#need to work on da coloring technique

[lokiwaffles]

OC-Tober Day One: Favorite Oc

It’s no secret that Izzy is the favorite child here…

This ended up looking different than I wanted it to but I still like it! Maybe next time I’ll either leave the background unlined or use a thicker brush.

Prompt from this list.

[celestial-sphere-press]

what kind/style of endbands do you usually do? they look so good 👀

hi!! sorry for taking a while to answer, I wanted to make sure I could give you my best answer.

I usually do what's called a "double core" endband. I use double core endbands over the "bead on front" method because bead on front style is not great for uneven distributions of color, irregular patterns, or using more than three colors. Functionally it works by having your extra threads wrapped up inside the thread that is showing, forming the smaller secondary core. Ultimately you are doing figure 8s around the main core & then your secondary core of thread. This keeps things pretty neat & tidy. The tutorial I first used was this one by DAS Bookbinding, though I don't think his endband tutorials are his best ones. Another binder I've spoken with endbands about a lot is maleeka, who recently did an endband tutorial herself.

maybe I should do one... but it takes a lot for me to get enough motivation to make videos. I'll take this opportunity to write up some tips I've shared when people ask instead:

1. Endband core material is the MOST IMPORTANT component. You need a core that is stiff but flexible - it should NOT be floppy because it wiggles everywhere under the tension of the thread, but still needs to flex with the opening & closing of the book. You want something that doesn't compress, to reduce tension shifts in thread creating a lumpy endband. Have a smooth core is less critical but helps to avoid snagging threads & allows you some leeway on sliding threads around for adjustments. My personal choice is smooth leather jewelers cord (link is just an example, I get mine from a local craft store).

2. Thread size. All your threads need to be the same size; it will be visible if you are using two different sizes, and mess with your front core. Additionally, I know lots of people will use larger twists of multiple strands of embroidery thread, which can work, but is more likely to compress & alter its size in unexpected ways. A single strand is preferable. If you want something thicker you can find some thread weights that are heavier twists intended to be used in a single strand, not pulled apart. I prefer smaller sizes because it works better for the gradient designs I like.

3. Silk thread is your friend (if you can spend the money on it). It reduces fuzz (no fuzz like you get with cotton/DMC embroidery thread), it's usually easier to manage, has a more compact twist, and a higher shine. I use Japanese silk hand sewing thread in size #9 (9号). There's multiple brands (Tire, Daruma, KNK/kanagawa, etc). Here's a wholesale listing (minimum 20,000¥ for international). A non-Japanese brand is Guterman silk (German brand). Both the Japanese & German threads come in a heavier weight (Japanese is #16, Guterman is buttonhole).

4. Thread tension is the most important part of the actual technique. You need to ensure the threads currently wrapped in the secondary core keep tension when you are working the thread around them.

5. Working on a curve. This is only really relevant if you're doing an endband on a rounded book, but the circumference of the curve means there's more real estate on the outside vs inside of the curve. Sometimes this can cause bunching on the secondary core. My own solution to this is that sometimes I wrap the primary core but drop a wrap here or there around the secondary core (only between two wraps of the same color I'm dropping). I uh... don't know of anyone currently recommending this besides myself so I can't point to any pro endorsement for this method, it's just what works for me. Forgive my terrible writing:

6. Pattern management. I... don't really plan much how my patterns sit on the spine, which is not very helpful. HOWEVER you can do some pattern management on the fly, if you really want your pattern to end at a certain place. Thread can be packed more or less densely on the core, resulting in some pattern compression; you could also strategically drop wraps in less noticeable locations. An unintended example: I was replicating the pattern on this endband (left) when I realize I wasn't packing the thread as densely as I had the first time around (right), which resulted in the overall pattern taking up more space. You can do this on purpose, if you need to.

this was way more than you asked but it gave me a chance to put all this in one spot. Best of luck in vanquishing the dreaded EndWyrms.

[httpdwaekki]

milky green | l.f.

summary: felix asks you to paint his nails

wc: 1.4k

warnings: nothing, just the usual, fluff w alot of pet names lol

a/n: guys, i gotta be honest, really got lost in the sauce with this one LMAO. definitely did not need to make it as long as i did but we're here now lol. i'm gonna make this a mini series w all the boys, i'm thinking hyunjin or han next. but regardless, i hope you all enjoy this one. remember to drink water, take ur meds and ur loved <3

my library

chan | minho | changbin | hyunjin | jisung | seungmin | jeongin

(pictures not mine! credit to owner!)

you were sitting in your living room, nail polishes strewn about, as you watched your boyfriend inspect each one. “woah, these are so pretty, angel.” he cooed in fascination. you giggled at his awe, “right?” he leans back, a light sage green nail polish in hand. “can i use this one?” he asks, holding it up.

“of course,” you smiled. “do you want me to paint them for you?” you ask. his eyes light up, with a smile so bright it almost blinds you. ”yes please.” he says, handing you the bottle. you set the bottle down, next to the base and top coat and grab a cuticle stick and trimmer.

“i’m gonna clean up your cuticles, if that’s okay?” you ask, putting your hand out for him. he nods eagerly, putting his left hand in yours. “what does that mean though?” he asked, confused look painted across his features. 

“so this,” you hold up the skinny wood stick, “ is called a cuticle stick.” you lay his hand on your thigh before showing him your hand. “you take it and you softly push back your cuticle.” you say, taking the stick and lightly pushing your own cuticle back.

“then, you take this,” you hold up the almost tweezer-like object, “and you trim the cuticle you just pushed back.” you explained, carefully trimmed the pushed back skin. “woah,” he carefully watches your technique. “why do you do that?” he asks.

“just makes the nail polish go on smoother and your nails look nicer.” you shrug, wiping off your nail, holding it up to him. “ta da!” you smile. he grabs your hand, and examined your work. “woah, that looks so nice, baby.” you giggle, grabbing his hand again,

“okay, okay, your turn bub.” picking up the stick you start pushing back the first one. “let me know if i hurt you, okay?” you glance up and catch him nodding with a soft smile on his lips. you’re intensely focused on the task at hand, your tongue sticking out slightly, glasses slowly slipping down your nose.

so focused in fact, you didn’t notice felix taking out his phone and snapping a sneaky picture of you. as you switched hands, your glasses were barely on your face. felix reached up and gently pushed them back up the bridge of your nose. “oh!” you squeak in surprise. your face heating up slightly in embarrassment. “thank you.” you murmured, hiding your smile by getting back to work.

but felix wasn’t gonna let that slide, he taps your chin, forcing your attention back to him. “hm?” you hum, face still warm, looking into his boba-colored eyes. “you’re so cute when you’re focused, you know that?” he asks, a smug smile painted across his face.

you groan, “felix!” his smile widens, “what, can i not appreciate how cute my beautiful girl is?” he asks, feigning innocence. “you’re being cheeky, mister lee.” you squint your eyes at him. he giggled, grabbing your face, placing kisses all over it.

“lix!” you exclaim, giggling, “come on,” you pushed him back slightly, “ i’m trying to run a business here!” you fake annoyance. he immediately put his hands up in surrender. “oh! you’re right i’m so sorry miss l/n.” he clears his throat, giving you his hand to continue your work.

“thank you.” you huff, before giggling and placing a kiss on his freckled cheek, causing a smile to bloom on his face. you get back to pushing back his cuticles and then trimming them, cleaning them carefully.

“okay, base coat time.” you smile, placing the previous tools on the table, grabbing a clear bottle from the table, giving it a quick shake. you gently grab his hand getting to work on the freshly trimmed nails. as you finish the first hand, you carefully lay it on your thigh before grabbing his other hand, repeating the process.

“alright baby boy,” laying his hand next to the previous one, “you gotta let them dry for a bit then i’ll put the color on okay?” switching out the base coat for the soft green bottle. you glance over, catching the slight blush, dusting his freckled cheeks.

“thank you.” he smiled, blowing on his nails. a shy smile made its way onto your lips as you got the color ready. “did you want a design or anything?” you asked, looking at the rainbow of colors spread out in front of you.

