#new jersey metalcore

[runthepockets]

[itwasnotahamster]

Will Ramos, lead singer of Lorna Shore | Bodypaint: Felix Seele (younghearted.tattoo) | Make up: Kristin Roes | Location: Darkroom Studio (Der Grimm) | Photo(s): The Naked Moon

[vampetery]

show at rubber gloves in denton, TX

ALL PHOTOS FROM @shootnpointphotos ON INSTAGRAM

empty shell casings (first show) -> this was the wildest first show ive ever seen for a band, brought insane vibes and pulled thru with a sick ass nu metal sound

magdalena beating (first and last show) -> INSANE. wish u could have been there // this set was a project put on by the lead vocalist that he put together during covid. they had some members of since my beloved helping out as well, if i can ever find a way to share some footage of the set i WILL

bulletsbetweentongues -> sick ass show everyone went so hard, check tf out of these people if you dont kno alr (metalcore/emoviolence/skramz)

discontent -> HEAVYYYYY heavy heavy i love discontent so much, just saw them twice in a row

balmora -> one of the bands EVER these shows go fucking insane if you can ever catch them

[zaycanstay]

Seven Crimson Suns 1/3 at the wvrmhole

[boioz]

Monument of a Memory - Shadow Walker

[slrmagazine]

Nu Metalcore Forerunners, UNCURED, Release New Single "Bleed Me Dry"

Nu Metalcore Forerunners, UNCURED, Release New Single "Bleed Me Dry". #uncured @uncuredband

As the new year gets underway, “Nu Metalcore” champions Uncured are back with their latest single “Bleed Me Dry.” The new single is the opening track from the band’s upcoming debut LP WARPATH – slated for worldwide release on February 21st. The song from the New Jersey quartet comprised of Rex Cox [vocals], Zak Cox [guitars], “King Z” Zachary King [drums], and Betto Andrade [bass] starts right in…

[aflowerdrops]

Jackson/ever.rot on twin cities metalcore/hardcore scenes, his photography’s technicalities, and more | Interview

Pictured here: ostraca

Photographers are crucial to music scenes, they’ve been important before the advent of and with social media. Last week I had the pleasure of talking to Jackson / ever.rot on Instagram - he’s taken pics of Sunami, Saetia, Jeromes dream, and loads more cool bands. He also does urban/landscape photography. In this interview he talks local music, and dives into the details of how he achieves different looks in his photos - something you’ll definitely find interesting whether or not you’re into photography. He has selected a set of 20 pictures that show the different kinds of pictures he takes, which are included in this article. Keep reading to check them all out! And make sure you follow him on Instagram!! 

Hi there, thank you so much for doing this with me! Introduce yourself to our readers please.

Hi!! My name is Jackson. I’m also @ever.rot on instagram, that’s where I post all my weird, fucked up photos if you’re into that kinda thing. :D

How did you get into live music photography, and photography in general?

I got into photography through a friend I made as I was beginning to get into the local twin cities beatdown hardcore/metalcore scene after moving to Minneapolis (thanks Brett!!). I recently did some exploring with a group of friends all over the rotting state of New Jersey and started documenting everything we found. I wanted to chase this eerie look in the photos I took that I was able to get with just my phone, and after a two and a half hour conversation Brett sent me spiraling down a photography rabbit hole. Since I was already going to shows nonstop at that point and I had friends in bands, it only felt natural to try out concert photography.

Can you talk about your relationship to your local music scene? Did you grow up in/around it? What would you say makes it different from other scenes?

I really didn’t grow up with live music, so I’ve only really been truly seeking it out for the last year and a half or so. Between college and visiting family I’ve been split between the hardcore/metalcore and screamo scenes in both NJ/NYC and twin cities, Minneapolis and St Paul. I’ve met so many incredible people so far, and I’m hoping to make more of an impact as I figure out what the fuck I’m doing with my camera and fingers crossed if I finally get one of these bands I’ve been planning with friends off the ground. 

How do you think photographers contribute or maybe give back to a music scene?

