#networking systems

[queereads-bracket]

Queer Adult SFF Books Bracket: Round 1

Book summaries and submitted endorsements below:

The Murderbot Diaries series (All Systems Red, Artificial Condition, Rogue Protocol, Exit Strategy, Network Effect, Fugitive Telemetry, System Collapse, and other stories) by Martha Wells

Endorsement from submitter: "Asexual and agender main character. In later books side characters are revealed to be in poly relationship."

"As a heartless killing machine, I was a complete failure."

In a corporate-dominated space-faring future, planetary missions must be approved and supplied by the Company. For their own safety, exploratory teams are accompanied by Company-supplied security androids. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.

On a distant planet, a team of scientists is conducting surface tests, shadowed by their Company-supplied ‘droid--a self-aware SecUnit that has hacked its own governor module and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, Murderbot wants is to be left alone long enough to figure out who it is, but when a neighboring mission goes dark, it's up to the scientists and Murderbot to get to the truth.

Science fiction, novella, series, adult

Hunger Pangs series (True Love Bites) by Joy Demorra

In a world of dwindling hope, love has never mattered more...

Captain Nathan J. Northland had no idea what to expect when he returned home to Lorehaven injured from war, but it certainly wasn't to find himself posted on an island full of vampires. An island whose local vampire dandy lord causes Nathan to feel strange things he'd never felt before. Particularly about fangs.

When Vlad Blutstein agreed to hire Nathan as Captain of the Eyrie Guard, he hadn't been sure what to expect either, but it certainly hadn't been to fall in love with a disabled werewolf. However Vlad has fallen and fallen hard, and that's the problem.

Torn by their allegiances--to family, to duty, and the age-old enmity between vampires and werewolves--the pair find themselves in a difficult situation: to love where the heart wants or to follow where expectation demands.

The situation is complicated further when a mysterious and beguiling figure known only as Lady Ursula crashes into their lives, bringing with her dark omens of death, doom, and destruction in her wake.

And a desperate plea for help neither of them can ignore.

Thrown together in uncertain times and struggling to find their place amidst the rising human empire, the unlikely trio must decide how to face the coming darkness: united as one or divided and alone. One thing is for certain, none of them will ever be the same.

Fantasy, romance, paranormal, series, adult

[desultorydenouement]

murderbot is peak queer rep because it’s about living as an inherently transgressive form of being, it’s about the complexity of passing, or the complexity of hiding, or the nuance of never fitting binaries and not wanting to even when fitting those binaries is seen as “better”, and it’s about making people uncomfortable just by existing, it’s about measuring forms of freedom and having to decide which you’ll save and which you’ll sacrifice. but most importantly it’s peak queer rep because murderbot is free for like five minutes and it immediately attracts the nearest supposedly-rare transgressive-illegal-superbot (ART) in a hundred light year radius to be its best friend, and what’s that if not your classic Queer On Queer Magnetism

[ritumistry11]

BBA in Hospitality Management - Northwood University - Northwest Executive Education

Northwood’s Bachelor of Business Administration in Hospitality Management covers various segments of the hospitality industry, such as lodging, food and beverage, and event planning. Apply your knowledge and skills in real-world settings through hands-on projects, case studies, and internships

https://northwest.education/northwood-bachelor-of-business-administration-in-hospitality-management/

[cat-dragron-arts]

It's my art style and I can draw Miki however I want! Also having fun with Dr. Mensah and TargetControlSystem :]

[grand-line-shenanigans]

For those of us who cannot comprehend big numbers (me) I have done the math. FOUR FUCKING YEARS. SECUNIT WHAT THE FUCK.

[beescake]

ik ur the sollux and karkat blog but would you ever draws a nepeta ? if not thats perfectly fine :)) (also!!! ur probably in my top ten favorite artists ever. you just . do em so good!!!!!)

🫴 a nepeta

[fandom-space-princess]

Murderbot in All Systems Red voice: yeah being wounded in front of humans is just awkward, obviously they don't want to see that

Five books later:

bless your heart, you little idiot, half your humans are biologists, OF COURSE they want to see that. biologists love organic things that go plop.

[torpublishinggroup]

Murderbot is MurderBACK in the next installment of Martha Wells’s NYT bestselling Murderbot Diaries series System Collapse 🤖🚀

WHAT’S IT ABOUT

Following the events of Network Effect, our favorite lethally cybernetic television fiend has done the previously unthinkable: agreed to accompany the sentient spaceship Perihelion (dubbed ART by Murderbot, short for Asshole Research Transport) and crew on its next mission. 

