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kbstories · 4 years ago

Text

impression//expression

“It’s not like Kirishima had come all this way to U.A. to immediately break the promise he made to himself upon arrival.

It’s just that Bakugou is as feral as they come, and the moment Kirishima recognizes it’s fear he felt crawling up his spine that day, he makes it his personal mission to face it head-on until it’s gone.”

(Or: Being friends with Bakugou Katsuki is anything but a linear experience. Kirishima Eijirou would have it no other way.)

Tags: Kirishima POV, Developing Friendships, First Impressions, Slice of Life, Character Study

No additional content warnings apply. Chapter 2. Chapter 3. Chapter 4. Chapter 5. Chapter 6. Chapter 7. Chapter 8. Chapter 9.

***

Kirishima Eijirou had stared at the grin on Bakugou’s face when he pulled the pin in his gauntlet and thought: Holy shit, this guy is insane.

Over multiple screens, a good chunk of Ground β went up in a blast so strong the floor trembled with its aftershocks even here, miles away. Concrete and steel and glass were incinerated in a gust of fire and debris until all that was left was Midoriya’s crumpled form amidst plumes of smoke and Bakugou standing tall in the ruins.

The cameras shorted out once, twice before the image stabilized; the transmission remained silent. There was no sound needed to see how Bakugou’s grin got an edge sharper in the wake of the explosion.

Insane and absolutely deadly.

It wasn’t Kirishima’s first impression of him, per se. Certainly he’d had some sort of reaction to the only name ranked above his own after the Entrance Exams and the total sum of zero rescue points listed beside it. He can even remember the twinge of something in his chest after seeing that infamous quirk in action on day one – be it awe or envy or plain curiosity, that innocent question of How does it work, though? that accompanies most encounters with a new power.

Still: In those first few days, when Kirishima thinks of Bakugou Katsuki, he thinks of the mad glint in his eyes as he went above and beyond in his attempt to murder their classmate (or seriously maim him, at the very least).

In hindsight, having him play the villain was perhaps less coincidence and more fate, given the optics of what could reasonably be described as a shitshow. And, okay, Kirishima knows it’s not exactly fair to judge someone based solely on fleeting observations. His parents taught him better than that. Crimson Riot showed him better than that. It’s not like Kirishima had come all this way to U.A. to immediately break the promise he made to himself upon arrival.

It’s just that Bakugou is as feral as they come, and the moment Kirishima recognizes it’s fear he felt crawling up his spine that day he makes it his personal mission to face it head-on until it’s gone.

Endure and overcome, just like any other obstacle looming over the difficult path ahead. Kirishima smiles around the pencil he’s chewing on as Aizawa drones on, eyes trained on the uniquely tense set of shoulders across the room.

Yeah. Bakugou won’t even stand a chance.

It takes many cold shoulders, rebuffed lunch invitations and countless glares – and a villainous intervention Kirishima could’ve honestly lived without – for a rough voice to say:

“You there. Shark Teeth.”

The sun is starting to peek into the room as it hangs low and lazy in the sky. Class 1-A has just been released into a well-deserved weekend: Kirishima is very much aware his mothers want him home as fast as possible after what happened at U.S.J., and he’s throwing his things into his bag at peak velocity. Only after a tap on his shoulder and a subtle nod from Sero does he register it’s him Bakugou is talking to.

Perhaps ‘growling at’ would be a better description, but… semantics. Kirishima throws the guy a look and a smile over his shoulder either way, “Hey! What’s up, man?”, and given Bakugou’s eyes only narrow a little, he’s about 70% sure he’s not done something to land on his shit list.

Yet.

All Bakugou does is direct a decidedly less neutral look towards Sero, who jolts and stumbles over a quick “Um. Gotta– Yup, okay, bye!” before he books it out the classroom. Kirishima watches him go with some bemusement and a muttered “Dude”, not that Bakugou reacts to it in any way.

“Spar with me”, Bakugou says instead – demands, really – and Kirishima feels his brows tick upwards before he can stop himself, hands pausing in his quest to cram his notepad next to his books without wrinkling its cover page too badly.

“Uh. Like, right now? ‘Cause I can’t. Well, I could but I’m about to miss my train as is and I’d have to tell my–”

A slow blink, and even that is threatening when it’s coming from Bakugou. “No, asshole. This weekend, or something. I don’t care.”

Oh. Kirishima blinks. Something about Bakugou approaching him out of his own free will must be causing a substantial lag between different areas of his brain because– Oh.

“Wait. You wanna hang out?”

Maybe he could’ve hidden the clear surprise in his voice a bit better, that emphasis on you that sort of slipped in there without him really wanting it to. Kirishima’s heart sinks at the twitch to Bakugou’s brow that pretty much guarantees whatever he actually meant to say is forever lost to the ire perpetually simmering in that red gaze.

Well, it was nice knowing what going to U.A. is like. At least none of his classmates are present to see Kirishima’s inevitable – if incredibly untimely – demise.

Then Bakugou… rolls his eyes, exhales a harsh tch for good measure. “Whatever.” He shoves his bag further up his shoulder and, without a glance back, walks out the room–

Oh no, you don’t.

Out of all foolish thoughts it’s that one that shoots through Kirishima’s head before he grabs his stuff and goes after him. Bakugou somehow manages to maintain that no-fucks-given air to his gait despite how fast he walks, and Kirishima falls into a light jog to close the gap.

“It’s a great idea, man. Can’t have us going soft over the weekend! Plus Ultra, just like All Might said, right?”

Bakugou gives him a withering glance of a side-eye for his trouble. Kirishima notes the distinct lack of explode-y manslaughter, though, and allows himself to settle right into Bakugou’s pace.

“Besides, it’s been like a week and we’re already having villains crashing our lessons. I mean, we showed ‘em what’s what and all, but still! Some extra training can’t hurt.”

It’s not like Kirishima minds being the one to carry a conversation yet the fact that he hasn’t been told to shut up is… something? Not enough for Kirishima to point out, it’s just a thing he notices, just something, so he keeps talking. Past U.A.’s gates, down the stairs and onto the busy sidewalk they go, and Bakugou’s hands never leave the pockets of his pants as he marches past clusters of people in an unflinching line.

Head held high, eyes dead ahead. Cutting through the crowd with his presence alone, and in his wake Kirishima follows.

The afternoon light is hitting that glow-y hue that paints even the most mundane of things in shades of gold when Kirishima realizes they’re headed to the train station. He draws up short, slows his step in the split-second it takes to ask himself if the other even takes the train home or–

Bakugou’s eyes are on him, “What?”, that one word barked so impatiently Kirishima throws the thought right out the metaphorical window and keeps walking.

“Nothing!” A flash of his home screen proves: Five minutes left. They’re making good time. Which, actually– “So what time were you thinking for our sparring sesh? I’m good whenever, unless it’s super late at night. Overprotective parents, you know how it is.”

That gets a huff out of Bakugou. That, and a gesture that’s sort of a grab, sort of a wave that has Kirishima a little stumped until Bakugou sighs gruffly. “Your phone, dumbass.”

“Oh, sure! Here.”

The device changes hands. Kirishima contemplates feeling embarrassed about the obvious crack that takes up half the screen; he’d designed his hero costume without his delicate tech in mind, and with the whirlwind of starting and then surviving week one of the new school year, he hasn’t been able to spare a minute to get neither the phone fixed nor the costume amended.

Bakugou doesn’t comment on it – in fact, he pulls his sleeve down to hold the thing as if to cushion it, and when he taps the screen it’s with his knuckles. Before Kirishima can ask, the pre-installed voice control AI chirps its distinct jingle and Bakugou tells it to make a new contact, rattling off a long string of numbers.

Even before the AI has confirmed the input, Kirishima is catching the phone chucked rather carelessly at his head. “There”, Bakugou says, starting to climb the stairs to the tracks two steps at a time.

Kirishima doesn’t have much time to process any of that before the telltale rattling of an incoming train sounds above them. “Oh shit”, he breathes, hurrying onto the platform and to the closest door just in time to see the last passenger get out. Once inside, he pumps his fist.

“Hell yeah! Dude, we–”

The person next to him, who is not Bakugou, looks rather startled. What the…? Kirishima turns a full 360 degrees before a knock just inches from his face startles him and he meets Bakugou’s smirk, firmly on the other side of the window.

Not a moment later, the train starts pulling away. Kirishima presses close to the thick, faintly scratched glass to watch Bakugou turn and walk right back where they came from. His hand is raised, the light catching white and glinting on something in his hand.

A phone. Oh, right!

Kirishima swipes across an image of Crimson Riot’s iconic pose to unlock and reads Bakugou Katsuki, having left the tab open in his haste. First things first: With a soft snort and a few swift taps, the name is changed before Kirishima hits the speech bubble icon next to it.

Baku💣💥

bro what the hell (sent 17:14)

but thanks (sent 17:14)

it’s kirishima btw (sent 17:15)

just text me the details whenever 💪🏻 (sent 17:15)

He watches the tick next to his messages turn blue almost immediately and waits. One station passes, then two. By the third Kirishima is sure he’s been left on read and laughs, shaking his head. Of course.

The rest of his way home is spent assuring Sero he has not, in fact, exited life in a flurry of explosions as well as letting his moms know he’ll be home in a few. The next time Kirishima checks his phone is between brushing his teeth and climbing into bed, two unread messages waiting for him.

Baku💣💥

[link] (received 19:35)

6AM tomorrow, don’t be fucking late (received 19:35)

The link leads to a location which his phone matches to a quirk-friendly gym pretty close to the U.A. grounds. Kirishima scrolls through a few images of the facilities with some interest before his brain registers–

6AM. On a Saturday.

Baku💣💥

/dude/ (sent 22:08)

srsly?? (sent 22:09)

😩😩 (sent 22:19)

f @ my sleep schedule but ok (sent 22:25)

Minutes later, Kirishima stares at the near-painful sight of an alarm set to 5AM before he sighs and flops face-down into his pillow. The things he does in the name of friendship.

>>Chapter 2

#my hero academia #boku no hero academia #bnha #mha #kiribaku #kirishima eijirou #bakugou katsuki #bnha fanfiction #this is just kiri and baku existing inbetween canon events tbh #this fic is also on AO3!!#my stuff

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amphtaminedreams · 5 years ago

Text

The Women of Euphoria and Personal Style: Lookbook no.8

Hi to anyone reading,

I hope you’re well considering everything going on! It feels weird to want to talk about fashion or TV shows or red carpets or whatever when 90% of my Google searches are COVID-19 related but there you go. It’s all about trying to power through as normal (minus the social interaction) and pretend the world isn’t ending, right? Queue nervous laughter.

And as if things aren't shitty enough, production of season 2 of Euphoria has been postponed until further notice.

Okay, in the grand scheme of things, having to wait a bit longer for a TV show isn’t catastrophic but it does just about sum up the transition from 2019 to 2020 thus far that after HBO redeemed itself by broadcasting Euphoria in the summer following an ending to Game of Thrones that has made the whole series unrewatchable, the glimmer of hope in me reignited by the prospect of series 2 this year has been quickly dashed. 2021, I’m rooting for you, because it doesn’t seem like things are getting better any time soon, and in all seriousness, I think everyone needs a break from the collective suffering of the last few months.

For me (and undoubtedly for many others if the hundreds of makeup looks and styling videos are anything to go by), Euphoria’s effect on the world of fashion and beauty is unprecedented. I really can’t recall a TV show in living memory that has had as much of an impact on the way young people dress. I mean, this might partially be because the style of the characters already kind of caters to and draws from the target audience but also, aside from Blair Waldorf did anybody really give THAT much of a fuck about what anybody in Gossip Girl wore?

The draw of the styling on Euphoria is that it has something for everyone. The style of each of the main girls, Rue, Kat, Maddy, Jules and Cassie, all of whom I’ve attempted (emphasis on attempted!) to base (emphasis on base!) outfits around, is varied and distinctive but still so current and realistic at the same time. It’s also consistent; even if you don’t own the specific pieces worn by any of them, similar shapes and details reoccur enough in different looks throughout the series that it’s not hard to create an outfit which matches your favourite character’s overall vibe without buying anything new. That’s kinda what I have attempted to do here and without further ado, I’m gonna get on with it! First up:

Jules (Played by Hunter Schafer)

When it comes to whose style is the most experimental, Jules is the obvious answer. A lot of her outfits are what I imagine a cartoonist in the near-distant future will envision their cool girl protagonist wearing. Whilst her ensembles are generally whimsical and girly for the most part, there’s usually a few slightly punk-ish finishing touches thrown in there too be it through chunky shoes or bold makeup or that incredible mesh trench coat she wears in the series finale with the trans symbol on the back which, honestly, deserves a moment of silence.

There are definitely nods to current fashion trends sprinkled throughout her wardrobe too. I'm not going to lie, despite someone at work seemingly thinking it was an insult to tell me I look like someone who does (I still don’t know but this person has a Rick and Morty keyring so I don’t give it too much weight), I’ve never watched any anime. BUT, that being said, given the abundance of anime screenshots posted by all these aesthetic oriented Instagram and Tumblr moodboard accounts, I have a vague idea of what some of the more iconic characters look like and a lot of Jules’ looks seem to be very much modelled after or at least inspired by them. In a way, I see a lot of her looks as a blend between modern “e-girl”, Y2K skater chick (yes, I’m thinking early Avril Lavigne), and 2013 Tumblr “hipster” a la 2014 Joanna Kutcha and Charlie Barker, and though on paper that sounds like a nightmare combination, it works. I know-if that sentence were a Depop description I would’ve just gained 30 followers.

When it comes to my own interpretation of Jules’ style, it’s definitely something I like to channel when I’m putting together a proper OUTFIT outfit. Meaning an outfit I actually put effort into and thus will most likely want to get a good photo in, lol. The way her character dresses is almost quite Christopher Kane in that it’s fresh and unusual but still understated enough that I wouldn’t walk into a room wearing any of these feeling like I’m doing a Rick Owens runway.

I’m not TOO far out of my comfort zone but still at the same time, I’d be trying something new and maybe a little bit more zany than I'm used to. As for noting where any of these pieces are from, only a few have been bought in the last 6 months, but from left to right clockwise I have marked out those that have in case they’re still available (though be wary of the fact that it seems a lot of online clothes stores are still forcing warehouse employees to work in close confines at the moment and so perhaps aren’t operating the most ethically):

LOOK 1

Corset-Jaded London

Shoes-TK Maxx

LOOK 2

Dress-Motel Rocks

Boots-Koi Vegan Footwear

LOOK 3

Dress-Jaded London

LOOK 4

Dress-Jaded London

Beret-Ebay

LOOK 5

Beret-Ebay

LOOK 6

Mesh Top-Depop

Hair Clips-Urban Outfitters

Kat (Played by Barbie Ferreira)

Eurgh, Kat.

I LOVE THIS BITCH.

If I had to choose my favourite character in the show, it would be a very close toss-up between her and Rue, and though I think Rue might just about nab the top spot for her relatability factor, Kat is the girl I want to be or wish that I had been when I was at school. I mean, there’s definitely an argument to be made in that a lot of what she’s doing with her cam work could be seen as a means of validation (Sam Levinson has basically said everyone on the show has some kind of an unhealthy coping mechanism and I would guess due to the circumstances in which her cam girl career was borne and the fact she’s underage, this would be hers) but I do think in other ways we really see Kat reclaim her power and recognise herself for the smart, capable, gorgeous woman that she is. Honestly, the definition of divine feminine energy, and I would completely let Barbie Ferreira/basically Kat if she was also actually 23 dominate me.

Plus! Her! Style! Is! The! Bomb! Definitely the easiest character to base looks around because if I’m totally honest Kat’s energy is pretty much just what I want to emulate in every day life.

It’s either pieces that are typically feminine, cutesy, and even slightly preppy at times drenched in everything grunge OR vice versa where you have something semi-gothic and then add a colourful, more playful touch in there that harks back to the beginning of the series before Kat had began to explore her identity and sexuality and dressed slightly more Forever 21.

I’d say, not yet with my whole chest, that on a good day the outfits I put together when making an effort aren’t too far off something Kat would wear, minus the more overtly BDSM touches; if wearing a ring choker in London is enough to get me a creepy comment from a gross middle aged shopkeeper (because I apparently forfeited my right not to be perved on when I decided to buy a bottle of Oasis summer fruits), then you can only imagine the kind of looks wearing a full-on harness would get in my conservative OAP dominated hometown. Not the most doable right now, especially considering the only time I get out is to work and to go for a run. The chafing I could deal with but the horrified glares of pensioners whose M&S prawn mayo sandwiches I’ve ruined by simply being in their eyesight not so much.

LOOK 1-

Corset-Urban Outfitters

LOOK 2-

Bodysuit-Depop

Skirt-Zara

Harness-Ebay

LOOK 3-

Co-ord-Depop

Lace-up Corset-Missguided

LOOK 4-

Dress-Vintage

LOOK 5-

Belt-Ebay

LOOK 6-

Coat-Topshop

Dress-Jaded London

LOOK 7-

Fishnet Top-Ebay

Skirt-Urban Outfitters

Maddy (Played by Alexa Demie)

Not gonna lie, I was kind of scared to do Maddy. I’m scared to be posting this, lol! Alexa Demie has played this character for a single season and she’s already one of the most iconic women to grace our screens in years. This is a huge undertaking and I don’t have the bank balance or the body confidence (lmao) to raid IAmGia.

And this is where I want to stress: THESE ARE NOT OUTFIT RECREATIONS. THESE ARE INSPIRED BY. I HAVE ADDED ELEMENTS OF MY OWN STYLE INTO THEM. PLEASE DON’T DRAG ME. I KNOW, I’M NOT ALEXA DEMIE. I WOULD NEVER ASSUME TO BE ALEXA DEMIE. I’M NOT ABOUT TO TAKE THE LORD’S NAME IN VAIN LIKE THAT. So now we’ve got that out the way (wipes bead of sweat off forehead), let’s continue.

Everything about Maddy Perez is extra. She has very much been established as a centre of attention character, and her outfits are a key part of that. They’re daring, they’re hyper-feminine, and they are always glamorous. We’re told that she competed in beauty pageants when she was younger and it’s clear that level of excess and coordination and glitz and all-round-boujeeness wormed its way into her DNA during that time. Even the “depression” outfit she wears to school following Nate becoming violent at the fair is costume-like, a 2019 Bratz doll Off-White street style collaboration.

Do you know how HARD I had to try to be HOT!? For these photos. Alexa Demie is one of those blessed women who doesn’t have to try at all, and that translates into the character completely. At any given moment, Maddy could add or remove one item or clothing and be let straight into the VIP section of a club, and that, honestly, is inspiring to us all in these dark times.

One thing I tried to keep in mind is that she always looks polished and coordinated, I.E the kind of look I would prepare for a night out is something Maddy would wear on an average day. Co-ords and delicate prints seem to be more subtle wardrobe staples along with mesh and PVC and glitter and feathers and fur and basically anything that toes the line between expensive looking and tacky. Yes, I am aware we may toe different sides of that line but please let me stay delusional and believe that’s not the case for 5 minutes. Much appreciated xoxo

LOOK 1-

Bodysuit-Jaded London

LOOK 2-

Bralette-Depop

LOOK 3-

Co-ord Suit-Boohoo

Bodysuit-Boohoo

LOOK 4-

Dress-Motel Rocks

Shoes-Schuh

LOOK 5-

Bodysuit-Zaful

Trousers-Depop

Coat-Topshop

LOOK 6-

Dress-Zaful

Belt-Zaful

LOOK 7-

Top-Jaded London

Hair Clips-H&M

Rue (Played by Zendaya Coleman)

I have a complicated relationship with Rue as a character. When I started season 1 of Euphoria, I was like “Oh my god, this girl is the worst. Jesus, she’s so negative and draining and willingly self-destructive and-”

Then, oh my god is this what it’s like to live with me!?

I will say, to my own credit, that I don’t think I've ever been quite as hard to deal with as Rue (a lot less smashing stuff up and a lot more moping), and to HER credit, by the end of the season we come to realise she’s been through a fucking lot and so it makes sense, but wow. I don’t think I have ever seen a teen show handle drug abuse and mental illness in such a brutal way. It’s quite a talent to be able to show a character cause so much pain to those closest to them and yet do so through a sympathetic lens. And issues aside, whether it’s her occasional social awkwardness or her relationship with her family or watching bloody Love Island (still quite surreal to see Zendaya Coleman witnessing the Amy/Curtis drama unfold), Rue is just my favourite character to follow.

Her style, though. AH. The thing is, I can hardly drag it, because it’s pretty much what I wear when I’m moping about the house-or just any time I can get away with it to be honest-to a T. I want to stay true to character, but that being said, creating a “Seth Rogen”-esque outfit that’s worth posting on here is difficult. So, with the same kind of artistic license that had me wearing berets whilst cosplaying Maddy Perez, here is the best I could do:

I know, I know, it’s probably too much colour and jewellery for Rue but this is as toned down as I could do and I tried to stick with the key silhouettes we see from her throughout the season; I mean, I can’t see her wearing leopard print but the structure of the coat in outfit 1 is very similar to the one seen in Shook Ones pt.II. I think the bottom line when it comes to her character is keeping things effortless and not overly-feminine; you want to mix street style, athleisure and your dad’s wardrobe favourites like your life depends on it. Plus messy hair and smudged makeup, both of which I’ve already got down according to the completely inappropriate number of customers who’ve asked if I'm tired at work so thanks for that guys, and glitter tears. Lots and lots of glitter tears.

OUTFIT 1-

Dungarees-Vintage

OUTFIT 2-

Trousers-Depop

Cardigan-Urban Outfitters

OUTFIT 5-

Beanie-Depop

OUTFIT 6-

Shirt-Boohoo Man

Sports Bra-TK Maxx

Trousers-Urban Outfitters

OUTFIT 7-

Shirt-Jaded London

Cassie (Played by Sydney Sweeney)

Style-wise, Cassie is a hard one. When putting outfits for her character together, I found myself gravitating towards a direction that’s probably a bit too bohemian for her character, under the guidance of loose terms like “girl-next-door”, “floaty”, “delicate”, you get the idea. She definitely feels the least fully-realised in terms of all the main girls and I think it’s fair to say she’s probably got a bit of self-discovery to do. Most of her storylines in the season are dictated by her relationships to other people: McKay, Maddy, Lexie, her parents and so on.