I think while we (me especially) might get in the way here and there and might be a little distracting if we all decide to show up at once and there’s like 10 of us for no reason, photographers at their best are great for immortalizing moments that lets a show live on past the night doors opened. Everyone remembers that one 1988 Fugazi show in Philly because there’s a shot of Guy Picciotto dangling from that basketball hoop. 

bulletsbetweentongues, opposition dolls, grimlitter

Granted, most shots aren’t that iconic. My hope is that, despite the fact I might miss some great moments due to how I take photos and a soul crushing skill issue, I might be able to make that dream of being in a band with all your friends feel a little more real–just with whatever artsy bullshit I’m doing on top.  

The way you capture your subjects is really beautiful. Something about it makes the pictures feel so lively. I find that the energy in your work is super unique. What’s going through your head while you’re taking pictures at shows?

Thank you so much! That’s so sweet!!

Since my photos are so dependent on lighting and I haven’t really relied on flash for concert photography to date, I first focus on how I want to change my white balance settings and how I over/underexpose my photos to best make use of the light I’m given. 

Then, I typically focus on positioning myself where I can best compose my subjects, get compelling angles, and potentially capture something between members of the band or between the band and the crowd. 

jerome's dream, saetia

Last, I try to capture moments. Given how many on-the-fly plans and adjustments go into preparing and lining up my shots, I often just have to get lucky or adjust super fast to get a picture of a big moment if it doesn’t happen exactly where I’m preparing to take a photo.

Doing all of that manually at a show where my subjects are moving and I’m getting kicked in the head is honestly very mentally taxing but god do I love the challenge. 

You also take really cool pictures of landscapes. Are most of these taken where you live/grew up, how would you say that inspires and affects your work? How would you describe the difference between your mindset taking pictures at shows and taking pictures of landscapes?

The few landscape shots I’ve done were all out of a window of a car moving about 70 mph through Wisconsin on two separate roadtrips with no real tie to my past. What motivated me to take them was simply how beautifully desolate the state looked that spring. That’s what separates my band photography from most of the other photography. Whenever I’m not in a music venue, I’m typically seeking rot and decay, in whatever form that may take. 

You told me you don’t edit your pictures. Some of them have an analog/film look to them while some look more modern but they’re all really fucking awesome! How do you achieve/switch between those styles, in the technical sense? Can you describe your overall process for taking pictures, maybe talk about the gear you use? Feel free to include as much detail as you want — I’m sure there’s plenty of people reading who are into photography!!

Thank you!!

I think what separates the analog vs. modern look to any photo is just how I use the lighting conditions at any given venue.

I use a Nikon D100, one of Nikon’s first DSLRs from 2002, which I specifically bought for its old, beautiful CCD sensor and its poor noise reduction. Definitely not because I could find one for $55 on eBay. I essentially wanted something with a relatively high max ISO so I could drown my photos in as much noise as possible, and to date almost all of my photos are taken that way.

I use two lenses. My general purpose is an f/2.8 28mm manual focus Nikkor AIS that some photography forum thread from 2008 told me is Nikon’s best wide angle lens. I trust them. It’s old, made of metal, looks pretty, and survived getting lost and kicked around a Harvest pit. The other is a lensbaby composer with an edge 80[mm] optic, a tilt-shift lens that allows me to selectively focus on other things in frame that aren’t directly in the center of my viewfinder.

I manually adjust my shutter speed and aperture, and I manually focus, so I’ve got all the control to either succeed and capture something sick or fail and end up with an underexposed, out of focus mess. Lots of the latter. 

raein, sunami

As you said, I don’t edit any of my shots (besides adding white borders to fit an aspect ratio) so the appearance of a photo is influenced by choices made before and during the shot. 

