#never seen you in my life

[apollos-olives]

stopfollowingme

i don't even know who you are

[seafoodsoda]

This was too silly for me *not* to draw, can I get a uhhhhhh zombie apocalypse AU-

[poorly-drawn-mdzs]

None of our hands are clean

[First] Prev <–-> Next

[alexcabotgf]

MESSI THE DOG at the 96th Academy Awards (March 10, 2024)

[noodles-and-tea]

MY BBG POOKIE PIE!!!

[andstuffsketches]

Maybe not Impulse, But I think she would date Cissie

a glimpse into a possible future....

[unicornofgt]

alright, i am the writer of gtms, this story and these characters, bagley and obermann, belong to me. i am the only one who has a seat at my table, who gets a say on what happens to my work. today, some of you will be learning this the hard way.

i am not rehashing the entire series of events that led us here. all you need to know is this is my work that is being desecrated and yeah, i am going to be a little fucking mean about it, because i have taken shit like this for far too long. it’s clear some of you are begging for attention, but be careful what you wish for. fuck around and find out—you poke the bear, you get mauled.

@norathewatcher hi you spineless bitch. you are bringing nothing back. i don’t give a fuck if you’re goddamn michelangelo. you are not “reviving a fandom” you are fucking stealing. there is no fandom, there never was a fandom, this is not a big media like star wars or disney, it was a small passion project by an independent writer posted for funsies. it was treated like big media by a handful of individuals and that is WHY the project stopped, though i have a feeling you know this shit already, don’t you?

but death of the author! you cry in excuse. do i sound fucking dead to you. death of the author is for long dead, problematic authors so we are able to discuss the cultural relevance of their work, not to enable you stealing shit off of tumblr dot com. this is not you “simply filling the vacuum” this is you feeling fucking entitled to the existence of my work and my characters and ultimately, me, for your consumption. you are not owed gtms. it is not a given that this shit needs to exist for you. it is not “content” you “deserve.” like any work shared, it was a privilege to be able to enjoy what i posted of my labor of love, but this is how privileges work: they can be taken away when abused. you are not an artist, you are a spoiled fucking brat with zero dignity or integrity, loyal to nothing but your own greed. fuck off.

i made it explicitly clear in my final post leaving this community that the cause was not a single person or situation but because the community itself is fucking. rancid. the mindset that led to this shitshow is an enormous reason why i left, in addition to the bigotry running rampant—all of which is still alive and well here, though you might think you don’t see it. what you are doing now is having the complete opposite effect of your stated goals. the only thing you have accomplished is digging your own grave, and like a vengeful spirit, i am back to put you in the ground. i am telling you to shut the fuck up, and then i am going back to my happy little life without this fucking circus.

as for the rest of you. i’m sure some of you had no idea what the original situation was, but to those of you who know better and support this garbage anyway, shame on your fucking soul. are you all so fucking hungry for your slop you’ll take it from fucking anybody? eat shit.

get the fuck off my lawn.

[chalkrub]

more svanhildr - trying new things, like a brave boy

[rhapsodiesofparadise]

Spot the difference quickly

[soft-pine]

so much supernatural discourse boils down to claiming a thing we actually see dean do on the show is something he would not do, claiming a thing we see dean specifically not do on the show is something he would do, claiming something all the main characters do is something dean alone is doing, or claiming something sam does on the show is something dean did.

and im so confused. because the answer is comically simple and it's a thing we all allegedly love doing and that is... watching supernatural?

[jkvjimin]

PARK JIMIN + dominating the stage with his aura (cr. namuspromised, jung-koook) | [template]

happy birthday, annie! @kimtaegis 💜

[quotes-and-recs]

There's a special kind of ecstasy I feel when I read an Andrew Joseph White book and his protag unapologetically talks about the horrors of being a woman (without pulling any punches), and talks about the horrors of being a woman when a woman is not what you are

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[frxstbyt]

The gang always goes to Pony's track meets to cheer him on, and one time when they went Sodapop dressed up in a cheerleading uniform (he had poms-poms, his hair done up in pigtails, the whole shebang) and was screaming and dancing around in the stands the entire time. (He is threatened to be kicked out multiple times.) All the other track kids are like, "Hey, Curtis, ain't that your brother?" and Ponyboy is SO embarrassed, his face is literally bright red.

[ministarfruit]

day 28: made you smile ♡

(femslashfeb prompt list)

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother