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batsplat · 4 months ago

Note

quick follow up to this bit

was also reminded of this valentino quote

He speaks about my shoulder like he was the best shoulder doctor in Melbourne Hospital.

what WERE they cooking

(I can't like. prove this because obviously we simply do not have solid 'evidence' for casey's thinking here either way, but given this is a speculative post about how I'd narrativise these rivalries.... do think the screenshot above is basically my theory for why casey had a thing about valentino's injuries. to such an extent that valentino picked up and commented on it! after laguna and throughout 2009, there were various waves of discourse about casey having been 'broken' by valentino - first due to casey's dip in form in 2008, then because he had to take some time off in 2009. the fact that it was an invisible illness that he himself could not explain in a sport that is all about the big, glaring obvious injuries - one that was treated as a sign of mental weakness, something he was ALWAYS susceptible to being accused of... very much the opposite of valentino's shoulder and leg in that sense, which was way easier to explain and was immediately taken seriously. my suspicion is that for casey, it was about not being extended the same grace as valentino was, being frustrated at how much leniency valentino was being granted when casey was always being harshly judged. of course, valentino (in classic demented rider fashion) was if anything downplaying the severity of the shoulder injury and only admitted after it was more or less healed that he'd been terrified by how long the recovery period had dragged on and had feared he would never be the same rider again. casey's lack of empathy on this count is completely justifiable and he does also obviously have a point, but it's still an interesting part of his character. it's what makes the rivalry with valentino so very interesting - there are lots and lots of ways in which valentino directly made casey's life miserable, but then there are other ways in which valentino's mere presence, his existence, someone whose treatment casey could compare his own to, that also contributed to casey's hatred towards him. firstly by getting more empathy than casey did and the general injustice in how the sport was 'always' on valentino's 'side' in a way it never was for casey, secondly by having this reputation of 'breaking' rivals that... well, y'know, valentino was presumably more than happy to be the beneficiary of the whole thing, but it's not like this was actually a line he spread himself, including with regards to casey. he didn't have to! it's kinda just... an awful coincidence that casey's 2009 absence was always going to be treated with suspicion and he HAPPENED to have a rival with valentino's very specific reputation?? the perfect storm! which gets you to this odd point where... if anything after that casey is the main instigator in terms of the sheer vitriol of the rivalry - but it's built on years of seething resentment that valentino at times almost seems taken aback by... and then reciprocates with interest because of course he does. because that's just how valentino ticks. fundamental lack of understanding for each other!! valentino kinda accidentally being casey's perfect foil!! casey having a million Legitimate Grievances against valentino but still somehow managing to project 85% of his other issues with the sport on valentino too!! they're soooooooooooooo. so!!)

if you were to direct a motogp movie (or make a one season of television) what season or rivalry would you make it about? and more interesting what artistic liberties would you take? it doesn’t have to be a straight up biopic bc imo those are often boring, instead it could be something like velvet goldmine (1998) aka fictional characters whose real life counterparts are pretty obvious, veering in like rpf territory. anyways👀

did you know. one time this guy put a curse on this other guy. and he never won a race again

anyway, look, I do feel like by this point that's the BORING answer from me, but obviously it's where my mind first went. I'm not sure I'd actually want it out there in film form because by now it's badly enough remembered that it's like, my cute little niche story, and I think there's something fun about the Wider World even within the motogp fandom not exactly getting how bonkers the whole thing was. (I know other humans have canonically watched motogp 2004 but I swear even journalists have forgotten some key key details and it's kinda annoying but also fun.) bold words from someone who's been blogging about it!! weird gatekeep-y instinct. but basically my job here is done as far as outreach is concerned - I wrote a very long post, now I get asks about it twice a week that allow me to think about it some more with the four other people who care, perfect balance. that rivalry doesn't need to go mainstream!! the whole point of it is that it's kinda cruel but narratively pleasing that it's gone under the radar, because it's another sign valentino won. but obviously, I cannot literally make a film about this, so the hypothetical repercussions I think maybe we can put aside for a moment here

okay I came back to this bit of the post after I increasingly got into of the spirit of coming up with dumb ideas, but it did make me flesh out what I'd even WANT from something like that. I'm with you anon, a lot of biopics are boring!! if you want to just know what happened, please just literally go and 'watch the races' and 'read books' like what are we actually getting here. you kinda want to give it a purpose for existing, right, a way of portraying real/mildly fictionalised events in a manner that is also taking some kind of stance on the material AND is doing stuff you can't do 'in real life'. thing is, look, you could make 2006 into a film, and I'm sure it'd be perfectly nice because it's fundamentally a solid underdog story (well, inherently winning a title with repsol honda is NOT being an underdog but you can write it that way), but also what are you doing beyond just telling people what happened? I feel like that generally about single seasons, they're not really doing anything for me. I was also turning around the biaggi/valentino rivalry in my head in part because that's the one valentino gave as his answer for 'rivalry he would turn into a film' (marc big wet eyes sitting right next to him), but like. a film about that rivalry from valentino's pov is fundamentally not something I'm interested in. you have all these isolated very memorable moments that make it work as a rivalry, like you can absolutely spin them into a dramatic yarn that goes through the genesis of their conflict to middle finger gate to punching gate to assen + donington + sachsenring + phillip island 2001 and it's basically *insert rousing music* successful coming of age. at most you can lean into the fact valentino became successful at being a dick. like idk it's fine but also what's the point? valentino is challenged in a sports context by biaggi, he's challenged because he realises his words have consequence and the press actually reports the words he says to journalists (the horror), but he is fundamentally not challenged on a personal level. that's the entire point, right? it's the ultimate comfort zone rivalry - biaggi is a dick who it is quite easy to hate and also reacts poorly to valentino's initial provocation. the animosity escalates and it is inherently fun to beat him. valentino is mean to him, but it's not like he even really crosses any lines to beat him. like you can make it into a film, and if you twisted the material a little bit you could make it satisfying, but I don't want to!

now the way the writing process of this post worked was that I was going to breeze through a bunch of non-sete/valentino rivalries and explain why I think some of them don't work for our purposes here, but then I ended up writing myself into changing my mind. so my take on the biaggi rivalry is that actually, you CAN make it work but it has to be from biaggi's perspective. basically, I think you've got to amadeus it (a web weave I have been thinking of making at some point btw). so,,, it's a meditation on talent and how unfair it all is, maybe minus the bit where salieri poisons amadeus (I know that doesn't happen in the film) or dresses up as amadeus' father to, y'know, make him write a requiem on his death bed. and it's not amadeus in that HERE, the clown prince gets a happy ending! but it's more like, in thematic terms, I think you have to zero in on this bit. biaggi didn't have parents who shoved him on a bike when he was three years old, he didn't have parents who were invested in his motorcycling career (or even necessarily particularly invested in him), he started the sport late and discovered that, yes, he did have a prodigious amount of skill in it - but one that he started honing far later than valentino did. he approached his career with a sort of grim resolve, surly and irascible and not interested in making friends with any of his competitors but very, very good. he goes away from the race track and dates all these models, he irritates fellow riders, he's not part of the gang and he's happy about it. he's very successful! four 250cc titles, wins his first ever race in 500cc at a time when doohan was very much winning everything. he's also just like,,,, an interesting and spiky enough character it's not hard to make him come alive

but then of course you have this gradual emergence of the amadeus character, the one who challenges his established position in the court of,, well... motorcycle racing, and also as the guy italians rooted for! and valentino's obviously, y'know, in so many ways the exact opposite from biaggi, and he's super young and cheerful and lively and is doing all his silly celebrations and is being a bit camp and goofy and treats motorcycle racing as a party (you really want to lean into the culture clash here, like in amadeus it's because you have stuffy austrian court vibes but here it's because everyone is having their bones broken every two minutes and just how... kinda grim a lot of motorcycle racing was). and he's also this innocent! yes, he insults biaggi, and yes, in retrospect we know valentino is kinda evil, but at the time he was a kid with a big mouth who was a little taken aback by how that biaggi feud sort of escalated beyond what he'd actually intended it to do! and biaggi just, hates him. and I think, sorry to the real man max biaggi here, but you've got to play with how once they're actually competing with each other, it's miserable how there's just this unbreachable gulf in talent. like, whatever biaggi does he cannot win! he isn't going to defeat valentino over the course of a full season! which is depressing and horrible and CRUEL, because there's this inevitability to the whole thing... and also! because valentino doesn't DESERVE it. and you don't have to go full salieri pleading with god to explain how god could give this CLOWN all this talent, but it's kinda the same vibe! how is it valentino, who is constantly just having a laff and canonically maybe wasn't the biggest gym-goer in the paddock and is just generally seen as, y'know, a bit of a dandy, this foppish clown who everyone loves and who doesn't have to work hard to be good - how is he the one who is winning so much!! it's miserable and unjust... and I think how you portray this is that you really emphasise the kinda, repetitive nature of the defeat. like, I think you probably want to make this into a non-linear narrative where all this biaggi backstory is communicated somehow but you don't just start it when he was born or whatever - you start it in 2001 when they're competing for a title and already hate each other. and then you heavy on the time loop vibes. the whole cinematic language and all that other shit should emphasise how all these weekends are structured in exactly the same way and if you're losing to this one guy, all these different weekends can start feeling the same. it bleeds into each other, it feels inescapable, you're trapped in this narrative you can't change... worst of all, you even return to the same places again and again - like play with that! biaggi keeps coming back to where they had the fist fight, to where valentino first insulted him all those years back. you play up the disorientation and the misery of it all, plus biaggi canonically gives us all this kinda messy freudian shit to play with like how he was dating 'valentina' and his relationship with her was falling apart because of how miserable valentino was making him. it's all there!!

ANYWAYS the way you conclude this story is!! welkom 2004!! so again we can artistic license this a little bit and, uh, ignore sete (though I do also think it's fun if you lean into biaggi being displaced as a rival and staring at them being friendly and happy with each other from the outside) - but the key bit is that valentino is finally making the big error. biaggi wasn't winning titles on a yamaha, since he left yamaha has gotten worse, now valentino is making this big mistake out of his own hubris. language of cinema that shit and make everything brighter and more hopeful.... the time loop is finally over, biaggi has escaped, this year will be different!!!! everyone in his circle agrees, valentino is fucked. step off the plane at welkom (pre season testing didn't happen in this universe) and it's literal dawn of a new day... staring out at the sun and finally, biaggi can move on, can live a new and different life. anyway. obviously we all know what's coming next - you have this big dramatic climactic race where biaggi throws himself at valentino again and again and again and he comes so close to winning it... but he doesn't. and you have valentino living his best life, being delighted, but the film is focusing on how like,,, we're bleaching the joy back out of biaggi's life, how actually he's returning to what he already knew. and it ends on the podium, with the camera focusing on biaggi on that fucking second step or zooming in or whatever (idk how cinema works) and it just finishes on this shot of biaggi dead-eyed in a bleak world, trapped again for eternity aka until the end of the 2005 season. done!! I'm not sure this is quite what valentino had in mind, but. well. that's how I'd do it

this is from the pushkin play from 1832 not the 1984 film but like. low key pushkin already kinda nailed the essence of sports rivalries in the 1830s and we just have to acknowledge that sometimes

right. so the casey rivalry is where I'm going to go completely off the wall. skip this bit to get to the slightly saner stuff. this is also one I fully admit to sometimes playing around with in my mind anyway, but. uh. I'm gonna be taking this one in just. well. places. I do have a vision here but I also don't quite know how to explain it in a way that doesn't make me sound like I've lost my mind, but well if you're still reading this then that's on you. so lemme get this out of the way: the classic sports biopic formula would work well with casey. if I had to point to a single rider I would sports biopic-ify, it's casey. so you have all this kinda,, obvious adversity that's easy to get across, and it's a narrative you can follow chronologically without too much trouble. you've got all the childhood stuff, the australian racing club not letting him join them, the move to britain, the rising through the ranks, it's also this very biopic-friendly 'nobody ever believed in him apart from like three people' stuff. and the premier class is also narratively satisfying, from the rocky rookie season to the kinda shock success to then all the lows of 2008 and 2009 and the physical ailments and the anxiety and then the switch to honda and the title and then him deciding to retire... that's all good stuff! you can absolutely biopic-ify it! gun to my head and sure, I can walk you through exactly what bits of his life I'd focus on and put in what order and so on, and I think ultimately you could make a very good sports biopic from that