As for my process, any band photography I do is reliant on the lighting at the venue I’m shooting at. I’ll typically start by trying to figure out how much I want to under/overexpose my photos, and adjust as needed throughout each set. I don’t use a light meter. Next, I’ll start looking for angles I find compelling. Throughout a show I’m constantly referencing the photos I’ve just taken on my little LCD screen for hints as to what I need to adjust to give me the best chance of getting a usable photo; that probably separates my process of taking photos from shooting film the most. At the moment, I tend to lean towards portraiture but in the future I’m trying to make an effort to capture more of the energy of the room.

(left to right) herlovebeheadsdaisies, knumears, my buddy eric, bloom dream, whenthedustsettles, datura dread, flooding, eyelet, newfound interest in connecticut

Thank you once again for doing this with me! I’m really excited to post this and showcase your work. Are there any projects (etc.) of yours that you wanna promote? And/or if you’re available for work (live show photography for example) feel free to mention that here.

Thank you for taking the time to put a spotlight on my work! At the moment, aside from whatever I end up posting on instagram, I don’t have any other projects to promote. As for work, I’m just an amateur photographer fucking around with a camera. If you like my work and want me to flick you up, dm or email me!! I’d love a photo pass at events.

Follow Jackson on Instagram - @ever.rot 

Written by Mio | aflowerdrdops. Follow us on Instagram and turn on notifs so you don’t miss an update! 

[black-arcana]

JINJER Announces Fall 2024 North American Tour With HANABIE And BORN OF OSIRIS

Ukrainian modern metallers JINJER will embark on a North American tour in the fall. Support on the trek will come from fast-rising Japanese metalcore unit HANABIE and progressive metalcore mainstays BORN OF OSIRIS.

As JINJER is currently in the studio recording its fifth studio album, fans can expect to hear a handful of brand new, never-before-heard tracks on the tour.

The 18-date tour will kick off on September 20 at in Sayreville, New Jersey and will include a couple of Canadian shows (in Toronto and Montreal) before wrapping up on October 13 at Sacramento, California's Aftershock festival.

In addition to Aftershock, the tour will also see JINJER performing at festivals such as Metal Injection Festival, Louder Than Life and the return of the mighty Mayhem festival.

Various ticket presales via Citi, Ticketmaster, Live Nation and more begin today, with general public on-sale beginning this Friday, June 14 at 10:00 a.m. local time.

JINJER comments on returning to North America: "It's finally time for some huge announcements: We're stoked to report that this September, JINJER will return to North America with not only two absolutely sick supports: HANABIE and BORN OF OSIRIS! Most importantly, we'll be performing some brand new unreleased songs from our upcoming fifth studio album. [We] just cannot wait to share what we've been working on for the last two years. This will be without a doubt a banger of a tour … We're looking forward to this so much!"

JINJER fall 2024 North American tour dates:

Sep. 20 - Sayreville, NJ @ Starland Ballroom Sep. 21 - Brooklyn, NY @ Metal Injection Fest Sep. 22 - Pittsburgh, PA @ Roxian Theatre Sep. 23 - Toronto, ON @ Danforth Music Hall Sep. 24 - Montreal, QC @ MTELUS Sep. 26 - Harrisburg, PA @ HMAC Sep. 27 - Baltimore, MD @ Baltimore Soundstage Sep. 29 - Louisville, KY @ Louder Than Life Oct. 01 - Charlotte, NC @ The Fillmore Oct. 02 - Atlanta, GA @ Buckhead Theatre Oct. 03 - Lake Buena Vist, FL @ House Of Blues Oct. 04 - North Myrtle Beach, SC @ House Of Blues Oct. 06 - Houston, TX @ House Of Blues Oct. 07 - San Antonio, TX @ The Aztec Theatre Oct. 09 - Denver, CO @ Ogden Theatre Oct. 11 - Las Vegas, NV @ House Of Blues Oct. 12 - San Bernardino, CA @ Mayhem Festival Oct. 13 - Sacramento, CA @ Aftershock Festival