“whatever you wanna do bub.” he responded, continuing to lightly blow on his nails. “ however, i wouldn’t be opposed to a flower.” he said, glancing over with an unsuspecting look on his face.

you giggle at his antics, preparing the other colors to do a design or two. you grab one of his hands, mindful of the potentially wet paint. you lightly tap the top of his nails, checking the dryness. once feeling the smooth dry surface, you grab the green bottle once more, shaking the bottle before applying the color.

once you finish applying the color, you show felix your work, gauging his reaction. “well, what do you think angel?” you ask softly, examining his features. a small smile made it’s way onto his face before he shoots forward, placing a kiss on your lips.

you let out a noise of surprise, pushing him back slightly. “lix!” you chastise him, “your nails, be careful!” swiftly and carefully grabbing his hand, making sure the polish was okay. letting out a sigh of relief seeing the nail polish in the same condition as when you painted them.

you look up, catching the pout on your pretty boy’s lips. “what’s wrong?” you asked, matching his pout. “you didn’t kiss me back.” his frown deepened, looking at you with his boba eyes. you giggle, “i’m sorry bub.” you leaned over, placing a hand on his cheek, placing your lips on his. you feel his lips curl up into a smile, as he deepens the kiss.

“okay, okay” you giggle against his lips. “let me finish this and then you can kiss me all you want.” you pull back, thumb brushing his soft skin. he playfully rolled his eyes. “fine.” smirk making its way onto his lips before he stole one last kiss. you narrow your eyes when he pulls away, “you’re on thin ice, mister lee.” you jokingly threaten, pointing your finger in his direction.

he giggles,”okay okay come on.” putting his hands in front of you, allowing you to finish your work.

you diligently and precisely finish two coats of the soft green color, allowing the fresh paint to dry. you start on the design, deciding on a simple sunflower (duh) doing 5 dots in a circle of a bright yellow and a mellow brown dot in the middle. 

you grab his middle finger, bringing it close to your face, getting to work on the delicate design, tongue poking out once again as your focus intensifies. you hold your breath as you place the first few dots, releasing it once you pull back his finger, admiring your work. 

satisfied with your progress you continue, placing the last few dots, finishing the design. you inspect your work one last time before showing the design to felix. he’s engrossed in an anime playing on your tv, not even realizing you finished your design.

“lix.” you say, grabbing his attention immediately. he whips his head in your direction, a hum falling from his lips. “yes, bub?” you gently push his hand into his vision. a soft gasp leaves his lips. “jagiya,” he breathes, “it looks so good.” he looks over, eyes bright and filled with love. 

your face warm once more, “thank you.” you mumble, a shy smile on your lips. he takes notice of your timidness, places his hands back on your thighs, cautious of the wet paint this time, placing a sweet kiss on your lips. he smiles, looking back at his nails. “my jagi’s so talented huh?” he asks himself.

“thank you angel, i love them. “ you nod, smiling, “good, i’m glad you like them.” you grab another clear bottle, giving it a shake before grabbing his hand, painting the last layer of paint, sealing in the color and your artwork.

once you finish, you place his hands on your thighs one last time. “okay, just let them dry for a couple minutes then you’re all set. “ you smiled, tucking a bit of his hair behind his ear. he smiles widely, nodding his head.

you pick up his hands, laying your legs across his lap, placing his hands back in their respective places. he grins at you, giving your leg a loving squeeze.

and that’s how the rest of your night goes, you relaxing next to your favorite boy, watching anime, and you wouldn’t have it any other way.

*feedback is always appreciated as are likes/reblogs!*

do not repost

[porblegames]

I'm very impressed with your work! Your color choices, highlight locations, and technique are all top-notch.

I mostly paint 28mm scale (for Mantic's Kings of War, Firefight, and Deadzone). However, I'll be painting some 12mm armies for their upcoming sci-fi game, Epic Warpath, and I'd like to know if you have any advice for painting at a smaller scale (especially vehicles).

i always like to plug my layering article, where i do paint some small scale minis in the second half: https://www.goonhammer.com/hobby-101-layering/ generally, small scale isn't terribly different from 28mm. the surfaces are smaller, which makes them more forgiving and therefore good scales for learning new techniques. i don't use washes, but small scale minis take washes pretty well, just dont slop it on! you DO need a good brush if you want to do any detailing. i use a da vinci maestro series 35 size 0. it has nice long bristles and that gives you more room to work with while keeping the paint out of the ferrule.

[i-will-cry-you-a-river]

Previous

Day 7 of @sangyaoweek

Qinghe

Back home, it took no time to get used to everything. Hah, no. Nie Huaisang's mood was dark, he missed his friend, he hated the renewed expectations and not even his birds could cheer him up. His usual carefree demeanor was replaced by bitterness. He promised that he was going to behave more responsibly, and he would take things seriously, so he performed the tasks with spiteful determination. But he wasn't happy. Not by far.

His thoughts were constantly drifting back to Meng Yao and Jin Guangyao. He was always thinking about him, which irritated him almost as much as saber practice did, which was pretty telling. Jin Guangyao decided; Nie Huaisang had life outside of him. Then why did it feel like that the then Meng Yao made home in Nie Huaisang's thoughts?!

"I just don't understand," Nie Huaisang grunted to himself, frustration coloring his tone. “I don't know. I don't know anything at all…”

His thoughts churned as he completed his tasks, his mind filled with images of Jin Guangyao’s past, present and future struggles and the cold reception he had received in Lanling. The more he thought about it, the more it hurt. If Meng Yao had stayed with them, he would have been respected and valued. Even his Da-ge had to admit that he did a great job against the saber spirits!

Everything felt… off. Wrong. Empty. He didn't even have energy to complain anymore. He just wanted his friend back. (Which, admittedly, didn't sound healthy, but he didn't care. He just wished Meng Yao stayed with him.)

He could have even become his husband, if he wanted to join a family! After all, it was much better to become the husband of the heir to a clan, than to be accepted as the bastard son who wasn't even the spare.

It was frustrating. But Nie Huaisang worked on accepting it. (It was harder than saber practice with his demanding and ruthless Da-ge.)

Days turned into weeks, and Nie Huaisang's mood showed no sign of improving. He was determined to prove himself, not as the mini Nie Mingjue, but as a more competent Nie Huaisang. But no matter how hard he tried, thoughts of Jin Guangyao continued to haunt him. As he went about his duties, he couldn't shake the feeling of loss. And yet, despite his bitterness, Nie Huaisang couldn't help but hope that his friend would find a way to prove his worth, even in the hostile environment of Lanling. Nie Huaisang was sure that if there was such person, it was definitely his friend who would be able to do that. He was smart and resourceful, determined and objectively amazing.

While his emotions towards Jin Guangyao were quite distracting, the responsibilities he had been running from for his whole life seemed to be determined to drown him. Every task, every training and lesson felt like a mountain to climb. His father’s and brother's legacies, the clan’s expectations, and his own feeling of inadequacy all mixed into a crushing burden. He spent hours in the library, poring over ancient manuscripts, most of the time not out of genuine interest, but out of a desperate need to distract himself from his spiraling thoughts.

He attended every training session, engaged more actively in clan meetings, and tried to put his feelings behind him. He threw himself into his studies, focusing on strategy and planning, areas where he could be use. He started developing new techniques for the clan, to reduce the issues with saber cultivation, to mitigate the negative effects of their violent style.

Nie Huaisang’s transformation didn’t go unnoticed. The clan members began to see him in a new light, recognizing his contributions. And while nothing was easy, and each day felt like it was a challenge to even get up from his bed, it was good to be accepted.

It was good to be recognized as Nie Huaisang.

Next

[princess-of-the-corner]

Toontown Corporate Clash Recap: Toontown Central Playground Tasks

Okay so, before we begin, there’s one thing I forgot to mention in the “tour”.