[some mild gore to follow in this next section]

but also. thing is. that's fine. it's just not where I want to go here, because again I feel like at that point you can also pick up his autobiography and just read it - because what you're basically doing here is just filming that. and I get how this stuff works, you're bringing the story to a wider audience, you can show stuff in a different way in that medium etc etc, and that's all great but also I don't care about bringing stuff to a wider audience. I care about doing fun stuff in my brain. so what I'd actually do here is just, basically, go in the exact opposite direction and ditch all the realism. genuinely, ditch the live action stuff, we're going animated - what I'm interested in here is stuff where we need to be able to fully suspend our disbelief and lean into some surreal shit. I'm not going to bury the lede here: my idea is that you take that thing where casey said he hated how ducati was ruining the bike by letting valentino's yellow encroach on it and, basically,, just go all in on that bit. like come on, that is so singularly visually evocative, it truly captures a lot of what's going on thematically in that rivalry. (see also x and x for the most relevant casey posts.) casey sees valentino as the malevolent force, this infection! he associates him strongly with a specific colour, one that can be sickly or unnatural or just... evil. malignant, malicious, malevolent, all the m words. to casey, valentino is a personification of everything that is wrong with the sport. valentino is literally the walking manifestation for so many of his issues, from the dangerous riding to the lack of respect to the lying to the cult of personality to the obsession with image and the media to the backroom games to the politics to the injustice of how different riders are treated differently, like!! he's literally all of that! this is a topic for another post, but this plays out in a lot of kinda, weird and funky ways where it's a two way street and sometimes when casey talks about motogp you go 'actually I think that's just valentino?' (btw he also does this about 'europe' right I don't think those are europeans you hate casey that's literally just valentino) and sometimes when he talks about valentino it's kinda? this feels like it's about a little more than the bloke himself? and basically, right, I think you need to take this to its natural conclusion where casey used to admire him and look up to him and want to emulate him on track and then gets disillusioned when valentino's worshippers turn against casey and casey is the one to bring valentino down to earth and... listen, I think you need to play around with valentino being a literal god. and I think you need to have casey stab him to cover up the yellow on the ducati with blood

okay. look. the idea here, right, is that we're basically making the subtext text, and just digging into that process of 'bringing valentino back to earth', of taking on a god and having the audacity to succeed, and also treating valentino as this sort of. infection in his own mind. the bike is literally being infected!! casey may have left the ducati but he STILL has some fidelity and love for this project, those were his people he worked with, and now valentino is coming in and just twisting everything around himself!! but also I think how this functions is that, okay, so you have all this normal stuff that's the actual 'plot' in the 'real world', but the ISSUE with the real world is that there's a lot of stuff that just. isn't possible there. like the thing casey wants in that rivalry but is never going to have is... a captive audience. a big problem casey has in that rivalry is that he doesn't get the chance to actually say a lot of stuff to valentino. he starts using the media more and more and plays the game on valentino's level, but there's still this disconnect where mr straight talking is the valentino rival who valentino never really blanks or freezes out like... there's a disconnect! there's valentino the person, who casey never quite figures out how to just straight up hate, and then there's valentino the character, the racer, the rider, the god who casey DESPISES. but when they're doing small talk at pressers and podiums, casey doesn't get to talk to that version of valentino! he just talks to valentino the person, who obviously isn't literally a different person but is also not going to explain to casey where he's coming from, is he, and also isn't someone who casey can explain to where HE is coming from. and that gulf... it does bother casey. I don't think he can quite verbalise why either, but there's just... this creeping tension. I think it'd be easier for casey if valentino really were more of a caricature, just kinda a dick in all walks of life. and there's just these canonical hints of that... the way casey talks about how he's sure valentino as a guy is fine, but he never knew valentino like that, the whole 'I'd like to go with valentino for dinner to tell him where I was coming from in that rivalry' thing, like!! it's there

so basically EYE think what you should be doing is using the wonders of storytelling to actually. embrace that element. and just leave realism behind now and again. valentino is a god, he is literally worshipped, he's part of this pantheon that casey is trekking to reach. casey is brave enough to take him on in combat, he is the first one who is truly able to draw blood. he sees how valentino isn't just a god of joy or battles or speed or the SUN or any of that other stuff - he's a disease, an illness, a god who is also a false prophet... the worship never quite goes away, because who ever truly gets rid of their valentino rossi complex, but casey eventually is given the chance to face a chained valentino and kinda,,, ritualistically publicly humiliate him using the ducati as both this sick thing that has to be 'cured' and this symbol of valentino's failure. I'm sorry, visual language goes brr here, like chain him up, do weirdly eroticised torture idc!! (psst psst valentino's fucked up shoulder also extremely goes brr here, casey low key a teensy bit weird about valentino's injuries? his thing after the 2010 leg break where he goes 'why's everyone making such a big deal about this other people break their limbs too' and then after 2011 jerez immediately asking whether valentino's shoulder is okay in just a very obviously passive aggressive way. literally he opens with that, valentino isn't using it as an excuse or anything, for some reason it's already on casey's mind and I would politely contest it was out of genuine concern for valentino's wellbeing!! it's just kinda? I'm so compelled by it? I suppose it is kinda about how valentino's suffering gets taken more seriously than his own? how those absences are received differently by the motogp world? idk I find this fun because casey does know this is one thing valentino can't really be blamed for himself, so it just slips out a bit? but yeah, casey + valentino's injuries, nobody's talking about it but I sure will, let casey get weird and mean and a teensy bit sadistic about valentino's injuries in an artistic manner.) crucially I like animation as a medium here because I think it's easier to lean into surrealism when you don't have to hand hold the audience so much through the suspension of realism, also there's just some imagery you can do in cooler ways through animation where in live action it may just look. weird. (I think you can also do one of those things where you have a live action film with only those specific bits animated but also... why? it just feels like in live action you need more 'justifications' for things, like am I saying casey is having some weird hallucinations and is losing his mind? no I just want to have weird vision sequences ffs.) the colour stuff!! valentino/casey is big on the colour coding as a rivalry, to the extent casey is even, y'know, drawing attention to it in the literal text!! yellow and red are banger colours, valentino is big on imagery himself with all his sun + moon motifs, it's kind of all there to make the easy next step to kinda zany surreal imagery. ritualistic stabbing works better in animation, you can kinda get the blood to like. drip down and overwhelm the yellow illness that's slithered out across the bike

and. AND of course what this entire set up allows you to do is.... give them an opportunity to talk. they can't talk in real life! casey CAN'T give him his real thoughts on anything, and fundamentally valentino can't either. they're opponents. they're strangers who chat sometimes. it's not just that they aren't friends, it's that fundamentally they cannot be friends - because their ability to do their actual jobs depends on a certain level of professional distance. valentino of course does have a decent read on casey, and vice versa, because when you're figuring out how to defeat someone then (if you're valentino) you're looking to play the rider too. valentino's entire approach depends on focusing in on his rivals and attempting to throw them off, to make them unravel. he's watching casey closely!! the entire journey of casey's first three seasons in the premier class essentially becomes like, this god of their world focusing in on him. figuring him out. trying to gnaw away at him. obviously, animation also allows you to go big on the panopticon-y imagery which is kinda fundamental to their rivalry, because of their fundamentally oppositional stances to 'performing' for the ever present cameras where there IS a little bit of common ground in they have both struggled with it. but valentino isn't going to ever say that to casey! casey isn't going to open up to valentino! so if you give them,, you know, a different arena to express themselves, where casey actually has this external figure to talk to (as he's like, cutting him open I guess) whereas valentino actually is put in a position where he's allowed to respond, where he can taunt casey a little bit, where he can interrogate casey's approach and also the similarities between the two of them and how casey has been forced to become a little more like valentino to challenge him... because the thing is, right, valentino is so big on message discipline with his rivals and has completely stopped talking about that rivalry post mid 2013 that, first of all, you have this complete imbalance in who's been telling this story for the past decade, but second of all you kinda don't have a sense of what valentino would respond? idk!! I think this is mainly fun as a thought exercise for me specifically but also I do think it's kinda, digging into some of the bits that make this narratively work as a rivalry, how valentino in this rivalry is actually just kinda... removed. like he's not really emotional about it!! at most he's a bit bitchy, but even that just feels about The Game. it's the most extreme in this regard followed by jorge - but with valentino's other feuds you kinda... see a bit more an unguarded moment, see something a little more real there. the casey rivalry feels so uncomfortable precisely because valentino is a little... inhuman in this one. I mean, if you want to have valentino as some kind of cross between a deity and a monster in any of his feuds, this is the one. casey's just an obstacle to him. idk don't you think casey kinda wants to chain valentino down and stab him and make him see casey a little more... well, I think he should want it and I think it'd be fun to see and get them to talk to each other. ugh and also all the implications of making the faith vs non-believer elements more literal... casey the heretic!!!

there's some obvious stuff here you'd have to figure out, like 'how do you make this work as a narrative even to people who aren't familiar with casey stoner at all' and 'who the fuck do you think the target audience is here' and 'you do know this is not the kind of thing that would ever be made, right, go back to the casey stoner sports biopic like a sane person' but!! I do think it's material you can make work if you're just,,, efficient and smart in how you're actually telling the 'real life' version of the rivalry. also in my head this is. idk. an animated limited series not a film, which then brings in other stuff like 'episodic structure' because I'm fundamentally opposed to tv shows that think they're films. and look, I'm not going to write an entire film script treatment here, I just think a good writer can figure this stuff out. blood on the ducati is the framing device for everything else, simple. lots of animated floating eyes I reckon, first casey is watching valentino and then valentino is watching casey and the whole world is watching them... and it does bleed into real life just a little, where you're wondering whether casey is actually imagining/dreaming this stuff or valentino is or if they both know it somehow... you can get away with more ambiguity in animation. anyway, if you do want more thoughts on this one specifically for whatever reason, let me know because this one I do actually have more on

also laguna 2008 is a bit tortoise and the hare coded if you really think about it

[end of gore]

so. on to jorge. hm. the thing about jorge is that he was kinda writing a coming of age film in his own head, so like - yes, that's what you do go for? you can play it straight and follow how jorge has cast his rivals, or you can pin the whole narrative on the fact that jorge has cast them - the kinda artificiality of the narrative, the way jorge is this storyteller who isn't being recognised as much as he thinks he should be, isnt adequately appreciated. the way there's this three way discourse between what jorge thinks the story is and what the public thinks the story is and actual. you know. reality. I think this is a bit more light-hearted, like you know how the best stories about teenagers take their emotions seriously but also let them be kinda silly? because young people are silly! jorge was silly! he's got a lot of CHARM because he's so cocky and naive and full on and intense and awkward and kinda off-putting and tactless and a bit all over the place and so painfully, painfully young, like he's a good protagonist because that's a KID. but also, obviously there's also a lot of extremely not light-hearted bits of his story - everything about his father, his manager... idk this one's another one where, I don't just want to make it a generic sports biopic, and I'm trying to figure out the clear narrative arc here? I mean, you can point to the end of 2010 and really lean into him choosing victory on-track over popularity off it. the problem with 2010 is that it does not work as a dramatic season, yeah sure with the magic of biopics you can hack at it to shit but also. idk. what are we getting out of it. I think for narrative purposes you want to maybe narrow in, and end it at the end of 2008, with the switching of the numbers this kind of moment of emancipation? but also! this feels like we're straying a bit too far away from the fun sports elements and I don't want to REALLY suggest all the ways in which you could mine jorge's personal trauma in a jokey tumblr post, so I'm gonna move on from this one

the problem is 2015 just straight up doesn't work as a jorge-centric narrative, except in a very kinda comic way that leans into how absurd his role in that season was. 2012 as a season is a bit... y'know, it's fine. okay it's mostly terrible, but that's fine too. but it doesn't have a great narrative hook. which kinda leads you to the problem that I do think the valentino rivalry is more... juicy from jorge's pov, because for valentino, jorge is just kinda? an obstacle? idk he's more normal about it, it's just his job to destroy the guy, you know how it is. but also 2009 does work better narratively from valentino's pov, like it's the build up to catalunya specifically you can dramaticise... idk though, I do love catalunya but my heart isn't really in this exercise because I think valentino isn't really being... challenged here? it's a title fight where he's fundamentally using a set of tools he's already perfected, to beat a guy he doesn't really give a shit about. when the italian press is down on him pre catalunya, it doesn't spark any genuine self-doubt - it's just a handy source of extra motivation. there's no epic highs or lows that season, not real ones. and yes I know I was talking about making valentino who gets stabbed repeatedly to cover up an infection a moment ago, but that reflected real EMOTIONAL truths!! I'm committed to thematic fidelity more than I am to literal fidelity

