aw, shit, Paige, you get me so wet," you moan desperately, "You make me so crazy, fuck." The thrill of the moment is evident in her eyes, wide with desire as she gazes at you from above her. You look back at her below you, eyes lidded and mouth parted in an 'o', and you look pornographic. It's sick, really, to think how just moments ago she was conversing with your parents, and now, here she was, tounge enamored filthily in your cunt, savoring every drop of arousal from your desperate dripping hole. "Your pussy tastes so good," Paige murmured, her lips puckering as she spoke before gently nibbling at your clit, swirling her tongue around the pearl in a circular motion, which you absentmindedly replicate with your finger as you gripped the sheets, groaning deeply. Maybe after all, you did like the plump of her lips encasing you as her tongue worked at your clit fervently, making soft wet noises. "Shut up, Paige," you said, "You're gonna-I'll cu-" you're too prideful to say it could EVER happen that early, and just continue to grind your hips against her pretty face, not bothering to ask how she's holding up. Judging by the way she slurps at your clit voraciously, her tongue eagerly scrambling from the front to the back of your cunt, clit to entrance, laving through it hungrily each stroke of the muscle and eliciting the nastiest and most repulsive sounds you've ever heard, yet somehow the sexiest, you have reason to believe she's doing just fine. And you tell her how fine she's doing through a broken, fucked out, and breathless assurance of, "Y'so good, P," biting your lip as you whine your hips languidly, whispering, "Keep going, please." She pulls back, struggling to find her breath. "You're a fucking—" she gasps for air, "You're a slut." The way she says it leaves you aching for more devaluing words, because when Paige utters them, it sends you into a frenzy unlike anything else. In the haze of it, you plead, "Shit, just fuck me, I... fingers, I need them." She rises from her knees. "Say it," she demanded, smacking your ass, and meeting your gaze. "Tell me what you are." You don't have a chance to answer before she presses you down hard, into the mattress, and you gasp at the intense pressure, feeling your cheeks flush impossibly hotter. "A slut," you strainedly admit, the pressure on your back knocking the wind out of you. The words, though so sexily demeaning, are true at the moment.

She's pummeling you in your childhood bedroom and has the audacity to demand sharply, "Louder!" as she presses you down, causing the ache in the first place. You fight for breath, complicitly declaring, "A slut, Paige, mmph!"

You should've known you were in for a ride the moment Paige fell silent. Arms pinned behind your back in between her palms, you squirm at the feel of something much thicker than her fingers rimming against your cunt, and you can't see it, so you start to panic. You can only feel it. It's so large you fear it might break you, and before you can say anything, Paige has eased the tip inside you with a dazed sigh. Your head crooks back to watch her face as she sinks her cock into you, and it makes her heart jump because it's a little too intimate and it reminds her of the first time ever. Still, she doesn't attempt to break it. It's sexy to both of you and it's not often that it happens. She's typically invested in gazing at your body or your lips, or just has her eyes closed, but the look in her eye as she leans forward is intense, and the one in yours gets Paige wetter at the mere sight. She's so satisfied by how you have no choice but to yield and take it, take her - until your body involuntarily starts to falter, punctured by the weight of it pulling you down from inside your body. "So...fuckin'....sexy," she moaned, her free hand gripping your hips and reigning them back as her own pressed forward simultaneously, fucking you thoroughly. She repeats the act, pulling you back and pushing forward until she thrusts particularly hard, and gasps herself. It's genuine, and you're unsure how to react to hearing her moan so sincerely. You simply nod approvingly. "I love how you sound when you fuck me, P," you encourage her, to which she replies, "I love how it feels when I fuck you, baby," "Then don't stop," you cry as you rock forward, slots of arousal pulsating from your core and coating her strap in opaque white. "I'd never want you to." It's insane how when she releases your wrists and manages to sink into you fully, she begins using your body like a toy, ruthlessly owning your cunt with grunts of satisfaction each time your ass claps against her, your skin clapping together. "Such a tight little pussy, God," she praises, watching the sight of your cunt expanding and then resetting with how thick she is, struggling to not get wrecked. With how this strap is made, when you come back against her, she feels every sensation, each thrust pushing the double-ended dildo deeper inside of her as it slides in and out, quicker when you fuck her back. So she might be using you like a fleshlight for the tip to rub the walls of her G-spot, but you can't blame her. She's doing all the work. You lie there helpless and overwhelmed with pleasure as she hammers into you from behind, pulling you back by your hair to meet her gaze, so you can see her and the way she wrecks you proudly. "Fuck yourself on it, angel, please," she pleaded, and it's sweeter than the sinful look she's giving you. Experimentally, you push back hard, meeting her strokes, and she whimpers directly in front of your face, a high-pitched, desperate sound that emerges from deep within her body. "Please," she begged again, "You're gonna make me cum, aw fuck, baby," Your eyes roll back into your head. At the tempo you set for yourself to feel good and the one Paige sets for you to make HER feel good by throwing it back on her, essentially for you, you feel your climax on the horizon. "I want it, Paige, cum with me," you plead. "Yeah?" she grunts, her voice gritty. "You want P's cum? Think you deserve it?"

"I-I do." "Then fuck it out of me," she commands, hands tightening around your waist and pulling your back flush against her chest, essentially hugging you as you rut against her, crying out her name with each movement.

She grips your tit in one hand, squeezing gently and pulling, "Go, baby, yeah.. just like that, make me cum," and though she's trying to steady it, you hear how her voice cracks a couple of times. It sounds so sexy and it gets so raw that it gets to the point where you're actually throwing it back, popping your hips and whining it so quickly Paige can't even help you move faster for both of you. She can't catch your ass as it bounces so vigorously, the visual mesmerizing as she watches. "Don't stop, ma," You're trembling, toes curling uncontrollably as you whine and whimper and grind against her. "I'm close!" you gasp, and just as Paige speeds up, the front door opens downstairs, and her hand flies up to your neck, silencing you, her other hand muffling your sounds. You reach your climax with no air left in you as footsteps approach up the stairs, and you shout into a pillow. Paige is quick enough to press your face into said pillow by this point and finish both of you off, her body pressed against yours as she huffs into your ear. You swear you hear her say it, even if she'll try to deny it later. "You're mine, fuck," as she cums, panting. You lay there, Paige on-top of you, flush against your body, limp.

And for a moment, the world stills, your hearing muffles, but you can still hear your Dad knocking carefully. "Still asleep girls?" he asks. Paige nods, smiling. "Yeah! If it's okay, we're gonna head for a walk before dinner. Y/N needs to wake up!" She's right — you're so overwhelmed that you find yourself outside, dressed, sitting on a bench in your neighborhood park. Yet Paige is still clinging to you for reasons you can't quite grasp.

The gentle, refreshing breeze envelops you both, the park empty and serene. Lost in each other's embrace, you finally pull away, the words tumbling out: "That felt like the first time, kind of."

Perhaps it had considering the two of you finally got to do something more sexually exciting in behest of maneuvering sex in her car.

Paige's response helps it all make sense. "I know." She might be swept up in the moment, but you don't protest. If it feels good, it does, and you eagerly pull her back in as she grips your sore ass, moving you over her lap to straddle her, kneading it. "I bought you...my strap as a gift because I wanted to thank you for, you know, how good of a...link you are," she says affectionately. You gaze deeply into her eyes, refusing to let her look away as you study her face.

She's so serious and so stupid for choosing to get in her feelings while at your parents' house for the week - with you. "What?" she asks intently, eyes tracing over your face as she searches for your reaction. "Is that-... Are you okay?" When you don't answer, lost in the post-coital haze, smiling softly, she murmurs, "So pretty." She doesn't even try to hide she's in the ropes of it too, but while out of the haze, she doesn't think there's ever been a moment when she's seen you look as beautiful as you do when you're in this blissful state.

"Paige?" you whisper, head buried in the curve of her neck as she moves to gently stroke your back soothingly. "Yeah?"

"Do you feel this too?" The question is extremely raw, earnest, and vulnerable, but under the spell of the moment, it sounds like magic to her ears. "Yeah, I... yeah."

"Have you felt it before?" you inquire softly, searching her eyes. "Besides the first time? Because I... I have. I do."

She holds you tighter, placing you back into the crook of her neck, and you suppose she's ducking from letting you see her when you feel her nod. "You're gonna get me in trouble, y'know. You always do."

You smile softly, kissing her soft skin. Little does she know, you already have. MASTERLIST

AUTHOR NOTE #2: this ending i think can cap off the series perfectly because it's left up to the interpretation of the reader. i mean, lmk if i should release the pt 7 draft when i start releasing drafts anyway! lmk anything on your mind I LOVEE you anons / moots / ppl who message me / ppl who reply to my posts, ur all the funniest ppl ever! - ana.

[layuhsblog]

Hi, I'm not sure if ur still open to requests (I'm so sorry if ur not >_<) but could u do some princess treatment with nct dream bcz I've genuinely just thought of them spoiling their gfs🫶🏻

NCT DREAM GIVING THEIR S/O PRINCESS TREATMENT

its not too princessy and more domestic and 'nct dream as boyfriends'

reqs are still open, ask away babies

idk how to write diff stuff for diff members but i tried and i hope you like it. definitely very fluffy tho. and YEP THEY'RE DEF THE SPOILING THEIR GFS TYPE

warnings: very fluffy, suggestive at some places, very crack, a bit imagine based as well, i think i swore once? i dont remember, some members are too short I'm sorry i was having writers block also ITS LONG.

also cus its so long its unedited.

members drabbles under the cut

Mark:

• I feel like if you're dating Mark, your house will never be quiet, whether its with his chaotic unhinged questions, his jokes, him singing or producing songs or just his playlists playing in the background. especially if you're the type to always need some kind of background noise while doing chores- he'll make you like a thousand playlists for every mood, every chore etc.

He'll even make you a personal playlist with secret songs only meant for you to listen, even if the lyrics are highly unhinged like;

"Yoyo my girls cookin, and she's hella goodlookin yoyo" just for you to laugh at his silly antics even when hes away for too long.

• I dont see him as someone who'll get you flowers cus I feel like he will get sad when they die. He'll stay up at night when youre asleep finding origami videos to make you paper flower bouquets. Each date a different type of flower. Even goes out of his way and googles what flower signifies what feeling, literally befriends a flower shop owner.

• He once called them at 4am to ask what flower means "I'm sorry, I messed up. Please don't break up with me." The phone hung up on his face ofc. Your argument was about mint chocolate and pineapples on pizza. You obviously wouldn't break up with him for that. (He hopes)

•You definitely have a specific closet filled w those paper flowers. He has never given you a handmade bouquet of your favourite flowers cus he plans on doing so when he proposes to you, hiding the ring at the bottom of the bouquet. AHH IM SOFT

•Personal Spotify, he'll sing you to sleep whenever you tell him to, whatever you tell him to.

•You once had an argument with him in public and he asked you how he can make you forgive him so you made him sing 'Welcome to Miami' infront on random strangers

•OH I FEEL LIKE. If you're on a picnic. He would take help from his members (the 127 hyungs. Dreamies are hopeless I'm sorry) and make you both a bento. Imagine your surprise when you opened the picnic basket and saw two lunchboxes one was spiderman and the other was hello kitty.

"Mark, this is so cute. But yknow I like spiderman too right?"

"WAIT WHAT DUDE, YOU DIDN'T TELL ME. YOUR FAVOURITE MOVIE? YOUR FAVOURITE SPIDERMAN? OPINION ON NO WAY HOME."

I've said this before and I'll say it again, Mark's the type of boyfriend to snatch a jar from you, tell you he got it and fail miserably. Most of the time when you DO have a problem opening a jar and you go to him..he gulps nervously.

"I, have to go to the bathroom. Be right back."

"Mark- ...you took the jar with you.."

You know where this is going.

"JOHNNY HYUNG, QUICK LOOSEN THIS JAR SO I CAN IMPRESS ____"

"LOOK BABE, I'M SO STRONG."

"Baby, I know you asked Johnny to help. But thankyou! Yes you're very strong."

To sum it up, being with Mark is dorky and comforting and you love that man with all your heart.

Renjun:

•I see Renjun as the type to do princess treatment stuff with you together.

•Like Idk how to explain it- you both spoil eachother. Your nighttime skincare takes you both HOURS because instead of doing like sane people, you do it on EACHOTHER, explaining every step of your routine to the camera (the mirror) in a fake accent.

•If he sees you painting your nails, he gets offended because he's your personal nail tech.

I definitely see him as the type to tell you,

"Gurl, that watermarble is a disaster. Let me do it for you." and he does a better job than you.

"Silly girl, this is why you should always let me do your nails. Don't even bother."

