#night dancers

[dani-dance]

Which soda/drink would the Night Dancers drink?

A followup to this post. This assumes that Night Swan would let them drink anything other than like, plain water.

Jack’s (if he were to become a Night Dancer) wouldn’t change, it’d still be Rose Lemonade. Do what you will with the implications of this.

Sara is drinking Cherry Bubblegum Soda. It’s overly artificially sweet and absolutely disgusting to the rest of the dancers. They don’t know why she drinks that but they can’t question her without her forcing them to take a sip “to show them it’s good” so they’ve learned to just look away and ignore it when she chugs yet another can of that monstrosity that calls itself a drink. Night Swan keeps getting rid of Sara’s stash of them but somehow she manages to always have them on hand anyways.

I first put Fanta Lemon as one of two options for regular Brezziana. I’m changing that - it’s Night Brezziana’s drink now. It’s like the evil twin version of orange sodas. It’s good, but it’s very distinct from her soda choice in her regular form.

Similarly, Wanderlust drinks 7up. You cannot convince me that 7up isn’t evil sprite. Every time I order sprite and get 7up I feel betrayed. It’s good, but it’s just different enough to be jarring and Not What You Wanted.

Mihaly drinks vitamin water and vitamin water only. No carbonation and they’re super pretentious about it. I’m gonna say their favourite flavour is lime-lychee because that’s my favourite flavour and I’m not above that effecting this.

Night Swan only drinks plain water and has a big superiority complex about it btw.

[maiumeni]

“come on, toraoo” “Shut up.” “no, YOU shut up and dance with me” >:(

[pierppasolini]

Cherelle & Friends (1974) // dir. Bob Mizer

Burglar and the Buggered Dancer (1970) // dir. Bob Mizer

Night in a Dungeon (1970) // dir. Bob Mizer

Charley & Friends (1972) // dir. Bob Mizer

Sleeping Beauty & The Beast (1969) // dir. Bob Mizer

[onzehe]

chibs

[illustratus]

Fire Dancers by FuFu Frauenwahl

Latin palindrome- In girum imus nocte et consumimur igni  “We enter the circle at night and are consumed by fire.” — Virgil

[kingsoverjacks]

Sturdy sexy Melissa Rauch!

Big Bang Theory

Night Court

[mirriorball]

ballet dancer suzanne farrell for diamonds, and a midsummer night's dream ˗ˏˋ✩ˎˊ˗

[the-wolf-and-moon]

NGC 1566, Spanish Dancer

[pseudogirlie]

danika starika

[camiesoup]

hi everyone !!! more doodles !! if you have any requests you should send em ^_^ (will not guarantee ill do em)

[akuma-tenshi]

finished closing night!! boy do i have some thoughts. and now that i've gathered them, i'm about to make my autism your problem. spoilers below.

the first part of the event wasn't awful imo, it felt like character building and just helping establish the dynamic. i know some people weren't fond of it but given that i was never really that invested in hullabaloo before this and didn't know every little detail of these characters, it was nice to get some character establishment and figure out how they all are as people. i am also a fan of slowburn character-focused horror, so that may just be a personal taste thing lmao

bryce papenbrook does a good job as mike, even though there are definitely points where he sounds exactly like nagito (namely the scene where he's shouting at margaretha in the foyer). he has a very particular way of speaking / voicing characters that make it immediately clear it's him. however, i do think he fits mike well and he definitely lays off the nagito-ness in the second part.

the rest of the cast was excellent as well. while there was a Choice made with murro's voice (he sounds WAY younger than he's supposed to be, which is off-putting and takes me out every time he speaks), it's very clear everyone knows their characters well and they all do a good job keeping their mannerisms and vocalisations unique and fitting to each role. aside from some awkward lines (which i attribute more to stilted writing than to the va's themselves), the voice acting is absolutely a highlight.

margaretha's trauma with sergi is portrayed very well imo. bear in mind i have not suffered the same abuse as her, so i can't say how accurate or good it is, but it feels like it displays that it was a terrible thing while also being respectful and avoiding being exploitative. the added layer that everyone else (except joker) liked sergi and was unaware of the abuse adds a lot.

