#nine days of one year
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chevaliermalfets · 2 months ago
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polyamory could have fixed themmmmm
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byneddiedingo · 2 years ago
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Aleksey Batalov in Nine Days of One Year (Mikhail Romm, 1962)
Cast: Aleksey Batalov, Tatyana Lavrova, Innokentiy Smoktunovskiy, Nikolai Plotnikov, Zinoviy Gerdt. Screenplay: Daniil Khrabovitsky, Mikhail Romm. Cinematography: German Lavrov. Production design : Georgi Kolganov. Film editing : Yeva Ladyzhenskaya. Music: Dzhon Ter-Tatevosyan.
The Soviet film Nine Days of One Year, about nuclear physicists, appeared in 1962, which makes for an interesting counterpoint to the major news event of that year, the nuclear standoff known as the Cuban missile crisis. But for all its geopolitical significance, Mikhail Romm's film is a love story, a blend of the eternal triangle and a conflict between marriage and career. Dmitri Gusov, known as Mitya (Aleksey Batalov), is a dedicated scientist who in the first of the film's nine days -- they aren't consecutive but spread out over the year -- receives a dose of radiation while overseeing an experiment conducted by his mentor, Prof. Sintsov (Nikolai Plotnikov). The professor gets a lethal dose, but Mitya is told that he's safe as long as he doesn't get exposed to another large burst of radiation. Mitya is in love with a fellow physicist, Lyolya (Tatyana Lavrova), who is also involved with Mitya's friend Ilya (Innokentiy Smoktunovskiy), a theoretical physicist. Ilya and Lyolya are on the verge of telling Mitya that they're going to get married, but the accident propels Lyolya into marrying Mitya instead. It's a rocky marriage, to be sure, with Lyolya worrying that Mitya is putting himself in harm's way while at the same time fretting that she's not doing enough to overcome his coldness and obsession with work. Through all this there's much talk, especially between Ilya and Mitya, about the morality of nuclear science, the nature of humanity, and even about whether they're doing enough to advance the future of communism. Fortunately, the ideological talk is kept to a minimum. Romm directs all of this with great style: long takes shot at low angles and a camera that moves restlessly between the characters as they talk. Somehow the film never falls into the obvious clichés, maybe because Batalov, Lavrova, and Smoktunovskiy bring their characters to life.
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zarnzarn · 2 months ago
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The doors to Olympus are sturdy and strong, given everyone's preferences for drama and slamming said doors open and sending them cracking into the wall whenever the opportunity arises. Which is why it's a surprise when they creak open during the once-a-decade pantheon meeting; less so because no entity worth their salt would take so long to open the doors, and more so because everyone who is anyone is already there.
But if everyone is being honest with themselves- which no one is, usually- these gatherings are boring enough that the bland conversation is dropped immediately in favour of craning their necks to catch a glimpse of whatever is coming to relieve them of their boredom.
When the doors finally open however, several of the pantheon murmur in surprise.
"Odysseus," Athena whispers, wide-eyed as she pushes herself off her throne to her feet. It is him- in the king's garb he was buried in but the face he has when he reached home, hair till the shoulders and speckled with grey, face oddly blank. His feet are transparent.
"What are you doing here, sceptre?" Poseidon booms, hair the color of a stormy sea. Zeus, beside him, looks reserved, observing the ghost with something approaching curiosity- eyes flicking to the lightning scars on his daughter's face and back. "Your time has long passed, and Hades-"
"It is a temporary agreement," Odysseus says curtly, barely sparing him a glance as he approaches his patron. "Athena."
Her armour clinks as she steps forward and the gods all twitch, trading glances. Owls are silent creatures- to have her aspect so affected to make noise was... uneasy to say the least. She even holds herself different than usual, something like confused delight shining in her eyes. "How did you-"
"Did you sleep with my wife?"
The throne room is silent. Several jaws drop.
Athena straightens back up, blinking in surprise. She looks a bit shifty, some of the nymphs closest whisper to each other, which- well, almost every single god present owed some part of their existence to the mere story of Odysseus loving his wife.
