#need to just talk about it and I can't really do it with anyone here

[dreamsteddie]

There is an AITA out there that I can't find but it's been haunting me for weeks with visions of semi-angsty Steddie that I need to release onto the world. (If anyone happens to know what I'm talking about hit me up and I'll link it)

Edit: @jazzathebunny found the original AITA from Reddit linked Here for anyone who wants to read it. ------

Modern AU, Eddie and the guys are a moderately successful local band in the Chicago area playing gigs on the weekends and doing small tours whenever they all have the time. Gareth and Jeff are both in college while Eddie and Freak are both working part-time at a game store. Eddie managed to lock down that assistant manager position that lets him work 30 hours a week with weekends off for gigs. All in all, it's a pretty sweet deal and they can't complain.

Eddie had sworn off dating after a small handful of disastrous relationship attempts in their first year in the city. He dismisses any advances from people who attend their shows and tries not to think about how much he wants to make a genuine connection with someone and have something real. He's been burned one too many times to try and make something with someone he met in a bar or at work.

He knows the guys talk about it behind his back sometimes, he catches Jeff and Gareth fervently whispering to each other and stopping when they catch him entering the room one time too many to not suspect they're talking about him and he can't think of anything else going on in his life that they would feel the need to whisper about.

The fervent conversations take a slight uptick one day and about a week and a half after they do, Gareth hits him up and tells him he wants to set Eddie up with a guy from one of his classes. At first, Eddie is skeptical and cites all the reasons why he doesn't want to try with anyone right now but eventually, Jeff jumps in to plea the case and Freak jumps in on top of that and under the combined weight of his best friends he agrees to meet up with this Steve guy.

The guys set up the whole thing and before Eddie knows it it's Saturday night and he's wearing his best black jeans and a gray button-down, untucked, to go on an honest to God blind date like his life is some low-budget romcom.

Steve is not at all what Eddie thought he would be. Not the kind of guy he thought his friends would pick out for him given they know he usually goes for other alternatives like himself. Steve, who is shyly waving him over and getting out of his seat to great him, is the very epitome of prep. Well-fitted polo, light blue chinos, and what Eddie assumes this guy thinks are casual loafers. He's handsome to be sure, a 12/10 at least with perfect hair and defined biceps but Eddie is fairly sure he's being punked.

But, Eddie doesn't want to be rude so he goes to meet Steve at the table, confirming just in case that he's actually here to meet with a guy named Eddie. Steve gives him a bit of a confused look, saying that Gareth showed him a couple pictures of Eddie before he agreed to meet and figured he'd done the same for Eddie off Steve's Instagram. Gareth had, in fact, not done anything of the sort but they both dismiss it and get on with their date.

In all honesty, Eddie is expecting it to be a complete wash, but it turns out that even if Steve is not at all what Eddie would have previously said what his type, Steve is damn near perfect. He's funny, kind, a little bitchy, and even though he proves himself to be every bit the sports nerd he looks like he doesn't turn his nose up at Eddie's own much more classically nerdy interests. By the end of the date, Eddie has a new type and that type is Steve Harrington. He's quick to lock down a second date for the next weekend which Steve happily agrees to. They exchange numbers and Steve gives Eddie a chaste kiss on the cheek that has him floating all the way home.

Steve texted him that next morning letting him now he had a great time and is really looking forward to their next date and Eddie thinks this might be the start of something big for him. When he gets to practice he's clearly still floating on cloud nine and in his own little world designing their marriage invitations and matching tombstones so he doesn't notice the sly grins on his bandmates' faces.

"So...how'd it go last night? Everything you dreamed it would be?" Gareth asks, a strange glint in his eyes that Eddie doesn't clock.

Eddie goes on and on about how nice Steve was and how he might be The One, thanking Gareth profusely. Freak looks pleased for him, giving him a hard pat on the shoulder in congratulations but when Eddie finally tunes back into the real world he's greeted by Gareth's livid expression and Jeff's overly concerned one.

He asks the guys what the fuck is up and it turns out that Gareth and Jeff set this whole thing up as a prank of sorts. Eddie was never supposed to hit it off with Steve who Gareth selected specifically because he's a "totally brain-dead prep" and as far away as someone could get from Eddie's previous relationships. He was supposed to be someone Eddie could go on a date with and not form a connection with without getting completely burned at the end like all his previous relationships in the hopes of getting him out of his slump.

Jeff was in on it as well. He wanted to get Eddie back out there, so when Gareth presented the plan he sat in on a couple of Gareth's general credit business class sessions to help pick the guy out.

After Jeff and Gareth finish explaining he does a complete 180 and just...leaves. In any other situation, he would be raging and verbally tearing his friends a new asshole but instead, he completely disengages and walks out the garage door, ignoring his friends' shouts to come back.

He goes back home, socked and hurt and so very confused about how the hell he found himself in this position when his phone lights up.

New Message: Steve H.

Fuck.

-------

Part two coming soon??? Maybe???? We'll see.

[mumblingsage]

I also think it's worth being pedantic about important things...and in that spirit I've spent like an hour writing and deleting various responses to this one (I found myself over-policing my tone and stopped that, so I'll just say right off I have no ill-will toward you and appreciate the contributions, even as I disagree on interpretation in several ways):

First, your tags - "for example a book can really kick off a delusion and set something off that can be traumatic." As I've said in another reblog thread, but it deserves repeating, triggering delusions, compulsions, or PTSD or adjustment disorder symptoms is not the same as causing trauma. We should try to accommodate people with triggers, and much of this accommodation will need to be individualized because the range of potential triggers is vast and often does not include things conventionally recognized as upsetting. I had a loved one make an irreversible error because of a delusion he had that was fueled by the due date on his library card being coincidentally the same as the date of his dentist appointment. That's not a reason for us to have a cultural conversation about the format of due date stickers. Though it could call for a discussion of how we can best support people who are experiencing delusional thinking or psychosis (we are currently doing very badly).

