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world-cinema-research · 7 months ago

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Forrest Gump (1994) short essay By Everett Hunt

Today I will be discussing one of the most famous and quoted films of all time, “Forrest Gump”. Forrest Gump is A film about a man by the name of Forrest Gump with an IQ of only 75 making his way through the world and getting himself involved in almost every historical event that occurs from the 1950s to the 1980s while maintaining an unbiased point of view. In this essay I will be covering the content of the film, the critical reception, whether this film is conventional or unconventional, as well as the film's style.

The actual content of the film covers a vast amount of historical events as well as character development. Throughout the film it shows Forrest being identified as having an extremely below average IQ of 75, being bullied for this, and overcoming these adversities. Throughout the film Forrest struggles to get his love interest Jenny to be with him and overcomes many struggles in order to do so. He also goes to vietnam, becomes a world ping pong champion, and goes on a run that lasts for 2 years just because he wants to. Throughout all of this the audience is taken through comedy, joy, and tragedy.

youtube

Above is the original trailer for the film. Not only does this trailer do a good job of showing many of the things that I mentioned above, but it also does an incredible job of showing the feel of the film as well as including the narration of Forrest Gump just like the movie itself does. I think that the reason this trailer is so useful for analyzing the film is to show what the character of Forrest Gump is like. This trailer shows very well how Forrest Gump is not the brightest, but how he doesn’t judge anyone else.

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The scene above shows an interaction between Forrest and one of the friends that he made in Vietnam, Lieutenant Dan. This is a great scene from the film for a couple of reasons. The reason why I love this scene so much is because of how funny it is. It shows Forrest completely not understanding the joke that Lieutenant Dan makes which makes the scene that much funnier.

The critical reception of this film is overwhelmingly positive. Critics almost all agree that this film was an incredible piece of fiction that pushed the boundaries of filmmaking. In Roger Ebert’s review of the film, he states “I've never met anyone like Forrest Gump in a movie before, and for that matter I've never seen a movie quite like "Forrest Gump." Any attempt to describe him will risk making the movie seem more conventional than it is, but let me try. It's a comedy, I guess. Or maybe a drama. Or a dream.” I think that this line from Roger Ebert’s review of the film really sums it up best. It blends styles and pushes boundaries such that it is almost impossible to really describe the film and convey exactly what it is. In another review by Ben Weinberg, Weinberg states “Forrest Gump is a special movie that has resonated with millions of people around the world. Many folks have been inspired by the message of this movie and have gone to improve their lives in innumerable ways. The story of Forrest Gump is a story of hope, love, perseverance, respect, and tolerance.”

The historical event that ties into this film more than any others is the Vietnam War. The Vietnam War is an extremely important event in the film because Forrest’s time in Vietnam takes up a good chunk of the film and includes some important character development as well as introducing some new characters that are extremely important to the plot, including Lieutenant Dan. I think that it is very interesting how The Vietnam War is portrayed in the film. In the film, we are shown both sides. Forrest actually goes to Vietnam and fights on America’s behalf, while Jenny, his love interest, is one of the main antiwar protesters. I would say that overall, the film takes an antiwar stance, painting the war in a negative light, which certainly conformed to the sentiment at the time of the film's creation.

Another historical event that is important to the film is the famous stand in the schoolhouse door incident in Alabama. This is showcased in the film with Forrest inadvertently picking up a book that Vivian Malone dropped and becoming a part of this real historical event. This scene in the film actually uses real footage from the incident as well.

On the point of whether this film is conventional or unconventional, although the film does have many of the qualities of a conventional film including a large budget, a popular director, and some popular actors, I would classify this as an unconventional film for a variety of reasons. One of the reasons why this is an unconventional film is because the protagonist, Forrest, does not find success through the typical ways that protagonists do in films. He does not win through cunning or prowess, but rather through his optimism and naivety. Another reason why this is an unconventional film is because it does not stick to one genre but rather is a blend of comedy, romance, action, and fantasy.

One major trend of the time that Forrest Gump participates in is the rethinking of genres. Filmmakers at the time were beginning to be more willing to push the boundaries of easy genre classification, and Forrest Gump is definitely one of these films. The film blends comedy, action, and romance all in one film. Another major trend of the time that this film participates in is cultural reflection. Many films in the 90s were beginning to really reflect on history and culture and Forrest Gump very clearly reflects on the culture of the time as well as the historical event of the Vietnam War.

In conclusion Forrest Gump stands as a cinematic masterpiece, blending genres together and pushing the boundaries of filmmaking. Viewing historical events through the eyes of an unlikely hero with a unique perspective provides the audience with entertainment as well as social commentary. Critics praise the film for its innovative approach and powerful message. Through the unbiased eyes of Forrest Gump viewers are taken on a wonderful journey through history.

#Youtube

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cow-smells · 4 years ago

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You’re Mine [Eli Hawk Moskowitz x Reader]

Requests: 1. there’s a new girl on miyagi-do, she’s classmates with sam, hawk, miguel, tory, robby, demetri, etc... for some reason, she and hawk didn’t like each other (he can be on cobra kai or eagle fangs, that’s your choice), and one day they make a bet, which this girl wins. hawk has to be her slave for a whole week. BONUS IDEA: a stolen kiss during a fight. maybe admitting feelings for each other? i’d love that! ( @berriewrites ) 2. love the hawk smut but i’d also love some fluffy hawk about him secretly liking the reader who’s in miyagido but he tries to act all tough and hide it (anon) 3. AHHH CAN WE GET SOME HAWK FLUFF!? I love the idea where you swear that you don’t like him and you guys make eye contact from a distance when he’s standing with his friend group and you’re standing with yours and you get flustered and he can tell and he smirks and just ahh (anon)

A/N: this took so longggg this came out longer than expected (and honestly i could go on, but i wanted to get this out already) + real life has come hitting all at once and its been overwhelming lol. thanks for being patient and sticking around <3 i enjoyed writing some fluff (amidst a flurry of smut reuests loool :)

Words: 2981

Warnings: none

Read this on AO3

Summary: You don't like Hawk. He's a bad person, that much you know for sure. You're ready to make his life miserable when he loses a bet with you, but then you actually have to spend time with him...

You didn't like this.

Forgiveness seemed to be a virtue that evaded you. Eagle-fang and Miagi-Do were uniting and everyone seemed to be all for the union – except for you.

Some things were simply unforgivable. For you, Hawk breaking Demetri's arm was one of them.

You and Demetri became nearly inseparable friends when you both joined Miagi-Do. He had told you all about his former friend Eli and how he'd abandoned him in the favor of bullying him in any way he could come up with; that bullying taking a turn to the extreme when Hawk took to breaking bones.

Demetri had since forgiven him, but you hadn't.

Demetri had a softer heart than he let on, and he missed Eli terribly, so when the latter suggested they work together he gladly accepted.

But you were more objective about the situation, as you weren't a part of it, and forgiving such cruelty was beyond you.

The one good thing about the dojos coming together was the intense dedication that grew on everyone. Now that you had a common enemy, many participants would hang around in Miyagi-Do's dojo long after training sessions, training until you could hardly move your limbs.

The sun had ago long fallen when you and the remaining students took places around a mat, ready for the sparring session to begin.

With Daniel and Sensei Lawrence gone, you had taken to writing down names and pulling them out of a bowl to decide on sparring partners.

All the negative emotions you felt channeled in to great excitement when Miguel called your name – followed by Hawk's.

You could have sworn you saw a look of something you couldn't read – concern, perhaps, or fear? Before he seemed to share your excitement as he stepped on to the mat with a grin that was almost predatory.

Two could play at that game.

“You're as good as dead,” you said, your voice dripping venom. Hawk's smirk just grew.

“Is that so, princess? I'd like to see you score as much as a point.”

A light bulb lit in your mind.

“Yeah?” you taunted. “What if I get three?”

Hawk laughed. “You got a lot of confidence, don't you? I'll tell you what. If you can score three points on me and win, I'll...” He bit his lip as he thought. “I'll let you boss me around for a week. Whatever you want.”

The blood rushed through your veins, ready more than ever to fight. You were grateful for the lack of your sensei, knowing this nonsense wouldn't stand if he were here.

“Deal.”

“Are you guys done?” Miguel huffed, standing between you two, ready to referee. “Good. Bow.”

You bowed without intent and got straight to attacking. Hawk didn't expect it; he came from the dojo that prides itself on strike first and yours cared mainly about defense. You earned your first point within seconds.

That only served to throw Hawk off his game further. He dived in right away for the attack and was caught unprepared when you fell, sweeping his leg.

You earned your second point.

By that point, Hawk might as well have been fuming out the ears. His brows furrowed in anger as he looked at you like you were the most vile thing he had ever seen; that satisfied something within you.

The flurry of hits and misses was so rapid you were caught unprepared when you managed to land a punch on Hawk, Miguel's voice rising as he named you victor.

Hawk huffed, clearly exerted. You smiled. “You're mine.”

You were fully intending to use this bet to its full potential.

The next day was Saturday, and Hawk, true to his word, showed up at your doorstep at 9 p.m sharp, just as you had ordered.

You paid him no kindness when you opened the door, not exchanging a word with him before demanding: “Helmet?”

Hawk handed you a helmet, not looking particularly pleased about the situation but not being able to stop himself from taking in an eyeful of you anyway.

You needed a ride to tonight's party – that's where Hawk came in, beginning his work for you as a personal valet. Accordingly for the event, you were dressed meticulously, showing off your best features – and if you were to judge by Hawks reaction, you were on your way to turn heads.

You climbed on the motorcycle after him, circling your arms around him loosely; but when he kicked off and started the ride, you couldn't help but tighten your hold.

The party was overcrowded with people from the moment you got there; Yasmine's parties tended to get a bit... excessive.

You ditched Hawk the moment you got sight of your friends, ditching the helmet on his bike to run over to Sam, Moon and Yasmine.

Yasmine didn't hide the dirty look she sent at Hawk. “Ew. Who's the freak?”

You grinned proudly. “My valet. Ignore him. Actually...”

You looked over to the drinks table; someone had tapped a keg and it was being swarmed with people.

“Hey, Hawk!”

Hawk turned to you, the slightest furrow in his brow as he had already joined his own friends. You pointed at the drinks table. “Vodka soda!” you ordered.

He rolled his eyes, but did it anyway. Your friends watched wide-eyed as he obeyed you wordlessly, bringing over the drink. “Anything else, princess?”

“Yes,” you gave him a judging once-over. “Don't drink tonight. I want to get home in one piece.”

He bit his cheeks and glared at you before growling “Fine” and returning to his friends.

At some point you didn't even want a drink any more, it was just fun ordering Hawk to go fetch you another one; and so, you found yourself unintentionally drunk, laughing mindlessly at anything said and swaying on your feet.

You didn't even know how late it had gotten when Hawk came in the living room looking for you, ready to go home as most the others already had.

You had earlier made him promise to take you home as well, and – something you were quickly learning was, Hawk was definitely a man of his word. He spotted you half-sprawled on the couch, laughing with Yasmine at something you didn't fully register. Your cup was askew in your hand, contents about to spill over when Hawk grabbed it out of your hand, placing it on a table nearby.

“Come on, Y/n. It's time to go.”

“Not yet!” you grinned gleefully, taking hold of his wrist and shaking it dumbly as you spoke. “Later! We're having fun!”

Hawk placed his free hand on yours that held him. “It's four AM, Y/n, time to call it a night.”

You didn't reply, instead resorting to pouting like a child.

His eyes softened (the puppy eyes never failed to work) – but his jaw clenched. “If you don't come now I'm leaving you here.”

“Fine!” you hurriedly rose to your feet, using Hawk for balance. “Bye,” you pouted at Yasmine childishly as Hawk pulled you away from her and out of the house.

The sudden quiet of the outside was nearly overwhelming, Hawk's voice sounding too loud for you. “How am I supposed to get you home when you're this drunk?”

“I'm not drunk,” you answered instinctively, knowing that you very well were.

“If you can make it to the bike in a straight line, I'll believe you.” You look at his bike, ten feet ahead. You decide to keep holding on to him. “That's what I thought. Listen. You gotta stay awake, okay? I can't have you falling off in the middle of the road, or making me sway, because then we're both dead. Got it?”

“Dead. Got it.”

Hawk didn't look convinced, but placed a helmet on you and buckled it anyway.

It was about ten minutes in to the ride when Hawk pulled over. He turned to you, his voice as serious as he could make it; you simply smiled, somewhat dazed. “This isn't going to work.”

“Hm?”

“Y/n!” Hawk called, trying to wake you up a little. “Don't fall asleep!”

“Yes, sensei.” you slurred. Had you been any more awake, you might have noticed the way Hawk's eyes widened at that.

Hawk had to refocus himself to go on. “I'm serious. Look... My house is closer than yours. You can sleep it off at mine, and I'll take you wherever tomorrow. Okay?”

“Okay,” you shrugged, your mind not caring about much other than regaining the warmth of Hawk's body pressed against yours.

Minutes later you pulled up at an unfamiliar house. Hawk unbuckled your helmet and set it aside, helping you off the bike and guiding you inside, motioning Shhh as he led you through the corridor of his darkened house until you reached his room.

The most natural thing for you to do the moment you saw a bed was to collapse on it. In the seconds Hawk turned his back on you to find you Pj's to wear, you had fallen asleep.

Looking at you on his bed, Hawk exhaled heavily. He was very aware of your hatred of him; what he couldn't understand was, if everyone else forgave him, why not you?

It certainly didn't help that you looked the way you do, that you were talented, and that everyone loved you.

So Hawk undid your shoes and pulled them off, laying a blanket on you before leaving you to sleep.

You woke up groggy, somewhat hungover and in a strangers room; an interesting start to the day.

You didn't really want to leave the comfort of your lonesome in the room but it was clear you would have to face the music at some point, so you womaned up and left the room.

Following the smell of food cooking, you walk down a hallway to find a red-haired man in the kitchen, his tattooed back to you, muscles flexing as he flipped a pancake.

With his hair down, it took you a moment to register who you're seeing; who's bed you spent the night in.

Hawk.

Your first instinct was to groan, to cower in to yourself in regret; but then you remember how tenderly he treated you the night prior, making sure you got safely to a bed, letting you have his bed.

You swallowed your pride and stepped in to the kitchen. “Morning.”

Hawk's shoulders jumped in fright as you startled him; you couldn't help but giggle. He quickly rightened himself, straightening his back and flexing his abs as he turned to you.

He was good looking and he knew it. You hated him.

However, you felt your power returning to you as he couldn't help but look you up and down, your disheveled clothes revealing a bit more than they had the night before. Hawk inhaled sharply, reminding himself of who he was, how he was supposed to act: unfazed.

“Bout time you got up.”

You frowned, looking at the kitchen clock. “What do you mean about time? It isn't even noon yet.”

“Yeah, well,” Hawk flipped a pancake on to a nearby plate. “You wanted me to take you to the mall today, right? I have practice later, so it's gotta be now.” The Eagle-fangs were holding weekend practices of their own, something you weren't a fan of.

“Jeez, fine,” you sneered, allowing yourself to sit at the kitchen table. Amidst the chaos that was waking up in Hawks bed, you had totally forgot you previously asked him to take you out today. Yasmine's parents were making her take tutoring lessons, Moon was doing some spiritual healing thing and Sam was with Miguel, so you were left all alone – but you certainly didn't intend on spending Sunday at home, doing nothing.

Hawk finally shut off the burner and joined you at the table with a stack of pancakes and two plates in tow. “Eat away your hangover. I'm not gonna hold your hair up if you hurl.”

Breakfast with Hawk ended up being a surprisingly civil affair; so was shopping. There was something exciting about dragging him along after you, shop after shop, having him carry your bags and modeling clothes for him. And honestly, you were loving the effect you had on him. You knew he was trying to hide it, but you could see the way he grew antsy when you tried on bikinis. You loved teasing him, knowing he couldn't have you.

What also didn't hurt was the way you two turned heads walking down streets together. You were undeniably gorgeous, and he... While at first you thought it was the bright red mohawk that grabbed peoples eyes, after a close inspection you couldn't deny he had fair features, too. You had to look away whenever he tensed his jaw, accentuating his jawline, or if God forbid he smiled, you had to deny the way his smile made your stomach knot up.

As though to top off the experience of him, by the time you finished shopping, Hawk would have been late if he was to take you home, so you suggested he take you to practice with him and just take you home once he was finished. And oh my... You did not need to see him fighting. Having a whole hour to see his biceps flexing as the threw punches was doing you no favors; when you were both practicing you were too busy with yourself to notice him, but right then you had a whole hour to do nothing but stare.

At the end of the practice you rose when Hawk approached you, ready to go. When his sensei understood you were waiting there for him, he asked Hawk, “Yours?”

Hawk didn't answer; he merely smirked that Hawk smirk of his. His sensei nodded proudly. “Nice.” Creep.

You had a couple more days to squeeze the most you could out of your bet, and by all means were you planning on using them.

Hawk was taking you to school and home every day on the back of his bike – to Miyagi-do, too. It became a regular thing to see you two together, and if anyone was expecting you, they expected Hawk, too.

Just as the previous mornings, you and Hawk walked in to school together. Seeing your friends, you bid him goodbye and went to join them, your eyes lingering on him a bit too long as he said hello to Miguel.

Yasmine's jaw dropped as she looked at you, her expression scandalized. “What?” you asked.

“You're totally in to the freak!”

“What? No,” you denied – but even as the words left your mouth, you could hear your lack of conviction. “No.”

You looked back to where Hawk and Miguel stood; this time, he caught your eye. Then, with total audacity, he winked at you.

You felt heat rush through your body.

The smirk that grew on him suggested he knew exactly what he was doing to you.

You hated it.

Deciding to put an end to this madness, you wordlessly leave your friends and march up to Hawk, a new rage running though you.

He stopped talking with Miguel when you reached him; Miguel visibly tensed at what he felt was a dangerous situation for him to be in.

“Sidebar,” you ordered. Hawk smirked.

“After you, princess.”

You hoped no one would notice when you lured him in to an empty classroom, but in all honesty, it was you and Hawk. There were always eyes on you two.

You turned to him once you were engulfed in the silence of the room. “Listen. I don't know what you're playing at, but cut it out. I own you, got it? Don't go winking at me in the hallway like I'm your girlfriend or something.”