While you’re in Toontown Central Playground, you’re passively regain 1 Laff point every few seconds. Additionally, Ice Cream Cone treasures spawn around the Playground, and collecting one will restore 2 Laff to you. Knock-Knock Doors on the streets will restore the same amount of Laff if you stay still long enough to hear the entire joke (with the caveat that there’s a cool-down before you can be healed by the same joke).

That said, let’s talk about the optional Sidetasks. Sidetasks are represented by cream-colored scrolls. You can see how many steps are left by mousing over the magnifying glass. (Club Tasks have blue scrolls, Daily Tasks orange.)

You can delete Sidetasks, but this will require you to start the task all over again if you want the reward. Progress on deleted tasks is NOT saved.

All Toontasks turn green when they’ve been completed and you can turn them in. (Daily Tasks and Club Tasks, which are automatically turned in on completion, do not turn green.)

Toontown Central’s Sidetasks are as follows:

Pete’s Apology

This task is offered by Professor Pete in Toontown School House in the Playground.

Professor Pete feels kinda bad about how aggressive the Desk Jockey was.

Lowden wasn’t happy about that either.

Thus, he’s going to let you in on a little trick the Toon Council taught him. Well, the catch is that he’s not really ALLOWED to teach you this, but he’s willing to break the rules if you help him out here.

He’s talking Teleport Access.

Portable Holes have been used to teleport all over town ever since some very bright Toons invented them.

With this technique, you’ll be able to teleport STRAIGHT to Toontown Central’s Playground from ANYWHERE, as long as you have access to your Shtickerbook.

There might even be other Toons in other Neighborhoods willing to bend the rules for you as well, if you know where to look.

Step 1 is working on your arm strength, to make sure you can throw the hole hard enough. Using your Gags to defeat 10 Cogs should be enough.

Once you’ve defeated 10 Cogs in Toontown Central, Professor Pete will explain the next step: working on your leg strength.

Pete: “You can’t skip leg day, even in Toontown.”

For leg weights, he needs you to recover some Heavy Gears from stronger Cogs. (I think Level 4+ or 3+, but the wiki doesn’t specify, and I’ve already completed this task on both of my Toons and thus can’t go back to check.)

The Heavy Gears have a high drop rate but aren’t guaranteed to drop. Additionally, Toontask drops are counted per-task, and thus if two Toontasks ask for the same item, the drop will only count for ONE of them. (I only know this because there were a LOT of Toontasks in Toontown Online that required Cog Gears.)

 Once you hand over the gears he asked for, Pete says to hand over the straps he had you collect so he can secure the gears in place and keep them from crushing your legs.

He then realizes that he forgot to ask you to collect the straps.

He explains that he wants mechanical belts from the strong Cogs walking around town, apologizes for forgetting that important step, and sends you out.

Once you bring back the belts, Pete is satisfied, and explains that you need to train with the gears so you can jump high enough to fall straight through the hole to pop out in Toontown Central.

“Just remember. The force of throwing it down, jumping high enough, and focusing on Toontown Central.”

Turning in the task earns you 464 Toon XP, Teleport Access to Toontown Central, and 30 Jellybeans.

Trashcat Troubles

Travis can be found in a trashcan to the left of Loopy Lane’s tunnel entrance in Toontown Central Playground.

When you pick up the task, he explains his deal: Nobody notices him, but he’s “all over da place”.

He picks up Cog parts, eats unwanted furniture, and even takes unwanted Gags. (While this isn’t stated in the task, this is a reference to how he’s literally just the orange cat seen in the delete button, personified as an NPC.)

“But nobody appreciates me, y’know?”

“It’s a darn shame, I’m always here 24/7 pickin’ up trash, eatin’ it, consumin’ it, digestin’ it, and I don’t get a single tank you.”

So, Travis wants you to do a nice thing for him for once, “Kapeesh?”

He’s hungry, and wants you to fish up a Peanut Butter and Jellyfish for his lunch.

Now, here’s where the Task gets confusing, because the game does NOT count any Peanut Butter and Jellyfishes you already have in your bucket. It’s specifically asking for a task item (represented as a package).

Thankfully, when your Tasked with fishing something up, Task Items take priority over fish, old boots, and Jellybean Jars. Unfortunately, they don’t reward Fishing Experience.

Once you’ve fished up the Peanut Butter and Jellyfish Task Item from any pond (including the one in the middle of the Playground), you can deliver it to Travis, who then explains his issue:

He’s been eating trash since he was a kitten. The Toon Council’s contracted him to stay in his trash can or go and clean up the streets.

“But dis here trashcat wants taste of da action to, y’know?”

He instructs you to meet with Sneezy Kitty, the Shopkeeper of “Weird Beard’s Disguise Shop” on Silly Street.

When you meet with Sneezy Kitty and request a disguise, he starts sneezing, and apologizes: Explaining he’s allergic to beards. As in, the thing he’s opened a shop to sell.

Adding to his misfortune is that a Swindler came in and stole his swindled his supply. If you can get it back, he’ll give you one for free.

He manages to stop sneezing long enough to thank you.

In order to progress the task, you need to recover “A Beard Supply” from a Swindler, anywhere in Toontown.

After you’ve recovered A Beard Supply, you return to Sneezy Kitty, who, while sneezing, manages to thank you and give you a free disguise.

You can now return to Travis in the Playground.

Now that he has his disguise, he just needs 5 of your Level 2 Gags.

If you’ve not yet unlocked your Level 2 Gags, you’ll need to unlock them to progress.

He’ll also take any combination of 5 Level 2 Gags. In my case, he took 3 of one Gag and 2 of another.

Once you’ve given him some Gags, he’ll ask you to go put in a good word for him “with da bossman”.

To progress the Task, talk to Flippy in Toon Hall.

“The Trashcat? Contractually obligated? Normal Toon? What is this nonsense?”

He then reveals the truth: Travis already IS a normal Toon.

He just likes hanging out in people’s trashcans and eating their garbage.

It makes clean-up a lot easier, so they just let him.

He then reveals that Travis does this all the time whenever he sees a new Toon in town. You’re not even the first one to “Put in a good word for him” today.

He apologizes on behalf of his behavior, and tells you to go and talk with him before he runs off.

When you speak to Travis again, he IMMEDIATELY tries to deescalate upon realizing you’ve caught on to him.

He then admits to the truth: he just wanted something to eat, and also a beard so he can look fancy every now and again.

To thank you for being so gullible all of your hard work: He’ll give you a proper reward: Some of his old clothes.

He’ll also keep eating your trash and anything you don’t want, so that totally makes you even, right?

Aside from Travis’ shirt and shorts, you ALSO get 528 Toon XP and 30 Jellybeans.

Travis is also one of my favorite characters in Corporate Clash, and this Task is a big part of the reason why.

New Toony Tourist

Keeping up with the theme of Tasks you can pick up right in the Playground, our next task requires that you speak with Tumbles, the Tacky Tourist who hangs out between Toon Hall and the Wacky Way Tunnel.

This surfer dude Kiwi at first thinks you’re a fellow tourist, then learns you’re a new resident who just moved in.

He asks if you want to go sightseeing with him, but is surprised to learn that you’re too busy with the Toon Resistance.

“Well, that’s no reason you can’t enjoy yourself!”

Tumbles is kinda hit with some decision paralysis (since there’s so much to do), and asks if you could drop by the library to see if they have any travel guides.

In the mean time, he’s going to admire the butterflies fluttering around the Playground.

In Toontown Library, located here in the Playground, you have to talk to Librarian Larry to continue the task.

When you ask for a travel guide, Librarian Larry sheepishly explains that a lot of them were checked out, but abruptly stopped being returned.

His best guess is that the Lawbots were responsible. (Context: This Task was added in the same update where a bunch of new Lawbots were added to the game.)

He doesn’t know when the next shipment of travel guides are coming in, but since you’re in the Toon Resistance, taking them back from the Lawbots is your best bet at getting them.

He wishes you luck (sincerely) as you receive your next task.

You need to collect 5 Travel Guide Pges from the Lawbots.