•He's adorable, if its your birthday or you achieved smtn big at a job or at uni he would celebrate it with you. Decorate your room with pink balloons and stuff, get you a tiara and a sash- like a true princess, get you a pretty dress to wear. Click your pics and share it on his close friends story.

You love it. You saved that same tiara for his birthdays and achievements and crowned him your princess. CUTIES

•Allows you to do his makeup while you're sitting on his lap on one condition, you don't click pics.

Once he grows into it though-

"Hey! Blend that foundation properly, my neck and my face are two different shades."

You show your puppy eyes to him he's cracking. Lets you take as many pics as you want, doesn't say shit when you post it. He's soft for you.

•I dont see him as a very verbally expressive partner, he'll show you through his actions, like the one time a family member of yours was very sick and admitted in the hospital while he was on tour.

•You were continuously crying on call and it was late where he was. He knew you had trouble sleeping for a few days as you were staying at the hospital with them. He flew in to surprise you and had a mini date in the hospital cafeteria. He made sure you ate and you both took a walk around the building after dinner as he comforted you and gave you advice on how to deal with everything going on.

He stayed in the room, looking after your family member as you showered and slept soundly after forever. You felt bad as he was jetlagged and tired but he scolded you and forced you to sleep.

You woke up to the sound of the door opening and the nurse greeting your relative the next morning. There was a note propped up on the couch you had slept in,

'Had to fly back baby :( Call me anytime and I'll be there. My girl comes first always, I love you<3'

•Oh your family loves him btw, he had also got a get well soon card and a bouquet for your relative.

You were gonna marry this man, you were sure of it.

•Overall he scolds you when you don't take care of yourself and always puts your needs first before his and trusts you fully to do the same when he needs it, and you will<3

Jeno:

•This is so random, but I really see Jeno as the type of boyfriend who bakes for you?

•its just a you and him thing. When you started dating, you were at his dorm and got hungry and night. So he decided to make you a mugcake? It tasted like rubber but you ate it anyway ans reassured him that it was really good. (It wasn't)

HE WAS DETERMINED TO ACTUALLY LEARN HOW TO BAKE FOR YOU.

•Y'all know that guy on tiktok who bakes for his gf?? THAT'S HIS INSPIRATION RIGHT THERE.

•Experiments each recipe on Jaemin before making you try it. Why do you think Jaemin hates strawberries? Its HIS fault.

•Yknow how...Jeno is so buff and sexy?? His favourite part of going to the gym is sending you post workout bathroom mirror selfies. (YES THAT IS SPOILING. SHUSH)

•He also definitely seems like the type to call you princess. If you hate that nickname? He doesn't care he'll call you anyway cus you ARE his princess. You eventually grow into it.

•Definitely the type to wake up no matter how late it is if you need anything. You're hungry? He's up and running ready to cook, go to the convience store or order food for you. Anything his princess wants. You got your periods? You think he already doesn't have your necessities stacked in the dorm bathroom already? Pads, tampons, everything- even if you're on cups, he'll always keep them ready for emergency purposes and incase the other dreamies have their girls over and they need it. Your bf is a gentleman yes. You love it.

•PASSENGER PRINCESS PRIVILEGE. You'll always be connected to the Bluetooth. You never have to drive ever in your life again. His favourite part of driving is you screaming out the lyrics of ur new favourite songs.

He will never tell you how tired he is of listening to the same song over and over and over again. Even if his ears feel like bleeding from listening to the same song again, he'll hold back his tears and just smile. He loves you but he's not a big fan of your music.

"CUS TONIGHT WILL BE THE NIGHT THAT I WILL FALL FOR YO-"

"For the love of GOD- Y/N IF I HEAR YOU SING THAT EMO ASS SONG ONE MORE TIME I'M ACTUALLY GONNA RIP MY HAIR OFF."

"You're so quiet babe, what's up?"

"Huh, nothing... just focusing on the road.. You keep singing, I love your voice hehe."

•Yknow how much it annoys him, youre testing his patience to see when he'll tell you to stop. He wont tho babe, he's getting tortured, stop please. (I unironically love that song)

Haechan:

•I think he's the most princess to ever princess which is why he's perfect at giving princess treatment.

•Also hes very clingy, wont leave you alone for even a minute.

•One time you were cutting fruit with a new knife you had just bought and cut your finger on it. He was so annoying with it;

"NOOO MY BABY GOT AN OUCHIE! NO DON'T TOUCH IT. I'LL GET A BAND-AID. DON'T MOVE."

"Hyuck, its just a small c-" He pecks your lips to shut you up and runs to his room. He runs back and to your surprise shows you a hello kitty band-aid. You laugh at that to which he pouts and claims that "it hurts less with this specific one"

Doesn't even let you wash the cut yourself. He washes it for you, puts antiseptic and lastly puts the bandaid on your finger.

He proudly admires his work and when you thank him he "kisses your ouchie" to which you cringed out for a solid five minutes.

•He's the type to say, "I GOT IT" to everything you're about to do.

Opening a jar? He's got it. Opening your apartment door after a date? GASP YOU JUST GOT A MANICURE, HE'LL DO IT. Reaching for the shelf to grab a mug? He's got his Johnny hyung to get it for you cus he can't reach it either.

•He absolutely thinks it's his job to make you laugh. You literally cannot laugh at another guy's jokes now. Mark is an exception tho, he'll fite you for Mark. How dare you not laugh at a stupid joke Mark made.

•Speaking of fite, He'll let you win all playfights. This is how you know shit is srs between y'all. Haechan is competitive. But he'll let you win. I know its an unpopular opinion.

•Especially if you don't have much in common with Haechan and start showing interest in gaming and ask him to teach you, he'll go very easy on you. Yknow, set his pride aside, let you win a lot of games before actually becoming competitive with you as well. Still he won't ever admit it even years after being together- if you have a particularly bad day, he would let you and not make it very obvious, even if you call him names and make fun of him for being a loser, he'll just have a lovesick smile on his face and stars in his eyes as you're doing a dorky winner dance for beating him.

The 127 boys are very proud of their maknae, he's surely grown a lot. You're both still incredibly immature but they love you together.

•Oh the only down side is you're always competing with Renjun.

"Blink twice if you love Renjun and Mark more than me"

*blinks twice*

"We're done."

"NO. I LOVE THEM BUT I ALSO LOVE YOU. DON'T MAKE ME CHOOSE PLEASE."

•You love him too much to get mad at the fact that he still didnt choose you

Jaemin:

here we go..

my bias wrecker.

•YOU CANNOT DENY He's going to be the best boyfriend ever.

•You want to put ribbons on him? he bought you those himself. the pinkest of pink ribbon for you to tie his hair, biceps, _anything_ with.

•He loves making you flustered.

•Will check up in you every second of the day.

"Did you eat yet? Slept properly? Drink enough water?"

•Nags at you like a mother.

•If you're studying for exam or just working from home in general he'll pop up to check in on you every five minutes with coffee, freshly cut up fruits, chocolates etc.

•If you're too busy to eat, he will pull a chair and sit beside you, stare at you while you work and feed you occassionally.

•When you're tired he'll give you a massage and draw you a pretty bath with rose petals and scented candles and stuff.

•He cannot say no to your puppy eyes. He loves cats but you're the reason he has three.

•Also the type to get jealous of the cats, AND you if you're not giving him attention. He doesnt know whether he wants to be at your place or the cats'.

•HE COOS AT YOU. A LOT. ANYTHING YOU DO. "AIGOOO MY BABY IS SO ADORABLE *insert incoherent wooing noises as he pulls your cheeks* and you're just there like- '🧍😀'

•If you're on a date, you don't even have to ask. He'll already have his camera ready, suggest you cute poses and click pictures for your Instagram. He'd stay up late to edit them himself.

When you're with Na Jaemin you cannot have a blank looking Instagram.

•Overall hes the sweetest and absolutely adorable but he also has a babygirl to take care of. (He himself is a babygirl)

Chenle:

•Oh hes SPOILING and hes SPOILING BADDDD

•Another one to call you princess.

•I saw a reel of him asking his nephew for a kiss before handing him money. THAT'S SO ADORABLE OH MY GOD MY HEART HE'LL DO THAT WITH YOU TOO.

•Even if you're not the type to accept gifts or ask for money he'll MAKE SURE you get used to it because he JUST LOVES SPOILING HIS PRINCESS

•If you're going for a spa or to get your nails done or any type of self care activity and you DONT ask him to pay, he gets mad. he'll sulk, wont talk to you.

"What's the point of being born in a rich family and working hard to earn a living if my girlfriend doesnt want to spend my money?😔"

"CHENLE, I CAN BUY MY OWN GUM FOR GOD'S SAKE. HOW BROKE DO YOU THINK I AM?"

•He loves you so much. Every night when he does his skincare, you're sitting on the bathroom sink and hes doing your skincare as well.

•Another nagger who will ensure you're hydrated and wellfed, keeps track of your period.

"Hello?"

"Open the door, I know you're on your period, I got you heatpacks, pads and chocolates. Let's watch Hamilton and cuddle."

"Lele, marry me."

"Pick your diamond, baby."

AAAAHHH I AM GOING FERAL.

•But, we all know chenle is so much more than just a rich guy, he'll sing you to sleep and stroke your hair whenever you're stressed

•He may be mean and nagging and annoying sometimes but hes such a huge huge softie for you its crazy. Everytime you walk into the room, its all music and wind blowing and time slowing for him. Cliche lover boy and I'm here for it.

•He loves you so much, if you pout at him he'll be on his knees at your service doing anything and everything you tell him to...even aegyo.

"HEY YOU TOLD ME TO DO AEGYO, YOU CANNOT CRINGE OUT NOW. I'M CUTE!!"

Jisung:

•MY BOY PAINTS YOUR NAILS FOR YOU, MESSILY

•He also tries to learn how to cook for you. The first time he cooked, the food tasted like dish soap cus he thought vegetables had to be cleaned with soap.

•Eventually gets better and cooks very comforting meals. They taste like home, you love it. Yknow the type of food that's not too fancy but its warm and make your heart feel full.

•Thats also what loving him would feel like. He wouldn't go OUT and extreme but whatever he does is warm and fills your heart with love for him more everyday.

•Occasional flowers, gets you chocolates/cookies/ice cream everytime you hang out.

•Lot of movie dates, he'll always let you pick the movie. You'll always be the small spoon

•Oh he always pulls your chair at a restaurant. Also has a habit of putting his hand under your shirt and just holding your stomach when cuddling, makes him feel closer to you. Same with hugging, when you hug his hand peeks under your shirt so hes touching your bare back. It's nothing sexual, it's just intimate.

•He would always purposefully leave his hoodies at your place so you dont have to steal them. He's too shy to admit he left them on purpose. Also does it cus if you stole his hoodie, his poor heart wouldn't be able to handle it. It would probably combust into flames.

"You forgot your hoodie at my place."

"Oh shit, well its okay, you can take it. I don't wear it much anyways." and you're just there thinking,

'That's your favourite hoodie man, you'd rot in it if you could.' You don't tease him about it though. Its cute to you that he trusts you with his favourite hoodie.

•He's the type to be jealous of your plushies but then would also go out of his way to buy more for you. He gets sad if you buy new ones.

In his logic, if he buys them for you, he's the father and the kids will be loyal and know their place. But if you buy them, they'll be too greedy to share you with him. Oh please, he talks to trees don't tell me things like these wouldn't cross his mind.

•He loves it when you ask him to pay for dinner cus you usually split the bill. He realised he loves it a BIT TOO MUCH, makes him feel all alpha-protecter, big boy and would start demanding that he pays for dates more often.

Unlike Chenle he's cool with it if you don't like it, he'll turn it down a notch.

•He just wants you to be comfy and he'll always stick to his boundaries while also keeping an eye on you, making sure you're okay, comfortable and happy with him.

-

[korkorali]

The Misogyny of It All

So a lot of Della Duck Discourse is rehashed all the time, points are made again and again, but one thing that I almost never see people defend -and conversely, see people attack all the time- is The Line.

You know what I'm talking about. The Line from Glomtales.

"Your plans, your schemes, they only lead to bad things for your family. If you want to be a part of this family, you've gotta stop."

That one.

Now, what exactly Della was trying to get across with that line is a whole other can of worms that deserves its own post (basically she -and also the writers- horribly failed her Speech check).

What we're going over here is how that mimics a certain line from the last season, said by a parental figure to a child, that gets so much less flack. That, in fact, often gets paraded around as 'an interesting twist on a character.'

"You are not family!"

I have never seen people attack this line with the same amount of vitriol as they attack Della's, which is funny when they're the exact same line.

Actually, not even that- Scrooge's is worse.

It's more direct, it's literally yelled at Webby, it doesn't even attempt to address the issue Scrooge had (Webby blaming him for what happened to Della) and instead just straight-up attacks her as a person.