During an appearance on a recent episode of Knotfest's "She's With The Band", the show hosted by Tori Kravitz, JINJER vocalist Tatiana Shmailyuk spoke about the progress of the songwriting sessions for the follow-up to the band's 2021 album "Wallflowers". Tatiana said: "My purpose is just to write lyrics and sing them. I'm so behind right now with the writing lyrics. And I warned my guys. We were at least to get a really rough draft, rough sketch or a demo of one song, like maybe first single from the new album, at least get this, but nope. [Stress and creativity don't] work with me. Well, but when the deadline's coming, and everybody knows that — I've been talking, like, every single time we release a new album, I say that, I say this — deadlines push me. So I just have to write, so I get this stream of consciousness, basically. I write down whatever the bullshit is in my head. And then you build it. At least you have to have bricks to build a poem or whatever it is, just lyrics."

Regarding the musical direction of the new JINJER material, Tatiana said: "It's gonna be different, first of all, because I feel that the music differs a lot. And to my mind, the whole — I won't say how many songs are there; I guess 12 or even 15; let's say 13; I don't remember — but they all have… not all of them, but half of them, at least, they have a similarity in them. They're similar to each other or they remind me. They have this concept within — without any lyrics, they still sound like they belong to one box. They are a set of songs. And I already think about all the… I'm not even thinking about like the lyrics — I think about the topics and stuff, but I think about the booklet or the cover or even the music videos and what I'm gonna wear there. And it has a certain flavor to me that… I feel like it has this flavor of 19th century. It's very romanticism from the 19th century. If you listen to it, you will think, 'Oh.' You know, when you listen to MUSE, you feel he was inspired by a lot of classical composers — obviously. So our new music has this flavor. And I'm so excited."

JINJER released its first official live DVD/Blu-ray, "Live In Los Angeles", on May 17 via Napalm Records. Recorded and filmed on December 22, 2022 at The Wiltern in Los Angeles, this offering is intended to celebrate not only getting through the last few years in one piece, but also the band's 15-year career.

"Live In Los Angeles" was a spontaneous decision by the band, recorded as raw as possible, to emphasize the passion that can come from a live show. This release is an explosive mixture of JINJER's discography — featuring fan favorites like "Sit Stay Roll Over", "Home Back" and the game-changing "Pisces". The live album contains 16 songs in various audio formats, with some strictly limited: the deluxe digipack features not only a DVD, but also two more songs, "Wallflower" and "Disclosure!", recorded in Paris in 2023.

JINJER is:

Tatiana Shmayluk - Vocals Roman Ibramkhalilov - Guitars Eugene Abdukhanov - Bass Vlad Ulasevich - Drums

Photo credit: Lina Glasir

[andysbandmerch]

Misery Signals - Misfits Shirt (Blue)

formed in Wisconsin, active from 2002-2024

this shirt is a reference to the iconic misfits "fiend" shirt. so far, there are no pictures I can find of this shirt other than ones of andy wearing it

the misfits were a super influential punk band from Lodi, New Jersey and were active from 1977–1983 and 1995 to the present

misery signals genre: metalcore

misfits genre: horror punk

misery signals: spotify, discogs, bandcamp

misfits: spotify, discogs, website

image source: one, two, three, four

[concerthopperblog]

So Much For (Tour) Dust-W/ Fall Out Boy, Bring Me the Horizon, Royal & The Serpent, and Games We Play

When I heard that Fall Out Boy was set to hit the road this summer with Bring Me The Horizon, I knew that this was going to be a show that I could not miss. Both bands have help shape my music taste today. What better way to spend a Friday night than to see two awesome bands perform together. For this particular date of the tour, the band is also playing with Royal & The Serpent and Games We Play. Upon arrival to the venue the traffic leading up was at a standstill for at least a mile. Unfortunately, due to the time it took to get into the venue I was unable to capture photos of Games We Play even though we arrived early to the venue.