Nevertheless, I tried to stick to the airier, more traditionally “pretty” pieces whilst still channelling the confidence and ease with which Cassie pulls them off. Sydney Sweeney has the most incredible figure and I feel like whilst the clothes the on-set stylists put her in flatter that and don’t hide anything, they’re still the focus. It doesn’t feel like there’s anything more inherently sexual about her character than any of the other main female characters despite the way the men within the narrative view her, and I think it’s a testament to the the wardrobe department that to me she still gives off big modern Disney princess energy and a certain innocence even whilst we hear her being continuously sexualised by her male peers.

If anything, Cassie probably dresses the most like an actual teenage girl, and her style, whilst less distinctive than the other girls, still does a good job of capturing the youth and romanticism of her character.

The colour palette of her wardrobe tends to be quite neutral, with a couple of pastels thrown in there, and if there are any details, they’re usually quite dainty. Similarly, Cassie is probably the least experimental when it comes to her makeup; we don’t really see her wearing the bold eyeshadows or liners or gems like the other girls at any point.

OUTFIT 1-

Bodysuit-Motel Rocks

Hair Clips-Bershka

OUTFIT 2-

Dress-Jaded London

OUTFIT 3-

Trousers-Urban Outfitters

OUTFIT 4-

Top-Urban Outfitters

Hairband-H&M

`OUTFIT 5-

Top-Urban Outfitters

Jeans-Zaful

Headband-Primark

OUTFIT 6-

Top-Urban Outfitters

OUTFIT 7-

Dress-Urban Outfitters

Hair Clips-Boohoo

SO, I guess that’s it for my Euphoria lookbook! As always, let me know what you think (nicely pls, my ego is fragile lol) and I’d love to hear your opinions on the show too! I really haven’t got this excited over a new TV show in ages and I just think that it does everything so excellently-from the writing to the cinematography to the soundtrack, you can tell each element is so carefully and purposefully constructed. It immerses you into the dramatic highs and lows of being a teenager in a way I haven’t seen since UK Skins and I never thought I’d watch a show which held a candle to that.

In terms of what I’m doing next, I’ve got a very delayed fashion week masterpost in the works as well as something to fill the Met Gala shaped hole in our lives, which I hope to get up over the next couple of weeks. In the meantime, if you read to the end, THANK YOU! And I hope you’re staying safe and AT HOME where possible. I know this self-isolation feels never-ending and if I’m honest, it is having a hugely negative effect on my mental health, but NHS staff are doing their very best with the shitty recourses they have and whilst it seems that our government have thrown workers under the bus once again, we can all do our bit to combat that by slowing the spread of the virus. Also thank you to anybody who’s out working now in such a scary and uncertain time! I work at a grocery store and can say from experience that the best way to show this thanks is just through kindness and following employee’s instructions without giving them grief for it. Everyone’s scared right now and the best we can do is pull together and look out for each other, as difficult as that might seem at times.

Anyway, sorry for the ramble, and like I said, stay safe! Thanks once again if you read til the end or even if you’re just here for the photos. Appreciate it more than you know either way!

Lauren x

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embrassemoi · 3 years ago

Note

(1/8) You're really out there publising new chapters in such a short amount of time and each chapter is better than the last one! I'm seriously in awe of your talent! It's so difficult to pick a favorite chapter but this one might be one of my favorites. First of all, I loved what you did with the chapter title, whiskers literally taking padfoot's place in the order they were named on the map. It was sirius' worst fear and it happened. Also Remus and mc's chemistry is so great. I'm a big fan

I've had so much inspiration and free time this past week! and I'm going to start getting really busy this upcoming fall so I want to try and upload as much as possible!

(2/8) of how naturally their friendship and relationship grows and how different their dynamic is compared to mc and sirius. The way she was braiding his hair in common room and the way map practically flirts with her. Their little moment in the halloween party was so great as well, mc (who is dressed up as mcgonagall) drunkly playing with remus' (who is dressed up as FILCH) is probably one of my favorite moments in the sbtmas. Speaking of the costumes, I wish I was a good artist so I could draw

yeah! it's always a struggle to write two different dynamics when it comes to a love triangle because you don't want it to be:

a) the same

b) have it be unfair (although rn it's kinda unfair but hey, sirius will have a chance)

c) please both remus and Sirius stans (its been hard bc sirius stans are so mad with me rn LMFAO its kinda hilarious. I'm sorryyyyy! I SAID SLOWBURN DIDNT I? I WASNT LYING)

and oh my gosh - this chapter was literally so fucking fun to write and I think that really showed in my writing this time. the map - omg - since it's technically remus' magic for his little messages, the map is unable to insult her and I think it's just so cute :)

and I think dressing up as the professors would be so fucking cool! actually, fun fact - this idea was originally supposed to be for fifth year. Sirius was supposed to be McGonagall and MC was still supposed to be a cat but I obviously flipped shit around. for seventh year - I've had their costumes all picked since I started writing and I CAN'T FUCKING WAIT TO WRITE IT MY GOD

(3/8) a fanart of them. Lily as a 20s flapper, marlene as carrie, dorcas as dorothy (it's official, dorcas is the cutest person in this entire series) and sybill as the crazy cat lady (hands down best costume)! And of course marauders as teachers. Remus as filch was son unexpected yet brilliant! I almost died when marlene started flirting with mc for a grade and james called her hot (and also mcgonagall took a photo with her, minnie and marauders era students is always so fun to read about. Can

THE FACT that you would even think of making drawing fan art is literally the most ego-filling thing ever. woah. Thank you for even just mentioning that lmfao.

also, I love Dorcas. I love her. I adore her. the version of her that I created in my head - I'm obsessed. the same goes for Lily. omg I can't forget to mention Marlene! omg I'm a mess. I love them all.

(4/8) you imagine her keeping all of those memories in a box and looking at them after most of her students from that time period die in the war.) Peter had some really good costume ideas after all. But honestly, thank you for... giving peter a personality. In most fics he's just there, only eating in the background (similar to movie!ron). But in sbtmas he's so great and has a great sense of humor (he got his hands on a pen and chose to write "evans' bitch on james' face, an icon). I feel like

okay, that hurt my feelings. I can just picture McGonagall getting teary eyed as she stares at a picture of the Marauders after the second wizarding war, wishing she could have saved her students.

(5/8) this is going to make his betrayal so much better when it eventually happens. I mean, I was genuinely disturbed when james started to talk about how sneaky he was (famous last words). I loved all of the pranks they did in this chapter as well. The exorcist music and ballpoint pens were so creative (and they gave us that adorable scene with dorcas and nifflers) and also... funny. I feel like in a way, it showed how much marauders learned from "The Prank" and matured because of it. Last year

Peter was a marauder through and through. he was just as sneaky as the others, brimming with personality and just as smart. maybe not in academics, but the fucker had strengths in other areas. It was such a pet peeve of mine when they didn't include him in the fics I used to read. idk, sbtmas is everything I guess I wanted in a fic that I didn't get 💀 (I sound a bit egotistical here. If it comes off that way, I don’t mean it to)

(6/8) their halloween prank with spiders was a bit cruel. But this time, it's somethig that would make everyone laugh and maybe a bit annoyed, but still less harmless. Everything was funny and great and honestly, while I was reading this I was laughing the entire time... until I got to the "five years" part! Now that was cruel! You really did used costumes and pranks as a distraction and hit us with the angst! One second I was laughing and the next moment I was having an existential

oh definitely and I'm happy that you caught on to the change in severity from their pranks!

(7/8) how we have no idea about what future will bring and you can never know how much time you will have with your loved ones before it's all taken away from you. But I guess that's the appeal of the marauders era, we all know about the tragic ending they will have but still want to learn about their hogwarts years. And of course the song you chose perfectly captured that. It's halloween 1976, exactly five years before lily and james' death. And they have no idea about how they only have five

(8/8) years together. James and lily was laughing along with peter! There was something so beautiful yet disturbing about the innocence they have and you captured it beautifully. I can imagine sirius, sitting by himself somewhere, thinking about how he lost his friends and not having any idea about the tragic things that'll happen to him (or how he'll try to break into hogwarts on halloween 1993 to kill one of his friends). Okay now I made myself even sadder, I'll just shut up. -🌸

aw, sirius :(. I obviously didn't add him in this chapter but while writing, I imagine him to be in Padfoot form, silently watching the fireworks. just thinking. :((((( I just made myself sad again :( I think I even wrote a small blurb of that part but I can’t remember if I deleted it. If I didn’t, I’ll totally upload it to the outtakes eventually

#🌸 anon #sbtmas ask #📨 inbox

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gdwessel · 3 years ago

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G1 Climax 31 Night 4 - 9/24/2021; Government Looking To Lift State Of Emergency At End Of Month; Suzuki v. Homicide (and Ishimori v. Deppen) in GCW, Suzuki/Archer v. Mox/Kingston in AEW Both Air Last Night; ELP Returns To Impact to Assist Bey & Hikuleo

Well I DID say my time was short yesterday in the last post...

G1 Climax 31 continued on Friday, in a show you can see now on NJPWWorld. B Block matches continued on this particular show. Only 816 persons at this one. Not good.

- 9/24/2021, Tokyo Ota Ward Gymnasium

G1 Climax 31 B Block: Hiroshi Tanahashi d. Hirooki Goto [CHAOS] (Small Package, 14:10)

G1 Climax 31 B Block: Tama Tonga [Bullet Club] d. Chase Owens [Bullet Club] (Gunstun, 12:59)

G1 Climax 31 B Block: Jeff Cobb [United Empire] d. YOSHI-HASHI [CHAOS] (Tour Of The Islands, 13:21)

G1 Climax 31 B Block: Taichi [SZKG] d. SANADA [Los Ingobernables] (Black Mephisto, 25:15)

G1 Climax 31 B Block: Kazuchika Okada [CHAOS] d. EVIL [Bullet Club] (Rainmaker, 21:46)

Okada naturally declared he would win G1 once again, same as last time. Taichi and Cobb look like the next likely runners-up this time around.

Current B Block standings:

Cobb - 4pts (2W 0D 0L) Okada - 4pts (2W 0D 0L) Taichi - 4pts (2W 0D 0L) EVIL - 2pts (1W 0D 1L) SANADA - 2pts (1W 0D 1L) Tanahashi - 2pts (1W 0D 1L) Tonga - 2pts (1W 0D 1L) Goto - 0pts (0W 0D 2L) Owens - 0pts (0W 0D 2L) YOSHI-HASHI - 0pts (0W 0D 2L)

I mentioned last post that I had some things to talk about but didn’t have the time. That would be the reports that the government may be lifting the state of emergency at the end of September, owing to lowering rates of infection since they peaked in August. What with the coincidental timing of the ruling Liberal Democratic Party holding leadership elections soon, and a general election due to happen before 11/24/2021, it is entirely possible this is a political move rather than one based in science or statistics. Certainly Prime Minister Yoshihide Suga would like to step down on a good note.

With the state of emergency going away (if it does), this would certainly allow for bigger crowds at events, including, hey, pro wrestling. Attendances being down is not something that is only affecting NJPW -- Big Japan, for example, has been drawing pretty low (less than 100) crowds themselves recently. One thing that has been mentioned was lowering the requirement of government-decreed quarantine sites for travelers into Japan; travelers WOULD still be required to quarantine on their own, however. (There are also reports that the USA will be lessening restritctions for UK/EU travelers as well, so maybe we WILL get Shooter in the USA soon?) We won’t know anything for certain until the orders come down.

Last night was a real treat for Minoru Suzuki fans, what with two matches in NYC being shown on various networks, and there wasn’t even any real overlap so you could potentially have seen both.

First off, Suzuki once again main evented a GCW event, beating indie icon Homicide at Get Lost A Lot from the Melrose Ballroom in Queens. Both men looked like they were having the time of their lives in the match. Afterwards, Suzuki got the mic, and said “I speak little English. Thank you New York City, and thank you fucking Homicide!” The match was a banger, in a night that had several bangers, not least of which was Bone Soldier, Taiji Ishimori, defeating Tony Deppen in a thriller. Seriously, spend the $15 on FITE TV (or $20 if you want to bundle it with Thursday’s GCW show Emo Fight, also from the same venue).

Later on in the night, TNT aired the episode of AEW Rampage taped Wednesday night following Dynamite at the Arthur Ashe Stadium in Queens, main evented by the Lights Out match between Jon Moxley & Eddie Kingston v. Suzuki & Lance Archer. This was a wild hardcore match that did see the babyfaces win, but post-match, Suzuki-gun laid out Eddie Kingston, duct-taped Mox’s hands behind his back, and began WHIPPING Mox until Homicide (who has teamed with both Mox and Kingston in the past) made the save. Nice little bit of continuity there even if the timing was a bit off due to the vagaries of tape delayed wrestling. Overall this show was very good too, so hope you were able to catch it.

Suzuki’s American adventures continue this weekend at the Autumn Attack NJPW Strong tapings in Garland, TX, which I’ll talk about a bit below at the end.

Meanwhile in Impact, El Phantasmo has returned, helping out Chris Bey and Hikuleo in beating down FinJuice in the aftermath of David Finlay Jr.’s victory over Hikuleo. Good timng, what with the Impact X Division title being vacated by NJPW Strong guest Josh Alexander recently, so expect ELP to get involved with that tournament. This episode also saw the shock return of Christopher Daniels, late of AEW, in his first Impact appearance since Impact were TNA back in 2014.

The tour resumes tomorrow with A Block matches. Tonight, however, is the first night of Autumn Attack. I’ll be listing the cards, but I will not be listing the spoiler results, as I’d like to have something to write about when the relevant NJPW Strong episodes air. These shows will not be streamed live, but the second episode from tje Fighting Spirit Unleashed tapings will be aired tonight at 8pm EDT / 7pm CDT on NJPWWorld.

- 9/26/2021, Hyogo Kobe World Memorial Hall

Master Wato v. Kosei Fujita

Yuji Nagata v. Shingo Takagi [Los Ingobernables]

G1 Climax 31 A Block: Great O-Khan [United Empire] v. Yujiro Takahashi [Bullet Club]

G1 Climax 31 A Block: Toru Yano [CHAOS] v. Tanga Loa [Bullet Club]

G1 Climax 31 A Block: Tomohiro Ishii [CHAOS] v. KENTA [Bullet Club]

G1 Climax 31 A Block: Kota Ibushi v. Zack Sabre Jr. [SZKG]

Autumn Attack (NJPW Strong Taping) - 9/25/2021, Curtis Culwell Center, Garland, TX

Ryusuke Taguchi & Rocky Romero [CHAOS] v. Jorel Nelson & Royce Isaacs [Team Filthy]

Ren Narita v. “Filthy” Tom Lawlor [Team Filthy]

Juice Robinson, Lio Rush [FREE], Clark Connors & TJP [FREE] v. Taiji Ishimori, El Phantasmo, Chris Bey & Hikuleo [Bullet Club]

Karl Fredericks v. Will Ospreay [United Empire]

Fred Rosser v. Minoru Suzuki [SZKG]

More TBA?

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wheresmynaya · 4 years ago

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Lopez’s 8 Ch.4 | Brittana

Thank you all for the luv last chapter and for those who stopped by here for a chat too! Still getting used to writing for such a big 'cast' so hopefully that's translating alright.

Also available on ff.net (x) ao3 (x) & below the cut!

With everyone moved into the loft and somewhat acquainted with one another, Santana feels like she can breathe a little easier. Keyword: a little. The team is aware of what they need to do and set off on their tasks, even Quinn’s orders are already starting to arrive at the loft. You think you’re addicted to online shopping? Well, you’ve never met someone like Quinn Fabray.

“What is all this?” Santana asks as she comes round. She’s eyeing all the empty packaging and bubble wrap then steps out of the way just in time as a hulking man rolls a large box through her path. She knew she should’ve given Quinn some ground rules when she told her to make sure they had the necessary equipment needed.

Who the hell knows what she considers necessary.

“Don’t worry, you’ll like them,” Quinn chuckles then gives the guy’s shoulder a pat, “Thank you, Hank. You can set it down by that wall over there.”

“Yes, Miss Fabray,” He nods and wheels off the box.

Santana quirks a brow, “You’re on a first name basis with the delivery guy?”

“We’ve been in business together for awhile,” Quinn nods and waves for her to come closer. “Two things first,” Quinn points to the giant box being wheeled away, “That’s a 3D Printer – which we’re going to have so much fun with once it’s installed – and these.”

Santana looks down at pair of the most dorkiest glasses she’s ever seen being handed to her.

“Try them on,” Quinn says.

Santana snorts and backs away with a chuckle, “I’m not wearing those.”

Quinn rolls her eyes, “Just do it.”

“So you can snap an embarrassing pic of me to post everywhere?” Santana waves off, “Nope. I wear contacts for a reason.”

Quinn just gives her a stern look until Santana finally relents and snatches them from her hand.

She slides them on and is immediately surprised by the graphics that pop up. These aren’t your normal pair of dork glasses, they’re super high tech dork glasses! She looks around at the various boxes and equipment surrounding before looking back to Quinn who has this proud smile on her face.

“Cool right?” She asks while Santana continues to look around.

“This is awesome,” Santana mumbles in awe. She sees an icon that kind of look like a camera and asks, “Can this thing take freaking pictures?”

“Even better,” Quinn answers, “They can capture scans which can be sent to Mercedes’ laptop or directly to the 3D printer. Once it’s up and running, we can replicate pretty much anything!”

“Like the necklace?” Santana smirks.

“Like the necklace,” Quinn confirms.

Santana’s just about to praise her for nabbing such a handy find when the door leading to the garage slides open and in comes Brittany, clad in her leather jacket and Ray Bans.

“Someone’s parked in the loading zone. I think you’re about to get towed,” Brittany calls out as she chucks her helmet on the counter and slides off her sunglasses.

“Crap!” Tina curses from her desk set up across the room and quickly bolts outside.

Quinn chuckles at the pair but Santana continues to watch as Brittany grabs a bottle of water from the fridge. Her cheeks look a little flushed as she tips the bottle back for a long drink and Santana stares the whole time, wondering why Brittany doesn’t wear this leather jacket more often. That paired with Brittany’s tight blue jeans and white t-shirt is a look Santana won’t ever get tired of.

When Brittany pulls away from the bottle, she notices Santana and Quinn and starts to make her way over to them. Now with her coming their way head on, Santana can’t help but admire the view. It seems like Brittany knows Santana’s caught in a trance again because she reaches up and rakes her fingers through her hair, attempting to bring some life into it after being constrained by her helmet.

As Santana’s eyes slowly drag up Brittany’s slim frame, her mouth goes dry.

“Jesus, give me those!” Quinn snaps when she notices Santana’s leering.

“What?” Santana sputters out.

“You’re ridiculous. That’s what,” Quinn shakes her head just as Brittany approaches them.

“Shut up,” Santana hisses just before Brittany greets them.

“Hey, finally invest in a pair of x-ray glasses?” Brittany asks but it’s directed at Santana. She’s wearing this smug grin as she adds, “Although, you don’t need them if wanted to see me naked.”

“Here we go,” Quinn groans as she face palms while Santana shakes her head.

“They’re not x-ray glasses,” Santana corrects her.

“Just for looks then?” Brittany asks, “Do we all get a pair?”

“No, we’ll just share this one,” Quinn says as Santana hands them over to her, “I already know what Santana would use them for anyway and I don’t think anyone needs that.”

Brittany frowns at Quinn, “You don’t want Santana to see? That’s kind of rude.”

“They’re not for seeing,” Santana clarifies with a chuckle, “They can take pictures.”

“Oh! Wow, really? That’s like some super secret spy stuff,” Brittany comments before taking a sip from her bottle.

“Yeah. They’ll be perfect for Emma when she and Tina go to the Cartier vault,” Quinn replies proudly.

Santana nods while Quinn stows away the glasses case for safe keeping. She turns to Brittany, “Nice jacket.”

Brittany looks down at what she’s wearing as if she forgot, “Oh this old thing?”

Santana chuckles, “Did you have a good ride?”

Brittany hops up on a counter and swings her legs, “Yeah, it was nice. Hot out, but nice. You should come with me next time. It’d be perfect for you, maybe you’ll finally find some peace.”

Santana shakes her head, “Peace? That’s the last thing I’d find if I got on that thing with you.”

“See, that’s what I don’t get,” Brittany laughs and waves at all the new equipment, “You can play with all this gear and put yourself in danger with these heists, but you draw the line at riding a motorcycle? Because that’s too risky?”

Santana takes a step closer to Brittany, “Among other things, yes.”

“Other things like what?” Brittany challenges as she sets down her water bottle. Her legs fall open a little wider and Santana nearly slips in to stand right between them without even noticing.

“Well for starters,” Santana narrows her eyes as she steps like she’s being drawn in, “There’s the helmet hair.” She reaches up and ruffles Brittany’s blonde hair, momentarily reveling in the softness, “Not cute.”

“You don’t think I’m cute?” Brittany asks behind a pout.

Santana almost falls for Brittany’s trap, “I just don’t think I could pull that off as well as you do.”

“I beg to differ,” Brittany grins mischievously and tugs Santana in close by her hips. It catches Santana off guard, but she doesn’t move once she’s there. She’s too caught up in the look Brittany’s giving her, “I’ve had many, many dreams of you doing just that and I can confirm, you looked very sexy. No surprise there though, you make everything look sexy.”

Santana smirks as she lifts a brow, “You having dreams about me now?”

“Yup!” Brittany pops the ‘p’ while her hands slide around to the small of Santana’s back, “Hot ones too. I’m kind of jealous of dreamy me. She has way more fun than I do.”

Santana giggles but it comes out low and husky.