Re: vicarious trauma. Reading the Wikipedia article, I see that the examples given are of real life events reported on in the media, primarily social media and news coverage in the wake of terrorist attacks. I'm not going to get too deep into personal experience here, but let's just say this is not my first time hearing of vicarious trauma, and the important thing is that it is a real response to real harm and disaster. I wouldn't refuse evidence, but have not seen any, that it's caused by 13 Reasons Why or The Bridge to Terebithia or Outlander. (Bellingcat has useful advice for safety and 'metal hygiene' when engaging with firsthand sources of violence. I might use similar techniques when watching clips from a horror movie, but the stakes are not the same. Also, heads up that anyone who clicks through that link will read some text about distressing real-life events.)

"Books can have a significant impact on someone’s mind and outlook and that’s why they want them to be banned." < I agree and I think when people talk about how they don't want kids (or others) to read books about death, violence, sex, etc, they are participating in this. Authoritarians want us to have very particular ideas about these topics and resist any alternative information or thinking about them. When people go around saying "Learning or thinking about something upsetting is the same as being traumatized" they are doing the work of Christofascist Censorship Attempts, and I don't care if it's accidental. We don't need to compromise with them. (I don't have room to open this can of worms fully, but I also think too many people go around saying--for example--"13 Reasons Why traumatized me, I can't believe any library would let a kid read it" and thus send a message to the people around them with real-life experience with suicide, suicidal ideation, etc. that their experiences are unspeakable, untouchable. This social stigma is incredibly harmful.)

"I think it’s more productive to challenge the idea that a book that can potentially cause harm should be banned instead of the idea that books can potentially cause harm." < This is an interesting idea. I love its uncompromising stance. It's one I would adopt if I was convinced books can cause something that deserves to be called "harm" (the two of us may just have different definitions). I definitely believe we all have the God-given right to give ourselves nightmares and anyone trying to 'protect' us from that should be kicked in the fork of the legs.

I'm wondering if, as a society who cares about vulnerable people, we could stop saying "traumatize" when we truly mean "upset"?

I am sick of hearing sad books or movies "traumatize" their readers. I simply do not believe that happens. A traumatic experience might be adjacent to books (I have vivid memories of books I was reading around certain experiences and even how the contents of those books affected my processing of the experiences). But it's not caused by the book. And, y'know. The weather is Christofascist Censorship Attempts outside.

Meanwhile from the other side I continue to be surprised at just how badly people fail to understand trauma and traumatic experiences in general. Watering down the term isn't helping. Find other hyperbole to express that The Bridge to Terebithia gutted you, chewed on your heartstrings, and made you cry your first pair of contact lenses right out of your preteen eyes.

[naomi-nana]

✎ᝰ. in the name of you .

in a world where everyone forgot their own religion, it's not wrong for luka to look at your ethereal self and immediately mistake you for a divine being, no?

featuring : luka

cw : female reader, implied stalking(for just a little), luka is obsessed with reader, luka isn't obsessed with hyuna in here for the sake of the story lol🙇‍♀️

a/n : i made a till one, and now i'll make a luka one! i was trying to make it seems as if luka is obsessed with reader, but i was having a hard time showing it, and ended up making it seems like luka had become a better person after meeting reader lmfaoo😭🙏

from the moment humans were taken away forcefully by those disgusting aliens—they all had forgotten about their creators. the one who gave them life, the one who gave them the will to continue living. each day felt like a stab to the heart, it feels as if someone had taken your lungs out of your body, before putting it back inside again.

it feels empty, like a void.

while all the kids run around anakt garden happily, although not genuinely, all luka could do was lean on one of the trees, while holding his knees close to his chest. what can he do? what does people expect him to do? he is a weak child, a child born with diseases, a child unable to live without support from others, including the tree he is currently leaning on. without anything to lean on, to hold on to, what was he supposed to do, weak and dependent as he was?

nothing. he could only weep himself to sleep every day, and it changes nothing. he has heard from the other kids that there is a powerful divine being that could help you in times of distress, how it's called god, how you're supposed to believe in it for it to help you, and he did. luka believed in god for a day, but nothing had changed. his everyday life had remained the same.

like waking up early, even though he doesn't know what time it is because of all the fake painted skies the aliens put in the garden, go eat breakfast with the other kids, with no one else sitting besides—"hey, is this seat occupied?" in the midst of the suffocating silence, a cheerful, almost unreal voice had reached his ears. he had first thought that it was just his imagination, his desperate feelings of wanting to be accompanied by someone. but it wasn't, as the voice echoed in his ears once again.

"uh, hello...? did i catch you on a bad day? i'm so sorry, i'll find another seat then." after what felt like a minute, he finally looked up at the person talking to him, only to notice that they're gone. he clenched his fist in regret. he should've looked up earlier, he should've answered whoever that was, but he didn't. such a shame, he thought to himself.

after half an hour, luka finished his breakfast and was getting ready to leave, before being stopped by someone whose voice was so familiar to him, it almost feels as if he is dreaming. "hey, um... i'm really, really sorry for bothering you earlier. as an apology, i got some bread for you!" that cheerful voice had struck something inside him, his eyes grew wide slightly, and his hand trembles at the sight of you. if he were to believe in the divine, he would immediately get down on his knees and pray for you, an angel.