Unfortunately, they’re not going to get too far. 

Having failed to harvest dangerous artifacts from their target planet by way of Murderbot misadventure, the Barish-Estranza corporation is much angered and determined to recoup their considerable losses. And when you’re a lethally opportunistic space corp, blood and muscle are valuable currency. 

Murderbot, ART’s crew, and the Preservation humans have planetside work to do as Barish-Estranza seeks to claim the planet’s beleaguered colony as a conscripted workforce. 

But for Murderbot, the challenge is as internal as it is external. Something is deeply, deeply wrong with it. Normal operational parameters are unmet, but with the corp’s SecUnit-heavy persuasion teams en route, Murderbot needs to resolve its issues, and fast!

[140smashedguitars]

network effect truly got to me. murderbot's meltdown after thinking art was dead but then immediately pivoting to shit talking it when it comes back, everyone seeing that murderbot and art care about each other but murderbot refusing to admit it, murderbot and art having a code baby!, murderbot becoming amena's third mum, three my sweet summer child, "peri", "peri's" secunit, art cleaning itself up to be presentable for mensah, and of course

art threatening to blow up a fucking PLANET, with everyone willing to risk their lives, including three who hasn't even met murderbot, to get murderbot back, because it is so fucking important to all of them. and murderbot not even being able to comprehend this because it still views itself as expendable

this is definitely one of my favourite books and i really wanna re read it even though i have so much other stuff to read. this book just means so much to me, i love it and i was so happy to see art again

[nemfrog]

The cranial nerves of Amphibia. 1895.

Internet Archive

[hellofriendhawke]

My favorite part of Network Effect was at the end when Mensah was about to board the Perihelion and ART was frantically cleaning better than Murderbot had ever seen it clean before and making sure all it's humans picked up after themselves. And when ART greeted Mensah, it was the most sincere sounding Murderbot had ever heard it be. Like, ART wanted to impress Mensah, it wanted to make a good first impression to Mensah because it knows how important Mensah is to Murderbot. ART respects Mensah because it trusts Murderbot's opinions of people. It trusted Murderbot with Iris, it's best human friend.

[angeliquecloud]

I’m so glad I found the murderbot diaries

I randomly started listening to the audiobook and haven’t looked back since. I’ve listened to all of them probably 7-8 times and it never gets old. It almost immediately became a comfort series for me, and makes tedious tasks and anxiety riddled moments so much easier.

[art-drone]

Since Three is so interested in educational materials, I'd like to think that it ends up going to New Tideland so it can enroll into the University. Of course it sticks out like a 40 year old in a freshman Intro to Psychology class. But when it really struggles with a course (maybe Psych?) it's forced to join a study group. They are happy to have it but they wonder why it's having such a hard time with the basic stuff. "Didn't you learn this in high school?" they ask naively. "I'm a SecUnit," Three reveals. "I received a module on this subject ... it isn't very good."

[serpentface]

The god Od depicted in a symbolic representation of the word's creation as a docile bull awaiting sacrifice at the altar.

It carries the foundations of the world in its horns (via a very old cross and wheel motif representing cyclical totality, now mostly used as a visual shorthand for the world). It has three sets of horns in the form of the lunar crown, a mostly obsolete symbol of Wardi royalty. The altar is decked with an orange lily motif, after a hardy native water lily capable of regrowth in waters that dry seasonally. This symbol of rebirth and fertility in a sacrificial scene evokes the sacrifice-rebirth cycle initiated by Od's primordial slaying, which is fundamental to the world's functioning.

This is a rundown on interpretations of the god Od, a deity that has a long history in the lands surrounding the Mouth of the eastern inner seaway, and the impact (or lack thereof) of its primordial sacrificial nature in religious practice.

The god Od appears in religious practices throughout the region, having the utmost significance to the Imperial Wardi faith and lesser or separate significance elsewhere. The five religious practices wherein variants of Od has longstanding historical significance are the Burri Faith, the (Imperial) Wardi faith, the Old or 'Heathen' Wardi faith, the faiths of the Hill Tribes, and the Wogan faith.

—

The name Od and most significant elements of this god have origins in the Burri faith, which was transferred across the sea to the Wardi, Wogan, and Hill Tribes in the time of its second and third empire.

The Burri Od is described as having been the first being. The universe began as a cosmic sea and empty, eternal sky, loosely representative of a primordial and fundamental female and male dualism. Od appeared at their borders as a result of their interfacing, in the form of a giant aurochs or bison whose hooves touched the seafloor and horns touched the sky. He dipped his head down to the silt and lifted it out of the sea in his horns, thus forming the foundations of the world. His semen spilled into the cosmic sea and created the first seven gods, who then killed and divided their father, giving the world its form with his body.