Would he fight his own patron goddess over it in front of Mount Olympus, though? He certainly was unbalanced enough; Athena herself looked rather uncertain of her odds, even though-
"Are you addled in death, King of Ithaka?" Artemis drawls, looking amused. "Did you forget that your own patron is celibate? Whatever rumor you-"
"No, I-" Athena says suddenly, shifting her spear to her other hand. "I did."
Artemis chokes on her breath and several assorted divine beings gasp in shock and the rest shouting for explanations, although everyone is nearly drowned out by Aphrodite's loud, "WHAT?"
Odysseus inhales sharply and pinches the bridge of his nose. "I cannot believe you."
"She asked-" Athena starts, only to be drowned out by the din of various beings screeching and shouting about the scandal.
"ATHENA!" Hera hisses, peacock tail fanning behind her sharply as she pushes herself up. "Explain yourself!"
Athena half-turns to face her, face creased in a frown. "Mother, I-"
"LET ME REPHRASE!" Odysseus cuts in loudly, and the shouting settles down into silence. He walks to his patron, eyes blazing. "I cannot believe," he throws his clenched fists wide as he growls the last word, "-you took Penelope to bed-" Athena surprisingly stays still as he reaches her, mouth falling open as he grabs her by the chiton to yank her down, uncaring of the gasps of horror from all around as he snarls, "-before you ever kissed me."
And then Odysseus grabs Athena by the face roughly and kisses her.
This time Aphrodite's shriek cannot be escaped by anyone.
"Aphrodite, please," Zeus says a few moments later, wincing as his throne reforms around him, stained oddly pink. Quite a few minor entities have discorporated, and the ones nearest to her are still trying to regenerate their hearing. "Control yourself."
Their eyes land back on where Athena has dropped her spear- dropped her spear, Ares in the corner seems to be having some minor hysteria over this, well warranted- and is also on the floor, still being thoroughly kissed by that insufferable, mannerless hero of hers, perched on her stomach to reach. Zeus inhales in fury, Poseidon close behind him as the shock wears off, lightning crackling around his fingers as he opens his mouth to shout- of all the indignities-
"If you two ruin this for me," Aphrodite thunders, warping in front of them and glaring. "I will make you both regret it."
Both gods visibly blanch at the threat, taken aback for one brief moment. Threats from Aphrodite are far worse than any of her more violent siblings, at the end of the day.
Zeus visibly gathers himself just as Athena's helmet clatters to the floor, and he gains a second wind immediately, eye twitching as he spreads a hand to the spectacle in the middle of the hall. "WHAT MANNER OF DISRESPECT IS THIS? TO BARGE INTO OUR MEETING AND THROW ONE OF THE OLDEST GODDESSES TO THE FLOOR LIKE A COMMON WENCH-"
"Zeus," Hera says quietly. Everyone falls silent, although it's not quite enough to stop the two tangled together on the ground. She clears her throat, which finally seems to get through to Athena, who had finally seemed to have gotten over her shock enough to reach out, hands hovering over Odysseus hesitantly. Still, at the noise she seems to remember herself, pushing herself up on an elbow and dislodging him enough to break their necking. He pouts at her, but Athena's eyes are too glazed over to notice, heaving for breath.
Hera opens her mouth to speak, crown manifesting on her brow as she steps in front of the throne, but closes it as the door rattles again.
This time, the spectre shimmers with a faint hint of scales that comes with a freshwater nymph's heritage and excited whispers starved for drama explode across the room as the Queen of Ithaka steps into the room, skirts hitched in her hand and panting as if she'd been running.
"Your Graces," She bows respectfully before entering, Spartan princess through and through, until she catches sight of her husband and Athena, the former of whom seems to have taken the opportunity to start kissing the wisdom goddess again, fingers in her curls.
"What are you doing?" She snaps, rushing over. The entire courtroom holds its breath. She slaps her husband upside the head, making him yelp and move back to shoot her a betrayed look. Athena looks even further dazed than before, cheeks red. "Argos has more manners than you! No wonder Lady Athena wanted nothing to do with you- ah, hello, darling, by the way."
