#netflix's dark

[performing-personhood]

This one is for the girls haunting the narrative before they're even fuckin dead: I see you, need you, and love you.

(Also I'm really sorry I only have two fandoms that work for this, with some time I could probably dig up a Trek lady this applies to.)

girls who are doomed by the narrative!! girls who have been dead since the beginning. girls who are dragged into death not kicking and screaming but clinging on to the brink until their fingers ache with the weight of the years they’ve stolen. girls who’s every last words are already etched on the stone of an open and waiting grave.

[penny-anna]

hear me out. Dark & Back to the Future represent exactly opposite ends of the Time Travel Media Spectrum.

[tooth-with-eyes]

[blleackki]

Broken doll trend Alucard

[alpacahat67]

the idea of gay dads post-nimona movie ending is so funny to me because imagine you're ambrosius and you and your husband adopted this little shapeshifter that just found your husband one day and your child looks at you and tells you that she had a baby gay relationship with your great-great-great-great-great-etc-grandmother about a thousand years ago like id be so distraught /hj

[viccerys]

Alucard - Day 2: Fable #h0ptober #inktober

It's a pity I didn't have time to start yesterday, but at least I'm happy about how this one turned out

[inafieldofdaisies]

Hit Man (2024) | Adria Arjona as Madison Figueroa Masters and Glen Powell as Gary Johnson 

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: 1x02 - "Some Mysteries Are Better Left Unsolved" ↳ "All I see is a boy meddling with things he doesn't understand."

[niko-sasaki-dbd]

Dead Boy Detectives Agency + Random Posts.

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[zanephillips]

ALEJANDRO SPEITZER Dark Desire 1.16 "Revelation 21:8… Fire is set upon his anger"

[the-sp0tless-mind]

[bs-fangirl]

Seriously, Netflix, what the hell is your problem?

[seraphim-eternal]

midnight mass

[perseidlion]

Streaming in Kaos

Well, it happened. I can't say that I'm surprised that KAOS has been cancelled by Netflix. I am a little surprised at the speed at which it was axed. Only a month after it aired, and it's already gone.

That has me wondering if the decision to cancel was made before the show even aired. We have to remember that marketing is the biggest cost after production. If the Netflix brass looked at the show and either decided (through audience testing, AI stuff or just their own biases) that it wasn't going to be a Stranger Things-level hit, they probably chose at that moment to slash its marketing budget.

That meant there was pretty much no way that KAOS was ever going to hit the metrics Netflix required of it to get a season 2.

What makes me so angry about this (other than the survival of a show relying on peoples' biases or AI) is that it becomes a self-fulfilling prophecy. If you decide before a show is ever going to air that it won't be a success, then it probably won't be. If you rely on metrics and algorithms and AI to analyze art, you will never let something surprise you. You'll never let it grow. You'll never nurture the cult hits of the future or the next franchise.

Netflix desperately needs people behind the scenes that believe in stories and potential over metrics. Nothing except the same old predictable dreck is ever going to be allowed to survive if you don't believe in the stories you're telling.

The networks and streamers have a huge problem on their hands. They need big hits and to build the franchises of the future to sustain their current model (which is horribly broken.) But people have franchise fatigue and aren't showing up for known IPs like they used to. The fact that Marvel content is definitely not a sure thing anymore is a huge canary in the coal mine for franchise fatigue. People aren't just tired of Marvel, they're tired of the existing worlds both on the big screen and the small one. Audiences are hungry for something new.

It is telling that the most successful Marvel properties of the last few years have been the ones that do something different. Marvel is smart to finally pull out The X-Men because that is a breath of fresh air and something people are hungry to see more of.

There's pretty much no one behind the scenes (except for maybe AMC building The Immortal Universe) that is committing to really taking the time to build these new worlds. Marvel built the MCU by playing the long game. That paid dividends for a solid decade even if it's dropping off now. That empire was built not with nostalgia for existing IP (don't forget the MCU was built with B and C tier heroes) but with patience. Marvel itself seems to have forgotten this in recent years.

Aside from that, I think people really want stories that aren't connected to a billion other things. That takes commitment on the part of the audience to follow and to get attached to. People WANT three to five excellent seasons of a show that tells its own story and isn't leaving threads out there for a dozen spinoffs. We're craving tight storytelling.

KAOS could have been that. Dead Boy Detectives could have been that. So could Our Flag Means Death, Lockwood and Co, Shadow and Bone, The Dark Crystal: Age of Resistance, Willow, and a dozen other shows with great potential or were excellent out of the gate.

If you look at past metrics, you only learn what people used to like, not what they want now. People are notoriously bad about articulating what they want, but boy do they know it when they see it. Networks have to go back to having a dozen moderate successes instead of constantly churning through one-season shows that get axed and pissing off the people who did like it in a hamfisted attempt to stumble on the next big thing.

The networks desperately need to go back to believing in their shows. Instead, they keep cutting them off at the knees before they ever get a chance because some algorithm told them the numbers weren't there.

[hackedhearts]

I don't know what I'm supposed to do Haunted by the ghost of you Oh take me back to the night we met

[izzylimon]