genuinely I think the best way to tackle jorge is with the jorge/dani parallel journeys... what, film? tv show? maybe show actually - you don't have one coherent narrative Statement per se but you're constantly charting those journeys in reference to each other, really rooting it in their respective points of views, no neutral detached cinematic language like I want everything to be very much written to be from their eyes!! going from one to the other and back again. and you're charting these different journeys, right, and how they both captured different flavours of like... emotional successes and failures. I think it's actually about failure, yeah, about having to accept there's something you can't have and might never be able to get - whether that's universal love or a premier class title or whatever - but Actually, that might not be the end of the world. and during this process, they go from being enemies to tentative friends!! guys who realise they can maybe actually understand each other better than they thought!! this real moment of interpersonal connection. you have all these media narratives and the managers and so on and the fact they're competitors as these built in reasons why they've just been pitted against each other from the start... but y'know, again, it is also just a bit about maturing, about being able to set that aside, about making your peace with defeat and failure as an element of growing up. you can't win everything, maybe there's something you really really really want and you're just not going to get it, but at the end of the day it's kinda... yeah. self-acceptance. idk this is the nice one

so with marc you can go several different ways here I guess, and again he's also perfectly decent sports biopic material, probably second to casey in that category like yeah sure do the comeback story. but also, we do already have a very good self-produced documentary about what he thinks the narratives of his career are? idk this is also just a personal taste thing, I'll leave him to doing all the injury stuff himself, I don't have much to add there. we'll get to the obvious one in a second, but I was trying to figure out if there were other places I massively felt like you need the cinematic touch. and, again, the 2013 season is obviously very exciting!! but also, you have it covered in.,,,, multiple documentaries, I don't feel I have a take their either? his rivalries with dani and jorge aren't really substantive enough to sustain a bit of cinema. dovi... I mean, what are you saying there? what's the arc? I feel like if I tackled dovi, I'd go somewhere else and really go all in with the ducati stuff, and make it a bit more... you know, stark, stripped back, basically just the emotional component of how much he gave to that project and how he managed to beat away one rival after the next and how it all ended up falling apart in a kind of anti-climactic way? he's also good sports biopic material, but in a way I think the marc rivalry is the bit of his story I have the least to say on. so eg, 2017 is a dramatic season, but he's also kinda fine after it? he always knew it was a long shot, he tried his best and he got really close and then he lost. you can't amadeus it because dovi isn't (fictional) salieri. basically, I think what I'm saying here is that dovi is too well-adjusted to feature in this post. though I'd totally watch a film about his 250cc seasons, like it's a bit annoying because HE is the underdog who loses both title fights to jorge, but it'd still be kinda fun idk. I wouldn't really know what to do with the material but if someone made the film I'd absolutely watch it

right then. the thing about sepang 2015 is... yeah, sure, of course you can do it, it already exists as a narrative but... yeah, what are you adding!! idk I always think when you're adapting something, you kinda need to have a reason for it? I mean, what are you doing that's not already there in the footage? idk maybe this is just a sign of having been a fan of this sport for one too many years but to me the idea of sepang 2015 can get a bit boring (or maybe just repetitive) where I need a new TAKE on it to really get into the idea of fictionalising it. like where's the auteur's touch y'know, what can I still add to this!! but it also needs to WORK for someone who is new to the story, which kinda just makes you want to tell the story straight.... y'know the story is strong enough and COMPLICATED enough to stand on its own and it IS good but I don't really have anything interesting to say beyond 'yeah sure that'e be neat'. I can't tell you why, but I also don't think the casey approach quite works here? the idea of providing a framing device with which valentino and marc can actually talk to each other... eh. don't like that. hm. okay wait actually I just turned it around in my head for... a while and I think I've got an idea to make the worst motorcycle racing film of all time. so, my central stupid film-making gimmick here is just. centring the fact we're completely reliant on a few guys and what they're telling us in making up our minds, and our removal from that story and the imperfection of their perceptions and so on. so I think you kinda make a point of... not actually showing the motorcycle racing? like, you always show it by showing other people watching it, you're showing the tv screen rather than the actual racing. even in the cinematic medium, you're centring the theatrical aspects, where you drill it down to just a few characters. valentino. marc. uccio. marc's fuck ass manager. maybe a crew chief or two. keep it limited though, all the others are kept at a distance - you're constantly focusing in on the same few characters. and very early on you basically just like... get them to fourth wall break by telling you, the viewer, with their actual words how racing works for them, what meaning they take out of it - and again it's this remove because we're never allowed to actually feel the racing for ourselves (no helmet cams), and it sets up that as the tragedy unfolds, again and again we're just hearing from them what happened. it's all zoomed in on how claustrophobic the entire situation is, like doing the race direction room after the sepang 2015 is perfect for that kind of thing, and crucially they're only ever addressing the audience because they can't address each other. but fourth wall breaks also obviously draw attention to artificiality! I realise they are very much like, lame gimmick central, but also are these men not inherently about lame gimmicks... idk it's basically the same story but at least it feels like a kinda interesting way of telling it. kinda trite, but cinema allows you to get to the point and let valentino actually play with the camera... so literally take it into his own hands and lead it around and tell the story from his point of view. and you can play with how they do both change in what stories they think they're telling, how they're constantly revising their own stories, how their stories completely clash with each other... like. make them literal narrators. that's my pitch

so. one interesting pattern that has come up with my approaches to these rivalries is that with the exception maybe of the 2015 stuff, I feel like I'm more naturally inclined to treat valentino as a narrative device and centre his rivals. a big part of this is that valentino is a fantastic narrative device. he's kinda. this looming presence in every narrative in this sport where you can just sort of use him as a sort of way to poke away at all these other riders. the monster everyone loves who you are trapped with. BOO!! he's gonna eat you! which is fun! but ALSO, crucially, several of these rivalries aren't that emotionally challenging for him!! again, with casey right, he wants to beat him, but he's not having a crisis of faith over losing to casey. he thinks casey is annoying, he wants to beat him because he wants to win. valentino is casey's foil, but casey is not valentino's. valentino makes for an excellent personal antagonist to casey, but the reverse just isn't true. casey isn't forcing valentino to reexamine his approach except 'ramping up the levels of being a dick on-track' - like, yes, that's a serious competitive challenge, but also valentino is very comfortable in his own skin in that rivalry. sure, you could have valentino have some kind of massive revelation about the casey rivalry, but like. he doesn't in canon. he changes his behaviour towards casey in pretty predictable ways depending on what the relationship demands from his perspective at any given time. there's nothing more there

now, obviously you know where I'm going here. there IS a rivalry where you can make the argument he changes as a result of it, there IS a rivalry that tips him over the line and makes him to do stuff he hadn't done before that, there IS a rivalry that happens to coincide with a period of his competitive life that challenges him both personally and professionally. now, look, I have already talked about the sete rivalry. you know what I think about this rivalry - and if you don't, I really already have told the story here and here and here and here and also here. I think this works perfectly well as a narrative in its own right, and it's one you can tell from either perspective... but you kinda need both. I think again you probably naturally lean towards starting it from sete's perspective and that first proper meeting (I mean, idk if it is their first actual meeting, but it's the logical obvious place you start this story) with sete giving valentino advice during his first 500cc test and valentino just, y'know, ignoring him and being a cocky shit and then crashing. so you get to see sete being kinda exasperated by the whole thing. also, obviously ibiza is like, a key framing device here, like it's the most obvious in-your-face way of tracking their relationship with each other. I don't actually know how often they partied there together, but it must have been at least twice and if the commentators are to be believed it must have included 2003. artistic license and you can add one or two more times, but mainly you want to focus in on 2003 onwards right. so you've got this 2002 one where it's, y'know, high point of their friendship and in the name of narrative efficiency, you establish here that sete is looking to make the honda switch. the emphasis is on how valentino has been winning everything but on the flip side you're getting the first insight into his discontent. and there's a bit of a vibe of, what could you possibly have to complain about? like you are winning so much? so it's late one night where they've had this slightly unguarded alcohol-fuelled moment of genuine vulnerability but in the end it's actually characterised by how... unsubstantial the link between them is, because they wouldn't talk about this kind of thing with each other and they might both be similar in some ways but also don't gettttttt each other. it means you can return there as a location in 2003, where you've just had sachsenring and valentino's dramatic loss but they're still partying together and it's like. obviously In The Air that not everything is quite right... their relationship is already gradually altered and twisted because you're introducing this element of actual stakes and competition (obviously in 2004 they do NOT spend that time together, as far as we know anyway, and you can show them being very much not together at ibiza as a very obvious Oooh Things Will Fall Apart and maybe already haveeee)

and I do think basically I've already said what I think the themes here are,,,, several times by this point, so I'm not going to belabour the point. I think all of this fundamentally works as a narrative with like, minimal massaging and rearranging of the elements for dramatic effect. it's all there already, everything from sete's arc with the [insert non-tasteless way of covering a real life tragedy that fundamentally alters the course of sete's career] and how that leads to sete becoming the challenger and how he does want to win and his eventual downfall. with valentino, you have the element of liberation and self-discovery and... well, growing into your own but also kinda having the narrative drawing attention to how 'growing into your own' can involve becoming a fully realised character who is essentially quite cruel? you have this kind of... build up, right, towards this moment of revelation, where you lay bare who these two people actually ARE at sepang 2004, and then again at jerez 2005. valentino has gone his own way, he has freed himself from the chains of honda, he has embraced individualism and the chance to define himself and his own legacy and stand on his own two feet and not rely on the strongest bike or all this stuff within honda where they chose him as their flag bearer, for better or for worse... like he comes to his own here! he takes the step from 'great rider' to 'legend' because he gets to this dramatic moment of stepping into the unknown, he takes this massive risk that could have cost him so much, and it ends up elevating him. but it also puts him under duress, and in that moment he reveals himself - whatever sete did or did not do at qatar 2004, EVEN IF sete did all that shit, what you are left with is valentino vowing to ruin this man. valentino uses sete to make himself 'better', to fuel himself as a competitor. valentino turns sete into a tool in his own story. and again, thematically you've got all this stuff about how sete was managing the image of the rivalry and how valentino took advantage of that - how sete needed it to remain respectful and valentino was completely willing to abandon that. like, you have two protagonists who really are similar in quite a few ways, who think they have this shared understanding with each other, but when it comes down to it? they end up being super painfully different

now I can go on about this and how to play it straight, basically, you can just do that rivalry and I think it'd be cool and fun and very easy to arrange in a good narrative way. BUT I've kind of already. done that. like I don't want to suggest a film that is basically a nicer version of my tumblr posts. so I want to take this in a slightly different direction, and I think what we need to consider with this rivalry is this: what if you made the curse literal? basically, what's always kinda charmed me about this rivalry is that the curse should not work and all the misfortune that befalls sete after that is so comical that it's kinda... what do you do with that? and the answer is you just lean all the way in. my pitch is this: what if valentino sells his soul to the devil?

so, you know faust, right, and you know the bit at the start of goethe's faust where god and mephistopheles are basically making a wager over how corruptible this one human is. and faust is like... he's kinda disillusioned, he feels that everything he's dedicated his life to in academia is fundamentally hollow, gets very close to committing suicide. and faust has gone a bit new age-y, gotten into all this mystical shit and he's got this pentagram that ends up preventing mephistopheles from leaving his presence in their first meeting... and basically what the devil can give him is like, the chance to attain some true pleasure, and for that faust is willing to bet everything - so if faust can just have that, then maybe eternal damnation is worth it. and look, I'm not going to summarise the entire plot of faust here and it does go off the wall a bit with all the gretchen stuff, but the point is you have this version of the devil who is fundamentally a cynic and is attempting to win an argument with god by making this human succumb to his own nihilism. and what faust basically does is like, abandon his normal life where he's trying to live by normal virtues and goes off on this journey with the devil. and there's this little moment where mephistopheles,,, pretends to be faust and takes on the role of an academic adviser (you know how it is) and seduces this random student away from the word of god and sends him down a wretched path, which ends with this bit:

like, a big part of faust's tragedy is supposed to be about... well, hubris, of the relationship of god to man, of no longer being afraid of the devil... and obviously, this is all framed very much in terms of religion, but at the end of the day it's also about, you know, having purpose - faust is living a life that no longer has any meaning to him, all of his knowledge and studies now no longer fill the void inside himself. his nihilism opens the door for mephistopheles, and is what makes him willing to accept the devil's terms. now, and I am so very sorry to goethe here, I think we have some material we can use here to explore the valentino/sete rivalry. obviously, you can't do a one-to-one, you need to get rid of some of like, the depression and all that - there were times when valentino was feeling 'a bit low' in 2003, but not 'faust thinking everything he'd done in his entire life was pointless' low, yeah? also, unless you want to do a real long view here and even then it can't really be justified, there obviously isn't really a 'tragedy' here from valentino's perspective. like, he wins! this isn't valentino's tragedy, it's sete's! I was being a bit facetious when I said he was 'selling his soul to the devil', and you can kinda parse mephistopheles' motivations in different ways depending on what flavour and what interpretation of him you're dealing with here. you don't 'damn' valentino, you essentially just turn him into a tool of the devil!