Yes, the Cogs tore up library books.

Kill them all!

Once you have all the pages, you can deliver them to Tumbles.

Since the travel guide is a pile of torn pages, he guesses you ran into some trouble.

He apologizes, and offers to take your picture to make it up to you!

Unfortunately, he then discovers that his camera is out of film.

He sheepishly asks if you could pick up some more film for him.

“For some reason, there seems to be a lot of unused boxes of film along the trolley tracks…”

(This is a reference to a removed Trolley Game: Photo Fun. The goal was to take pictures of Toons doing certain things. It was removed back in the Toontown Online days, and Corporate Clash was NOT one of the servers that elected to add it back in.)

The last thing you need to do for Tumbles is ride the Trolley.

Once you’ve ridden the Trolley, you can return to Tumbles, who thanks you for all your help and takes your picture.

This unlocks the “Selfie” Profile Pose.

Tumbles thanks you for your help, and lets you know that he’s going to head out to check out the other parts of town.

“If you see me around, don’t hesitate to say hello!”

Aside from the Profile Pose, you also get 238 Toon XP and 30 Jellybeans.

Tumbles will also disappear from Toontown Central Playground, and will now appear in the next neighborhood’s Playground, allowing you to complete the next Sidetask in the chain as soon as you progress the story to that point. Tumbles’ sidetasks have to be completed in order. He’s also a personal favorite of mine.

Bugged Out Bughunter

This is a Special Event Task that can ONLY be completed while the game is in beta. It’s represented by a Pink Scroll in your Shtickerbook.

Bay T. Tester can currently be found hanging out between the Wacky Way Tunnel and Restoration Station.

His issue is as follows: He’s deathly afraid of bugs.

And in Toontown Central, there are butterflies fluttering around all over the place.

He used to have a special bug suit he could wear to protect himself from the bugs, but he lost it.

How did he lose it?

He stumbled down a street while dodging butterflies, and ran face-first into a Cog.

The Cog stole his suit, and now he’s trapped in the Playground, with butterflies blocking his every escape route.

If he had his bug suit, he could flee back to his estate. So if you get it back for him, he’ll give you a snazzy outfit he was working on.

You need to recover 5 “Bug Suit Parts” from the Cogs in Toontown Central.

Once you return the Bug Suit Parts to him, Bay reveals that he now has another problem.

He peeked down a tunnel that leads to one of the streets and saw a Flunky.

Its glasses make its eyes look JUST like the eyes of a bug to him, and thus he needs you to go out and destroy 5 Flunkies in Toontown Central so he’ll feel safe.

After defeating the Flunkies and reporting back to him, Bay T. Tester thanks you for your help, and explains that he can head back to his estate now that he has his suit back.

He’ll give you your reward, but first: He needs you to clear out the Cogs on the Streets so he can make it home safely.

After you’ve defeated 10 Cogs and reported back to him, Bay thanks you for all your help, and gives you the Beta Toon Shirt, Beta Toon Shorts, and Beta Toon Skirt.

Now he just has to figure out how to get around those butterflies, and then he’ll be able to go home.

Unlike Tumbles, he does not leave the Playground after you complete his task.

I’m guessing it’ll take him until the Beta Testing is done for him to figure out he can just teleport back to his estate with a portable hole.

There are three more Tasks, but in the name of keeping this at a manageable level, I’m going to save those for later.

See you next time, when we cover the Sidetasks you can pick up from the Streets of Toontown Central.

-

Travis... why...

Also death is a fair consequence for destruction of library property. Ask anyone about the Library of Alexandria.

[creations-by-chaosfay]

Spent 24 hours wearing my brace, then 18 hours, and now zero hours. Also applying the PT techniques I was taught. I have nearly full range of motion, but still feel like I have too tight rubber bands when I wiggle my fingers, most especially when I bend my hand forward. I think a couple more days will be necessary before I get back to doing...anything.

Remember, if you don't schedule maintenance for your body, it will schedule it for you. Just like machinery.

Needless to say, I. Am. Bored. I canolay any PC games because neither of my hands can currently use the mouse. I use the mouse with my left hand because my right wrist will lock and I have to use my other hand to get it working again. It's painful. Why does it lock up? It started after I had surgery, and I've seen two doctors about it. Neither of them can figure out why, so I just switched it over. PC games that off full controller use is vital. Currently, what I want to play (Anno 1800) does not have this function. I'm dealing with a weird bug in Dragon Age Inquisition that's making the giants not die, and I play on my XBox. In the nearly 10 years I've been playing, I have never experienced this. It's extremely frustrating.

Obviously no sewing or quilting right now, just loads of boredom. I'm gonna see about playing DA Origins again. Or practice world domination with Civilization VI. I would love to play Baldur's Gate, but I need to dissect my PC and put in a new graphics card. I have neither the skill, money, or confidence to do that. LOL

I really wanna play it on XBox, but it requires an XBox Series X. I could pre-order the XBox version and have it collect dust while I dream of purchasing a new console, but I need to be an adult and practice impulse control. We have medical bills (nearly $4k) a Care Credit/vet bill ($1200), and the new water heater that need paying off first ($2500). A new console would have to be a gift. Series X only because Series S has no disc drive.

Am I grumpy? Absolutely! My ADHD med is preventing me from losing my mind though. When folks with ADHD get too bored, we fall into an extremely depressive state. It may sound absurd, but our brain becomes very under-stimulated. This is dangerous. This is when things get really bad and hospitalization or getting put a psych ward can happen. Meds help keep my brain stimulated enough to not get that bad. I have been there and it was terrifying and dark.

Hence why I have multiple hobbies. I would be painting, but all my watercolors were trashed five years ago due to solidifying in their tubes. I couldn't cut them open go access and moisten the paint. The good paints are $$$ and I refuse to use the student/child grade watercolors because they look so horrible (like colored sand in water). If anyone wants to make me cry with joy, I have paints on my wishlist. I have plenty of paper, brushes, and space, just missing paint.

I hope y'all have had a good weekend and a good start to your week.

[paologallery23]

Why Choose Polo Gallery for Exquisite Replica Paintings

When it comes to acquiring exquisite replica paintings, selecting the right gallery is crucial to ensure that you receive both quality and authenticity. Polo Gallery stands out as a top destination for handcrafted replica paintings, offering art enthusiasts the opportunity to own stunning reproductions of timeless masterpieces. In this article, we will explore why Polo Gallery is the perfect choice for purchasing high-quality replica paintings.

Unmatched Quality and Craftsmanship

At Polo Gallery, the commitment to craftsmanship is evident in every replica painting they offer. Each piece is carefully recreated by skilled artists who use traditional techniques and high-quality materials to replicate the original artworks with incredible precision. Whether it’s a famous Renaissance painting or a modern masterpiece, Polo Gallery ensures that every detail is faithfully reproduced, capturing the essence of the original work.

Unlike mass-produced prints, Polo Gallery’s replica paintings are handcrafted, meaning that you are getting a unique piece that reflects the artist’s expertise and dedication. This meticulous attention to detail ensures that each replica looks as close to the original as possible, offering art lovers the opportunity to own a true work of art at a fraction of the cost.

Wide Selection of Replica Paintings

Polo Gallery offers an extensive range of replica paintings, catering to various tastes and styles. Whether you’re a fan of classic European art, impressionism, or modern abstract pieces, the gallery has something for everyone. The selection includes works by some of history’s most renowned artists, such as Leonardo da Vinci, Vincent van Gogh, Claude Monet, and many more.

This wide selection allows collectors to build a diverse art collection, encompassing a range of styles and periods. Polo Gallery’s diverse inventory ensures that you can find the perfect piece to complement your space, whether you’re looking for a bold, large-scale masterpiece or a delicate, intimate painting.

Customization Options for Replica Paintings

One of the standout features of Polo Gallery is their ability to offer customization options for handcrafted replica paintings. While the gallery’s collection includes various sizes and styles, you can also request customizations to suit your preferences. Whether it’s altering the dimensions, framing the painting in a specific style, or making minor adjustments to the color palette, Polo Gallery works closely with clients to create the perfect replica painting for their needs.