The sound has Brittany licking her lips and the two get so caught up in staring at each other that they completely forget that they aren’t exactly alone. With how wound up they are and so desperate for each other, giving a fuck about being alone has nearly left the building. Brittany’s got Santana trapped between her legs and if Santana’s hands start to trail inward, she’d be right where Brittany wants her.

She thinks back on what Brittany said about changing her mind soon and she finds herself really considering it now.

When has an orgasm ever gotten her into trouble?

Santana thinks of a specific instance actually but chooses to ignore that one because majority of the time it doesn’t.

“Can you two make out somewhere else?” Quinn interrupts with a groan, “Some of us are trying to work here.”

Santana and Brittany both blink out of their daze and pull away from each other.

Thankfully, Quinn and the random delivery guy Hank are the only ones around but Santana doesn’t want to make something like that nearly happening in front of everyone a habit. She doesn’t want to deal with having to explain what’s going on between them; she just wants to steal some expensive shit and get rich, not have a whole existential crisis about whether or not her feelings would be taken seriously.

“I – I’m going to make sure Tina’s alright,” Santana says abruptly and heads outside. The more distance she can put between her and Brittany right now, the better. That was too close of a call for her comfort.

Quinn just eyes Santana leaving and turns back to Brittany with this tired look on her face, “So I see you two are still like this…”

Brittany frowns as Santana disappears out the door, “I guess so.”

As the countdown ticks away, the most important day for Santana arrives. She’s trying hard to seem cool and collected, but on the inside she can’t help but feel a little anxious. Today, Emma and Tina are off to the jewelers to hopefully get a successful scan of the Toussaint so Quinn can begin the printing process and Tina can start crafting the decoy. It’s probably the most important part of the entire heist because without this scan, the whole thing goes to shit.

“Knock knock,” Brittany says softly as she raps her knuckles on Santana’s bedroom door. She’s already poking her head in through the crack, looking for where her partner might be.

“Hey,” Santana greets from the edge of her bed. She’s been sitting there for awhile trying to wrangle her thoughts so she can make it in time for the live feed of Emma and Tina’s trip.

“We’re just about to connect to the feed downstairs. You coming down?” Brittany asks.

Santana just nods, “Yeah. I’ll be there in a sec.”

Brittany frowns a little at the sight of her and the sound of that faraway tone.

“You okay?” She asks in that voice that calms Santana and puts her on edge even more so all at once. The blonde goes to take a seat next to her partner and eyes her warily, “You look stressed.”

“I think I am,” Santana chuckles lightly and turns to Brittany, “It’s an important day.”

Brittany gives her a sympathetic grin and squeezes at Santana’s thigh, “We’re gonna be fine. Everyone knows what they need to do. You know how to get us out if something comes up, right?”

Santana returns the grin, “Right.”

“So there’s nothing to worry about then,” Brittany shrugs, “We’re prepared for whatever happens. You made sure of that.”

“Yeah, you’re right,” Santana nods, already feeling somewhat eased by Brittany’s words, “Just the jitters I guess.”

“We’ll be okay,” Brittany moves to stand and holds out her hand, “Now turn that frown upside down, we’ve got a show to catch.”

Santana smiles at the offered hand.

This is why their dynamic is so perfect;. when one is starting to spin out, the other takes hold of the wheel and gets them back on track. They balance each other out but also always have each other’s backs. It’s something Santana’s never found in anyone else and it’s one of her favorite things about being in this with Brittany.

So Santana takes Brittany’s hand and they head downstairs together.

It’s one of the most nerve-racking thirty minutes of Santana’s life, but just as Brittany predicted everything goes according to plan. They get a perfect scan and start the printing process so that by the time Tina returns to the loft there is a set of zirconia ready for her. While Emma’s across town attending her first session with Rachel Berry in regards to designing the gown she’ll wear for the Gala, Tina gets started on replicating the necklace.

“Wow,” Tina breathes out as she steps forward to get a closer look. The rest of the team minus Emma is huddled around her as she looks in the 3D printer’s case, almost mesmerized by how similar the fake is to the actual necklace.

“Think you can work with this?” Santana smirks, nudging her childhood friend’s arm.

Tina’s smile is big and bright, “Definitely. This’ll be fun!”

Sugar steps up too and her hands itch to make a grab at it, “You guys think I can try it on?”

“No!” Everyone says in unison.

Sugar just pouts and jams her hands into her pockets.

In the following days the team begins to find their grove and go off on their individual missions: Emma deep in designing Rachel Berry’s dress, Tina hard at work on the necklace, and Mercedes hacking away. While Brittany hangs back with her and Sugar, Santana and Quinn head to the Met for their next task: plant a Banksy.

It’s a simple switcheroo, one that’ll cause enough ruckus to grab the security team’s attention which is exactly what they want. Minus the getting caught part, of course.

So once inside the Met, the two split off: Santana gets into position with the painting while Quinn distracts a guard. They’ve done something like this loads of times before, so the switch is smooth and Santana’s out of there in no time. With the Met thinking there’s been a breach of their security system, Mercedes can slip in and do whatever she needs to do to make sure that they can get around undetected.

Once a crowd begins to form, it’s all pretty fast moving and the two slowly make their way back to the car without a second glance.

When Santana and Quinn get inside, Santana pulls out her phone to send a text to Brittany to update her on their progress. She’s surprised to find a new text waiting for her though when she swipes into the conversation. It’s a selfie with Brittany and Sugar making silly faces while Mercedes sits behind them looking as unamused as ever with both of her middle fingers up.

It makes Santana chuckle before she goes to type her text.

Quinn notices and asks, “What’s so funny?”

“Just this picture Britt sent,” Santana shrugs as she types, “It’s kinda cute I guess.”

Quinn watches Santana’s smile grow and quirks her brow, “So…what is it about you and Brittany?”

Santana sends off the text and looks to Quinn questioningly, “What do you mean?”

“I see how you two interact with each other. Neither of you have changed any after all these years,” Quinn explains, “All of the planning and the scheming and the intricacy of it all…it’s like your foreplay or something.”

Santana feels her chest tighten and quickly turns away from Quinn to focus on starting the car. Here she goes again, sticking her nose job in places that she shouldn’t. Santana wished Quinn would just mind her business, but that wouldn’t really be Quinn now would it?

“That’s just how we are,” Santana brushes off as she begins to drive, “We like to have fun.”

“So that’s what you’re calling it?” Quinn smirks.

Santana rolls her eyes, “What else am I supposed to call it, Q?”

Quinn just shrugs and goes to look out the window. The silence doesn’t last long though.

“Fuck,” Santana snaps as they catch up to all the traffic, “We’re going to be here forever!”

Quinn chuckles at her dramatics. Since asking her question, they’ve sat in near silence the entire ride so Quinn jokingly asks, “Trapped in a car with me, isn’t that a dream come true for you?”

“You have no idea,” Santana answers sarcastically then lays on the horn as if it’ll make all the traffic suddenly disappear, “Let’s fucking go people!”

“Stop! What’s that going to do?” Quinn whines and starts swatting at Santana’s hand until she quits it. She gives her an annoyed glare which Santana returns instantly.

“We’re just going to have to wait it out,” Quinn says to which Santana lets out a long sigh. “Don’t be like that. This is good, we can finally catch-up. We haven’t really talked much since you broke into my garage.”

Santana softens at that. At one point in time, she and Quinn were pretty tight. Not in the way that she and Brittany are, but Quinn was around just as much. Also, there was the whole giving birth thing that Santana had to witness and that kind of thing creates a weird bond between people.

“Okay, what do you want to talk about?” Santana relents and puts the car in park since they aren’t moving anytime soon.

Quinn looks pleased with herself, like her mood has instantly lifted at the very idea of some girl talk.

Santana regrets agreeing to this the instant Quinn starts talking about Beth and how much she misses her daughter.

Later that night, Santana’s sitting alone at a diner across from the McCallister Security tower. She’s been sipping coffee while Mercedes and Sugar are off trying to infiltrate the building. They got word that an important meeting regarding the Met’s breach was going down and it was imperative that they listened in.

Right about now, Mercedes should be tapping the room and then on her way to meet Santana at the diner where they could catch all the hot gossip. It takes about ten more minutes of Santana waiting before Mercedes finally joins her.

“Where’s Sugar?” Santana questions as Mercedes pulls out the headphones.

“Went back to the loft already,” Mercedes answers and hands Santana an ear bud, “Said listening to a meeting was even worse than having to sit in one.”

Santana chuckled as she popped the earbud in, “Fair enough. Let’s see what we’re dealing with.”

It’s late by the time Santana and Mercedes return to the loft and almost everyone has gone to bed, everyone but Brittany.

“You’re late,” She points out as Santana and Mercedes enter. Mercedes’ brows rise at the blonde’s tone and quickly disappears to her room without a word.

Santana just strolls over with a sweet smile on her lips, “You keeping tabs on me, Britt-Britt?”

Brittany shrugs, “Maybe. Maybe I kind of missed you? Between Emma’s weird muttering and the constant squeak of rubber gloves and Tina being annoying, it wasn’t much fun here.”

Santana laughs, “What about Quinn?”

“She’s getting into character for tomorrow. Whatever that means…”

“She has her interview with Vogue,” Santana explains as she shrugs out of her jacket, “Sorry you were lonely. Mercedes and I grabbed a bite while we listened to the meeting. She’s actually pretty cool. Oh! I brought you a cannoli. You like those, right?”

Brittany instantly perks up as Santana hands her a small box. She wastes no time in taking a bite and hums happily at the taste, “Thanks San. You bring home the best desserts.”

Santana feels a blush beginning to creep up her cheek, but she does her best to ignore it and takes a seat next to Britt on the couch.

“How’d it all go?” Brittany asks with her mouthful.

“We’re in! It was an interesting meeting but a long one,” Santana smiles proudly before it falls, “These late nights are starting to get to me.”

“That’s because you need to relax,” Brittany tells her before putting on her best flirty smile, “You know, I can help with that. My offer still stands.”

Santana lets out a breathy chuckle, “Cute. I’ll keep that in mind, but I think I know something that might help me even more?”

“What is it?”

“Take the lead on the meeting tomorrow?”

“You giving up control on something?” Brittany fakes a gasp, “Maybe you really are losing steam.”

Santana just rolls her eyes, “You really gonna give me a hard time?”

“Sorry. Yes San,” Brittany nods seriously, “I can run the meeting for you.”

And so she does.

The next day, Brittany gathers the team for an update on the McCallister Security meeting Santana and Mercedes listened in on last night and how that’ll effect what happens at the Met.

Mercedes has the overview of all the Met camera angles projected on the drop down screen while Brittany comes up to the group with a mug in her hand. She ends up handing it to Santana who is curled up the arm chair watching the various camera angles like it’s her favorite show.

“Here. Made this for you,” Brittany says softly as she hands Santana the mug, “It’s herbal. The packet said it’s supposed to help you relax or something.”

Santana takes the offered mug with a surprised smile, “Thanks Britt.”

“You’re welcome,” She winks before turning back to the team to get the meeting started, “Okay! So as you can see, the Met is covered in camera and security will be watching them like hawks. It’s almost impossible to get out of there without being spotted…let alone with a ridiculously expensive necklace at that.”

“Keyword there is almost,” Santana interjects before taking a sip of her tea because she can’t help herself.

“Right. We’re going for a spot security doesn’t even care about: the bathroom,” Upon its mention, Mercedes clicks to the angle, “But once we get going security is going to go over everything with a fine tooth comb, even angles like this. Whoever exits that is going to be a suspect. So what do we do?” Brittany asks and waits for someone to answer. When no one does, she continues, “We get a mule. Not an actual one like I thought, but a figurative one…sort of.”

The group all exchange somewhat confused looks so Santana cuts in, “Someone else is going to move the necklace for us.”

Brittany points to Santana, “Exactly.”

“Sugar, how much room do you need to plan something on someone?” Santana asks.

Sugar ponders a moment, “Like nine feet?”

Santana nods and looks to Mercedes, “And how long will it take to create a nine foot blind spot?”

“Maybe 10 or 12 days if I’m moving the camera bit by bit,” Mercedes responds.

Santana smiles proudly at their answers and looks to Brittany who’s already looking back at her with an equally pleased grin. She loves when things just come together like this.

“Sounds like a solid timeframe to me,” Santana says and turns back to the team, “What do you think?”

“Yeah, I can get to work on that now,” Mercedes replies and everyone else starts to shuffle about to continue their tasks.

“Wait!” Sugar stops them and raises her hand, “Question.”

Santana notes the hand in the air and laughs as she looks to Brittany, “Is she raising her hand right now?”

Brittany just shakes her head and laughs too.

“What is it, Sugar? I already told you I’m not paying for your Metro Card,” Santana says.

“It’s not that,” Sugar waves off as her hand drops to her lap, “I was just wondering…are you two like…a thing?

Santana looks slowly to Brittany.

“I was wondering that as well,” Emma adds, “You don’t really see one of them without the other.”

“Two peas in a pod!” Tina chimes in happily.

“Glad to see I’m not the only one that’s noticed these two fools making googly eyes at each other all the damn time,” Mercedes says next.

Santana catches Quinn’s eye and the blonde just smirks as she adds, “Didn’t I tell you that your subtly needs some work?”

Santana feels her face getting hot so she’s glad that the lights are still off for the projector because she’s sure everyone would see her as this blushing mess and that’s not a good look.

The team is all talking at once, giving their examples and theories, and it’s a lot. Santana doesn’t know how to deal and Brittany’s just kind of watching with her hand covering her mouth, hiding her smile. She thinks it’s all so hilarious and she loves how flustered and riled up Santana gets over the teasing.

The girl can dish it but struggles when it comes to taking it.

Suddenly Sugar has her hand up again and she’s speaking a little louder than everyone else, “Okay, raise your hand if you think Santana and Brittany are banging.”

Everyone raises their hand instantly, even Brittany.

“Oh my God, Britt, put your hand down,” Santana urges looking stressed.

Brittany does as she’s told as a couple giggles escape her.

Santana doesn’t think it’s quite as amusing though, “We aren’t banging. Who even calls it that anymore?”

“That explains everything,” Tina replies knowingly, “It’s probably why this heist is so immaculate, she’s gotta channel all that extra energy somewhere.”

“Preach,” Mercedes nods and goes to bump her fist with Tina.

It’s all playful – at least that’s what it was meant to be – but Santana hates feeling like the butt of a joke. She hates that her thing with Brittany is being analyzed by all these people she barely knows. People that shouldn’t be commenting on whatever goes on with them.

So she snaps and jumps to her feet to address the crowd.

“They’re immaculate because I’m a fucking genius and decided to use my time in solitary confinement wisely, so let’s just be careful here with trying to talk about things you know nothing about,” Santana threatens with her steely gaze, “Don’t forget. I’m a convicted criminal. I’ve been to jail and I will shank one of you if you happen to piss me off. So try me, I dare you.”

“Santana…” Brittany whispers and gives Santana’s arm a gentle tug, “They were just joking.”

“Well this isn’t fucking comedy hour, okay?” Santana growls and Brittany backs off as she turns to the group again, “You’re all here to do a job. Not speculate. There is nothing going on between Brittany and I – not that it’s any of your business – so let’s stay focused on the plan and do what we all came here to do. Get me?”

The group all nod in unison before heading back to their tasks.

Santana turns away from them and hits the lights. She’s still fuming and a little embarrassed but she instantly feels a whole lot better when she spots Brittany staring at her ass.

“That’s not helping,” Santana points out.

Brittany chuckles, “Maybe you should stop wearing those leather pants around me. You know they’re my favorite.”

“I thought you don’t pick favorites?” Santana asks with narrowed eyes.

Brittany lifts her shoulder casually, “Guess I make an exception when it comes to you.”

Santana’s heart skips a beat and it takes everything in her not to swoon. This is Brittany. This is how she talks to everyone. She’s charismatic and flirty and everything good in this miserable stinking world, but she can’t get wrapped up in all of that again.

It didn’t end well before and she doubts it’ll end well now.

#Lopezs 8 #Brittana #brittana fanfiction #fanfics #oceans 8

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ranger-report · 4 years ago

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Opinion: DC and Marvel’s Multiverses Are Crucial To The Future of Superhero Film

Alright, buckle up kids, this is going to be a long one. Get some soda and some popcorn, or some green tea and avocado toast.

Back in the long-distant year of 1989, a little film called Batman released into theaters and became the film of the Summer. Directed by Tim Burton and starring Michael Keaton and Jack Nicholson as Batman and the Joker respectively, it was a cinematic triumph that heralded a new wave of superhero films taking their source material seriously. Followed up in 1992 by Batman Returns, a sequel which increased the fantastic elements but was criticized for its darker tones, Batman’s role in movies was cemented in place by continued success. Of course, Keaton and Burton would leave to be replaced by Val Kilmer as Batman with Joel Schumacher directing for 1995′s Batman Forever, with George Clooney stepping into the cape and cowl for 1997′s Batman and Robin, a wild disaster of a film which nearly destroyed Batman’s chances in movies. But then, in 2005, Christopher Nolan brought a gritty realism to the caped crusader in Batman Begins, and continued this successful experiment with 2008′s Best Film Of The Year, The Dark Knight, and 2012′s The Dark Knight Rises (which was....fine). By this time the DCEU was beginning to get started, so a new Batman was cast for Zack Synder’s 2016 Batman v Superman: Dawn of Justice, and this role went to Ben Affleck. He reprised the role in David Ayer’s Suicide Squad and Joss Whedon’s Justice League, but bowed out of the opportunity to write and direct his own solo Bat-flick. So director Matt Reeves was tapped to direct a new Batman film starring a controversial choice of Robert Pattinson as Batman. With all of this, the question of the past 30-odd years is: which is your favorite Batman? Which one was the best? And how do these films fit into an increasingly convoluted canon in which a film series is rebooted every ten years or so?

What if the answer is: they’re all great and they all fit into canon?

Now, before we think too hard about that, let’s take a look at Spider-Man’s cinematic installments, which is almost more convoluted and in a more compressed amount of time. Beginning with 2002′s Spider-Man directed by Sam Raimi and starring Tobey Maguire, the amazing wall-crawler enjoyed a fantastic amount of success on the big screen, followed up by one of the best superhero films of all time, 2004′s Spider-Man 2. But Spider-Man 3 in 2007 took all of that goodwill and smashed it into the ground with a failure almost as bad as Batman and Robin a decade earlier. Plans for a Spider-Man 4 were scrapped, and eventually in 2012 director Mark Webb and star Andrew Garfield would bring a brand new Spidey to life with The Amazing Spider-Man, and The Amazing Spider-Man 2 in 2014. Both films were lively and energetic, but criticized for trying to stuff too much into their films -- especially the second one. Sony Pictures was attempting to ramp up a cinematic universe much like Marvel Films was doing at the time, but it was too much too fast. 2017 brought another reboot of the moviefilm version of Spidey, this time directed by Jon Watts and starring Tom Holland, with Spider-Man: Homecoming, this time under Marvel Film’s banner (thanks to backdoor dealing), and another cinematic triumph in 2019′s Spider-Man: Far From Home. But, unlike Batman, Spider-Man’s dealings behind the scenes are nearly as convoluted as his series. Sony Pictures owned the rights to make Spider-Man flicks for years, until Marvel managed to make a ludicrous offer after Amazing 2 failed to catch on the way producers hoped. So Spidey came to the MCU under a joint production, which is how we got Homecoming and Far From Home, but also maintained a different universe with the Amazing films, and then 2018′s Venom, and a little animated motion picture also in 2018 by the name of Spider-Man: Into The Spider-Verse.

Class, this is where I would like to direct your attention to the origin of the extraordinary events we are discussing today. Or is it the origin?

Into The Spider-Verse successfully proved that not only is the idea of multiple universes all connecting on screen a good idea, it’s an Oscar winning idea. Spider-Verse is hands down the best animated superhero film ever, and one of the best superhero films period. But here we must take note of certain ideas. The film provided much setup for a world where young Miles Morales begins to emerge with spider powers, but then Spider-Man is killed right in front of him before he can learn how to use them. Enter a Spider-Man from a slightly different parallel dimension, who not only turns Miles around, but find himself inspired to realign his own life. Spider-people abound through the film, all of them having equal weight and the possibility of spawning their own franchise without having to worry about impacting the canon of other universes. This is something comic books have done for literal decades, but Spider-Verse did it with such care and devotion that it won Best Animated Picture and became a mainstream smash hit. Marvel and Sony both sit up at attention; could this work with the major mainstream films they’ve been producing? So the experiment begins: we have a teaser trailer for Morbius, based on a vampiric Spider-Man villain, which features a cameo from the Vulture character first seen in Homecoming. And after dropping hints that Tom Holland’s Spider-Man could cross over with Tom Hardy’s Venom, Jamie Foxx recently posted about being cast as Electro -- a role he played in Amazing Spider-Man 2 -- for the third Tom Holland Spidey flick. Pictures went up on his Instragram seeming to confirm that not only was this the same Electro, but that all three previous Spider-Men -- Maguire, Garfield, and Holland -- would team up for the film. Multiple universes collide, a live action Spider-Verse, where everyone is crossing over with each other. Now, this lines up perfectly with Marvel’s MCU plans, as Doctor Strange has established in his film that multiple universes exist, and his announced sequel is even titled Doctor Strange in the Multiverse of Madness. It’s here. It’s happening. Every Spider-Man film is canon, they’ve all happened, and we don’t need to worry about which of them make sense or belong. They all make sense.