so, this is how this works out in my head: the devil works more broadly as the manifestation of competitive impulses, the kind of 'how far would you go to win' question as a bloke who shows up and literally talks to the characters about it (magic of cinema). he's also engaging with valentino feeling like his victories no longer having meaning, with being disconnected from honda and from the entire culture there and just feeling like he's going through the motions. there's this element of like... opening the door to what is essentially a journey of self-actualisation, bringing him closer to being a 'god' but also allowing him to fully come into his own and become himself. to win on his own terms. I reckon ibiza is my preferred narrative device where the devil talks both to sete and valentino there (separately), first literally as a mysterious stranger and then... maybe not? he's talking to them at times of their lives when they're not at ibiza and it's not happening there in the physical world and they both end up kinda having to confront they're dealing with some potentially malevolent supernatural entity. but the important elements of the devil is that a) he's not going to do anything the humans don't actually ask for themselves, and b) everyone knows he's following his own agenda and you should be careful of the requests you make of him. so it's kinda like... essentially, the backdrop of this rivalry unfolding is they're constantly being challenged to decide what lines they're willing to cross. which culminates at qatar... and maybe you do have sete making like. a teensy mistake. a teensy error in judgement, one that is both real and deliberate but he could not have known would get that reaction and instantly regrets. and valentino, who is I think inherently sceptical of the devil coming to offer to help him and maybe does crank out the pentagrams (remember, the whole point of faust is that he was too arrogant to be scared of the devil, or one of the points anyway), in a moment of fury does decide - no, actually. I will take that step. I will curse sete. now the thing is, dramatically this is a teensy bit tricky because when you're talking about being damned by the devil, usually the consequences are a bit more severe than 'not winning a motorcycle race again' (yes, you can get into how sete did also seem genuinely cursed after that, cf his ambulance/bus crash situation, but again we are flirting with being in poor taste in this tumblr post). but the thing is, right, you have to lean into the silliness here! qatar 2004 is inherently silly, a CURSE is inherently silly, like real life is already silly here! you have to engage with the people where they are, and for these athletes all this shit is so heightened that the emotions are full on. like, valentino would've sold that guy to the devil! and to him not winning another race is basically the worst thing that can happen

so, obviously, you get to do the actual curse stuff. curses are inherently campy fun, the devil doing curses is campy fun, getting valentino rossi to crank out the pentagrams is inherently campy fun. you get to play around with this, right, like you know that bit in the brno 2005 race commentary where the commentators are talking about how valentino might as well have a little radio to talk into sete's helmet to remind him of how sete had fucked up at the sachsenring. OBVIOUSLY obviously obviously it is just so... idk scrunchy and fun to have this idea of valentino becoming a malevolent enough force to literally do that.... like damn the commentators did kinda eat with that?? ughhhhhh do you ever think about sete leading the qatar 2005 race for most of the way???? like that's SO fucked up because you literally have articles from about the race going 'hey maybe sete can break his curse' and then the commentators are talking about curses having one year expiration dates but obviously they!! do not!!!!! there's one race where sete goes off track and the commentators are talking about how valentino will surely have smiled into his helmet like that's so fucked!! it's so fucked!! but idk I think basically you have all this creeping curse-y stuff and devil stuff and then you get this twist and then it just becomes misery zone for sete until you sort of. compress the timeline and have him retire without getting into what happened at the end of 2006. and valentino just relishing in all his very worst emotions. and you've got sete who was the better man after jerez 2005, who took the high ground again and again and again and it did NOTHING for him.... and then he's cursed and his career is finished and the devil has had his fun getting mixed in with mid noughties motogp. and now obviously this is inherently kinda dumb and corny and silly but it's the devil!! mephistopheles to me is allowed to get up to dumb shit sometimes, let him have some fun!! idk I like curses being literal idc

I think the obvious critique here is 'this doesn't really feel like it gets the message of faust'. which, yes, is true - and obviously the way narratives are structured, a satisfying resolution isn't 'well selling your soul kinda slaps, actually'. and my statement to respond to this argument is as follows:

this is essentially canonically what happened. valentino DID do something kinda evil and it DID work out 100% for him and it DID kinda slap. at least when you add in the devil, you're making explicit the bit where it is a little bit bad. also, is sports not inherently about selling your soul for success... the story of valentino and sete is essentially about how we are twisted by competition, how pretending that we don't wish ill to our opponents is inherently dishonest. it is about lifting a facade for something that is already inherently there in the souls of men. this is obviously inherently a deeply cynical stance, but this is also a deeply cynical story beyond all the fun battles and camp dramatics. the devil is a cynic and he is basically the point of view character of goethe's faust - he's the one who is positioned closest to the audience. sports is all about living out some of humanity's worst instincts in a relatively low stakes setting, which means we get a free pass to have fun with a deeply cynical story that goes 'maybe selling your soul to the devil is fine, actually'

do I stand by this stance? not really, but the whole fun of storytelling is that sometimes you can just be kinda mean. I think goethe would get it... you can tell which character he enjoyed writing the most

the OTHER way you can do this is centre everything around qatar 2004 as like,,, the mystery box element...... okay look I have now made two posts that go WAY too deep on the 'what really happened' element but I do loveeeeee the whole thing like I would just make a film about that very end of the season and we show it from all these different angles as different characters narrate what happened... like fuck all the riders I want to hear from whichever mechanic used the scooter... the gresini mechanic who gave evidence to race direction.... various honda higher ups the crew chiefs like this is jb vs juan martinez it's war!!! obviously you still have the same emotional/thematic hooks as the general rivalry does but idk I would have a LOT of fun figuring out how to structure that, I loveeee mysteries... maybe I'd write it as a mockumentary yeah..... this one's just fun

anyway. a lot of stuff going on in this post, huh! you can probably tell I didn't edit this much. my classic tell when I edit my tumblr posts is I remember how 'paragraphs' work. unfortunately all I have energy for are like. a bunch of rants about things in my brain. I think when tumblr tells you that you've reached the maximum number of characters per paragraph and you need to figure out where to put a break, it's probably a bad thing? on the whole, my stance is I don't have anything AGAINST mildly fictionalised versions, but for me I'm always more of a.... well I want to take advantage of the full specificity of the events as they happened or just come up with a completely original story. kind of person. I know this ask probably wasn't looking for my 'what if you bled out valentino as he's strung up above a red motorcycle' vision but yeah. with a lot of biopics I'm always a bit 'well you could just read about this couldn't you' like I need stuff to take some kind of a stance on the material it's using... all my stuff takes a stance. that's all I've got. obviously all these stances mean that basically none of these things could ever be made. and I know what I said above but if they called me up to write the casey stoner biopic script treatment, I would also do that. if you've actually read to this point, give me a shout - you're a real one and I love you

#spec tag #casey's power is such that after half a decade of having weird hang-ups about valentino #he finally got valentino to have weird hang-ups about him #like sometimes u get these comments where ur like... huh casey doesn't this feel. a bit much. like this is a bit much #and then valentino sees it and goes????? wow FUCK this guy. and then they just keep doing it. like adults #this is the thing right. if i'd broken my leg and the main things one of my two biggest rivals says about me in those months is #a) 'the race in britain was so much nicer because that guy's fans weren't there :)'#and b) 'idk why everyone's making such a big deal about this guy being immediately fast on his extremely premature return'#'it's just a leg break he probably only lost some muscle mass'#i think i'd probably also be a bit ?? especially since the rivalry really wasn't THAT bad before 2010 it really wasn't!!#but then by 2011 casey managed to completely fry valentino's brain and it just goes off the CLIFF like it is so!! undignified!!#it's funny because it's definitely the rivalry valentino got over the quickest #but in terms of sheer hit rate of insults. like just raw frequency. when they were going at it. this ranks number one in vale feuds!!#(btw a big GLARING tell that the marc thing is weird and special is that he is *right* on the opposite end of the spectrum)#(like i think this can be tricky for people to clock but it's actually Notable how little day to day conflict those two had post 2015)#and obviously casey's still not over it. which again is DEEPLY understandable but also a littleeeeee bit funny (love you casey)#the way he still yaps on about jerez 2011!! a racing incident in the wet!! like it is kinda... well yeah. funny. when you contextualise it #idk it's just cute to me how they had completely different experiences of that rivalry #to the point where they just don't Get what's going on for the other guy. they just don't get it!!#hitherto unknown levels of 'what is this guy's PROBLEM' it's so!! they're so!!#this is how you get casey talking about wanting to explain his pov of the rivalry to valentino over dinner. this is how you get that #and it still wouldn't work!! isn't that amazing. they're going to go to their graves being vaguely baffled by the other guy's deal #//#brr brr #i put all my best analysis in tags for a read more x2 post. this one's for the real ones. all two of you #casey has a shorter sample size of a career to work with but do NOT get it twisted that is my number one girl!! my beautiful sister #my poor troubled neurotic paranoid delicate prodigy conspiracy theorist magical girl anime protagonist #casey would have an aneurysm if he read those words but is that not. the point #luminous yellow tag

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nyctoaerah · 7 months ago

Note

yandere satosugu x female reader? can you do jealousy headcanons (like what makes them jealous and/or what they do when they get jealous)? sorry if that wasn’t specific enough!

╰┈➤𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒: Yandere behavior (duh) murder, possessiveness, gore. (Ooc maybe) satoru being an oa little shit. Poly relationship.

╰┈➤𝐏𝐀𝐈𝐑𝐈𝐍𝐆𝐒: Yandere! Satosugu x Fem! Reader

╰┈➤𝐍𝐎𝐓𝐄: WHAHAHA i didn’t knew if you wanted it to be separate or not anon, you said satosugu so i immediately assumed that it was a threesome. But heree, some hc’s:33 sorry pookie, i got lazy on suguru’s part:< SJAKEKSKA i did this first cause hc’s are the easiest to write💀💀💀

Masterlist

🔪Satoru struggles with pervasive jealousy issues, particularly when it comes to you and Suguru.

🔪This dude is like the embodiment of jealousy. he’s so envious he’s practically green with it. Hell he’s even jealous of himself. There was this one time he bet he could pull off dressing up as a girl for a dare, and oh boy, did he go all out. But then he got all pouty when you gushed all over him and got all touchy, something that you don’t really do often. And his reason of getting jealous with himself? He thought that you prefer him as a girl, like hello? you were supposed to prefer the original satoru and not his genderbent!

🔪But seriously, this guy’s jealousy knows no bounds. If Suguru flashes a flirty grin at someone else, bam, jealousy strikes. And if you dare compliment another soul? Jealousy overload. You hugged another man that isn’t suguru? He’s trying to force himself not to throw hands. This dude craves all the attention, all the affection, like a toddler hoarding toys in a playgroup. He’s aware he’s selfish, probably knows it’s not the best look, but he’s powerless against the possessiveness that overtakes him when it comes to you and Suguru. You both have this unique power to bring out the best and worst in him, after all, you two were the only one who sees him as “Satoru” and not as the “Strongest.”

🔪Satoru’s neurotic tendencies and jealousy issues stemmed from his messed-up childhood. The poor guy got stripped of his carefree youth and was thrust into the adult world way before his time after all. the jealousy bug bit him hard when he saw other kids having the time of their lives, while he was stuck with grown-ups fawning over him and expecting way too much and pressuring him. That childhood envy stuck to him like glue, and it grew into a full-blown mess when you, him, and Suguru became an item.

🔪The thing that grinds Satoru’s gears the most and the absolute worst, is when you and Suguru says something about other people’s eyes like; “Their eyes is so pretty” Blah, blah, blah, bullshit like that. It kills him inside that you don’t shower the same love on his eyes. His eyes are prettier, more powerful, and literally very unique, and you hardly ever mention how beautiful it is.

🔪Satoru absolutely loathes it when you’re completely oblivious to someone flirting with you. He’ll shoot menacing glares at the culprit when you’re not paying attention, as if daring them to keep it up, and he would end up threatening them.

🔪Satoru doesn’t bother in hiding his emotions, he’ll whimper, pout, and stick to you and Suguru like glue. And would play the melodramatic card, guilt tripping you. Or he’ll just straight up threaten you or tell suguru about how naughty you are.

🔪🔪🔪

Satoru’s head rested delicately upon your lap as your dexterous fingers ran through his snow white tresses. He gazed at you upward, sky blue eyes peeking from beneath his snowy eyelashes.

“Can you give me your phone for a minute baby? I just wanna do something”

Without pause for consideration, you obliged his request and gave the phone into his outstretched hand.