You expected to see him cower, blush, show any sign of intimidation – but there was no such emotion. The smirk he wore only grew in confidence. “You sure about that?” he asked cheekily. “Because it seems to me like you'll find any excuse to be around me.”

You couldn't believe the audacity of this boy. You were stunted for words; he went on. “Be honest with yourself. Once the week is up, you'll still find reasons to talk to me.”

You bit your cheeks; you hated how he was right, how he read you so easily. “And look, I'm done playing this game too.”

Your stomach dropped. Was he about to reject you, without you even confessing? “I'm not playing with you,” you tried to say intimidatingly, but your voice came out too small for comfort.

“Me neither. So...” Hawk looked down at you; you could have drowned in his ocean eyes. You averted your gaze to the side, crossing your arms.

“Fine. We can call it off early.”

Hawk chuckled. You wanted to punch him. “You still don't get it, do you?”

You returned your eyes to Hawk, ready to chew him out when he placed his hands on your cheeks, pulling you to him for a kiss.

You could feel yourself melting in to the kiss, feeling a rush of adrenaline run through you as you finally got to experience what you didn't want to admit to yourself that you craved so deeply.

When he finally pulled away, he kept his hands on you, your noses nearly touching. “I've wanted to do that for a long time,” Hawk admitted.

You half-smiled. “It's only been a week.”

Hawk had burst in laughter, his thumbs caressing your cheeks. “You still don't get it.” Before you could protest his words, his lips met your once more.

Maybe you could find it in you to forgive him, after all.

#cobra kai imagine #cobra kai #eli moskowitz imagine #eli hawk moskowitz #eli moskowitz x reader #eli moskowitz/reader #cobra kai fanfic #cobra kai hawk

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mysticaltheoremseeker · 2 years ago

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BOSTH Background Info

Posting some general timeline stuff for Billions of Stars That Hide:

- Sonic still has his movie backstory, having been found on Mobius by Longclaw as an orphan and taken in by her before unwittingly leading the Echidnas back to their home and Longclaw sacrificing herself to save him. Except instead of the ring portal sending him to Earth, it sent him hurtling into Oneirogea, where he was eventually found by Tom and Maddie (who are both members of the Supersidia and its Great Houses, the reigning defensive, scientific, and mystical organizations within Oneirogea within the known Terra Hypnagogica) - it was with them that he would spend the next 10 years.

- At some point whilst he was wandering - before Tom and Maddie found him - Sonic was saved from an attack by several Negative Energy entities by a wanderer of Oneirogea - Frances the Dreamer herself (the 'main' heroine and focus character for a lot of stuff in the overall worldbuilding of Terra Hypnagogica). This ultimately motivated him to want to become just like her some day, becoming his heroic idol on the same level as say Batman, or the Flash.

- Tails spent most of his early life on Mobius, itself a war-torn planet rife with conflicts between various kingdoms and powers. Mocked and belittled for his two tails as well as extraordinary intelligence and having left the orphanage, he lived outside of the village for the most part and kept to himself - barring cases where he was inevitably accosted and bullied when he left his home. Circumstances changed following 1) managing to detect and catch footage of Sonic in action, 2) being made aware that Knuckles, the last of the Echidna and greatest warrior in the galaxy, is now hunting for Sonic and 3) the gradual increasing Necrium (Negative Energy) invasion of Mobius and its reality managing to start showing the creeping signs of encroaching upon where Tails lives. The former motivating and inspiring him greatly, and the latter forcing him to search across the worlds of the galaxy for Sonic, before sheer chance breaches the dimensional divides, eventually leading to him ending up in Oneirogea where he meets Sonic and his parents, who he informs of the situation.

- Knuckles stays mostly the same; having lost his entire tribe in a mad bid to reclaim the Master Emerald and restore honour and being the last remaining Echidna, he was left with the grim purpose on his head of finding out where "Longclaw's apprentice" had hidden himself and prying the secrets to the Master Emerald's location straight from him, leading him on a journey through the various worlds of the galaxy hunting for Sonic. Ultimately, around the time he wins gladiatorial match shown in the Pre-Quill comic and recruits the hunters to aid him, Knuckles understands that Sonic isn't IN the galaxy and begins to question whether or not he's even capable of succeeding in his quest.

It is around this time that information provided by an anonymous benefactor (unbeknownst to Knuckles at the time - the source coming from Viralborgian elements acting outside his reality) is sent to Knuckles that tells him of where he might find his quarry and he is given the means to cross the planes and enter one of the many realms of Oneirogea - it is at this point that the growing strength of the Negative Energy on Mobius, lacking any natural counteragents, reaches a head and numerous entities begin to show up in the middle of the already conflict-engulfed world, worsening the situation. Knuckles is left unaware of these happenings, with his focus devoted solely to finding Sonic and acquiring the Master Emerald no matter where they may be.

- Knuckles successfully manages to track down Sonic to the Oneirogean instance of Green Hills and demands to know where the Master Emerald is - Sonic, having lived in Oneirogea for the last 10 years of his life, obviously having no idea what he's talking about - which rapidly leads to them coming to blows. From here, things mostly follow the events of the movie's plot, up until Sonic and Knuckles (the latter being unknowingly guided by the aforementioned 'anonymous benefactor' that aided him before) reach the Labryinth and uncover the Master Emerald, battling over the right to claim the sacred artifact. Having disturbed and broken the wards preventing the temple from being tracked or located during their entrance and struggle, the Labryinth becomes utterly bathed in a sudden tide of Necrium as multiple Negative Energy entities (including the Oroliagor, an extremely dangerous Necrium based phantasm, amongst others) manifest within it, culminating in Knuckles' 'benefactor' - a Larsagul, manifesting and incapacitating both Mobians before claiming the Master Emerald and causing the temple to collapse on top of them. Sonic manages to successfully save Knuckles, and is in turn saved by him, but they are too late - the Larsagul has already left with the Emerald.

- With the corrupted Master Emerald in its possession, the Larsagul uses the unlimited power of the artifact to shear apart the walls protecting the reality Mobius exists within. Within mere moments of doing so, Viralborgian agents manifest all across it - including the descent of an apparition of Mathryonic. The reality is considered lost, with many surviving Mobians having to flee into Oneirogea as their universe is collapsed and added to the ever-growing power of the Imperium.

- Through their combined efforts, Sonic, Tails, and Knuckles manage to find and confront the Larsagul, having enhanced itself into an even greater monstrosity with the Emerald's reality-warping capabilities. They successfully manage to separate and purify the M.E. from the demon, but not before it lashes out with a dark curse aimed to kill Wachowski, shattering the emerald in the process and revealing the 7 Chaos Emeralds within. Merging with his body, the positive energy of the emeralds is enough to grant him access to the power of the Super Form - with it, he successfully destroys the Larsagul and purges the Necrium contamination from Green Hills. Following this, Sonic gives up the cosmic power of the Emeralds, which promptly scatter out across the planes of Oneirogea and Knuckles merges the shards of the shattered M.E. back into one whole.

- Sonic, Knuckles, and Tails then resolve to protect the Master Emerald and reality - but Knuckles is plagued by the fact that his actions ultimately caused the destruction of Mobius and their entire universe due to being blinded by his own pride and ambition, allowing himself to be manipulated in the process. Tom, Maddie, and Sonic offer to take both Tails and Knuckles in, to live with them in Green Hills which now has an increasingly growing population of Mobians migrating there following the fall of Mobius.

- Knuckles and Tails initially find it hard to adjust to family life - both plagued by the traumas of their pasts as well as Knuckles feeling immense guilt for 'causing' the destruction of the lives of so many - but gradually begin to warm up to the idea of it with the help of Sonic and their new parents. Sonic tells them all he knows of the Supersidia and how involved Tom and Maddie are with it, further encouraging his new brothers as he tells them about life in Oneirogea. The three brothers eventually decide to work under the Supersidia semi-officially themselves, becoming renowned heroes over time.

- BOSTH proper starts.

#terra hypnagogica #sonic au #sonic movie #sonic movie 2 #sonic wachowski #tails wachowski #miles tails wachowski #movie knuckles #knuckles wachowski #billions of stars that hide #lore #worldbuilding

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okeydrama · 3 years ago

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every drama i’ve seen so far pt.3

record of youth

4/5

so beautiful & aesthetically pleasing

very lighthearted, like a slice of life more than a melodrama

Park Bo Gum <3

both male leads are super cute, I liked how they were both just nice

subverts a lot of traditional drama tropes, it didn’t feel as predictable as other dramas

there was a lot of cute scenes between the leads that made the romance very believable

it was easy to watch until the end, I didn’t really lose interest very often

the leads and most of the side characters were very flushed out in their motivations, dreams and purposes

it’s just so cute

I took a star off because of a few unnecessary scenes, plots and twists but they were not that bad

weightlifting fairy Kim Bok-joo

5/5

wow wow wow

this is one of the most iconic dramas i’ve ever seen

this is a friends to lovers drama which is not something we see often

the leads have so much chemistry and it makes sense that they dated in real life

the female lead is not traditionally feminine and it is so refreshing

the male lead is also not traditionally masculine and it makes him really likeable

the drama itself is hilarious and has many quotable sayings

the characters in this drama also have really flushed out motivations

the found family is iconic

the pacing of this drama was well done

the love triangle was interesting because you don’t necessarily root for her with the second lead but it is realistic portrayal of a teen girl’s coming of age

i just loved all aspects of this drama

true beauty

5/5

another one of my FAV dramas of all time

i was very hesitant about this drama because of the premise and not absolutely loving the webtoon but i gave it a chance and i absolutely don’t regret it

the pacing, energy, tone and aesthetics of this drama were not only consistent but were SO incredible

i had heavy second lead syndrome the entire time but unlike usual, i still loved the main lead and was fully invested in both leads scenes with the female lead

besides the main leads, the side characters were just as incredible

the secondary romance with the female lead’s sister was so cute!!! i genuinely watch an entire drama of just their romance

the female lead’s brother’s romance was engaging as well

unexpectedly, i cried because of this drama which, trust me, i never do and it was because of the incredible representation of mother daughter relationships

the message of this drama was misrepresented in my opinion and is much better than its portrayal

my only complaints are that the horror comic aspect of this drama should have been played up and that the bullying and addressing of bullying could have been touched on more or at least better

love alarm S2

2/5

this was very much a waste of my time

i think i’ve outgrown this story honestly because i was not at all invested in this season

basically, i love that she didn’t end up with the first season’s main lead, i think the person she ended up with was more suited to her and will treat her better

i also liked the maturity of this season compared to the last

the last thing liked was the sweetness of the romance

that being said, this is was mind bogglingly boring to me

the side plots and messages were unnecessary and took up too much airtime

the romance was also unnecessarily drawn out

the tone of this season was completely different than the last and it was a negative change in my opinion

the slow pace, drama and characters were not engaging

this was extremely dramatic and whimsical and it didn’t work for me in this story

yeah... just generally not a fav

reply 1988

5/5

THIS IS IT THIS IS IT THIS IS IT

i have never ever seen anything like this

this is the perfect show, like absolutely perfect

the depictions of familial, platonic and romantic relationships was PERFECT

the nostalgic vibe of this setting was incredible

the settings, wardrobes, objects and events were so well done

never has a show so perfectly invested me in every single character’s story while having so many characters

when i tell you i watched this entire thing in 2 days despite its length, i am not joking

i could not look away or think about anything else for the entirety of watching it and for a week after

there is an element of mystery with who the female lead ands up with and i was personally VERY happy with the result

another drama that i cried watching MULTIPLE times

the representation of different families, romances and personalities was incredible

there were so many scenes that were placed in that were not related to the plot and that was perfect because it was like we were watching their daily lives and interactions and made the watcher love the characters so much more

it is such a sweet, low stakes watch and such a slice of life story

some of my favorite plots: the father daughter relationship, the single-father son relationship, the single-mother son relationship, the protest storyline, the smart-mean-girl nice-good-boy love story, the moments over time create love, the first crush story, the working-mom son relationship, the found family group, the not knowing what the future holds and SO MANY MORE

reply 1997

5/5

i obviously had to watch another show in the reply series

i also LOVED this one

this was more focused on just the kids in the families rather than the families as a whole

the romances were so cute in this drama, and there were more romantic scenes compared to 1988, which i loved

the stan culture depiction in this drama was so interesting and fun to watch

i can’t express how much i loved that she was a kpop stan like it was so entertaining

this felt like a really good depiction of high school and how high schoolers are

i loved the vide of this drama too, the high school and concert setting were very immersive and comforting

the main lead’s romance was SO cute and i fully developed a crush on the male lead

it really felt like i was in 1997 Korea and it was so nice

the gay character representation!!!!! like this is HUGE for a kdrama and especially one set in 2012

I LOVED the female lead, she was so cool

the characters’ growths were so good and well done just wow

i will say that 1988 was better because of the elevation of the familial bonds and the general plot connections but the romances of this one were a lot more developed simply because there were so many scenes

they tried to do a mystery ‘who does the female lead end up with’ but it was very predictable compared to in 1988

hands down another favorite of mine

love in the moonlight

3.5/5

this was a hard one to rate

the romance for me is a 5/5 but the rating went down for a lot of reasons

firstly, i’m a huge fan of sageuk and this drama was a perfect one

Park Bo Gum <3

i think the leads ahead a lot of chemistry

i loved the side characters a lot, and especially the female lead’s friendships with them

the settings and aesthetics were A1

the banter was great

the plot was great and believable

the reason i had to lower my rating comes down to few minor issues that compiled so much that it hindered my enjoyment

the first issue i had is that here were SO many third act conflicts like waaaayy too many

the characters got together way too early so you can tell the writers created a bunch of issues to keep them apart and it could have been avoided if they hadn’t done that

the plot started imposing too much on the main storyline towards the end and i didn’t love that

the second lead was good compared to how they’re usually written so it was extremely bothersome that the love triangle wasn’t made believable, not once did i believe the female lead had any romantic feelings toward him

just generally the individual aspects of this drama were very good but when combined it was all over the place and not cohesive

anyway that’s the update, if anyone has any recommendations for me, please let me know. thanks for reading!

#kdrama #kdrama edit #kdrama recommendations #netflix #korean drama #record of youth #weightlifting fairy kim bok joo #true beauty #love alarm #love alarm 2 #reply 1988 #reply 1997 #love in the moonlight

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thejudgingtrash · 4 years ago

Note

Annabeth is a good person,but not a nice or pleasant one,IMO.

YES.

That’s it. That’s the post. Pack it up everybody, we just cracked the case and cleared up one of the most compelling fights in the PJO fandom since forever. Good job everybody, clap it out and there’s the door! Don’t forget ordering the drinks at Starbucks, Mitch! They’re on me!

Okay, but on a more serious note: YES. YES EXACTLY.

And before some of you roll your eyes or grab your pitchforks – put your biases aside and hear me out for once. I like Annabeth. She’s my in my top three characters only second to Percy himself. I love Percabeth. It’s my favorite ship in the entire series and to be frank, the only ship that I care about PJO wise. Hell, I spend my time creating my own headcanons or writing my own fanfics with Percabeth being the star in them.

But that is not to say that I’m unable to see how certain things have developed over the years or where they stand now in regard to Annabeth. I’m not here to ignore things that have been said and/or done due to or in the name of Annabeth and I’m not here to vilify anyone that doesn’t like her. And I’m here to admit that I’m guilty of some of the things that may be addressed in this meta essay that you will read in just a second. However, I try my best to assure you, that I’m for once able to recognize my own bias.

Warning: a monster essay lies right upon you.

This should count as a paper of its own.

Back to the statement on top: I would go out even further to reframe your claim, anon:

Annabeth Chase is a good character but not a nice or pleasant person.

Annabeth is a wonderful character but she isn’t a nice one. Or at least not nice to everyone. She is (construction wise if I dare say) the best character out of the series. She has her positive traits (she’s caring, she’s emotional, she’s encouraged and volunteers, she fights for what she believes in, she forgives (even if doing so begrudgingly)) but she also has her negative traits (she’s stubborn, she’s brash, changing her mind takes forever, she is prejudiced, she baits others). That balances things out. She is branded as the intelligent kid but does irrational things (like I’ve just said a) she’s a kid and b) she’s not a robot). She should probably know better, but we all make mistakes and hopefully grow and learn from them. The clouds in the sky do blur and cover our visions sometimes.

Annabeth had clashes with other characters or was about to have fights due to her stubbornness or jealousy (Rachel, Reyna, etc.) and has of course her problems with the mortal world and her family but she also found new friends, some things cleared up throughout the narration and she was/is quite popular in Camp Half-Blood.

The thing is: she doesn’t have to be nice or pleasant (as a character). Or at least not all the time. Her character is humanized. That is what or who she is. Human. She does stand out as a character, not just because she’s the (future) love interest. She feels like someone you could meet in real life and either adore from the top to the bottom or declare as your biggest enemy. And that’s totally okay if you lean either way – liking or disliking her. Or even feeling indifferent about her. Also great!

To say that she has been the best character that Riordan has crafted is easy to say, because she has been sculpted after Riordan’s wife. He had a model he could rub some of real-life events or traits on. That’s not the problem. The problem truly doesn’t lie on Riordan’s side for the most part for once.

The problem is inherently on the fandom’s side. What the fandom does, how it acts and how it treats Annabeth as a character is the problem. The problems vary but it’s mostly the mischaracterization of Annabeth, starting fights and fan/ship wars, internalized misogyny (in some cases) and how some of the Annabeth stans lash out (ha, got firsthand experience in that field among many of my friends and mutuals!). There is a reason why many people are wary of people that have Annabeth or Percabeth related URLs.

The fact that we see Annabeth mostly through Percy’s lens and (until the Heroes of Olympus saga hits) we never really see her in chill everyday situations is essentially Riordan leaving the back door of the house open, ready for all of you asshats to rob his mansion in Boston. Because a frame on a character means that we don’t get to see the character in its entirety (unlike we do with Percy in PJO for the most part). That means a bunch of stuff is left open for interpretation which is the reason why Annabeth gets so many polarized headcanon and opinions tossed around. I think that is one of the true appeals of Annabeth. You can add on stuff and it necessarily doesn’t have to contradict itself.

We have people calling her abusive due to a (n admittedly stupid and unnecessary) judo flip and we have people that act like she’s never done anything wrong. People sorta use this excuse to form and shape Annabeth however they want and distort her characterization.