But just before this announcement, a month or so ago DC let slip that their plans for an upcoming Flash movie are taking cues from the Flashpoint comic books, in which Barry Allen goes back in time and accidentally creates a brand new timeline that he has to correct. Michael Keaton has even been cast as Bruce Wayne, the same Bruce Wayne that he played 30-odd years ago, a casting choice many fans have been clamoring for for years. On top of that, once word was put out that Keaton’s role would be similar to Samuel L. Jackson’s role as Nick Fury in the MCU, Ben Affleck was reported to be joining the picture as Batman also, a team-up no one saw coming. Even Christian Bale is being courted to join the universe-spanning flick, but reportedly only if director Christopher Nolan gives his blessing. Multiple Batmen teaming up together in a Flash movie to combat crime? Of course I’ve already bought tickets. Batman is the biggest box-office draw outside of The Avengers. And this concept opens up plenty of opportunities for DC, who’ve done Elseworlds stories in the comic for years. Joker with Joaquin Phoenix proved that DC films not directly tied to the DCEU can and will do well on their own; The Batman with Pattinson will no doubt further confirm that. But now Batman Returns is once again a viable film mixed into a comic book cocktail of wonder and excitement? And what’s wonderful is that this isn’t DC’s first big attempt at this. Slowly and surely, The CW’s Arrowverse TV shows -- Arrow, The Flash, Supergirl, Legends of Tomorrow -- have been doing multiverse crossovers for years, building up to 2019′s mega-event Crisis on Infinite Earths, which saw Brandon Routh reprise his role as Superman from 2006′s Superman Returns, which itself is a sequel to Christopher Reeve’s Superman and Superman II. And for one wonderful scene, TV’s Flash, Grant Gustin, got to interact with the DCEU’s Flash, Ezra Miller, confirming that these TV and film universes are indeed one big cocktail of parallel lives and dimensions that all interconnect while still being separate. Hell, we even saw Burt Ward, Robin from the 1966 Batman show, alive and well an in his own little world. Batman ‘66 is part of the wider DC Multiverse! How crazy is that? And we even got a small tease that Batman ‘89 is part of all of this as well, when we got to see reporter Alexander Knox look up to the Batsignal in the sky as Danny Elfman’s iconic score played. In one fell swoop, in as few as a casual couple of cameos, DC made all of their live-action properties canon in the multiverse, meaning no matter which version you like the best, they all work together and work from a franchising and audience standpoint. The 1978 Superman and the 1989 Batman both existed in worlds that ran sidecar to 2019′s Joker and 2011′s Green Lantern. It’s wild, unprecedented in cinematic history, and wonderful for fans of all ages.

Why is this the future of superhero flicks, though? It ought to be simple: no matter what movies come out, no matter how wild or crazy or outside “canon” they seem to be, they all can work and they all can coexist without having to confuse fans. Many people were feeling the reboot fatigue as early as 2012′s Amazing Spider-Man, and while there was a huge tone shift between Batman Returns and Batman Forever, the Bat-films were considered all part of the same line until Batman Begins started all the way over. Now we have Batman 89 and Returns in one world, Forever and Batman and Robin in another (which was already a fan theory, mind you). Sequels that don’t line up with their predecessors can just be shunted into a hidden multiverse timeline and left alone without the convoluted explanation of having to “ignore” certain sequels. Superman III & IV were ignored when Superman Returns chose to connect only to the first and second films, but now we can say that they definitely happened....just somewhere else. There is now a freedom of ideas and creation that can once again occur when making big-budget films based on superheroes. No longer do creative minds need to be restrained to the canon and timeline and overarching plots defined by studios years in advance; “creative differences” don’t need to drive frustrated directors away from characters or stories they truly love. Possibly -- just possibly -- good ideas can become the gold standard once again for comic book films, not just ten-year plans for how to get Captain America from scrawny Marine to Mjolnir-wielding badass. Remember when filmmakers decided to make Joker the same person who killed Bruce Wayne’s parents? Or when they decided to give Spider-Man the ability to shoot webs from his body instead of technology? That certainly wouldn’t fly these days; studio mandates would require adherence to previously established guidelines, or at least what has been seen in the comic. What if now we could get a three-episode limited series on HBO Max of Gotham By Gaslight? Or a big-budget adaptation of Marvel’s 1602? Simply trying to wedge old comic book storylines into existing Cinematic Universes no longer need be a thing! We could get some of the wildest interpretations of superheroes this side of Superman: Red Son. At least, that’s the hope, anyway.

When comic books can step away from canon for just a few minutes, worlds open up and expand. An entire multiverse of ideas can become a feast of entertainment for many. And when there’s already so many beautiful, well-told stories set in alternate universes as comic book precedent, so too can there be beautiful, well-told stories set in alternate universes for film. And the best part? Now they all matter. And I think that’s the future.

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thephantomofthelibrary · 4 years ago

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The Events of the Merthyr Rising (2): 3 June - 6 June 1831

3 June 1831

Early in the morning the 93rd Foot Reginent, the Highlanders, from Brecon arrived at a town in crisis. They were mocked and jeered as they marched from Brecon to Merthyr. The Highlanders joined the other authorities that had congregated at Castle Inn. The troops stationed themselves around the Inn to protect those gathered inside in case the situation turned violent.

The crowd continued to increase. The sources differ on the exact size but the estimate is of around 10,000 people. At 10:40 am the Riot Act was read for a second time. A deputation was requested by Anthony Hill, the iron master at the Plymouth works, in order to hear the demands of the crowd. It was hoped that they could try to settle their differences and diffuse the situation.

The crowd had four main requests:

The suppression of the Court of Requests

Higher wages

Cheaper prices

Immediate parliamentary reform

As was stated last time, riots tend to focus on the middle men rather than the people and institutions that were actually behind these problems. The iron masters simply could not agree to their demands. Rather these were issues that needed to be seen to at the seat of go government, not at an inn in Merthyr. The economic depression meant that wages could not be increased, not could prices be decreased. Crawshay himself had desperately tried before the rising to ensure that his workers were well provided for, but not without great economic loss to himself. Debts also needed to be paid and the iron masters had as little say politically as their workers. There was nothing that they could do to implement parliamentary reform any quicker than parliament would allow. The iron masters themselves had been advocating for these changes, even if it was for their own benefit.

Pictured above is Castle Inn where the authorities were assembled.

11:40, the crowd was still there making every single one of them guilt of a capital offence by law. The High Sheriff of Glamorgan issued a warning to the crowd, they were to disperse or face the troops. To this one man in the crowd was reported to have said that he only came from bread. The crowd took his claim and shouted “caws gyda bara”, “cheese with bread”. This could be taken literally, asking for bread and cheese from the authorities. But also this could be a symbolic chant. They were not willing to settle for what the iorn masters could offer from their positions of comfort and relative power. Bread and cheese was given to them.

Crawshay and Guest attempted to address the crowd. As reformers themselves maybe they would be able to appeal to their joint interests. It did not work. The crowd became angrier, pushing forward to the Inn.

The man of the hour, Lewis, was hoisted up and addressed the crowd in Welsh;

“We are met here to have our wages raised, instead of which the masters have brought the soldiers against us; now, boys, if you are of the same mind as I am, let us full upon them, and take their arms away.”

Things quickly turned violent. The soldiers were stationed in the doors and windows ready to protect and defend the inn. The rioters pushed forward, throwing stones at the soldiers and successfully disarming some of them.In turn, the soldiers fired on the crowd. The fighting only lasted about 15 minutes but the effects were catastrophic. 16 soldiers were wounded, 6 of whom were seriously wounded. It is unsure how many rioters were killed as their bodies were secretly taken away by their fellow rioters in the night and buried. It is thought that around 20-25 rioters were killed.

But things were more serious. Symbols and standards can often portray and define a movement in a single glance. Very few images have become more iconic in the imagery of revolution that the red flag. A calf was sacrificed and a white flag bathed in its blood to create their new revolutionary standard. On top of their flag-pole they impaled a loaf of bread, symbolising exactly what their struggle was. It came along with another chant of their, “bara neu waed”, “bread or blood”. This is believed to be the first time that the red flag of revolution was first used on British soil.

Growing ever more fearful as the situation evolved, the authorities abandoned their station at Castle Inn and moved to Penydarren House for greater security. This was the home of iron master Jeremiah Homfray, the iron master of the Penydarren ironworks.

Above is Penydarren House, the first of the grand houses to be built by the iron masters at Merthyr. It remained the grandest house until Willaim Crawshay II built Cyfarthfa Castle.

In the night, while some of the crowd buried the bodied of their dead, other rioters searched for weapons to defend themselves against the soldiers. The situation was quickly beginning to mirror events in France at the end of the last century. Meanwhile, others still took news of the rising to the neighbouring iron towns of Monmouthshire. This was no longer a Merthyr or even a Glamorganshire uprising, the revolution was spreading.

Above is an image of the flag being died with blood. Lewis can be seen in the background addressing the crowd. Below is a second image, the red flag vivid among the surroundings of the black and white picture. Once again Lewis can be seen in the background addressing the crowd. They are armed with old and make-do weapons like axes and pikes, a fair few with pistols in their belts and stolen muskets in their hands.

4 June 1831

It was clear to the authorities that more military presence was going to be needed if they were to secure the town back into their own hands. Troops were being called from the surronding area to help deal with the crisis. The Eastern Glamorgan Corps of Yeomanry Cavalry and the Royal Glamogran Militia had arrived in Merthyr. But not all fared well for the troops arriving. The Swansea Yeomanry reached Hirwaun, ready to establish order back to Merthyr. But they were ambushed by rioters and their weapons seized. The crowd now had muskets and sabres to defend themselves and their town and not simply the stones they had been throwing the day before. Elsewhere the same fate befell others with ammunition seized from a group transporting more from Brecon to Merthyr.

The authorities knew what would be coming to them and prepared for an attack at Penydarren House. A crowd had gathered outside, by this point swelled with the mobs who had ambushed soldiers on their way to Merthyr. With more arms on their side it seemed clear that they would soon engage with the troops stationed around the house.

Another deputation was requested by the ironmasters with their workers. Historians are unsure of what exactly went on and what was said but when the leaders came out, again historians are unsure of what was said, they spoke to the crowd. Remarkably the crowd broke up signifying a turning point for the rising. Despite this, there were some isolated incidents throughout the day. The authorities had dodged a bullet.

5 June 1831

Despite the progress of the day before, delegations were sent to industrial towns in Monmouthshire asking for their support.

6 June 1831

By the 6th a crowd of up to 20,000 marched along the Heads of the Valleys to meet the Merthyr rioters at Waun where the mass meeting to discuss politics, wages and Crawshay had helped to spark the rising. The authorities knew that they needed to act now before things escalated further and became not just a rising but a revolution. The crowd was met at Cefn Coed with 40 Highlanders, 53 Royal Glamorgan Militia and 300 Yeomanry. Guest, the ironmaster at Dowlais was with him. The Riot Act was read one again but the crowd still did not budge.

Something needed to be done and fast. The Highlanders were ordered to train their muskets on the crowd and the Yeomanry to draw their sabres. Orders were shouted slowly and clearly so that they could ensure the crowd heard. They realised what was going to happen if they stayed and slowly began to disperse until even the most dedicated of the rioters had left. The situation that day had been resolved without anymore bloodshed.

But now the tables had turned and the rioters were on the run, not the authorities. Realising the tide had turned against them, the town was in panic. Arms were hidden in an attempt to distance themselves from the rising and the leaders went into hiding trying to bide their time until the wave had passed.

The next day, the justice of the authorities would come.

#merthyr #merthyr tydfil #merthyr rising #merthyr rising 1831 #19th century #wales #1830s #1831 #welsh history #history #victorian era #victorians #victorian #hanes #hanes cymraeg

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broken-clover · 4 years ago

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AU-gust Day 21- Professional Rivals (Very, very late)

...yeah. I am. Very behind. But I’m trying to work on it

I wasn’t entirely sure how to interpret this prompt. I ended up going with something a bit superhero-esque again, but a lot more lighthearted than the last one, sort of inspired by Dr. Doofenschmirtz and Perry the Playpus. Nothing too dark or serious, just kind of dumb.

Sin let the weight of his body more than anything else push the door open to his apartment as soon as he felt the lock click. He managed to avoid stumbling over and hitting the carpet face-first, but only barely. At least he didn’t have to worry about anyone seeing him in the state he was in. Though he did notice a pair of slip-ons by the door, which made his shoulders sag further with an emotion he didn’t have a word for.

“Hey, Mattie.” He called into the empty space, slumping against the door behind him. “I’m back.”

Soft footsteps echoed somewhere in the bathroom. “Sin? You’re home already?”

He managed to stand himself up again and take a few tentative steps, clinging onto the gash on his arm that had just barely begun to clot. “Yeah, ran out of tasks to do so they let me out early. Bridget on the night shift again?”

“No, he should be home in a few minutes, hence why I was so surprised it was you and not him.” Sin sat down on his bed and watched as the silhouette in the bathroom moved towards the doorframe. “He’s bringing pizza with him, though, so at least we have that to look forward-

The two of them paused in place, completely halted by the sight of each other’s state.

“...Wow.” They said, in perfect unison. “You look terrible.”

Sin ran a hand through his hair, immediately regretting it when he realized he was staining it with blood. “Hehe. Yeah, rough day at work today.”

“That looks remarkably painful.” Bedman limped over, a hand hovering over Sin’s cut arm. “You’re all scraped up...what happened?

++++++

Sin soared over the cityscape in a ball of lightning, sparks crackling off his skin in iridescent arcs. He wiped the blood running from his nose and tried to focus on the dark cloud hovering up ahead.

“You’re gonna have to hit harder than that to do me in, big guy!” He shouted over the rush of wind. With a few more sharp bursts, he was at eye-level with the peculiar contraption. “Brought a new toy today? Hope it’s sturdier than the one I trashed last week!”

His taunting was interrupted by a series of metallic clicks. A dozen or so little objects were ejected from the hovercraft, which unfolded into hovering metal discs that immediately began chasing after him.

“W-whoa- !” Sin shouted, barely managing to dodge their sharp blades.

“Don’t be getting cocky, dear Mr. Raiden!” A warped, mechanical voice resounded from the main machine. “You look so cute scared out of your mind!”

Sin grinned back at him. “Y’think I’m scared, Oneiroi?” He fired off another bolt, making one of them explode. “I’m just hoping these ones are an actual challenge this time!”

Heroics weren’t quite where he’d seen himself ending up, but he couldn’t have been happier. Saving the day, stopping the bad guy, and getting out a bit of extra energy. It wasn’t the most high-stakes hero town, he was the only one there, after all (and he couldn’t remember the last time Oneiroi had made a fully serious plan as far as he knew) but Sin was perfectly happy where he was.

Well, most of the time. In his distraction, a blade whizzed by, drawing blood and leaving a mark Sin didn’t even feel until a few moments later.

The remote drones immediately freezed in the air, bobbing harmlessly. “Oh- oh shit.” The electronic voice’s tone suddenly shifted, from aggrandizing and pompous to concerned. “That wasn’t supposed to do that. You okay?”

“Nggh- I’m fine.” He wasn’t done for the day, and he certainly wasn’t going to throw in the towel as soon as he’d gotten nicked! That was just pathetic, for both of them.

“Are you sure? I can give you a minute to sit down-”

Grinning under his mask, Sin grabbed the nearest drone and spun before hurling it right back at where it had come from, wreathed in electricity.

“Sit on this!”

++++++

“Bit of a funny story.” Replied Sin, grinning with a bit of cheek. “Was helping deliver another truckload of slate across the 4 & 15, and I guess they did a shitty job blowing up the tires or something, whole thing toppled right into some poor old lady’s backyard!”

His roommate seemed to find it much less funny, mouth opening in quiet shock before he uneasily sat down on the nearest bed.

“A car accident?? And you didn’t think to tell Bridget or I about this? Not even a text?!”

Sin threw up his hands, immediately wincing and going back to grabbing his arm. “Easy, man! I was fine, It wasn’t a big deal! Besides, you didn’t mention whatever happened to you.” He gestured to the other, a lot more carefully. “What’s with that ding on the back of your head? And why’s your wrist bandaged up?”

++++++

“DANGER. DANGER. SHIELD TAKING DAMAGE.”

“ -agh!” the projectile had managed to knock his ship’s gyroscope off a bit when it struck, throwing him into the far wall console. He winced at the sore, and not to mention wet spot on the back of his head when he went to touch it. He’d seen much worse, but it would definitely take a few days to heal.

He knew he was vulnerable, but a second hit didn’t come. “Uh, you okay in there?” A slightly muffled voice came through the speakers. “Too much?”

After making sure it hadn’t been damaged, Bedman patched through to the speaker system with his helmet. “Are you being facetious? That hardly scuffed my outer plating! You’re going to have to do better than that to damage- khh- ow-” He winced, immediately sitting back down as soon as he’d tried to prop himself up with his free hand. Had he twisted it? At least it wasn’t his writing arm…

“Seriously, need a breather?” The other said.

“N-no! I’m perfectly fine!” He managed to scrabble to his knees with one arm, clinging onto the control panel for support as he pulled himself up, panting with effort. He tried to grin wickedly. “But while you were distracted, Raiden, you have unwittingly lowered your guard! Take this!”

He slammed a fist down on one of the large, brightly-colored buttons (a bit cliche, but they were helpful for his astigmatism). The sound of rockets firing off was supposed to sound, but he found himself tilting his head at the silence.

“Uh...Oneiroi?” Raiden’s voice came through again. “Tech error?”

“No! No, I’m sure I just hit the wrong-” He smacked it again, but still nothing. “Um…”

A little sigh followed it. “Yeah, let’s- let’s take five, okay?”

++++++

“Well, erm, there was a bit of an incident down at the office.” He shrugged innocently. “Shiina asked me to refill the printer trays, and I thought it would be a good idea to bring the paper bundles up the stairs- you know, exercise and building muscle and all that- but I wasn’t as careful as I could have been, I suppose, and I...erm, fell down from the top step.”

Sin cringed. “Yikes. That’s gotta hurt. Definitely made a good call, wrapping it up.”

“And it looks like you should do the same.” Bedman walked off and came back with the first-aid kit and a wet washcloth, the latter of which he pressed against Sin’s arm. “Just sit still. So aside from that, was the rest of your day okay?”

“Yeah, totally, everything was fine. You?”

“I was having a bit of a rough patch, but I had a nice talk with one of the other coders, that was nice.”

“Oh, really?”

++++++

The front panel of the hovercraft had folded over into a neat little platform that now hosted a cooler and a foldout chair.

“You don’t drink, right? Lemon-Lime Fizz?” The villain asked, offering a can to his rival. Raiden continued to hover a few feet away, though in a perfectly comfortable lounge.

“Ooh, yeah, toss me that.” He cracked the can open as soon as it hit his fingers. “So what’s up? You seem out of it.”

Oneiroi tapped fingers on his helmet. “I guess I just feel a little off today. Didn’t expect you would notice.”

“Aww, don’t be like that, man! You’re my nemesis! I notice these things.”

He supposed that was true, and it was nice. He could remember nervously typing up a memo on Heroes4Villains.com (‘M25 evil engineer, coder and aspiring megalomaniac seeking monogamous hero rival, serious applicants only, please!) at a fellow villain’s behest. He’d never had a real nemesis, but he was happy having Raiden. A bit dense, but he was a skilled electromancer and he made for an excellent enemy to battle on a regular basis.

He thought a moment before speaking. “Am I not adequately menacing? I’m worried I’ve gotten...a bit out of practice, as it were.”

Raiden blinked in shock, before shaking his head and waving him down. “Nah, man! You’re totally menacing! Those new drones of yours were super scary!”

“You really thought so?”

“Yeah!”

“Maybe I should commit to the motif a bit more?” He pulled out a roll of blueprints and unfurled it. “I had a concept saved for an army of robotic sheep with laser eyes, but the outer casing was complicated and I wasn’t sure if it was too...what’s the word…’hokey?’ I’m no Terumi or anything but I’d like to avoid coming across as too silly, you know?”

“I get you, totally.” Raiden nodded. “I think a lot of villains aren’t into the whole ‘motif’ thing anymore, but I totally get wanting to have a theme. And those tend to be some of your most creative plots! Remember the time you flooded city hall with nightmare gas during the benefactor’s dinner? That was iconic!”

Oneiroi looked down at his blueprints again. “Perhaps I could give this model another go...I know I didn’t exactly have a whole plan thought out for next tuesday. Maybe I could use my laser sheep to kidnap the mayor…?"

The other man smiled in approval. “Sounds good to me! Mayor Whitefang sounded like he needed a break from desk work too, he could probably use another kidnapping-for-ransom. It’s been a while since you did that!”

As he went to say something, a light began to blink and beep on Oneiroi’s gauntlet. “I wasn’t expecting that to pop up so soon.”

“Got a call or something?”

“Promised I’d help another villain remodel their evil lair, I wanted to cancel but they couldn’t get anyone else to help out. Is it fine if I leave early?”

Raiden nodded again. “Sure, sure man, by all means. I get it. Uh, and this is why you never underestimate the power of the good guys?”

“Of course. Curse you, Raiden? I’ll beat you next time?”

++++++

“...Yeah. It was nice.”

“Well, guess it wasn’t that bad of a day after all!” Sin beamed, throwing his bandaged arm around his roommate’s shoulders as soon as he had finished. “And now, all we’ve gotta do is chillax and wait! Hopefully Bridget ‘ll be back soon with dinner.”

“I don’t suppose we would happen to be getting garlic knots, as well…?

“You know it!”

“Excellent.”

#AU-gust #writing #guilty gear #Sin Kiske #Bedman

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ifishouldvanish · 5 years ago

Text

Editing tips, I guess?

Hey uhhhhh, so I've gotten lots of new followers over the past few weeks and wanted to do some kind of thank you?? Also, I have seen a fair share of "omg HOW" in the tags on my edits (which??? always make my day?? my week??? my life????)

Anyway, I thought I'd share some of my ~techniques with y'all? So here goes:

(lmao this got really fuckin long so cuuuuuut)

1. Make EVERYTHING a Smart Object

Okay, maybe not EVERYTHING, but seriously. Do it. It will save ur editing life. You ever shrink something down and then an hour later change your mind and decide you want it bigger? If you're not using a smart object, it’ll get blurry when you scale it back up and you’ll be fuCKED!

To make a layer/group a smart object, just right click on it in the layers panel and select "convert to smart object". This makes Photoshop store the layer's original data in a separate space for safe keeping (an embedded .psb file, to be exact) -- so you can shrink it and enlarge it as many times as you want without any lossiness.