This level of personalization makes Polo Gallery an ideal choice for collectors who want a truly unique piece that reflects their individual taste and fits seamlessly into their home or office.

Affordable Art with High-Value Appeal

Replica paintings from Polo Gallery are designed to offer the aesthetic appeal of original artworks at an affordable price. Collecting rare and expensive originals may be out of reach for many, but handcrafted replica paintings allow art lovers to enjoy the beauty of iconic masterpieces without the hefty price tag. Polo Gallery offers competitive pricing, ensuring that their customers can access premium quality replicas without straining their budget.

By offering affordable art, Polo Gallery makes it possible for everyone to create a sophisticated and meaningful collection, whether you’re a seasoned art collector or a newcomer just starting out.

Excellent Customer Service and Expert Advice

Polo Gallery prides itself on providing exceptional customer service to every client. The gallery’s knowledgeable staff is always available to offer expert advice, help you choose the right piece for your collection, and answer any questions you may have about the replication process. Whether you’re looking for guidance on which painting best suits your aesthetic or need assistance with framing options, Polo Gallery’s team is ready to assist you every step of the way.

Additionally, Polo Gallery ensures that all replica paintings are carefully packaged and delivered to your door with the utmost care, so you can rest assured that your new artwork will arrive in pristine condition.

Trust and Reputation in the Art World

Polo Gallery has built a strong reputation for delivering high-quality replica paintings to art collectors around the world. With years of experience in the art industry, the gallery is trusted by collectors for its dedication to excellence and its commitment to offering only the finest handcrafted replica paintings.

The gallery’s reputation is further bolstered by positive reviews and testimonials from satisfied clients who praise the authenticity, quality, and beauty of the artwork they receive. Polo Gallery’s long-standing presence in the art community speaks volumes about their reliability and expertise in the field.

Conclusion

Choosing Polo Gallery for your replica paintings ensures that you are investing in exceptional quality, craftsmanship, and service. With a wide range of stunning, handcrafted replicas, customization options, and affordable pricing, Polo Gallery provides everything you need to enhance your art collection with exquisite paintings. Whether you’re looking for a timeless classic or a modern masterpiece, Polo Gallery’s dedication to excellence makes it the perfect place to find the replica painting that will bring your collection to life.

[absolutelandscapeturfmd]

Custom Deck Installation in Carroll County, Ellicott City, Eldersburg, Mt. Airy, Howard County, and Olney, MD for Small Yards 

Homeowners with a small yard in Ellicott City often feel like there are limited opportunities for outdoor living. That is not true. With the right design and creativity, property owners with small spaces can turn their compact outdoor spaces into functional and beautiful retreats. One of the best ways to enhance the small yard is by installing a custom deck that maximizes the available space. Here's how one can make the most out of a small yard by custom deck installation in Carroll County, Ellicott City, Eldersburg, Mt. Airy, Howard County, and Olney, MD, that transforms the outdoor living area.

Understand the Space and its Potential

Before one begins any design, it's essential to assess the size and layout of the yard. Small yards in Ellicott City may have irregular shapes, sloped terrain, or specific features like trees or garden beds that can influence the deck design. Property owners need to consider the space's flow and how they intend to use it. Do they want to create an outdoor dining area, a lounge space, or a multi-functional area that combines both? Identifying the deck's purpose will guide the design choices, ensuring that every inch is used effectively.

Go for a Multi-Level Deck Design

One of the best ways to maximize space in small yards is through a multi-level deck design. This type of deck allows one to create different zones within the same space, making it feel larger while adding functionality. For example, homeowners can have a raised platform for dining and a lower level for lounging or a garden nook. Multi-level decks can also help one address the varying elevations of the yard, creating a natural flow between different areas without overcrowding.

Incorporate Built-In Furniture

To save space and make the small deck more functional, it is better to incorporate built-in furniture. Custom benches, storage units, and even built-in planters can provide seating and storage without taking up valuable floor space. This is especially useful for small yards where outdoor furniture might otherwise overcrowd the area. Custom furniture can also be designed to match the deck's style, creating a seamless and cohesive look.

Consider Vertical Elements

Incorporating vertical elements into the deck design is a great way to maximize space and add a unique flair to one's small yard. Vertical planters, trellises, and wall-mounted shelves can make the deck feel more like an outdoor living room. Homeowners can grow climbing plants or flowers to add greenery and privacy while using wall-mounted shelves to store or display decorative items. These elements help to draw the eye upward, creating the illusion of more space while enhancing the deck's aesthetic appeal.

Utilize Light and Color to Create the Illusion of Space

Light and color are crucial in how the small yard and deck feel. Choose light colors for the deck surface and walls, as these hues can make a space appear larger and brighter. Soft whites, light grays, or muted pastels can open up the outdoor living area. Additionally, installing integrated lighting or string lights around the deck can help create an inviting ambiance while making the space feel larger at night.

Keep the Design Simple and Uncluttered

It's crucial to keep the design simple and uncluttered when working with a small space. Avoid overdecorating or cramming too many elements into the deck. Focus on functional pieces and use smart design techniques to create a clean, organized, and serene environment. Minimalism can make the deck feel more spacious and relaxing. Select key accessories, such as throw pillows or outdoor rugs, to add personality without overwhelming the space.

Integrate Landscaping Features

A small deck doesn't have to be isolated from the rest of the yard. With help from a landscape designer in Westminster, Woodbine, Howard County, Ellicott City, Clarksville, and Dayton, MD, incorporating landscaping elements such as garden beds, shrubbery, or water features around the deck can help blend the deck with the outdoor environment. Adding flowers or plants to the edges of the deck can make the space feel more expansive, as they create a natural boundary while enhancing the overall aesthetics of the outdoor area.

Designing a custom deck for a small yard in Ellicott City is all about making intelligent, creative choices that maximize every inch of space. By focusing on multi-level designs, built-in features, vertical elements, and smart furniture, one can transform even the smallest outdoor area into a beautiful, functional space that enhances one's quality of life.

[jakedailyart]

What is Good Art? A Journey Through the Meaning and Value of Artistic Expression

The question "What is good art?" is both simple and profoundly complex. It has been debated by artists, critics, philosophers, and everyday people for centuries. What makes a painting, a sculpture, a piece of music, or a performance "good"? Is it the technical skill of the artist, the emotional response it evokes, its social impact, or something else entirely?

To truly delve into the question of what constitutes good art, we need to explore art’s role in society, the evolution of artistic movements, the subjective nature of artistic interpretation, and the balance between technical mastery and emotional depth. This exploration allows us to grasp not only the essence of art but also the ways in which we can approach the subjective yet universal standards by which art is judged.

Art as Communication: A Universal Language

Art is often seen as a form of communication, a universal language that transcends words and cultural boundaries. In its most basic form, art expresses something that the artist wishes to convey—be it a thought, a feeling, an experience, or a social commentary. This is why a piece of art that resonates emotionally can be considered "good" by many; it connects the artist and the viewer on a deeper level, making the personal universal.

Consider the works of Vincent van Gogh. His paintings were not technically perfect by classical standards, but they are widely regarded as masterpieces. Why? Because they communicate intense emotion, they evoke a sense of wonder, melancholy, or joy that transcends the technical imperfections of his brushstrokes. The swirling skies of "Starry Night" or the quiet sadness in "The Bedroom" allow the viewer to connect with Van Gogh’s inner turmoil and passion. His art was not just about the world he saw, but how he felt the world.

Art that communicates something meaningful, art that moves us, can often be considered "good," even if it breaks traditional rules or conventions. However, this raises the question: is the communication of emotion or an idea enough to make art good? Or is there more to it?

The Role of Technique: Mastery Versus Intuition

One could argue that good art is the product of technical skill. Throughout history, many have considered mastery of a medium to be a defining feature of great art. The Renaissance is often held as the pinnacle of this philosophy, where artists like Leonardo da Vinci and Michelangelo were celebrated for their meticulous attention to detail, their understanding of anatomy, and their ability to create lifelike representations of the human form.

