#nightmare johnny

[thebetterindex]

Nightmare johnny: NOOO DONT TURN ME INTO A CUTE PLUSHY YOU BITCH

Me:

NIGHTMARE PLUSHY NNY IS REALLLLLLLLLLLLLLLLLLLLLL (took me 27 hours to fully make him, and with brakes it took me 3 days)

[sgt-tombstone]

Thinking about the 141 attending a formal military event—some high ranking officer getting a medal or retiring or some such; Johnny isn’t paying much attention—but their attendance is required (normally when shit like this happens, the 141 either is already out of the country on assignment or can quickly arrange to be).

Unfortunately, formal attendance means that regulations suddenly matter a bit more: dress uniforms, hair cuts, the whole nine yards. For Gaz, none of it is an issue; his default state is well within regs. For Ghost it just means taking his mask off, which he submits to with little fuss or fanfare. He doesn’t even really need to shave or cut his hair because he keeps both pretty short under his mask anyway. Price refuses to cut his sideburns or moustache and somehow gets away with it because… he’s Price and even the higher-ups who care about that kind of thing are willing to make an exception for Price.

Soap, though… Soap has to shave. He might be the youngest candidate to pass SAS selection, but that’s not enough to make the brass turn a blind eye to his carefully curated hairstyle and stubble, both horrendously out of regulation. His mohawk gets cut short, not short enough to stop being a mohawk altogether, but short enough to pass it off as a less conspicuous styling. His face, though, gets shaved completely clean. He complains about it the entire time, even though he’s alone in his bathroom, ranting to his own reflection in the mirror, and the moment he steps out, Ghost and Gaz absolutely lose it laughing, having to hold on to each other for support.

They petition Price to change Johnny’s callsign to “Babyface” and maintain for months that Price was this close to agreeing (the only reason he refused is because he knew that it would get shortened to “Baby” and he didn’t want to give Ghost an official way to flirt with his boyfriend over comms)

[novicedraws]

It’s been one hell of a week…

Please remember to be kind to yourself. Do your favorite things and treat yourself.

[girly-interrupted]

this could be us but you’re not nearly weird enough for me

[oceanblvdbabe]

[icedlava1]

I wanted to draw grown men getting scared lol

OG pictures:

[swearingcactus]

little v’s dogtown doodle highlights! (yes he tried to get Myers to take him to dinner. he’s a NC streetkid he was trying to commit to fucking the NUSA in every sense of the word.)

[jenniferchecksbitch]

I wanna be in a Tim Burton movie

[rarely-online-olovelymoon]

Now, since you're here, please let me tell you about @haithamnayef

Haitham's little boy, Mohammed, has been struck in the head with a shrapnel. He hasn't received the cures he urgently needs. His health is deteriorating every day. His life is a risk.

He is just an innocent child, why does he have to face this?

His only hope is to evacuate to receive the treatment he needs.

$20,000 is the amount needed to evacuate Mohmmed, along with a caretaker. Currently, the fundraiser is only at $2,871. Time is running out. Please, save this sweet child.

And if you need another incentive to donate, people here on tumbrl are doing art commissions, raffles and writing commission to raise money for palestinian fundraisers. Just search for them.

Vetted here

Tagging for reach:

@dirhwangdaseul @gorgugplushie @genderkoolaid @opencommunion @stuckinapril

@sawasawako @metanarrates @beserkerjewel @mar64ds @soon-palestine

@infectiouspiss @timetravellingkitty @appsa @withthewindinherfootsteps @sillysymbol

@hiveswap @triangleguy @sketiana @funds4gaza @cetitan

@ankhisms @communist-ojou-sama @ghosthoodie @rickybabyboy @etchif

@fromjannah @catamaurrr-star @chronic-lesbian @wormzandgutz @postanagramgenerator

@toasty-self-shipping @butchfeygela @puppyizm @pulsingvoid @poetrylesbian

@skunkes @danijaci @girl-biter @cupiidzbow @junkirat

@maybuds @beetlebongos @littlegermanboy @dykentery @itwashotwestayedinthewater

@fishfingersandscarves @sunshinetomorrow @thetyrannosaur @worm-suggestion @nyaskitten

P.S.

As you can see, I have mentioned movies that are owned by Disney or can be found on Amazon Prime. Remember not to use their official platforms, as they are supporting the genocide.

[shadow0-1]

Your nightmares

[thebetterindex]

Its a cruse, now every time i draw johnny dib needs to be there too

[scaryfaiiry]

𝔗𝔦𝔪 𝔅𝔲𝔯𝔱𝔬𝔫 𝔉𝔦𝔩𝔪𝔰 ༺♡༻

[iconuk01]

Searching for the terms "Nightmare on Elm Street crop top" (because I had genuinely forgotten Johnny Depp's name), got me two distinct sets of results.

The one's I was expecting

And... the other ones...

Something for everyone... I guess?

[asperok]

it's not skibidi i can't draw normally AGAIN

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!