Now, to be fully honest- I like this line! I do genuinely think it's an interesting route for Scrooge to take, and is quite realistic to the grumpy old bastard. It's just funny that nobody ever comes to Webby's defense the same way they do for Louie.

Because the thing is- between Webby and Louie, one of these two has genuine, canonical issues with feeling like they're not a part of the family, like they're an outsider amongst those they love the most, like they don't belong.

And it's not Louie.

It is a consistent part of Webby's characterization that she feels like she doesn't belong. This gets touched on in all three seasons (and honestly, it could be argued that it gets worse after this moment).

Conversely, that just is not a part of Louie's canonical characterization. Even in the first episode of season 2, the one where Louie gets the closest to an 'I don't belong in this family' moment, it's less 'I don't belong here' and more 'fuck me I am terrible at adventuring'. And! It gets resolved in that episode!

(Of course, there is absolutely something to be said for how it's resolved- specifically by Scrooge encouraging him to be a scheming little bastard, which then thusly becomes the thing that threatens his family the most. Which would, logically, be a pretty big blow to his self-esteem. This isn't what I'm here to discuss right now but it is genuinely interesting.)

Louie never really shows an issue with feeling like he doesn't belong in his family. He shows a disconnect with his family at times, but in canon that never really evolves into a full-blown feeling of displacement. It does get close in Glomtales, but never quite reaches it.

So it's 'interesting' (read: not interesting) that Scrooge's fuckup here gets brushed away pretty easily. A lot of the time the line just straight-up isn't addressed, and when it is, often times it's about how "Oh he apologized to Webby offscreen, obviously."

Which.

Not he did not.

I mean, let me be clear: I don't mind it when that's the answer. It works for me to just brush it away if it's not meant to be the focus...

But Scrooge almost certainly didn't apologize for it.

As 'New Gods on the Block!' Showed us, Scrooge is downright awful at realizing when his actions have hurt people.

More likely than not, Scrooge would just assume that everything is fine and would avoid bringing it up at all costs because he'd feel awkward about it. Because he is, very importantly, not good at talking about things he doesn't want to talk about.

So why is it that Louie is always the one feeling like he doesn't belong? Why is it Della who is always a terrible parent for what she's said? Why are Webby's feelings of disconnect never really given the same gravity as Louie's? Why is Scrooge's blunder let off the hook super easily?

It just feels silly to me.

And, well.

Kinda like the fact that, since Scrooge is a guy and Webby's a girl, and Della is a woman and Louie's a boy, has something to do with it.

I'll happily give the benefit of the doubt and assume it's not deliberate, but quite frankly it is a double standard.

I think that people would be less upset with the Della Duck Discourse if Scrooge was held in a similarly critical position over what he's said and done. If it was acknowledged that Della isn't uniquely awful in what she says and does, and that a lot of the others have fucked up in extremely similar ways.

(I mean for fuck's sake, everybody goes on and on about how Della left her kids for ten years -which, for the record, wasn't what she wanted to do- but nobody ever criticizes Donald for taking the kids away from their family and never talking to them about Della- which is something he actively and deliberately chose to do)

TL;DR: The fact that Della gets intensely criticized for what she's said and done, but Donald and Scrooge are conversely celebrated as 'interesting' and 'complex' for what they've said and done, even when it brings harm to the kids, is a blatant double-standard. And if you don't think that this double-standard is bad or wrong for existing (or even that it Doesn't Actually Exist), instead of immediately claiming that it's a non-issue, maybe try to look inward and figure out why you really think that is.

[riddlerosehearts]

thinking about how people who watch the emperor's new groove and somehow come out of it shipping pacha and kuzco, or thinking yzma only became evil when kuzco fired her and that she would've been a better ruler than him, are both so wrong in so many different ways and are also missing one of the things that i absolutely love about the movie. which is that, the way i see it, pacha and yzma are counterparts. as parental figures to kuzco.

like, just to get this out of the way first, yzma was a dismissive asshole to a peasant whose family was starving. and yeah, if kuzco had been in her place he definitely would've also done that, which... is why she would not be a better ruler than him. she'd just be the same because they're both horrible people in the exact same ways. her reaction to being fired is to plot murder, and as soon as his funeral is over she sets everyone to work on replacing paintings of kuzco with paintings of herself and covering the palace with imagery that makes it clear that it's all about her now. i'm not even sure why this is a discussion tbh.

and also, kuzco is literally a teenager. he's barely 18 years old. source: in the movie, yzma says at his funeral that kuzco was "taken from us so tragically on the very eve of his eighteenth birthday." she also claims in the movie to have "practically raised" him, to which kronk replies "yeah, you'd think he would've turned out better". and sure, she could be exaggerating, but what evidence do we have that she is? we learn absolutely nothing of his parents, who are never mentioned even once in the movie, or of anyone else who could've raised him, and she's his advisor who for some reason sees no problem with attending to royal duties in his place. most likely because she's his regent. also, i'm not exactly a fan of the sequel tv series "the emperor's new school" but it does have something that backs up my point: kuzco is revealed to be an orphan and just before his father went and got lost at sea, he asked yzma (who was also his advisor) to take care of kuzco if anything happened to him. so, yeah, the writers who worked on the series clearly thought that yzma genuinely did raise kuzco, and nothing in the movie contradicts this.

and i find the idea of her being his only parental figure for pretty much his whole childhood incredibly interesting because, and this also goes back into why she wouldn't be a better ruler than him--she mirrors him as a reflection of what would've become of him if he'd never met pacha. they're both incredibly arrogant, power-hungry, selfish, and cruel, with a tendency to blame their problems on everyone but themselves. yzma was even originally going to have her own reprise of kuzco's theme song "perfect world", which i really wish had been kept:

[ID: Lyrics that read:

I'Il be the sovereign queen of the nation And the chicest chick in creation I'm the cat with all the cream and ooh-la-la This deadly concentration Will put an end to my frustration Now this perfect world begins and ends with moi

What's my name? Yzma, Yzma, Yzma Yzma (what's my name?) Yzma, Yzma (What'd you say?) Yzma (Ha ha ha ha ha ha ha ha ha!) Yzma. End ID]

(this song can be fully heard in "the sweatbox", the documentary about the making of the movie, and is also on youtube btw)

anyway, i'm sure yzma would not exactly have been the most nurturing or hands-on guardian, especially given that she and kuzco don't exactly treat each other like family. but it makes a lot of sense to think that her behavior influened kuzco's throughout the years. and for the entire movie, she remains determined to kill him. when he tries to reason with her and admits that he should've been nicer, she says the same thing to him that he originally said when he fired her. she never grows or changes and in the end, she hurts the one person who was willing to stand by her (and even then, kronk had never fully been on board with her plan) and he ends up trying to crush her with a chandelier. kuzco on the other hand is able to realize the error of his ways, come to regret who he was in the past, and start taking steps toward being a better person. his theme song gets a reprise where it's changed from a song about one person being the center of the world to a Power Of Friendship song. why? because, as i've already mentioned, he has pacha.

pacha, who similarly to both yzma and kuzco is in a position of authority as the leader of the village but unlike either of them is gentle and humble. who isn't afraid to stand up to kuzco and be honest with him even though he's the emperor, who agrees to take him back to the palace but has no obligation to be so helpful, kind, and caring toward him--and just about every reason not to be--and still chooses to be anyway. pacha who is 45 years old (also stated in the sweatbox documentary) and can see that kuzco is practically still a kid, not a single day over 18, who has time to grow and change. pacha, who already has a wife and two kids with another on the way, but practically treats kuzco like one of his own. who acknowledges that if kuzco dies all his problems will be gone and then still worries about him and goes out of his way to rescue him after he wanders into the jungle. who sees kuzco shivering at night and covers him with his poncho, who carries him when he's genuinely too weak to keep walking, who refuses to give up on him even after repeatedly being betrayed by him because he believes there's good in everyone.

also, while yzma ends up repeating kuzco's harsh words of dismissal as she tells him of her plans to kill him, kuzco had previously repeated pacha's words that "nobody's that heartless" after he saved pacha's life. and as the movie progresses kuzco and pacha's relationship becomes more and more equal and is constantly contrasted by moments of yzma being cruel and unappreciative of kronk's kindness. a good example of this is how kronk is constantly being forced to carry yzma everywhere on his back while yzma literally walks all over him and steps on his hands when she gets down, whereas when pacha briefly carries kuzco after the latter collapses he tells him he'll have to walk the rest of the way later and kuzco doesn't even protest.

idk if i'm even explaining well what i'm trying to say here. but basically, if yzma actually raised kuzco and contributed to his current behavior, then she and pacha both are figures who guided him and helped him grow. only yzma helped him become the tyrant that he was at the start of the movie, who was selfish and callous and saw everyone else as beneath him. whereas pacha helped him see the value in being selfless and considerate of others. and in the end, yzma is stuck as a cat and nobody is concerned about her. kronk has found a new job that makes him genuinely happy, while kuzco has decided to build a hut on the hill next to pacha's and effectively joined his family. in the sweatbox documentary it's even mentioned that chicha and the kids were at risk of being removed from the film, but it was decided that they needed to be there because having just pacha as a single guy who lived alone wasn't interesting enough--kuzco needed to go from having basically an empty world where he had nobody to being able to come together with pacha's whole family. and i just think that's incredibly satisfying and beautiful. it also leads up to one of the few things i really do enjoy about the emperor's new school, which is the fact that during the show kuzco moves in with pacha and chicha and pretty explicitly thinks of them as basically his parents while he's like a son to them.

idk. i feel like my mind went in a million different directions while i was writing all this. but i guess i just think that for all of the praise the emperor's new groove gets for its comedy and for how hilarious yzma and kronk in particular are as a duo, the movie also has a lot of genuine heart that gets overlooked. kuzco's character growth and his unique dynamic with pacha is, for me, really what elevates the movie from just a funny movie that i like to one of my favorite disney movies. and i wish more people appreciated that aspect of it and saw it as a found family story in the same way that treasure planet, brother bear, and lilo and stitch are all found family stories.

[breannasfluff]

Fanfiction Comments: Why Bother?

Genuine question: If ya’ll like a story, why not comment?

This question, born out of previous discussions and Discord chats, is one writers have been dealing with for a long time. Feedback/reblogs on art tends to be more common than on fics. Yet writers continue to beg for comments on stories. So what's stopping people?

Don't know what to say/an emoji/script feels too impersonal

Forgot to comment

Read everything and how do you pick out one part?

Rather give feedback personally

Feels like an expectation/I owe them

Send me a string of emojis? I love it. Send a single heart? I love it. Keyboard smash? I love it. Copy/paste a "thank you for writing"? I still love it. "I don't know what to comment or how to put my feelings into words." Then put that! That's a compliment! Can't think of anything to say, then "I don't know what to write but asgfdhgf I liked it." is fine!

Seriously, I don't care WHAT you put, because it shows me you cared enough to take a few second to show that love. I recognize and look for my regular commenters, even the ones who leave just a heart or "extra kudos".

Forgot to comment? Leave the fic open on your phone or get in the habit of dropping SOMETHING right as you finish. If you had time to make it through the last 100 words, you can probably tap an emoji. It's likely more of a habit to build up than anything.

Read it in one go and it's all a blur? "I read this all in one go and it's a blur, but I loved it!" We don't need specifics; just tell us you loved it on the chapter you stopped on. That in itself is a compliment because Hey! You loved it so much you had to keep reading!

Personal feedback? Well, I'll never say no to friends gushing about stories to me! And it might not be the same for everyone, but if you stop commenting on AO3 and only tell me personally...my assumption is you don't like it enough to say it publicly. I've spent many a time wondering why people stopped giving that support and what I should do better. If it's a friend, try asking them which they prefer! We can go back and reread (and do!) AO3 comments. Much harder on discord/dms/etc.

Owing authors? Look, we put a lot of time and work into writing and providing content for free. Hours of idea planning, actual writing, editing, catering to requests, etc. My partner once said I have a second job, writing, but I don't get paid. If you read and enjoyed something that someone put a lot of work into, it's nice to take a few seconds and tell them that.

You don't owe authors comments. They also don't owe you free writing. Sometimes, you forget there is an author at all when you're reading. But there is. A real person put out a story hoping you'd love it, or connect to it. You'd see yourself in the writing and feel less alone, or cheered up when you have a bad day.

Writing is art, and all we want to do is connect with you. Comments help bridge that gap.

[redwineandtarot]

your talents

hi! today's pac is all about your talents! as people we are so diverse so not all of your talents may be in this reading. however i hope this helps you discover yourself more! take what resonates and leave what doesn’t. i would love to hear your feedbacks <3

🥀paid readings🥀

Disclaimer: My readings do NOT replace any professional advice. Use your own judgment while making decisions. You have your own free will. Take everything I say light-heartedly. All of my readings are for ENTERTAINMENT PURPOSES.

pick a pile

piles 1-2

3-4

i do not own these pictures

pile 1

You are great at giving people honest and genuine advice. You make people see parts of themselves that they may have not seen before, good or bad. 