Games We Play is a pop punk trio that when viral overnight, after posing a teaser of their new song “Deadbeat” on Tik Tok. The video of the singer and his wife, has over a million views. If you are a fan of bands like All Time Low, Real Friends and State Champs, then you will definitely want to add Games We Play to your list of up-and-coming artists to listen to. Games We Play is the first band to step foot on stage for the night. They expressed their excitement for being on tour with Fall Out Boy. They played a few songs and to bring some energy to the crowd they played a cover of “Mr. Brightside” by The Killers. Another cool thing I noticed about this band, the singer Emmyn, joined us in the photo pit to take photos of Royal & The Serpent’s Set.

Royal & The Serpent, also known as Ryan Santiago, is a singer song writer from New Jersey. She independently debuted her first single “Temperance” back in 2017. In an interview with Prelude Press she explains what the name Royal & The Serpent means, it translates to Me + My Ego also explaining that “Duality is the essence of our human experience.” In 2019 Royal & The Serpent was signed with Atlantic Records. She has 3 EP’s and a bunch of singles that has been released to date. After the release of her 3rd EP, IF I DIED WOULD ANYONE CARE she got the opportunity to go out on the road with Demi Lovato on her Holy Fvck Tour. I was not expecting to actually leave this show finding another artist that I enjoy listening too. When the other photographers & I were hanging out in the VIP area before Bring Me The Horizon came out, we heard a song that sounded familiar. It’s called “Overwhelmed”, I have heard it plenty of times at shows and in some Tik Tok videos, but I did not expect it to actually be a Royal & The Serpent song. Royal & The Serpent are for sure a band I will be adding to my must listen to list.

Bring Me The Horizon is a British Rock band from Sheffield forming back in 2006. The band has 8 albums released to date. The band has such a large variety of musical stylings, due to the idea of each album that they released should be different from the last, they have experimented with mixing electronica, nu metal, pop and rock trying to get away from the metalcore sound from earlier albums. The band has collaborated with artist’s that I wouldn’t expect them to work with such as Halsey, Lil Uzi Vert, and Ed Sheeran. No matter what album you are listening to, I feel like Bring Me The Horizon has a song for everyone. I’ve listened to them since I was an early teenager and even now, I can still enjoy the new music they are producing. When Bring Me The Horizon finally graced us with their presence, I got super excited and was ready for what they were going to play for us that night. They played a bunch of fan favorites such as “Can You Feel My Heart", “Throne”, and “Happy Song.” There were fans there from all over, I was looking at some of the signs the fans had drew and one of them asked Oli Sykes to draw her next Bring Me The Horizon tattoo, which I thought was an awesome idea especially if you are a super fan. During their set Oli wanted the fans to step it up a notch and he kept asking them to mosh because the first two mosh pits were “sh*t.” I absolutely loved their set, since I was able to hear all my favorite songs by them and even see them for the first time live on top of being able to take photos of them was unimaginable.

Fall Out Boy is an American Rock band from Chicago Illinois, they formed back in 2001. Fall Out Boy was one of the main bands that introduced me to Pop-Rock and Pop-Punk with their catchy songs such as “Thnks fr th Mmrs” and “Sugar, We’re Going Down.” This band has had a variety of accomplishments in their career, they have won many awards such as artist of the year, multiple best music video awards, favorite alternative band and many more. Before Fall Out Boy even had the chance to step out on stage the fans at the barricades were going crazy. When the curtains were going up, I was not expecting what happened next, I jumped a little bit each time this happened. Fall Out Boy came out blasting, the band had fireworks going off and fire going off at all the high points of the songs. I loved the energy that they had to give, the singer Patrick Stump, was swinging his guitar around and hitting all those notes hard. I loved the fact that Pete Wenz had a flame thrower attached to his guitar. As we were leaving the pit, I noticed that a fan was waving around a sign that said, “I came here from London to make sure that this tour was real”. I loved that this tour had fans coming from all over the country to see them let alone coming from another country.

[runthepockets]

From The Unforgiving Arms of God.

[cavedwellermusic]

NEW CDM PODCAST EPISODE OUT NOW!!!