“Yeah, sure, here.” You responded with a hum.

“What are you gonna do with it, anyways?” You questioned, before your eyes widened as you saw how satoru’s digits hastened across the interface, focused intently on blocking specific contacts from further reaching your line.

“Huh, ‘Toru, what the hell?”

“Wait—why are you blocking them? Those are my—” Your words faded as Satoru lifted his head from your lap and moves away from you, his piercing gaze fixed on yours as he gently grasped your chin between his forefinger and thumb.

“Why do you always insist on conversing with them, hmm? Do you like them?”

“What— no! It’s not like that, what the fuck?”

“If you really love me and Suguru, then you have to sever ties with that girl/guy and keep your distance, okay?”

🔪Suguru really isn’t the jealous type, because he’s all about trust and loyalty when it comes to you and Satoru—He trusts you two.

🔪But, every now and then, a feeling of jealousy creep up inside him when he sees you and Satoru hanging out and having fun without him. He tries to brush it off though, understanding that you two are really close. He just wants to see his pretty lovers smiling, or at least that’s what he tells himself.

🔪When Suguru starts feeling jealous, it’s not a pretty sight. Beneath that kind and laid-back exterior lies a man who doesn’t really forgive that much. Suguru doesn’t forgive, and he doesn’t forget.

🔪Suguru may be a master at concealing his jealousy, but when it does surface, it’s like a storm crashing down. Picture this: you innocently text someone he’s really jealous of, and before you know it, your phone is pulled from your hands and tossed across the room while he summons a cursed spirit to destroy it completely, only to be replaced with a brand-new one moments later. Oh, and that person you were casually chatting with? It’s either you can consider them ghosted or consider them dead.

🔪Mentioning your ex around him was a big no-no. Because it immediately triggers him. can’t you just keep the spotlight on him and Satoru? One tiny mention of your ex’s name or Satoru reminiscing about his past flings, and Suguru’s mood immediately becomes sour.

🔪In stark comparison to Satoru, Suguru remains nonchalant about compliments being thrown around. He’s all for lifting people up until those compliments take a flirtatious turn. If that line is crossed, however, his cursed spirits will have its new meal.

🔪If Suguru was jealous and it led to an argument between you two, he would turn on his ultimate weapon—the silent treatment. He’d nonchalantly start hanging out with other people, making sure you noticed just to annoy you and make you jealous. He was well aware of his petty tendencies, but deep down, he simply wished for you to drop the bratty act and apologize.

🔪If you don’t really apologize and just pushed him over the edge... Well, you’ll have to say goodbye to your sanity because suguru is brutal as fuck when it comes to giving punishment.

🔪Unlike Satoru, who would guilt trip and manipulate you, Suguru would take it up a notch on the intensity scale. He wouldn’t shy away from using violence after all. And that doesn’t only apply to the person that he’s envious of, that applies to you too, and satoru. But that’s the difference, Satoru is a good boy, and you’re not.

🔪Suguru would be more than glad to kill someone in front of you and force you to watch it after all. He’ll hurt you too if you thrash and scream instead of being a good girl.

And you can’t really escape the both of them, after all, their love is like a noose.♡

🔪🔪🔪

Suguru’s hand forcefully clamped over your quivering lips, stifling any cries that tried to escape. His breath was hot against your skin, his fingers digging into your flesh with an iron grip, rendering you immobile. The metallic tang of blood invaded your nostrils. Your eyes were wide with terror, pupils shrinking, and your pulse quickening. A sickening view of gore played out before your horrified gaze, crimson splattering the walls, each nauseating squelch echoing through the room.

“I told you to stay away from them and you didn’t listen...” Suguru whispers, his breath hot against your neck, his delicate mouth parting to suck hard upon your pulsing skin, his mouth works its way slowly along your skin. And you shudder involuntarily beneath his touch, fear coursing through you as his lips close around a patch of flesh, sucking hard.

“See...? This is what happens when you disobey.”

The sharp prick of his teeth sends bolts of pain ricocheting through your body. Your already unsettled stomach lurches violently at the sight that greets you as you raise your head, struggling against his grip.

Before you, bound fast to a wooden chair, was the friend you had jokingly flirted with. Tears stream unchecked down their pallid cheeks, mingling with traces of dried blood, as their cries continue to ring in your ears.

Every limb was callously severed, Their bones was protruding out—the metacarpal bones, the carpal bones, the humerus, the ulna, the fibula, and other bones, Their arms and legs are covered in long, vivid scarlet lines that are three inches wide, intersecting each other in a crisscross pattern and the wounds appear to have breached the surface of their skin, While suguru’s cursed spirits feeds on their severed flesh.

With a low, self-satisfied hum, Satoru drags the tip of the scalpel upwards your friend’s cheek, cutting them and the skin opens, revealing their inner facial muscle. He then reaches out to grasp a fistful of your friend’s hair, yanking their head back sharply to force clouded eyes up to meet your own.

“Suguruuuu, what do i do next? Do we gouge their eyes out for looking at our pretty girl that way?”

“Do it. She said that she likes their eyes anyways... She’s probably implying that she prefers their eyes over yours.” Suguru smirks, humming as he pressed his body against yours, enjoying the way satoru’s face suddenly fell.

“Haah... Looks like i’ll be enjoying gouging their eyes then.”

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xxsunoosprincess · 9 months ago

Note

Hi! I was wondering if you could do a request of Enha legal line with a virgin S/O and how they would have sex with them the first time? Thank you so much if you answer 💕!!

ofc cutie!! such a sweet request, I’m happy to write this :3 fair warning, I feel like I got a lil nasty on a couple of these…

Enhypen’s first time with their virgin s/o (OT6)

pairings: enhypen legal line x reader

warnings: 18+, minors dni, reader has fem genitalia, pussy job, corruption kink, a bit of awkwardness and reassurance

Heeseung

“Just the tip” ass mfer. Wants to make sure you are enjoying yourself and are sufficiently soaked so it doesn’t hurt. Keeps your cute pink panties on while rutting his cockhead against your covered folds. When you beg him to do more, he pulls your now soaked panties to the side to expose your glistening pussy. Moans so loud when you gasp at the exposure to the cold air.

Continues to fuck himself against your cunt, leaking head nudging your sensitive little clit. “You ready, love? I’ll just… I’ll just put a little bit in, okay?” as he pants above you. Keeps good on his promise, fucking you on just the first couple inches of his dick until you are creaming all over him.

Jay

He… heheheheh he’s sick in the head. His cock fills out immediately when you tell him you are a virgin, all shy and blushing underneath him. Jay considered himself above typical boyish desires, but this. Fuck. “It’s okay baby, I’ll be gentle with you.”

Knowing that he’s the first to see you like this. He’s the first to see your cunt up close. He’s the first to kiss the whines out of your mouth telling you to quiet down before the boys hear you. His cock is the first to feel the warm insides of your pussy. He has to hold back from fucking you immediately, both for your sake and because he thinks he is going to bust the moment he slips in.

Jake

I know a lot of people say Jake is a fuck boy, but lowkey I think he is a virgin too. He can’t help that he is a flirt! He always leave you blushing, so imagine how shocked you are when he finally gets you into bed, shaking hands caressing you, and he blushes when you whisper out “Jakey… you’ll have to tell me how, it’s my first time”.

He counters with wide eyes and a punched out “I’ll try but umm… it’s my first time too.” Really eases a lot of nerves both of you are emitting, knowing that you are both going into this on the same page. Sexual tension isn’t fragile, and I think that stays true for y’all, lots of embarrassed chuckles and quick finishes. It’s a lovely, memorable night <3

Sunghoon

Definitely plans it out, maybe more nervous than you are. Once he has the knowledge that you plan on giving your virginity to him, he gets crazy. Surprisingly, not in a horny way but in a neurotic ‘I don’t know what to do’ way. He just really wants to make this special for you. Picks out a date, wines and dines you, but hasn’t thought through what to do when he actually has you laid out in front of him.

He sits on his knees between your spread legs, back propped up with the fluffiest pillows he could find. His fingers barely graze your calf before he pulls back as if he was burned. You might be offended by it if you couldn’t see the clear concern in his eyes. “Hoonie, it’s okay. I want this. I want you.” is the magic words to get him to break from where he was frozen in his spot, surging forward to kiss you. “I’m sorry… I didn’t mean to be weird. You are just so special to me, I don’t want to mess this up.” Maybe doesn’t fuck you tonight, but you guys get much more comfortable with eachother.

Sunoo

Appears calm on the surface but if you look close you can hear the shake in his voice and the tears welling up in his eyes. So honored that you trust him with something like this. Even if it’s not a big deal to you, it is to him. Sunoo is all tender touches and soft kisses.

However, he is still a man. Once you give him the go ahead, his hips are jack-rabbiting into yours. It’s in missionary, short and powerful thrusts punching out little “hah, hah, hah”s with each movement. Never stops kissing you. Slows down with sensual rocks of his hips, holding you tightly. Smiling and professing his love for you, completely pussy drunk and it’s your first time together <3 maybe this is just me self inserting, but you both definitely cry as you cum together.

Jungwon

I think wonie might also be a virgin. He’s been so focused on his career and practicing, that he never had time to explore himself. Honestly, I don’t think his sex drive was that high, so when you came into his life he was shocked. Jungwon has never jerked off so much in his life. Every night he is whining and trashing in his sheets thinking about you, feels like such a pervert but he can’t help it.

When there is finally enough time in both of your schedules he takes you straight to bed! Makes sure to finger you and eat you out and make you cum three times before he even gets his dick close to your pussy… he has been fantasizing about this so much he knows he will bust immediately. Has to make sure his girl is just as satisfied as he is by the time he finishes.

END.

a/n: uptick in virgin content on my page recently… what does that mean. xx - princess

tag list: @sunoofairyofsass @cha0thicpisces (dm or fill out form in navigation to be added)

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subcultureblues · 7 days ago

Text

Don’t You Want Me (Baby?) Pt 3

———

Steve and Eddie are either hooking up or dating - and are about as bad at keeping a secret as they are dealing with their feelings. (Dustin POV)

1 / 2 / 3 / 4

———

“I’ll be there in thirty!” Dustin said. He slammed the phone down and dashed to his room to round up his notes.

“Bye mom love you gotta go!” He shouted as he hustled out the door and jumped on his bike. Dustin had just made it out of the suburbs and into town when he spotted a familiar Maroon Beemer in the lot by the Quickie Mart.

Steve was standing beside his car in a fluorescent windbreaker, leaning on the open driver’s side door. He was staring at the bouquet of flowers in his hands like his nose was about to start bleeding.

Dustin slowed.

….He could probably spare a few minutes to see what the hell that was about.

Really, it’s been a while since Dustin made peace with the fact his curiosity would almost invariably get the best of him.

“Hey Steve!” Dustin hollared, dinging his bike bell a few times.

Steve startled, comically jerking to attention. As a thoroughbred jock, Steve could be ever so slightly air-headed at times. But that usually didn’t extend to a total lack of situational awareness.

Steve waved at Dustin as he approached.

“Why are you angry at those flowers?”

“What? I’m not - “ Steve cut himself off with a sigh. He shot the flowers another grimace. “I’m just trying to decide if I’m being a total idiot right now…”

Ah, Dustin realized. Must have pissed off Robin.

“What happened?”

“I fucked up, I think. And flowers, that’s my go-to right? That’s the move. But…” he tapped above his temple with the side of his fist - as if to dislodge the stupid. He rested it there for a second. “I can’t help but think I’m becoming totally neurotic.” He said, vaguely concerned.

“Girls like flowers.” Dustin offered a simple shrug.

“Yeah, girls do.” Steve agreed. Then sighed again, shaking his head.

Jesus, he must be gone bad.

And Dustin likes Robin. More importantly, he liked her for Steve, they were a perfect match. But most importantly of all - if Steve fucks this up, Dustin spends the next who knows how long listening to him complain about his endless strings of unfulfilling dates.

“And red roses? Can’t get more romantic than that, right?” He said, trying to sound encouraging.

“You don’t think they’re… I don’t know. Lame? Christ, what the hell am I even - I have no idea what I’m supposed to be doing here.” Steve said, sounding totally defeated. He dragged a hand through his hair, displacing his artfully styled do. And too distracted to even notice? Dustin was very nearly starting to get worried. “Never mind forget it. Just, forget I said anything…”

“Who even is this guy? Your Steve.” Dustin scoffed. “Legendary lady killer of Hawkins High. Remember? You’re great at this.”

““Yeah, that’s different though. I guess... I don’t know.”

“Different how?” Dustin demanded.

“How about because this is important. That’s how!” He said.