In the Renaissance, an artist’s technical skill was seen as paramount. The ability to replicate reality with precision was a testament to the artist's genius. Michelangelo's "David" stands as a towering example of this; the sculpture is not only aesthetically stunning but also demonstrates an unparalleled mastery of form and proportion. In this context, "good art" was often synonymous with technical virtuosity.

Yet, as art movements evolved, so too did the understanding of what constituted good art. The Impressionists, for example, challenged the notion that art had to be technically perfect or realistic. Claude Monet’s paintings often sacrificed detail for atmosphere, using loose brushstrokes to evoke light, color, and mood rather than replicating the world with photographic accuracy. Critics of his time dismissed Impressionism as sloppy and incomplete, yet today, Monet's work is celebrated precisely for its emotional resonance and innovative techniques.

This shift away from technical mastery as the primary measure of good art raises an important point: while technique is essential, it is not the sole criterion for evaluating art. Some of the most emotionally impactful works, such as Picasso’s "Guernica," are powerful not because they conform to traditional standards of technical beauty, but because they convey a message that resonates on a deep, universal level.

Subjectivity in Art: Personal Taste and Cultural Context

One of the most fascinating aspects of art is that its meaning and value often lie in the eyes of the beholder. What one person considers to be a masterpiece, another may dismiss as trivial or offensive. This subjectivity makes it difficult to define good art universally. Is "good" art merely a reflection of personal taste?

Art is deeply intertwined with the cultural, historical, and personal contexts of both the artist and the viewer. Take, for instance, Jackson Pollock’s abstract expressionism. For some, his splattered paint canvases represent the height of emotional expression and artistic freedom; for others, they seem like random, meaningless chaos. This division illustrates the idea that what makes art "good" is often dependent on the context in which it is created and consumed.

Pollock’s work emerged in post-World War II America, a time of great social and psychological upheaval. His chaotic, action-based painting style reflected a desire to break free from traditional structures and constraints, mirroring the wider cultural movements of the time. In this sense, his art is "good" because it captures the spirit of its era. However, viewed outside of that context, the same work may not have the same impact.

The subjective nature of art is further complicated by trends and evolving cultural tastes. What was once considered good art can fall out of favor, and what was once dismissed as bad art can later be hailed as visionary. The Impressionists, who were once derided by critics, eventually became some of the most celebrated artists in history. Similarly, avant-garde movements like Dadaism, which sought to challenge the very definition of art, were initially ridiculed but later became critical in the development of contemporary art.

The Emotional Impact of Art: Moving the Viewer

Beyond technical skill and personal taste, one of the most significant factors in determining whether art is "good" is its emotional impact. Art has the power to move people, to evoke feelings of joy, sorrow, wonder, or contemplation. This emotional resonance is often what separates good art from merely competent art.

Consider Edvard Munch’s "The Scream," an iconic painting that captures a moment of existential dread. The distorted figure, the swirling colors, and the anguished expression combine to create a visceral emotional response in the viewer. Munch’s technical execution may not be as precise as a Renaissance master, but the painting’s ability to evoke such powerful emotion makes it an enduring piece of good art.

In this sense, good art doesn't just appeal to the mind but also to the heart. It creates an emotional connection between the artwork and the viewer, leaving a lasting impression. Art that moves us, that makes us feel something profound, can often be considered good, regardless of whether it fits neatly into traditional aesthetic categories.

Art as a Reflection of Society: The Role of Social Commentary

Another criterion for what makes art "good" is its ability to serve as a reflection of society and its values. Throughout history, many of the most celebrated works of art have not only been aesthetically pleasing or emotionally moving but also socially significant. They offer commentary on the political, economic, and cultural issues of their time.

Diego Rivera’s murals, for instance, are considered masterpieces not only because of their bold colors and monumental scale but also because they reflect the struggles and aspirations of the Mexican people. Similarly, Banksy’s street art is often praised for its clever social critique, using public spaces to comment on consumerism, war, and inequality. These works are not just visually striking; they provoke thought and challenge the status quo, making them good art in a broader, societal sense.

Art that engages with social issues has the potential to inspire change, to challenge perceptions, and to give voice to marginalized communities. In this way, good art can be a tool for activism, helping to shape and reflect the culture in which it is created.

The Evolution of "Good" Art: From Traditional to Contemporary

The definition of good art has evolved over time, influenced by changes in society, technology, and artistic movements. In ancient times, good art was often defined by its religious or ceremonial function, as seen in the intricate carvings of ancient Egypt or the grandiose frescoes of the Sistine Chapel.

During the Enlightenment, art became more focused on reason, beauty, and symmetry, as exemplified by the neoclassical movement. In the 19th century, Romanticism shifted the focus to emotion and the sublime, while modernism in the 20th century challenged all previously established norms, embracing abstraction, surrealism, and even anti-art movements like Dadaism.

Today, the boundaries of what can be considered good art have expanded even further. Contemporary art often challenges traditional notions of form, beauty, and function. Installations, performance art, digital art, and conceptual art push the limits of what art can be. In this context, "good" art may not necessarily be something that is beautiful or technically proficient; instead, it could be something that provokes thought, challenges the viewer, or breaks new ground.

Conclusion: The Inherent Subjectivity of "Good" Art

In the end, the question of what is good art may not have a definitive answer, and perhaps that is part of the beauty of art itself. It is an inherently subjective and evolving concept, influenced by individual tastes, cultural context, emotional resonance, technical skill, and societal impact.

Good art, then, may be seen as art that successfully communicates—whether through emotion, beauty, social commentary, or technical mastery. It is art that resonates with the viewer, creating a connection that transcends the surface and reaches into something deeper. As society and culture continue to evolve, so too will our understanding of what constitutes good art, ensuring that the debate remains as vibrant and dynamic as art itself.

[skullhub]

MUSE PROFILE: Rook Blonko

Name: Rook Blonko

Age: 19

Pronouns: He/Him

Height: 6'2"

General Alignment: Lawful Good

General personality: Stoic, Stickler for the rules, Blunt, Extremely formal, Open-minded, Culturally behind.

Family: Rook Da (Father), Rook Bralla (Mother), Rook Shar (Younger sister), Rook Shim (Younger sister), Rook Shi (Younger sister), Rook Ben (Younger brother)

Home: Revonnah (Former home), Plumber's headquarters (Current home)

Backstory: Rook Blonko had grown up on his home planet of Revonnah where in between working on his parent's farm he studied the fighting-art of Revonnah Kai, having studied it for years with one of the masters before he set off to join the plumbers academy. He took his studies very seriously while the academy was still in tact, and despite having had his nose in the books most of the time (including during his off-time), Rook did manage to make a couple of friends who he developed new fighting-techniques with. At some point in the middle of his final semester of the Plumber's academy, the Vreedle brothers had blown up the school leading to Rook having to take his final exam inside a trailer stationed on a stray asteroid. Despite how bent out of shape Rook was about the whole incident, the Revonnahgander managed to pass his final exam with flying colors. Making him qualified enough to be sent off on off-world assignments, his first major assignment given to him being Magister Max's own grandkid; Ben Tennyson.

He has accompanied Ben throughout his adventures while also doing odd jobs in between keeping an eye on his new partner. Always making sure that he never forgot his primary objective of aiding in the protection of the earth and the milky way galaxy.

Extra Info: Rook still holds a grudge against the Vreedle brothers after they blew up the plumber academy, he most likely will not get over this grudge in the foreseeable future.

Rook possesses a vast mental library of scientific and technological knowledge from across the galaxies, along with a little magic knowledge (granted he doesn't know that much about magic as he does the mechanics of certain alien technologies.)

Blonko is excellent at mechanical engineer and has frequently modified his own technology to work better for his fighting style, able to create machinery on the fly when given the right tools/parts.