your soft gaze, your skin that looks almost as delicate and fragile as a glass, and your small fingers offering him the bread you got for him. it took him almost a minute to react, and all that came out of his mouth is just a small gasp, so small that even you can't hear it. "don't tell anyone about this though, but i stole it from someone's unfinished breakfast! so take it, please?" you shoved the bread to his face, which made him raise his eyebrows. but he took it anyway.

he examines the bread carefully, to which you took great offense. "i won't poison you, so there's no need to look at it so intensely!" you pout at him. if you squint your eyes really hard, you can notice the faintest hint of smile on his face, and probably the first time he has ever smile so genuinely.

his everyday routine had consisted of the same, basic thing. but, now that you talked to him, it changed his life forever. it changed his views of the world, of everyone. some kids may have believed in the divine from the moment they were born, but luka just believed in the divine the moment she graced himself with her kindness.

from then on, whenever luka woke up and entered the garden, the first thing—or person he looks for, is you. whenever he went to the cafeteria, the first person he approached is you, and when luka went to his first performance on stage, the first person he looks for in the audience is you, holding a cream-colored lightstick.

whenever luka goes anywhere, the first person he looks for, thought of, and wishes to see first... is you.

his god, his universe.

and if he happens to notice some... imbecile, or other people trying to approach you, he won't hesitate to show them that no one can approach his angel without consequences. no one other than him.

naomi-nana. do NOT repost, do not use,(with or without permission), do not reccommend or talk about my works outside of tumblr.

[butterflyslinky]

It's been seven months. They've seen each other on calls, but they keep up a mask of stiff professionalism if they have to talk at all.

But now Buck's sitting in a gay bar, looking for some fun the same way he does on every 48 off. His expectations are low. No one seems to want a real relationship, not that he's really trying for one, ad the sex is mediocre at best.

Because none of them are Tommy.

He's two drinks in when he hears a familiar laugh and turns. There's Tommy, sitting four stools down and talking to the bartender. Buck wonders how he missed him entering the bar, but it doesn't matter. What matters is Tommy is here, so close, and Buck...

Okay, he'd jumped the gun asking Tommy to move in. And everything he's said before that had been...not great. Thinking about it, it's no wonder Tommy had hit the brakes. Though he maybe could have asked to just take a break instead of ending it completely.

Though it would have gone the same way, probably.

Buck knocks back his last drink and stands. He's steady on his feet as he makes his way down the bar and plops himself into the empty seat next to Tommy

Tommy doesn't look shocked to see him. Not happy, either. Just kind of resigned. "Buck?"

"Don't," Buck says. "I don't want..." He grits his teeth to force back tears. "I think we need to talk."

"Why?" Tommy asks.

"Because I have things to say to you," Buck says. "And I'm not going to let you just walk out again."

He's said all those things, in texts that sat unanswered, voice messages that were probably deleted without being heard. This time, he wants to make sure Tommy hears.

"I don't have a lot of time tonight," Tommy says.

"Then I'll say it fast. You broke my heart, Tommy. You said you were my first but not my last...but you weren't my first. I've dated and broken up before, I know what relationships are. Just cause you're a dude doesn't mean it was any different. As to not being my last, well, I've had plenty in the last seven months and none of them are going to be my anything. I told you they can be the same thing, and I mean it. I don't want to be in love with anyone the way I'm in love with you."

"Evan..."

"And if you don't want me, fine, but just say that instead of giving me some bullshit about not wanting your heart broken. Because I can't break your heart, Tommy. Maybe it's been seven months, but I'm still in love with you, and I don't see that changing any time soon." Evan looks down for a moment. "So...I know I'm a lot. I know I said some dumb shit. And I know there's a lot I still don't know. But I do know I want you to come home with me, and you don't have to stay, but...I want to try again. Now that I know a little more."

Tommy's eyes are bright when Buck looks up. "I can't."

"What?"

"Evan, I can't come with you tonight. Or any night."

Buck's stomach sinks. "Is there someone else?"

"No," Tommy says. "No, just...I got a new job. In Seattle...they offered me a command. A chance to be captain...don't get much more brave and trailblazing than that, do you, being an openly gay fire captain." He swallows hard. "I'm leaving on Monday."

Buck stares. The world seems to be tilting, even though he hasn't had that much to drink. "Oh."

"I thought you would have heard," Tommy says. "It's been kind of big news around the department."

"Everyone's been extra delicate with me," Buck says. "They don't talk about you where they think I can hear." He forces a smile. "Congratulations...you deserve it."

"Yeah?" Tommy says.

"Yeah. I'm happy for you." Buck waves to the bartender. "Put his drinks on my tab."

"Evan..."

"Least I can do. Since...since it's really over."

Tommy nods, but he looks sad. "Yeah," he says. "I guess I can just...start again. And I guess you can, too."

"Yeah," Buck says. "I guess I can."

--------------

It's a stupid idea, but Buck's full of those. He knows that it'll probably end in disaster, that he'll end up crawling back with his tail between his legs again.

But he has to try.

The airport looks just the same as it had when he dropped Abby off all those years ago. The same was it had been when he'd watched her walk out of his life, only to be seen again when it was unavoidable.

He's not doing that now.

Tommy is easy to spot, in spite of the crowd, standing in the check-in line. Buck thinks it must be kismet, that he's on time. There had been several flights to Seattle today, and he just took his best shot.

"Tommy!"

Tommy turns, and his brow furrows when he sees Buck. "Evan?"

Buck pushes his way through the crown, suitcase heavy in his hand, until he reaches Tommy's side. Tommy looks him over, then down at the bag. "Evan, what..."

"I know you said it's over," Buck says. "And that you don't want to try this again. And if you tell me to leave right now, I will. But I couldn't take the chance that I'd never see you again, even if you don't want to be in my life. And don't worry about work, Bobby transferred me to a different station than the one you're commanding, and I have a place to stay until I can find an apartment, and I'll get a new car since I gave the Jeep back to Maddie, but..."