We sit down with Lex, Alex and Ross of New Jersey Sludge / Doom / Noise band Sunrot to talk about their new album The Unfailing Rope, out now on Prosthetic Records. We discuss the personal connection that people form with music, how extreme metal speaks to people with trauma and why Dystopia is god-tier sludge. We also talk about the band's influences and personal journeys, our enduring soft-spots for certain Nu metal and metalcore acts and working with Prosthetic Records.

Spotify:

YouTube:

Apple Podcasts:

Soundcloud:

[vampetery]

☣︎༺♰༻☣︎

razel got her wings (new jersey hardcore/metalcore/mathcore)

---

i love razel!! especially this song just somethin bout it man (｡･･｡) im boutta see them in houston tomorrow,, will be posting about that trek in a few days hopefully

[allaboutherock2011]

NU METALCORE FORERUNNERS, UNCURED, RELEASE NEW SINGLE “BLEED ME DRY”

As the new year gets underway, “Nu Metalcore” champions Uncured are back with their latest single “Bleed Me Dry.” The new single is the opening track from the band’s upcoming debut LP WARPATH – slated for worldwide release on February 21st. The song from the New Jersey quartet comprised of Rex Cox [vocals], Zak Cox [guitars], “King Z” Zachary King [drums], and Betto Andrade [bass] starts right in…

[chorusfm]

Senses Fail and Saves the Day Livestream

Saves the Day and Senses Fail will be livestreaming their New Jersey show on Veeps. Ridgewood, NJ – Nov 4, 2024 – Rock band Senses Fail is thrilled to hitting the road this fall with fellow New Jersey act Saves The Day for the iconic New Jersey Vs. The World Tour. A celebration of all things NJ, the two bands will be playing seminal records – Let It Enfold You and Through Being Cool, respectively – in full. The tour kicks off on November 5th in Austin, with stops to follow in Orlando, Philadelphia, Chicago, Seattle, Los Angeles, and more. Additionally, the bands will be teaming up with Veeps to livestream their hometown show on November 14th from New Jersey’s Wellmont Theater. Tickets for the upcoming livestream can be purchased now here.   On the upcoming tour, lead singer Buddy Nielsen shares: "If you would have told me when I was a teenager that not only would I be a professional musician but one for over twenty years I would have laughed in your face. It's surreal to sit here and think about embarking on our biggest headline tour ever but here we are and I can't be more excited to get the show on the road!"   Tickets and VIP packages for all upcoming dates are on sale now at https://sensesfaillmtd.com/, with several dates already sold out and more expected to follow in the weeks to come.   Senses Fail have been called any number of things across their near 25 years as a band – emo, screamo, post-hardcore, metalcore, pop punk. It’s testament to the band’s perpetual evolution as much as it is their steely endurance – a quality which frontman Buddy Nielsen has required bottomless reserves of along the ride. It’s through the songs of Senses Fail that Nielsen has forever made sense of and peace with life’s highs and lows; a journey that began in the leafy suburbs of Ridgewood, New Jersey with the iconic Gold-selling debut album Let It Enfold You, and which has since seen Senses Fail become one of rock music’s most cherished, celebrated names.    The band recently took part in the Las Vegas Golden Knights’ first ever Emo Knight at T-Mobile Arena, complete with special ticket packages and VIP Meet & Greet suites. Senses Fail also performed at When We Were Young Festival in Las Vegas, where they celebrated their second studio album Still Searching. --- Please consider becoming a member so we can keep bringing you stories like this one. ◎ https://chorus.fm/news/senses-fail-and-saves-the-day-livestream/

[slrmagazine]

Nu Metalcore Forerunners, UNCURED, Release New Track "Manifesto"

Nu Metalcore Forerunners, UNCURED, Release New Track "Manifesto". #uncured @uncuredband

s their debut single continues to climb the Active Rock radio charts in the United States, “Nu Metalcore” champions Uncured are back with the next track from their upcoming debut EP, Warpath. “Manifesto” is a lyrically aggressive, musical assault that showcases the fresh, new sound that the New Jersey quartet comprised of Rex Cox [vocals], Zak Cox [guitars], “King Z” Zachary King [drums], and…