#ness makes something??
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mizuruifan9 · 1 month ago
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I was feeling silly so I made a teto cover of bake no hana :3
I also put saki's(the SynthV voicebank) vocals in the background so I used her too, I don't know how to mix tho so it just sounds crusty :/
credits to dumbpablo1111 for the ust file :3
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shepscapades · 4 months ago
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[Set in Mid-Late Hermitcraft Season 8]
In which we learn a little something about Cub, a little something about Doc, and a little something about Xisuma.
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castielsprostate · 2 months ago
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okay but what if wade's birthday wish was to finally mean something. to finally have a purpose bigger than himself, to be something, anything! be someone that has a meaning. to finally be seen as someone worth sticking around for, someone worth dying for- someone worth living for. and then he opens the door
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cinnamon-flame · 11 months ago
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I was going through my art folder again and I saw one of the oldest wof stuff I've ever drawn (the fourth one ever I think?) and I redrew it! I love Turtle and I just took this excuse to draw him again
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is-this-even-relatable · 3 months ago
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DC PROMPT #1:
So you know how Billy’s last name is Batson? Well think in terms of Norse naming schemes and it’s Bat son.
I want a fic where people think Billy is Batman’s son.
Batman knows who Captain Marvel is, and sometimes Billy has a tough day. Sometimes Batman comes to help out in Fawcett City and happens to run into scrawny kid Billy. So he helps/offers emotional or physical support.
And Billy is a little shit, and also magical as fuck so he’s got Weird-Vibes (TM)
People see this strange, obviously not normal child. People see Batman, the cryptid, whom shadows cling to and is quieter than the night he dwells in.
Yeah that black haired kid is obviously some magical spawn of batman.
And then they learn his name is Billy Batson? Yeah, that’s definitely Batman’s son, didn’t know Batman was norse though?
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exilethegame · 5 months ago
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Who would make the best diss track?
Vethna + Amilia. Amilia would compose + produce the piece and Vethna would come up with some absolutely nasty one-liners to roast the other side 💀
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calmbigdipper · 9 months ago
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What you mean to me
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koddlet · 7 months ago
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taipril days... 18-19! i'm going to count it.
trying something different! a zine of the opening to 'nature can't amend its ways' by @owltrifecta, which you should absolutely read for tai + trees 🌳
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pkmoth · 30 days ago
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its the party!!!!!!
battle menu | in love and time au tag
(act 3 & 5 variants under the cut)
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sciderman · 1 month ago
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Have you watched the musical "Spiderman: Turn of the dark"?, what is your opinion? (I love musicals, but haven't watched this one, first I want to know if it is good).
Also I would have expected that the one who would get a theatrical musical, would be DP. I bet that if the musical exist in the universe of the boys, Wade would be a little jealous. 🤭🤭
i actually haven't seen this one - i've listened to the entire soundtrack and read synopsises, and know all the lore behind it and it's a point of obsession for me but - all the cams of it are so poor quality that it's completely unwatchable for me. i get too frustrated that i have to just stop watching.
i always ask people the question, you know, if you could time travel to any moment in time, what would it be - and when they turn that question back at me, my answer, at the ready, is that i'd go see spider-man: turn off the dark, on broadway. i'd give anything to see it, honestly. i want one of the spider-man stunt-men to fall on me, so, so bad.
i have read the script, for - you know, some version of it. there was more than one version. i read one of them. and i have to say, i really like it. i think peter's actually really, really hilarious, in his socially inept sort of way. it's very fun. also bonus points for having it canon that flash would fuck a spider, even before spider-man was a thing.
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hilarious. also! pretty obvious from the soundtrack but gg is immensely queer coded and honestly it reads as though he just wants to share a condo and adopt a dog with spider-man. you're a queer in tights? IM a queer in tights. lets be queers in tights together. it's so funny how he goes about trying to be peter's bff. most hilarious interaction between a villain and hero ever 10/10
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uh-huh. uh-huh. (writes a note in my little gay notepad)
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how to make friends 101
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dailyloweffortpace · 2 months ago
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Day 31: one month of that guy
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mizuruifan9 · 15 days ago
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I may have performed filament fever at a convention this week in my tsukasa cosplay
youtube
I made so many mistakes 😭😭😭
censored my face in the video cause I'm a minor 💔
aaaaaaa um yeah!!!!
was going to upload as file but 200 mb...
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catguangcorner · 3 months ago
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manhua!lu guang being unbothered/not fussed past filling the general objective of the clients UNTIL cxs is emotional/having nightmares/cries and then lu guang suddenly going above and beyond scrambling to fix things or provide some sense of closure/justice is my favourite, actually
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strawglicks · 1 year ago
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GRAHAM PAYSER IS INSECURE AS HELL
So ive been thinking abt this for some time and i decided i needed to make a post about it bc people were SHOCKED when i pointed it out and like. Is this new???? I thought it was obvious . But if its not, thats what this post is for <3
heres why grahams super insecure actually
Need for Validation
So graham needs attention and validation from other people NONSTOP.
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from asking flint to validate everything he just said
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to waking up cathal so they'll agree with him
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to just seeking people's attention in general.
He cannot just be content with himself on his own, he needs other people to constantly reassure him that he’s right. He claims to be confident but isn’t satisfied with just himself, he needs other people to fill that void
Projecting
The ending cutscene is the biggest case of Graham projecting onto other people AND one of the biggest points where his insecurity shows.
He is EXHAUSTED from his own fight but he can't handle the failure, so he flips everything he's feeling onto the toons instead.
He spends this whole cutscene realizing he's lost and DESPERATELY trying to cover it up because he can't admit defeat, which reeks of insecurity by itself.
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It opens with him realizing he's lost and immediately trying to cover up the fact he's upset about it.
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He tries to flip the situation and make it seem like the toons lost the fight and puts them down for it because he doesn't want to put HIMSELF down. He doesn't even allow himself to fail, he has to be perfect.
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He also straight up lies here. Graham was putting his ALL into this fight, proven by how he collapses from exhaustion at the end. There are no other forms, he wasn't getting started. He was trying his very best and still failed and that destroys him. Again, he can't handle the failure so he just. Lies at this part.
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More projecting and trying to make it out as if the toons lost . He himself desperately needs a breather because he burned himself out, but again, he can't handle that fact because he's desperate to be perfect.
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Not the ending cutscene but another point worth mentioning in terms of projecting. He brags about burning out the toons yet has a habit of burning HIMSELF out.
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The fact he collapses at the end of his fight means he overworks himself to the absolute limits in desperation to be the best. If he's really so great, he shouldn't have to try so hard to prove it. Which brings me to the next point
Trying Too Hard
Someone who is genuinely content with themselves shouldn’t feel like they have to PROVE they are content, yet that’s what Graham constantly does. He is always trying so hard and putting on a show for the people around him to PROVE that he’s confident.
Someone who feels good about themselves shouldn’t have to shove that fact down everyone’s throats. This drives back to the validation point in which he needs people to pay attention to and validate him.
Fantasizing About Success
Graham obsesses over a better version of himself despite claiming to be so confident with who he is currently.
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He's not satisfied with where he currently stands. He craves more power, attention and success because he is insecure with where he is now. There's no reason for someone so supposedly confident and perfect to be chasing after a better version of themselves.
Can't Admit Failures
Touched on this earlier with the projecting. Graham insists he's perfect and anytime he fails it immediately makes him panic. Someone who's happy and content with themselves should also be able to accept their flaws, but that's not what Graham does.
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When his position for the job is threatened, he immediately loses it.
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When he loses his fight, he immediately scrambles for excuses and some way to put himself back on top.
Graham may have a huge ego, but it's a fragile one at that.
Graham’s confidence is a facade. This isn't to say he's doing it intentionally; I honestly think he isn't even aware of his insecurity and genuinely believes he is confident and above others. But people like Graham will often obsess over the IDEA of being confident and above others because they lack it in reality. It’s not just a facade to convince others he’s on top, it’s also to convince HIMSELF he’s on top.
TLDR; oh hes a little fucked up actually.
To finish this off u can have this image i made the other day featuring one of my fav Grahams ive ever drawn LMAO
It pretty much repeats what’s already been said
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404-art-found · 2 years ago
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Being a war machine, V1 was not built with music appreciation in mind; its mind and budding sentience is hardwired for violence and personal gain. It listens to Gabriel play, listens to the terminals, and what does it gain?
V1 cannot (knowingly) create something new. It repeats what it knows works, it layers these repetitions atop each other to amplify their use to it. It can only mimic what it has heard before, note by note, at the exact pace they were heard, a mechanically measured replay. A perfect replication by its own hands, yet dull, unsatisfying, compared to replayed memory clips of music.
It feels it is doing something wrong.
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atopvisenyashill · 6 months ago
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listening to an analysis of sansa - by a CHILD THERAPIST i think this is a great angle, recced by @transdimensional-void - and he said something about Sansa seeming a bit lonely, which made me think about how like, for both Theon and Sansa, there’s an enddate to what they feel is a sort of misery (tho wildly different sorts of miseries) - one day she’ll be married and a proper lady surrounded by other proper ladies and not in the drab, dull north, and one day Balon will die and Theon will be Lord of Pyke and not under constant threat of death meant to be loyal to a family who cannot conceive of the stress he’s under. Contrast to Arya & Jon, who don’t have that “end date” to look forward to - Arya will never be free to live the way she wants, at some point her tomboyishness will stop being cute to the men around her and start being a sign that she’s too wild, and Jon will never be free from the taint of bastardry so long as he lives, this confusing underclass of man where he is noble by birth and yet also lowborn and unworthy is a fate he can never truly escape.
I think it explains both why Theon & Sansa romanticize the terrible things around them, with the repeated focus on beauty, on songs and stories, because they want to live up to the expectations by being the Perfect Lady and Perfect Wife, by being the Perfect Hostage and Perfect Lord, because this freedom they’ve built up in their minds has to be worth it. Theon was taken away from home for this, Lady died for this, it HAS to be worth the cost. BUT ALSO, whereas, because Jon and Arya feel there’s no reprieve coming, there’s nothing good in their future, there’s an emphasis for them on the idea that who they are now isn’t wrong, or dirty but instead a strength. They don’t deserve the bad that happens to them, but their identity as outsiders makes them suited to survive it, and their suffering has ~meaning.
But for all four of them, what ultimately matters is identity - whether they are hoping for the day when they’ll stop being who they are or dreading it, or outrunning it, all four have to grapple with a changing identity and come to terms with the idea that there is nothing wrong with who they are, but there IS something wrong in how they were all raised to believe they must change to accepted.
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