You may be great with finances. Or have the potential to be, if you learned more about it. You could study finances or economics. Don't have to, but you may still learn a bit about this topic. I think this will benefit you. (I am not a financial advisor or professional, this is just what cards are telling me!)

Being some sort of a teacher/advisor may suit you well too. Economics professor just came through but you could also be a dance teacher, therapist etc. Just something where you help people broaden their visions. 

You are great with new beginnings. You know how to make something blossom. You are also great with endings.

What I am seeing is you can materialize any interest of yours. Like maybe you want to learn guitar or learn how to cook, you can become quite good at them(to be more specific anything you want). Also this applies to material gains. The world is your oyster, I heard your guides say. 

Some of you may be talented at fashion. Whether it is designing or just making great outfits in daily life. 

You are also great at thinking ahead and planning. 

You are probably at peace with your shadow self or you are on the way to be. 

You have an earthy vibe to you. Your self confidence and calmness makes you a great manifestor. You could also be great at meditation, yoga etc. Anything that makes you connect with the universe and yourself more. 

Messages from spirit:

You still have full autonomy regarding ‘it’. “Nothing is yet set in stone.” You have a lot of potential.

You may need to release something. What is it? Think about this if you don’t know. Because deep down you know it.

thank you for reading <3

pile 2

I see a strong emphasis on your beauty. You could be / have the potential to be a model. Regardless, you are attractive and you may use this to your advantage. I am not saying you inherently have bad intentions. You are just good at charming people and getting what you want. You also probably would do great at things that require you to be in the spotlight. 

You are great at saving money.

You are a great fighter and a diligent person. You are persistent with what you want. Even if the situation seems hopeless. You find a way to make it work. And this usually gets you where you want to be (or even better places) in life. 

You know how to balance things in life. It just comes naturally to you. You know sometimes life does not evolve the way we want. And you trust the universe even in these times. You know you can get your ideas to real life even in the darkest times. 

Your words are powerful. You could use words to manifest. You could also be a writer of some sort (book writer, lyrics writer etc.). 

You may be great with plants, flowers or you may be good at biology. 

The numbers 8 and 6 might be significant.

You are good at dealing with emotions. You are an emotionally intelligent person.

You have natural talents to share your wisdom and your talents. You could benefit from being some sort of a teacher or a performer. Someone people watch.

You have a great understanding of life. The occult and history might be suitable fields of search for you. (I’m especially getting Egyptian mythology.)    

Messages from spirit:

You might be holding onto something out of pride. For most of you this is something from the past that you cannot let go of. 

Look at your situation from a different perspective. People who you deem wrong may be right.

thank you for reading <3

pile 3

You have a natural ability to lead and gather people. Whether for a cause or a project. In your work field or in a hobby that you do, you may pave the way for some sort of thing. For example you may start a new way of doing things, or you may be the first to do something in your hometown etc. 

You may have a talent for singing and/or public speaking. This also ties in with leadership because a good leader should also be good at speaking. Even if you lead a small group of people, good communication is key in my opinion.

You are also good at ending conflicts and finding the middle ground. 

You are also great at comforting people. You can transmute people’s worries. And you are also a great friend. You friends value you a lot.

You can tackle a lot at once. For example you can do modeling, studying, working at a part-time job all at once. Or if it’s just one job you can do different elements of it. Like youtubers; they film, edit and advertise their videos on their own. As a continuation of this, I see that you are a multi-talented person. 

I see you handling fast-paced life well. And this is because after all this running around you know how to come back to yourself and sit still. Maybe you do yoga, meditation, or any type of mindful activity.

When you love something, you also have a GREAT passion for it. This makes you also stand out at what you love. You can do the hard work for what you want.

By harnessing all of these talents of yours, you can achieve great success (whatever success is to you).

You have great spiritual protection around you. From your guides.

Messages from spirit:

You may meet a soulmate(platonic or romantic) or a romantic partner of yours soon. Or you may enter a phase of your life in which you’ll meet your romantic soulmate. For most of you it's the latter. And for this, spirit wants you to hold on to your visions.

thank you for reading <3

pile 4

You have a youthful energy to you. You spread happiness to those around you. You give them energy. While you have youthful energy, I see you as a wise person. You have an immense intellect. You could have gone through some hardships but you got to the other side with great strength and important lessons. Despite this you protected your child-like spirit. Your inner-child feels safe and heard with you.

You have a great imagination. Your dream world is probably pretty big. I get neptune-ish vibes from you. I heard that you may be a poet, if not I suggest you give it a shot. If you do not like poems, you can do other things that get you to use your imagination and emotions. Because I see a great potential in you. 

Some of you may be life path 22 or 7. Even if not, your life path is important for you.

You probably have a close bond with spirit. You are a great manifester. Despite your lighthearted energy, I see that you may have an interest in the occult. 

You have a talent for dancing.

You could also do well in areas where you need to have a quick wit. I hear politics for some of you. The term “crazy like a fox” applies to you. 

Despite appearing playful, you are pretty grounded. Even some of you may not realize this. You just need to work on it a bit more maybe.

You are graceful in the things you do.

Messages from spirit:

The thing you are asking for is within your reach! However while working towards it, you need both spiritual and practical effort for it. (Spiritual effort may be visualizing it for 5 minutes every day, etc.)

thank you for reading <3

[court-jobi]

Goldeneye Down

((banner by me! I don't own Horikoshi's characters/stories))

Pairing: Hawks x reader (quirkless!(gn)reader)

Words: 4.6K

Rating: T+ (canon-typical post-mission shenanigans, so it gets raw, kids.)

Warnings: canon-typical violence, description of injuries/blood, mentions of medical trauma, anxiety, so many tears, mutual pining, HURT/COMFORT, angst with a happy ending

Summary:

If a kiss would fix him, he'd sooner never breathe again. If you knew it would work, you'd surrender your lungs and anything else for his comfort. He hardly gets tender treatment after a fight- and that shows by how tightly he's hugging your waist for dear life. Alternatively: three times you've witnessed your dashing Hawks masking his hurt, until he can't anymore. Each time is worse than the last- until you finally learn that you're the only one who truly asks how he feels after nights like this. Not 'how are your wings' or 'is he stable'... but it's you who takes the time to wipe his face gently with a washcloth: not to rid Hawks of the sweat and grit to make him presentable, but gifting Keigo the chance to feel clean for once.

A/N: Yall, this man is one of my favorite characters on this show, and I have so many writing plans for him-- so apologies for starting right out the gate with angst??? I love him I swear

For my My Hero Academia Masterlist, check it out here!

Read on AO3

The first time you ever saw Hawks shirtless was hardly the stuff fantasies or a perfume advert concocted. He was bandaged across one entire pec, around his middle, and up to his shoulder, after all.

Work as a writer took you to many glamorous locations, but also to the grittiest– recently, hero hospitals when there’s been a close call and you are in for an interview with either a dying hero for their final public wish, or a heartfelt op-ed about a rising sidekick’s latest stand against threat and evil. In either case, you’d wound up at the bedside of a darling rescue agent who’d had an incredible story to share despite their career-ending injuries. 

With a genuine word of thanks and a shared pudding packet, you were leaving the hospital wing in fairly good spirits until your stomach turned in shock at what awaited you in the hallway– a gravely bandaged Hawks standing at the nurse’s station in a half state of dress, locking eyes with you in the first instance where you’d ever caught him off his guard. 

Those gorgeous eyes flashed in nervous panic which melted into boyish charm awfully quickly- standard practice for the secret object of your affections-

“Well gosh, nurse, I thought you’d give a guy a warning if a guardian angel was going to be visiting today… I’d have been decent enough to put a shirt on~!”

It was a detour of hoarse-voiced flirting on his part and masked heartbreak on yours. Seeing the blonde numbed out and paler than you’d ever witnessed him out on the job, your veil of professionalism slipped enough to really see Hawks in this moment… and catch wind of an unaware attendant who slipped the hero’s last name in front of you. 

Said PA immediately recoiled upon seeing you -an extended member of the press- overhear the #2 Pro Hero’s legal name. Though at your insistence that you were here on business that didn’t concern him, Hawks visibly relaxed enough to give you his first name himself the moment the nurse left. 

‘Mr. Takami is far too formal to come outta you; don’t even think about calling me that, dove.’

Keigo Takami truly was a man containing multitudes, but for all the tough talk about how ‘you should have seen the other guy’, you worried about that man you’ve seen now without his gold visor that night when you went home, and wondered if he was sleeping ok with his chest bound like that. 

The next injury sighting took several months of continued text exchanges, private balcony sidebars, and continued endurance of Hawks’ public displays of blatant sweet talking for you to see him less than chipper again.

Your meeting with the HPSC Press Chair was running painfully long, but necessary given the content you were working on publishing for them as side work. It wasn’t doable for you to take on a full-time job with the Hero Commission, but in your philanthropic effort to unite the civilian world with those of high profile heroes, you took on these winded assignments with the promise of a pay bump… as well as a chance to see your darling flyboy. Not that they’d note or care about your budding affections for him. Thankfully, your tight lipped smiles at him were ironclad and his reputation as a charming star preceded him, even to his higher ups so the true feelings never fully sunk in so long as you were mindful.

Pulling a doubletake at your presence in the conference room from the glass windows led Hawks to hang a left inside to quip at you, fully interrupting your meeting despite the scowls he received from the suits lining the table.

“Well isn’t this a pleasant surprise~ hey there, lovedove. Aren’t you pretty as a peach today?”

“Hey there, yourself,” you turned to acknowledge him politely, but pointedly fixed on his eye that laid nearly completely blackened and the cheek scraped to a raw red.  “--aren’t you looking- purple.”

Hawks being sufficiently threatened to report elsewhere didn’t stop him from throwing you a dismissive wink and a smirk at your subtle worry,

 “Oh this? Nah, it’ll fade. I could use the blush anyway~ it’ll save me a trip for photos tomorrow!”

That charming show of optimism wasn’t a surprise as you turned back to your grumpily apologetic managers, though you never did quite forget how Keigo stayed in the entryway soaking in even your curt ending of the conversation. He had to be practically ushered out by some fellow training officers for him to go on his merry way. Your inspection of him had been lightning quick, and you were nearly certain he was black and blue in more places than his face judging by how he sidestepped out the door.

Would he ever take his pain seriously? Under all that swagger, you certainly hoped so. Or else you hoped someone would make a fuss over him. 

Hawks shows on your patio at 12:30 in the morning one day, knocking silly on your side door. It’s been weeks since you wrote another touching piece for the HPCS’s statement on civic protection, and too long since he’s taken a rooftop stroll with you. Hell, far too long that he's had you close. Keeping you at his side, tucked under his towering wing, shielding you from the night winds, peppering each other with soft-spoken words and some stolen kisses he swears mean more to him than a move ‘just for luck’. 

Hawks knocks three times... huffing. He glanced towards the ground, tucking what's left of his wings further in with a wince. He knocks four more times, each more insistent than the last, but mindful of the noise. He even shushes himself in the delirium, canvassing your living room for signs of life.

Your oven light was still on, suggesting you hadn't gone through your full nighttime shutdown yet. That single light bulb in your kitchen appeared to double the more he stared, and tried to blink the unease away. Shit. He's really in no condition to fly. The sidewalk below your floor takes his attention again at the cry he hears. The sound is only cat this time, but still makes him oh-so nervous.

Hawks moans his impatience coupled by the searing pain, begging you to come notice him at the sliding glass. He drops his head damp with sweat to the window (intent to apologize for it later) and just bangs on the window like the desperate man he is.

"Please be up, please be up, please..."

When he opens his eyes briefly, he sees a shadow before him approaching. You'd flicked on more light in your living room and were jogging up to the window with shock brightening your features to total wakefulness. He's never been happier to see you so panicked.

Your confusion is palpable behind the door as you push the blind’s interior locking rod aside and flip up the lock, sliding it-- and Hawks-- along with you.

"Who-ooah!! Hawks??" You whisper-scream.

Stumbling aside, he grips his still bleeding hip and winces at what that move causes for his back. Eyes screwed shut, he can't even quite manage a suave, sweet greeting; he merely sighs your name as an answer to prayer.

You take in this poor, disheveled shell of a hero as he looks every bit like he's come from a dogfight. Not only were his wings sparse and bony from overuse, but his left wing was seizing up and stunted at a poor angle you knew wasn't natural.

oh my God, those poor wings… You collected him up with ready arms- gingerly guiding inside through the center of the patio, wary of bumping either's span of the door. 