"Evan," Tommy interrupts. "Did you just upend your life to follow me to Seattle?"

"Yes," Evan says. "If you'll let me."

Tommy stares for a minute before he pulls Buck into a kiss. And this time, Buck really knows it will be forever.

[homopopsie]

[Sif has been looking at you weird for a while...] "Isa." [CRAB!!!] "Uhh, Yeah Sif?" [He's looking straight at you, his eyes piercing you to your bones. He looks kinda creepy like this... Reminds you of all the times you found him reading late at night with his flashlight eye.] "You mind if we talk for a second? Alone." "UMM. YEAH SURE SIF." [CRAB CRAB CRAB CRAB CRABBBBBB] "Are you alright, Isa? I've noticed you doing some... things. You're acting more- There's really no other way to say it, Isa you've been acting dumb. Acting like you're just 'really lucky' whenever you find a key that we need. I know you, Isa. I know you aren't stupid. You're really smart actually, and I know something is up. So what is it? Can I help?" [CRAB CRAB CRAB WHY IS HE ASKING THIS NOW????] "What do you mean? I really have just been getting lucky?! I don't know how I would know where the keys are, I've never been here?!?" [You feel awful lying to them.] "Right. So you finding the switch to the Death Corridor trap instantly isn't something strange? You always trust me to handle traps, and yet you immediately put your hand out in front of me and stopped me before I could look around, and then hit the hidden switch. I know I only have one eye, but that was really well hidden." "But how would I know where it was beforehand? I just had a feeling."

"I don't know Isa, but I know that people with 'a feeling' still jump at massive falling rocks! And I know that people with 'a feeling' don't just nonchalantly strut into The King's chambers and talk before Odile gets a chance to talk to the man who froze her entire home. I know people with 'a feeling' don't grit their teeth hard enough to shatter. Don't act like nobody noticed that either, maybe the others didn't but I did." [!!!] "But, that'd be impossible, right? It's impossible to have been here before-" "Is it? Because you sure seemed to have a few theories! You knew to ask me about Wish Craft, to ask me to read those books! You knew that I could wish properly, you didn't have an inch of doubt on your face when you said how I taught you. You knew that a wish could have given The King the ability to harness Time Craft. Don't think I believed you when you said you didn't wish for anything. I know you're indecisive, but you aren't going to just ignore something I told you either. I know you wouldn't just listen to me tell you how to wish and not bother with it. You aren't callous. [If only he knew... If only he knew how callous you were!]

"I..." "Isa, I know you're not stupid. And you know I'm not stupid either. If I see something, the only thing I can do is observe for more. And all signs right now point to you. Did something happen? Is that... Is that why you're looping in time? Did-"

"Oh Siffrin... Why? Why did you have to figure it out now? Why couldn't you have figured it out before? Why couldn't you have never figured it out?" "Isa, I-" "Can't you see? It's too late now. Nobody can help, now. It's already too late. Because I was too much of a coward to try and ask for help. Because I was too much of a coward to tell anyone about the loops! Because I was too much of a coward to say anything! Because I was too much of a coward to tell you how I feel! Especially you, Sif. I'm too much of a coward to tell you how I feel about you. And I'll never get that chance. Because it's already too late. "..." [He's just staring at you with a scared expression. Or at least its probably scared. Whatever. It's too late anyway. You coward.]

"...So what is it? Can I help?" "Nope! Was that all?"

[Sif seems... sad, at your response.]

"Alright. I'll miss you Isa. Come visit me sometime on your travels, okay? It'd be a shame if I couldn't look at the stars another time with you."

Roleswap Sus event combos Everybody gets a turn being the suspect and the suspectee! Nobody enjoys the experience, though.

[emeritusemeritus]

Masquerade: you can fool any friend who ever knew you. [Fred Weasley]

**This is part 2 to a request you can find HERE**

Title: Masquerade, you can fool any friend who ever knew you.

Pairing: Fred Weasley x SarcasticHufflepuff!Reader {Idiots in love}

Timeline: Non-specified/ non-canon event.

Summary: Following Hogwarts’ anniversary masquerade ball, will Fred ever find the mystery woman he’s longing for, and can you, his best friend with a light crush on him, survive it?

*Updated Warnings: Unrequited love, idiots in love, friends to lovers all the usual divine tropes. Happy ending I promise. Minor sexual references, 1 mention of masturbation, George fancies Angelina. Slight angst? We have a massive crush on Freddie. Bonus points for anyone who knows where the title is from. Kissing, love confessions. Did I just write 5k words and none of it was smut?! There’s a mention of Paedophilia in the form of a passing age related joke*

Word count: 1.8k

Thank you to my wonderful Anon who inspired this two part fic with their brilliant request. This story flowed out of me and I was unable to stop writing. Did I cry writing this? Definitely Maybe 🖤

It was mid-afternoon and you were walking from charms when you felt a paper bird fly into your shoulder, confusing you as there was virtually no one around. You'd stayed behind after class with Flitwick to go over some extra work you'd asked for to boost your grade and became throughout confused at the random paper. Opening it, you couldn't help but smile, seeing Fred awful handwriting littering the inside.

'Little Badger- My dorm, 8pm?'

You knocked on the door, waiting for his signal for you to enter and walked into the dorm with a smile on your face, pausing once you noticed that George wasn't there.

"Where George?"

"Well I'm offended," Fred says, giving you blank look, "where's bloody George, am I not good enough now? Also hello."