People in the fandom act like Annabeth is some weird prized possession. We perceive Annabeth mostly through the eyes of others (Percy, Apollo, etc.) and when we had some sort of insight in her ways (MOA, HOH) it felt… weird? Somewhat? Like Riordan left two bullet points of her characterization and told the ghostwriter: aight, fuck it up, gringo, see you on Tuesday and greet Fred the next time you see him for me.

There have been many posts lately (by Tharini, Simi, Sawasawako, Jewishpercy and Annie I believe?) that HOO Percabeth felt weird. That they felt weirdly constructed, that there was no conflict, no growth. It felt stagnating, like we’re turning back. We had five books prior where we had Annabeth and Percy slowly shifting from disliking to liking and crushing each other. True development. And when we finally got the cake it felt… dissatisfying. Like the cheap box stuff and not the delicious exquisite taste that we were promised.

I said it previously in my Percabeth ship roast, but let me repeat myself: many Percabeth related things are straight up fanon. Some of it is very old fanon so that’s been unable to distinguish unless you’ve read the books recently and subtract nearly 99,9% of things you see on Tumblr (and occasionally the other shitty parts of the fandom like Reddit, IG, Twitter. Although they mostly steal and recycle tumblr stuff oh well. But back to the topic).

The way people treat Annabeth is so strange. She’s either an innocent fluffy smush baby that’s never harmed a fly and all that she wants for Christmas is being Percy’s lapdog or she’s the devil incarnate, broke into your house, killed your parents Batman style, kicked your puppy and didn’t flush the toilet on the way out. I think this is what mostly makes people hate her or the ship Percabeth. And both extremes are wrong and right at the same time? She is multifaceted so both stereotypes are true and untrue and sorta cancel each other out in the same way.

The true reason why people dislike Annabeth is because the stans are doing the most. (The haters as well, don’t get me wrong, but oh boy. Piss of a stan and you’ll know what I mean). That isn’t inherently new. Are you guys old enough to remember the ship wars that have happened cross platform? Perachel vs. Percabeth? Oh boy, oh boy. I saw some kids on tumblr a few months ago trying to infiltrate both tags and start shit (and also fail). The fact that Rachel still gets used as the bitchy (ex) girlfriend in fanfics? It’s 2020 guys. I know this apocalyptic year is far from perfect and over but I think we can let this trope die, right? Right? I thought we’ve established that Rachel is a pretty chill charcter by now… right?

If you posted your stuff on FFN back in 2010-2013 and it wasn’t the typical cutesy Percabeth story (Goode High, the gods read TLT, punk/prep Percabeth, college AU, etc.) people would’ve come for your fucking throat. Not because the story or the narration was shit. But because the pairing wasn’t Annabeth and Percy (in the sense that Annabeth had to be paired with Percy. I mean Percy gets shipped with everyone and their mother but for Annabeth it was strictly Percy. As annoying as this whole Connabeth thing is – the people behind it actually had a point. She never had a different love interest unless it’s a Percy centered story and he goes off dating Athena, Artemis and Zoe at the same time for some odd reason. Yeah, FFN Percy ships are something). Or it wasn’t the action filled canon compliant story or it wasn’t an AU that was popular.

People were really stubborn, snobbish and wanted their stuff in the four five boxes that were the most popular ones and that’s it. People have been bullied off the site in many fandoms, so it’s not a PJO-only thing but it’s still sad that it happened. (Off-note: most of these FFN tropes are still alive and well and thriving on AO3. Don’t be so snobbish and pretend that every piece you’d find there is a holy grail. There’s a lot of trash you have to waddle through. Same with Wattpad, Tumblr or anywhere else where fanfics get posted. Also had this discussion with Annabeth stans. Sigh).

And Tumblr back then? Forget it, wasn’t much better.

That view has sorta changed (at least for people that have been in the fandom for several years or have managed to find a way to navigate through it) but some of the negative sentiment from back in the day has survived. Be it by new fans coming in or from old fans that never let their stance die. The aggression feels differently and somewhat not. (I don’t know if the anon function had been abused that much back in the day. I was an observer not a participant in the fandom).

Crack a joke at Annabeth’s expense (Kal’s famous “Annabeth is a Republican” post or Dee Dee’s and many others “Annabeth has the education of a second grader, chill with the college plans, girlie” stance) and you have people insulting you, making callout posts, unfollowing and blocking you (based on only that? Okay, honey), making aggressive counter-posts, etc. in a minute. If you respond with “It’s a joke, it’s not real” you have a 50/50 chance of either getting blown off or embarrassing them so that they apologize for once.

This isn’t just about jokes. You can make a headcanon that’s not the cozy cute convenient mainstream saga and people would react the same way. Or art piece (no, not including the whole Tannabeth Blackchase shtick done by Viria and others) or fanfics.

People project so much onto the unfinished canvas that is Annabeth Chase that any form of negative sentiment as little as someone not liking her to straight up criticism, regardless of how tiny it may be, seems like an affront. Like an invitation to a fight. Like an insult to them, their character, everything they believe in. Let me state something:

You are NOT Annabeth Chase. Annabeth Chase IS NOT you. Annabeth Chase is NOT real. Her feeling cannot be hurt. Someone criticizing, disliking, joking about her or even insulting her will not bother her. Someone making a statement about her is not an insult to YOU.

Let me repeat that:

Annabeth Chase isn’t real. Annabeth Chase isn’t you.

So think a little before you act? I get it when you’re a kid and new to fandoms or haven’t been up with fan cultures in the past and are back in the scene. But if you’re in your late teens or even older as an adult and you’re unable to understand that you aren’t what you like – you aren’t the extension of a fictional character – I feel incredibly sorry for you. Because that’s just incredibly sad. Someone disliking something you like isn’t an attack of your character. It shows you that you are you and the other person is a human just like you. That they just have different taste. Disliking something you like isn’t a crime, you know? But me feeling sorry for the way some of y’all act won’t mean that that’s even remotely okay. Especially if you’re no longer in the intended audience for PJO age wise and should know better.

This isn’t a “white stans” only thing. I’ve seen and witnessed firsthand how people of color, mainly women of color, act the same or not even worse when it comes to her character. People have projected their problems and real-life occurring events into her character (I’m sure that she isn’t the only character nor that this is the only fandom where this is happening) and in some cases like I’ve said cannot separate their own personality from the fictional world. Fights with woc happened because of Annabeth fucking Chase. So many things have happened in the fandom the past few months, mostly due to people being forced staying at home because of the quarantine but I’d say it’s 10% on quarantine and 90% on people for acting up like this.

So here’s a little story: There was the act of Riordan blowing the fandom up because of his own stupidity and being unable to apologize for his mischaracterization and lack of research (the whole Piper fiasco) back in June (?) and admits the upset fandom, people on Twitter, Tumblr and Discord legit thought that none of that mattered and that the outcry was destroying Annabeth Chase’s birthday. That’s right. People thought that Annabeth Chase’s non-existing birthday because she’s a fictional character had a higher priority than the rupture and prevalent racism in the fandom. Okay. This isn’t a great look, Annabeth stans. And this of course pissed a lot of people off. I made a post about it and someone not only berated three other people on said post but no, we had a mighty argument which had disrupted many friendships in our circle which haven’t recovered until this very day. We both had our parts in it and no one is innocent. But the cause of this still remains Annabeth Chase or how people prioritize her non-existing well-being. Anyway. I’m getting agitated just thinking about it.

Let’s go back to the characterization thing with Annabeth. Let me remind you:

Annabeth Chase is an asshole. There I’ve said it in a post ages ago (too lazy to look it up, sorry) and I’ll say it again. And that’s not me insulting her. That’s me actually loving that about her. Annabeth is one of the very few unapologetic female characters that really showed all young readers across the world that you can be a girl, a badass, smart, strong, standing up for yourself and what you believe in. You don’t have to be nice. You don’t have to hide your feelings. You don’t need a man in all cases but it’s also okay to accept help and defeat.

A large reason why I think she’s an incredibly important character in children’s literature/YA because many other novels (mostly (sadly)) have the “Oh, I’m a white skinny dark-haired girl that likes unconventional things like READING. I’m not like the other girls, that take care of themselves and pamper themselves by enjoying shopping and wearing make-up. No, I’d rather be one of the boys but a sweet cute little boy and not the jock fuck that drank vodka shots out of a filthy shoe once. Despite me calling myself hideous every man in a 10-kilometer radius falls in love with me and tells me I’m oh so sexy and by the way I’m only 16 years old” shit going on for no goddamn reason.

Yes, I do blame Twilight for this mostly in recent years, but this trope isn’t by any means knew. Pretty sure that you could even use classics as Pride and Prejudice and dissect them in the same manner (Bold statement: Lizzy Bennet is the OG Bella Swan. There. Go fight somewhere in the corner, people). The new wave of YA focuses on girls belittling themselves and only starting to believe in themselves because someone else (mostly the male love interest) tells them they’re worth it. And these books hit the mainstream because they’re incredibly bland and picture perfect white.

With Annabeth it’s different. She shows up for the job and is done with it. (Brie Larson would probably be the perfect in real life version of her. You either like or dislike her. Or you really don’t care). That is what is so refreshing about her. Her unapologetic nature. Can it be off-putting? Yes. Is it annoying? Yes! Hell, every time I read The Lightning Thief, I want to rip her goddamn head off. And it’s just so well written. Her shift from mistrusting Percy but secretly still believing in him to her opening up. Wow, Riordan did something right there.

Annabeth Chase isn’t a young character. She has existed along with PJO for 15 years. She’s on her way to the second decade. I’m pretty sure that with the success of Percy Jackson (and Harry Potter) many lives have been warped and shaped.

But when I say the problem lies mostly in the fandom, it doesn’t mean that Riordan’s completely innocent. The only problem that I have with Annabeth lies not truly with her but the fact that Riordan is only able to produce three variations of female characters:

The sweetheart (Hazel, Silena, Calypso, Hestia)

The strong feminist (Annabeth, Piper, Thalia, Reyna, Artemis)

The bitch (Drew, nearly every female goddess in the goddamn Riordanverse next to every female monster)

And these female characters only know three endings:

End up married with a mortgage, three kids, two dogs and a cat somewhere in Connecticut by the age of twelve

Get dumped into the hunt

Chill on Mount Olympus and only come down to be a nuisance and/or give a cryptic message before going back and doing a godly rave party or something

We know Annabeth as the badass strong female first (or the bitchy character we’re supposed to actually like. Choose your approach), the blueprint so to speak, so some of the other characters feel almost pale in comparison and almost not needed? Doesn’t mean that other characters can’t behave similarly, but it feels kind of redundant especially if their character arcs end in a rather anticlimactic way (Thalia, Reyna). The new additions are the much needed woc as the main story with PJO was inherently white (anyway stan black!Percy and Grover, folks). So it’s not to bash on the new characters, it’s more Riordan’s fault more than anything.

Since Riordan only knows three female character arcs it feels like he tried to copy the formula several ways with different nuances. Some more or less successful. This is where fandom actually comes in handy and helps create more distinguished and fleshed out characters in form of headcanons or fanfiction.

But even in these cases people still make it about Annabeth when it’s time for characters of colors to shine. Remember that whole spiel and discussion that broke out when people (Kal, diver-up, Caitlyn, Bee, reynaisalesbian, etc.) joked about or criticized that Annabeth thinks that she’s having it harder because she’s a blonde? In front of Hazel and Piper? If she would’ve been a real person that’s an invitation for getting decked. And then all hell broke loose because Annabeth stans couldn’t accept the fact that in the real world and/or in fictional worlds the woc/coc have it harder? That the white woman wasn’t the victim that needed the coddling? Yeah, that was mad pathetic.

I hope you people get my point?

Well fuck. I wrote so many things and have the feeling I’ve said nothing. Anyway, I hope I made sense. This is way too long.

TLDR: Chill about Annabeth please. She’s an important character but that doesn’t mean that everyone has to like her, regardless of being a character in the books or a reader/fan of PJO in real life. She isn’t nice or a sweetheart all the time. She also isn’t the monstrous asshole that some try to make out of her.

Peace out.

#Mel answers #pjo #percy jackson #Annabeth chase #percy jackson and the olympians #Percabeth #pjo Meta #Heroes of olympus #hoo #trials of apollo #toa #hazel levesque #piper mclean #reyna avila ramirez arellano #rachel elizabeth dare #pjo fandom #coc #rick riordan #riordanverse

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keyofjetwolf · 3 years ago

Text

What was your first?

So a horse walks into a rehab and says “ouch”. And not a lot. Then a great deal. While also saying nothing. It’s BoJack, in rehab, and going about as well as you might think!

“The Stopped Show” may not have been much about BoJack, but “A Horse Walks Into A Rehab” makes up for it by being 99.9% BoJack, setting aside the brief appearance of the other characters to set their stages for when we get back to them. Diane’s in a shitty motel, Todd’s in a seedy alleyway, Princess Caroline has her porcupine baby, and Mr. Peanutbutter continues to deliver cheer while everything around him burns AND drowns. I’ve now touched base with them about as much as the season premier, and we’ll get busy ignoring them.

As I said, BoJack is the star today, and we continue his quest for ... what, exactly?

Trying to pin it down, that “what is BoJack looking for” question, it’s a lot harder to answer than I expected, which marks another instance of me fucking myself, GOOD JOB ME.

I initially said “punishment”, but that isn’t true, or a least, is too easy. BoJack wants accountability for his actions -- which is a very different thing than punishment -- but he wants it in a way that also absolves him from having to do any work to rise above it. So you’d think he’d love this, the constant claim in rehab that he’s powerless. It seems like the answer to everything, a blanket pass to excuse his behaviour because he’s powerless. Why doesn’t he? I’m not sure I’m entirely clicking with the heart of that, so come with me as I have a poke at it.

For one, I doubt very much rehab would begin and end with “you’re powerless, oh well”. Addiction is some nasty business, but in and of itself, it’s a symptom, not the problem. That in mind, we swing back then to BoJack having to put in the work, only now it’s with the removal of his favourite coping mechanisms.

I think what he was hoping to get out of rehab was more along the lines of “Vodka is a naughty irresistible siren who topples even the most noble of men, but if you cross your eyes and click your heels, you’ll be free from her spell forevermore.” And yeah, no.

I think we get some of that in how, for a while, rehab seems to suit BoJack.

To the point I very specifically said to Doc as I was watching this, “Oh shit, did BoJack just become even MORE insufferable?” He’s okay so long as he has the comfort of the scripts and the regimented plant therapy and the same hike every day. When he starts to get fucked is when he has push further, when he has to work harder, when the treatment demands MORE.

“I notice you tend to deflect when I ask you about the source of your addiction,” his therapist says, causing BoJack to immediately deflect, first with a joke and then, when that doesn’t work, attacking the entire system. Getting to the root of his problem is the last thing BoJack wants, to the point where the entire episode ITSELF is one giant deflection. I made a joke in passing up there about our passing moments with each of the other main characters, but that’s actually it, that’s the heart of this episode.

Each of these are efforts by the episode to deflect what’s going on NOW, tempting us with something shiny and interesting, if only we’d take the bait. I ONLY JUST MADE THIS CONNECTION WELL FUCKING DONE SHOW

And of course, there’s Jameson’s story, which is part deflection, part contrast. She’s intended to appear at first like someone BoJack can relate to, a Sara Lynn Pt. 2 that he wants to save and in whom he sees so much of himself. In equal parts, he’s the adult trying to guide her and the force enabling her, and I’d have to do a bit more thinking on whether I thought his success with her was about him walking both sides of that line, or Jameson just, at the end of the day, being lucky. Either way, it’s also not really about her, so much as BoJack talking a really good game at her, while giving her all the tools to make the worst choices.

Which is, I think, where the episode finally settles. BoJack’s choices have been his own, but they aren’t made in isolation. Throughout this episode, we get moments, presented in reverse chronological order, that could on their own answer that key question: When was the first time you drank?

To settle your nerves to get through a scene everyone was counting on you to nail?

To fit in with the cool kids at high school?

To win your father’s approval?

What’s brilliant to me about each of these flashbacks is that the further into the past we go, the more willing we are to absolve BoJack. In the first, he’s a professional actor required to kiss an attractive and consenting fellow professional in the course of a performance. Nervous? Makes total sense. Getting plastered to do it? LESS SENSE.

The high school one is the most damning, which I adore. BoJack’s the butt of some light bullying by the jock, and I don’t mean to completely dismiss that it sucks, but the remainder of events before he starts in on the beers shows he’s hardly an absolute social pariah. And even if he were, once he begins to drink, BoJack doesn’t just become the life of the party, he becomes cruel (demonstrating quite well that jokes aren’t his only tool of deflection). Worse, that he KNOWS he’s doing it, but cares more about his positive attention than their negative. Still, BoJack’s a kid and peer pressure is a hell of a thing. This isn’t a good look, but it’s also not damning, if he’d come to learn from it.

Now we jump the line to, I’d guess, ten or eleven year old BoJack, who walks in on his father having an affair with his secretary, but too young to recognize what he’s seen. Butterscotch can’t take the risk though, so he effortlessly manipulates little BoJack into getting drunk and passing out, then uses BoJack’s shame about it to keep him quiet on the whole evening. UNDER THE GUISE OF BEING HIS FRIEND AND DOING HIM A FAVOUR BY THE WAY. No question, Butterscotch is a son of a bitch, and the only thing BoJack did wrong here was crave his parent’s love.

Even with the high school one being a little more grey, they’re all pretty cut and dry. Remember that we’re following the thread of “When was the first time you drank?” and to land on the answer “When my unrepentantly dickish father lied to me to save his own ass” puts a pretty solid punctuation mark on the whole affair. Addiction may not be at fault, but Butterscotch Horseman is. Case closed, we can go home.

BUT WAIT WHAT’S THIS

Right at the end, when you think we’re done, there’s one more flashback. A party of some sort, possibly New Year’s. The house sounds empty, there’s only the looping of the record player, stuck repeating the same five seconds again and again and again. Butterscotch and Beatrice are passed out drunk, judging from the empty bottles around them. Was it a good party? A bad one? She has her back to him and they’re about as far apart as they could get while still remaining in the room, but also, nothing’s broken? It’s impossible to know.