Rook is really good at soccer and he used to play it back at the Plumbers Academy, it soon became his favorite sport after a long time of playing the game with others.

Rook has a multitude of drivers licenses which are all for being legally able to drive across certain planets/galaxies. (It took him longer to get his earth driver's license than the rest of his licenses.)

Rook's usual choices of food are very healthy (due to him needing to keep in shape for his job), however he will occasionally get himself a meatball sub as a treat.

Rook cannot use contractions as it is considered rude and uncouth in Revonnahgander culture. (If I ever forget this detail, please correct me.)

[blartistry]

CREATIVITY TAKES COURAGEScreativity takes courages most amazing arts in usa defines that arts are such a vast and fascinating realm of human expression there visual art like painting and sculpture performing arts such as theater and dance literature including poetry and prose music in all its forms and even newer digital arts like video games and digital animation painting is a beautiful and diverse form of visual art that spans centuries and cultures it encompasses a wide range of techniques styles and subjects allowing artists to express their creativity and emotions through colors shapes and textures on canvas or other surfaces from the realism of renaissance masters like leonardo da vinci and michelangelo to the abstract expressionism of artists like jackson pollock and mark rothko painting has evolved and diversified over time each movement and tist brings a unique perspective and approach to the canvas influencing the course of art history contemporary painters continue to explore new techniques and ideas pushing the boundaries of traditional painting and experimenting with mixed media digital tools and conceptual art whether its capturing the beauty of nature exploring the depths of human emotions or challenging societal norms painting remains a powerful means of communication and reflection painting is a wonderful creative outlet heres a basic tutorial to get you started materials needed canvas or paper choose a canvas or heavy paper suitable for your chosen paint medium paint acrylic oil watercolor or whichever medium you prefer brushes different sizes and shapes for various techniques palette to mix and blend your colors easel optional but helpful for positioning your canvas water for watercolors or medium for acrylicsoils for thinning and cleaning your brushes steps to paint plan your painting decide what you want to paint it could be a landscape portrait abstract etc sketch a basic outline lightly on your canvas to guide your painting prepare your workspace lay out your materials and ensure good lighting mix your colors if using acrylics or oils squeeze out primary colors and mix on your palette to create secondary colors and shades apply your background start with a light wash or background color that complements your subject build layers work from background to foreground let each layer dry before adding another especially with acrylics or oils detailing use smaller brushes for details and finer lines texture and effects experiment with techniques like dry brushing stippling or using palette knives for texture final touches step back occasionally to see how your painting is coming together make any final adjustments or highlights let it dry allow your painting to dry completely before varnishing or framing if applicable tips practice painting improves with practice so dont be afraid to experiment learn from others watch tutorials join a class or study paintings you admire have fun enjoy the process and dont worry about mistakesthey can often be turned into something beautiful conclusion painting is a journey of self-expression and creativity the more you practice and explore different techniques the more youll develop your own unique style dont hesitate to start with simple projects and gradually challenge

[josep2024]

Leonardo da Vinci: The Quintessential Renaissance Man

Leonardo da Vinci (1452–1519) is often regarded as the quintessential Renaissance man, epitomizing the era’s spirit of inquiry and humanism. His contributions to art, science, engineering, and anatomy have left an indelible mark on human history.

Early Life and Education

Born on April 15, 1452, in the small town of Vinci, Italy, Leonardo was the illegitimate son of a notary, Ser Piero, and a peasant woman, Caterina. Despite his illegitimacy, Leonardo received an informal education in Latin, geometry, and mathematics. His artistic talents were apparent from a young age, leading him to apprentice with the renowned artist Andrea del Verrocchio in Florence.

Artistic Mastery

Leonardo’s artistic career is distinguished by masterpieces that have become cultural icons. His most famous painting, the Mona Lisa, is renowned for its enigmatic smile and exquisite detail. The Last Supper, another seminal work, captures the moment Jesus announces that one of his disciples will betray him, showcasing Leonardo’s mastery of composition and human emotion.

Scientific and Engineering Prowess

Leonardo's notebooks reveal his insatiable curiosity and innovative thinking. He sketched designs for flying machines, armored vehicles, and various engineering marvels far ahead of his time. His studies in anatomy, conducted through meticulous dissections of human bodies, provided insights that were unparalleled at the time. These anatomical drawings are not only scientifically accurate but also artistically beautiful.

Contributions to Science and Anatomy

Leonardo’s approach to science was observational and empirical. His studies of the human body, plants, water, and even air were groundbreaking. He meticulously recorded his observations, often in mirror writing, a technique that has puzzled historians for centuries. His anatomical drawings, such as the Vitruvian Man, illustrate the ideal human proportions and reflect his belief in the interconnectedness of art and science.

Legacy

Leonardo da Vinci's legacy is multifaceted. As an artist, his techniques in chiaroscuro (the use of light and shadow) and sfumato (the technique of blending colors and tones) influenced countless artists. As a scientist and engineer, his inventive ideas laid the groundwork for future innovations. His notebooks, filled with sketches and writings, continue to inspire and educate.

In a world that often compartmentalizes disciplines, Leonardo da Vinci exemplifies the power of interdisciplinary thinking. His life and work remind us of the boundless potential of human creativity and the importance of remaining curious about the world around us.

Conclusion

Leonardo da Vinci remains a towering figure in history, a symbol of the Renaissance ideal that celebrates the fusion of art, science, and the endless pursuit of knowledge. His contributions continue to resonate, affirming his place as one of the most influential figures in Western culture.

Boost Your Business with Expert Freelancers

Struggling to find the right talent for your project? Look no further! Fiverr connects you with skilled freelancers ready to bring your vision to life. Whether you need a designer, writer, developer, or marketer, you’ll find the perfect match here.

👉 https://bit.ly/3v1NV1f

By using this link, you support my work at no extra cost to you. I may earn a commission from your sign-up.

[northcourtfamilydentistry]

Bridging the Gap: Exploring the Evolution of Cosmetic Dentistry

In the pursuit of beauty, humanity has explored countless avenues, and one that's particularly intriguing is the evolution of cosmetic dentistry. Our smiles are often considered one of our most significant assets, influencing first impressions and self-confidence. But how did the quest for the perfect smile begin, and how has it evolved over time? Join us as we embark on a journey through the annals of dental history to uncover the fascinating evolution of cosmetic dentistry.

Exploring Ancient Beginnings

The desire for aesthetically pleasing teeth isn't a recent phenomenon. Ancient civilizations, including the Egyptians, Greeks, and Romans, all had rudimentary forms of dental care aimed at enhancing the appearance of teeth. Archaeological findings reveal that these early cultures used materials such as gold, ivory, and bone to fashion dental prosthetics and fillings. However, these practices were often reserved for the elite and were more about displaying wealth and status than improving oral health.

The Renaissance of Dentistry

Fast forward to the Renaissance era, and we witness a resurgence of interest in dental aesthetics. Advances in science and art led to the development of more sophisticated dental techniques and materials. Renowned artists like Leonardo da Vinci and Albrecht Dürer even contributed to the field by studying dental anatomy and incorporating their findings into their works.

The Birth of Modern Cosmetic Dentistry

The true birth of modern cosmetic dentistry can be traced back to the late 19th and early 20th centuries. Innovations such as porcelain veneers, tooth-colored fillings, and dental implants revolutionized the field, making it more accessible to the general public. Additionally, the establishment of dental schools and professional organizations further propelled the growth of cosmetic dentistry as a recognized specialty.

Advancements in Technology

The latter half of the 20th century brought about a seismic shift in cosmetic dentistry with the advent of digital technology. Tools such as CAD/CAM systems and 3D imaging revolutionized treatment planning and allowed for more precise and predictable outcomes. Furthermore, materials science saw significant advancements, with the introduction of stronger, more lifelike materials like ceramic and composite resins.

The Art and Science of Smile Design

In modern cosmetic dentistry, achieving the perfect smile is as much about artistry as it is about science. Dentists now take into account factors such as facial symmetry, lip dynamics, and individual personality when designing smiles. This holistic approach ensures that each patient receives a customized treatment plan tailored to their unique needs and desires.