"Penelope," Athena murmurs hoarsely, and the Queen of Ithaka leans down to kiss her as well.
Odysseus chuckles, then jumps with everyone else as Hera slams a hand down on the throne elegantly, cracking it to the base.
"Ah, goddess-" He says, clambering off Athena to bow.
"Silence," Hera interrupts, holding up a hand, eyes cold. "You will not say anything to me apart from an explanation. My agreement for your release from Ogygia was due to the assurance that your marriage was one of the truest I have ever witnessed, conveyed by Athena herself when bartered with all of us to let you go. Tell me, was it a ploy? Because from the disgraceful looks of it, this seems to not be the case in the slightest."
Odysseus frowns, face twisting in confusion. "Athena bartered with...?" He turns to look at his patron, who stares back, unspeaking. His eyes flicker to the lightning scar over her right eye as Penelope traces it with horrified eyes and a gentle thumb, and understanding seems to dawn.
For a moment, rage seems to fill him, glaring with a hatred towards Zeus that everyone whispered later wasn't met by the god king with anger, but a flicker of remorse- before he visibly throws it away behind Athena's old smile and bows.
"God-queen," He says formally, gracefully. Hera twitches a bit, and they'll all talk later about how odd it was to so clearly see Athena's younger mannerisms in the man, down to the curl of the letters. "My marriage to Penelope has never been false, never been broken, this I promise you." He takes Penelope's hand and squeezes it for emphasis, and she raises them as acknowledgement. "But... can you not argue that Athena has been part of our marriage all this time? From its start, where she advised me on courting and her on what to look for, to the twenty years she spent with both of us- me on the battlefield and Penelope in the court; to say nothing of how she helped raise our son and lived in our palace in the days after. And is she not so unbearably beautiful that even my Penelope couldn't wait-" He shoots a glare at her, which Penelope returns with a smile. "-when the chance was presented? How can you fault us for disgrace, after being so long apart from our wife?"
Hera raises both eyebrows at the impudence, the kind of disbelieving expression that hides a warning to tread carefully. "So you claim to be both married to Pallas Athena?"
"In every way that matters except legality," Odysseus says, fearlessly. He is dead, after all, what much can you do to a shade that they didn't already put him through when alive. He is sort of worried about Athena, though, as they both help her back to her feet, Penelope busy whispering compliments and updates and endearments in turn- she's not usually one to be quiet in face of a problem.
Hera tilts her head. "Ah, but you see. I need the legality, if I am to finally-" A helpless, excited smile pulls at her lips once, twice, before unfolding into a bright grin, peacock tails unfolding to their full wingspan. "-finally arrange for a marriage for my eldest daughter who has not once- oh finally, I can hardly believe this day has come-"
"I do not like the way you grabbed her, Sacker of Troy," Ares steps forward as Hera starts ranting half to herself, half to an equally loud assemblage of joyful entities about wedding arrangements, eyes narrowed.
Odysseus barks an incredulous, loud laugh, gesturing to Athena with a slightly crazed look in his eyes. "This lady has broken- and I do not exaggerate- every single bone in my body before I saw my sixteenth year. I have punched her a hundred times in the face when she taught me how to fight. We'll survive, thanks."
"That is fair," Ares steps back, hands raised.
"What duties will you provide as spouses, Ithakan Queen?" Hestia questions, stepping forward.
"Oh, the same we did when we were living," Penelope huffs a laugh. "Keep her busy, make her laugh, be of mild frustration to her, love her well, worship her-"
"I do not. Need to know," Hestia closes her eyes and raises a hand to cut her off, stepping back. Around them, the din catches speed and volume as no further objections arise, excitement spilling into the air.
"What is happening?" Athena says faintly, looking around as if she was just waking up.
"-oh, and we can get out the decor once more! Hebe, Aphrodite, loves, do you remember where we kept the fountains-"
"-finally, a reason to celebrate! Call them all out of hiding-"
"-can't believe this is finally happening, oh sister, what songs should we-
"Why am I getting married," Athena says with much more alarm and horror. She turns to Odysseus and shakes him by the shoulder, eyes wild. "What did you do?"
"Nothing!"
"How is this nothing? Do you have any idea the headache-"
"Athena, sweetheart, will you consider changing into that beautiful piece you made for the ceremony?"
Creakily, she turns her head to Hera, disbelief pasted across her face. "Mother," She says slowly. "They are both dead."
"Oh, I'll make a deal with Hades or something, you hush!" Aphrodite leans forward and snaps, before her irritation melts back into a manic joy. "Oh, what paint shall we do?"
Paint, Athena mouths, looking afraid for possibly the first time since her conception.
Penelope laughs and tugs on Athena's hand to make her turn, tucking dishevelled curls behind her ear. She wonders if the goddess knows how beautiful she is when she's flustered. "Take us away," She whispers. On Athena's other side, Odysseus leans against their patron with a besotted, helpless smile as he stares up at her, her helmet and spear in hand. She'd missed Athena like a limb, missed her deep laugh at night when they'd discussed the day's court, the dry jokes, the hands over hers as she weaved- but Odysseus wasn't himself without her, happy though they were in Hades' lands together, all of them.
"I'm-" Athena wavers, then looks around once more at all the excited screaming, something unreadable flashing in her eyes. Almost against her will, her eyes fall to Zeus, who is sitting silently and staring back at her. Poseidon looks like he still wants to start a fight, but clearly by his wary looks below can tell he will be heavily outnumbered by the overexcited crowd to not try, but Zeus just stares back at her, face blank of any emotion.
"We ask you formally this time," King Odysseus says, walking in front of her to take her attention away, holding onto her hand. His voice has strength in it, drawing the eyes of the murmuring crowd, but he's deaf to it as he stares up at her.
"Will you be our wife?" Queen Penelope asks, joining him, watching their beautiful patron shudder for breath she does not need as her eyes flick to one of them and then the other.
"Yes," She whispers and cheers erupt all across Mount Olympus.
"Finally!" Odysseus complains, and then pulls her down once more to kiss her, all three of them fading at the edges as one of the generous gods present there- who seems to realize that they're not very inclined to stop anytime soon- thankfully teleports them away into a nice room with a large bed.
"Finally," He whispers as he breaks apart to lay her down, cupping her face, voice heavy with the longing of a full lifetime and more. Penelope circles to the head of the bed and starts undoing Athena's braid, staring at them both lovingly.
Later the ones closest will murmur, as the silhouettes faded away, that tears had slipped from proud Pallas Athena's eyes as she placed one hand against Odysseus' cheek, trembling.
"I missed you," She will whisper back, and all three of them fade away to their own story, yet to be made.
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innerxsanctum · 1 month ago
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Happy birthday to the reason I became a Pethead in the first place. There aren't enough words to express everything you mean to me, so I won't even try. But you've changed my life in ways I never thought possible. Thank you for being unapologetically yourself, and most of all, for being the driving force behind Pet Shop Boys.
“Writing new stuff and doing new projects and everything is really what I live for.”
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piyo13sdoodles · 1 month ago
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for october 13, i present chapter 34:
They made their way through the seven anterooms, Jiano and Aya both looking around too curiously to become nervous, and finally launched into the study, where his Radiancy, who had evidently been pacing, stopped just in front of the portrait of himself. Aya's gaze travelled from the man to the painting, and she blurted, "Then you're not Fitzroy Angursell after all!" Jiano exclaimed, "Aya!" His Radiancy's lips twitched.
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shannonsketches · 4 months ago
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also I love 'Yo! Son Goku and Friends Return', it is so stupid (immense joy)
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slavhew · 10 months ago
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28/01/2024
stars don't twinkle moon doesn't shine
big thanks to @nahrgles for finishing this for me after i hit a wall with colors bg and effects- chromatic aberration blew my fkn mind
pre edit transparent version under cut because i spent too much time cleaning it loll
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slurpeesoverromance · 1 year ago
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Hatsune miku my best friend
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waketoearth · 9 months ago
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20 POSTERS FOR JUNGWON'S 20TH !!!