What we do know is that BoJack, aged about where we saw him in the “Free Churro” flashback so maybe seven or so? Very young, at any rate, and he’s alone. There doesn’t appear to be anything in the room for a child, so it’s probably fair to say he wasn’t included in the festivities. Did he have something to do instead? His own party maybe? Friends to play with, someone to watch him? Did he even get dinner? From what we’ve seen, “no” is a much more likely answer to any or all of these.

AND NOW THE FIRST TO PUNCH YOU IN THE HEART

Tiny BoJack knocks back several gulps of vodka (like a fucking pro, may I add), then crawls onto the couch next to his unconscious mother, pretending for just a few minutes that she’s cuddling him until he, too, will fall into a drunken slumber.

RIGHT SO WHAT THE FUCK DO WE DO WITH THIS JESUS WEPT

Had you told me “Just wait, seven year old flashback BoJack is going to muddy the hell out of this” I wouldn’t have ... okay, well, I know the show, so I probably would’ve believed you, but I would’ve been preemptively grumpy.

This isn’t his fault! But it is! This isn’t his parent’s fault, but it super super is! Nobody MADE BoJack drink the vodka, as the scene goes to great lengths to show. There is nobody to tell him to do anything at all. Beatrice is three fucking sheets to the wind, she has no idea he’s there and he could have pretend cuddled all night AND stayed sober. Did baby BoJack, like adult BoJack, take the drink to calm his nerves for an expression of physical intimacy? Would baby BoJack have even known that was an option? Remember, this is framed as the answer to the question “When was the first time you drank?” Not “took a drink”, but “you DRANK”, the phrasing of which I think is important. It’s all about the root of the problem. What I get out of that question is then is “the first time you drank to numb yourself”.

Baby BoJack is looking at this disaster, this mess that is his every day no matter how many party hats and streamers you stick on it, and he wants anything else at all. So he turns to the easiest thing he knows will take it away the fastest. The situation isn’t his fault. The opportunity isn’t his fault. But the response IS, in a way that EVEN AS I SAY IT, makes me feel shitty.

CONGRATS BOJACK HORSEMAN FOR MAKING ME SEE A LITERAL CHILD SLAMMING BACK VODKA STRAIGHT FROM THE BOTTLE AND MAKING ME GO “okay, but”.

SEASON SIX SHOULD BE A WALK IN THE PARK

#jet wolf watches bojack #it’s no wonder the answers for bojack are so hard to find #when even the goddamn QUESTION requires a dissertation and three hundred caveats #oh i didn't have a place for it really in this essay #but i love the use of the space/planetarium overlay when bojack is really wrestling with his urges

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ingek73 · 4 years ago

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Stifling, Toxic and Racist—Duchess Meghan Never Had a Chance at The Palace

Royal editor-at-large Omid Scobie sounds off on the outdated practices and attitudes within the royal family that left the Duke and Duchess of Sussex forced to make a change.

BY OMID SCOBIE

MAR 10 2021, 3:20 PM EST

I remember the feeling of frustration well. My work on an extensive biography of the Duke and Duchess of Sussex, Finding Freedom, was coming to an end. After hearing countless stories from multiple people close to the couple about how they felt unsupported and unprotected by the institution of the monarchy, it was time to address the matter with the palace side. A chance for them to respond.

“This is nonsense. … We did absolutely everything [for Meghan],” the senior aide told me over the phone. I asked for examples. “Everybody welcomed her, and she was given all the support she needed,” they continued. I asked again. “They forget how accommodating we were when it came to navigating the duchess through her first steps [as a working royal],” the aide added, somewhat curtly. I had several conversations like this over the weeks that followed—each party, be they from Clarence House, Buckingham Palace, or Kensington Palace, for the most part seemingly baffled by the Sussexes’ grievances. Finally, I took what I had and moved on.

Well over a year has passed since these calls, and the full severity of Harry and Meghan’s situation has finally been laid bare. Sitting in front of Oprah Winfrey, the duchess tearfully opened up about her darkest days as a working member of the royal family. Unprotected, undefended, and left to face a near-daily barrage of hateful commentary and negative stories, Meghan revealed how her circumstances had, at times, seen her virtually stuck indoors for weeks on end. Lunch with friends could have momentarily lifted her spirits, but social outings were dismissed by royal family members and aides who said it would be better to lie low. Her image was “everywhere right now,” they told her. Her isolated existence stood out in particular to her worried mother, Doria Ragland, who during a summer 2019 visit to Frogmore Cottage was surprised to discover that neither she nor her daughter was able to go out into Windsor town to pick up coffees. “You’re stuck in here,” Doria told Meghan at the time, according to a source.

The Oprah interview was the world’s first time hearing Meghan describe the true toll of the palace’s “no comment” policy when it came to dealing with inaccurate press coverage. One report that caused Meghan particular upset was the November 2018 allegation that she’d made the Duchess of Cambridge cry during a children’s bridesmaid dress fitting for her Windsor Castle wedding. Though the palace knew the claims were untrue (and that it was, in fact, Kate who made Meghan cry), Meghan was repeatedly told that it would not be possible to set the record straight, despite it being a story that fed into a stereotype-laden narrative. Other royal family members were often afforded more sympathetic support when it came to dealing with inaccurate press (officials even issued a statement to deny Kate’s use of Botox in July 2019), but both Harry and Meghan felt they did not have access to this same privilege.

The couple’s exasperation came to a head in January 2020, when Kensington Palace urgently requested that Prince Harry cosign a statement against an “offensive” newspaper report stating Prince William “constantly bullied” the Sussexes before their decision to step away. “Well, if we’re just throwing any statement out there now, then perhaps KP can finally set the record straight about me [not making Kate cry],” Meghan emailed an aide, asking why side of the story public image was never considered important to anyone. But, as with many requests made by the couple, her suggestion was ignored. The Duchess of Cambridge, she was told, should never be dragged into idle gossip.

Meghan’s state of well-being deteriorated as the institution refused to defend or protect her during her toughest moments. Talking to Oprah, Meghan revealed that her mental health was so fragile during her pregnancy that she “didn’t want to be alive anymore.” She turned to senior staff—including the palace’s own HR department—but her plea for help in January 2019 was repeatedly shut down. It’s not a good look for the family, she was told. Even friends who wanted to help her or speak up in her defense were regularly reminded by palace aides to keep quiet. As the cruel commentary, racist attacks, death threats, and negative tabloid stories piled up—and the institution continued to ignore the problem—Meghan later likened the experience to a friend as “death by a thousand cuts.” Her reference to an ancient Chinese execution method was no coincidence.

For the millions around the world who watched Meghan share her story, some of the experiences shared were perhaps all too familiar. Princess Diana revealed in several interviews that she considered suicide during her marriage to Prince Charles and spoke candidly about her battles with bulimia and mental distress, both of which were ignored by the institution of the monarchy. Sarah, Duchess of York, was also open about how the pressures and loneliness that came with palace life led to her own struggle with eating disorders.

When Kate quickly found public adoration as the Duchess of Cambridge, the palace would proudly tell members of the press that lessons from the past had been learned. “There has been a concerted effort to ensure that history never repeats itself,” one senior staff member working for the Cambridges told me in 2014. Yet, here we are in 2021, with a very real image of Britain’s oldest and most revered establishment once again engaged in neglect and gaslighting, and dismissing mental health.

This time, however, race—or more specifically, racism—plays a major role. Harry and Meghan’s revelation that a member of the royal family (not the queen or Prince Philip) had expressed “concern” over how dark the skin of the queen’s great-grandson might be, left many, including Oprah herself, openmouthed. But for those familiar with the institution—which on Sunday celebrated the diversity of the Commonwealth realm’s population of 2.4 billion—it comes as less of a surprise. This is an establishment that only last week briefed The Times of London that Meghan wanted to be royal “the Beyoncé way,” and that the help offered to her included establishing the queen’s Black equerry (a senior attendant, if you will) as a “mentor.” Princess Michael of Kent’s ignorance regarding wearing a blackamoor brooch during her first encounter with Meghan is a reminder that even racial sensitivity can be lacking within the family. An establishment that, as Meghan herself explained, has yet to learn the difference between rude and racist press coverage. The stiff upper lip, no matter how painful the attacks, was expected to remain impossibly rigid at all times.

The palace has continually proven itself to be unable to empathize with any person who crumbles under the pressures of its outdated and unreasonable expectations.

But when does forced silence turn into abuse? Ignoring gossip and drama may fall under the royal family’s famed (but questionable) “never complain, never explain” mantra, but expecting the victim of racism to remain voiceless while sections of the press call her “ghetto,” “straight outta Compton,” and “un-royal” borders on complicit with the attacks. As does refusing to learn how to identify the existence of the very racism that fuels them.

If it’s not considered appropriate to acknowledge racism or racial ignorance when aimed at a mixed-raced senior royal, then how should the 54 countries of the Commonwealth and its predominantly Black, Brown, and mixed population feel about the realm’s figurehead belonging to an institution that claims to celebrate “diversity” but in practice appears to uphold white supremacy? And if the lack of awareness Harry described to Oprah is true, then were race-related public duties, including Prince William recently calling out racism in British soccer and Prince Charles speaking out about racism in architecture in 2000, simply performative? It’s hard to forget that across the full lineup of working royals, all failed to acknowledge last year’s Black Lives Matter movement, which saw just as much protesting across the United Kingdom as the United States.

A brief, 61-word statement shared on behalf of the queen by the palace on March 9 revealed that the family is “saddened” by how challenging recent years have been for the Sussexes. But with the note also admitting that the family are somehow only just learning of the “full extent” of the couple’s experiences, isn’t it all a bit late? With yet another “commoner” leaving the House of Windsor emotionally battered and bruised, the palace has continually proven itself to be unable to empathize with any person who crumbles under the pressures of its outdated and unreasonable expectations. A glass-half-full view is that recent events could perhaps serve as a catalyst for change (and I hope they are). But given Harry’s own admission that his family is trapped within a “system” so fearful of the British press and public that they’re often unable to live up to their own ideals, is it actually time for us to just finally set them free?

#royals #meghan markle #prince harry #brf #duchess of sussex #duke of sussex #kate middleton #prince william #british royal family #duchess of cambridge #duke of cambridge #omid scobie #princess diana #sarah ferguson

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itskateak · 4 years ago

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Mint Ice Cream & Bubblegum Kisses - Chapter Six

(Bucky Barnes x Single Dad!Reader)

Chapter Summary: Bucky offers to help Y/N take Peter Parker and Angelica out for the day since they've been causing chaos and getting into trouble. The hiking trail behind the compound seems like the perfect place.

Word Count: 3.8K

Warnings: Some Language (Sam and Bucky were military men shh), Sam Wilson being a great friend and actual character instead of a 2D support, Anxiety attack, Mentions of time-correct homophobia, Fluff, Sam and Bucky being Bros, Sam Wilson being an Ally

A/N: For those who don't know, my best friend is in the hospital and I had to take a break from being online and writing for a bit. He's doing great right now and is getting much better :) - also, I know I have a thing for Bucky and that log crossing a river. Okay just let it happen. It's cute.

And as a final side note, I really hope I’m putting more character into Sam Wilson. I wanted to expand on Bucky and Sam’s friendship more in this chapter and to build Sam as an actual character. I’ve read countless stories where he’s just a prop to get Bucky and the reader together or to just be Best Friend to Bucky and go along with anything. Sam Wilson is his own person and I really, really hope that he’s got some life in him in this one. Feedback on that would be nice if anyone wants to give it :)

Taglist is open! PM me, send an ask, or @ me on a chapter to let me know you’d like to be tagged! Strikethrough means I couldn’t tag you, but I will send you a message with a link to the new chapter when I update. :)

Masterlist

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Y/N checked his messages quickly, head tilted as he waited for it to update. Over weekends, he decided to work three hours each day to make sure nothing important and time-sensitive came in. He was close to the end of those three hours, which wasn't eventful at any point. Just low-level information relating to other movements that he'd already taken note of earlier that week.

He watched the few messages come in and glanced over them. Nothing seemed to be important other than Gamora saying that they would be stopping by to drop off Peter Quill for a recovery period. Something about an injury he gained through his own stupidity. He responded with a confirmation and said that Monday afternoon would be best since the landing strip would be clear.

"Do you have a minute?" Bucky called from the doorway. He smiled, but it looked a little forced. His posture was closed off and he looked physically tense.

"Always. What's up?" Y/N pushed away from his desk and closed the programs on his screen since he didn't need them anymore.

"Uh...I'm kind of...having an anxiety attack or something." Bucky said though it sounded more like he was questioning himself. He ducked his head sheepishly for a moment. "And Steve and Sam are not here and I dunno what to do."

"Oh. Okay." Y/N was taken by surprise for a moment. "Uh, come on in. Let's see if we can calm you down."

Bucky nodded and sat rigidly on the edge of the couch, his arms wrapping around his stomach. His fingers bunched up the fabric of his shirt and he gasped suddenly. He cracked a slight smile and snorted. "Didn't realize I was holding my breath."

"Breathing's important, Bucky. Do you know what set this off?" Y/N asked, pulling his chair up to the side of his desk and giving his full attention to Bucky.

"Loud noise. Not even sure what it was. It took me off-guard and...then I fell off the obstacle course." Bucky grimaced and took a deep breath, his eyes closing for a moment. "I...have a fear of fallin'. Ever since I fell off the train."

"Is it the height or the feeling of falling itself?"

"The feel. I hate it." Bucky wrinkled his nose up in disgust. "I can still remember the feeling of my stomach in my throat."

"Hey, don't think about that. No need to get yourself even more worked up." Y/N paused, trying to find a random question to distract him with for a little bit. Maybe taking his mind off the things causing him anxiety would help calm him down. "Tell me about something Steve did in school. Did he ever get into big trouble?"

"Oh, yeah. This one time - it was like sixth grade, I think - he nearly got us suspended for a week. Johnny Sarsburg, a boy in our class who picked on Stevie for being short, was this tall and burly kid. Real jerk of a guy." Bucky moved his arms and laced his hands together. He leaned forward, resting his forearms on his thighs. "One day, Steve got fed up with all the nicknames. Shorty Stevie, Munchkin Man...they went on and on. So, Stevie stood up to him. Thank God I was there, though."

"Don't tell me he tried to kick this kid's ass."

"He tried to kick the kid's ass." Bucky nodded with a tone full of disappointed frustration.

"Oh, no." Y/N snickered behind his hand.

"So, it was recess and Johnny came up to us. Stevie tried to hide behind me for a second, but I shoved him away. Johnny started picking at him and picking at him. Steve straightened up and clenched his fists, looked Johnny in the eye, and said: I may be short, but I'll always be a bigger man than you." Bucky laughed, breaking out into a smile for the first time. He ran a hand through his hair.

"He didn't!" Y/N could see Steve Rogers, the man who had no regard for his own personal safety and hated bullies, doing something so ridiculous but just so...Steve.

"He did! Johnny didn't like that so much, so he cocked back his fist and came at Steve. Stevie tried to fight back, but he really wasn't a fighter back then. Just looking at a running track could make him break into an asthma attack and thinking about lifting a book could've snapped his spine."

Y/N snickered, shaking his head. Bucky was looking far more relaxed than he did when he came in. His shoulders weren't rigid and he wasn't gasping for breath. Though, it looked like his hands were slightly trembling still. "So, how'd it turn out?"

"At some point, I grabbed Steve around the waist and tried to haul him away. But Johnny didn't like that either, so he went after me. Now, I was a bit of a troublemaker so I knew how to fight. I wasn't lookin' to get into trouble, but Stevie had dragged me into a mess. Had to clean it up, like I do now." Bucky winked and chuckled. "The teachers had to come break it up and we had to explain what happened. Johnny was suspended for a week and our parents said they'd punish us at home, so we got off easy."

"Even at home?"

"Oh, no. My dad was pissed and Stevie's mother almost hung him out with the laundry. But at least we weren't suspended like Johnny was." He leaned back against the couch and sighed. "Did you just distract me?"

"Maaaaybe. How're you feeling?" Y/N laughed and checked the clock. His time was up which meant the rest of the day was his to do whatever he wanted.

"Better. Not like I'm choking on my own air, at least. I'm still wired, though." Bucky held his right hand up to show how it was still shaking a bit.

"Wanda told me about a hiking trail behind the compound. We could go check that out and get Peter and Angelica outside for a bit. If you're up for that, of course." Y/N offered. He secretly hoped Bucky would take him up on the offer. He wanted the chance to talk to him more when they were both completely sober.

"That sounds...great, actually. Besides, I don't think you could wrangle both of them on your own." He said with a teasing lilt and stood. "I'll find Peter and meet you downstairs."

"I need to shut my computers down first." Y/N pushed his chair back and moved his mouse to wake his monitors. "If you find my kid before I do, send her my way."

"Roger that."

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Peter was walking a few feet ahead with Angelica on his back, bouncing her every so often to make her squeal and laugh. There was a light breeze rustling through the branches of the trees, which were providing the right amount of shade from the late autumn sun. The weather was that perfect balance of warm and cool. Just right for a light jacket. The trail wasn't well used, evidence provided by the undergrowth creeping along the edges of the path, threatening to overtake it.

Y/N and Bucky were casually talking as they followed the kids. The conversation flowed easily between them like they'd been friends for years.

"So, she's how old, again?" Bucky asked, hitching his chin toward Angelica.

"Eight. Nine next Wednesday." Y/N smiled wistfully, watching his daughter shoot a bright smile at him over her shoulder. He'd been so afraid that this move would've negatively affected her and caused her to be miserable. But she had never looked happier or carefree. She'd always been a solemn little girl with many worries on her shoulders.

"She's growin' fast, huh?" Bucky smiled, too, shaking his head as another loud squeal floated back to them.

"Too fast. She's always gonna be my little girl, though." Y/N glanced up as a couple of birds flitted from one tree to the next. "I'm glad she's happy here and finding her place. She doesn't say it, but I know she feels like an outsider sometimes."

"Why's that?" Bucky asked, sinking his hands into his pockets.

"I know she feels out of place among friends a lot. The fact her mother isn't around and she doesn't have a second parent...some kids can be really mean about that." He sighed. "And it's not like that's her fault. But she feels that way and I don't know how to help her."

"Why would she think it's her fault?" Bucky stepped closer as if he knew the topic needed to be kept quieter to not disturb the girl a few feet ahead.