"Hello trouble," you say, walking over to hop onto Fred's bed, instantly lying down on the surprisingly comfy and tidy bed. You squeal as you feel him jump in beside you, the tiny beds making you think that Fred would be jumping on you but he surprises you by scooting over to allow you to just lay beside him.

"What did you want to do?" You ask, turning your head towards him.

"Hmm?" He asks, half as if he's not listening and the other half as if he doesn't understand.

"You asked me here, what have you got planned?"

"Nothing really, just wanted to see you. It's not a crime is it?" He smirks, eyes soft.

"Only if you're a paedophile," you say bluntly, watching with glee as his eyes bulge and he bursts out a laugh at the dark joke.

"Rotten woman," he mumbles, earning a half-arsed shove on the shoulder as you smile at him.

"Fancy a nap?" You say, eyes closing as you find a comfy spot on the bed.

"How old are you?" He asks tauntingly, preparing to tease you over the need for a little sleep.

You open one eye, looking straight towards him with a smirk on your face, "do you really want me to make the paedo joke again?"

His hands instantly come out to tickle your sides and you beg for mercy as you squirm, almost falling off the bed in the close quarters a few times before he relents.

"Let's go to the kitchens," he suggests.

"Or.. let's take a nap."

"Astronomy tower?"

"Orrrrr a nap?"

"Bloody hell woman how tired are you? I'm offering a romantic date with food and a view, not to mention the giant squid, and all you want to do is to sleep!"

Despite your eyes remaining closed, you'd never felt more awake at the word 'date' so casually slipping from his mouth, a fire in your tummy beginning to ignite the very thought. You try to think of something to say, anything, in reply but you can't, all words failing you completely until you bring up the one topic you didn't want to talk about.

"Not sure your mystery woman would approve," you joke, though there's no real humour in your words. Fred snorts and you open your eyes to see him frowning off into the distance.

"Given up on her already?" You say, digging a little deeper, intrigued by his curious reaction. You watch as he frowns, turning his head slowly to look at you, eyes softening slightly the longer that he stares.

"Let's go to the black lake."

"Are you going to drown me?"

"What? No," he says in concern at your words.

"Alright, lead the way then Weasley."

It's bloody freezing when you reach the edge of the lake, the wind whipping through the trees like it's trapped between the tree line and the school, making you fight off a chill.

"Here, have my robes," Fred offers, his fingers reaching for the fastening.

"No Freddie I'm fine, you'll be freezing," you say, reaching up for his hand to stop him untying it.

He pauses, your hand still resting on his as he looks into your eyes, a soft smile ghosting his face.

"You haven't called me Freddie in ages."

"Sorry," you say, averting your gaze and pulling your hand away but he stops you, grabbing your hand and holding it in his. You see how his gaze diverts to your entwined fingers but you don't say anything, opting instead to take a deep, steadying breath.

"Your hands are freezing," he observes, his fingers squeezing yours gently.

"Yours are warm," you hum in return.

Suddenly, he looks up at you again with a questioning gaze, like he's looking into your soul.

"I want to try something," he says, not glancing away. You simply nod, hardly trusting your voice in the moment as you let him adjust you however he wants.

His right hand slips around your waist, the heat from his skin penetrating yours immediately, warming your side and yourself. You can barely breathe, you're certain he's never been this close to you before. You watch as he follows his hand with his eyes, gripping your waist with his long fingers before trailing his eyes up to your entwined hands. His gaze then trails up to your face and you look at him with an expression that you hope is neutral but is probably very far from it.

He starts to spin you on the rocky shoreline of the black lake, the two of you dancing under the moonlight without any music. It's beautiful and bittersweet all at the same time.

“It was you.”

"It was you," he repeats, sounding breathless, slowing his footwork only slightly. You frown, brows knitting together at his words, completely lost at what he was accusing you of.

"That night, at the ball, it was you."

"Freddie it wasn't me," you say quietly, your emotions bubbling to the surface, finding it too hard to deny any longer under his gaze. "I wanted it to be you that I danced with, I wanted it to be me that you wanted. I looked for you but... it wasn't me Fred."

Tears begin to well up in your eyes but you don't feel upset anymore; you think this is the last step in your grief, the acceptance. You knew that with one simple lie you could have Fred Weasley for yourself, that everything you'd ever wanted was right at your fingertips but you couldn't do it. Not to yourself and especially not to Fred.

"But you were there, it could have been you," he says with determination. Did he want it to be you? You reluctantly shake your head, wishing more than anything that it was.

"The guy I danced with had black hair," you say, wanting to break the gaze but finding it impossible. You feel a pang of sadness when he chuckles, head thrown back with a humourless laugh that makes your stomach lurch. He'd realised that it wasn't you after all. He pulls away from you and your heart breaks just a little bit more.

"You mean like this?" He asks, pulling out his wand and pointing it directly at his head. You scramble to get him to stop whatever he's doing but you're rendered completely silent when you watch with wide eyes and mouth agape as he casts a spell you don't know that immediately turns his fiery locks pitch black.

A sob escapes you as you look at him, hardly recognising the boy you'd loved forever seeing him with black hair, realising that it must have been him.

It really was him.

"There's about 6 people in this school with red hair and 4 of them are Weasleys, kind of defeats the point of being anonymous doesn't it," he says with a smirk. You're gobsmacked, still doubting what's in front of you.

"It really was you? The orange waistcoat with the gold stars?" You say, trying to pull the memory of the mystery man as clearly as you can.

"If you look in my wardrobe right now I can promise you it's hanging there," he says, pocketing his wand, the boyish smile returning to his lips.

"And my dress?" You ask, waiting for the moment he'd describe it wrong and this whole dream would slip away from you.

"Could kill a man," he says with a smirk, trying to calm your apparent nerves and denial. He describes it in near perfect detail, including your mask. You're breathless, lip quivering as you realise that it's really real.

