#never run out of things to say

[poison-into-positivity]

one of the most egregious things about wwdits’ legacy is how people who have seen the show have reduced Laszlo to “guy with a funny voice who has a lot of sex” and ignore everything else.

“i like Laszlo because of the way he says new york citayyy~” okay well i like Laszlo because he is so deeply in love with his wife that when the people in his homeland didn’t approve of her he left forever and swore to never go back. I like Laszlo because he tricked his wife into going to England without him in order to raise a child that isn’t his, because he knew that the child needed him and that his wife deserved to chase her own dreams without being burdened by him.

“I like Laszlo because he’s regular human bartender Jackie Daytona” I like Laszlo because when he runs away from home he chases his deep-seated desire to find his own humanity again and pours his heart and soul into saving a high school girls volleyball team. I like Laszlo because he participates in modern traditions he doesn’t understand out of love for his human best friend.

“i like Laszlo because of ‘may I approach the bitch’ lol” i like Laszlo because when Guillermo confided in him and asked for his help, he agreed and kept his secret hidden even though it could’ve had dire consequences for him. I like Laszlo because he spends hours and hours working on a temporary sunlight cure just to go to the beach and dance in the sun.

“I like Laszlo because he fucks and sucks hahaha” I like Laszlo because he’s the glue that holds that house together. we are not the same

[inkskinned]

it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.

like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips

because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.

bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.

and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.

these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?

and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.

in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.

it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.

and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.

"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."

"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."

[casualavocados]

I asked myself why I failed to notice. It was the first time we'd been apart that long. I found the birthday gifts you prepared for me in my room, from my 18th to my 21st. ...Shut up. I started to think about what you were doing back then. Were you celebrating my birthday all by yourself?

KISEKI: DEAR TO ME Ep. 12

[luna-loveboop]

For those who don't have Twilight Princess but would like to know:

The move Twilight performed while fighting Dink is called the helm splitter. It's one of the Hidden Skills that the Hero's Shade, aka Time (but as a skeleton oof) taught him

This move is often an instant kill. It is harder against Lizalfos, so the goal is to quickly turn around and deliver a slash. He lands with his back to the enemy- which made Dink grab him from behind (and bit Twi's arm ouch). But it's one of the most powerful moves Shade taught him- he practically ripped out Dink's shoulder.

One of the art screenshots is not Lu, but art Jojo did of shade teaching him to do it. (Can confirm it was terrifying- bro stopped the blade an inch from Twi's head- after telling him it's called the helm splitter)

[poorly-drawn-mdzs]

Vine_Boom.mp3

[First] Prev <–-> Next

[hellfire-fist]

We don't talk about Zoro canonically saying he'd follow Luffy to hell enough.

Do you know how intense that statement is? How much love and devotion you've got to have to say something so casually? It's redundant at this point, but Zoro really does put his captain first. You don't hear this, "I'd die for your dreams Luffy" a lot from other members, and do correct me if I'm wrong because maybe I'm too focused with ZoLu, but I can't even remember anyone other than Zoro explicitly say stuff like this in the manga/anime–MULTIPLE TIMES. Let's be honest, they're all ready to die for Luffy (for sure) but Zoro??? He's probably the only one who wouldn't even hesitate! Not even a millisecond. And Luffy is highly aware of it too! In the anime, he tells Zoro "now you have no reason to die" when he wakes up from his power nap. A lot of their scenes in Wano implies that Luffy trusts Zoro with his life more than anyone— and you know what else? That he wouldn't mind death because he knows Zoro would follow him even there.

The trust between these two is so damn magnified in canon, it physically hurts me to think about them.

ZoLu truly is the standard.

[lotus-pear]

idk if this has been said yet but the fact that chuuya was lucid this entire time means he heard EVERY WORD dazai was saying while he and fyodor were being drowned. the "there were times we did connect..like that time when.." AND while dazai was pleading with him to break out of the vampirism with "chuuya, our fate will not end here. because you and i are destined to-" BRO WAS ACTUALLY PERFECTLY CONSCIOUS AND ACTIVELY LISTENING WHILE DAZAI WAS CONFESSING HIS GAYASS TO HIM

[yashley]

Say something true!

[flyingbuddiies]

i hope taco permadies in the finale. i hope she’s a victim of circumstance. i hope she dies convincing herself its for the better. that it’s her final punishment. that there was no other ending than this. that if her attempts to apologize for all the hurt she’s done didn’t work, she’s fully irredeemable. that there is no other fate best-suited for her other than death, and that in life there is no further point for her. i hope she dies believing she deserves it.

i hope she never gets the chance to tell microphone she loves her. i hope microphone is eternally left in the dark. i hope she never discovers the true extent of tacos remorse. her guilt. i hope she is left in silence to only ponder about how taco felt, hoping and praying that she meant anything to her. even a tiny bit. clinging onto any fraction of hope that taco could possibly feel the same way she does.

i hope microphone never finds out she’s dead. i hope she is led to believe that taco moved on from her. that she never meant anything to her. that she wasn’t enough again.

[dxxtruction]

"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?

I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.

And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.

I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.

But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.

Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.

The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.

Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.

Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.

If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.

*: (edit) added for clarity.

**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.

[canisalbus]

Currently suffering an ear infection and all I can think is how you said Vasco is prone to them. Does he get miserable and exhausted from the pain or is he more the type to get short tempered and cranky?

.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[thejasontoddarchives]

This is the core of Jason’s character.

Again they try to hammer in that Jason is brash, arrogant, and reckless; that he jumps before thinking. However you can’t really attribute reckless behavior to arrogance or carelessness when he only ever becomes instinctive during very specific instances. The few times he’s “stepped out of line” or just threw himself into an unknown/dangerous situation it was always to protect someone from predators and sickos. Otherwise, keep in mind the number of times he’s been praised for his intelligence and judgment; for being meticulous, calm, and cooperative.

Batman #424 (1988)

[yuurionviktor]

Did not change much in the end

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[callixton]

i think the thing to understand abt martha jones is that even after she leaves she is five seconds away from dropping everything and traveling with the doctor at any given time. bc that itch to blow everything up and damn her personal duty to hell in search of a higher call never leaves her. but martha is smart. and rational. and has spent a long fucking time needing to keep herself safe. (bc he comes when she calls but never before.) and so she has gotten very good at keeping herself on the right side of those five seconds. but i do think if ten was a different person (if he could acknowledge how much he needed her instead of just how much he liked her) (if he didn’t feel this righteous martyrdom when it comes to being left alone) (if he cared enough about her to beg. if he cared enough about himself.) i think that her answer no would come crumbling down pretty quickly is all.