As soon as I paste/place a screencap, texture, or whatever into my document, the first thing I always, ALWAYS do is convert it to a smart object!!

Why, you might ask?? Continue to item No.2 :)))

2. Harness the POWER of Smart Objects!!

The reason I am obsessed with Smart Objects is because I am obsessed with making any edits as non-destructive as possible. If you use “Image > Adjustments > Levels/Selective Color/etc” on a regular layer, that’s a destructive edit. Same goes for any Filters (such as blur/sharpen) and transforms (Warp, distort, perspective). You lose the original data that was there and the only way it can be undone is with ctrl+z. Might not seem like a huge deal at first, but if you keep chugging along for an hour and decide, “hmm, maybe i went too hard on that levels adjustment after all...” your only options are deleting the layer and starting over, or uh... hoping it’s still in your history panel.

However, it's really easy to avoid destructive edits when you use smart objects!! Because all those adjustments, filters, and transforms become “Smart Filters”. Smart Filters have all the non-destructive advantages of performing these adjustments via adjustment layers, but have the added bonus of ONLY effecting the layer they’ve been applied to, instead of cascading down and effecting all the layers beneath. (Which can be a good thing sometimes, but that’s a whole other topic)

Smart filters are attached to their ‘parent layers’, and can be hidden, deleted, or modified (by double-clicking their names) at any time:

Can I hear a wahoo???

Other cool things about Smart Objects:

You can copy a Smart Filter with all its settings to another layer by alt+click+dragging it over

You can change the order in which Smart Filters are applied by clicking and dragging them around

You can edit a smart object independently/in a sort of 'isolated' mode by double-clicking on its thumbnail!! I like to use this for edits that are specific to a given screencap-- like cutting out the background and any initial adjustments, like levels and selective coloring. Once you’re done editing the contents of the smart object, hit ctrl+s and it will automatically update in the main document!

But really, the biggest thing for me here is psychological. I know I’m much more willing to try things and experiment when I know that I can easily go back and tweaks things at any time. Otherwise, I’d stick with adjustments I don’t really like all that much simply because it would take too much time/effort to redo them.

3. Don't even THINK ABOUT using the eraser tool or I will STOMP YOU to death with my hooves!!

Use a layer mask instead. Please I am begging you. It all comes back to making your edits as non-destructive as possible. If you erase something, it's gone forever. When you mask something, you can make changes to which parts are visible/not visible as often as you want.

For the newbies or the otherwise unacquainted, a mask is a greyscale ‘map’ attached to a layer (or layer group) that controls its opacity. Black areas give the layer 0% opacity, white areas will give it 100% opacity, and you can use shades of grey to achieve partial transparency. You ‘draw’ on these layers with the your trusty brush and paint bucket tools.

You can create a mask by selecting a layer and then clicking the little mask icon at the bottom of the layers panel (it’s the one with the little circle inside the box). Draw black on the parts you want to hide, and if you erase too much on accident? Just paint back over it with white!

I love masks, and sometimes i will throw an already masked layer inside a layer group and apply a second mask to said group. This way I have two masks that can be edited independently from each other. Like layer mask-ception.

So anyway, yes. Eraser tool? Don’t know her.

4. Try using channels to create masks!

This is a technique that works REALLY well for cutting out complex shapes, such as wispy hair (or feathers!) -- provided there's strong contrast between the subject and the background, and the background isn't too busy.

This is also a fantastic method for capturing alpha transparency. For example: If you have a neato paint stroke/splatter/watercolor texture you want to use as a mask, but has a solid background that’s getting in the way of things. This method will capture all the semi-opaque areas flawlessly!!

While editing your image (which you had better have made into a Smart Object!!!) do the following:

Switch from the "layers" panel to the "Channels" panel.

Toggle through the R, G, and B channels, and decide which one has the most contrast for the areas you are trying to mask.

Ctrl+Click that channel's thumbnail. This will create a selection marquee.

Switch back to the layers panel

Click on the target layer/group (the one you are trying to mask)

Click the mask icon at the bottom of the panel (the one with the circle inside a box)

Release the selection and invert the mask if necessary

If you're using this method to cut out a subject from its background, you probably won't want alpha transparency. In this case, select the mask thumbnail and use a levels adjustment on the mask itself to bump the contrast until you have more of a cutout effect!

It sounds like a lot of steps, but it’s really simple! So I made this handy GIF: (click to view from beginning)

Sometimes you won’t want to use this method for the entire image, but just a specific part. For example, if you’ve cut out a character with some other method (magic wand, manual brushwork), but are having a hard time with their hair in particular. Use this method to create the selection, but instead of converting the whole selection into a mask, use the brush tool to apply the mask only where you need it! You can invert the selection itself with shift+ctrl+i.

5. Outlining text

The font I used here is Salomé, which is actually a solid typeface with no outlined version. But you can make virtually any font into an outlined version if you so desire!

There's two possible methods here, actually:

The Easy Way:

Add a stroke layer effect to the text layer (by selecting the layer, clicking the little “fx” button at the bottom of the layers panel, and choosing “Stroke...”)

As far as settings go, aligning the stroke to the inside usually yields the best result/maintains the integrity of the letterforms.

Make the color of the text itself match the background.

If necessary, use the lighten/darken blend modes to create the illusion of transparency.

If you need true transparency (which I didn't until I decided I wanted to apply a gradient over the text), you'll have to try something else-- The Also Easy But Less Than Ideal Way:

Right click the text layer in the layers panel and select "convert to shape".

Now you can edit the fill/stroke the same way you would any other vector shape.

Again, you’ll want to set the stroke alignment to ‘inside’. For vector shapes, those settings are a little hidden. You’ll wanna open up that little dropdown in the toolbar with the line in it, and click “More Options”.

This is semi-destructive, so if you're working with a lot of text you might have to edit later, consider duplicating and hiding those text layers first so you'll have a 'backup' of it.

And while I’m on the topic of text...

6. Try breaking up your text layers!

I know a lot of people like to draw a neat little text box to put their text in, and then they center it all nice and neat and probably use a small font size to make it subtle and stuff... and that’s cool. Everyone’s got their different styles and things they like to emphasize in their edits and there’s absolutely merit to that sort of thing (case and point: the bulk of my dear @herzdieb’s work), but. Listen.

I love typography. I love a good typeface. The stroke widths, the letterforms, the ligatures, the serifs... I get like, horny on main for a good typeface. I like to make the text on my edits BIG, so that those details can shine. I also like doing interesting things with the text. Jumbling words/letters around, distorting them, deconstructing them and just... letting the text really ~interact with the rest of the composition instead of just kinda politely floating on top of it.

I’m not saying you have to do that kinda stuff. Or that I think neat little floaty text boxes are boring, or lazy, or whatever. It’s just... personally, I get really inspired by type. Fun type treatments are one of those things I LIVE FOR, something of a ~signature of mine, and I encourage everyone to just... try it? To use text as more of an integral Design Element and less of a... idk. A caption?

So if you have a quote, or even just a word... put each word (or letter) on its own text layer. And then: make ‘em different sizes. Make the words so big they don’t fit on the canvas. Rotate each one at a fun angle. Scatter them around. Go nuts. Use masks to chop parts of the letterforms off. Make ‘em overlap. Just have at it. Or, as the kids these days are saying: go absolutely fuckin feral.

If that really just isn’t your style, or doesn’t work/make sense for the edit you’re doing, fine. Delete all the layers and just do a text box or whatever. But. I’m tellin u.

Give it a try.

At least once.

Just... a lil taste.

7. Understand the difference between lighten/darken vs screen/multiply

For a while in my photoshoppin' youth, my understanding of these blend modes basically amounted to "darken makes things darker, and multiply makes things really darker", and vice versa for lighten/screen. But there's an important difference between how these blend modes work, and if you understand them, you can use them more... strategically? I guess?

Darken and Lighten are kinda misnomers tbh, because they technically don't really darken or lighten anything. What they actually do is make it so that only the areas of the layer that are darker or lighter than the content of the layers beneath them are visible. This produces some pretty nifty layering effects that you can't achieve with screen and multiply.

Here’s an example: (if you’re reading this on a phone with the brightness dimmed down you probably won’t be able to see the differences)

Without any the texture applied, you can really see the noise/graininess of Crowley’s jacket in the screencap. You can also see the ‘seam’ where Crowley fades into the background-- the jacket is a green-ish black, while the background it’s fading into is more of a purple-black.

With the texture set to ‘Screen’, the whole image becomes lighter across the board. Crowley’s jacket gets lighter, and so does Aziraphale’s jacket and the pink cloud thing. This does little to nothing to obscure the poor image quality and disguise that ‘seam’.

But with the ‘Lighten’ blend mode, ONLY the dark parts of the image appear lightened, and not only do they appear lightened, but they get kinda equalized. Notice how the patchy jpeg artifacts on Crowley’s jacket disappear, how that color seam smooths out, and how the brightness of Aziraphale’s jacket and the pink cloud doesn’t change at all.

This isn’t to say that lighten/darken are better and that you shouldn’t use screen/multiply. They each have their uses. But most often, I find myself using lighten/darken because the way they work is honestly really helpful? And just cool af?

8. Masking individual frames on gifs

If you ever feel like torturing yourself by making a gif that has frame-by-frame masking, my advice is don't try to mask each frame from scratch. You'll get patchy/wobbly results from the masks being slightly different on each frame.

Instead, mask the first frame, then alt+click and drag that mask onto the next frame. Make any minor adjustments to the new mask as needed, and repeat for each frame. This saves time and more importantly, keeps the masking consistent on areas with little to no movement, which makes a HUGE difference in how smooth the final product will be.

If you look at the edges of the animation, they’re nice and steady and consistent. It’s only the parts that have a lot of movement (like the back of his neck) where you can see any ‘ghosting’/wobbly-ness happening.

Sometimes the mask will move when I copy it to the next frame. Like, for the whole document. It gets nudged 20 pixels down or to the left or s/t every time. I have yet to figure out why, but I’m betting it has something to do with shooting myself in the foot with the frame 1 propagation settings at some point during editing?? ANYWAY, when this happens, just unlock the mask from its layer (click the little chain icon between their thumbnails) and move it back into place.

In these cases, I also like to pick a spot with a hard edge (such as the shoulder in the above gif) as a reference point of where it needs to be moved to. It kinda sucks having to do this for every frame, but you already signed up for some suckage when u decided to mask every frame of a gif, so I mean... 👀

9. Don't be afraid/too intimidated to do manips as needed!

Manips can be tricky if you're really striving for realism. There's light sources and color grading and perspectives to reconcile!! But when you're doing an artsy Edit with a capital E, odds are those kinds of discrepancies will be thoroughly camouflaged by all the levels, black and white, etc adjustments you're doing!

Something I run into often is, "I like this screencap, but the top of their head/hair is chopped off :(" But if I go back through all the screencaps from the scene, there's usually another frame where the camera is planned/zoomed out enough that I can steal the rest of their head/limb from it! And since it's from the same scene/shot, the lighting and color grading should already be a perfect match!

A super simple example:

So I wanted to use this picture of David and Michael for this edit, but 1) They’re standing on the wrong sides for their characters, and 2) part of David’s arm is covered up by Michael’s.

Of course, the easiest course of action would be to just mirror the photo so they’re on the correct sides, but 1) mirroring faces tends to yield wonky results, and 2) that still wouldn’t give me a perfect, free-standing cutout of Crowley to place wherever I want in my composition (as opposed to being forced to awkwardly position him off the edge of the canvas to hide the fact that the other arm is missing)

Fortunately, it only took all of like, two (2) minutes to draw a crude selection around his good arm, copy and paste it into a new layer, flip it around, and add any necessary masking to get the shape right.

My point here isn’t to teach y’all how to do manips, or to pass this off as an impressive example of one. Because it’s really, REALLY not. My point here is to demonstrate that even something as tiny and simple as this can really open up your options for what you can actually do with an edit/composition.

So next time you’re feeling limited/inconvenienced by the crop of a screencap, just... you know. Consider whether or not it’s worth attempting a quick and dirty manip to fix it.

Another Example:

Sometimes you’re torn between two screencaps. You like one element from Screencap A but also want some other element from Screencap B. What to do? Just frankenstein ‘em together. Layer one on top of the other, get them lined up, and mask out the necessary parts.

It’s easy to get hung up on stuff like “Uh... should Crowley’s shoulder be doing that?” but let me assure you that like... the people looking at the final product are none the wiser to your butcherwork and will not notice. Especially if you’re going to add a bunch of contrast and color adjustments later on. (in fact, sometimes I’ll apply those adjustments first so I’m not distracted by any discrepancies that are going to come out in the wash anyway)

“I dunno... 🤔🤔 doesn’t seem anatomically correct... 🤔🤔🤔🤔” thought no one.

Point is... point is... dolphins you can get away with a LOT more than you think you can. Don’t let the desire to make these kinds of manips perfect get in the way of just... making them good enough. The bar isn’t that high, I promise.

10. Know what inspires you

What types of edits get you EXCITED? What kind of work do you see on your dash and go, "oh, I'm reblobbin' THAT!!1!"

I know for herzdieb, she's all about emotional pieces. She likes matching words/lyrics/poetry to on-screen moments and punching you in the feels with both. She hears a song, or reads a poem, and the lightbulbs go off for her, and she does her thing.

As for myself, I just live for the aesthetics of an edit. The colors, the fonts, the composition. I almost never know what text/screencaps I'm going to use when I start an edit. I just see a font I like, or a color palette, or a texture, and think, "I wanna use that!"

And once you know what inspires you, collect that inspo! I hoard textures and fonts. I have them organized into neat lil folders. When I wanna make an edit, that’s where I start. I just browse through them all until one or two start calling my name. Herzdieb collects songs and quotes and poems. Maybe your thing is color palettes, or aesthetic-y photos. Or whatever.

The point here is make the kinda stuff you like/want to see. Not the kinda stuff everyone else is making or the kinda stuff you notice gets the most notes.

11. Be able to let go of things that aren't working

I often begin an edit with a rough idea of the style, colors, or layout I'm going for. And I almost always end up doing... something totally different.

So don't get too fixated on what your initial ideas are. Be open to experimenting and just let the edit be what it wants to be. If something looks nice, do it. If it doesn't, don't try to force it just because, "well, I was inspired by this piece that did xyz and I wanna try it too".

When you see a certain effect that inspires you, just keep it in mind as a possible solution for the next time you make something-- don't make it into a benchmark, or some imaginary 'goal' you have to meet for This Edit You Are Working On Right This Moment. In fact, sometimes the elements I end up ditching are the very ones I started with, that initially sparked my inspiration. And that's okay. Inspiration can be a moving target, and if your vision for something changes, let it.

You wanna know what inspo reference I was looking at when I started that “Temptation Accomplished” edit?

Fucking this: https://search.muz.li/YTdiNjkwN2Rh

You might be thinking, “how the fUCK was that the inspiration??!! Your edit looks nothing like that at all!” ...and you would be 100% correct, and that is 100% my point. I spent a good hour or two trying to incorporate that cutout text layering effect before finally accepting the fact that it just wasn’t working for the edit I was making. And it wasn’t until then that it actually started to come together.

12. Be patient, and take the time to explore all your options!

I’m not gonna lie, y’all. I spend hours on my edits. I usually complete them over the course of 2-3 days/sittings. I rarely have a plan. 99% of the time I'm just throwing things at the wall and seeing what sticks. When I get stuck (when, not if), it helps to step away from it and come back later with a fresh perspective/set of eyes.

Every single edit I've posted, I have at some point felt like giving up on because I thought it looked like garbage (and not just because I was being self-deprecating/doubting myself, but because at those points, they simply weren't finished/something about the composition just wasn't working for me)

Work through those moments, and if necessary, take a break/sleep on it. It's always after I've exhausted my early ideas that the really good ones start to come to mind!

Here’s how the character poster edits I did progressed:

In Classic Me™ Fashion, I literally started off with just... textures I liked, and a font that I liked. Now, there were obviously a lot more ‘steps’ involved in both designs, but hopefully at the very least this gives a sense of how things get from point A to point B.

So uh... thanks 4 comin 2 my TED talk. I hope u learned at least one (1) cool new thing or maybe just feel vaguely inspired by this rambling mess?

#idk what to tag this...#photoshop #i guess?#tutorial #maybe?#w/e

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cassoliver · 5 years ago

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new york’s very own cassandra “cass” oliver was spotted on broadway street in reebok club c 85 vintage shoes . your resemblance to sydney sweeney is unreal . according to tmz , you just had your twenty-first birthday bash . while living in nyc , you’ve been labeled as being naive , but also compassionate . i guess being a pisces explains that . 3 things that would paint a better picture of you would be exposed tan lines , loud laughter , and only ever wearing gold jewelry . ( i slept with one of my co-stars while we were shooting on location, not knowing they had a significant other back home ) & ( cis-female & she / her )

lia takes on a second character TAKE TWO whAT is up you guys , it’s ya girl back at it again with another muse . i randomly got a lot of inspiration for this new girly pop and i feel p good about it ! go ahead and smash that mf like button if you wanna plot ! i can slide into your ims or on discord if that’s more your jam !

S T A T S ↴

– * FULL NAME : cassandra rosemary oliver – NICKNAME(S) : cass ( commonly referred as ), cassie – * AGE : twenty-one – * D.O.B : march 16th – * ZODIAC : pisces – * GENDER : cis-female –* ORIENTATION : bisexual biromantic – * HEIGHT : 5′4″ – * NATIONALITY : american – * BIRTHPLACE : asbury park , new jersey – * OCCUPATION : student + actress – * TRAITS : compassionate, creative, intuitive, gentle, empathetic, fun-loving, naive, whimsical, loyal, subservient, overly emotional, pensive, fearful, overly trusting

B I O G R A P H Y ↴

you’d have to be living under a rock to not know jeremy and elizabeth marie oliver . think brad pitt and angelina jolie , will smith and jada pinkett , or whatever other celebrity IT couple you fancy . jeremy is notoriously known for his acting career that took off in the late 80′s . around the same time , elizabeth marie’s acting / modeling career was taking off across the pond . the iconic duo met through work and quickly fell in love . after their over the top wedding ceremonies ( yes plural . they got married once in jeremy’s hometown in new jersey and then again in elizabeth marie’s hometown in england ). shortly after their holy matrimony , they produced three healthy babies : mason , samuel , and cassandra . there were a few years in between the kiddos , but they were all raised in a tight knit family outside of the limelight in asbury park , new jersey . their parents decided to take a break from working in order to raise their kids . i wish i could say that gave the oliver trio a normal childhood . but it’s kind of hard to go to public school and not draw attention to yourself when your parents are household names . it was hard for cassandra to understand that her parents were super famous and for some reason that meant something to people . if you asked her , there was no reason to get all starstruck over her parents . they were just people after all .

so i guess you could say she had a normal childhood . at least , as normal as one could have with their name and photos constantly plastered all over tabloids . cassandra grew up in a happy and loving environment , which is nice . and with her dad working part time as a professor at his alma mater , juilliard , she and her family bounced back and forth between their coastal home in new jersey and their urban townhouse in new york . and she throughly enjoyed experiencing the best of both worlds . both places felt like home to her and she and her brothers made the best memories together . see , her brothers were her best friends growing up . mason and samuel were five (5) and three (3) years older than her , respectively , and she followed them around everywhere they went . the two boys let her reluctantly at first when mom and dad forced them to but over time it became enjoyable to have her be just another member of their friend group . cassandra was well liked and throughly protected by her brothers and their friends . they shielded her away from all things dangerous : from substances to rude people . this led to a pretty sheltered upbringing . she lived in this little bubble where things were all good all the time .

as she got older , she had to learn to fend for herself a bit more . no longer was she under the watchful gaze of her brothers , for they had rushed into graduating high school early so that they could pursue their own acting careers-- following in line with their infamous parents . having the oliver last name gave them an advantage in the film industry and they ran with that opportunity . meanwhile , cassandra stayed back and took her time . acting was always something she was interested in . there’s no way she could be a member of her household and not dabble in the art at least a little bit . but it wasn’t a top priority to her for a long time . she didn’t want to rely on her family name to get her somewhere in the industry . if she was going to do it , she wanted to do it right . she wanted to earn her place just like anybody else . and if it worked out for her then great ! and if it didn’t , well she prepared a back-up plan . she elected to go to NYU for business instead of studying acting or just bypassing college all together . she figured if all else failed , then she’d start her own company and branch out of the creative arts .

and she took her college career very seriously . she’s studious and hard-working , genuinely enjoying learning new things and having a ‘ normal college experience ’. even though people still look at her funny or talk about her behind her back once they figure out why she looks so gosh darn familiar , she’s come to find that college students are much more chill than the kids that used to bombard her with questions about her famous family on the play ground . most days , cassandra gets by feeling like a completely normal girl . no fame or fortune , just a regular schemgular student trying to get by . and she’d probably gotten away with just melting into the background and never breaking out into the limelight if it wasn’t for one little netflix project she agreed on .

it was just supposed to be another passion project . cassandra had done a few small roles in indie movies at that point . just enough to dip her toes into the movie making world but not enough to drag her away from getting a higher education . but when a script for a new netflix original series was slid in her direction by a family friend turned agent-- well , she just couldn’t put it down ! she loved everything about the show and knew she just had to be a part of it . so she gave up one summer of her life to film OUTER BANKS , not at all thinking that it would blow up the way it did a year later when it premiered . and now news is breaking out that the youngest oliver is finally stepping out into the acting scene , which is warranting a lot of media attention towards her . honestly , she feels pretty good about the project itself . she’s very proud of the show and is incredibly grateful that it’s doing as well as it is . but when it comes to all the notoriety she’s getting because of it , well ... she’s still adjusting to being famous in her own right and not just secondhand through her family . she’s a little overwhelmed . she’s a big girl now that has to navigate through this next chapter of her life without anybody holding her hand or shielding her from the highs and lows of being known . whether or not she thrives in the limelight or crumbles under the pressure is to be determined .

P E R S O N A L I T Y & F U N F A C T S ↴

i think it’s really funny to call her the third franco brother ( yes dave and james have a third brother , his name is tom ). bc like her brothers are essentially mega stars w all the movies they’ve been in at this point and she’s sort of the other sibling that everyone forgets about . y’know until recently lol

she is a giant sweetheart !! just v lovey and kind and empathetic ,, has a warmth to her that makes it feel like it’s summertime all the time

v humble bc she does not consider herself famous what so ever . like being second-hand famous from her family and getting a few extra instagram followers bc of her last name is one thing , but with the success of her current show she’s being put on covers of magazines , being interviewed for teen vogue and stuff like that , getting verified on everything , and gaining hundreds of thousands of followers DAILY . it’s crazy to her

naive in the sense that she’s rlly out here thinking that everyone has a heart as big as hers and has only the best intentions when sadly that might not be the case !! so like ,,,, probs gets taken advantage of and doesn’t even realize it . or messes things up bc she thinks she can just continue living a normal average joe life when in reality her whole life has been far from average ,, the whole world’s got their eye on her and everything she says and does publicly can and will be scrutinized and she is just …. not prepared for that

wants to have a good time and do cool art sh*t !! as long as she’s being creative in some aspect , she’s happy . honestly doesn’t take a lot to make her happy

but also when she gets sad oh boy oh boy does she get sad . pretty much down and out and nothing anyone says or does can make her feel better unfortunately . will just self isolate and you just gotta let her ride it out ://

hobbies include painting , reading , collecting plants , and taking photos

has a second instagram account just for her photography ! @casstookthis lol

lives with her “babies” which are like 10 house plants and all of her books

v family oriented ! goes to visit her parents regularly and talks to her brothers basically daily despite living on two different coasts

acting was always something she knew she wanted to do-- and that may or may not have to do w her parents’ influence and the pressure to follow in their foot steps just like her brothers did

as kids , she and her brothers would work together to put on performances in the living room for their parents . they’d make “short films” and upload them to all 6 of their subscribers on youtube

allergic to cats but wants one so bad ,, has never had a pet in her life actually

the little things amuse her . her sense of humor is really quite simple . hit her w some puns and / or a dad joke and you’ll have her rolling

is learning how to speak mandarin and french

always over-prepared , never underprepared ,, needs to feel like she is capable of handling anything or else she panics

cannot tell a lie to save her life , gets nervous and can’t make eye contact

at any given moment , you can tell what she’s thinking and what she’s feeling just from taking one look at her face . sometimes she tries to mask it because she is an actress after all . but it’s not hard to see through the facade that she puts on if you know her well

hopeless romantic af ! romanticizes everything in life ! loves love in all forms , romantic , platonic , self love , whatever ! looks at the world through rose tinted glasses and heart eyes ! probably falls in love with a person , place , or thing at least 5 times a day !

prefers summer and living near a beach / some body of water over living in the middle of the city . so she’ll often visit back home or go stay with her brothers in LA , not just to be closer to family , but to be more in her element

her family has so many houses simply bc their lives are all over the place ???? like they kept her childhood home in new jersey but they also always had a luxury townhouse in new york plus a summer home in the hamptons and a cottage in england and an apartment in los angeles that her brothers currently reside in . she used to just stay in the townhouse while going to school but she recently bought her own apartment bc she wants to be #independent

might catch her as the lead in a new netflix original movie coming soon *wink wink*

is in love with her best friend east harvey and they’re getting married

WANTED CONNECTIONS PAGE HERE

#wealthyhq:intro #this is short right? i tried to keep it short #but anyways plz love my soft girly pop

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eydika · 5 years ago

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Do u have any advice for people learning to make art, was there anything, in your opinion, that let you improve drastically?

My number one tip is.. to sell your soul to the devil and scream at your drawing device or paper.

No, it’s not. I’m sorry. This is probably going to be all over the place, so sorry in advance!

Okay, that first one sounds really stupid but. Draw a lot. You can watch tons of tutorials and read books but practice is the most important thing. This year I drew almost every day. That’s a lot, I know, and not everyone can do that. But practice - a lot of practice - is the only real way to improve at what you’re doing. (If you have an art block or aren’t in the mood to draw that’s fine too. Don’t force yourself to do it.) Drawing a lot is the thing that helped me the most.

Flip your layer (or use a small mirror if you’re drawing on paper). I know that sounds easy and stupid and like it doesn’t help, but flipping my drawings helped me a lot to see errors and mistakes I didn’t see before.

Use references. Seriously. I don’t draw without references at all, because I don’t know how anatomy or whatever I want to draw works. Any kind of reference is good - anatomy, lights, colors, they’re all good and important. Compare your drawing to your reference. Having a reference is useless if you only look at it once and then forget about it.

Now that one sounds scandalous but tracing is helpful. Don’t post traced stuff and say it’s your artwork of course but tracing helps you to get a feeling for what you’re drawing.

Try different things. Try to draw different things, use different programs or brushes. Maybe you are comfortable with the brush you use right now but maybe another brush will make you feel even better. You won’t know until you try. I usually go through a lot of brushes before I settle to like 2-4 that I use on a regular basis. Then a few months pass and I repeat that process.

Look at drawings from other artists. Try to see how they do certain things. How do they simplify if they do? How do they draw hands or faces or clothes? How do they use their lines or what kind of colors do they use? Looking at the art of other people helps to get out of your own routine and makes you try something new.

Draw things out of your comfort zone. They will probably be ugly the first time you do it but that’s how it is. Don’t stress about it if it doesn’t come out the way you wanted it.

Draw things in your comfort zone. You will improve at them and they’re fun.

Don’t think about your style. It will come after a while and it will change all the time. If you worry about an iconic art style you won’t be able to focus on drawing.

If you look at your art and think ‘Wow, this sucks’ that’s good. It means you know what you want to do and how it should look. It means you see your own mistakes and have a better feeling for the things you draw.

Also.. here’s an advice someone gave me recently. Don’t forget the word yet. It’s important. It’s not ‘I can’t do this’. It’s ‘I can’t do this yet.’

I... really hope this is helpful in some way. It’s a long way and there’s always room for improvement. And one day you will look at old art and think. Wow, I improved a lot. And a few years later you will do it again, looking at what you thought was your best.

#replies #woah #this is #a lot #but I really hope it helps #anonymous

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universal-kitty · 5 years ago

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Tell us about your PC, Aki!! They sound really cool, and I love D&D!

[sLAMS MY HANDS ON THE TABLE] WELCOME TO a now split party, but a rad af tiefling and her even COOLER little brother.

Meet Quinzy (and Carnon, to the left side!)!! (Art by the lovely @tiny-pastel-unicorn.)

Quinzy is a tiefling barbarian who- much like her weapons- dances between a fine line of badass and princess. She loves her bow and flower crown, but her gladiator set, too. She’ll flirt as much as she’ll crave the fight, indulging in the bloodlust that had been encouraged by her demonic father. (A tall, blue demon my DM and bf ended up naming Avnas... Accidentally based him off of Castlevania’s Dracula, Naruto’s Madara Uchiha, and DMC’s Vergil tho, LMAO.)

Her brother, Carnon... He’s more the sweetie of the troupe. Quinzy’s protective of him as all hell, but he’s STRONG. (Fighter class...and DM allowing him to be Stronk for the fun of it, bless him.) He can’t really read, doesn’t much like to, but he IS a little artist, drawing the group’s adventures as the days pass! Very much wants to make himself known to be his sister’s equal, too, since he doesn’t want to burden her with being weak and defenseless. (Despite the fact he has proficiency in Great weapons.....LMAO.)

Full family story (plus art of the parents by the same artist!!) beneath the cut~!

Meet Melita Valentina (the woman) and Avnas, the kid’s parents!! Avnas met Melita after a harsh fight with a blood hunter during a blizzard in her town. Thankfully, she had spotted him in the spotty darkness, forcing him to accept her help, healing him (with the aid of a friend’s potions), and eventually...the two falling in love.

...As it wasn’t quite a secret that Melita had a preference, and it certainly wasn’t in humans...!

Quinzy was the first born... Born with wings, like her father. However, as she grew up and the teasing and harassment from the village kids got to her, she eventually ripped off her wings in an attempt to be more like them. Avnas took this as a sign of her strength, and began training her in various weaponry.

Before too long, Carnon was born, though Avnas hadn’t been traveling for some time. He decided to leave them for a short while to fight more. Amass more power, and so he left.

Unknown to him, however, is that Carnon’s horns had grown too soon. Deeply hurting Melita, though the pain wouldn’t become an issue until a month or two later. Her old friend’s potions kept her going for a time, but none had the power the old ones had; the one, for example, that had helped Avnas’ wound. She attempted to send Quinzy and Carnon for it, having staved off some of the ill effects of her injuries and infections... (Knowing the little boy til he was about 3.) However, when they came back?

Melita had passed. Cold when they came back for her.

They stuck around for a few months longer, avoiding the room her body lay in and eating up the food the best Quinzy could make of it. Only being forced to leave home when the villagers realized Melita hadn’t been seen or heard from in months and Avnas had been nowhere in sight, either. No sounds of training...

The villagers burned their home down, Quinzy and Carnon taking their last, precious objects from home (a necklace Melita owned for Quinzy, and Carnon taking a toy his mother had altered for him; so it looked like a tiefling) before running away.

Quinzy would make a few spare friends (in a brothel, of all places) steal food and money if it meant taking care of Carnon...and eventually, start fighting for money.

This led her to the beginning of the campaign she started in, where the group would meet Carnon at the door to the underworld of Highwater (he wasn’t allowed down there), and meet Quinzy, the star fighter and the champion of a goblin-run fighting ring. Of course, the curiosity of new fights catches her ear...but considering a hasty shot by a guard caused Carnon harm?

That goblin didn’t live much longer.

.:.:.

Over my time playing as her, I got to learn a few things!!! First off... I’ll start with Her Song. The song that makes me think of her every time! Sweet but Psycho by Ava Max (and Youth by Glass Animals for Carnon).

The energy... The “you’ll love her, but she’ll drive you crazy while you do”.... That’s Quinzy Energy. (And Youth? That’s pure “from Avnas/Quinzy to Carnon” right upfront. Right down to “feel your mother at your side / don’t you know you have my eyes?”) I have a whole WIP playlist for this family, but I’ll be real with ya.....most of it is Avnas pining music (he loved his wife; thus the comparison to Castlevania’s Dracula) and Quinzy’s erratic music tastes. Mostly because-

Quinzy has HUGE self esteem issues. Being tiefling has always been something that’s bothered her, not that she acknowledges it any. LOTS of false bravado and ego boosting that’s just....empty, if you know her well enough. She’s hypersexual (though polite; if you’re uncomfortable by it, she won’t persist her flirting or sexual comments), but also lowkey repulsed by it....largely due to being exposed young (the brothel), her esteem issues, and events from the campaign. (Where her flirtations and attempts at getting the upper hand via seduction not only got her in trouble, but got her CHARMED by the Bad of the segment- nat 1 (her only nat 1 ever)- and got taken again.....but more forcefully and without her full control of the situation, shaking her up since the encounter.)

All she wants to do is protect her brother, but during the events of that campaign, she ALSO found out about her dad’s cult. Which wasn’t a big idea until she saw him frail and missing his right eye. Wings gone. From what? Who knows.

But what she does know is Carnon wouldn’t fight alongside him. Quinzy wouldn’t side with her father if it meant harming Carnon...and led to the first time she ever told him “no.” The daddy’s girl telling him no and the both of them realizing how far apart the other is for the first time in all of this mess.

Quinzy, hoping her father would fix things.....and he’s essentially gone mad. The patient, honor-driven fighter is gone. Her father is gone and she’s lost. (A breakdown commenced for the first....I’d say 3 or 4 turns until she finally listened to Carnon and engaged, getting in two harsh hits before her attack rolls started slipping.)

She’s still reeling from that. Last the campaign did, she was suddenly gaining feelings for the resident drow blood hunter, Jivan... The very blood hunter who’d given that wound to Avnas all those years ago. (The wound that was weakening him and driving him mad....but also the fact his wife was dead.) (And yes, Quinzy likes them- typically- bigger than her, just as tough...older than her, and also has a preference for drow. Dunno where that came from, but she sure as hell does. Ah, on that note...... She’s pansexual.)

Jivan was upsetting her for, well....existing. Pure, unfiltered emotion isn’t something Quinzy can quite handle. Despite the fact it’s what she used to sorely wish for. To be a badass, warrior princess and to fall in love with someone and be in love as much as Melita and Avnas were.

A handsome drow shows up with his shit together, nose in a book a majority of the time (a nod to V from DMC5 by my bf, the DM), smooth lines, and a damn good fighter....and now she’s sick to her stomach. Warring with herself quietly. Something only Carnon sees.

What’s left of a family, falling apart at the seams. And Quinzy, who can’t keep pulling it together by herself.

.:.:.

WHEW, THAT WAS LONG, but um?? I hope you enjoyed reading this???? I know it’s super long, but I REALLY wanted to talk about all the stuff I keep thinking about regarding her and aaaaaaaa.........

As a final note! I show you their dolls! They came in...a few days to a week ago from Apocalypse_Too and I adore them!! (Communication was horrible, tho.... Done quickly, but it was a NIGHTMARE to get in touch with them.) And combined with a LOVELY candle from @lemonyflicker (seriously, check them out; their stuff is SO GOOD I cannot praise this custom order I got enough), it makes for a wonderful set~!

(Also note the lil Quinzy icon in her dice set; we were using those as our “figures” to map out placement. According to a weird, fourth wall breaking canon, Carnon drew them! That’s his art style!)

....Okay, ACTUAL last thing: Carnon doing art!!! This was the first page Carnon ever did for the campaign! We stan a little artist!!!!!!!

#thekingaboo #Aki speaks #dnd #tiefling #dungeons and dragons #[waves this around] LOOK AT MY PC I LOVE HER #SHE'S SUCH a MESS BUT SHE'S MY KID!!!!!#they're both my kids tbh #and yes Melita got my monster loving tastes.....what of it??#skdfjghfjdk but seriously #I'm proud...even tho it's tiring to get into her headspace #the more she's grown the more I understand all her struggles #the more it hurts me to work with her #it's....hard bc I love her too but #idk.....I don't know what I could do abt it #Aki Does Art

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rwbyconversations · 6 years ago

Text

Dante, and Vergil’s Impact on His Character Arc

I’ve been a long-time casual fan of the Devil May Cry games, though my skills at them are woefully inadequate. I’m more a fan of the crazy action that the series strives to provide in each of its entries and the wonderful misadventures Dante keeps getting dragged into, to say nothing of watching in awe high-level players pulling off combos so wild and energetic that they add years to my life expectancy.

But while it’s never been a main draw to the series, I feel like Devil May Cry is, at its best, a series that does manage to generate enrapturing characters and create fluid arcs across its games, and I feel that this comes across in what might go down as the greatest unintentional character arc in gaming, that of Dante.

While Dante in the first two games didn’t have much character, especially in DMC2, Devil May Cry 3 is when Dante’s characterization was finally solidified, not least of which because of the vocal talents of Reuben Langdon being added to Dante that gave him so much character across his future appearances. It’s not an exaggeration to say Dante is one of the most well-received and iconic protagonists in modern gaming, and I think that was solidifed thanks to the work of Itsuno, the Capcom team and Langdon in DMC3. What also helped was the introduction and solidification of Dante’s relationship with his brother, Vergil. This relationship has gone on to have major impacts on Dante’s character not just across DMC 4 and 5, but also in retrospect allows for Dante to develop an arc through DMCs 1, 2 and even the Animated Series.

As such, in this essay I’d like to look at Dante’s character across all five main Devil May Cry games, in particular focusing on his relationship with Vergil and how it impacted him across his life. Please note this essay will contain spoilers for Devil May Cry 5.

1) Pre-series and 3

Dante was born alongside his twin brother Vergil to Sparda and Eva, a demon who woke up to justice and sought to defend humanity from his demonic kin and a human woman who he fell in love with. The boys before they were eight were granted two halves of the Perfect Amulet, which when combined could open the path to the demon world. Sparda would die of unknown circumstances when the boys were young, and when Dante was 8, the family home was attacked by demons. Eva hid Dante away in a closet, telling him that if she died, he was to escape and assume a new identity. Eva went on to die trying to find Vergil (Dante assumes he is dead as well), with her death shaping Dante and Vergil into the men would become later in life- Dante would swear vengeance on all demons, while Vergil would develop the mindset that had he been more powerful, he could have prevented Eva’s death, which would cause him to seek out Sparda’s sword, Force Edge.

While growing up, Dante has become a freelance mercenary operating under the name of Tony Redgrave. Before the games, he spent time working with Enzo Ferino, who would pass along jobs to Dante, and Nell Goldstein, a gunsmith who made Dante’s signature pistols, Ebony and Ivory. Dante in a manga set right before 3 has learned that Vergil survived the attack on the Sparda Manor, and while he is initially ecstatic to learn of Vergil’s survival, the two quickly realize that they are both driven to accomplish goals that the other would get in the way of. Vergil defeats Dante in a duel, but lets him keep his half of the Perfect Amulet.

When 3 starts, it’s been a year since their first meeting. Dante is 19 and has nearly finished work on his new office, determined to follow the phrase “If you’re good at something don’t do it for free” to the logical conclusion in making demon hunting his job. After a mysterious man named Arkham offers Dante a chance to see Vergil at the top of a tower that arises from the earth named Temen-ni-gru, Dante sets out to confront Vergil and have an “interesting time” fighting the demons along the way. Vergil meanwhile, is drawing Dante to Temen-ni-gru to acquire Dante’s half of the Amulet and acquire the powers of Sparda hidden within, along with Sparda’s blade Force Edge.

Dante doesn’t take the whole affair seriously at all at first, joking all the way up to his first meeting with Vergil that this will all be a large party- and that the lack of food, drinks and women shows that Vergil knows how to throw a stinker of a party. Vergil takes the jokes in stride and even makes one in return, apologizing to Dante since he was so eager to see Dante, he “couldn’t concentrate on preparations for the bash.” Dante is quick to make a fight out of the conflict, drawing a gun on Vergil which... goes well for Dante.

It probably shows how bad Dante’s day is going when this isn’t even the first time today he’s been run through the chest.

Vergil slaughters Dante in their first fight, showing a complete lack of regard for any of Dante’s attacks. This attitude reflects into gameplay as well- Vergil is a challenging boss fight this early in the game and will defeat you if you drop your guard for even a second, forcing you to adapt to his fighting style and making it so you can’t just spam the same tricks over and over. There is a deliberate power imbalance between Dante and Vergil in their first fight, and Vergil even angrily calls Dante on refusing to tap into his demonic power. Dante’s blithe response that “I have no father,” and that he’s not tapping into his power just to spite Vergil only further enrages Vergil, and he wastes not time winning the battle by running Dante through- first with Yamato, then with Dante’s own sword Rebellion.

Vergil gives a look into his mindset here as he talks down to Dante. "Might controls everything. Without strength, you can't protect anything... Let alone yourself." It’s a look into Vergil’s psyche that shows that just like Dante, he never got over Eva’s death and likely why he’s never formed a serious relationship beyond a one-night-stand in Fortuna. It’s almost like Vergil’s afraid of opening up his heart in case it gets broken again. But yet it’s in him running Dante through that he forces the lesson onto Dante- that Dante will not be able to overcome the remaining trials in his way without tapping into the power granted through Sparda’s blood in his veins. And as such after reclaiming Rebellion, Dante forcibly triggers his Devil Trigger for the first time, embracing the demonic monster he had spent years rejecting.

This is Dante’s lowest point in the game- ironic given how this happens at the top of the tower. He has no allies, he’s lost his amulet and Vergil has made a mockery of him in their first duel. But slowly, Dante gets back up and steels himself for round 2, punching a pillar in frustration only to watch as his energy causes it to explode from the force. And upon realizing the power he now wields, Dante cuts loose in a glorious cutscene showing his drive and refusal to give in as he freefalls down the side of the tower and defeats a swarm of enemies, all while Devils Never Cry kicks into high gear.

Bless me with your gift of light Righteous cause on judgment night Feel the sorrow the light has swallowed Feel the freedom like no tomorrow

From this point on, DMC3 shifts focus and becomes a race between Dante and Vergil to see who can uncover the secrets of the tower and unlock Sparda’s power first, both unaware that they and Lady, a human woman trying to hunt down her father, that Arkham is playing everyone so that he can swoop in and steal Sparda’s power at the last second.

Dante and Vergil fight again fight after Vergil has unlocked the last barrier holding back Sparda’s power. Along the way Dante slowly comes to terms with his demonic heritage and learns to embrace its power more, all while Vergil rejects his humanity, believing that true strength will come from the power of a demon. What Vergil doesn’t know however is that Devil May Cry’s humanity possess a power that no demon could ever dream of possessing- something Vergil learns the hard way in 3 and 5, while Dante rubs it in Agnus’s face in 4. Devil May Cry 1 director Hideki Kamiya would eventually confirm on Twitter that what humans possess is simple- heart. The heart to get back up after a crippling defeat and prepare for round 2, or to simply never accept defeat, is in fact one of Dante’s greatest weapons, greater even than his sword, guns or electric bat guitar.

... Man Devil May Cry 3 gets weird and I love it.

It’s through using his heart along with his demonic powers that Dante is able to grow as a fighter, represented in-game as the player not just upgrading Dante’s styles and weapons, but becoming better with the tools provided and taking the time to become more stylish and visually exciting with each new fight being an opportunity to pull of a new stylish combo.

Dante’s second battle with Vergil occurs in the basement of the tower, with the fight ending in a draw as before either can strike a finishing blow, Lady and subsequently Arkham intervene in the fight, Arkham having planned for Dante and Vergil to wear themselves out fighting each other so that neither of them had the power to stop him from stealing Sparda’s power for himself. And despite being a lowly human, Arkham is able to play Dante, Lady and Vergil like chess pieces and take the power of Sparda for himself, before the power mutates him into a giant blob monster that threatens the world.