"I don't know where she got the idea, honestly. Her mother did leave a note when she left and part of the reason she left...well, Angelica wasn't exactly planned." Y/N muttered the last part to make sure it didn't reach his kid. He loved her, he really did. At first, he'd been terrified at the prospect of being a father when he wasn't ready. But the moment he held that little girl in his arms, he was smitten. "And her mother said some...nasty things in the letter about her."

"I can't imagine how that would've been for you." Bucky gave a sympathetic grimace. "Sorry, I didn't mean to bring up bad memories."

"No, it's okay. I don't talk about it much because it's in the past and we're doing great without that woman." He shrugged and smiled. "I kept the letter, though, as precautionary measures in case she ever decides to come back and fight for custody. I doubt that would happen, really, but the court system is so messed up and might not rule in favor of me despite the fact I've raised her."

"If a court of law can see how much you love that kid and how much she loves you and is happy with you and still not let her stay with you, then I might have to return to my vigilante days." Bucky joked, though he sounded and looked serious.

"Bucky, no."

"I'd do it."

"I know, but no." Y/N laughed and shook his head. "Thanks for the offer, but I think an appeal would work better."

"Okay, you have a point," Bucky said. "So, I've never asked but what got you on the team? Steve didn't tell me and Stark won't because he's still mad about game night five months ago."

"I caught four embezzlers in the compound by hacking into the hidden servers that keep backups of pretty much everything, even if it's been wiped from the main servers. I would've gotten away with it if I hadn't tripped the single silent alarm monitored by FRIDAY. Tony promoted me shortly after I handed the information over to Grace Stevens in accounting." Y/N explained with a smile. "I thought I was fired or being thrown in jail. Those were the most terrifying few minutes of my life."

Bucky whistled. "That's impressive. Even Nat couldn't get through Stark's security lines to retrieve deleted footage of him drunkenly singing karaoke in his lab."

"I might have to go digging for that to earn a favor from Nat." Y/N took his phone out and made a reminder, causing Bucky to start laughing. His eyes crinkled up at the corners with his bright smile. "Oh, Pete, be careful! That might be slippery!"

Peter was halfway across the large fallen tree trunk over the moderately moving river. He turned his head to listen to Y/N and nodded, shifting his grip on Angelica. He moved slower then, watching his footing to make sure they didn't fall.

"So, we're gonna cross that?" Bucky asked, eyeing the log warily. Falling. He hates falling. That's right, Y/N thought. Of course, he'd be uncomfortable with something like this because he might fall.

"I guess. Wanda said there's lakeside access across the river and down the path." Y/N stopped at the tree, watching to make sure the kids made it across safely. He trusted Peter, considering the kid was a literal superhero and gymnast, but he was also a dad and his Dad Instincts were kicking in. "You gonna be okay with crossing?"

"If I don't fall, I will," Bucky forced a smile, but Y/N could see the anxiety behind it.

"Here, take my hand. We'll cross together and we'll go slow. I'll make sure you won't fall." Y/N held his hand out to Bucky and tried his best to ignore the small jolt of electricity that shot through his veins when Bucky accepted it. "Come on."

"If I fall, I'm dragging you with me," Bucky said with a joking tone, but there was a shake to his voice as he stepped onto the log after the man holding his hand.

"Valid." Y/N snorted before focusing on where he was putting his feet. He couldn't slip and risk giving Bucky a heart attack. He was trusting him to get him across this river safely. "If you need to stop at any point, just tell me and we can."

"Nope. Just keep moving even if I start to freeze up because if I stop, I won't move again." Bucky was able to flash a quick lopsided smile even though he was doing something that ultimately terrified him.

"You got this, Bucky!" Angelica shouted from the other side, bouncing on her feet like a highly-caffeinated bouncy ball. "You're almost there!"

Y/N grinned to himself. Leave it to his kid to become a cheerleader for them without even knowing that Bucky really needed that encouragement. He swore his daughter had supernatural abilities of knowing what someone needed when they needed it. When she was much younger, there had been nights where he was stressed about making ends meet and she would crawl into his lap and hug him tightly until he forgot what was bothering him.

Lost in thought for just the brief moment spelled ruin for him. His foot slipped on a wet spot and he lost his balance.

Bucky grabbed his arm and pulled him back, keeping him steady until he regained his footing. He chuckled. "Jeez, Y/N. I thought you'd be saving me from falling and not the other way around."

"You're lucky I'm nice 'cause I would've just shoved you off this log and let you wash down the river." Y/N retorted though he couldn't keep his expression stern and a smile broke out. "So, that spot's slippery. Be careful."

"Oh, I was just planning to plant my foot on it and run the rest of the way." Bucky teased, appearing way more at ease than Y/N expected he would. Maybe that's what happens when someone has to save their non-fearful friend from falling.

Once they were on the other side and on solid ground, there was a pause of silence between everyone before they all burst into laughter.

"Mr. Barnes, your face when Mr. L/N slipped! You were so surprised!" Peter bent over, trying to catch his breath.

"Y/N, I thought you were a goner for a moment. And if I hadn't already had a hand on you, I probably would've just let you fall." Bucky was barely able to speak through his laughter, smile so wide his eyes were crinkled up.

"Oh, I see how it is!" Y/N acted offended. "See if I ever team with you on game nights again."

"Ooh, he's serious." Angelica giggled, wiping tears from her eyes.

"I'm sorry, Y/N but I was not risking falling just to save you if I hadn't already had your hand." Bucky took deep breaths, also wiping his face with his jacket sleeve.

"What happened to till the end of the line?" Peter asked, taking deep breaths.

"That's a me and Steve thing. And even then, I'd just let his dumbass fall." Bucky winced. "Sorry, language."

Angelica grinned broadly with a mischievous glint in her eye. "Oh, don't worry. Papa swears a lot more than you might think. He thinks I don't hear him mutter things under his breath, but I do."

"You little snitch!" Y/N exclaimed. "I can't believe you!"

"Oh no...Angelica, we gotta go!" Peter scooped Angelica up and dashed down the trail. Y/N started to give chase but slowed down as they turned the bend.

Bucky followed at a slower pace, shaking his head in amusement. He caught up to the father who was straightening his jacket. "You're not going after them?"

"Nah. I just made them think there was an actual threat. They'll probably get all the way to the lake before they realize I'm not actually chasing them." Y/N grinned. "So, want to tell me about that game night five months ago?"

"It started when Nat brought vodka back from a mission in Russia and decided not to tell us it was hundred-proof..."

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"Hey, Buck. How's your day?" Sam asked as he entered the training room with a towel around his neck and a water bottle in hand. "Sorry that Steve and I dipped on you."

"Don't worry about it. It's alright," Bucky grunted before setting down the set of weights he'd been lifting. "My day was pretty good. Except when Stark accidentally set off an explosion in the lab while I was running the obstacle course. Scared the hell out of me and then I fell off."

"Shit, man. You okay?" Sam placed his water bottle and towel on a bench near Bucky. "I know you don't like falling and loud noises so that just seems brutal."

"My adrenaline kept it low but I still started to freak out after I cleaned up." He admitted before taking a drink of his own water and using his shirt to wipe some of the sweat from his forehead. "Y/N helped me out with that."

"You went to Y/N? Why not Bruce or Wanda? Hell, even Nat?" Sam arched his brow and there was a hint of something behind his eyes.

"Dunno. He's nice, ya know? I figured he'd have some experience with that kind of stuff. Having a kid would teach you how to calm someone down when they're freaking out and I've seen him chill Angelica out faster than she could even process why she was upset." Bucky said, sitting down on a bench to give himself a break. He'd been in the training room for an hour already and it was about time to take a breather. "After that, we took Angelica and Pete out on that hiking trail Wanda found just to get them outside since they were causing trouble and everyone needed a break."

"Hey, as long as you found a way to calm down and not have a panic attack, I won't knock it. Happy for you, man. You're doing really good recently." Sam started to set up the machine he liked to use. Can't have a tree without the trunk, you know what I'm saying? Sometimes Bucky really didn't like Sam, but he was a great friend and great company when he wasn't being an annoying shit. But then again, he could be an annoying shit when he wanted to be. "Proud of you, man. Long road, but you're sticking with us."

"Yeah, yeah. Save the sappy shit, would you?" Bucky leaned his head back against the wall, taking deep breaths. "The hike was nice. Though Y/N almost fell off the log when we were crossing the river. I caught him before he did, but if he hadn't been holding my hand, I would've let him fall."

"You told him about your issue with falling?" Sam straddled the bench and rested his forearms on his thighs. "Dude, it took you like eight months to tell me about that and he's been here four months."

"Don't take it personally, Wilson." Bucky shrugged with a smile. "He's just got that calming feel to him. He's easy to trust and he's just really nice."

"And you were tellin' me to quit with the sappy shit? Do you hear yourself?" Sam cracked a smile as well. "I like Y/N, too. He's a good fit for the team."

Bucky nodded, agreeing. There had been something missing in the team dynamic for a while that no one could quite name or place, but Y/N and his kid had certainly brought it. The game night had really shown some of Y/N's full personality away from his daughter, though Bucky liked having Angelica around a lot. She was bubbly and sweet and brought a little bit of light on his bad days.

But Y/N...Y/N was just so thoughtful and selfless. It was obvious when he'd walked into his office that Y/N had no idea how to help him and was taken aback, but he'd helped him anyway. He showed genuine interest in the story Bucky had been telling him and even invited him along to an outing. They hadn't exactly hung out outside of the team nights and work hours. It was nice and he liked the idea of getting to see Y/N more often out of that stuff.

"Wait, don't tell me...Barnes, do you have a crush on Y/N?" Sam asked with a cocky grin.

"What? No!" Bucky said far too quickly, his face starting to flush. He was lucky he was already a little red from training, but Sam knew otherwise. His grin widened.

"You totally do!"

Bucky went to defend himself again but he sighed and turned his head away while Sam started to snicker. "Fine. Maybe I do a little."

"Man, I didn't take you for one to like guys," Sam said.

"Is...that an issue?" Bucky asked warily, his heart starting to flutter in his chest. For most of his life, he'd shoved that part of him aside and hidden it. Sure, he fooled around with a couple of guys in the forties but it never went very far. And war made people do desperate things. But he was worried that even now, he'd have to keep that part of him tucked away and ignore it.

"Hell, no. My best friend in college was the most flamboyant gay guy I've ever met. Smart as a whip and a beautiful musician. I don't give a shit, but I don't wanna hear about all the details. And that goes for women, too. That stays private, man." Sam wrinkled his nose up and it made Bucky chuckle. "I don't know how it was back then, but people are a lot more accepting now than they were. They legalized same-sex marriage a few years back. And if anyone gives you shit about it, I'll kick their asses."

"Thanks, Sam. That means a lot." Bucky smiled. "But if you tell anyone that I have a thing for Y/N, I'll kick you off the helicarrier again."

✿°•∘ɷ∘•°✿ ... ✿°•∘ɷ∘•°✿ ... ✿°•∘ɷ∘•°✿

Taglist: @shadowolf993 @supernaturalwintersoldier @booty-ass-hoe @fightmemacbeth @pastel-boy-sungjae @unsure-username @myybebe (it works!! ^-^)

#mint ice cream & bubblegum kisses #Bucky Barnes #bucky barnes x reader #bucky barnes x male reader #bucky barnes x male!reader #bucky barnes x single dad!reader #james buchanan barnes #sam wilson #bucky barnes fanfiction #mcu fanfiction

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casualotptrash · 4 years ago

Text

Fixes to the Persona Series- Social Links

This was originally going to be the whole point 6 in my Fixes to the Persona Series post, but it was basically the same length as points 1-5 combined so I didn’t want to make the post mega-huge.

Link to the whole post about this topic.

(Spoilers for a lot of P3 things, including the plot and second awakenings)

I’ll start off with this point, something that needs to be fixed for all of the games is that you shouldn’t only get social link points for saying what the person wants to hear. I get the train of thought that if you say what they want to hear they will like you more, but that’s not how real friendships work? Obviously you shouldn’t be saying something that offends them and think it will raise your points, but sometimes people just need to hear things?

I can think of three standout examples: Nozomi in P3 (Gourmet King), Mishima in P5, and Shinya in P5. Nozomi’s link is a hot mess in of itself, but it was very frustrating to at one point just be like “Hey can you chill?” when he’s trying to induct you into a scam/cult or whatever, and it reverses the social link. Like ok buddy fuck you too, I was just trying to say no and that you need to stop scamming people?? For Mishima in P5 (I’ll go more in depth on him in a later post), it’s just kind of strange that you can clearly see him starting to obsess about the PT’s but you can’t really tell him he needs to stop until the social link demands it. Even then, the only way to get points is pretty much to go “Wow Mishima, you’re the best! You’re the reason we exist! We love you!!!” and it just feels kind of wrong. Shinya’s is very much along the same line as that, except you basically have to do something even worse and encourage him to keep being a bully? Thankfully P5 doesn’t reverse confidants, but I probably would have done so with Shinya because I kept telling him he shouldn’t bully others until I realized how to get points with him. It just feels wrong to encourage such behavior until the character suddenly realizes they’ve been acting wrong. No shit, I’ve been trying to say that.

I think social links need quite the fix to them, but this is definitely one of them. Strong, real relationships are not just built upon telling the other person what they want to hear.

Now I’m going to go into the structure of how social links are made and how they affect the characters. I have so much to say about this it’s not even funny. There are two major parts to this, but the second heavily ties into the first, so I’ll just go through them one at a time while trying to make sense.

The first part is that, simply put, integral character growth should not be tied to social links. The completion/tipping point of a character’s growth seems to be signified by their second awakening taking place. For example, in P3, all of the cast members awaken after a big event happens in game which causes them to grow. Most of this is them learning how to move on past the deaths of their loved ones, but still the idea remains the same. The game still has some pretty significant social links with party members too, so it’s not like the social links really suffered from this. In fact, I would say it made the social links even better, and it did this by fleshing out the characters further.

For this example, I’m going to use Akihiko’s growth from the story and social link in P3P because I feel like I know it quite well and it’s one of the best examples of this.

In the main story, it’s clear that Akihiko has a couple of problems. He’s quick to fight, reckless with his own health, and cant let go of the past. Along with these traits, he also cares very much about his friends. He considers Tartarus to be a training ground, is actually injured for the first few months of the game, scolds the MC, Junpei, and Yukari a bit for going out to the alleyway (where Shinji saved them) because it was dangerous, and desparately wants Shinji to rejoin SEES. Him and Shinji, on multiple occasions, talk about the incident where Shinji killed Ken’s mother. Akihiko says that Shinji needs to let go of the past, and Shinji echoes the same sentiment back at him.

What all of these problems step from is the death of his sister, Miki. They were both young and orphans, along with Shinji, and one day during a fire Shinji held Akihiko back from running back into the burning building. Inside the burning building was Miki, who Akihiko was trying to get to, and sadly she died in the fire (I’m pretty sure all of this isn’t revealed until P3P with his social link, but in any version of the game we find out that Miki is dead). Because of this, he felt powerless and from then on strived to be powerful enough to save those around him, which is why he’s obsessed with training to such a degree that he doesn’t care about personal harm to himself.

All of this eventually comes to a head when Shinji dies in the story, and Akihiko isn’t able to save him. At a memorial for his death, Akihiko says this:

“I was too obsessed with power. Ever since I lost Miki, that's all I've cared about. I thought that if I was strong enough, I could protect anyone. But I was wrong... And now You're gone too... I'm such an idiot. In battle, there's always a chance of dying... I knew that! But I was so focused on fighting that I didn't notice anything else! It didn't matter how tough I was! Look what happened!”

He cries for his friend, and then is reminded that this is not what Shinji would want. He would want him to keep living his life, and finally let go of the ghosts of his past. So, this is what he does. At that point, his character growth basically reaches its climax and he awakens to Caesar. This all happens in the main story of the game.

Now, how did they decide to do his social link in P3P? Personally, I think it was genius. Due to all of that growth being integral to the main story, they could not just take it out and shove it into a social link. They had to find another thing to make the social link about, and instead of making it about something pointless they connect it to the main growth in the game. (Note, this social link is only available in the FeMC route)

In general, what his social link is about mirrors his growth in the main story a lot. In the beginning, he treats the MC with an overwhelming sense of care, almost to a condescending degree. You’re always going out to eat, him saying how much you need to eat to grow strong, and jogging/running with him. Taking out the more romantic parts of the social link (although they are *chefs kiss*), eventually it progresses to the point where he asks you if you can stop being the field leader of SEES. Of course, he immediately takes this back and laments that you couldn’t just do that. You have the option to question if he thinks you arent good enough for the job, and he quickly says that the MC is capable, and he didn’t mean to imply that you werent, but he doesn’t want you to be in danger. The social link is frozen after this, as Akihiko doesn’t know how to balance his overwhelming worry and concern about the MC being hurt.

After Shinji’s death, the social link continues and he reveals the event of Miki’s death. At one point even says he feels like he doesn’t deserve to live because she died. It’s a very sad event, but because of his resolution from the main story with Shinji’s death he is able to open up to the MC. In the end, he comes to the conclusion that he’ll never get over the anger and sadness he feels for his sister’s death, and he accepts that she is dead, but he feels guilty because he wanted to ask you to bear this burden with him. He also starts to wonder what his feelings toward the MC mean, because he is very conflicted, and admits he might be seeing Miki in you (hence the overwhelming protecting nature he has for you in the link, and slightly condescending big-brother tendencies).

In his rank 9, he admits that he was tired of losing what was important to him. He thought that it would be better not to let things get too important, rather than risk losing them. He realizes this is wrong, and says he now knows he needs to work to protect everything precious from him. If the romance route was taken then he sees you as a precious loved one, while if the romance route is not taken he likens you to the status of Miki, aka a precious sister to him.

As you can see from the synopsis, a lot of what was in the social link is directly tied into his main growth in the story, however it is also not integral to his main growth. It stems off of it, not the other way around. Whoever made the extra social links in P3P did an amazing job at doing this exact thing, perhaps because they couldn’t change the growth in the main story. Either way, it’s a perfect example of how social links should be done.