"You believe me?" He asks, slowly moving forward. You nod, unable to find your voice.

"You trust me?"

You nod with more enthusiasm, never doubting your trust in him for a second.

He smirks, moving forward and you reluctantly hold out for hand to stop him, his smirk fading from his face instantly.

"Whatever happens next isn't happening until you look like you again," you say through a laugh, your eyes lighting up as he laughs too having forgotten about the black hair. He pulls out his wand and with a single effortless flick, he's Fred again.

This time he doesn't ask for permission, it's all in your eyes, the welcoming, the love. His hand grabs yours and he slowly pulls you into him, his right hand sliding onto your waist whilst his left hand tucks it self under your chin. There's a moment that passes as you look into each other's eyes where nothing else exists outside of the two of you. His eyes flick down to your lips as his fingers lift your chin ever so slightly whilst he begins to lean down.

His lips feel like pure magic against yours. It's like finding that perfect wand at Ollivanders that has chosen you, completely in sync and connected through a force invisible to the human eye.  You give in to the kiss without a second thought, allowing him to dominate the kiss, his tongue sliding deliciously against your own, the comfort of his pillowy soft lips nearly taking your breath away. It's everything you could have ever imagined and you can't imagine for a single moment from here that you could ever be without it again.

He pulls away eventually and you look up at him with shining eyes, tears of happiness welled up in your eyes at the years of torment finally absolved. He looks at you like he never has before, it's full of love, full of adoration.

"You have no idea how long I've wanted to do that," he admits with a chuckle that makes you snort at his stupid words.

"I'd wager that I have some idea."

[rekino2114]

Cute ways the jjk girls (+ genderbends) use jujutsu in your relationship

A/n:I initially had this ideal with fem!gojo, but then it expanded to other characters. Let me know if you have any ideas for a part 2 or something with other characters

Also I kinda did something similar with fem!inumaki here if you're interested

Fem! Gojo

Lapse blue

Y/n:Hey babe, do you mind grabbing me that glass of water?

Fem!gojo:sure thing sweetie

[She uses blue to make the glass float toward you, but the water splashes on your face]

Y/n:......

Fem!gojo:s-sorry

Infinity

Y/n:Come on, tori, I already told you I'm sorry

[You try to hug her, but infinity stops you]

Y/n:Can you please deactivate your technique?

Fem!gojo:No way! You ate my last mochi. That's basically the same as cheating. I'm not letting you hug me

Y/n:[sighs] I'll buy you some other ones ok? And some more cakes

[Gojo immediately turns off infinity and hugs you]

Fem!gojo:Thanks, y/nnnnn! I knew you loved me

Six eyes

Fem!gojo:Hey y/n, what happened?

Y/n:what do you mean?

Fem!gojo:Your shoulder, it's all hurt and purple

Y/n:.....how did you know? I'm wearing a sweater

Fem!gojo:I have really good eyes remember?

Y/n:oh yeah, I forgot about the six eyes, sorry I got hurt during a mission and just didn't wanna bother you

Fem!gojo:it's never a bother for me, I'll just call shoko and bring you an ice pack

Fem!sukuna

Heian era form

Y/n:Kuna.....is this really necessary?

[It shows you being carried by 2 of sukuna's arms while an other one is stroking your hair]

Fem!sukuna:Of course, are you saying you don't like this?

Y/n:No, I do it's just......why?

Fem!sukuna:uraume said I should try being more affectionate with you. This is how I do it.

Y/n:I guess your arms are pretty comfy

Fem!sukuna:good, I don't want to hear you complain

[She kisses you while you blush harder]

Yuki tsukumo

Star rage

(Tbh I forgot if this is exactly how the technique works)

[You're trying to open a jar, but it's too tight]

Yuki:Do you need some help, baby?

Y/n:Yeah thanks

[You give her the jar, and she opens it without problems]

Yuki:here you go

Y/n:Thanks

Yuki:could I get a kiss for that~?

Y/n:[giggle] sure

[You kiss her cheek, and she smiles brightly]

Yuki[talking to herself] yes! I know using my technique was worth it

Y/n:......what do you mean using your technique?

Yuki:o-oh nothing

Y/n:Wait, did you put mass in the lid so I couldn't open and jar and you'd get a kiss?

Yuki:..........noooooo what are you talking about? Hehe

Y/n:If you wanted a kiss you could have just asked for one you know?

Garuda

Y/n:...........yuki, can you tell your shikigami to stop following me?

Yuki:Why? It's not that bad

Y/n:it wasn't but I think it's taking it a bit too far

[Garuda completely wraps itself around you]

Y/n:see

Yuki:that just means it likes you, just like me

Y/n:....I guess that's nice then, but it's still kinda uncomfortable

Yuki:ok, I'll tell it to stop, we both know you very much prefer my hugs anyway

Yorozu

(I've decided i wanna write for her too, I'll add her to the masterlist now and I chose her instead of mai not only because her creation is better but also just because I kinda like her more)

Creation

Yorozu:y/n! Look what I made for us

[She shows you two rings with your names engraved on them]

Yorozu:it took me a while, but I finally did it! Now we will be bound together even more than we already are

Y/n:Oh thanks, that's so sweet....even if we aren't married yet

Yorozu: Those are just details. What's wrong with thinking ahead

Y/n:hehe, alright

[You start to take the ring with your name on it but she stops you]

Yorozu:Oh no, darling, you'll be wearing the one with my name so that everyone knows you're mine, and I'll wear the other one so that everyone knows I'm yours

Y/n:Oh, that's....sweet

Yorozu:I'm glad you think that, I can't have anyone thinking my darling is free to take, here I'll even put it on you myself