Vergil disappears for much of the rest of the game as Dante races after Arkham to stop him, defeating several more demons within and absorbing their energy to create more Devil Arms (alongside taking Beowulf off Vergil after he dropped it). Dante initially fights Arkham alone, but even as a giant blob Arkham proves a significant threat to Dante until Vergil offers some backup. Putting aside their mutual differences, the two brothers decide to honor their father by beating the ever-living crap out of the man who stole his power, delivering the finishing blow through a combined Ebony and Ivory shot while saying Dante’s signature line.

youtube

A moment so good I had to include it twice

It’s also notable that this is the one time Vergil gets over his aversion to firearms-

I’m sorry DID I STUTTER

After Arkham is defeated and sent away for Lady to deliver the killing blow on, there’s a moment of silence between Dante and Vergil. The Jackpot scene and its immediate aftermath really does sum up a lot of their relationship- they may have been fighting almost every time we’ve seen them thus fat, and there is genuine aminosity between the two, but Dante and Vergil are ultimately just brothers who ultimately respect each other and might have even been more permanent allies were it not for their ideological differences... differences which directly cause the game’s final boss.

Vergil dives in after the Perfect Amulet, landing on the edge of the Demon World itself with Dante in hot pursuit. Vergil bluntly orders Dante to give him his half of the amulet, and when Dante refuses to and challenges Vergil on what he’ll do with the power, Vergil snaps at him, charging with his newly acquired Force Edge. Dante has none of it, catching the sword and insisting that his soul is saying it wants to stop Vergil. It’s disheartening that both brothers come to blows so soon after their effective teamup, but neither of them will compromise on their goals.

Vergil’s final fight is a perfect climax of the game, both emotionally and mechanically. As Dante and Vergil keep fighting, two facts remain the same- the location of the fight is geographically lower and lower each time, and Dante gets better with each bout, losing in the first round, drawing with Vergil in the second and in the third, after having embraced Sparda’s heritage, coming ahead of Vergil and winning conclusively. It’s still a difficult bout for the player but after all their time in this hellish night with Dante, you’ve mastered the game and are able to meet Vergil beat for beat.

Dante wins the final clash of swords, with Vergil stubbornly refusing to accept defeat and hand over his half of the amulet. He encourages Dante to leave him in the Demon World, before letting himself fall of the side in an effective suicide. Dante tries to reach out to him, but Vergil slashes open his hand as he falls, bringing his half of the amulet with him. Dante doesn’t say a word for the rest of the scene, but his face and body language betray how emotionally compromised he’s become by Vergil’s loss. He glumly brings Force Edge with him to the surface and meets up with Lady, whose attempts to lift Dante’s spirits coin the name of the series- “Maybe somewhere out there, even a devil may cry when he loses a love one.” Even though it does lift Dante’s spirits and gives him a name for his shop, Vergil’s suicide haunts Dante for years, and the first signs of it are present even in the ending of DMC3, where his final taunt before the credtis fight scene sounds like he’s trying to convince himself that he’s ready to take everything the world can throw at him.

In a post-credits scene, Vergil squares off against DMC1′s main villain Mundus. Vergil cockily decides to take him on, but the results of the battle were already known in DMC1, where Dante fights Vergil as Nelo Angelo.

2) DMC 1, 2 and Animated Series- Depressed Dante

In advance, I am going to say this: obviously enough, DMC 1 and 2 were written before DMC 3 and any attempts I make at retroactively making 3′s narrative tie into both of them is weakened as a consequence as it falls into headcanons more often then not. Being blunt, DMC 1 and 2 didn’t have as much focus on story as 3 so any attempts I make to connect their stories might come off as trying to connect threads while wearing cooking gloves. Just keep that in mind for this part barring anything I say on the anime.

Nine years after the Temen-Ni-Gru incident, Dante has set up Devil May Cry and takes extermination jobs for anyone who calls his shop with the elusive password. While he’s making dry quips and nonchalantly dealing with the threats he faces while fighting Mundus, he’s notably less energetic compared to his younger self. Dante is more somber and reflective almost as a direct consequence of his dealings with Vergil, and while he’s still cracking wise when he confronts the demons Mundus has scattered around the island, he’s far less talkative than he was. One of his more talkative moments comes after Mundus kills Griffon, who had genuinely earned Dante’s respect through their repeated encounters across the game. Dante is quite livid at Mundus killing one of his own soldiers in such a callous way, as he tells Trish:

“Mundus... His heinous ways make me sick; killing his own like they were nothing. He's the one that took the life of my mother for sure. My mother always used to tell me that my father was a man who fought for the weak. He had courage and a righteous heart. In the name of my father I will kill Mundus!"

Dante has an unexpected family reunion when he fights Vergil, covered in armor, as Nelo Angelo several times over the story. Nelo Angelo provides some of the tougher fights in DMC1, managing to disarm Dante during their first bout and neatly delivering a killing blow before Nelo spots Dante’s amulet and retreats, as if Vergil refuses to give Mundus the satisfaction of having Vergil kill Dante for him. Dante admits grudging respect for Nelo Angelo, saying he didn’t expect to find anyone with “guts and honor” in the castle.

Their second battle sees Nelo removing his helmet, revealing Vergil’s corrupted visage underneath. Despite the enhancement of the armor, Vergil loses again to Dante, this time seemingly dying as he explodes in a flash of lightning, leaving nothing but Vergil’s half of the Perfect Amulet. Dante stops to recollect a childhood memory of himself and Vergil wanting cake for their birthday, before combining the amulets and using it to reawaken Sparda and have it resume its true power.

The rest of DMC 1 has Dante suffer from Trish’s betrayal and subsequent redemption, but while he ends the game on a victorious note after having beaten Mundus and saved Trish with a variation of Lady’s line to him, he’s also despondent at the loss of Vergil yet again, which leads to Dante being more sullen in the animated series and DMC2, which both take place five years later when Dante is 33.

Dante’s characterization in the DMC Animated Series is often considered divisive due to him being rather mellow and sullen compared to his more distinctive appearances, especially since Reuben actually provided Dante’s voice under a false name. However, intentionally or not, Dante’s characterization in the anime bears a lot of symptoms consistent with depression: Dante is even more of a slob than normal, frequently is tired and sleeps all day, eats only comfort food (strawberry sundaes in the show) and only ever comes alive while working. But since Dante is so powerful in the anime, he’s lucky if a fight lasts more than a few seconds. When looking at the anime in the context of DMCs 1 and 3, it gives the impression that Dante is just worn down after losing Vergil in 3, only to then kill him in 1. This leaves Dante as the last member of his bloodline, which drags him down. Fortunately, Dante has Lady and Trish to keep dragging him out of bed and getting him to care, and he seems to slowly be recovering from his depression by the time of DMC2.

Devil May Cry 2 has no real plot and Dante has been stripped of almost all the characterization in 1 and 3 which made him such an iconic character. Like nearly everything else wrong with DMC 2, this largely comes down to the disaster of a development cycle that the game had- director Hideaki Itsuno admitted in an art book that when he was brought on to direct DMC 2, he was replacing a director who had botched the project so hard that Itsuno only had four months to essentially develop the entire game, including the script. As such, Dante’s character is very flat. Barring one line (“King? Here’s your crown.”), Dante has no memorable quips or dialogue, with most of the development being handed off to Lucia instead. Dante’s one significant character trait is his habit of flipping a coin to choose events for him, a trait that has rarely been acknowledged since. While this Dante does fall into the line of thinking we’ve used so far, that Dante is suffering from depression for much of his late 20s and early 30s, it’s hard to even consider this as a possibility when Dante’s stoic nature is just because of a rushed script and weak writing, and it feels almost dirty to try and tie in the depression theory to this.

Thankfully, Dante’s character would like much of the series get an extended redemption thanks to DMC3, but the next entry in the timeline put him back on track..

3) DMC 4 and the reclamation of hope

For a long time, DMC 2 was the final point in the timeline, in part because of Capcom’s shame for the game being so great that they are actively reluctant to acknowledge the existence of DMC2. Before DMC 5 released, Executive Producer Matt Walker confirmed that the timeline had been changed from 3-1-4-2 to 3-1-2-4, and one of the consequences of this was that Dante’s character arc began to flow naturally.

While there are several scenes in DMC4 set before the game begins, most notably the explanation of why Trish gave the Order Sparda’s sword which also leads into the intro cutscene for Trish and Lady’s route in Special Edition, a long-standing fan theory is that Dante begins DMC4 with some vestiges of his Anime/2 depression remaining, hence why he fails to exhibit any of his typical stylish moves during his assassination attempt on Sanctus- he just jumps down the window and shoots him point-blank in the head. It’s only when Nero attacks him and subsequently lasts longer than most of the Order guards that Dante begins to treat the fight with his usual charm. It’s made clear that he’s not taking the battle against Nero too seriously, and it’s evident that if Dante wanted he could turn Nero into a smear on the pavement in a heartbeat. But the Devil Bringer, along with Nero’s refusal to let Dante get away, impress Dante enough to let Nero go, which leads to Nero spending much of his route hunting Dante down until the two finally meet again and have a rematch at Fortuna Castle.

Even with his new upgrades, including Vergil’s sword Yamato and his new Devil Trigger, Nero is barely able to keep up with Dante, who in gameplay is a nightmare to fight due to having access to all four of his DMC 3 styles at will and being played by an AI seemingly designed to wreck your day. To little surprise, Nero loses and is disarmed of Yamato. Dante is eager to reclaim Yamato, telling Nero “It belongs in the family,” but chooses to let Nero keep hold of Yamato for now due to having become less hot-headed and wanting to use the weapon to help save Kyrie. However, Sanctus is revealed to have been revived and traps Nero in the Savior (an artificial demon the Order created that requires Sparda’s blood and sword) before it marches on Fortuna City with Yamato. Dante races back through the route Nero took, determined to reclaim Yamato and destroy the Savior.

Dante doesn’t develop much during his playable segment of the game, barring the new Devil Arm cutscenes confirming that he is back to his usual jovial and eccentric self. Much like with Nero, Dante’s power means that the threat of the Savior is quite small in the grand scheme- Dante can defeat it in a head to head fight and the story doesn’t try to convince you that this threat can top the one presented by Mundus. Dante eventually returns to Fortuna and after confronting Agnus in one of the greatest cutscenes in human history, reclaims his brother’s sword and then frees Nero. Between the two of them tag-teaming the Savior and Sanctus from the inside and out, Dante and Nero bring a stop to the Order’s plans and destroy the Savior, Dante reclaiming his father’s sword.

With that, Dante leaves, job complete. Nero confusedly asks if Dante wants Yamato back, but Dante blithely tells him to keep it, confident in Nero’s abilities now as a Devil Hunter.

Nero: "What...? I thought this meant a lot to you...?" Dante: "That's the only kind of gift worth giving. I want to entrust it to you, and so I am. What you do from here is your call."

Deadly Fortune (the Japanese only DMC 4 novelization) and DMC 5 would go on to confirm that Dante allowed Nero to set up a new branch of Devil May Cry in Fortuna. Nero asks Dante if they’ll meet again, but Dante only shoots a wave over his shoulder. Little did they know that meeting again would take eleven long years, before they got to join up back together for more hijinks.

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By the end of DMC4, Dante has finally gotten over the trauma and baggage he’s been carrying since Vergil’s death. Seeing the new generation of demon hunters in Nero has reignited the spark that laid dormant inside of him for so long. Dante’s 38 by the time of DMC4, meaning he carried those dark emotions inside him for over half his life, but with Nero wielding Yamato, Dante has finally become able to let go and become the cool uncle/mentor figure Nero needs.

4) DMC 5- Acceptance and peace

... so of course just five short years later, everything goes right back to hell for Dante. He’s still not great at managing the financial side of his business, but the arrival of a mysterious young man named V with a promised contract that will provide cash up front gives Dante all the drive he needs to get into gear to confront Urizen. But unfortunately, Urizen proves far stronger than anyone feared, and he effortlessly defeats Dante, Trish, Lady and a late to the party Nero who lost his Devil Bringer two weeks prior. Dante, desperate, breaks out his Devil Trigger and orders V to get Nero out of there, deriding Nero as “dead weight.” Soon after, Urizen beats Dante out of Devil Trigger and shatters Rebellion, sending him flying out of the Qliphoth and into a coma for a month.

V eventually finds Dante by the ruins of an old manor, the demons having not found him because of the Devil Arm Sparda having hidden Dante’s presence. After a little fakeout stab, Dante is restored to fighting form and immediately goes to get ready for Round 2 with Urizen, all while Nero, now armed with the Devil Breakers, desperately tries to kill Urizen himself. Dante first gets himself some sick wheels and makes for the ruins of the Sparda Manor where his life got flipped on its head over thirty years prior.

Somehow, this isn’t the craziest weapon in the game.

After lamenting on how he always seems to get a sword through the gut, Dante impales himself on the Rebellion like Virgil did back on the top of Temen-Ni-Gru. And just like then, Dante unlocks a new level to his demonic abilities, gaining the Sin Devil Trigger and a new Devil Arm, the Dante. Armed and ready, Dante makes for Urizen to show him whats what. While Urizen makes a hasty retreat, he is able to supercharge himself with the Qliphoth fruit before Dante arrives, but even this increase in power isn’t enough to stop Dante, because not only has he gained more power through Sin Devil Trigger, but Urizen, just like Vergil, has failed to learn the important lesson of humanity in Devil May Cry.

Side-note, this is the greatest cutscene in the history of video games. I don’t really have any way to tie the Faust Hat to this analysis but I thought we all needed a reminder that this was a glorious thing.

Dante, unlike the audience, has always been aware that Urizen was Vergil or at least his demonic half. Urizen is literally Vergil's ambition and greed manifested into a malevolent, power-hungry demon, and much like Vergil himself, Urizen fails to realize that through sacrificing his human half, he’s lost the true power within himself. It takes until Dante lays the smackdown on Urizen even after being supercharged with the Qliphoth root. In Urizen’s eyes, Dante hasn’t sacrificed anything to achieve this power and fights Urizen simply because it’s the right thing to do, and that desire to protect others

Urizen: How... How are you so powerful?! You never lost anything! Dante: It's not about loss... Strength is a choice! Fighting like hell to protect what matters! You threw away everything you ever had! No wonder you have no true power! Urizen: Danteeeeee!

Ultimately, Dante defeats Urizen and leaves him a dying husk on the ground. But before he can deliver the killing blow, V tricks Dante into letting him finish the job, allowing him to merge with Urizen and become Vergil, brought back from the dead.

All of the main characters in DMC5 have their own subtitles along with their name when introduced, and Vergil’s is perfectly fitting from a meta angle- he was Dante’s first major opponent in DMC3, and now here he is at the end of the Sons of Sparda saga, the final boss for the last hours of the game.

Dante immediately freaks out at Vergil’s return and goes to kill him, but due to expending so much energy on Urizen, Vergil is able to push him back with ease, telling him to heal his wounds before trying to face him. Dante stubbornly begins climbing back up the Qliphoth, even as Nero tries to dissuade him until Dante tells Nero the truth that Vergil is his father, before pressing on alone and leaving Nero to escape the tree. Dante and Vergil both never even consider the possibility of not fighting to the death. The last time they tried to talk things out at the edge of the Demon world, both Dante and Vergil proved their ideologies were just too different for them to peacefully co-exist. The tragedy of DMC 3′s climax stretches on more than twenty years later for these two, and neither are of the mindset that this can end in any way that’s not one of the twins standing over the other’s body. .

On the way, Dante finds V’s three Summons- Griffon, Shadow and Nightmare- who reveal themselves to be the manifestations of Vergil’s traumatic memories from his time as Nelo Angelo. The familiars force a fight against Dante, warning him that if he can’t beat them he doesn’t stand a chance against Vergil. Though Dante makes no note of it, eliminating the familiars has likely ensured Vergil will be able to live without the trauma from his time under Mundus. Dante is particularly respectful to Griffon, the servant of Mundus who he never got to properly defeat in battle and the one he almost respected. It feels like Dante finally being allowed to have the fair fight with Griffon that the demon deserved more than a decade prior.

Ultimately, Dante makes his way to the top, with both the brothers pausing for a moment to ponder how many times they’ve exchanged blows. Dante even admits that them fighting is the only memories of the two that he can remember since they were children. Ultimately they draw their weapons, and begin their final clash.

It’s ultimately a desperate knockout brawl, with both fighters giving it their all and using everything and anything they’ve learned over the years to gain an edge in the fight, but it ends on a draw with both stopping to catch their breath after a fight that canonically goes on for more than twenty minutes. Vergil finally realizes that Nero is his son. The two stop for a second, Dante gently ribbing Vergil for being young once as well, but even then it loops back around to their deathmatch. Despite both being clearly exhausted, they fire up their Devil Triggers and prepare for another charge, only to be interrupted by a new demon- Nero, having gained the strength to activate his own Devil Trigger and regrow his lost arm, now determined to stop the two twins from killing each other once and for all.

Throughout DMC5, starting with the “Dead Weight” line, Dante has had a habit of disrespecting Nero. Granted, Dante is canonically stronger, but he bluntly tells Nero multiple times that he effectively doesn’t care what Nero thinks of a situation, Dante will do it his way. Yet again he tries to assert dominance over Nero, but this time Nero, now armed with a new Devil Trigger and at the peak of his strength while Dante and Vergil are both exhausted, bitch slaps Dante out of the fight and promises to make Vergil submit to him. Vergil in turn doesn’t take Nero seriously, but promises him a fight when Nero bluntly repeats that neither of the brothers are dying today. What follows is an extended curb stomp as Nero pays Vergil back dividends for ripping off his arm at the start of the game. While Vergil normally wouldn’t be so easily defeated by Nero, his exhaustion from fighting Dante and expending so much energy on maintaining his Devil Trigger have drained him of the stamina he needs and as such, Nero canonically dominates the fight.

This, Ninja Theory, is how you make your protagonist screaming “Fuck you!” look insanely cool and not pathetic

Nero makes Vergil take a knee, but the situation changes from the immediate battle. Dante and Vergil resolve to descend into the Underworld to cut the Qliphoth's roots. When Nero counters that this potentially leaves the two stranded, Dante quietly tells Nero that it’s because of him that they can make this risk. With Nero on this side of the barrier ready to protect humanity, Dante is comfortable potentially trapping himself on the other side of the dimensional border with Vergil. And as such, the two brothers fly into the Underworld and destroy the Qliphoth once and for all, leaving Nero, Lady and Trish to safeguard the human world.

When we next see Dante and Vergil, they’re in the depths of the Underworld. Just like when Vergil lost to Dante in DMC3, he asks Dante to go back to the human world- Vergil wants to atone for Urizen’s sins and that involves ensuring the destruction of the tree. But Dante doesn’t want to leave his brother alone this time, noting that someone needs to keep an eye on Vergil- if only to ensure a repeat of the Nelo Angelo incident doesn’t happen. As Qliphoth tree roots begin to form around Dante and Vergil, we play as Dante one final time in a playable credits sequence.

When we cut back to Dante and Vergil for the final scene, they’re locked in yet another battle. But this time, it’s a friendly spar with no malice or aminosity between them barring normal brotherly bickering. Dante even quips that he’s one up after winning while Vergil counters that Dante miscounted and that they’re even. As they ready for another round, a new wave of demons emerge and without breaking stride, the two begin clearing house. As Vergil snarls at him not to say it, Dante shoots the camera a triumphant grin before uttering his catchphrase one last time as the game concludes.

“Jackpot!”

5) Conclusion- Devils Never Cry

While it likely will never be listed as a primary reason for the character’s critical acclaim in favor of his charm or bombastic personality, Dante’s character arc across the Devil May Cry series is an overall well-written arc of a character, and this is complemented extraordinarily well by Vergil serving as his rival in two of the games. Despite only physically appearing in 60% of the numbered games canonically, Vergil has a huge role on Dante’s life, starting when they were barely children before traumatic circumstances separated them. Then when they met on the tower when they were just 19, Vergil humiliated Dante and forced him to embrace his demonic heritage so he could keep up with Vergil in a straight fight. Ultimately though, while also maturing as a person, Dante not only fought Vergil to a standstill but went on to defeat him in a straight fight. But Vergil’s deaht would haunt Dante for years to come, and that misery would intensify upon fighting and killing Nelo Angelo, driving Dante into a deep depression that lasted years until Nero reignited the spark in Dante and brought him back from the brink. Through Nero, Dante regained his purpose and drive, and when Vergil threatened to come back as Urizen and then as himself, Dante was swift to try and destroy this at the root- Vergil had upended his life and mental state twice already and he refused to let it happen a third time. It took Nero moving past his own trauma and literally bitch-slapping sense into him for Dante and Vergil to begin to reconcile, and by the time of their final scene, the two brothers are now finally united as a demon-slaying team that will last the ages. Itsuno not only saved Devil May Cry (from himself, but again, four months) after DMC 2, but retroactively tied the first two games together with the third and subsequent games to give Dante a (largely) coherent character arc across the series. For that, Itsuno and writing team, along with Reuben Langdom, deserve massive respect for accomplishing what many wouldn’t consider doing for a “dumb Japanese action game.” To say nothing of the work done to turn Vergil from a one-note villain in DMC 1 to one of the greatest rival characters in gaming, and particular praise must be given to Dan Southworth for his work as the character over the last decade. Character content like this is what will ensure that Devil May Cry as a series stays relevant not just because of its near-perfect gameplay, but its surprisingly touching character moments between these goofballs that makes me always eager for more adventures in this universe.

Thank you for reading.