While significant to the creation story, Od is of relatively little importance in everyday practice of the Burri faith and is not commonly worshiped (rather his seven children are, as they were the original and most powerful group of gods and created life).

Though the Burri Od takes on a sacrificial role in creation, animal sacrifice is not central to the Burri faith and is only performed in specific contexts (some festivals and holidays, in times of great strife, and to a few specific gods within a wide pantheon). The Burri faith does not involve a sacrifice-rebirth cycle as foundational to the world's functioning and god's health, and offerings are instead mostly gifts to please and rightly venerate the gods (or avert the malice of less savory deities). Offerings of food, drink, and precious materials are preferred by most gods. When animal sacrifice does occur, bulls ARE generally favored, as a reflection of their primordial counterpart.

—

The modern/Imperial Wardi Od is partly an import of the Burri tradition, which fused with both native monotheistic/animist worldviews and animal cults during the reign of the 2nd Burri Empire and developed into a new faith, which has presently become the state religion of the Wardi Empire.

‘Od’ in the Imperial Wardi context is best translated as capital G ‘God’ (anyone saying 'God' is, in-universe, saying the word 'Od'). Its creation of the world plays out in a very similar fashion, but the first human life (rather than other gods) is created by Its semen mingling with the cosmic sea. It willingly sacrificed Its body at the hands of the first people, who formed the world with its remains. Its shed blood spattered the earth and can be found today as meteoric iron, and animal life emerged from the mingling of the blood and the soil. Its death initiated the eternal cycle of sacrifice/death and rebirth, with each begetting the other and necessary for the world to function.

Od's body is dead and the world is Its corpse, but Its spirit survives in seven 'faces' which govern specific functions of reality and society. The connection of Its spirit to Its body is maintained by right practice, right prayer, and right sacrifice (in the form of food/drink offerings, bloodletting, common sacrifices of animals and occasional sacrifices of people).

The Imperial Wardi Od is generally regarded as genderless and dual-sexed, and referred to with a unique deified pronoun most effectively translated as capital I 'It'. Its sex is of relatively little significance to everyday religious practice, and discussions of Its dualism are more likely to occur in scholarly and philosophical contexts (like debates on the minutia of how Its semen, milk, and menstrual blood are all mentioned in old accounts of creation, and how the implications of this should translate to body politics and taboo).

—

The Old Wardi or ‘Heathen’ Wardi faith is a separate branch of old ethnic Wardi religion with significantly less Burri influence. This is a minority practice that only survives intact in isolation. Its practitioners are often hostile to all foreign influence and the Imperial Wardi faith, and suffer minority status and religious suppression.

Its version of Od is a more intact surviving remnant of ancient Wardi monotheism, as an androgynous creator god who lost physical form in the act of creation, and lives on as innumerable spirit aspects of its whole. This deity is referred to as Od in describing its primordial form, but is mostly referred to as a unique word for spirit, which is 'the Koya'. Practitioners of the old faith often identify the seven-faced Od as a twisted, foreign misinterpretation of the Koya. 

This practice is somewhat animistic in nature and involves veneration of individual spirits that form a larger whole. Every aspect of the world has a spirit (plants, animals, minerals, bodies of water, etc) that exist in an ideal balance and as strands of an interconnected death-rebirth cycle. Each spirit is referred to as 'the [noun]-koya'. All discrete forms of life/matter have at least one attached Koya, while living beings also have a soul (which is separate from the Koya and reincarnated upon death).

Each Koya exists as a quintessential essence (ex: the lion-koya, the maize-koya, the iron-koya, the salt-koya) rather than separate individual objects having separate individual Koya, though unique landmarks do have their own (the Brilla River-koya is separate from the Yellowtail River-koya, though both share the freshwater-koya). Each individual may have multiple spirits (geese have the goose-koya, but also the bird-koya, the freshwater-koya, etc), a system that categorizes the world by intrinsic natures and precisely dictates how each physical body has unique metaphysical significance.

Animal sacrifice plays a somewhat similar role in Old Wardi religion to Imperial Wardi religion in the sense that it intends to maintain the stability and oneness of the divine spirit and a death-rebirth cycle. In this case, in freeing part of the spirit, balance can be brought to the Koya totality and restore the death-rebirth cycle. (Ex- in times of drought, the sacrificial release of the migratory goose-koya can encourage the return of the rains). This is far from the only way to re-balance the Koya. The most significant rites come in the form of songs that summon, release, or expel individual Koya as needed.