"carefulcarefulcareful–"

"eh, it’ll-- nnngh!!" Hawks doubled over-thankfully right into you- "I got'kicked in the back-- right under...ahhhh~ "

Not only that, but despite the blackness of his under armour and gloves, you noted now by movement and smell that he was bleeding elsewhere. Besides the hobble, he sports a busted cheekbone and lip– which he likely bit himself.

This was a hard state to see him in and truly frightened you by the blood loss alone. Worse than any other time you’d seen him after a mission by far.

Primal, parental  instincts filled you and spilled out before you could stop yourself.

"Honey, we gotta get you to Dagoba General; it's closest--"

"I can't-" Hawks stopped you with a vice grip on your wrist while he hobbled along, "s'too public."

-Not allowed, even in an emergency. This you remembered from his earlier run through of policies about heroes needing medical attention; where in the city he could go, how it should be handled privately, and out of civilian's eyes.

"oh shit-- well, how bout the hero hospital, the one by that high school? Can't you call- or I can call! Let me-"

"No~" hawks moaned miserably. "I jus' gotta sit."

“Aren’t you -uh- supposed to have your legs up? You can lay back, it’s ok,” you try to guide him, but he only wavers- set on sitting up. His still-sure sights canvassing the room tells you he’s in a protective, alert headspace here in new surroundings. He might need more direction from you to break this..

"Hawks-- this is beyond what I can do,” You tried to reason with him, grappling a random throw blanket semi draped on the couch before he could sit down. “I told you I worked in refugee centers, I only know basic first aid- but this is more than I can help you, honey! They can get you fluids, a transfusion if you need it, pain meds stronger than what I have from the corner store if you’d just- where's your phone, I can call for an ambulan-"

Hawks fired up right away-

"NO!!" He begged, "no- they, they can't.. I don't wan'.."

Helping him sit, you knelt carefully trying to hear through his clear pain-rattled rant.

You assume he doesn't want the trouble of an ambulance or worry it wouldn't get here in time- which scares you more is debatable.

"We’re working against time here, hot stuff.." you tried for levity, caressing his hand. While he took it shakily, he bit his groan back.

He looked at you seriously, but pouted back in a way you'd normally giggle at, "No 'wee-woos'."

"I know you don't want ‘wee-woos’, but I think we're past that now." 

You cup Hawks’ cheek which successfully transfixes his attention right on your face, while you blindly try his jacket's inner pocket for his phone- closer than yours that’s clear in the back bedroom on your charger, 

"Look, I'll even talk for ya, okay? You don’t have to explain a thing about what happened tonight. Let's just get you help-"

"NO!! I can't hav' 'em find you here!"

His outburst startled you so you pulled back from his jacket entirely- at a true loss, "Can’t have who find me?"

"I won' let 'em," Hawks shook his head, pressing into his side, "I-- they don' know I'm here- they can' see only the pinpoint. Not ell'vation. Ahh. Don't wan'em know.. where you live, f’they don’ already."

You fought to keep up. He's clearly distressed- but you're surprised it's by the thought over your residence being found out. Who would be upset at the fact of him being here enough to have him shaken from even emergency services finding out?

Then you realize, he’s on the clock. He’s gotten hurt at work, and he’s not patrolling anymore. ‘The asset is damaged,’ and he’s laying low effectively out of sight.

"Your.. what, your bosses? Is that what you're worried about right now?"

Hawks was fighting for some deeper breaths. Some old instincts finally kicking in, he’s pushing air out forcefully though his lips in a decent try to slow himself down. He knows you know that much– how his work is essentially divvied into two piles: the stuff you hear about on the news, and the stuff you don't. The HPSC handles both, but primarily involves him in one. Thankfully, he knows you're quick enough to know tonight is a night of the latter and one that you know you shouldn't ask too much more of, despite your clear desire for understanding. 

But he’s bleeding on your sofa and he is about to damn near break or bleed out and you feel drawn to his heart and feel a selfish urge to know.

"I don't understand- why, ... why come here if you were worried, Kei?"

"I was.. close,” he offered with some huffs again.

That answer felt too loaded, but you were too groggy yourself to reason with such a clammy man dealing with who knows how much blood loss.

He forced as much clarity to his vision as he could, while watching you get up to close the patio door up. You shut the blinds for good measure too before debating whether to run back to the bathroom and  grab what gauze and antiseptics you had. For both the sake of time and to keep the poor man from following you throughout the apartment like you knew he’d try to do, you settled on wetting a few washcloths by the sink and came back to him.

"Your fight was close to here?" You kept him in the moment while attempting to get off his coat. He sat forward to help in this, but his eyes shut hard as it forced his shoulder blades together, to feed the gap over the wings.

Through steeled grunts he manages it, then strangles out the basics for you, "Y-yeah.. small.. weap'n traffic ring. But we had intel they'd.. Had a hit out on’the magistrate."

You set the bloodied jacket to the ground- torn between looking at his pained face and getting a look at the hip he was leaning into.

"They hadda few tough quirk users," Hawks gritted, separating his hand at your insistence. The shirt peeling back sticky was the least of his worries when you laid the wet washcloth at his side, "one had blades for legs, n’the other had a kind of whip-AHH!!"

Only water, but it burned like hell. Burned through the mess he'd made of himself. Proof he'd been sent in there outmatched-- 5 to 1 so he says, but even for the #2 Hero, the odds were stacked against him for a covert attack. You whispered a gentle apology over the sting.

You hated hearing the challenge and clear surprise of the incident that caused this version of your hero to be brought to the surface, knocking on your door like a kid trying to sneak back into the house in the middle of the night.

"So they nicked you here– and your back?" You asked gently, "Anywhere else?"

"They were gonna take out the block--"

You heard the panic rise in him again, the tremor in voice and wings.

"Haw-.. Keigo."

"They were gonna-- they didn't even know you lived up here.. you of all people.. but they were gonna do it. I had- said I hadta stop em, whatever it took.."

You set the first soiled cloth aside, centered between his spread knees, and cupped his face in both hands now. He's trembling all over and pulse is going wild under your fingers. He locked onto your necklace- avoiding your eyes in anger, guilt, and a messy, gnarled ball of exhaustion while you cleaned his face.

It wasn’t clinically necessary, but you wanted to.

 "But you stopped them," you reminded, "You said you got 'em, right?"

Something flitted across his face that looked hollow- like a younger side of Keigo Takami was looking for help finishing his thoughts. Like he was reverting to a shadow self that was about to cry just feeling you cool down his neck with the clean side of a washcloth.

"I got em." He barely whispered, new frustrated tears flooding his eyes and forcing his brows together. "I did it. I did-- what they wanted me to."

The way he says it is not a victory. It's guilty, not even proud in a sense of justice. It was forced; not unlike a militant following orders.

"The safety commission, keeping folks safe at all costs," you answered for him, forcing his eyes to blink at the name. What crimson feather remained ebbed and rustled on impulse.

Suddenly, he frowned down at his own hands, suddenly wrenching himself free of his damp, tainted gloves, like they were burning him alive the longer they stayed on his fingers. 

"Cost them," Hawks croaked, "Wanted t’take ‘em in, make them pay the way we always do. But then they said they're taking the block out- and I couldn't let em- I couldn't let them get you or anyone else--I shoulda felt like a damn hero they say I am."

Hawks shook his head pathetically, nearly collapsing forward at the feel of you raking his bangs back, before he sobbed,

"but I didn't want to. They begged. Couldn’a run when they knew they couldn't win, so they begged. I don't wanna do it this way, don't want it to come to this. I can't keep ending it all just because I can!! I’m no–"

Hawks wipes harshly at his eyes with the heel of his palm, his anger at a tipping point.

Your heart sobers and breaks altogether. He's confessing to you because he knows this whole ordeal is going to be painted so differently by the media in the morning. Heroes have to make impossible calls- and you know his handlers don't make it easier on him when it comes to completing these covert assignments. They’ve essentially given him a license none others do- allowances that dance in the world of grey.

Hawks and heroes like him have been granted permission to take lethal measures. But it’s a grim, fell thought that when you’re in the moment- the choice to kill or stay in your armed hands. The pressure is bound to weigh anyone, make them crack and doubt their sensibilities.

Any bystander would call Hawks heroic for saving more lives than taking them- but fear is what forces him to kill. Fear of loss, of the catastrophic unknown that he continues to fight for faster and faster. 

You leveled with Hawks’ sightline, forcing terrified eyes to yours. While the sight of this confident man worn down grieved you, schooling your face and brows to be strong was an easy ask when he needed you.

"I know you didn't,” you affirmed all he said, “You were so brave, Keigo. You were really brave, no matter what. No matter how these fights end. You always are brave."

Keigo listens and heaves an ungodly sound at your words. 

Suddenly, he's pulling you close and crying into your chest and you meet him all the way. You lock your grasp around his shoulders gingerly at first afraid to hold too tight. Cradling his head to you and hushing him seems to work for now, since he’s able to speak again after more schooled breaths. 

But this reaction from him is far from assured; he’s afraid. Unheard. And it seems with you, he can finally air these harsh truths without outside ears listening in stopping his tongue.

"They don't care how hard it is. They don't care. They just push and push and push me, and 'm tired and it hurts!!"

All you can do is hold him.

"I know, baby,” you barely speak, “I know it does, I know it hurts..."

“It always hurts,” he sobs, “It does every time. When you saw me and you looked at me, and you asked me if it hurt, I lied because I had to. But shit, this hurts…”

Hawks’ heated hands grasp at you: the contour of your body is the altar he's kneeling at- from this very spot of your couch. He's wailing now- half in pain, half in misery of being failed over and over again and only now -in secret- ever receiving someone to listen in return. The sound barely makes noise as its buried in your middle, but it rocks you where you kneel up straight to keep him close.

You let him grieve and hold space for every bit of it. He's never once been this vulnerable with another soul in his life, you’re convinced, and he sounds just so grateful to have your hands on his. Grounding. Giving him relief he's been starving for since you first paid attention to him across that crime scene where you first met.

Once he began mimicking your pronounced breathing he finally starts to feel more calm. 

To give him air, you robbed one hand from around him in order to push back some hair from his face and check his temperature. He could actually feel how cool your hands were once he started getting color into his face from his spot at your chest. Drained and pliant, he mumbles something at your sternum, and you ask him to repeat it gently,

“Hands’re cold,” he whispers.

“Oh, m’sorry.”

“No,” he shuts his eyes. "Feels good. You feel so good. The other docs, they're just so-- clinical.. They don't- they aren't gentle. No one feels as good as you do.”

Softness seeps from the very pit of you. What you won’t give to protect this hero now. 

You see a slumped pillow at his side and think to use it as a bolster until his back spasms lessen.

"Here, babe. Let's get one of these behind you. You can lay back a bit-"

Hawks chips his chin up to you, a bat of his eyes pleading, ‘don’t go’.

It’s official: you love him.

"I won't go,” you coo down to him, “I won't make you get up. I'll be here. Right here." 

You kiss that hot, flushed forehead, and he wants to crumble again by the way you hear him swallow. 

“I-” Hawks tries to recover from his overwhelm, "...I need you..."

Your answer would never deny him, "What do you need, pretty bird."

"Need you– hold on t'me." Hawks nuzzles your neck in relief.

"I've got you. I've got you this time. You always have everyone else; now I have you."

This is the way you’d keep him, if he were all yours. After a day of things he’d rather forget, you’d replace them all with kind words and soothing touches that settle his restlessness. To his nature that never stops moving, you’d make it your mission to bring some stillness and comfort to the forefront of his burdened mind.

While you’d love for reality to keep on pause, a flash of movement at the window gave you hope rather than alarm, 

“Hey, Kei. Lookie there. You've got a little pile waiting for you~” you nod back to the patio, catching some blips of red near the unobscured vertical blinds. “Would having them back on you help? Make you feel more steady?"

Interest piqued, Hawks sounds pleasantly surprised seeing them with his own eyes. 

"Ah. Yeah."

"Wanna rinse off, too? You can; use my shower, get yourself a lil more fresh?” the offer is true and comes from you easily. Happy to offer whatever healing measures possible to him while you wipe away leftover tears from a set of perfectly golden eyes. “I can’t promise I have something that fits you super well, but let’s see what I got.”

You knew the hot water would likely sting his wound, but would also buy him more time before he's  ready to fly again and go get checked out more formally.

Still wilty, Hawks gives a comical grimace in the face.  “I’d sure hate t’bleed all over your stuff.”

“Stuff can be washed; there’s only one you.”

And at this, he finally looks back up to you like the Keigo you know and sinks at the idea, giving in to the tempting idea. He nods. Any trace of boiled over bitterness in his aura has faded to a low simmer, and has left a warm, comfortable, gorgeous-looking man to peer up at you. 