Beyond Aesthetics

While the primary focus of cosmetic dentistry may be enhancing the appearance of teeth, its impact often extends far beyond mere aesthetics. Studies have shown that a beautiful smile can boost self-esteem, improve social interactions, and even enhance career prospects. Additionally, many cosmetic procedures also serve functional purposes, such as restoring damaged teeth or correcting bite alignment issues.

Looking to the Future

As we look to the future, the possibilities in cosmetic dentistry seem limitless. Advances in regenerative medicine and tissue engineering hold the promise of regenerating damaged dental tissues, while nanotechnology may pave the way for even stronger and more durable dental materials. Furthermore, the growing trend of minimally invasive techniques ensures that patients can achieve stunning results with minimal discomfort and downtime.

From ancient civilizations to modern-day innovations, the evolution of cosmetic dentistry is a testament to humanity's relentless pursuit of beauty and perfection. What began as simple adornments for the elite has evolved into a sophisticated blend of art and science, transforming smiles and lives alike. As we continue to push the boundaries of what's possible, one thing remains constant – the power of a confident, radiant smile to light up the world.

[varshaconstruction]

PAINTING SERVICE IN AYAPAKKAM-1

https://www.varshagroups.com/painting-service-in-ayapakkam-1/

Painting Service in Ayapakkam Welcome to Varsha Construction Founded in 2002 by Managing director Jai Prakash. We have been in this field for almost 20 years.We are a design-oriented company specialized in CCTV installation and landscaping work contracting for your outdoor spaces. We are also efficient in many other fields like Floor and Wall tiling, Plumbing, Sanitary and Carpentry contracting.

We have a team that is young and dynamic with seasoned experience in the landscaping and garden designing sector. We aim to provide our clients with utmost satisfaction whether be it in the quality of materials used or the timeline for project completion.We also provide an ongoing maintenance service to keep your landscape and pool clean, healthy, tested and adjusted to give you year round peace of mind. Our passion and commitment towards customer service is our core brand value.

We have made it an essential company culture to put the interests of our customers first. Our professional, knowledgeable and highly experienced staff are ready and waiting to answer any of your questions. We can help you find the right materials for the job, and at the right price. Every member of our team is friendly and passionate about what they do, and we aim to make buying your building supplies from us as hassle-free as possible.

We are a very versatile building material supplier as we can provide a range of materials for large scale or small scale building projects. Therefore, whatever your project and whatever it is that needs doing, you can be certain that our team can supply you with all the building materials you need to complete the job in time. Our products are always in superb condition and you will never have to worry about being sold defective materials.

Certainly! Painting is a visual art form that involves applying pigments, colors, and other mediums onto a surface, typically canvas, paper, wood, or a wall, to create a two-dimensional representation or artwork. Paintings can be created using various techniques and styles, and they serve as a means of artistic expression, communication, and storytelling.

Here are some key points about painting:

Materials: Painters use various materials, including paintbrushes, palette knives, and even their fingers to apply paint to a surface. The primary medium is paint, which can be oil-based, watercolor, acrylic, gouache, or other types, each with its unique properties and techniques. Techniques: Different techniques are used in painting, such as blending, layering, impasto (thickly textured paint), glazing (applying transparent layers), and more. These techniques can create different visual effects and textures in the artwork.

Styles: There are numerous painting styles, each characterized by its own approach to composition, color, and form. Some famous painting styles include realism, impressionism, abstract, surrealism, and cubism, among others.

Genres: Paintings can belong to various genres, such as portraiture (depicting people), landscape (depicting scenery), still life (depicting inanimate objects), and abstract (non-representational or non-objective art).

Famous Painters: Throughout history, many renowned painters have left a significant mark on the art world. Some of the most famous painters include Leonardo da Vinci, Vincent van Gogh, Pablo Picasso, Michelangelo, and many others.

Art Movements: Different art movements have shaped the course of painting over time. These movements, such as the Renaissance, Baroque, Romanticism, and Modernism, have introduced new ideas, techniques, and styles to the world of art.

Contemporary Painting: In contemporary art, artists continue to experiment with new materials and techniques, pushing the boundaries of traditional painting. Digital painting has also become increasingly popular with the advent of digital tools and software.

Expression and Meaning: Paintings can convey a wide range of emotions, stories, and messages. Artists often use color, composition, and symbolism to communicate their ideas and feelings to the viewer.

Appreciation and Collecting: Paintings are not only created for artistic expression but are also collected and appreciated by art enthusiasts and collectors. Some paintings have become valuable works of art and are displayed in museums and galleries worldwide.

Painting is a diverse and versatile form of artistic expression that continues to evolve with time, reflecting the ever-changing world and the creative vision of artists. Whether you’re an artist, art enthusiast, or simply someone who appreciates visual beauty, painting offers a rich and fascinating world to explore.

[graphcoalportrait]

The Artistry Behind Portrait Painting: Capturing the Soul on Canvas

Introduction

In the vast and diverse world of art, portrait painting stands as a timeless and revered genre. Portrait artists, with their exceptional talent and creativity, have the unique ability to capture the essence of a person's character, emotions, and identity on canvas. This blog delves into the captivating world of portrait artistry, exploring the techniques, history, and significance of this fascinating medium.

The History of Portrait Painting

Portrait painting has a rich history dating back to ancient civilizations, but it gained significant prominence during the Renaissance era in Europe. Artists like Leonardo da Vinci, Rembrandt, and Johannes Vermeer immortalized their subjects with meticulous attention to detail, bringing forth an era of realistic and emotionally charged portraiture. Over the centuries, portrait painting evolved, adopting various styles, from the grandeur of formal portraits to the spontaneity of impressionism and the raw emotion of expressionism.

The Role of a Portrait Artist

A portrait artist's primary role is to capture the unique essence of their subject, whether it be a person, animal, or even an object. This entails not only a keen eye for detail but also a deep understanding of human psychology and emotion. Portrait artists must establish a connection with their subjects to bring out genuine expressions and emotions, which are then translated onto the canvas.

Techniques and Styles

Portrait artists employ a wide range of techniques and styles to achieve their artistic vision. Some may opt for classical realism, using meticulous brushwork and attention to detail to create lifelike representations. Others may embrace a more abstract or impressionistic approach, focusing on capturing the essence of their subjects through color, light, and brushwork. Watercolor, oil, acrylic, and charcoal are just a few of the mediums portrait artists may choose to work with, each offering its unique challenges and opportunities.

The Importance of Lighting

One of the key elements in portrait painting is lighting. Lighting can dramatically affect the mood and atmosphere of a portrait. Artists often use natural light, studio lighting, or dramatic chiaroscuro lighting to create depth, highlight features, and convey emotion. The interplay of light and shadow can enhance the three-dimensionality of the subject and create a sense of volume.

The Evolution of Portraiture in the Digital Age

With the advent of digital technology, portrait artistry has taken on new dimensions. Digital artists use tablets and software to create stunning, hyper-realistic portraits, often blurring the line between traditional and digital art. The digital medium offers convenience and versatility, allowing artists to experiment with various styles and techniques without the need for physical materials.

The Emotional Impact of Portrait Art

A well-executed portrait possesses the power to evoke a wide range of emotions in viewers. Whether it's the solemn expression of a historical figure, the joyous laughter of a child, or the pensive gaze of a model, portraits can resonate with people on a deeply emotional level. They serve as visual reminders of the human experience, preserving moments and personalities for generations to come.

Conclusion Portrait artistry is a timeless and revered form of artistic expression. Portrait artists play a crucial role in capturing the essence of individuals and subjects, providing us with a window into their souls. With a rich history, diverse techniques, and the evolving landscape of digital art, portrait painting continues to thrive as a medium that speaks to the human condition and the intricacies of our existence. Through the skill and creativity of portrait artists, we are able to cherish and celebrate the beauty, diversity, and complexity of the world around us.