If you’re interested in watching the growth from the social link directly, here is the link: Akihiko social link rank 1-10

You might be thinking, how is this issue really that big of a problem? Akihiko was a great character before his P3P social link, so if the growth is there either way (in story or social link) then it should be fine. My answer to this is in short, as the series progressed from P3 this problem got worse to the point where it negatively impacts the characters. The reason this got worse and impacts the characters so much, especially with the ones from P5, is because of the nature of how social links are set up. Obviously, social links are optional. They have to be, because not everyone is going to finish all of them in one run. This presents the unique issue of needing to make social links meaningful, but also not necessary. I would think anyone who reads that sentence would immediately understand how those two things do not mix well, especially when almost all of the important character growth is pushed into the social link. I’ll be using the social links (party members specifically) in P5 as my example to illustrate this because they’re the best for this.

At the very best, party member confidants in P5 feel like they contribute a good bit of character development alongside the story (on the surface). At the very worst, confidants in P5 feel like they actively contradict the story. Ann is probably the best example of this, but it happens to the rest of the main cast too, to varying degrees. I’m not as familiar with Ann’s confidant as Akihiko’s, but I’m going to try and do my best.

Essentially, Ann’s confidant is about finding her passion, becoming a stronger person, and overcoming her guilt. Outside of the occasional discussions about Shiho, how strong she is, and Ann discussing how she needs to become strong for her, one of the main things you do in the confidant is help Ann use various methods to be a better model (because she comes to the conclusion that she wants to be serious about modeling, her hobby, since Shiho is trying so hard to get back to her normal life). I have played Persona 5 vanilla twice, and Royal twice, and every time I have completed Ann’s confidant. That being said, it’s kind of sad that I could do it four times and barely remember the “becoming a stronger person” and “overcoming her guilt” part of it (outside of Ann saying Shiho is strong, and Ann asking us to insult her to make her stronger). She does have a very good conclusion with Shiho, and it’s is really sweet to see them hug on the roof and everything, but other than that the main outcome of the confidant is that Ann is going to really try for her modeling career and needs to change her habits because of this. Some of those habits she changes is by eating less junk food, exercising, etc.

Here’s where the issue comes in. You go through this whole confidant and have Ann come to that conclusion, and then throughout multiple scenes (and the rest of the story) Ann adheres to none of it. It’s the most whiplash I’ve ever experienced when one day Ann says she’s going to cut the sweets, and then the next something happens in game and she’s just chowing down on all of the food. To be clear, I do not care if Ann is eating a lot of a little in the grand scheme of things. Like I said, this is just an example that illustrates the total tonal dissonance present from the social link to the main story.

The whole reason this occurs is because, like I said earlier, the confidant has to be meaningful but not necessary to the plot. This is a major problem when pretty much the whole reason for her character growth, the plot with Shiho, is in the confidant. No matter if you do the confidant or not, in the story the characters will always act as if the confidant plot has not happened at all...because they physically cannot write it into the main story as it is optional. The reason this worked with Akihiko was because he had his main growth outside of the social link, and the social link tied into his growth, and the reason this doesn’t work for the P5 cast is because their growth is set up in the opposite way. Instead of tying their main growth in the story to the confidant, the story acts as a stepping stone for their main growth in story of the confidant.

I predict some people might read what I just said and counter with the point “You cant just expect their whole personalities to change,” and they would be right, if that was what I was explaining. It’s not. Obviously base personality traits are always going to be present, but the reason for having character growth is for the characters to grow. Futaba can always be more shy and timid around others, but if you go through her whole confidant where she learns to be more independent and then later on have her go somewhere and completely shut down? That is not growth. Her change can manifest in her being shy about going somewhere new, but adapting to it a lot quicker than she did before the confidant was completed. But, like I said, because of how the confidants are set up this is just not possible.

It took this long to get here, but we finally arrive at how the second point ties in. The second point is that, because of this issue with tying in integral growth with the social link, the characters end up being very one-note in the story (if you take out the inclusion of the social link). In my opinion, P3 doesn’t really suffer from this (although there still are bland characters in that game. Sometimes the writing is just not that exciting. Sorry Fuuka, you’re better in the spinoffs), P4 suffers from it a little (Teddie talking about girls 90% of the time, Yukiko laughing at everything, Meat Chie, etc.), and P5 has the most rampant cases of this.

This doesn’t mean that the characters are not well written, it just means that the game is going to be way more enjoyable if you are able to max everyone’s social link in comparison to only maxing a few. Putting aside the gameplay benefits, I usually love my NG+ runs more than my first run because it allows me to see all of the characters so much more.

I know that all of the characters could be shoved into stereotypical boxes if we had to, but we basically don’t need to for P5. If you do not do any confidants with party members in P5, tell me how many times Ryuji shows his remorseful and caring side for the trouble he has caused the track team in the main story. Oh wait, you can’t! He’s pushed around as the proverbial butt-monkey for almost the entire game, and at least Junpei and Yosuke got some deeper interaction with the story when they were in this role. If you only experience Ryuji from the main plot, you’d probably want to throttle him with how many times he ogles at Ann, argues with Morgana, tries to pick up girls, and shouts about being a Phantom Thief and wanting fame.

I will admit, they do have some deep moments here and there, when the main story calls for it, but other than that (again, without doing the social link) the PT’s kind of have as much characterization as a piece of cardboard. This is a big problem, especially when the cast is full of great characters! I played P5 4 times, and it still isn’t my favorite cast. There are some really good characters in there, but they just could not compare to the P3 cast for me (even though P3 was filled with a lot of highs and a lot of lows). Yukari was kind of a bitch and I didn’t like her for a long time, but at least I felt something! Poor Haru is just shoved off into a corner and characterized as the “team mom but would kill you, sad her father died, also has a crush on you” for the whole game unless you do her confidant.

Jury is still out on the P4 cast, because I see a little bit of what P3 had going on and what P5 does in them. Every time Yosuke is talking about something serious or profound I get really excited, only for it to be followed up with some dumb (usually homophobic) joke. I like the extra interactions the P4 cast has in comparison to P5, but even in those situations it feels like each member is kind of cast into their stereotypical role (Teddie want pussy, Yukiko laugh, Chie meat, etc.). I imagine once I do finish P4G and get to do my NG+ I will like the cast a lot more, but only because I will be able to do all of their social links.

Despite all of this, whether a character from the game has great growth or not, you can always count on Atlus to flanderize each character into their one “defining” (aka memed) trait to hell and back in any spinoff.

Sorry, don’t mind me crying in the corner with how Akihiko was massacred from a deep character into a protein junkie.

#long post #persona 3 #persona 3 portable #persona 4 #persona 5 #persona series #p3 #p3p #p4 #p5 #shush just shut the hell up about protein for five goddamn minutes #please god he only mentioned it once in p3 #maybe twice who knows #AND IT WAS COMPLETELY BY CHANCE TO SEE IT #Atlus why do you massacre your great characters #it's not funny anymore #I want d e p t h

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makeste · 4 years ago

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Re: the bullying acknowledgment and repentment, the only thing that I'm not that satisfied with is the explicit in-text (rather than just narrative) comparison to Endeavor. The narrative parallels are wonderful, because they explore and develop a similar theme on two very different scales for characters who share certain similarities but are ultimately different. It's great writing and Bakugou will benefit a lot from it, especially because he realized it and saw it first-hand. (part 1)

I think that with the Endeavor comparison, it’s important to keep in mind that All Might’s understanding of Endeavor is different from the readers’. All Might is not aware of the full extent of Endeavor’s abuse. he doesn’t (as far as we know) know about Rei, he doesn’t know about Touya, and he doesn’t know the extent to which Endeavor pushed Shouto in training, past his limits to the point of hurting him again and again.

when All Might encounters Endeavor during the Sports Festival, he makes a point of saying that the two of them haven’t spoken for ten years. now, the timing of that is a bit interesting, since it lines up suspiciously well with both Rei’s breakdown, and Touya’s subsequent death. so it’s possible that All Might does know more than we’re led to believe here. but if he does, he doesn’t mention it. and so pretty much the only thing about Endeavor’s relationship with his family that we know that All Might is aware of is this:

now, does that statement raise a few red flags? sure. at minimum, it’s a pretty good indicator that Endeavor is in fact a humongous asshole. but it’s not proof of domestic abuse in and of itself, and I don’t think it was enough for All Might to fully connect the dots at the time. (whether he should have is another story, but that’s not a debate I’m particularly interested in, since either way things have moved well past that by this point.)

anyway. so after that, All Might doesn’t encounter Endeavor again until Kamino, when the two of them work together to raid the villains’ hideout, and All Might’s secret is subsequently revealed. they don’t actually get to talk about these events, however, until some weeks later, during Katsuki and Shouto’s remedial training.

the Endeavor that All Might meets in chapters 164-167 is already a profoundly changed man from the Endeavor of chapter 31. he’s no longer centered on himself. he’s realizing that he made mistakes. he’s thinking about how he can best serve the people he’s meant to protect. and most importantly, All Might sees him telling Shouto that he’s proud of him, and that he’ll work hard to become a hero that Shouto can be proud of, too.

this is the Endeavor that All Might is comparing Katsuki to. he’s not saying that Katsuki’s sins are comparable to Endeavor’s, because he doesn’t actually know the full extent of either character’s histories. what’s more, he has no idea that Katsuki is aware of Endeavor’s history (and for that matter, knows a lot more than All Might himself). so even if he was making the comparison, it wouldn’t be with the intent of placing an additional burden of guilt on Katsuki.

rather than saying that Katsuki’s bullying of Deku is in any way comparable to the scale of Endeavor’s abuse, I’m pretty sure that all All Might was trying to say here is that Katsuki is similar to Endeavor in terms of his personality, as well as his growth. “when I said you and Endeavor were alike, I was talking about that change.” he specifically mentions the change in both Endeavor and Katsuki’s viewpoints. Katsuki’s views of “what it means to be a hero” were very similar to Endeavor’s early views -- they were focused on strength. he was self-centered, and he cared only about being the strongest. but since coming to U.A., Katsuki has started to realize that becoming a true hero means a lot more than just being strong and always winning. he’s starting to learn to see outside himself, as Best Jeanist once put it. he’s starting to realize that the true meaning of being a hero doesn’t just lie in how strong you are, but what you use that strength for. and just like Endeavor, he’s starting to understand the impact of how he treats other people, and it’s led to the growth that we saw in this chapter.

we as readers are free to draw the other parallels as we like, since we know the full story, and the parallels certainly are there if we want to explore. but given All Might’s limited knowledge of both Katsuki and Endeavor’s backstories, I’m gonna give him the benefit of the doubt on this one and say that he was not trying to compare a teenager’s mistakes with those of a grown man who abused and neglected his entire family, but was instead simply trying to say that Katsuki’s gaze had always been focused inward, the same as Endeavor’s was. and what he wanted was for Katsuki to turn that focus out towards others as well. which he did!

I guess the best way to sum it up is that I don’t personally feel like the parallels between Katsuki and Endeavor are meant to serve as a warning that Katsuki could have ended up like Endeavor if he went down the wrong path. rather, Katsuki is who Endeavor could have been if he’d realized his mistakes sooner. Katsuki and Deku are the Endeavor and All Might who never were. and part of Endeavor and All Might’s story is helping to ensure that this new generation grows up to surpass them in every way. I think All Might is actually very proud of Katsuki for how far he’s come. and I think he takes a lot of comfort in seeing Katsuki and Deku slowly beginning to reconcile. I don’t think he views Katsuki in a negative way at all; I think he is a very proud dad.

#bnha 284 #all might #bakugou katsuki #endeavor #midoriya izuku #bnha meta #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #asks #anon asks #long post

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writingwithcolor · 5 years ago

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Including diversity where there may be little

Including diversity where there may be little: Black Radium Girls as example

post-scriptvm asked: [ask clipped for length]

I have an interest in the ‘Radium Girls’, groups of women who worked at studios in America from the late 1910s onwards painting radium onto clock faces, and later took their companies to court for the horrible impacts the radium had on their body.

I want to make a musical, just for fun. I’ve decided to use a fictionalized version of events, with composite characters based on multiple different women, rather than one of the real-life groups and the actual women from them. It will be mostly set in New Jersey, in the roaring 20s.

Neither of the two real-life groups I know of had any Black women in them, and I can’t see any Black women in any of the big group photos of the dial factories’ employees. But I know there’s a lot of Black history and culture in that time and place bc of the great migration and stuff, so I feel like if I’m not going to use the real life ladies, I should probably take the opportunity to also make some of them Black, bc making a whole cast of white ladies in the name of potentially wrong ‘historical accuracy’ seems like a bad thing.

My question is, should I? [ask clipped for length]

I wouldn’t be surprised if there were African American radium girls. Speculating People of Color/Women of Color’s involvement is far more realistic than portraying everyone as white. Go for it!

Perhaps look into what other races were predominantly in the New Jersey area for inspiration, too.

Hidden History

This section features just a few examples of PoC in lesser known historical settings.

The histories of People of Color are highly and actively erased. Women of Color especially get their stories left to footnotes in the textbooks. You hear about certain amazing women again and again, but there’s so many others that don’t get their time of day.

Hidden Figures (book and movie) is a prime example of that erasure and lesser known history. To summarize: It’s “the powerful story of four African-American female mathematicians at NASA who helped achieve some of the greatest moments in our space program.”

Here’s another example:

Photo of female firefights on Pearl Harbor, 1941. Identities unknown

It would be nice to know more about these women, and i’ve seen inquiries from people requesting info from anyone who may know. This struggle to find details is a prime example of that erasure in itself.

Enemies in Love: A German POW, a Black Nurse, and an Unlikely Romance by Alexis Clark

The book pictured above is the true story of a Black nurse and German Prisoner of War who fall in love during World War II. They face many hardships (disowning from his family, racism, and shunning from towns) but stay together for their whole lives, marry, and have children (One of their sons highly informed the writing of the book!)

This book discusses the discrimination the Black soldiers and nurses faced. They struggled to even be allowed to serve their country, and were treated worse than POWs.

Video: The Unlikely Romance of a Black Nurse & German P.O.W. in WW II

Research

Research “[RACE] + Firsts” and find many more examples of little unknown bits of history where they’ve been involved.

First doesn’t mean it came without limitations, discrimination or hardships. But they happened, and many sooner than you’d think.

Explore beyond what you know about whitewashed history and learn the true stories of People of Color.

Making it “realistic”

People will question how “realistic” it is to feature a Black women in this position for the time period, unfortunately. It doesn’t hurt to provide an explanation until we get to a place where diversity isn’t interrogated when it shows up.

Giving her backstory.

You can briefly explain the journey to the job, such as shortages due to a war. Take a look at those real world firsts for inspiration.

Especially take a look at the specific region of the story. What firsts were there? Any government power influences? How did PoC break barriers to make the strides they did?

Use the web, but also go beyond. Seek books, historians, artwork. Search those “footnotes” for that one sentence mention. (That’s actually how the writer of Enemies in Love found their story. Just a quick sentence and a search for the story began. It helped that she was a journalist!)

Relationships with Peers:

“I will cut off this right arm of mine before I will ever work or demand the ballot for the Negro and not the woman.” - Susan B. Anthony

White women weren’t, historically, welcoming to Black women. For example, white sufferists insisted Black women march in the back of the protests for, allegedly, both their rights. You’ll need to decide how your Black woman is treated in this situation.

You might face the following from peers, superiors, or others:

Hesitation to work or interact with her

Curiosity and intrigue (The “Other”

Unsure of how to approach or be friends with her

Microaggressions

Blatant racism

Your musical doesn’t seem like it is meant to focus too heavily on the hardships. It begs a mention, but just how much is up to you.

Call the Midwife, period racism example

Call the Midwife (BBC) is set in East End London, Late 1950s, early 1960s. The show features a Black midwife named Lucille Anderson. There’s a shortage on nurses so Caribbean nurses were being called in to support the growing population.

Call the Midwife is from a midwife, Jennifer Worth’s, memoir, so it’s based on history.

Check out this short clip: Nurse Lucille Anderson - Call the Midwife

Lucille on Call the Midwife (Take notes!)

The show handles racism and microaggressions very well. It’s not overdone.

Lucille is accepted by her peers and is especially close to one of the girls.

There’s an episode where she actively faces blame and discrimination during a case. It’s a major story line of the episode.

She does face occasional micro-aggressions where she is othered, but it is not every single time she is on screen and not every episode.

Her peers talk to her about her experiences and in the case where she had an aggressive family member to deal with, they tried to protect her by reassigning her from the family. Lucille asks to handle it her way and they respect her decision.

Lucille can mostly perform her job and have peace, and is treated kindly by patients.

She has a personality, a romantic life, family & friendships.

It’s about 90% allowing her to exist, 10% navigating racism/microaggressions. That’s a comfortable, realist balance for such a story and setting.

If you want to check out how they handled these issues for yourself, the show is on Netflix as of this post (2020). She’s introduced in Season 7. (I highly recommend watching this show from the beginning. I cry like every episode, and the diversity of several ethnic backgrounds picks up a lot mid season!)

I’ll kick you three scenarios for your Black radium girl:

Peer Acceptance, Initial Hesitation

awkward friendliness & initial hesitation, perhaps more fear of the unknown vs. hostility

Upon having interactions and talking to her, they become comfortable and accept her. It could take just one simple conversation. Perhaps they’re more used to listening to Black music or have Black staff who work for them, but haven’t had an equal one-on-one experience with WoC without a power dynamic or service involved. Now, with a Black fellow radium girl thrown in a similar situation as them, they could develop kinship.

This might not describe every one of the woman at all. Others might be just fine with her with no awkwardness.

Types of racism experienced:

some micro-aggressions (likely ignorance from peers)

no major racism experienced

Most Peer Acceptance, Racism From Some Peers

Most peers have no problem with her, even if they have their initial awkwardness. 1-2 more aggressive racists who don’t want her there.

Sometimes everyone else gets along, but there’s that 1 bully and their minion, and they feed off each other. If the BS isn’t tolerated by the other girls, it could shut them up to make peace or at least behave themselves. It’s likely someone like this would remain hatefully stubborn, but would grimace from the corner if outnumbered.

In the case you create a situation where someone is hostile to the Black girl but learns better: real apologies and efforts should be made if this occurs. It also doesn’t excuse their past behavior. Read our posts on redemption arcs for more info. We’re not fans, personally.

In an intense racial situation, it would be nice if the girls (with sense) protected and defended her instead of standing idly by. They’re strong enough to rise up against the agencies who poisoned them, so they can fight for their fellow radium sisters if one’s being targeted.