Fem!megumi

Ten shadows:divine dogs (and mahoraga)

Y/n:Please, gumi, I swear I won't ask you anything else ever

Fem!megumi:[sighs] you're really like I love you.....alright

[She does the hand sign and summons the dogs]

Fem!megumi:Go smell y/n and find their hoodie

[The shikigami do what she said and start searching for it]

Y/n:Thanks, you're a lifesaver megumi

Fem!megumi:you're welcome just don't get used to it

[The dogs eventually find the hoodie and give it to you]

Y/n:Oh, thanks so much to you two too. You're such good boys

[You start petting them while megumi gets closer to you]

Fem!megumi:wait minute.....that hoodie isn't it nobara's? Why does it have your smell on it

Y/n:oh no I can explain she just gave-

Fem!megumi:I don't need any explanation. With this treasure I summon

Y/n:wait no stop it!

Fem!geto

Cursed spirit manipulation

Gojo:Hey, geto, what are you waiting for? We're gonna be late for the mission

Fem!geto:don't be so impatient satoru, I'm just waiting for y/n

Gojo:Come on! Your partner can wait, I just wanna get this over with

Fem!geto:if they don't come, I'm not going either

Gojo:fiiiine, you're the only thing that makes missions interesting anyway

[After waiting for a bit geto looks at the sky]

Fem!geto:oh looks like they arrived

Gojo:hm?

[They look up to see you riding rainbow dragon]

Gojo:You made them ride on your curse?

Fem!geto:they were gonna be late and asked me

Gojo:that's so cool you have to make me ride on it too sometimes

Fem!geto:[sighs] I suppose one time is ok

[thehigherseekerastro]

Random Astrology Observations (Alternative Meanings Love Edition) 2 🤨❤️🤔

DISCLAIMER: I am in no way, shape or form a professional astrologer, modern or traditional.

I HAVE been studying astrology for a while now, and analysing charts available to me, as well as my own, and noticed a lot of the info you find online doesn't make sense in real life, because it is too reductive, stereotypical or lacks broader context. So I thought I'd share some of my personal observations to see if it resonates with anyone.

This is NOT the end all, be all. Apply it as it makes sense to you.

**************************************************

The 1st House 🙋‍♂️

The 1H in synastry is a tricky one, because the first house itself is related to our individual identity. It is the house of self. So, when it comes to having a love planet here, things can get really murky. You'll often hear that it indicates instant attraction, but also only surface-level. While that is not entirely wrong, it would be a disservice to reduce it to just that. Yes, first house ties back to your physical appearance and external impact. But what does that mean for someone else being impacted and impacting that? Does it even apply in synastry? The answer is: YES. And it goes much deeper than you'd think. It will talk about an immediate recognition. It talks of being mesmerized by someone's look and demeanor, but that comes accompanied with an obsessive need to know more about you, to be around you, to soak up as much of you as possible, as if to aggressively learn you. And that's because you will tickle all the boxes the person had been holding inside (and vice-versa).

(e.g.: having someone's planet(s) fall into your 1st house doesn't just mean they will be attracted to you, if it's romantic. It also means the person feels like you two share a vibe, share interests, ideas. It means they feel like you move according to their speed, and therefore, that could lead to a lot of trust and comfort on their part, because you feel like a safe place. Not in the same sense as the 4H, but in a more "this person will have my back, cause we're the same!" kind of way. It makes the person feel like you are enough, because you fit them. So even if everyone else disagrees with them or doesn't understand them, they'll sort of look over at you, and if you validate them, that will be enough for them. They'd rather have your approval – since you are someone who gets them – than to have the approval of a bunch of people who don't understand where they are coming from.)

It truly is a beautiful thing, but even positive planets with positive aspects can lead to unwanted side-effects. The house person could come to resent the planet person because of how much they like them. Depending on who the house person is – if they have a dominant or prideful personality, for example – they may come to resent and even become angry with the planet person at times, because they'll feel so strongly for the planet person that they could start acting out of character for them, and that can make them feel like they're losing control of themselves. And as human beings, what do we do when we feel out of control? Shift blame and start looking for culprits. This DOES tend to wear off, though, exactly because of how intensely the house person feels for the planet person, but it can burn hot for a minute or two, specially if they end up getting into an ugly fight and the 1H person tries to forget the planet person, but they can't bring themselves to hate them. They'll get angry at the fact that no matter how hard they try to hate the person, they still feel enchanted by them.

(this could also create an unwanted feeling of "nobody else is like them", so the 1H could panic a bit at the thought of losing the planet person because 1H synastry creates the immediate feeling of the "perfect person for me", so imagine thinking you found the perfect person for you... it can make you feel like if you lose them you'll never recover, because no one else will be like them or able to replace them as perfectly)

All in all, though, first house Synastry tends to usually show up good results, depending on the planets and aspects involved. Another aspect of this synastry that doesn't get talked about for some reason is the fact that they tend to obsess over and notice the tiny details in each other. So it creates this effect of falling for them over and over and over again, cause they'll keep finding little things about the other person that they find enchanting, and THAT'S what creates the physical attraction. It's not that the planet or house person are conventionally attractive to everyone – they might not even fit the beauty standards –, but to the house person, those little details will sort of build up the planet person's beauty step by step, and by the time they catch on, they'll be enamored with every part of them, so, to the house person, the planet person truly is the most beautiful thing ever.