You help him up, open the door once more, and Hawks is able to stand a bit better on his own now with a wingspan full of settling feathers preening themselves into place. Once face to face, he finds his hands are still seeking out your waist, and his face furrows– unwilling to let go fully of his personal painkiller.

You still his hesitation with a mouth’s warm press to his cheek followed by a gentle kiss on the lips. His palms go lax and a moan leaves him softly.

“I'll hold you all you want when you get out,” you whisper gently to him. “No funny business, I promise. Yeah?"

As if he held any true worries. 

"Wouldn’t ever mind if you did, dove. But yeah– I’d like that."

With another lingering kiss, you do your utmost to take things as quickly as he can manage for the sake of getting him to rest quickly… but by the way Hawks eyes you from all your puttering about the apartment, he holds no urgency or rush. To the contrary, he's happy going slow and steady while he’s with you. 

His hand catches yours any chance he gets until he’s ultimately able to lay his head to rest on you at the first idle moment of the evening. Its in these, the wee morning hours, that he’s eager now to remember this as the first night you got to help him heal and not just recover.

"You sure you aren't rushing it?" the slight worry tinges your sleepy morning voice in just the next few waking hours. All you both had was a glorified nap given his late arrival.

The song of your concern obviously pleases your loving company, as the edges of Hawks’ eyes crinkle at your worry. 

"I gotta report in by six. I'll stop at my place, change before I go in, heat up something to eat. And I’ll text you when I get there."

The checklist of answers is sweet and characteristically Hawks, but you hope Keigo hasn’t checked out of your bubble yet.

"Okay. But.. take some time if you can. Come see me if you still need me."

A noticeable fondness settles across Hawks’ devilishly handsome smile, and comes over to cup your face for another coffee-masked kiss. 

"I always need you.” Thank you. For everything. "I'll see you soon." I love you.

"See you soon." I love you too.

Weeks pass with Hawks’ semi-regular visits to the apartment, holding you in the kitchen like the lovesick boy he is at heart. ‘Talking work’ he claims, when his higher ups ask him about the delays, but he’s more inclined to slack and slip into far more personal matters as he guides you over back towards the barstools and sits back on one.

A curious mind makes you question why he's pushing the limits of his absence until he pulls you in to completely become flush with him and realize he wants your attention before anyone else’s. He sinks in how you set your hands on his shoulders, smiling like a sweet dope, looking up at you while you check him over.

You know he’s tired from a day on patrol in full sun, but the faint sunburn across his cheeks doesn’t seem altogether too painful. Just needs a decent aloe blend. Still, you ask as you always do, 

“How you feelin’, pretty bird?”

And he truly answers honestly now, no bravado for handlers to scoff at or bystanders to placate:

“Better now.”

[blade-liger-4ever]

Smokescreen is more like Orion Pax/Optimus Prime, and here's why I think this.

So, I know my post deconstructing Jack's informed "Prime-like" qualities is making the rounds, and seeing as I promised to do one with Smokescreen and how he is like Orion/Optimus, I feel now would be a good time to make good on that promise.

Buckle up and hang tight, especially since TF One will be mentioned as well for this post.

So, from what we know of Smokescreen in TFP, he was one of the last few cadets inducted into the Elite Guard. That right there tells us that the young 'Bot has raw potential, since not just anyone gets into the Elite Guard. By all accounts, he threw himself into the rigorous training and powered through to become well received, and made enough of a statement to become Alpha Trion's bodyguard. That right there takes talent, even if he did want to do his part and fight on the front line and beat Decepticon heads in. And yes, he was distraught to be relegated to Alpha Trion watch duty and yes, he was disappointed to not be out there in the thick of it fighting with his fellow Autobots for the greater good.

But he accepted it.

Not once was it mentioned that Smokescreen put in a transfer request for the front line of the War. He may have wanted to fight and, maybe, gain a little glory and be like the heroes he'd heard about, but it actually never got to his head, or his Spark. Instead, he rolled with what he had and came to genuinely enjoy a friendship with Alpha Trion, learning a lot from him as well. Smokescreen still took a chance to get in a fight, but he never went in without at least a rough outline of a plan, as evidenced by his debut episode and then again later on, even in the infamous episode where the team gets the Star Saber.

Speaking of, that episode shows us another of Smokescreen's great traits: his refusal to be intimidated by the Decepticons - including Megatron himself.

And the thing is, Smokescreen truly is fearless in front of Megatron in that episode. He's brought before the Lord of the Decepticons, surrounded on all sides with no escape, and is almost certainly seconds away from death or horrid torture. But what does he do when asked who he is?

Smokescreen smirks and sarcastically asks, "Why? Who wants to know?"

The boy nearly got backhanded into oblivion for that, and he still kept his scrap together! Put anyone else in that position, and some transmission fluid is seriously getting leaked.

Except, of course, for one 'Bot.

Optimus Prime.

This is where their similarities are shown first. Like Smokescreen, Orion/Optimus has tremendous talent that, at first raw, gets refined over time. While he is nowhere near as brash or reckless as Smokescreen started (outside of TF One), Optimus always wants to do his part, and throws himself into his work and dreams and gives it his all. He consistently comes out better and stronger from his trials, and doesn't fear Megatron or anyone else on the Decepticons' side, just like Smokescreen. Here, they're shown as similar, including with how they both stand up for what's right, and plant themselves in the ground and fight for what is good and greater than themselves.

Another similarity they share is how they accept their wrongs and don't shirk them onto another. While I have many reservations on his portrayal in TF One, the writers nailed Orion/Optimus when he takes full responsibility for the race when he and D-16 were met with Sentinel after the fact. Additionally, Orion/Optimus was always eager to make a point for the greater good and was willing to be an engine of change for others, no matter what. On the same token, while Smokescreen had a tendency to be overzealous in proving his worth to the team, he persistently pulled his own weight and, when it came to messing up, he always took full responsibility for his actions. He even went beyond that, often feeling so remorseful that he continually offered to leave the team if he was "unfit for [them]" (be honest with yourselves, Optimus at any point before becoming a Prime would do almost the exact same thing.) Furthermore, whenever he was being verbally attacked by another teammate, Smokescreen took it and didn't give crap back. Even when Vince threw that burger at his window, his payback was more on behalf of Jack's dignity than his own.

Just think about it: why would a human throw food at him specifically? It logically would have been directed at his passenger, a notion that's reinforced by Jack's desperation to hide from Vince's sight. And if you want to really get deep, compare it to Orion standing up to Darkwing for D-16 in the mines. Are both courses of action immature? Yes, but they're done on behalf of someone other than themselves. It's even shown again when Smokescreen defends Optimus' choice to destroy the Omega Lock against Ratchet. While this is the first time he's ever spoken up to someone on the team, it's in defense of Optimus and pointing out that Ratchet has no place to read Optimus the riot act for a make-or-break decision in an already desperate situation that would have doomed millions to billions of more lives. Smokescreen had always stayed quiet and followed directives as well as he could without a word of complaint up until that moment, and the only reason he raised his hackles was because Ratchet was lamenting a loss that pales in comparison to the disaster that was averted [and was ultimately Ratchet's own fault for creating.]

This is the beauty of the similarities between Optimus and Smokescreen. Neither of them take particular offense when they themselves are attacked/ridiculed, but will fight tooth and nail for those they care about if you so much as say one nasty thing about their friends. They both hold fast to all that is good, want to help change the world/make it a better place, and are proactive about it. And while they both start out like high school jocks (I'm mostly thinking of G1 Orion Pax for this), they never let their abilities go to their head and make them think of themselves above others. Instead, they merely see their abilities as tools to help those around them: Optimus used his mind, eloquence with words, and physical power to kick off the change he wanted on Cybertron, while Smokescreen willingly offered his full array of skills and fresh power to aid Team Prime for the War effort and replenish their numbers.

These traits wonderfully show that Smokescreen is, in actuality, a worthy Prime for the future. He puts others before himself, he is active in helping those who need it, he runs into the fire when others run from it, and turns down a chance to become a Prime because he knows he doesn't have the experience for it. This especially is important because it shows that while Smokescreen was a bit starry-eyed about war and ranks, he never wanted power.

He wanted to be an agent of good, just like Optimus.

And he was.

That's all I really have left to say. If you enjoyed this, I'm really happy. TFP Smokescreen is my second favorite character in, possibly, all of Transformers. I wish his potential for the Primacy wasn't slept on by so many fans in favor of Bumblebee, and that we could actually see him take up the Matrix after Optimus (preferably) retires to enjoy peace for once.

See you around people!

"Autobots, roll out!"

[homunculus-argument]

I'm starting to think that one way that'd make The Book That I'm Not Working On actually work would be switching the POV character. While the original protagonist is somewhat chaotic neutral batshit bastard, his best friend is the one who's there to witness a lot more of the plot.

While the original plan of explaining the protagonist's situation from the start, establishing from the first scene who he is and what he's up to worked, it'd be so much funnier to tell everything from the One Sane Man's perspective. Poor guy was already not happy with his friends getting tangled into this sketchy damn underground political movement, and on top of that his idiot best friend who is a lunatic and a pathological liar with zero sense of self-preservation has been missing for months.

And then This Fucking Idiot shows up again, in the house of the conspirators, as their honoured guest, dressed like a fucking lord, and apparently they genuinely believe that this idiot actually is that one infamous genius outlaw baron that everyone's talking about, who has a massive bounty on his head. This fearless idiot and recreational liar, who always tells a different story about how he got his strange blue eye (one involved a talking horse), and when he's drunk enough will swear on his life that he walked on water when he was a child.

This guy. Barking mad Foxtrap-Todd. And now he's there, surrounded by people meddling in very dangerous waters, who are convinced that he is this famous revolution writer heavily invested in overthrowing the government. And then this motherfucker just says

"oh hi man, haven't seen you in a while. Please don't say anything, this time I really am what they're claiming I am - kind of - and they'll kill me if they think I'm lying."

[jesncin]

Okay, I'll bite, what are your feelings on the trans conner pitch?

Oh boy! Thank you for tossing me this bone because I have a lot of mixed feelings!

I notice that people online are very hot and cold about the Trans Superboy Pitch, they either love it or hate it and that doesn't leave a lot of room for nuance + discussion. So to be respectful to a fellow trans peer in the industry, I want to do a fair review/analysis of Skyrocket: the trans Conner Kent pitch by Magdalene Visaggio.

My general takeaway from the pitch is that I like the premise, but the details fumble the execution for me. I can really feel from reading the pitch that Visaggio cares about Superboy. She understands that he's a very weird legacy character who has struggled to find proper footing in the DC Universe after all these years. An effective legacy character is one who is able to spin off and expand upon the themes of the character whose mantle they carry. But the cheesy whatever-goes 90's-ness of Superboy's original run didn't give future writers a lot to work with in terms of a Superman Legacy Character.

It's why I genuinely believe the later retcon reveal that -part of Conner's DNA is from Lex Luthor- is a fantastic addition to his character. It takes a character who was just kind of screwing off to gentrify Hawaii back into the center of Superman's good vs evil conflict. But now Conner's problem is that his story is too tied to his origin and Superman's shadow. Placing Conner with the Kents in Smallville afterwards made him narratively redundant. What's next for him?

So let's dig into the pitch!

I like what's at the heart of this pitch. It's a very season-3-ATLA-Zuko "honor wasn't all it's cracked up to be" arc and I think that suits Conner's character really well! It's the details I have gripes with:

"Conner has been largely relegated to the Jason Todd of the Superfamily" oof, haha that's not a particularly fair characterization.

The constant comparing of Superman to Christian imagery. He's described as basically "Jesus goddamn Christ" in the pitch. The Tyrannical Kryptonians are named Saint, Shepherd and Savior. No surprise I don't like seeing a character who allegorically represented Jewish immigrants to be constantly compared to Christian imagery and deified.

It's inevitable with pitching to the company, but the pitch is bogged down by a lot of convoluted plot points. I get that it's necessary to pitch event tie-ins and universe hopping shenanigans, but it's a lot.

Leland feels like a plot device in this. I'm sure there were plans to flesh out the brotherly clone relationship between him and Conner so that he can feel like his own character, but from the summary he just kind of revolves around Conner the way the pitch describes Conner revolving around Superman. Oops!

Conner's relation to Luthor and Superman works as a story about legacy, bloodlines and the things parents pass down to their kids. It's best when handled thematically and not literally because it's easy to get into essentialist "good genes" vs "evil genes" near-eugenics talking points. Unfortunately this pitch has a lot of that vibe. Leland has more Lex genes so he's super smart. Conner and Leland are able to start a schism in the Future Tyrannical Kryptonian House by "proving their truer genetic link to the original Superman, unsullied by thousands of years of tinkering" thereby gaining allies. Not great!