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emberglowfox · 4 months ago
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first week of art fight wahoo
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top to bottom left to right:
ANGEL OF ARTIFICE by Grimdoch
Kabza by LAZER-T
Dahlia by Eeveecat1248 (Revenge)
Espen by eggsforowls
Ishmael by riown
Flick by zhar
Max by MarvelousAtrocity
Anya by chinweart
Sphiti by CoconutSkulduggery
Simon by lazy-jorts
Powder by thatartpanda
Vevina by kikizu
Replica by ceramicfroggie
Shadow by Odium (Revenge)
King by OrionRedde (Revenge)
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nostalgicfun · 2 months ago
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Koosa! 🌈
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louisianna · 4 months ago
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I could write an entire essay (and perhaps one day I will) on how 'Furiosa' is Gothic fiction, a Gothic romance in particular, but I just need to talk about one key aspect of the relationship between Furiosa and Jack for a minute. A lot of discussion surrounding them has been about the nature of their relationship. Most people seem to love the ambiguity, myself included, and I think looking at it through a Gothic romance lens can help us understand why it works so well.
Most Gothic romances feature a heroine who is trapped inside a literal and/or figurative domestic space by a domineering man, typically a father or husband. Poor Furiosa gets both. Dementus imprisons her in the role of daughter. Immortan Joe imprisons her in the role of wife. These are restrictive domestic roles which have been forced upon her and which she cannot freely walk away from. Gothic romance is at its best when it is exposing and critiquing the cruelty of a patriarchal society and the unfair limitations it places upon women.
Furiosa evades attention by disguising herself as a boy. When Jack realises she is actually a woman, and that she is determined to leave the Wasteland, he immediately offers to help her get to wherever she needs to go. No questions asked. And what does Jack expect in return? Absolutely nothing. The trope of a good man, with experience, skill, and social standing, selflessly assisting the heroine, is quite common in Gothic romance.
Jack's words to Furiosa are never paternalistic. They speak to one another as equals. Dementus wanted to shape Furiosa in his own image, but Jack only wants to pass on what he knows. He doesn't want her to stay his protégé or sidekick. He wants her to be able to take care of herself. Until she asks him to come with her, he has every intention of letting her go her own way, leaving him behind.
Jack never comments on Furiosa's appearance. They dress as equals. Immortan Joe put Furiosa in delicate fabrics and planned to use her body for his own selfish desires, but Jack only ever touches Furiosa for her own sake. He doesn't want to possess her. He wants to protect her. He cleans and stitches up her wounds. He will place a comforting hand on her shoulder, only for as long as it takes for her to relax beneath his touch.
It's important to remember that this is a thematic tale being told to us by a History Man, a framing device which is extremely befitting of the Gothic genre. Within this legend, Jack and Furiosa's disregard for clearly defined domestic roles draws a stark contrast to the priorities of Dementus and Immortan Joe. It serves to highlight that their dynamic is free from patriarchal dominance. Whether their relationship is sexual or platonic, romantic or familial, is irrelevent. What matters is that their relationship is based upon genuine concern, deep respect, and unwavering trust. This is the lesson of their story, and it is a lesson for all to the hear. Jack does not merely represent a good father or a good husband or a good mentor. He represents it all. His character is fluid and multi-dimensional. His relationship with Furiosa is ever-shifting and all-encompassing. This allows him to be a role model to all men. But I digress from talking about Gothic fiction!
True domestic happiness for the Gothic romance heroine is only possible once she finds a companion who treats her as a peer; a social equal who gives her the freedom to choose and define the role she wishes to have in his life. It also requires finding or creating a refuge in which the heroine is safe from male power and violence. Furiosa found a more than worthy partner in Jack. Unfortunately, they didn't succeed in reaching freedom together.