“Ok? That’s a good thing, Steve.” Dustin said, which even to his own ears sounded just a little bit demeaning. Maybe he did need to work on his tone…

“Is it? The last time I really thought there might be something there, it was Nancy. So of course, I manage to fuck the whole thing up. Because that’s my thing I guess.” He deflated. Then quietly, as though speaking to himself, he said. “Things were going so good too… I just had to start a stupid - “

He finally looked back up at Dustin. He closed his mouth and the far away look cleared. He shook his head, like was done thinking about it right now. Or at least done talking about it because he said,

“Henderson, what are you doing running around this early anyways?”

“Pft, what are you doing running around this early? You and Eddie. I’m surprised you’re not sleeping off your… illicit activities.”

Steve made a face. “No. Don’t call it that. I - we… called it an early night last night.”

“Figures. I’m headed to Eddie’s right now.”

“Ah...” He muttered to himself. He looked down at the flowers again and his shoulders wilted. Then he chucked them into the the passenger seat.

“Woah, man, careful with those.” Dustin scolded him.

“No, it’s fine. Look, I gotta go pick up Robin soon. We have a shift together later. See you around, man.”

Dustin frowned. Why were adults so goddamn weird? Is Dustin gonna start acting like this in a few years.

“Good luck.” Dustin offered, tilting his head optimistically. Steve just waved him off, still very obviously distracted.

“Yeah, I’ll figure something out.”

Dustin watched him climb into his car. Steve would figure it out. Dustin had faith in that, at least. He could have a thick skull, but give him enough time and eventually he got it together.

Steve drove off and Dustin started pedaling again, in the opposite direction, towards the Forest Hills trailer park.

Dustin was at the trailer almost till dinner time, fine tuning what will soon be the very first one shot, nay the very first D&D session Dustin will ever orchestrate. He can’t help violently oscillating between excited and nauseous, but Eddie’s advice genuinely did provide a solid foundation to work with.

Eddie even assured Dustin he’d act just as shocked as the rest of the party, gasping during the big moments. Stuff like that - even though he knew pretty much every story beat he had planned just from helping Dustin sort it all together.

They were just packing up to leave when the phone rang.

“Shit. Give me a sec. That’s probably Wayne.”

“He’s not at work?”

“A buddie’s house. He got the weekend off.” Eddie said, picking up the receiver.

“Munson’s Mortuary Services. You got the purse, we got the hearse. Are we picking up or dropping off, cause - ” Eddie cut out mid bit. He grimaced, looking back at Dustin. “I - uh, hey. Look this really isn’t a good - “

Dustin was only really half ease dropping as he tried to order his session notes correctly. Eddie was talking quietly for the first time in his life, holding the receiving close to his mouth, which was making it kind of difficult.

“No, it’s fine… I’m serious, it’s fine. Yeah, I’m sorry too…. Well, I was being an asshole. Look this really isn’t a good time…” Eddie glanced back over his shoulder at Dustin. Dustin tried to look busy. “Just, don’t worry about it, seriously…. Yeah. Sure, talk to you later, ok?” Eddie started to move the phone away before bringing it back to his ear.

“This week? I’m not sure… Maybe. I’ve just - I got a lot of stuff going on… I’ll call you… Yeah, bye.”

Eddie hung up, hand lingering on the phone for a long moment.

“Who was that?” Dustin asked, so casually it was probably immediately suspicious.

“Funny how you think I won’t make you walk home.” Eddie said, a bone dry threat. That roughly translated to, it was definitely totally my secret girlfriend. “Pack your shit, dude. I’m calling Wayne so you better be ready to go by the time I’m done.”

It seemed like Eddie took it to heart what Dustin said about them never hanging out anymore. That week, Eddie really seemed to be making an effort to start making time for him again.

And the rest of the party of course.

On Monday, Eddie suggested Hellfire (plus Max!) hit the arcade after school. He didn’t give them any quarters, but that was fine, they had enough loose change to have a good time. They’d just need to plan ahead and bring Steve next time.

After school on Tuesday, Dustin called to see if Eddie wanted to keep working on the one shot. Which he couldn’t cause Corroded Coffin had band practice.

So instead, he invited Dustin tag along. It came with the strict stipulation he kept his mouth shut, his ass glued to the couch, and he not try to touch anything, on pain of a swift and merciless death. But Dustin’s come to understand Eddie’s threats have a lot more to do with his penchant for dramatics than any honest hostility.

Eddie was just heading out the door when Dustin called so he said he’d come grab him from his place on the way to Jeff’s.

Dustin thought for a moment about changing out of his pun-derful shirt but ended up scrapping the idea for time.

He kind of regretted it when Eddie rolled up. Music loud and looking, as always, too cool for school. Summer was still fading, so he was wearing a loose, faded Cult shirt with the sleeves cut off. He had more tattoos than Dustin realized (all of them ugly.). There was a red flannel tied round his waist and he was wearing a thin leather bracelet.

Dustin couldn’t pull off a leather bracelet in a million billion years probably.

“Little mans sitting in on practice tonight.” Eddie announced as they walked into Jared’s garage. He got a scatter of hey’s and what’s up’s.

Dutifully, Dustin belined it for the couch. He sat next to the plastic Halloween skeleton that was already sitting there posed to watch (Dustin was introduced to him as Manny).

Eddie seemed to switch into DM mode, someone had to keep the boys focused and on track.

Dustin sat still and didn’t touch anything, which was easy enough.

But come on, their music was way too awesome for a passive listening experience.

Gareth, Jared, and Jeff seemed to appreciate his enthusiasm. Still, Dustin made sure to keep distractions to a minimum. A reasonable minimum, at least.

“God, you guys are just so - “ Dustin rambled. It had gotten dark outside and they were started to pack up their gear.

“Metal?” Eddie said, winding up his guitar chord with a smile.

“Metal as hell.” Dustin agreed, standing and walking over.

“We’ll make a public menace outta you yet.” Eddie said proudly.

“You can always bring the kid around more during practice.” Jeff said to Eddie. The rest of the band nodded around and shrugged.

“Actually having a live audience every once in a while couldn’t hurt.” Gareth said, nodding his head at Manny. Him and Jeff were dragging his drum kit back into the corner of the room.

“Yeah?” Dustin asked, grinning.

“Maybe you’ll pick up a thing or two.” Eddie grinned back, shoving at him a bit and fucking up Dustin’s hair.

“You’d teach me?” Dustin asked, swatting him away. Eddie shrugged easily.

“Oh man. That’d be so cool!” He said. “Maybe next time I could bring some of the other guys? Oh, and Steve could come too!”

Jared practically choked on his instant laughter.

“The King?” He said sarcastically. “Yeah, sure - you wanna bring King Steve here, to sit on the ratty couch in my garage and listen to us thrash around and scream for a few hours?”

“I dunno, could be pretty entertaining.” Gareth elbowed Jeff, nodding down towards Eddie. He was on his knees, focusing intently on tucking his Warlock away in its hardcase. Gareth leaned in closer and whispered. “He’s getting a little too cocky with those guitar solos, don’t you think? Could use a chance to play under pressure.”

“Oh, that does sound entertaining.” Jeff snickered, just as amused by the prospect.

“Can it.” Eddie said, without looking up.

“Eddie?” Dustin insisted, looking to his DM for backup. They were talking like Steve was gonna march in here and just start heckling. Or throwing tomatoes at them or something.

“Sorry kid, they’re right. He’d probably hate it.” Eddie shrugged.

“Come on, it’ll be cool! I could at least ask? You don’t know he’ll hate it.”

“Yeah, I’m sure Steve Harrington would think our heavy metal band is so totally cool.” Jared said flatly, as he leaned over to grab the handle on his bass amp.

“Hey. I saw a Metallica tape in his car the other day!” Dustin said to Jared. Jared’s eyebrows climbed, surprised. Maybe even a little impressed, though clearly too stubborn to admit it.

Dustin turned back to Eddie. He was still expecting him to come to Steve’s defense. But he stayed quiet, barely a part of the conversation. “Come on, I thought you two were friends now.” He accused.

“Sure, Harrington’s fine.” Eddie shrugged.

“Yeah he is.” Jeff muttered under his breath. Gareth puffed up with a badly contained laugh.

Eddie rolled his eyes.

“Right, you blow us all off to go to go smoke weed with him at the drive through, but he’s just fine.”

Jared, who had been bending over to put his amp against the wall, froze in place.

“No fucking way.” Gareth’s head shot up, his eyes blown wide. But it didn’t sound like he was pissed at Eddie for crossing party lines. Not with the massive, disbelieving grin on his face. “You and Harrington? You fucking took him to a drive through?”

“What movie was it?” Jeff shot out, equally delighted.

“Was it a scary movie?” Gareth said. They both scrambled out from behind the drum set, their task wholly forgotten.

“Guys.” Eddie huffed. “Fine. Yeah, ok, we went to go see a movie - So what?”

“And you just, what!? Forgot to mention it?”

“Sure!” Eddie grimaced. He shrugged defensively. “We just - caught a movie. It’s not a big deal.”

Gareth barked out a laugh. Like that, that right there, is the funniest thing Eddie’s ever said.

“Guys.” Jared looked at Jeff and Gareth pointedly, before glancing at Dustin.

“Sorry it’s just…” Jeff paused with his mouth open, incredulous. “Didn’t know you guys hang out now.” He finished. “Ya know, outside the whole - coparenting.”

“We don’t.” Eddie said, tensely.

Dustin frowned as he watched the guys continue to stow their shit. Gareth and Jeff went back to sorting out the drums. “Not a big - “ Gareth scoffed under his breath, shaking his head in disbelief.

The rest of the boys were struggling to contain shiteating grins and Eddie was just pretending not to notice.

Dustin had never known these guys to be such… jerks. Why would it be such a big deal if Eddie and Steve were friends?

Could it really be all because they’re just so - different? The idea of hard rocker Eddie kicking back with a jock even once was just patently absurd? Ridiculous enough they jump straight to teasing him for it?

Dustin’s frown deepened. For a bunch of freaks, that all seemed pretty judgmental.

These guys would come around on Steve. Seems like Dustin would just have to make sure of it.

On Thursday Eddie agreed to pick him up from school.

He was late of course, so Will, Mike, Lucas, and Max had all started towards home by then.

When he did roll into the parking lot, it was in a sweeping wave of orchestral heavy metal.

“Pick it up.” He said impatiently, as Dustin opened the door. Eddie evil eyed the school building while he turned down the music. “Don’t like being here any longer than I need to be outside D&D hours.”

Dustin hopped in. He had a VHS copy of Jaws in his hands. He had left it behind at Lucas’ like two weeks ago and promptly forgot about it. A week later Lucas brought it to school and Dustin had only just re-unearthed it from his locker today. It was daunting just thinking of the fees that were sure to be stacking up by now.

His only salvation was Steve. Who’s thankfully working today.

“I need to drop this off at the movie store and before you say no - “

“Sure.” Eddie said, already starting the van.

“I - that was easy.” Dustin sat back and relaxed against the seat.

Eddie kept his eyes on the road and shrugged.

“I was thinking about renting something anyways.”

They drove straight to Family Video. The door dinged as they walked in.

Robin was sitting behind the counter. Still focused on her crossword she said, “Hi, welcome to Family Video, can I help you find - Oh, hey guys.”

“Hi Robin!” Dustin said, walking up to the counter.

Eddie lingered by the displays. He traced a finger over one of the tapes on the shelf. “Harrington, here?” Eddie asked, inspecting the cover.

Robin rolled her eyes but she was smiling. “You just missed him. It was seriously slow today and he won rock/paper/scissors so - he clocked out early for the day.” Eddie hummed and put his hands in his jean pockets.

Dustin handed Robin his VHS tape.

“This is eight days late.” She frowned at the computer.

“So - “ Dustin said, thinking fast to distract her from errant thoughts of late fees. “how’d you like the flowers?”

“Flowers?” Robin scrunched up her nose at him.

“The flowers Steve got you?” Dustin blurted out before he clamped his mouth shut again. She squinted at him. Suspicious.

“What are you on about?”

Shit. Steve hadn’t got those for Robin had he?

“Nevermind.” Mayday-mayday. Pull up!

Hopefully Steve wasn’t too pissed at Dustin for letting that little detail slip. And Dustin could barely feel bad for blowing Steve’s cover because, what the hell Steve?

Robin’s lip twisted. She looked down her nose at him, regarding him uncharitably. He forced a smile as she stared him down for a moment longer. Then her face cleared. Raising her eyebrows innocently she turned back to the monitor.

“So about that fee. That’ll be five fourty-“

“Ok! I - “ Dustin hesitated. Sorry Steve - that was five dollars he really did not have. “I don’t know. I ran into him a few days ago. And he’d just bought a big thing of roses.” Dustin caved, shrugging and holding his palms up defensively.