The part where Conner wants to find "his own Metropolis" by moving to Dripping Springs, Texas. That's Jinny Hex's field of operations, so is it really his own space? I would've just given Conner a new town so he can better stand on his own and build out a unique cast system.

Okay let's talk about the trans stuff!

I get that it makes for an Iconic Visual Superhero Moment, but I really don't like the part where Conner steps through a magical crystal and pops out the other side as a trans woman. It robs her of having that discovery on her own. The pitch says "I believe that this is as natural a move as Iceman's coming out". And just?? Man, remember when Jean Grey read Iceman Bobby Drake's mind and robbed him of his agency by outing him through that invasion of privacy? For a pitch all about Conner's journey of defining herself, it weirdly robbed her of that moment.

The pitch does such a good job talking about how Conner feels like her whole life revolves around Superman and how pointless wanting to be Superman feels now that Jon Kent has taken the mantle. She has Clark's genes, goes to Clark's hometown school, is raised by Clark's parents and all that. So then why is she eventually named after the women in Clark's life? Constance "Connie" Lara Kent. Clark's Kryptonian mom and human grandma? Was the world so small that she could not name herself after anyone else or come up with a new name? Connie doesn't even get to name herself, her new name is one Martha Kent bestows her with. It's hypocritical, and doesn't have the same impact that Superman giving Superboy a Kryptonian name does.

Speaking of which, this right here is my biggest gripe. It's not in the pitch itself but?? Wait- why go on about how Conner deserves a name that's not given to her and then turn around and make Martha name her? Sure, Connie comes up with the superhero name "Skyrocket" herself but surely she also deserves to name herself considering the thesis the pitch built up about self discovery and agency right?

Also with all due respect, this is the whitest queer take on Conner's identity. I wish white trans people could understand that you can have multiple true names that reflect different parts of you.

When Clark gives Superboy the name "Kon-El" it matters that it's given. It ties so well to the idea of familial acceptance into a nearly-extinct culture. You wouldn't know how to reclaim that part of your identity when that culture's been wiped out, so of course it's an honor to be trusted with a name that preserves Krypton's culture. This is a common practice with diaspora reclaiming cultural names from closed cultures, they are gifted their names by someone more culturally connected. I think the pitch having Martha name Connie is trying to echo this, but it doesn't hit the same without that cultural context. It also undercuts the genuine joy Conner felt from finally having a name he truly identifies with. Conner was only ever referred to as Superboy before then. When Clark gives him the name Kon El, Conner cries out that Kon El is his "real name". It's one of his defining moments, and to have that be diminished by saying "It's still a name someone else gave him" is so disappointing.

Then there's the design.

This is gonna lean more into preference, but I'm not the biggest fan of this design! I get what it's going for but it has too much going on everywhere. It also doesn't have that proto-punk look original Conner had, so it ends up not feeling like him. It's too superhero, and not enough casual-wear-on-a-supersuit that Conner sports really well. I see how it fits in with the everyone-in-Superfam-is-wearing-jackets-era, but I also think those new designs don't look good either. Especially Supergirl's. I feel like Conner should be more punk post transition. No respectability beam for her!

Also the name Skyrocket? It's giving knock off-brand toy vibes to me I'm sorry D: People on twidder suggested Supernova and that sounds way better! Even Visaggio stated she prefers that name so you can't be mad at me for this.

Overall big conclusion feelings!

I've been following Visaggio's work for a while because it's awesome seeing trans people getting picked up in comics. While there are some things about her writing I like, for the most part I've felt like her work isn't my cup of tea. I tried reading up a bunch of interviews she's in to try to understand why her writing wasn't clicking with me, and what I discovered is that we have fundamentally different approaches to queer storytelling.

From Paste Magazine. I get where she's coming from, trans characters deserve to have multi-faceted narratives that don't overly center how they're othered at the expense of further characterization. But also? I just actually find the interior lives of queer people and identity interesting. I like writing the kind of escapism and joy that's informed by surviving and inheriting hardships rather than erasing those things or skipping past it. I think this is why Connie is robbed of her trans discovery in the pitch. Why we don't get to watch her grapple with gender identity in a political way. Queer stories about queer struggles are considered archaic and unnecessary nowadays. It's part of the escapism Visaggio values in her work; to give a place of respite for trans readers from the cruelty they experience in reality, but I don't connect to stories like that personally. Whenever I try to share queer Indonesian art and writing with my peers, I'm often told it's too painful to look at. That our pain doesn't fit the modern expectation for happy, empowering queer stories. "trans people get enough hardships in real life, they don't need that in their fiction" Visaggio still talks about her newest projects like this btw.

I'd love to see a take on Conner that more holistically continues the political immigrant themes of Superman. The white parts of fandom love interpreting Conner's identity crisis as primarily a queer struggle, but it's also one of a person grappling with his mixed heritage. He's a diaspora kid separated by a generation away from Krypton. He has yet to make peace with the Luthor side of his identity, one borne of generational trauma and resentment for one's roots. Instead of a take where his queerness separates him from the pressures of legacy, I want to see a Conner take that has themes that are intersectional about his mixed diaspora and queer identity. I want his superficial punk aesthetic to graduate into actual punk ideals. The anti-establishment and radical love philosophies of punk culture would make such a cool extension of Superman themes and it would make so much sense that someone facing so many intersections of marginalization would be radicalized from their experience. I want a queer Conner who isn't just empowering and idealistic, I want one that also gives space for queer readers to feel like their pain is seen too. Conner isn't "Truth, Justice and the American Way" he's famously "Truth, Justice, My Way".

There's a tendency in media criticism to treat marginalized talent as infallible, and I don't think that fair to creatives like Visaggio. Being able to look at their ideas with nuance instead of essentializing it as being Good or Trash is the best way to respect diverse creativity. And my nuanced feelings are that a white queer person who looks at Conner's story and just sees the queer part and dismisses the diaspora mixed heritage side of him,,, is not going to give me the Conner story I want to see.

[canonizzyhours]

I'm a professional screenwriter. I know nobody reading this has any reason to believe that, and I work pretty hard to keep my fandom activity separate from my professional identity, so I'm not going to offer any proof that would doxx me here, believe me or don't. But it's true and I don't just mean I'm trying to get hired as a screenwriter, I mean I am pretty well established in the industry and I've worked on some stuff big enough you've probably heard of it. I've also been active in OFMD fandom for about two years now, since nearly the beginning.

The canyon really freaks me out because seeing it up close makes me worried I've drastically underestimated audiences' empathy gap around characters of color and tendency to sympathize with and excuse the actions of white characters. I've always tried to be conscious about that sort of thing in my work but now that I'm seeing the whole process up close it's so much worse than I always thought.

I think a lot about what I would have done during season 1 of OFMD, if I were in the writers' room and I'd wanted to make sure it would be clear to the audience that Izzy was Ed's abuser and wasn't acting out of secretly sympathetic motives and we're supposed to be genuinely horrified by his actions. I'm in writers' rooms workshopping issues like this all the time. I know the kinds of suggestions I'd make.

Like, if we were worried that the audience would think Izzy's hostility toward Stede was about class instead of homophobia, I might have suggested we make sure Izzy's dialogue never has any reference to Stede's class at all, and that we might do a subplot in one episode where Izzy is equally hostile toward Lucius, since Lucius clearly isn't rich but is extremely gay. But that already happened, and it didn't help.

If I wanted to make sure the audience understood that Izzy is bossing the crew around and screaming at everyone to work harder because he's a petty little bully on a power trip and not because the work actually needs to get done, I might have suggested a scene where Izzy deliberately makes a mess on purpose just so he can order the crew to clean it up. But that already happened, and it didn't help.

If I wanted to make it clear that Izzy has always been awful toward everyone around him -- especially his colleagues of color -- since long before the show started, I might have suggested we repeatedly emphasize throughout the season that while Fang is willing to work with him, he doesn't like or respect Izzy and this is because Izzy has always treated Fang very badly. Have him pull on Fang's beard for no reason and have Fang explicitly say he hates that but knows it wouldn't help to complain. Have Fang tell strangers jokes about times Izzy humiliated himself in public. Have a scene where everybody unanimously VOTES TO MURDER IZZY and someone explicitly stops to ask Fang if he's cool with this and Fang explicitly says yes this is absolutely fine with me and then he actively participates in the murder plan while smiling. But all of that happened and I still see the canyon insisting that Izzy was a much nicer person before the events of s2 when he wasn't under so much stress and has always been liked and respected by the PoC around him, including specifically Fang!

If I were worried that the audience might take seriously the idea that Izzy is motivated by "loyalty to your captain" -- well, honestly I don't think it ever would have occurred to me to worry about that, since he says that in a scene where he's in the middle betraying his captain and I'd probably assume people are capable of picking that up and understanding that when someone says they're abusing you for your own good you should not believe them. But if someone else insisted we address the concern, suggestions I'd make would include: make sure some of the first interactions we see between Ed and Izzy involve Izzy complaining about how he doesn't want to do the job Ed just gave him, then half-assing the mission and lying to Ed's face about it. Show Izzy deliberately undermining Ed to the crew by telling them he's half-insane, then insist to Ed that he's the only one keeping the crew loyal when they're worried about his judgment. But they did that stuff and we still have people thinking Izzy's central motivation throughout season 1 is selfless devotion to Ed.

The show did every single thing I would have suggested, and none of it worked. So what does it say about all the stuff I've already worked on, whenever I've written a scene where a white guy was being a dick to characters of color? Have I just been embarrassingly naive this whole time? Have I undermined my own work by not getting this?

You can't control audience reactions, I know that, that's part of what's great about art, you have to let go and accept that people will interpret things in ways you never intended, I get it. But if it's THIS impossible to choose words that will create the kind of feelings you meant to, what's the point? Is it even possible to write about the kind of abusive relationship Ed and Izzy have, where the white guy thinks he's entitled to control a brown man's life "for his own good" and that the brown guy is obligated to be grateful and reciprocate his "love" and not have a huge group of people creating elaborate justifications for the white guy? What else could they have done? What else can I do, when I'm writing about characters of color? I'm seriously asking. If anybody reading this has advice I want to hear it. What could I do?

#408.

[okchijt]

Can you do romantic yandere Adam x reader hazbin hotel alphabet? :)))

Author's Note: YES, I ABSOLUTELY CAN!!! Sorry not sorry but he's my fav so this request single-handedly cured my writer's block lmao. The amount of love I have for this sexist narcissistic man is unreal, which I know sounds bad... BUT I DON'T CARE HE'S THE BEST! And lastly, go ahead and check out my masterlist if you like what you just read and if you want to request anything yourself, thank you, and enjoy!🩷

Possible Trigger Warnings: Some minimal NSFW that is only mostly mentioned a few times with no explicit detail.

Adam -> Yandere Alphabet

Affection: How do they show their love and affection? How intense would it get?

You're the only person he's affectionate with and genuinely so. It's not just about sex or a quick fling with you like some other angels/winners he was seeing before you. He holds a much deeper type of feeling for you, something he didn't even have with Lilith or Eve, and unlike with them, Adam isn't planning on letting you go no matter what, even if you're willing in the relationship or not. For that reason alone, I feel like he'd be pretty intense with it: heated make-out sessions, ''inappropriate'' grabbing, be that your ass or thighs, and just possessive holding on the waist or around the shoulder in general. He puts on this act in public so the others won't catch on to how low he has fallen with the way he feels about you, he doesn't want his ''cool guy'' image to be tarnished just because he's soft for you. But in private he's more gentle, considerate, and even pathetic with how he treats you, always asking for permission or where you would like to be touched.

Blood: How messy are they willing to get when it comes to their darling?

Not at all. You're obviously up in Heaven with him and it's not like Adam has any interest in making Heaven his personal blood bath, so he's pretty chill. If you were an Exterminator like him though, he would get pretty messy, wanting to impress you with how gruesomely and fast he finishes the enemy. He wants to show just how powerful he is and that he's the only one you should depend on. But if you're just a regular angel or winner, then you obviously don't know anything about his "work-life", so like I said at the beginning, he's pretty chill...mostly

Cruelty: How would they treat their darling once abducted? Would they mock them?

Only if you'd tick him off, by which I mean disobeying him or acting out. He'd be like: "Oh, boohoo, stop your fucking whining and get over it! You're fucking mine now, bitch!" Or anything along those lines. He'd basically refer to you like you're inferior to him and say that you should be grateful that the Adam graces you with his time and presence. Which is funny because no matter how much Adam likes to pretend you're below him, he secretly worships you and thinks you're his God. So even though Adam has his occasional slip-up of being way too aggressive and mean to you than he intends to be, he always tries to make it up to you later in some way. Even though he won't admit to it, he always feels guilty for treating you horribly, so don't be surprised when you hear a very half-assed apology from him or a present of some kind to indicate he is sorry, because he genuinely does feel guilty even if his words or actions don't portray that in the best of ways.