Perhaps, in a less Gothic setting than the Wasteland, putting a name to what they were wouldn't have mattered so much. As it was, "my Jack" and "my Fury" was enough.
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guzhufuren · 2 months ago
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There is another censored chinese wuxia BL Flying Phoenix (凤于九天) that was filmed in 2019 and hasn't aired
Started filming on August 18 of 2019
Based on a danmei novel Feng Yu Jiu Tian (Phoenix of the Nine Heavens) by Feng Nong
They kept extremely lowkey, there were no leaks of pictures or videos, no official statements of actors or any posts except for the beginning of filming and the end of filming.
From a leak the actors turned out to be Feng Ming played by Dai Jing Yao (戴景耀) and Rong Tian by Shu Ya Xin (书亚信)
Novel summary: Feng Ming was only 19 when he lost his life saving a child from death without hesitation. The grateful father of the rescued child grants Feng Ming a second chance at life. Unknown to Feng Ming, his soul is whisked away to a far away ancient land.
Upon waking up, he finds himself inhabiting the frail body of Thunder Kingdom's crowned prince who is also graced with the title of the most beautiful man across all the lands. The original Crown Prince seemed to have an unconventional relationship with King Rong. The King Regent, perceptive and cunning, quickly recognized the change in the Crown Prince’s inner self, harboring suspicion. Yet, intrigued by Feng Ming’s unconventional views, Rong Tian found himself drawn to the impostor.
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rkisdead · 3 months ago
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OH MY.
god.
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coquelicoq · 4 months ago
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went looking deep in my drafts for my list of favorite french words to pronounce to see if facétieuse was on there and 1) it wasn't, so i had the pleasure of adding it to the list, and 2) i then read one of the words at random and said, aloud, "oh my god" and had to immediately read the rest of the list out loud. insane mouthfeel. i should memorize the list and say it to myself when i get sad. anyway in case you're curious here's the list which i have sort of sorted into categories but don't think about it too hard because several words fit into multiple categories and also i probably missed some possible subgroupings. happy pronouncing~
words that are fun because of repeated vowels bonbon, ensemencement, manquement cocotte cumulus, pulluler raplapla tout fou (two words but one entry in the dictionary) volcanologie
words that are especially fun for me personally because i can't tell the difference between two vowels [ɔ̃] and [ɑ̃]: bombance, compensation, consciencieusement, contentement [ɔ] and [o]: autochtone, octogonaux, rococo, saucissonner
words that are fun because of repeated consonants sibilants: facétieuse, jaugeage, thésauriseuse glides and nasals: millionième, napoléonienne sibilants, glides, and nasal vowels: association, cessation, expiation, fascination, filialisation, glaciation, initiation, prononciation, scintillation, sensation, sentencieusement, vacillation quelconque traîtresse
words that are fun because they're the same thing twice with the last vowel changed clopin-clopant prêchi-prêcha
words that are fun because i love the symmetry of [eifje] déifier dragéifier gazéifier
words that are fun because i really like combos of [ik] or [ki] with optional friends [l] and/or [t] antiquité antithétique cliquetis coquelicot enquiquiner équilibre étiqueter héroïcomique kif-kif mastication pique-nique quiconque quiproquo rhythmique stoïque ticket
words that are fun because [j] a syllable or two after [ɲ] fucks severely champignonnière désignation ignominieux indignation
words that are fun because they're long with a string of alternating vowels and consonants that trips off the tongue antipathie authenticité habitabilité hétérogénéité infériorité parallélépipède territorialité tous azimuts
words that start with fun [p] consonant clusters pneu psittacidés psychédélique psychique
words that just have a certain je ne sais quoi architecture au-delà baby-foot gentilhommière houppe loufoque luxation mnémonique multimédia préalablement qualifier rouflaquettes saperlipopette scout schlinguer tacheter thérapeutique trouillomètre vrombir
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ghosttotheparty · 1 year ago
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i hate summer. i hate heat. i hate humidity. i hate bright sunlight. i hate summer. i am dying.
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