in general, i think mike and margaretha are incredibly well-written here. i think ne could've absolutely gone the route of popular fan interpretations and completely demonised margaretha while making mike a perfect angel, and they would've gotten a lot of praise for it. but they stuck to their guns and made them both very flawed yet understandable people, and that just makes everything feel that much more real, at least to me. they're such different people with opposing goals, and their friction really comes through. everyone else is very well done (shoutout to me a couple of hours ago calling joker cute for some godforsaken reason i can't remember) and i love all of their characterisations, but mike and margie really are the standouts here.

i do wish there was a bigger payoff for margaretha using euphoria so frequently. i know it's implied to have been involved in violetta's death, and i appreciate the connection to game 5, but i wish there was a little bit more there. it's not a huge gripe though, so i won't harp on it for long.

the pacing at the start of the second part had me extremely worried; things felt like they were dragging along and being padded out for the sake of being padded out, and i was not having fun with it. fortunately, this issue was remedied about halfway through, and once things got going, i started really enjoying myself. the pacing of the first half of part two is my biggest gripe with this story.

i was noticing a lot of similarities between hullabaloo and fool's gold: hunter forms of popular survivors being announced and used as a major part of marketing for an update to the idv story. with the aforementioned pacing issues, i was really worried that hullabaloo's reveal would shape up to be similar to fg's: a kinda cool cutscene and a lame chase sequence at the very end of a long, boring storyline. however, despite hullabaloo having a much smaller part in this story than fg did in aom, appearing only briefly in the fire at the very end, i still think it's a better incorporation of the character than what they did with norton. better to have it be quick and intimidating than just kinda tedious.

every death in this (aside from joker's) felt very purposeful and well-done. violetta's death was heartbreaking. the change in animation towards the end, followed by the single sound of her machinery giving out after the screen went black, was beautiful, and hey, at least she died happy. margaretha's death pulled at a very specific and very major love i have in storytelling, that being a character choosing to die free rather than live in captivity, and the payoff of all the underwater scenes where she swims towards sergi finally coming through when she chooses to sink away from him had me losing my mind. i genuinely did not expect mike's death to be a straight-up suicide; like i said, i'm not completely caught up on hullabaloo lore, so maybe other people saw this coming, but the fact that he truly could not live with the truth about hullabaloo is such a heartwrenching yet satisfying end to his character. like i said, joker's is the only death that doesn't totally stand out, but i like that they let you put the pieces together yourself.

the chase sequence with joker was unintimidating and a little lame, and honestly it felt somewhat forced, just a way to get his hunter form in there bc they realised "oh shit right this guy's like. a hunter isn't he." i do like that they gave him back his chainsaw though; very nice little callback to the betas.

the animation of the hullabaloo fire was absolutely gorgeous and the ending had me in shambles. for a while afterwards i felt similar to how i felt after finishing end roll: drained and flat but in a good way, like a ton of adrenaline had just released from my body after some intense event.

all in all, i really enjoyed it. i can't say if i like it more than aom, but that may be the frederick bias coming through, so i'm going to choose not to rank them and just say hey. banger event. well worth the hype even with its hiccups and flaws. i always say this, but idv has some genuinely talented people in its writers' room, and i can't wait to see what they come out with next.

[halfratsalready]

JD Dancer Appreciation Vol. 4: Shirley Henault ✨

The beautiful and talented Shirley Henault is a staple of the Just Dance franchise. She’s been in so many maps and portrayed so many coaches that I won’t be able to fit anywhere near all of them in one post, so expect several more Shirley posts down the line. For now, here’s a few of the dozens of coaches portrayed by Shirley. She’s an incredible dancer who disappears into every character she portrays, and she is clearly extraordinarily hardworking. The JD franchise wouldn’t be the same without her. We love Shirley ☺️💕

Sara: Can’t Stop The Feeling (ft. cameo as Liza Friday), Majesty, If You Wanna Party, You Should See Me In A Crown, Swan Lake, Tainted Love

Night Swan: Witch, Majesty

Liza Friday: Last Friday Night

Ruby: Buttons, Don’t Cha

Dolores: Driver’s License

Maybel: Call Me Maybe, Call Me Maybe (Alternate), Beauty And A Beat Vs. Call Me Maybe

Other Shirley maps will be featured in future posts :)

[powerlineprincess]

Sativa with the tricksss🩷b&w 35mm 2024 K.E.A Lux Hill

[everytimewetouch-dot-mp3]

inspired by the art i just reblogged: CONSIDER. tgcf ballet au where each of the four famous tales is a ballet.

