#never heard this before it’s so good :)

[disheveledtranquility]

This scene will forever haunt me.

[dailymanners]

When entering any place of business, such as a store or restaurant, if a staff member greets you, then acknowledge them and greet them back.

Although for many jobs it's a required part of their job to greet you, especially retail workers, receptionists, and restaurant workers to name a few, that doesn't make it feel any less dehumanizing to say "Hello!" to another human being only for them to ignore you. Acknowledging staff members and greeting them back is important for acknowledging their humanity, they are, after all, a human being, and not an automated machine.

This is also important when going to check out at a store. If you approach the cash register, and the cashier greets you, you should acknowledge them and greet them back. Cashiers already have to deal with being dehumanized enough. The least you can do is help humanize them by acknowledging them when they greet you and speak to you.

[soupfather]

Crocs are neat

[claraoswalds]

#mrs flood who are you: time lord edition

[do-you-know-this-queer-character]

Do you know this queer character?

Murderbot is Agender, Aromantic, and Asexual and uses it/its pronouns!

[gerardpilled]

Michelle Zauner of Japanese Breakfast covering “Helena” by My Chemical Romance

[icewindandboringhorror]

Little bright colored outfit with a fun vest ~

(shoes from ebay like 10 years ago. everything else is thrifted)

[fairyofshampgyu]

he’s literally so beautiful and handsome

[elrxiel]

each time a G/wynriel says "Elriels wants Elain to be Gwyn so bad!" I lose another braincell trying to understand how someone can be so delusional and absolutely blind to canon sequences repeated over and over by multiple characters, yet so passionate in looking for clues between the lines (which in most cases, are simply not there, dare I say) and twisting the most obvious scenes to fit their narrative

we're all entitled to our own opinions and preferences but I simply cannot take them seriously when all I see are those opinions absolutely misreading canon text and giving characters qualities they do not possess - or trying to take away the ones they do - because they do not suit some wild theories which have no reasonable grounds to back them up

if you fail to understand Elain's character, qualities and background even if it's stated blankly in the books, that's on you I guess, but don't embarrass yourself saying anyone would like Elain to be Gwyn - I can assure you that while most of Elriels like or even adore Gwyn's character and the others are neutral towards her, all of us here writing about Elain are here for her exactly how she is being portrayed throughout the whole series

we love her exactly how she is and frankly, none of us has to take away anything from other characters

maybe before stating something so profoundly stupid, take a look in the mirror and look up the word "hypocrisy" first

[brofightiscancelled]

okay ill bite why do u hate kaoru sakuraba sidem aside from the fact that they went from hokuto as a main blue to downgrade to kaoru. to make it less awkward that I’m asking abt sidem on ur osomatsu side blog, what sidem idols would u assign to each matsu ?

i think sideM should collab w osomatsu-san and put them all in Beit so they can all get JOBS!!!!!!

anyways i hate kaoru from idolmaster sideM. i need all my osomatsu-san side blog followers to know that i hate this man. "i need a lot of money fast to pursue an extremely niche medical research track, which is why i quit my stable and high paying job as a surgeon to become an idol while having no soft skills, physical strength or stamina, or interest in getting along with people" are you Stupid??

he's not even using his idol clout to spread awareness of the rare disease he's trying to cure (like SEM does) so it can secure funding, he sees it 100% as a job and refuses to have fun, he is actively unpleasant and uncooperative in every interaction with his coworkers because he's trying to "rise to the top". it seems like the only thing he has going for him are his looks and that he kind of liked to sing when he was a kid. why not become a model at that point when you have the personality of a wet tree trunk. or better yet why not STAY A FUCKING DOCTOR!!!!!

also, i don't like meganes, so write that down.

[cent-scratchnsniff]

l-o-v-e l-o-v-e

[randmwizardpart2]

fanart for chapter six of Neath the grove is a heart by @amberqueen01

this scene has lived rent free in my head, so i had to draw it. still pretty rough since i dont have finalized evbo or seawatt designs but ¯\_(ツ)_/¯

featuring: seawatt doesn't know where to put his hands, i don't know how evbo fit his wings under that jumper, and I still can't do faces despite drawing for years

[cubedmango]

「30歳まで売れないとアイドルになれるらしい」 (from cherry magic volume 12 special edition) — english translation

[lephalacat]

*Doodle of Proto Man whistling Melody from the Past...

....+ Zoning out at the worst time with no self-preservation skills.*

(Go listen to Melody from the Past by The Megas, it's a good sooooong.... 🥺)

[superfluffychickens]

It finally happened, my first time hearing little Pluto crow! Plus a little dance for Kay!

[seaofreverie]

Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)