Types of racism experienced:

several micro-aggressions

maybe 1 major incident

Peer Acceptance, Racism from Other People

Radium girl acceptance within, but experiences racism from others she interacts with on/off the job.

The Call the Midwife example fits this one. Lucille’s peers are comfortable with her. It’s some of the ladies she care for and/or their families that may have negative things to say or show hesitance.

I’ll repeat what I said above: it’d be nice if the girls protected and defended her and didn’t stand by idly. Solidarity is important for establishing kinship and trust when it comes to white - woc friendships.

Types of racism experienced:

could vary from some to several micro-aggressions

maybe 1 major incident

Balancing race issues in the musical

Give the intersections of your Black girl’s situation proper attention. You can achieve this without overdoing it or making her whole arc about facing racism.

Perhaps the Black radium girl(s) has a song to express major woes, like segregation and poor treatment, or experiencing dismay over even less of a fighting chance in this fight for their rights.

If anyone does know anything but radium girls of color, please share!

–Mod Colette

#intersectionality #intersectional feminism #women #black #black women #woc #women of color #diversity #poc in history #radium girls #musicials #asks #submission

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birchworld · 4 years ago

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Manga Recommendation - The Golden Sheep

金のひつじ (Kin no Hitsuji) / The Golden Sheep

Author: Kaori Ozaki Publisher: Kodansha English Publisher: Verticle

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Run Time: Sep. 25th, 2017 – Feb. 25th, 2019

Volume 1 Release: March 23, 2018 Volume 2 Release: September 21, 2018 Volume 3 Release: April 23, 2019

Eng. Volume 1: September 24, 2019 Eng. Volume 2: December 10, 2019 Eng. Volume 3: March 10, 2020

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Summary

“ Winter of junior year. Not quite able to become adults, we couldn’t stay as we were as children, either. Our tale explores a group of teenagers and their impatience and rebirth. “They say if you write down your wish, bury it under Sheep Tower and then dig it up after 7 years and 7 months, your wish will come true … ”Tsugu Miikura, a high schooler who loves to play guitar, had moved away due to family circumstances from the rural town where she spent her childhood. After several years, she’s back in her old hometown. She reunites with her childhood friends—Sora, Yuushin, and Asari—the friends she’d buried a time capsule with back in elementary school. Tsugu is overjoyed to be with her friends once more, but the bonds that she thought would never change have in fact started to grow major cracks … “

Source: https://kodansha.us/series/the-golden-sheep/

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*Spoilers Beyond This Point* For review, and links....

Review - 4/5

Content Warning: Discussion of s*cide and similar themes, bullying, absent parents, and animal cruelty/abuse. If any of those topics are triggering to you, or upsetting, feel free to skip to links

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Volume 1 of The Golden Sheep was a single sit read for me! I read the majority of it in the car, and for the most part it was a great first volume! This series is Kaori Ozaki’s second manga, preceded by “The Gods Lie” in 2013.

The manga, itself, deals with heavy themes from the get go. Main character, Tsugu Miikura, and her family struggle with an absent parent. Their father stays in Tokyo as the five girls move back to their old, rural town. Here, she meets up with three of her old friends: Asari, Sora, and Yuushin.

However, the group begins crumbling beneath Tsugu’s feet. Asari, jealous by Tsugus connection and relationship with Yuushin (her childhood crush), begins to neglect and ignore her. The group Tsugu used to eat lunch with abandons her, leaving her to eat alone.

Tsugu, awhile after, realizes Yuushin isn’t the same “good kid” with good grades he was when she moved. His father was revealed to have slept with a high school girl, and the school quickly turned on him. Saro began to leave Yuushin behind, avoiding interacting and hanging out with him. As a result, Yuushin begins to gain ties with the bad crowd. He begins to bully Saro, beating him and stealing his money.

Tsugu realizes this when she’s on a walk with her sister’s daughter and finds the group standing on the bridge, with Saro about to jump off at Yuushins request when Saro had come to get his dog back from the other. Saro runs off, and Yuushin leaves with his friends.

Following this event, Tsugu attempts to return the dog to Saro after finding that Yuushin is about to allow his friends to stone the animal to death. However, when his grandmother reveals he hadn’t come back, she goes on a search for him. She finds him locked in an abandoned car, in an attempt to pass from the exhaust from an open flame cooking some meat, and breaks him out using her guitar.

They speak for awhile, Saro fills her in on what she’d missed while away in Tokyo. The two decide to run away to Tokyo to live out their respective dreams, Tsugu a guitarist, and Saro as a manga illustrator. There, they find Tsugu’s father after he responds to one of her texts. The manga ends when they arrive to an apartment he’d told them to stay at.

I really enjoyed the story! There aren’t too many manga out there that depict those in Saros situation who, instead of getting help, react negatively. As someone who’s struggled how he has, I know the feeling and could really feel myself in him. The four main characters feel real and alive, they don’t just feel like plot devices to either feel sorry for or to hate. They’re complex characters motivated by the wrong reasons, or their own problems. The content was raw and unfiltered, providing a warning at the beginning, and it was almost comforting to know that my old struggles, and so many’s current struggles, were real and that it was okay to go through.

I think my only issue was Asari and Tsugu as characters. I felt they were rather plain, but Tsugu got better as the story progressed. I felt myself having to close this manga more often than others that deal with serious topics as well. I felt like I couldn’t bring myself to read it, but couldn’t bring myself to stop either.

It’s probably one of my favorite series of this genre and I can see myself picking up the second volume.

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Links - Shop, Reviews, etc.

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Amazon

At the time of writing this, the paperback version of “The Golden Sheep” is unavailable, however the kindle version is available for $7.49

https://www.amazon.com/Golden-Sheep-1-Kaori-Ozaki/dp/1947194801

Barnes and Noble Available for both paperback and kindle with $12.95 and $7.49 (respective) pricetags

https://www.barnesandnoble.com/w/golden-sheep-1-kaori-ozaki/1130055509?ean=9781947194809

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Review!

Kodansha US https://kodansha.us/series/the-golden-sheep/

My Anime List https://myanimelist.net/manga/113409/Kin_no_Hitsuji

Good Reads https://www.goodreads.com/en/book/show/45554788-the-golden-sheep-vol-1

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That’s all for now! Thank you for reading and have a good day <3

#Manga #Manga Review #The Golden Sheep #Kodansha #Verticle #Verticle Manga #Manga Collection #Manga Recommendation

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rachelbethhines · 4 years ago

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Tangled Salt Marathon - The Brothers Hook

It’s time to say goodbye to Hook Foot. He won’t be missed.

Summary: Rapunzel takes everyone to see Hook Hand in concert. However, this brings back bad memories in Hook Foot, as he was always overshadowed and looked down on by his elder brother. Hook Hand is revealed to be employed by the self-centered King Trevor who wants Hook Hand to play at the ceremony of the marriage between the Seal of Equis and his female mate. When Hook Foot sabotages his brother’s performance at the wedding he must face King Trevor in a dance off to save Hook hand’s career.

The Episode Placement Is Indeed Wrong

I talked about this last episode, but the ordering of episodes is confusing.

The Brother’s Hook does come after Rapunzel: Day One in terms of production order and is placed after it on the Disney Plus, but it supposedly aired before Rapunzel: Day One originally and the events make more sense in that aired order. As they’re traveling on foot here because they lost the caravan, and they’re all stressed out and fighting in the first scene of this episode. Also it world explain Hook Foot’s absence in Rapunzel Day One.

Yet why would they order things that way? Why hold off on resolving the Raps and Cass argument if you’re not going to even hint at it here? Why not place this earlier in the season so that you wouldn’t be dragging Hook Foot along in the Great Tree for no reason?

It just goes to show how rushed and poorly planned out season two actually was.

This is Another Pointless Parallel

So Hook Foot is suppose to represent Cassandra here and Hook Hand is supposed to be Rapunzel in this scenario but like that doesn’t work for several reasons.

For one, Rapunzel never discouraged Cassandra’s dreams. Cassandra herself just never opened up to tell her what those dreams were, and indeed even the audience don’t know what Cass’s dreams are now that she’s already achieved her goal of becoming a guard back in the first season. I don’t think even Cassandra knows what she wants.

Second, Rapunzel and Cassandra’s conflict isn’t actually about ‘dreams’, it’s about control. Each wants to control the other, to be in charge, because they think themselves always right. Both equate ‘being right’ and a lack of criticism as validation and to them, and this show in general, validation is equated with ‘love and compassion’ and is the ultimate end all and be all goal for everyone. Even though that’s not how validation works and a it’s a very unhealthy mindset to promote.

Third, no one owes you anything. Yeah, Hook Hand is a jerk here, but at the end of the day giving up on his dreams was Hook Foot’s choice. You are in charge of your own choices, and at some point you need to decide if you’re going to listen to rest of the world telling you no or have some self respect and do what you want because you want it. You don’t actually need anyone’s approval but your own. By making ‘validation’ the end all and be all of the narrative, it undermines characters agency and fails to teach people about self respect and accountability.

Same goes for Cassandra, even more so in fact. She needs to be the one to get off her ass and try for what she wants. No one is going to hand it to her and Raps doesn’t owe her a damn thing. Cassandra is the only thing getting the way of Cassandra because time and time again the series gives her chances that she refuses to take for ill defined reasons. There’s nothing at stake for her to lose if she just left.

Last off, no one learns anything from this. Cass gets nothing out of it despite being right there the whole time, and Rapunzel is too hypocritical and self centred to see that she is very bit the bully same as Hook Hand. Not because she crushes Cassandra’s dreams like the narrative wants you to think, but because she tries to insert herself and her views on to everyone.

Bullshit

Once again, may I remind you that there is over twenty villians in this show and only four of them get redemptions. Four! And one of those four was Eugene’s doing not Rapunzel’s.

The narrative does not support the ideas that it wants to push. If you want me to believe that Rapunzel does sincerely believe in second chances then you need to show her giving that chance to everybody equally. And no, not everyone has to take it, not everyone needs to be redeemed, but she needs to at least try. Especially if they’re a recurring baddie with a tragic backstory like Lady Caine’s.

Oh, and may I also remind you that currently a 15 year old orphan is rotting away in a jail cell because of the corrupt government and Rapunzel does not give a crap!

The Song Is Sounds Good But It Adds Nothing

It doesn’t add anything to the overall narrative and it fails to add anything to the episode itself because it gives us no new information.

This is extremely wasteful. Not only because Alan Menken and Glenn Slater are highly respected artists who are wasting their talents on crap like this, but also for pure budgetary reasons. Tangled has a limited budget for songs that is worked into the contract. Each season is suppose to get eight original songs and two reprises. (tho season three trades out one of those songs for an extra reprise)

In an arc heavy series like this, with such a limited number of songs to convey information, then you need to choose where those songs go wisely. The writers did not choose wisely in this instance.

Rapunzel You Are Not In A Position To Give Advice Here

This episode is foreshadowing for what season three would become. Which is a complete formula switch up that undermines the narrative’s goals.

This is suppose to be a coming of age tale. That’s in its mission statement. It’s what the writers supposedly wanted to achieve according to interviews and the very pilot episode itself.

That requires Rapunzel learning and growing. She can’t be in the mentor role. She can’t be the one to give out sage advice if she is the one who is meant to grow the most. She not there yet. She’s not experienced enough to fulfill that place in the narrative.

Season one may have been repetitive in it’s lessons but it at least tried to show Rapunzel owning up to mistakes and changing as a person, but here and in season three they toss that out the window and have Rapunzel teaching other people lessons instead. People who ultimately don’t matter to the overall narrative.

Instead of showing her growing as a person and coming to fit in that role over time due to experience, it has the opposite effect of showing Rapunzel as being patronizing, selfish, and unworthy to rule. Because she has no grounds for having an opinion, no basis for her advice to go off of, no experience to back up what she says, and zero claims for being in charge except for being born in a classist feudal system.

Had the narrative actually bothered to call out this instead of just having Cass pitch a hissy fit over nothing, then we could have gotten a really complex character and unique moral to the show, but that’s not what actually happens.

King Trevor Is the Saving Grace of This Episode

I don’t think the writers realize that Trevor isn’t the hateable douche that they believe him to be.

Oh sure he’s not nice, he’s essentially the equivalent of an annoying ‘I want to speak to the manager!’ type customer. But there is a huge, huge difference between being a Karen and being a fascist dictator. One’s irritating and the other is actively malicious and a danger to people's lives.

Frederic might be outwardly more pleasant but he’s still a person who abuses his power in order to harm poor people. Trevor is just a mother-of-bridezilla here and a perfectionist. Like big deal.

And to be honest Rapunzel isn’t that much better.

Like you are a bully Raps. You’re every bit a pushy and demanding as Trevor is, particularly in season three.

While she’s not actively malicious like Frederic, she’s still a danger to people because she refuses to acknowledge that the power she wields has an impact on others lives and that that impact can indeed be negative.

There’s something called the banality of evil. That being simply mean to others isn’t how true evil spreads. It’s people refusing to challenge the system, and if you are a part of that system then you are a part of the evil it spreads no matter how nice you are outwardly.

Rapunzel and the show at large, does not understand the difference between being nice and being kind. It introduces the concept of flawed government and systems but then does nothing to actually challenge it. It forgoes the actual work it takes to make change happen by focusing on easy outs and proformative progressivism.

Trevor does more than either Frederic or Rapunzel here with this one line alone than they do in three full seasons.

Eugene did indeed commit a violent crime, no matter how much the show tried to present such a crime as ‘funny’. Trevor is in his legal rights to prosecute the person who tried to kidnap his child/pet and assaulted his personage.

Yet he’s actually granting mercy here. More than that, he’s inviting them to his child’s/pet’s wedding. He’s offering friendship when he could have had them killed. Because Tevor, for all his faults, recognizes the power the that he wields and then makes the conscious decision not to abuse that power.

Moreover over he acknowledges the difference between what is a personal offense and not a an attack on his kingdom as a whole. What Eugene and Frederic did could have been considered an act of war and Trevor never even considered that an option.

It’s sign of bad writing when the person we’re supposed to consider a jerk and a recurring antagonist is more compassionate than the main heroine herself. Even as he jeers and makes an arse of himself.

This is the Point Where Rapunzel’s Characterization Buckles and Breaks

At first glance this seems like growth. She’s now assertive and taking charge, and Hook Hand did indeed had this coming, but in context of the greater narrative and how Rapunzel’s character develops past this episode, this is the point where the wheels start to come off.

Rapunzel is a hypocrite. We’ve established this as a fundamental part of her characterization back in season one and it’s the driving force behind all of the main conflicts with her in the first two seasons. But before now, her hypocrisy at least had consequences. It caused enough problems that if you were paying attention you could see it for the flaw that it was.

But here her hypocrisy is presented as being right. She looks over Hook Hand even as she tells him not to look down on others. She dictates to him how his relationship with his own brother should go, when she has zero context for said relationship. She’s heard only one side of the story and only a piece of it. She doesn’t know what actually went down between them while they were growing up nor does she honestly care why Hook Hand does what he does. Even as she asks him why.

Yet she is rewarded for this behavior. She’s never called out as wrong. The narrative bends over backwards to accommodate her and reinforces her views. Without direct consequences a character’s flaws are rendered meaningless, and so the character will only frustrate the audience rather than endear themselves to us.

That is the opposite of what you want to achieve in a story. You want to the audience to like you’re main characters, or at least find them entertaining in their awfulness. Making them right all of the time, even when they’re wrong sabotages this goal.

Trevor’s Still the Better Person Here

Like it may not have been Hook Hands fault, but at the end of the day he did screw up at his job and a paying customer has the right to be upset and refuse to work with you again or even demand their money back. That’s what being self-employed means. It’s part of the risk you take as being a contractor.

Trevor’s not being unreasonable here just because he raised his voice and wants Hook Hand to leave the wedding premises. Yeah the insults are uncalled for, I’ll give you, but remember that Frederic locked a tailor in a stockade for accidently ripping a robe; that he has the ability to fix if he wasn’t locked up.

And he resolves conflicts and personal insults with a dance off!

What happened when someone called Frederic out for being a poor leader and endangering lives, oh yeah they wound up in jail!

Also This Episode’s Big Climax is a Fucking Dance Off

Out of all the low stakes conflicts in this show this is the lowest.

And it’s coming right off The Great Tree and the big Cassandra vs Rapunzel fight. This shouldn’t be here. It’s throws off the pacing the tone.

Well I Guess Trevor Kept HIs Word, Which Is More Than What Frederic Would Do

Like Trevor is defeated and he does indeed complain about losing, but everyone is apparently free to leave afterwards and Hook Hand still has a career so I guess Trevor kept his side of the bargain. Even though he has no reason to and no one to hold him to account for it. He just has a code of honor I guess.

Meanwhile, Frederic throws a teenager in a dungeon after promising to help him and completely ignores his supposed friend Quirin being encased in amber.

So What Was the Point In Bringing Hook Foot Along Again?

What did Hook Foot add? What did he bring to the story that no other character out there could bring? What does writing him out of the story now achieve, and why couldn’t he have been left out of the narrative all together?

If your answer to all of those question is ‘Nothing!’, then congratulations you have more sense than the showrunners.

I have seen a few people get angry and suggest that Lance should have been the one to go because getting rid of Hook Foot meant getting rid of the shows main disabled rep, but that’s ignoring that getting rid of Lance would mean getting rid of the shows only real black representation as well. Because tokenism isn’t real representation.

Yet for all of how poorly handled Lance’s character was, he still has more reason to be there than Hook Foot. He has a unique connection to one of the main characters that, once introduced, would be hard to ignore. There’s nothing connecting Hook Foot to the plot or the main characters, and that’s why he shouldn’t have been in the show at all. Regardless of how much you may have liked him.

Destiny Isn’t a Goal!!!

How many times do I have to say this!?

A goal needs to be specific. It needs to have logical motivation behind it. It needs a clear obstacle to be overcome for the character to achieve it.

A vague ‘destiny’ has none of those things.

Conclusion

Meh. That’s the word that best describes this episode and the majority of season two. It’s not the worst thing ever if you just want to shut your brain off for 30 minutes, but it’s not actually good either, and if you stop to think about any of it for more than two seconds it falls apart.