Darling: Aside from abduction, would they do anything against their darling’s will?

Yes, that being quality time together and affection. If you're well-behaved, you'd be allowed to walk around Heaven "freely" with him. But only on the condition that all of your time and attention is on him, you're not allowed to go anywhere alone without him. You wanna go bawling? Eat somewhere? Just hang out outside? That's fine, as long Adam is right next to you. So basically no privacy. Adam does not hold back on affection, whether in private or in public his arm/hand is either always on you or around you. He may be super clingy, but he's considerate enough to stop touching you in any inappropriate way out in public if you tell him to. Which he gets super bummed over and will beg you relentlessly to let him be bolder with his affection for you, no matter the answer he will respect it, apprehensively, but he will.

Exposed: How much of their heart do they bare to their darling? How vulnerable are they when it comes to their darling?

Adam, vulnerable? Never. Even though you are the only person he would ever wanna be or feel so exposed with, he's just too prideful and insecure to let himself do that. He feels like he shouldn't feel anything but good about himself and to always act like the top dog no matter how he truly feels. You'd really have to try hard to get him to open up to you like that, but no matter how close you get you'll just be faced with a greatly angered Adam. Bearing his heart to you comes off as easier for him though. He's super confident about it, even though his wording sounds extremely awkward, showing just how new he is to actually loving someone in the way he loves you. You can always tell he's forcing himself to sound more considerate or romantic, he means everything he says of course, it just sounds fake because it comes out of his mouth so it feels uncanny even for him.

Fight: How would they feel if their darling fought back?

Just a bunch of irritated and confused cursing as he tries to calm you down. He doesn't necessarily curse at you, he just does as he struggles to come up with anything that won't be him just screaming at you and calling you names. But to answer the question directly, he doesn't like it, mostly. There is a tiny bit of him that does enjoy it because he finds you hot when you're angry, but he'll still much rather you not try to kick and bite him just to escape you're shared home. Adam would try to restrain you as fast and gently as possible, pinning you down and holding you're wrists behind your back before pushing you to a secluded room and locking you in there till you calm down.

Game: Is this a game to them? How much would they enjoy watching their darling try to escape?

Adam is certainly amused by your attempts of trying to get away, but it doesn't mean he endorses it or doesn't get bored of it quickly. If you do it frequently then he'd just become more and more irritated, struggling to keep himself composed and not accidentally hurt you or your feelings. Not to mention, at some point, he'd realized how fucked he'd be if you did escape and anyone would find out that he kidnapped you so he gets more stressed and forceful with keeping you in instead of out. So it's a no for the most part.

Hell: What would be their darling’s worst experience with them?

Hard to say... I think it depends on what kind of person you are and how much are you willing to tolerate when in regards to your kidnapper. Adam is loud, clingy, possessive, narcissistic, insecure, prideful, arrogant, disrespectful, immature, ignorant, selfish, etc. I could go all day honestly. Point is, if you're someone who could not handle one or more of his traits on the daily, then I'd say every day with Adam is like a nightmare to you probably.

Ideals: What kind of future do they have in mind for/with their darling?

Nothing too crazy, just you finally accepting that you belong with him and reciprocate his feelings. Adam just wants you to want him in the same way he wants you, living a normal and loving domestic life together, is that too much to ask?

Jealousy: Do they get jealous? Do they lash out or find a way to cope?

Adam is the jealous type! He thinks that everyone, even Lute is in some way trying to steal you away from him. He lashes out at those he deems as a threat, never outwardly blaming you for others getting in the way. Adam is immensely paranoid about you leaving or someone stealing you away, he won't let anyone steal his love away a third time. Lilith and Eve abandoning him, really left a huge scar on Adam, therefore him letting you form any sort of friendship is under his watch only. No ifs or buts, his insecure self is the one deciding who is "trustworthy" enough to spend time with you without them stealing you away. Not like he'll ever leave you alone with the person anyway.

Kisses: How do they act around or with their darling?

I've already touched on it, but Adam views you the same way he views God, someone who should be worshipped and treated as such. The only problem is that Adam is far too insecure and prideful to treat you the way he wants to openly. He has a "reputation" to uphold in the eyes of his fellow angels so out in the open he's pretty much the same as ever, except with a little hint of softness and consideration that is only ever reserved for you. He'd try to be more gentle with you, not curse so much around you or at you, not be so loud around you, basically not be the usual ass he is. Though him being better for you is a struggle and he does slip up more often than he'd like to admit, he still won't stop trying. Anything to gain your approval and affection.

Love letters: How would they go about courting or approaching their darling?

Courting? What is that? This is "Dickmaster" we're talking about! He should be able to get you without even trying! It always worked before so why shouldn't he expect you to fall right into his arms like everyone else? But low and behold the shock he gets from you doing the opposite. You mean, he actually has to try this time??? Well, you're in luck! Cause if this was anyone else, Adam would have given up right then and there, but this is you we're talking about and he hasn't felt this way about anyone since... Ever really. So he'd approach you like he does everyone else but with a hint of anxiety to it and a very subtle change in his demeanor where he's surprisingly sweet and gentle with you.

Mask: Are their true colors drastically different from the way they act around everyone else?

Not really, no. Already said it a few times before, but the way he treats you is the same as he does with everyone else with a subtle difference here and there. Adam doesn't even acknowledge half the time when his dickish humor and loud yelling suddenly shifts into soft pleading and gentle touches when he's alone with you.

Naughty: How would they punish their darling?

We already know Adam is sadistic and cruel just from the way he views the Exterminations as entertainment and the way he treats the sinners as trash to throw around without any regard, making the contrast drastic when it comes to you. Whether you're aware of Exterminations or not, it's surprising how this man won't even dream of putting his hands on you in any way with an intent to harm you. He basically punishes you as if you were a child: time out, no TV, no ice cream/snacks, being locked in your room, etc. It sounds degrading and it would feel that way if it weren't for the fact he sounds absolutely clueless and guilty as he enforces his punishments on you, because in reality, he has no idea what he's doing. It's laughable really with how hard he's trying to discipline you while failing at the same type because of how childish his methods are.

Oppression: How many rights would they take away from their darling?

Just the ability to be anywhere or do anything without him. Okay, maybe not that extreme, but it depends. Like, going outside without him is a big no-no that will not be tolerated without him being with you, it will immediately result in one of his punishments back at home. The same goes with spending time or even talking with others, he has to be next to you to monitor the situation, he's not happy about letting you talk to others, but he'll put up with it if it means you warming up to him for it. That's pretty much it, you're free to roam and do whatever inside the house. It's just outside of it does Adam step in and dictates what you can or can't do.

Patience: How patient are they with their darling?

Adam is not a patient man by any means. With you, however? He struggles but tries to be as patient with you as he can. If you don't disobey him or fight back in any way then he acts like his usual clingy self around you. He's surprisingly patient with you slowly letting him in, sure he still forces his affections onto you, but he'll back away the moment you tell him to. Adam more than anything wants you to finally submit yourself to him so he can go as far with you as he desires, so he'll be patient with you as long as you need. After all, he's not only with you so you can please him, if it were about that he wouldn't have you locked up in his home with him, would he?

Quit: If their darling dies, leaves, or successfully escapes, would they ever be able to move on?

No, never. That would break him. His first and second wife left him for the most hated being in all of creation and the sole reason evil even exists in the world. And now you, someone who at some point he realized you outshine both Lilith and Eve in every aspect, his perfect little angle/winner. Adam would go through Hell and back just to have you back with him, destroying everything and anyone in his path who dares to keep you two apart. Death is not an option and escaping/leaving is hardly a possibility with how glued to you he is 24/7. But if you did manage to somehow get out while you can, there would never be a time of day when you wouldn't have to look over your shoulder in fear he won't eventually find you. Because he will. He will always find you.

Regret: Would they ever feel guilty about abducting their darling? Would they ever let their darling go?

No, and no. Such a thought won't ever even cross his mind! You should feel honored that out of everyone he picked you! You belong together, and Adam knows you'll someday feel the same about him. He's never willingly letting you go, that's for sure.

Stigma: What brought about this side of them (childhood, curiosity, etc)?

His last two serious relationships left a huge psychological scar on Adam, one that he pretends doesn't exist by being a huge ass. Since his last wife left him, he hasn't fallen in love with anyone until he met you, or at least not in such an odd way. He hasn't been this happy since his time in the Garden of Eden! You sparked him back to life in such a way his previous relationships could never achieve, and he intends to keep it that way.

Tears: How do they feel about seeing their darling scream, cry, and/or isolate themselves?

Instant internal panic. He hates seeing you like this, seeing you at your lowest really bothers him. You really bring out the humane part of him with how bad and guilty he feels seeing you in such a state. Which only makes the situation worse cause he has no idea what to do or how to help you. He'll do just about anything to get you to stop crying/screaming, put on a show for you, give you gifts, get your favorite snacks, try to gently calm you down, and even hug you if you let him. If you're isolating though, surprisingly he will give you some space for a bit, hoping you'll deal with whatever it is you're dealing with eventually. But if hours run by and you're still sulking in the corner, he's right by your side trying anything to cheer you up, and again, try to wrap his arms around you as he whispers sweet reassuring words into your ear and kisses your cheek. Adam at no point knows what he's doing or how to help you exactly, never been forced into a position of comforting someone, he just knows he hates seeing you like this and has to find a way to help you before he starts to get annoyed and potentially lash out at you, and lord knows he doesn't want that to happen.

Unique: Would they do anything different from the classic yandere?

He doesn't kill his ''competition''. You're both up in Heaven and he can't exactly harm or kill one of his fellow angels or winners just because he's jealous, it would only risk you two becoming fallen or worse, you being taken away from him. None of these options would ever happen, but if they did somehow come true, you better know Adam is fighting tooth and nail to get you back, even if it results in his own downfall.

Vice: What weakness can their darling exploit in order to escape?

Pretending to finally have fallen for him. While a little suspicious at first, if you play your cards right, you can easily fool him into believing you reciprocate his feelings. Adam is instantly over the moon the minute you say you finally love him, he has his arms wrapped around you in a second before kissing you all over. He feels like he's smitten for you all over again, instantly bending to your every call and whim. You can easily exploit him into letting you do whatever you want, like easily returning to whatever life you had before meeting Adam and pretending like you being kidnapped and forced to love him never happened. The only downside is that he's more clingy and affectionate than ever, never leaving you alone for long, and if you want to be able to have your old life back then be prepared to pretend to love him for the rest of your eternal days! Because once Adam catches on that you've been lying, your relationship is instantly brought back to how it used to be, except it's worse because whatever freedom you once had before this whole fiasco is gone. It feels like his past is back to haunt him, reliving does same scars both of his wives left him, instantly becoming colder and meaner toward you for some time, it will take a long time for Adam to forgive you and trust you again, if ever.

Wit’s end: Would they ever hurt their darling?

No, absolutely not. Surprising isn't it? But with how highly he views you without you even realizing, he'd rather have the Exterminations be completely disbanded altogether if it means him never purposefully harming you. Sure, he may be a little too forceful with you sometimes or accidentally go too far but he never means to, he even immediately jumps away from you like a scared cat if he even hears you let out a pained sound from the way he's holding you. Adam sucks at apologizing or feeling empathy in general, but with you, it's a whole different story. His apologies still come off as somewhat forced or like he doesn't mean them, but he truly does and will do and say just about anything if it means you forgiving him and letting him hold you again.

Xoanon: How much would they revere or worship their darling? To what length would they go to win their darling over?

You are his sole purpose and the only thing he cares and thinks about 24/7. Of course, he worships you! Well, not openly at least. He's just scared that if anyone else catches on to how he really feels about you his reputation would go down the drain and he can't let that happen! That's why you'll only see this worshipping side of him in private, only then will you experience Adam sitting on his knees in front of you, begging for you to finally let him in and let him love you, showering you with endless praise while doing so. He'll do and say just about anything to finally win you over. He's a closeted simp is what I'm getting at.

Yearn: How long do they pine after their darling before they snap?

A week at most before he decides he should just steal you away to have you all to himself. I say this cause at the beginning Adam does try to court you like he did his previous dates before deciding you're different and matter so much more to him than anyone ever could or did. He can't even comprehend not living without you and letting you slip away so might as well just speed up the process of you living in his home with him like the happy couple you are! Not.

Zenith: Would they ever break their darling?

Depending on your tolerance of his general bullshit self, maybe??? I'm more inclined to say no though. Adam would never strive to break you on purpose, heck the more you refuse his love the faster he'll be the one to break in the relationship. But seriously, I don't think it's possible to break being with Adam, at most you're always annoyed with him and hate life but that's about it.