—

The Od of the Hill Tribes is a mingling of the Burri/Wardi Od and a much older goddess of fertility and agriculture, and is strongly associated with cattle and barley. This version of Od did not create the world and is only one of many gods, though she is said to have been born from the sea and carried up fertile soils with her (which is likely a direct result of Burri/Wardi influence). A few tribes venerate Od as a chief or patron god, though none are fully monotheistic (outside of converts on individual or clan levels).

She has a distant common ancestor with the Finn goddess Morgren (as the various Hill Tribes are descendants of a single proto-Finn population who migrated across the Viper seaway in prehistory), who is also a goddess of agriculture associated with fertility and barley (though in Morgren’s case, she is THE god of the staple crop barley and lacks the cattle association, and has no direct influence from the Burri/Wardi Od whatsoever)

Most of the tribes of Greathill do not practice animal sacrifice but offer grain and fruit to Od, and create a sanctified mix of crushed barley and oil that is anointed on livestock and people to confer Od's blessings of fertility. In some cases, the dominant cow in each herd is considered to belong to Od and will not be milked or slaughtered, and is buried with full rites upon its death.

—

The Od of the Wogan religion is distant to the rest of her counterparts, though has absorbed some Burri and modern Wardi elements over time and is referred to by the same name (a definite foreign import). She shares the fertility aspect ubiquitous to other Od variants, and is occasionally depicted as a cow.

She is a goddess of the earth and sea, who was wed to Iapedi, the god of the sky. The ocean is functionally her womb (which may be trace Burri/Imperial Wardi influence, or merely coincidental) and all life emerged from within. 

These are the only two true gods to the Wogan, though there is an additional element wherein the mating of Od and Iapedi also created innumerable spirits found throughout nature that act as an animating life-force. The concept is very similar to the Old Wardi '-Koya' (as the two faiths had close common ancestry), though this one lacks the sort of taxonomical system of its counterpart, and only ascribes spirits to living things. Each spirit in the Wogan religion is distinct (rather than each type of animal, plant, etc potentially having multiple spirits), and the spirits existing in each body are part of a greater whole that exists as a sentient consciousness that can be communed with (ex: each lion has A lion spirit, all part of The lion spirit, the latter of which can be engaged with).

Wogan religion strongly retains ancient animal cult practices common across the ancient Wardi-Wogan sphere, some of which have been translated into the faces of God in the Imperial Wardi context (both religions share commonalities of lions, snakes, albatross, migratory ducks, and cattle being significant sacred animals). The function of animal worship to the Wogan is communication and interface with the greater spirit of each animal (which can range anywhere from gaining personal blessing and protection, to dispelling plague, to 'lay off on eating our crops').

The Wogan faith does not involve animal sacrifice (though ancient variants almost certainly did). This is connected to traditional vegetarianism among the Wogan (as a means to avoid offending animal spirits), which some view as a point of pride and a mark of distinction against their Imperial Wardi majority.

[queereads-bracket]

Queer Adult SFF Books Bracket: Round 3

Book summaries and submitted endorsements below:

The Murderbot Diaries series (All Systems Red, Artificial Condition, Rogue Protocol, Exit Strategy, Network Effect, Fugitive Telemetry, System Collapse, and other stories) by Martha Wells

Endorsement from submitter: "Asexual and agender main character. In later books side characters are revealed to be in poly relationship."

"As a heartless killing machine, I was a complete failure."

In a corporate-dominated space-faring future, planetary missions must be approved and supplied by the Company. For their own safety, exploratory teams are accompanied by Company-supplied security androids. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.

On a distant planet, a team of scientists is conducting surface tests, shadowed by their Company-supplied ‘droid--a self-aware SecUnit that has hacked its own governor module and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, Murderbot wants is to be left alone long enough to figure out who it is, but when a neighboring mission goes dark, it's up to the scientists and Murderbot to get to the truth.

Science fiction, novella, series, adult

The Left Hand of Darkness by Ursula K. Le Guin

A groundbreaking work of science fiction, The Left Hand of Darkness tells the story of a lone human emissary to Winter, an alien world whose inhabitants spend most of their time without a gender. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the completely dissimilar culture that he encounters.

Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

Science fiction, classics, speculative fiction, anthropological science fiction, distant future, adult

[wubbelwubbwubb]

2.0 whispered, That’s targetControlSystem.