#tangled #anti-tangled #hook foot #anti-rapunzel #tangled the series #rapunzel's tangled adventure

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vowled · 4 years ago

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Unpopular Opinion: Johnlock edition

So, I am, as invariably suggested by my blog and username, a major Sherlock fan. I absolutely love it. The first time I watched it, I immediately related to it, and my peabag brain instantly saw a friend in John Watson. Sherlock’s character, on the other hand, was quite unconventional to me. I couldn’t bring myself to quite like him for the first 2 episodes. He was.....different. I knew I wanted to watch the series just for the dynamic duo and their and sweet friendship. The cases I couldn’t at first care for much, but eventually that changed too. I always was completely amazed by how well they had managed to adapt the series to the 21st century and their subtle winks to the original canon too was quite impressive. Eventually, I fell in love with it, and proceeded to watch the entire series thrice. in a row. I was, and still am, completely obsessed.

Then came the thought, which was also somehow initially suggested subtly by the show itself, ” What if Sherlock and John are in Love?” I must agree, I had read too many conspiracy theories about certain celebs being closeted to not come up with that question.

At first it was just a thought. But then, critical analyses on tumblr came up. I couldn’t stop reading them?! and so many of them were thought-provoking and persuasive and honestly, I was living for it. The phone = heart theory is still one of the best Theories I’ve read among all the fandoms I’ve ever been in. And that is just one among many. JohnLock was everywhere. Other ships were persistent, but none could reach the amount of fervor as JohnLock. And I was living for it too. I still really enjoy all the adorable fanfics and the ever-interesting theories, and honestly, at this point, my motto is “I’ll find homoerotic subtext even if it kills me”.

Shipping is ok, shipping is good. But here’s the deal we need to talk about: we shouldn’t justify our ships to the point of interpreting every action as romantic. This propagates unrealistic expectations and results in harmful stereotypes.

Yes, I’m talking about the unending debate on Johnlock.

From season one itself, Johnlock was phenomenal. It is widely argued that the show-runners themselves inserted subtle hints, and hence, birthed this beast on their own. The Sherlock fandom remains one of the oldest fandoms in the world, with its beginnings rooted in the Nineteenth Century when ASiS was published, and since then many have argued about the latent homosexual subtext embedded into the writing, my point here being people have been shipping Johnlock for well over a hundred years. Hence, It’s not really a surprise that people are still drawn to this ship. But to be shipped by this magnitude of people? This invariably suggests that there’s material provided to us by the creators themselves that is very blatantly obvious about the relationship. And while in most cases shipping two characters is completely okay in itself, according to me, shipping Johnlock has further validation in the fact that there is proof of intent of it becoming canon eventually (at least in the first two seasons).

Like I said before, shipping is OK, shipping is good.

But is shipping okay if we take it to the point of over-analysing every move?

Sherlock is a comfort character for me. God knows half of my maladaptive daydreams are about him being a father figure towards me. My entire twitter tl and Tumblr dashboard is stuffed with cutesy or angsty things about him, and that’s great! But being in the fandom for about eight months, I’ve realised how this sort of feed eventually resulted in me completely forgetting the original storyline, and more importantly, in me forgetting how flawed a character Sherlock is!

Everyone(including me, the first time) freaks out in HLV because of how Sherlock isn’t listed as John’s pressure point. I, however, think we should question ourselves: Why should John still consider Sherlock that tantalizingly close to himself as he was in the beginning? John learnt his best friend had died, and he decided to do the bravest thing he could: make peace with it and move on. BUT NO! The Ghost of the man who loved him returned from the grave to haunt him! Here I talk about the other possible reasons why Sherlock wasn’t a pressure point for John in HLV.

I am tired of this constant sugarcoating of Sherlock’s character. I am tired of seeing constant posts about how Sweet and caring Sherlock is and how much he loves John and how he loved her more than Mary. I am done with over analysis of every single shot where Sherlock looks at John, completely done. This shot below? It’s been overused for so many fanfics and cheesy romantic lines that I forgot that it’s supposed to be a look of GUILT.

Anyone who knows me knows that I love sherlock so dearly because he’s a very unlikeable character. That is precisely what sets him so far apart from the other characters. Sherlock started off with a hateful and dismissive character, but through the course of the events he undergoes a lot of emotional development. And that is truly noteworthy. In TFP he said for Mycroft, “ He did the best he could (for Eurus)...” and that is truly sentimental. This sort of development is always heartwarming.

What I want people to understand is that Analysis is, obviously, important. And CRITICAL ANALYSIS more so. And it’s saddening to see so many people glossing over the critical part of the analysis. Why is it so wrong to point out HOW HURTFUL SHERLOCK’S ACTIONS TOWARDS JOHN HAVE BEEN? Why is it wrong to to point out Johnlockers borderline bully other shippers?

Can we finally talk about the problematic aspects of Johnlock, or rather Johnlockers?

Even though I’m relatively new to the fandom, I’ve noticed how dismissive people are of anything negative said about Sherlock. In the beginning, it was endearing, really; but now I see this pattern of constantly singing praises of Sherlock’s character, and it has lead me to realize how detrimental it can be to the relatively younger audiences. Sherlock is Rude, period. There’s no question about it. And this constant glorifying of his rudeness and arrogance and dismissing it as a quirk could very well possibly give the impression that arrogance and vanity are in fact not so bad, and hell, it might make one seem a little cooler even ! Oh, don’t be mad if I act like my comfort character ! I’m quirky like that !

Constant bashing of the creators. And when I say constant, I mean it. This sort of bashing about is never-ending. And when I say this, I don’t mean that the creators were perfect; some of their mistakes were, quite frankly, blatantly ignorant ( like Irene the Canon Lesbian falling for Sherlock), but I don’t see enough people praising it for what it is. Even now there is so much slander against the creators ( and personally I feel bad for Mark Gatiss because he’s actually on twitter and is constantly spammed). Is it really a surprise that the creators hate the fans and especially the Johnlockers? Was it supposed to be so shocking when Martin said that being in the show wasn’t very fun anymore because of the fans?

We just don’t actually analyze anymore! I get that we haven’t got any new content for FOUR muheffing years but please I literally don’t see anything that’s actually interesting or analytical anymore and that kills me because that was the reason I joined this fandom- to read and comprehend the subtext, and the AMAZING META! All I see are cute couple-ish pics of ben and Martin and tbh we can do so much better than that?!

Johnlockers have so much actual stuff to talk about? There is literally so much going on Subtextually, and yet all I see is people losing their mind over any interaction between Sherlock and John. This is so unfair! AND it’s detrimental too! With people painting every interaction as romantic in nature, the younger teenagers in this fandom who might not have experienced Love or Attraction may glean unrealistic ideas about them! It is difficult as it is to navigate oneself through romantic entanglements, let alone being fed such rose-colored ideas! And I say this because although I don’t know much about the audience on Tumblr, but Stan Twitter is like, (at least) 50 percent teenager-fuelled. It actually isn’t healthy for them at all.

Stop with the Benedict-worshipping for God’s sakes. Are you only in here because of him? We all get it, he’s absolutely stunning but come on, we’re here for the stories too right?

Romantic love is important, no doubt. But you know what’s completely overlooked? The platonic sort of love. And it’s tiring. Sherlock and Molly/Janine/Irene/John are all amazing duos and each pair has it’s own uniqueness and tang to it! Let’s not constantly dissect everything in the name of shipping, shall we?

lol looking back at it, I feel like it’s a vent rant for the prevailing circumstances on Stan Twitter. I apologize if anything I said hurt anyone, it wasn’t meant to. I completely understand that shipping people is for...recreation (?) but this was just my opinion. Let me know what you think about it!

#sherlock bbcsherlock im prolly gonna get a lot of hate for it maybe i should delete it but nah it took a long time to type dont hateme

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snarkythewoecrow · 4 years ago

Note

prompt! peter is getting bullied in school/around town/etc. and tries to brush it off as no big deal. he’s spiderman, isn’t he? he doesn’t wanna admit that it hurts his feelings and crushes his spirit. he’s gotten shot before, for crying out loud! and despite his desperate attempts to ignore it, it begins to wear him down. and down and down and down until one hang-out-with-tony day, he cracks. spidertears and irondad panic ensues.

AN: This isn’t exactly what you asked for, but I tried. It turned out, that I wrote it from an outsider POV, so we get to see Irondad through someone else’s eyes.

Warning: May is dead in this. Sorry.

Read on AO3

Roger Harrington cared about all his students, he’d had many who stood out over the years, but none ever burned as bright as Peter Parker. The boy was a genius, and Roger had to continually change things up just to challenge him. When half the world vanished, and Peter went with it, the world was a little darker for his loss. Thankfully, the heroes saved the day, Iron Man nearly dying to stop Thanos, and slowly, the world rebuilt.

It had been months since the children had returned to school, including Peter, but much to Roger’s dismay, he learned that Peter’s aunt, May Parker, had reappeared in traffic and died before Peter got the chance to see her. Stories like that were common in the news right after the vanished were returned. Roger wasn’t sure who had stepped in to take care of Peter, but rumor had it that it had been a distant relative.

Peter didn’t smile as much as he used to, and Roger couldn’t blame him. When he challenged him with work, he barely reached the bar. His studies started to slip, his grades falling. The brightest, happiest kid in the class had become withdrawn and anxious, making him a perfect target for bullies, Flash Thompson being the worst of them all.

Roger tried to intervene where he could, but he knew he was missing much of the abuse. And Flash wasn’t the only one. A few other students had taken to ribbing him about his internship with Stark Industries, something Roger had seen the paperwork for but was a little hard-pressed to believe himself.

He’d seen stranger things, though, and if telling people he had an internship helped Peter cope, who was Roger to say otherwise. He just wished there was more he could do for the boy.

The class was nearly over, the kids were paired off, working on their presentations, and Roger couldn’t help but let his gaze drift over the students and fall on Peter and his friend Ned. They were two peas in a pod. Flash didn’t seem to notice Roger watching as he leaned toward Peter with a grin and whispered something too low for Roger to hear. Whatever it was, it made Peter frown, and Ned shoved Flash’s shoulder. Roger pretended he didn’t see that. As far as he was concerned, Flash probably deserved more than a shove. He’d been riding Peter hard lately, harder than usual since he’d rejoined the decathlon team, and in doing so, pushing Flash back to alternate.

The rest of the class went quietly, and once the bell rang, the students packed up and filed out of the room. Peter was one of the last to the door, and Roger stopped him by calling after him.

“Peter, can you hang back a moment?”

Peter frowned, looked to Ned, then told his friend not to wait. With his bag slung over his shoulder, he walked over to the desk where Roger was perched on the edge.

“How are you doing, Peter?”

Peter shrugged. “Good, I guess. Nothing special going on. Am I in trouble for something?”

Roger shook his head with a smile and then pushed up his glasses. “Nothing like that. I just wanted to talk to you. I’ve noticed things between you and Flash are tense. Anything you want to say about that? Remember, you’re not in trouble.”

Peter’s frown deepened, and he scuffed his shoe against the floor. “Everything’s fine. Flash is great.”

Roger crossed his arms over his chest, then rubbed his chin. “I know what he’s doing, Peter. I might not have heard everything he’s said or seen everything he’s done, but I know a bully when I see one. My question for you is, why haven’t you come to me before? There are things I can do to help, but I can’t fix what I don’t know about.”

Peter shrugged again, looking at his shoes. “It’s really nothing. Can I go now?”

“Actually, I’d like to have a meeting with you and your guardian. The sooner, the better. Maybe even after school today if that works. I think we need to all get on the same page.”

Peter’s startled, looking up at Roger with wide eyes. “I—can’t we just forget about this? It’s not a big deal.”

“I’m sorry, Peter. I’ll call the office and have them contact them. Once I know when the meeting is, I’ll make sure it’s passed onto you.”

Peter’s shoulders curled forward, and he nodded his head, his hair falling into his eyes. “Thanks, Mr. Harrington. Can I go now?”

“Yes, I’ll see you later. Hopefully, this afternoon.”

XXX

During his last class of the day, the office called and told him that they’d contacted Peter’s guardian and that they’d be there at three-thirty to meet with him. Roger had thanked them, then finished up his lesson as he thought over the points he wanted to discuss. Peter’s grades were slipping, for one thing, Flash’s bullying was another, and Peter’s refusal to report the bullying was another problem by itself.

It was like his light had been dimmed. He didn’t stand up for himself anymore. He didn’t laugh things off as quickly had he had in the past. Instead, he just absorbed whatever negativity was sent in his direction. Roger wondered how much of it was related to the loss of his aunt. Peter had been made an orphan twice over, losing two sets of parental figures before adulthood. That wasn’t easy for anyone.

Three o’clock came around, and Roger set up two chairs in front of his desk. It made it a little more comfortable for everyone, rather than Peter and his guardian sitting at the student desks.

Roger watched the clock, feeling nervous. It was never easy to meet with parents. You never knew what to expect. Sometimes they blamed themselves; other times, they took their frustrations out on the staff. It was always a crapshoot. He just hoped that whoever would be coming along with Peter today cared about the boy. Like so many, he had been through so much. He had the potential to do so much good if he could just find something to fight for.

At three-thirty sharp, there was a knock at his classroom door. Roger stood, calling for them to come in.

Nothing could have prepared him for what he saw when the door opened. It didn’t make any sense, not in any way. The man who walked into the room was none other than the hero Tony Stark. The scars from the famous battle still stood out brightly against his face and neck, but it didn’t detract from his powerful presence. Roger was pretty sure he’d forgotten to breathe for a moment as his brain tried to catch up.

Mr. Stark gave him a half-smile and patted Peter on the shoulder, pulling the boy into his side. Peter fell against him, pressing his face to the older man’s side. He didn’t look like he wanted to be there. In fact, he looked even more anxious than usual. His eyes were a little red like he might have been crying before coming in, and Roger couldn’t help but wonder what might have been said between the two.

The older man kept an arm around Peter’s shoulders and guided him into the room.

Roger cleared his throat and motioned to the chairs he’d set up beforehand. “Welcome, Mr. Stark, is it? I didn’t realize—”

“We didn’t want it known, for obvious reasons, so if you could limit who you tell, that would be appreciated.”

“Of course.” Roger blinked, taking a seat after Peter and Mr. Stark each sat. “My name’s Roger Harrington. I’m Peter’s science teacher and advisor.”

“You can call me Tony. It’s nice to meet you. So, I’ll preface this by saying I tried talking to Peter, but he wouldn’t tell me what this was about, but I’m hesitant to believe him that it’s nothing like he insists, not with how he begged me not to come.”

Roger sighed, folding his hands together on the desk. He looked at the other man. “Grades haven’t been posted for this quarter, so you wouldn’t have seen, but there is a trend I’m seeing. Peter seems to be struggling, and I don’t think it has anything to do with his grasp of the material.”

Mr. Stark looked at Peter. “Kid?”

Peter kept his gaze on his lap and shrugged a shoulder.

Mr. Stark sighed, looking back to Roger. “I don’t suppose you have any ideas?”

“There’s been some bullying going on. I’ve reprimanded the parties involved as much as possible, but Peter refuses to report it, which ties my hands. If I don’t see it—”

“You can stop it.” Mr. Stark pinched the bridge of his nose. He dropped his hand and met Roger’s gaze. “What do we do here?”

“That’s why I called this meeting. I want us to all talk and maybe get to the root of why Peter doesn’t feel he deserves better. Because part of me thinks that’s what it is. I’ve seen him in class. Before the Blip, he would laugh it off, but now he takes it in. I don’t like this turn of events, coupled with his dropping grades, I’m worried.”

Peter’s shoulders were turned in, and his hands were twisting in his lap. Mr. Stark turned in his chair and ducked his head to try to meet Peter’s eyes.

“Hey, hey, kid, look at me,” the man tried, and after a second, Peter lifted his head. His eyes were glossy with tears, and he sniffled, wiping his nose on his sleeve. “Gross, I’m sure if you asked, your teacher could spare a tissue.”

Roger snapped to it, reaching for the box of Kleenex and passing a tissue to Peter, who took it reluctantly. He blew his nose. The poor boy seemed miserable. Mr. Stark leaned forward and brushed Peter’s bangs out of his eyes. The touch was something he’d expect to see from a parent, and it reassured Roger that the other man wasn’t just there for show.

“Why didn’t you say something, Pete? Tell me what’s going on in that big brain of yours. Is this internship related or you know?”

Roger was pretty sure the death of his aunt was what was going unsaid. It didn’t seem like an internship could be the cause. He wondered why the man had even suggested such a ridiculous thing.

“It’s not the internship—the internship is great.”

Mr. Stark sighed. “Your aunt wouldn’t want to see you like this, you know. She’d want you happy. She’d want to see you do well, not shutting down. I blame myself for this, Pete. I should’ve seen you weren’t okay. It shouldn’t have gotten this far. But what I don’t know is why you’re not standing up for yourself? You’re better than letting some kid shit all over you.”

Roger raised a brow at the language but otherwise didn’t remark.

Peter shrugged again, dropping his gaze back to his hands. “Because they’re right. I’m an orphan. I get everyone close to me killed. I’m worse than bad luck..”

“Ahh, Kid. No. None of this, any of this, is your fault. You don't deserve the shitty hand you got dealt, and you sure as hell didn’t bring it on yourself. You’re not bad luck. I’d say if anything, you’re pretty damn good luck. Look at all you’ve accomplished with your internship.”

Roger frowned, looking between them. He cleared his throat awkwardly, “You’ve got some great friends, too, Peter. They’re lucky to have you. You’re a good kid, internship or not.”

Peter wrapped an arm around himself and nodded his head, a tear rolling down his cheek. There was a lot left to unpack, Roger could tell, but he knew it was past his pay grade. Peter was struggling, and maybe talking it all out with someone would be the best course of action.

“I can recommend some councilors, Mr. Stark. I think it could help Peter to see someone. He’s got a lot on his plate.”

“It’s Tony, and I have some numbers already, but thanks. If that’s everything, I’m gonna get Peter home.”

“Yes, yes, I think that’s it. If you need anything, please contact me. Peter’s a special kid. I want to see him succeed.”

Mr. Stark extended his hand, and Roger shook it. Then he watched as the man bent and pressed a kiss to the side of Peter’s head and whispered something in his ear. The boy nodded and then got up. Mr. Stark put an arm around him again and walked him out of the room, leaving Roger feeling more secure than he had before the meeting. The affection the two shared had been real and honest, it was love, and Roger knew that Peter was in good hands.

#irondad #peter parker #tony stark #spiderman #mcu #snark writes

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