“Ooooh.” Robin’s eyes crinkled with a warm smile and her gaze slid somewhere behind Dustin shoulder. Then quickly snapped back into place.

“Oh.” Robin said again. She looked baffled, like the implications of that just hit her and clearly didn’t sit with her right.

“Maybe they were for his mom? His parents are in town aren’t they.” Dustin offered.

“You know what? Yeah, that’s probably it.” Robin nodded vigorously. The poor, love struck girl just immediately latching onto the explanation.

“Nah.” Dustin turned around to look at Eddie. He was still feigning intense interest in that copy of An American Werewolf in London. “His mom is allergic to roses.”

“That doesn’t mean he - ” Robin scrambled. “Maybe he just… forgot, or something. I mean, you know Steve. Total ditz.”

He shrugged. “That’s fine isn’t it?”

“Yeah. I mean, yeah.” Robin said cautiously. She seemed confused more than anything.

Eddie said cooly, hands still in his pockets. A perfectly neutral smile on his face. “Steve’s a free agent, right? He’s free to play the field.”

Jeez, did Eddie have to be so blunt? What ever happened to letting a girl down easy?

“Uh…” Robin said, looking between the two of them uncomfortably. Like maybe she didn’t quite know the answer to that anymore but it was also something she really didn’t want to sort out in public.

Dustin honestly felt a little bit bad for her. Sure they both always say they’re not dating, but clearly she seemed none too thrilled at the idea of Steve going around giving another girl flowers.

Dustin had hoped with the way Steve was talking the other day, he had finally got his head out of his ass and was ready to go public and make them official.

“Hey, man, I’ll meet you in the car, yeah?”

“Sure.” Dustin said.

“Eddie - “ Robin said. Eddie looked over his shoulder, lingering half way out the door. Robin glanced at Dustin. “Uh. Bye.” She finished lamely.

He smiled at her. She didn’t smile back.

Robin went back to the computer. She worked in complete silence. Suddenly the thick clack of the keyboard and the low murmur of the movie on the screen in the corner were way louder. Her brow was set like it gets when she’s stuck on a troublesome crossword.

“Sorry.” Dustin said, his face twisting up with guilt.

Robin glanced side long at him.

“I can talk to him you know.” He said.

“Huh?”

“I can talk to Steve. He shouldn’t do that to you.”

“Jesus, for the last time. We - are not - dating.” Robin said through gritted teeth. She made a frustrated noise. “Do you have to be so… ergh, meddlesome.”

“I don’t know what you’re talking about?” He lied, taking a step back.

“You need to stay out of your friends love lives.”

Yeah well, how about Dustin stops meddling when his friends stop being so dumb about everything. Till then they’ll just have Dustin to thank for sorting out their messes.

Tag List : @reading-archieves @homoerotictangerine @bingbongsupremacy @aroseandherthorns-blog1 @wheneverfeasible @travelingtwentysomething @ineffable-monster-romancer @laughingphantoms @gregre369 @rawrx3ky-txt @thespaceantwhowrites @blcksh33p1987

@the-legal-shipper @maverickricky @i-amthepizzaman @pretend-theres-a-name-here @steddiefication @that-one-gay-crow @gleek4twd

@theintrovertedintrovert @tinyplanet95 @queercrisis2003 @awkwardgravity1 @stripey82

@sofadofax @midnightskeeper

@blurryjoji @estrellami-1 @caraspud @little-trash-ghost @finalmoondragon

@samsoble @depressed-freak13

#steddie #Steve Harrington #Eddie Munson #steddie ficlet #stranger things #dustin henderson #god I love Dustin. what a troublesome bastard #just bamboozled it all up huh?#also just like for clarity. No i Do Not think Steve is dumb #unfortunately Dustin’s fatal flaw he much learn to overcome in this story is #much like Odysseus before him #hubris. so he thinks literally everyone is a little bit dumb it’s called characterization look it up sweaty #also pls accept my humble offering of Personal Corroded Coffin Group Dynamic Headcanon #because I’m friend w a bunch of boys Eddie’s age and whenever I read stories w/ CC they’re not loud enough #and like. of course. of course their gonna tease Eddie about his dumb hate crush on Steve he’s had since literally forever #my headcanon is Steve was regularly brought up by the CC boys because it was the ONE THINGs #like since waaay before Eddie started hanging around the party #and it’s only gotten 10000009% worse since him and Steve started coparenting #god they’re so annoying #and I love them so much 😭

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cinnamonest · 5 months ago

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//slutshaming

Thinking a boy with a horrid case of retroactive jealousy, especially with a slut!darling… this obsessive boy who can’t stand the thought of knowing you’ve been with other men, let alone many.

Really, most men just don't think about those things, they know it's better they don't know. But he’s neurotic about it. He can’t just push the thought away. He has to know. Know exactly how many boyfriends you’ve had, how many hookups you had, every act you’ve done. It’s horrifically embarrassing, having to recall, having to talk about it, the words you have to use.

You’ve been in this man’s captivity long enough that your instinct is to placate him, to avoid upsetting him… yet in this situation, there’s no good way out. If you’re honest… well, you don’t want to think about that. You know you’ve been around the block, so to speak. But you know you can’t lie to him — he’s been through your phone, he saw the outfits you paraded yourself around in back when he watched you from a distance (it’s what caught his attention in the first place), he knows it’s got to be a lot.

You try and placate him with avoidance, tell him it doesn’t matter right? You’re with him now, you try to sputter out, and you’ve forgotten about it all anyway and the past doesn't change—

—and then he puts his hand around your throat before you can finish.

Tell me.

He asks too many questions. You try and say as little as possible, but he presses you until you say everything, keeping your eyes to the floor the whole time. You have to recall a chronological series of events of your life, every encounter, every guy, every act you’ve done.

Did you ever sleep with a guy within twenty-four hours of knowing him? Taken it in your throat, your ass, between your tits? Let some guy cum inside you? Been choked? He’s really focused on those details. Have you ever done this, or that, or done it in this position or that, or done it this way or that. Which, for his beloved darling, the answer is usually yes.

It irritates him that he can’t be the first of anything. You just had to go be a whore when he was eventually destined to come along and love you. How could you do this to him? You had to know you’d have a real lover eventually. Didn’t you consider his feelings at all?

The only thing that can make him feel better — what you owe him, for what you’ve done — is to have him override all those memories with himself.

He has to replicate everything.

You’re not sure what the logic is exactly, but it’s cathartic for him, and you know that the wise move is to comply, not wanting to further upset this crazed man that keeps you trapped in his home. You have to prove that you love him, is what he says.

So he treats it like a checklist. Every position and every act, barring the circumstantial pieces he'd have to take you outside the home for. And you know what, you're probably still not telling him everything — dumb little slut — so he'll just have to do every single thing he can think of, over and over and over. Each and every day.

You'll get a lot of variance in your sex life, at least. Bent over every surface, in every position he can think of. Treating you like a little ragdoll to play with and contort into any position. Treating your ass and throat as interchangeable with your pussy on command (you love him don't you? Then you won't mind), squeezing your body so tightly you can't breathe. Keeping his cock inside you at every opportunity for as long as he can even after he cums.

If he can't be the first, he'll just have to be the most. Do it more than you've ever done with anyone, harder than you've ever had it, deeper, faster, more brutally, more degrading and humiliating, carving his significance into you in the only way left available — the only way you left available to him.

Yes, it's your fault. He wouldn't have to be so rough if he was the only one. He only has to make it hurt because of you. This is the only way that he can be certain that he matters more than anyone, be sure that he occupies your every thought and that you can't think of any kind of sex without thinking of him first — and if you really love him like you say you do, surely you'll understand. Maybe even apologize for not taking him into consideration. That would be nice.

But of course, those guys wronged him too. That's why, if you love him, you'll tell him their names.

What? Why, you ask? That shouldn't matter. You don't still care about him, do you…? You're not such a little whore that you’re thinking about someone else that way, are you? No? Then you won't care why, you'll answer and be happy you have someone to care about you so much.

#need to make more slut!darling content...#the feminine urge to project myself onto an ultra-promiscuous party girl... hhhnng #yan.txt

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vaguely-concerned · 2 months ago

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Eight Little Talons Reread Thoughts

Which, I’ll level with you folks, is mostly just me gushing about Teia and Viago and how much they should kiss because of who I am as a person, but maybe also some actual observations sprinkled in. This is still my favourite story in Tevinter Nights, I think, there’s so much Character Stuff in it. Let’s go!

Viago hated carriages—no amount of plush seating could make up for the inevitable ache of being knocked around like weighted dice. But decorum insisted, and he would not be outclassed by his fellow Talons.

Vs.

“You didn’t take a carriage.”

“My luggage did. But I couldn’t resist the opportunity for a country jaunt.” She nodded toward the thoroughbred Taslin strider grazing on the top of the hill. “Andoral so rarely gets a chance to let loose in Rialto.”

“You named your horse after an archdemon?”

“Don’t worry, Vi. I won’t let him nip you.

You know… Andarateia might gain some illusion of normalcy by standing next to the most paranoid wound-up-tight repressed man around to provide contrast, but I think it’s crucial we keep in mind that she is also nuts. Naming your horse after an archdemon IS an insane thing to do in the world of Thedas huh. I suppose she genuinely seems to think of Caterina Dellamorte as a warm maternal figure and is in love with a tetchy snake of a guy too, it does all start to add up when you look at it like that.

— Beneath the smooth samite, he felt like a sinewy ball of tension. Teia suspected contact of any kind made Viago uncomfortable. It would explain why he swathed himself in indigo from chin to toe and refused to remove his gloves during dinner.

He offers his arm to her and doesn’t pull away when they meet Caterina — only when Dante shows up. Interesting (and possibly part of why Caterina seems to consider the two of them a cleverly stabilizing package deal when they get along lol). I love the mix of playful seduction and genuine fond, intimate knowledge and interest Teia has for him all the way through too — speculating about his childhood, trying to divine his thoughts and intentions, testing to see how he reacts to different things. And it’s so sweet that she seems to regard him with this affectionate amusement and fascination (which he seems to be afraid means that she’s mocking him but is, I think, just another level of appreciation she has for him. Correctly. Because he’s one of the funniest people in Thedas both in concept and in practice. Accountant brained-ass noodle arm Vetinari homage poison specialist. Teia’s neurotic purse dog of a man. Sole royal bastard who willingly chose to have a boring Antivan day job (killing people) and makes spreadsheets about it.)

— “Not exactly welcoming, are they?” Teia whispered, her breath warm against his ear.

Viago’s grip tightened on the head of his walking stick.

I swear to god courtney woods is so fucking good at writing romantic and sexual tension. One sentence!!! She drops in a one-sentence detail and it says everything!!!! She has such a knack for consistently adding these details without getting overindulgent or spelling it out too much that I really admire, I tend a bit more towards indulging too much as a writer that way myself so her sense of where to show restraint has me in awe

— “Don’t ‘Nonna’ me, Andarateia Cantori,” Caterina snapped, although the heat in her voice had lowered to a simmer. “Not even my actual grandchildren call me that.”

“Well, considering who your grandchildren are,” Teia responded, “I’m not surprised.”

“How is Master Lucanis?” Viago asked.

Hell yeah Lucanis mention! Can’t wait to see how their dynamics will turn out in-game, we could be in for some truly spectacular and absurd workplace comedy nonsense if we’re lucky

— As always, Viago had with him his leather case of poisons and antidotes for toxins typically hidden in ingredients such as olives, truffles, pasta, lamb, cheese, cream, and alcohol. But he had not expected eggplant.

This is one of the funniest things I’ve ever read, I love Viago so much he’s such a perfect weirdo. Reader, he had not expected eggplant.

— Taking a deep breath, Viago focused on tying his cravat—an ordinarily simple task except now Teia was running her hands across every surface in his room, and his fingers kept slipping on the final knot. “It would help if you removed the gloves,” Teia remarked. “Surely your own cravats haven’t been tampered with.”

Viago being just… seethingly horrifically despairingly horny every time Teia shows up is so amazing, and Teia clearly paying A Lot of attention to his hands and his reactions at all times… again, courtney woods s tier sexual tension provider.

— “No,” she said, crossing her arms. “Not until we boil some water.”

Viago raised a brow. “Eight people were poisoned in this room.”

“Then run your little tests to make sure it’s safe, but I refuse to look at another dead body until I’ve had my coffee.”

I must take care to repeat: teia is also fucking nuts (affectionate). It’s SO FUNNY that her slightly lighter and softer moral take on being a Crow means she does feel bad about the servants ending up in the crossfire, but she will also demand that viago make her coffee with their horrifically bloated corpses still strewn about the room fhdsjka.