(also who expected the Subhuman redux to be so good? All it took was getting rid of the kid-touching creep and getting an actual musician in the book, who’d have thunk it)

#devil may cry #dante devil may cry #vergil devil may cry #devil may cry analysis #devil may cry 5 #dante #vergil #nero #nero devil may cry #devil may cry 2 #devil may cry 3 #devil may cry 4 #devil may cry the animated series #reuben langdon #dan southworth #hideaki itsuno

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ishunter798 · 3 years ago

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Baldur's Gate Download Mac

Download Baldur's Gate: Enhanced Edition for Mac OS. Play a classic old-school PC RPG game on your Windows with Baldur's Gate Enhanced Edition. If says your OS is not compatible, double-click “Baldur’s Gate 3” in /Contents/MacOS/. Version 4.1.84.2048: Release notes were unavailable when this listing was updated. MacOS 10.15 or later, 64-bit processor. Screenshots Download Now.

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Baldur's Gate

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Description of Baldur's Gate Windows

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Siana

A dark, slender figure enters. Shafts of daylight flow into the room until the door closes once more with a loud bang. The room is so crowded that making one's way is a delicate task. Commoners run about to and fro, maidens carry large trays with slopping liquid and the noise is almost unbearable. The floors creak, glasses clink together in toasts and patrons scream for ale. The stranger emerges from the crush by a table and sitting herself down glances at the door. The air about her seems to crackle with a form of electricity, she seems almost ethereal, although human.

Moments later, more adventurers arrive. The locals become nervous as the tension in the room rises. A half-crazed warrior speaks, with his sword swung over his back, to a small, furry creature (is it a hamster?) and makes his way to the strangers table. As they begin to converse in low tones, another woman makes her way across the room from the bar. Standing nearby, in a booming voice she speaks to the stranger, 'Siana, isn't it? There is no doubt, you fit the description,' and promptly draws her sword.

The Sword Coast

Welcome to the most addictive realm in the universe: The Sword Coast of Forgotten Realms. How many thousands of people out there have wasted many an hour with paper and pen, or in titles like Pools of Radience, Eye of the Beholder , or any number of campaigns or computer games involving The Forgotten Realms? O.K. don't scream yes all at once! :-). How long have we waited for something new? Something to come along and fill that craving ache that the Dungeon Master can no longer fill because they burned out 10 years ago after running games for 10 more? How long, I say, how LONG? Yes! I hear you, you are shouting across the globe, TOO LONG! How did we all hear that? Easily, by the number of copies grabbed up and off the shelves of the one game to promise it to you once again. Really the first game to sell like seriously tasty hot-cakes. Interplay couldn't burn them fast enough and those who had them were the envy of every group of gaming friends across the world. I still to this day play on a mud located in Finland, there was NOTHING but ' BG ' chat on the wizard channel. What day are you on? Where is that blasted magic ring? I just found Volo, damn that Captain. I just got to Cloakwood!!! Talk about community addiction, no one could stop playing. Even here at GDR almost every editor is playing Baldur's Gate and cannot stop. Is it worthy? Hell yes, how can the whole world be wrong!? But really, let's have a look.

Single Player Mode

My kingdom for Multiplayer! Single player mode in Baldur's Gate is fun, and tough. But it's not as good as multiplayer and there are a few reasons for this, which I will explain presently. Single-player mode allows you to play through the story with one character which you create at the beginning. Your character may then form a party by including NPCs found in the game or just go it alone. Yes, the game is even solvable with a single character, but so far (or as far as I know) only by one particular class. In general, players will instead group with mages, thieves, clerics or whoever else turns their fancy. Each NPC has their own personality, while one may be sniveling and insecure, the other might be half-crazed. A spectrum from good to evil in all the neutral, lawful and chaotic combinations ensures the traditional AD&D; variety.

Single-player mode does have its charms. Creating your character in the traditional way by choosing race, class (dual and multi-classes available), gender, abilities, alignment, proficiencies and spells to start with. You must also select your name and portrait, and your icon appearance and roll for your stats. If you've played any of the old Forgotten Realms CRPGs you will feel right at home with this. Most of the AD&D; 2nd Edition rules are adhered to, with slight changes documented to make the transition to computer game. Bioware have done an excellent job of this, and it may come as a shock to those less familiar with the rules, since progression is slower and more subtle than in other computer games which are loosely related, such as Daggerfall where progression was quite easy.

Once character generation is complete, you begin your story in the town of Candlekeep. 'This citadel of learning stands on a volcanic crag, overlooking the sea.' From the opening animation of a Vader like character beating and torturing a poor knight, you do know that something evil has begun a campaign of some sort along the Sword Coast. In Candlekeep, you learn that you are the ward of Gorion, that you know nothing about your past, and that your peaceful life in Candlekeep, where books are a ticket into the gates, is threatened by some mysterious danger. It is this danger which drives you and Gorion from Candlekeep and onto a journey which will take you across the wilderness and through the towns between Baldur's Gate in the north and Arm in the south.

Go for the eyes Boo!

The story then in Baldur's Gate takes precedent. That is, you eventually progress toward solving the mysteries behind the danger threatening you. There are however, numerous side quests to follow, items to search for and monsters to destroy. Each area is a large 2D map which you can either spend time clearing or move directly through to get to your next destination. A large overview map is used to select the area you want to go to, and time is added (such as 4 days) to the overall game when you move from one city to the next. Sometimes you may be waylaid by monsters or bandits, and this might occur at a map which you normally cannot select.

Communication with characters is the main source of information and story progression. You often can choose a way to role-play through talking to NPCs and it may even affect your reputation. Reputation is related to alignment (if you are evil and doing nice deeds and improve your reputation you may loose your evil party members who think that's a toss). When playing single-player mode, it can be difficult in beginning to sort out a party. You are presented with NPCs of various alignments and skills and must compile a group that will live (literally. Ed) with each other. Since there are not so many in the beginning it can be tough going, especially if you are a mage (generally weak and cannot wear armor) and really need those extra members to survive. If the NPCs do not get along, eventually they will leave or attack you. Even still, I managed to keep good, neutral and evil aligned characters together by playing a lawful evil character and travelling both by day some of the time and by night the rest. They bitched and moaned and were nasty to each other, but with a medium reputation (of 10) it seemed to work.

This is one of the drawbacks of single-player mode however, you really are stuck with whoever you find, rather than creating your own party. In some sense though, this was humorous because they behaved in ways which were totally unexpected and added to the sense of being on a journey. At the same time, it meant that they were not my ideal type of group.

Although it wasn't my group, the role-playing aspect in single-player mode was much more rich. For one game (I have two running), I have the Ranger Chaotic Good leader grouped with Imoen, Neutral Good Thief NPC (childhood friend to my character). They were joined in the woods by a Chaotic Evil Necro and a Neutral Evil Thief. They stayed grouped from the woods to The Friendly Arm. Then, after grouping with the two friends of Gorion in the Arm, we went upstairs and I let the evil thief try to steal first from a chest, he was unsuccessful with lock picking, then attempt a pick-pocket from a noble. Well, the noble caught him and a fight ensued...the characters started shooting arrows at all the nobles. After firing arrows and killing the nobles the characters all started talking. The good chars said, 'I dont think I like how this group is being run!' The evil necro said,' Oh, for the first time this group is becoming palatable!' :-). Anyway, more than half were pissed off and wanted to break group. Worse yet, since Rangers are meant to be doers of good deeds, immediately the reputation changed and my character lost her Ranger status. So, role-playing with NPCs really works.

Bring me some ale!

As you travel, you enter taverns, private houses, farms, woods and meadows. These rooms and outdoor areas are beautifully rendered and are the most unusual to date, absolutely fascinating. Looking sketched or painted, these maps have shadows which change over time, and eventually become dark as day turns to night. Rain or light snow falls and crystal clear rivers are filled with small stones and approachable islands. Your characters move with distinct behaviours and certain terrains, such as mountains and cliffs, are impassable. Actually this provided some problems with path-finding, which has recently been addressed in a beta patch. Both interior and outdoor scenes are augmented by excellent sounds of people moving, shouting, doors opening and closing or birds and animals moving about. The wind rustles, a monster cries, it's all in a days work on the road.

101 Kobolds

Combat in Baldur's Gate is different from its predecessors, as it is in real-time. The combat method is based on AD&D; rules adjusted to real-time, so instead of a 60 second initiative period, each character is given 6 seconds. The speed with which a character attacks is a number between 1/10 and 10/10ths time per round and the initiative is decided by a combination of rolled factors: ability, situation, and chance. Whether a character has a successful attack still depends on their THAC0 (To Hit Armour Class 0) and their attack roll. Critical hits and misses are decided by the attack roll, 20 or 1, respectively. Strength, dexterity, modifiers and weapons all affect attacks. Casting is treated in a similar way, although spells must be previously memorized (rather than being based on the mana of the caster) and can be disrupted in combat if the caster is hit.

This real-time aspect to AD&D; combat takes some getting used to, actually most everyone I know uses either the selection of different types of auto-pause (such as pause after every round for each character) or the space-bar to pause combat. I initially started out with autopause and then switched to space-bar. The reason is that combat is too difficult to control real-time. Firstly, although you control each of the NPCs as well as your character, to play without pause requires using the A.I. scripts provided or making your own. A.I. has 3 different settings for each class, for instance you can play your mage defensive or aggressive. The problem I had with scripts was that they did not control the characters well enough. I often found my mad necromancer in the middle of combat, after he had fired off all of his spells using his piercing weapon. Meanwhile, the warriors ran off, chasing their fleeing opponents, only to run into a nest of new monsters. This led to the group breaking up, and often added too many enemies to the battle at once.

Therefore in single-player mode, I resorted to pause and handled all of the combat on my own. Grouping archers and mages to the back, warriors and thieves at the front. Handling each fired spell, and every attack. Archery was a wonderful tool, and one of my main combat methods. But another problem I had was that archers, when in heavy combat against a large number of monsters, would use up the 3x20 arrows in quivers and then require changes. In single-player going to the inventory window of the interface immediately causes the real-time combat to begin again (a choice Bioware made in order to simulate a change of weapon in combat) and thus things were running in the background behind the inventory screen (which I could not see) while I clumsily made the change to add arrows. Some of the reason for this is that monsters will 're-pop' in an area (pop up again) after you have killed the first batch. This means that you can continue fighting all day, not that realistic and one of the niggles.

On the other hand, Bioware have provided some excellent options settings to ease the difficulty of real-time combat. Almost every spell and action can be mapped to keys using a convenient set of configuration windows so customizing your combat is not uncomfortable.

Finally, this group is becoming palatable

Despite the niggles mentioned above, single-player mode is a more challenging way to play Baldur's Gate. By sticking it out through the first stages, I learned the interface and created my own ways to deal with situations and my NPCs. As the story progressed, and the more involved I became, then the more trouble I had giving up characters that I had gotten used to for new members that came along. It's actually better to make some tough choices early since the characters which join your party gain experience, and therefore levels, along with your main character, building up their powers over time to help with the more troublesome events that come much later in the game.

Aleya

Journal Entry: Day 77, Hour 12 (17 Flamerule, 1368)

It was about noon when my companions and I set up camp in the Cloakwood Forest, giving me my first opportunity to update my journal since leaving Beregost. Strange monsters and human bandits beset the road to this beautiful place and my companions and I are weary from the seemingly endless battles. It is a rare pleasure to be able to stop and enjoy the beauty of nature.

I have to admit that I would have never dreamed myself living this type of life. How could I have predicted it when I was growing up amongst the serenity of the books at Candlekeep? Now my old friends and I are being hunted for reasons I'm not sure of, my foster father slain by a mysterious armored figure. Gorion believed too fervently in the need for the powers of good to prevail, but he was a caring and generous man. Why he or I would have enemies this powerful is a mystery to me. Well, at least I have the comfort of my friends who I have grown up with and trust completely. It would have been much harder had I needed to rely on the strangers I have met in my journeys.

Something out there is tipping the balance of power to the side of evil. I understand the need for evil in this world, but this lack of balance is forcing me to have to tip the scales back through good deeds and heroic actions. To be honest, though, I would much rather stay here with my fellow druids in Cloakwood. It would be wonderful to disappear into these woods and not return to the mess that is human civilization, but I feel something stronger calling me. These strange dreams I have been having would indicate that there is something lurking just over the horizon that I haven't grasped yet. Perhaps I will learn more when I find that mine and talk to whoever is in charge there. Perhaps.

Multiplayer

This game was so big it took two of us to review it - Karen focused on playing the game through in single player mode, and I played the multiplayer mode with my husband over my home LAN. Interestingly enough, Karen and I had two different experiences playing the game although we both shared the same addiction to it. Let's face it, this game is nothing short of incredible. I generally don't play games like these through again, but as I write this, I'm on my fourth full game of Baldur's Gate and still enjoying it as much as I did the first time through.

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While some of the issues Karen had with the single player mode were resolved by multiplayer gameplay, I didn't see some of the interesting NPC features she would have been able to see. Creating six custom characters definitely has its merits, such as being able to create the exact type of characters you want rather than hoping the game will supply them for you. However, doing so prevents the player from seeing the interactions that take place between the NPCs in your party and other characters in the game world. Each NPC has his/her own unique personality and history that affects the way some quests are solved and can even influence the flow of the storyline.

Custom characters do not have much of a personality, nor do they have any sort of history aside from 'you were a friend of the main character at Candlekeep'. These custom created characters are not as likely to break and attack the party for acting outside of their alignment as NPCs are. My husband controlled both a neutral evil Thief and a lawful good Paladin; he enjoyed sneaking away from the rest of the party to take his characters on house raids in the major towns while I wasn't paying attention. Granted, he left the Paladin in the living room while the Thief roamed the house and stole things - but I still would think that a character with a lawful good alignment would have a problem breaking into houses. Nor would a Paladin really be able to tolerate being grouped with an evil character in the first place. These differences aside, the story line and subquest structure of both single player and multiplayer is exactly the same.

Multiplayer mode allows far greater control over the characters, which is why many players chose to play the game in this mode instead of single player. Each player in the game session controls a certain number of characters, and to make up for the fact that there can be up to six people playing the game at once, the game does allow you to enter the Inventory screen while paused. This complete control over the characters meant that I never had to worry about auto-pausing the game in battles as Karen did to ensure my characters were doing the right things. I never ran out of arrows, potions, or anything else. However, I did notice that the character scripts still had an effect if you chose to set them; when I set my fighter to aggressive I had a much harder time controlling him, as he tended to run and attack anything the instant it turned into an enemy. Unfortunately, this meant that if I accidentally made townspeople angry he would generally kill them before I had even realized what happened - but this was easily fixed by turning off the scripts.

Lots of Options

Baldur's Gate offers an amazing amount of control over how the game is played in a game session. It is very easy to set up a multiplayer game, and just as easy to join one in progress over the Internet or LAN. Each game can be protected using a password to keep unwanted players from joining. The player on the server machine (or the 'leader') has the power to decide - on a per player basis at any point during the game - whether or not the other players have the ability to modify characters, spend gold, initiate dialog, view other character records, leave an area, pause the game, or modify permissions.

The leader has the power to kick other players from the multiplayer session instantly or decide, using the Character Arbitration screen, which player controls which character(s). Because of the fluidity of multiplayer game play, characters can be added, deleted, or reassigned during game play on the fly. At any point during the game, the leader can completely change the dynamics of the party, deleting all the old characters and creating completely new ones if he so desires - although any party manipulations mid-game like this drop the party reputation back to 10 or 11. The leader also dictates how player import works. One can choose to import a character into a game with all experience and items, with experience only, or at with no items or experience.

The fact that characters can be imported and exported with full items at any point in the game helps protect players against player killing - the leader can either revert back to a saved game or you can just import your character back in. An added bonus to this import/export option is that it also allows for some interesting cloning experiments in terms of both player characters and items. Just as a test of the import process (it isn't considered 'cheating' when done as an experiment, right?) I managed to clone in five copies of my fighter for an extremely tough battle. I dismissed the other five people from the party temporarily, then had them rejoin after I sent the five 'clones' into battle to be killed. By cloning the fighter, I not only duplicated him but also any items the he was holding when I exported him. I could pick these items up from the bodies of the dead 'clones' and redistribute them within my party, allowing my characters to be equipped with multiple copies of very rare magical items.

The game is designed to run in asynchronous mode, which means that not all computers will show the exact same events on the screen. While this is good in terms of latency issues, it is a little disconcerting during the gameplay. It seemed that whatever appeared on my machine (the server) was 'reality' and whatever appeared on my husband's computer was not. There were many times either my characters or his got killed because of this; to him it looked like the monsters were across the screen, or not there at all, when in reality they were right in the middle of the party. We even had a couple instances where his characters appeared in impossible places, such as trapped behind walls, when the computers would readjust what was on both our screens.

What's that Icon Mean?

The interface is one that takes a lot of time to get used to and has a high initial learning curve. There are several icons surrounding the main game screen, and as is sometimes the problem with icons, they aren't always intuitive. For instance, a mask appears for the thief's 'unlock/disarm trap/pickpocket' button, which doesn't make me think of any of those. Because of these icons, I had to keep the manual handy to keep track of all the different icons and options throughout the game.

In general, the icons along the side are the game management icons, allowing the player access to the character screens, inventories, map, journal, and game options. The character portraits are along the opposite side. These can be moved around at will, including putting new characters into the 'main character' slot. Players can chat amongst themselves using the dialog box, which can be expanded to be bigger or smaller, depending on the amount of conversation occurring. Game text, battle statistics, and conversation with NPCs also appears in this box.

The icons at the bottom for quick items, weapons, and abilities can be confusing at first, as the icons that appear differ depending on the character type. For instance, the screenshot above is taken with my druid character highlighted, so her bar contains spells, items, and two weapons. The thief's bar would contain different icons to represent his ability to hide in shadows, find traps, and disarm/unlock. The fighter's icons are different, as are the mage's, and so on.

For the most part, the game does an excellent job of providing alternate ways to know icons aside from digging out the manual or quick reference guide. Either a mouse click or leaving the mouse over an icon brings up descriptive text about the icon, spell, ability, or item. One other thing Baldur's Gate does very well is map areas and document major and minor quest information in the journal. I did not have to keep manual notes at all, which is a first.

The Game Bible ... er, Manual

A game this large and with so much to learn in order to play it needs a manual that is equally as large, and the one that ships with the game is the size of a short novel - 159 pages of very important information. I must have read through it about three times! I have some experience with playing AD&D; games, so I had a basic knowledge of the character classes, alignments, and spells. This manual, however, greatly enhanced my knowledge of how things worked in the AD&D; world, and contained any piece of relevant information that might be needed to play the game. I always had it on hand when I played the game, and I found myself referring to it quite often. However, I wish it had contained more in-depth information about the pros and cons of the different races and classes. I found myself having to ask friends who used to Dungeon Master in the AD&D; pen and paper days for clarification instead.

However, with as much helpful information this manual contained, I don't think it was laid out in such a manner as to be helpful to new players. The information about character races, alignments, and classes was contained in the middle of the manual under a section about AD&D; Rules. Normally character creation information is at the front. The description about how the statistics for each attribute (such as intelligence, etc) actually affect the character is at the very back of the manual under a totally different section. The manual does have both an index at the back and a table of contents, but these still did not seem to cut down on the amount of time I, and others I know, had to search through the manual for information. I still managed to go almost 75% of the way through the game without knowing how to disarm traps or that I could set spells up in the quick use slots because I somehow overlooked that information in the manual.

Also, not many people even like to have to read a manual, not to mention one this long. Anyone who does not read the manual is at a disadvantage unless they know something about AD&D; rules. The quick reference guide is wonderful for mapping icons to meanings, but does not get into character limitations or detailed spell information. Even if one knows the rules and just uses the quick reference guide, there is a good chance that you will miss a key game option or feature.

The Battle Ends - For Now

Journal Entry: Day 130, Hour 10 (9 Eleint, 1368)

My quest has ended, although I am too weary from battle to recount all the details. Suffice to say my quest was difficult and lengthy, but one the gods surely enjoyed. The ending of my saga seemed somehow anticlimactic given all that I had been through, but I can definitely live with that! I have to say that I thoroughly enjoyed my adventures, and for some reason, I feel as if this journey was only the beginning of more to come. I will welcome the challenge, and am looking forward to where the fates may take me.

Review By GamesDomain

External links

Captures and Snapshots

Screenshots from MobyGames.com

Comments and reviews

Jayzer2020-04-290 point

Game has been re-abandoned on GOG in favor of the Enhanced Edition by BeamDog.

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Share your gamer memories, give useful links or comment anything you'd like. This game is no longer abandonware, we won't put it back online.

Buy Baldur's Gate

Baldur's Gate is available for a small price on the following websites, and is no longer abandonware. GoG.com provides the best release and does not include DRM, please buy from them! You can read our online store guide .

Game Extras and Resources

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Other Releases

Baldur's Gate was also released on the following systems:

Mac

Year:2000

Publisher:Graphsim Entertainment Inc.

Developer:BioWare Corporation

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Baldur's Gate

4.5 / 5 - 8 votes

Download extras files Manual, map and refcard available

Baldur's Gate Download Mac Iso

Description of Baldur's Gate Windows

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Siana

The Sword Coast

Single Player Mode

Go for the eyes Boo!

Bring me some ale!

101 Kobolds

Finally, this group is becoming palatable

Aleya

Journal Entry: Day 77, Hour 12 (17 Flamerule, 1368)

Multiplayer

Lots of Options

What's that Icon Mean?

The Game Bible ... er, Manual

The Battle Ends - For Now

Journal Entry: Day 130, Hour 10 (9 Eleint, 1368)

Review By GamesDomain

External links

Captures and Snapshots

Screenshots from MobyGames.com

Comments and reviews

Jayzer2020-04-290 point

Game has been re-abandoned on GOG in favor of the Enhanced Edition by BeamDog.

Write a comment

Share your gamer memories, give useful links or comment anything you'd like. This game is no longer abandonware, we won't put it back online.

Buy Baldur's Gate

Game Extras and Resources

Download Baldur's Gate 2

Some of these file may not be included in the game stores. For Baldur's Gate, we have the following files:

Other Releases

Baldur's Gate Free Download

Baldur's Gate was also released on the following systems:

Mac

Year:2000

Publisher:Graphsim Entertainment Inc.

Developer:BioWare Corporation

Similar games

Fellow retro gamers also downloaded these games:

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