(update: …this took longer and got bigger than i expected lmaooo)

at only seventeen, xie lian the principal dancer for the national ballet. xie lian danced like water, like the wind, with once-in-a-generation fluidity and grace. he was incredible, and he inspired a generation of dancers, especially young boys, to take up the art.

things turned bad, though. injured dancers (never xie lian, though) faulty flying rigs (never xie lian’s, though). damaged equipment and safety hazards and all manner of things that xie lian notices. he tries to fix them. he’s always too late. rumors start to spread. hadn’t he gotten into an argument with this dancer last week? hadn’t that dancer taken his preferred warmup spot the week before?

when xie lian catches the saboteur, no one believes him. how could they, when he’s blaming the artistic director himself?

it comes to a head on opening night of The Ballad of Wuyong. the show that rocketed the artistic director to fame, back in his performing days. xie lian plays prince wuyong now. he is terrified.

in the second act, one of the lights malfunctions. the artistic director looks him dead in the eyes and grins.

the light falls.

xie lian isn’t injured, of course. he never is when these things happen around him. why would he be, when he’s the one behind it all. that’s what everyone says. the dancers whose careers were ended that night, the theater damaged in the fire, the audience members who feared for their lives. it was xie lian’s fault. he’s been sabotaging the show from the start.

no one believes him. he retires, fading into obscurity. three years later, he teaches ballet in a small town. he knows he will never see the stage again.

hua cheng is a young firebrand with earth-shattering skill. he dances like fire, like the roar of racing blood, like passion incarnate. he is arrogant and cold as a member of the national ballet, and then he starts his own company. still arrogant, still cold, but after two years, he’s proven that his arrogance is well deserved.

he and two friends have written (choreographed and composed??) a ballet. well. they’ve got complete concepts for three. the other one is a work in progress. each is based on an epic that everyone and their mothers had to read parts of in school (a la the odyssey/the iliad). the four famous tales, the tetrad of classical legends that have been the subject of television and film retellings, novelizations and operas. it has been performed as a ballet before. hua cheng will do it better.

he xuan has composed the first three and is working through the fourth. hua cheng has taken on the ambitious role of second lead while assisting yushi huang in her role as artistic (co-) director. the role of the primary lead is vacant. hua cheng is arrogant and stubborn and he will not budge on one point: the role was created for xie lian. if he can’t convince xie lian to return and fill the role, the show will never see the stage.

(the entire creative team is furious with him, but…he pays their bills. he xuan owns his music; if the ballet falls through, he can still take his compositions to stage or write an opera or some shit. hua cheng doesn’t care.)

so hua cheng embarks on a mission to retrieve his ballet idol, the man who inspired him to keep dancing when he was ready to quit, the man whose performances changed his life again and again.

xie lian teaches twelve-year-olds. he hasn’t performed in five years. hua cheng doesn’t care; he can help xl get back into performing shape.

xie lian isn’t familiar with the show. hua cheng laughs, tells him nobody knows the show yet.

xie lian is…xie lian. his reputation is what it is, and after burning his former company to the ground as he did (because maybe it was his fault after all; so many people couldn’t all be wrong. they all agreed, didn’t they? it was his fault), he’s terrified of doing it to someone else’s.

hua cheng doesn’t care. he knows it wasn’t xie lian’s fault. hua cheng was in that show as a fifteen-year-old boy, a part of the corps de ballet at such a young age. xie lian wanted the show to succeed. xie lian bruised and cried and bled for that role. he pricked his fingers darning his flats; he was always first in and last out to rehearsals. he read the ballad of wuyong in an effort to understand his role better. he lost sleep, skipped meals, ran himself ragged for that role. the company spit in his face, shoving all the blame on him instead of investigating properly. hua cheng will not swallow their lies. this role was created for xie lian. he will not have anyone else.

no one has ever defended xie lian like this. no one believed him. his co-stars, his closest friends, his family. but here is this man, so famously skilled that xie lian’s students babble about him in class, more beautiful than the sun and just as bright, saying that he refuses to believe what even xie lian has grown to accept. he is not an ill omen. he is not a curse to the stage.

his students’ final performance of the season is saturday evening. sunday morning, he follows hua cheng to beijing.

[kingsoverjacks]

Legendary Markie Post bikini collection!

[sultryana]

i’m your go-go dancer, midnight answer