— Teia had often imagined what it would be like to kiss Viago. She told herself it was only natural. He was handsome, in his own way, and wound up so tight that she likened him to a giant knot. He was a challenge to untie—to twist and pull and loosen until the tension gave way and he unraveled, laying bare all his secrets. But knots were a delicate business. Tug the wrong way and you could end up with a noose.

I know I KNOW they have sex so weird and intimate and no one even takes their clothes off during it I know it in my heart

— “Do you not think you’re attractive?” Viago turned on her, his ears pink. “Ten people are dead.”

She didn’t back down. “And whoever’s responsible will pay, but that has no bearing on this conversation.”

“It could be me.”

Covering her mouth with both hands, Teia doubled over, laughter spilling from her lips. “It’s not you.”

He looked as if she’d slapped him. “I’m more than capable of killing everyone here.”

“Don’t tell me you’re offended!”

“It is offensive,” Viago protested. “Professionally.”

Teia please tell me you love me not only for my body and fashion sense and numerous and fascinating neuroses but also my extensive knowledge of poisons and capacity to cause death

— Again, Viago felt like a lute string. With every challenge, Teia twisted the pegs, tuning him, until she found what she wanted. Which is what, exactly? he asked himself, not daring to listen to the number of answers that bubbled to the surface of his mind.

You know Viago I think we should let her try some scales here at least. See what happens. (There’s no explicit sex in this story but everything that’s going on is nevertheless so kinky fdsjak. I think Teia could convince Viago to show a flash of his naked wrist and have a reaction like a sheltered young Victorian gentleman seeing an exposed ankle and a playful wink for the first time)

— As if she could feel the sudden rush of shame within him, Teia brought her hands up to rest on Viago’s hips, holding him in place. His thumb stilled as he realized her breath was short. Her pupils dilated. Before he could stop himself, Viago nuzzled his forehead against hers, his nose brushing her cheek. Teia’s hands snaked up his chest to run through his hair. She tugged him forward. He braced himself on one arm, while the other curled around the small of her back.

This whole scene is unspeakably good of course but it’s always the detail of ‘his nose brushing her cheek’ that does me in the most. The longing!!! The yearning, the intimacy, the awkward perfect clumsy physical reality of it!!!! If he kissed her here the magical potion thing on her lips would have been immaterial, the results would have been the same without it!!!!!! The tug of war between longing and fear!

— oblique Zevran mention! <3 as the ultimate failson of house arainai, granted, but as I believe he might argue here: ‘ah, but you have heard of me, no? :>’. Babe I support you so much go out there and raise hell/kill whoever you want to I got your flower

— Big shoutout to the author for managing to pull off an entirely workable ‘And Then There Were None’ plot in the background here, even though the real meat and potatoes going on is the character and relationship development (and what meat and potatoes they are too)! It’s not an easy thing to do even in an abbreviated, more of a homage sort of form and balancing it with everything else going on is a feat

— Caterina 100% knows Teia is in Viago’s room when he’s supposed to be isolated and just doesn’t care lmao. (They act like such teenagers in that scene where she knocks on the door and they haven’t even kissed yet I’m dying). Caterina seems like a terrible person but it’s impossible to not feel for her a little, trying to keep Talons in line seems a lot like herding (very horny very carrying sharp objects) cats

— Standing outside her ex-lover’s room, Teia tried to quell the violent drumming within her. Normally, she didn’t need to come down from a physical encounter. Seduction—like any form of manipulation—was about control. She could enjoy herself, but Teia always made sure to hold the upper hand. Viago had shattered that control without so much as a kiss.

I feel like this is a sneaky common trait that actually is part of what makes them so compatible (and the playful negotiation of which must feature prominently in their sex life eventually lmao): they are both HUGE control freaks. (Indeed it might be hard to be a successful Talon without this trait.) Teia and Viago both strive for control of themselves and their surroundings so deeply, she’s just much more extroverted, psychologically minded and soft power focused going about it (not unlike Caterina, whose power is built more on fear than charm but works along the same lines), while he’s more coldly intellectual and uh materialist? I want to call it? about it. Which makes perfect sense considering their backstories! Teia came from nothing in a monetary sense but has found she excels at moving people, hearts and minds style — and she’s very good at it, she is everyone’s favorite — so that’s the source of power for her, and Viago is not very charismatic or interested in people naturally but grew up seeing how status, wealth and power have their own clinical gravity that can be used, and also that people can never be trusted to watch out for you in that system.

If Thedas has a Machiavelli-equivalent to ask whether it’s better for a ruler to be feared or loved they would both instantly give their answer with their whole chest and then squint at each other like ‘babe how do you live like this’ lol

(Also this line of thought has me wondering what the hell Caterina’s partner/spouse(s) would have been like — she must have at least two children to account for Illario and Lucanis, I wonder if she was ever married and what that looked like.)

— I really like the oppressiveness and claustrophobia you get from the descriptions Teia uses in Dante’s room — it feels so icky and sticky with history and sad and confining, and the way she keeps pushing herself through it anyway is weirdly melancholy to me.

— I also like how their flaws/traits that drive them apart at the crisis point have follow-up consequences outside of their relationship before they reconcile. Teia’s penchant for manipulation and pushing on people indirectly causes the death of someone she once cared about (I mean, fuck that guy, not crying any tears for Dante or his broken bottle, but like in the overarching principle of the thing lol). When she goes too far with it or gets careless, she renders other people vulnerable and helpless in ways she doesn’t anticipate. (Rightfully or not this seems to be part of what scares Viago so much about it, he has this fear of being dissected for whatever she finds interesting and then abandoned when she’s tired of it, the whole underlying being a footnote in her life when she could clearly be something uh a lot more in his anxiety.) Meanwhile Viago’s insistence on self-reliance and reluctance to engage in human contact leaves him easily isolated and nearly results in his death. (And even when Teia saves him he has a hard time giving her full credit in favour of his many neurotic coping mechanisms lmao disaster man.) But when the two of them work it out to understand each other better and come together as a partnership, they’re such a force to be reckoned with that it brute forces the resolution and return to stability near the end. (Well. A significantly reduced version of stability to be fair but y’know better late than never.)

— Also: delicious detail that she is actually the closest you might get to a self-made woman/Talon, and he is definitely at least not in a position to fully dodge the nepo baby allegations — he wants so bitterly to be entirely independent and self-sufficient and not reliant on anyone, and yet it’s his connections inherent to his birth that have helped him get here, while she wants so desperately to have people to rely on because she comes from nothing and has known what it is to be that alone and unprotected. He knows protection and gifts — and love — can easily be taken away and used to control you/render you helpless in your vulnerability from how his father treated his mother, and she knows you have to try to hold on to something in other people or it’s just you and the dirt and you die. Which is what they’re really talking about in that scene where they argue, and it’s why they’re both right and wrong at the same time and it’s so tasty. It’s really Teia asking ‘Will you ever trust anyone? (will you ever trust me, or will you put up this wall every time no matter what I say or do?)’ and Viago going ‘Will you never take precautions to protect yourself against this hurt? (will I have to be the bearer of bad news about how the world really is every time?)’ and neither of them realize that’s what they’re taling about and it’s why it all explodes so badly. (I mean. Factually both came to the wrong conclusion about who the murderer was for fairly good reasons, so there’s also that haha.)

— I wonder if we’ll see Bolivar or the heirs to the houses left Talon-less in the game itself. I’m guessing they probably won’t have big roles, at least, but you know just as background flavour, especially since Crow!Rook is already within the de Riva uh household as it were. I think Viago is still sensibly mid-table at Fifth Talon in Veilguard and Teia remains Seventh? So at least they’re not messing around with that rank order during the occupation

— In semi-not teia and viago news (I am a character first writer and reader I canot change this), it’s neat to see it outlined just how much the Talons really are just merchant princes with some more added knives and cultural weight behind them. They are at the end of the day running businesses, no matter the mystique ™ you wrap it in. (Which I think Viago would be the first to tell you and Teia might try to argue against at least a little haha. Being a Talon is what you make of it you live your truth girl kill awful men you’ll never run out of contracts!!)

— Can’t believe the Crows have self-congratulatory ‘top 10 murders in history!’ classes as part of the training. Do you think Zev sat through those. Probably, if Teia did, right. Now there were some entertaining hours around the campfire during the Blight I’m sure

— Viago understanding but not accepting Teia’s offer to help him with an alibi and at first angling it as being out of hesitancy to accept help/rely on someone, and then later unveiling the added element that he knows Teia respects and loves Caterina and doesn’t want her to have to lie to her for him… Viago is nothing so simple as secretly nice deep down but he IS horrifically in love with and desperate to be kind to specifically Teia and it gets to me okay

— I’d forgotten that DA’s passionate love affair with toxic yuri and some recreational bury your gays extended to Guili and Lera in this fdskjah. Would it really be Thedas without it I suppose (considering the genre of the short story it’s fine with me in this case, though, everyone’s dropping like flies in this even the straight people that’s just equality)

— Viago was not a typical Antivan. He liked facts—checklists, numbers, precise measurements. Heart palpitations, clammy hands, tight pants—Viago did not like these things. In fact, he would go so far as to say he hated them. Mild curiosity was his favorite mood. What Teia had elicited in him was akin to an internal natural disaster.

I simply love him so so much. Mild curiosity was his favorite mood. He failed to account for the eggplant. He’s so annoyed at being poisoned and dying horribly and it literally never occurs to him that anyone would help him until he wakes up in Teia’s lap. He organizes all his poisons by puns. He uses his potentially last breath to argue with Teia about his precise state of dress or undress. Have we finally found him, the perfect man?

(Also between Reyes and Viago Courtney Woods does such a good line in guys who’d really rather be emotionless machines of practical violence and monetary gain but find themselves down so horrifically catastrophically bad that it cracks them open to reveal a soul they aren’t all that happy to discover they have lol)

— When Viago woke, it felt like someone had drained the blood from his body and replaced it with sludge. But it wasn’t all bad—someone who smelled like coffee and cinnamon was playing with his hair. . . . Her fingers resumed stroking his hair. It felt better than the water. It felt better than anything.

Unspeakable. Don’t look at me.

— Viago reaching out and touching Teia’s cheek with his bare hands without a thought and all his tenderness and reverence for her laid bare in turn is something that can actually be so personal and it only took very nearly dying to get there (also… he’s presumably still half-naked through all of this while cradled in her lap. Amazing.). Can’t believe bare hands to cheek feels like third base with these two. And his fucking THOUGHTS through all of this… Don’t cry, he doesn’t deserve your tears, no one does (I don’t, I don’t want to be something that causes you pain) AOUGH

— Vaguely related: the implication in how that part is built is that he’s reaching out specifically to gently dry away her tears, right. Double AOUGHHHHHH not only does he manage to not be selfish or unfair in asking her not to cry he does that instead… there’s hope for you yet messere de riva

— Teia with the red-hot poker standing guard over Viago while he ‘looks like a king in judgement’ and does the Poirot in the library exposition is everything and so hot what the fuck. She a snacc she attacc but most importantly… she protecc, she’s so fucking cool lol. they’re both really smart, but she’s clearly the brawn as well as the social skills (hey manipulation is such an ugly word!) and he’s the logistics and realpolitik on two long thin nerdy legs, absolute power couple. She’s the gaslight he’s the girlboss together may they gatekeep this invading army out of antiva

— You guys… this might come as a surprise I have tried to keep it on the down low but. I really do love the world of Thedas so very much. I love the people and the places and the history and the stupidness and the brilliance so much. We must save the world because everyone I love lives here. Let this be a secret between just you and me we can’t let people know we sit/have emotions etc.

— A servant approached to take the cage in Viago’s hand.

“Careful,” Viago warned. “He bites.”

“I can’t believe you’re keeping that snake,” Teia said, shaking her head. “It almost killed you.”

“Which is more than any man can say. He deserves my respect. And a good home—with all the mice he can eat.”

“But did you have to name it Emil?” Teia asked, making a face.

“An homage. You’re always telling me to recognize my fellow Talons.”

Andarateia ‘names her horse after an archdemon’ Cantori x Viago ‘keeps the deadly adder that nearly killed him as a pet and names it after the last guy who failed to murder him’ de Riva. Freak well and truly matched. Soulmates, no notes, I’ll do borderline anything for these two to make it, goodnight.

#dragon age #dragon age meta #tevinter nights #viago de riva #andarateia cantori #teia x viago #I have gone and been extremely me about this again and I could apologize but you know and I know... I'm going to do it again #so I won't insult you thus by even pretending I'm sorry and have learned my lesson lol

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