(1H house synastry also brings a 1st house energy to the attraction. NO - NOT ARIES. First house. But it will sound like arian qualities because Aries does rule the first house, after all. What this means is that a big part of the attraction for the 1H person is feeling like the planet person is independent, self-sufficient, confident, self-assured and capable. Because it's taping into their 1st house of self, the house person can sort of see the best of themselves reflected on the planet person, which means they feel like all the things they are insecure to show the world, the planet person has and is not afraid to show them. So they feel like planet person not only embodies their attraction ideal, but also the ideal personality they wish they had themselves. Which they do, but they don't realize it until planet person comes along and brings it out of them.)

First house Synastry is a complex kind of Synastry that is much more psychological than it's given credit for. People often focus on superficial physical attraction and gloss over the fact that it's like somebody is literally stepping into your mind and making your inner fantasies come out. It can feel very vulnerable and intense.

The 7th House 💍

Oh, isn't this one a gem?! Perhaps one of the most sought after in synastry. But the idea here is to provide an alternative perspective, so here goes: if it's badly aspected, or there's other challenging factors involved (the person falling into your 7H is problematic themselves), you're gonna run into the issues people often attribute to 1st house synastry, such as superficiality and a "false love" because 7H Synastry, regardless if it's good or bad, creates somebody who's "perfect on paper". They say the right things, they do the right things, they seem to fit into your whole ideals. But that does not guarantee that that's who they truly are. That's just who you think they are. Remember – the 7H is the house of "other". So it's not about you. It's about the other. But it's rather how you act around said other, and also how you perceive them.

(It's tough to say this, but you gotta be real to help some people out there who might have had 7H Synastry and didn't understand why the relationship failed, since everyone online claims it's a guaranteed soulmate. It's because Synastry goes both ways. And all houses have good and bad. There is no such thing as the perfect Synastry. But in the case of the 7H, I'd say it's the real life case of "if it's good, then it will be amazing. Truly a soulmate. But if it's bad... it will be awful. Just not immediately.)

Going off of the previous comment, another grim way this Synastry can turn out is in its binding effect. And I don't mean anything spiritual or abstract here. I mean literally binding. Imagine a relationship going sideways like that AND you are also now married or share a business together. MESS! This is the house of contracts and long-term. Remember Saturn exalts in Libra, because Libra likes things that last, and Saturn is the planet of long-term, so the house of Libra will sprinkle that lasting effect over whatever it touches. And if you're in a 7H relationship, that relationship will last with you, whether good or bad. It will take A WHILE to break off from it, either mentally, emotionally, psychologically, legally or financially.

(e.g. somebody has their moon in your 7H, but it's a moon at fall, in Scorpio, and it's afflicted in their natal chart. Now, at the beginning they will seem like a gift from God directly to you, so much so that you decide to make it official... And then, one or two years in, living together, each day it gets more toxic and draining and the dark sides just oozes out of your relationship. But now you are legally married, and divorcing will take time, bureaucracy, money and emotional energy, not to mention you'll have to uproot your entire life, explain it to your social circles and families... And what seemed like your dream come true was in fact a bitter lesson to learn).

To veer away from the dark twists of the last ones, let's dissect the correlations people make with the 7th house, like "oh, your spouse will be interested in art, and beauty, and music, and sophisticated things!" Why? Are you marrying a Libra? A Libra rising? Somebody with a Libra Venus? No? Then that has nothing to do with 7H Synastry. Houses are not signs, signs are not houses. Libra is one thing, the 7H is another. Venus rules Libra, which resides in the 7H, but Venus doesn't rule the 7H. It merely influences the 7H. It would be a better guess to say you might have met your person while they (or you) were already in a relationship than it is to say you met because of beauty-related things, or art, or music, since the 7H doesn't talk of any of those things, but it DOES talk of committed relationships.

(e.g. you might have met the person right after they (or you) got divorced. They might be connected to an ex of yours. Or another possibility that isn't talked about is how the person you eventually end up with is someone you have liked for a long time, but never got the chance to be with until now. Since this is the house of long-term relationships, having placements here could indicate that the person you ultimately stay with long-term is someone you already knew prior to getting together, but you needed to experience other relationships before you united with them.)

Another final aspect of placements in this house is the fact that it doesn't just deal with your love relationships, but also the way you consciously present yourself with others. How you behave socially. But also the mirror effect of this house, speaking directly about love. This is, after all, the house directly opposing the 1st house of self. In that regard, this is similar to 1H synastry, with the exception that in this one, instead of you coming out of your shell subconsciously, you make a conscious effort to become your best for your person here. You want to live up to all of your potential.

The 2nd House 💆‍♂️

This one is a bit tricky for me, because I'm not materialistic AT ALL. I have a Taurus Lilith in the 2nd house, so, I express it on the other end of the spectrum. When you have that placement, you either put too much value on money and material things, or you are completely unattached from it, and that's me. So the whole "money this, money that!" vibe is not my scene. I don't see a price in life, I see value. With that said, let's get this going.

Yes, this is the house of money and material things. Yes, it will deal with your personal finances. But no, unless other parts of your chart/Synastry agree with it, somebody's placements falling here should not have a lasting effect. It might merely indicate you overspending on dates and gifts. The 2H is the house of YOUR money, which means that the whole "oh, they're gonna shower you in gifts!", "And this is a sugar baby aspect!", "Your person will want to spend all their money on you and buy you expensive things!" is probably not gonna happen, sorry. If it does, it will be you spending your money.

(And if you do spend your money, the whole "gifts" thing is also not that common, because normal people don't just go around buying gifts for others every other day of the week, unless they have some sort of imbalance. Such a consumerist mindset! Not everything is about paying for things or buying things. That's a VERY American culture of dating, specially for women. This nasty idea that a man has to buy you or he's not good. Which is what encourages habits like thinking the man always has to be covering your finances (how old are you, 5? Get a job and pay for your own damn self! You are an adult woman), paying for your food, buying you a house, giving you gifts all the time and affording expensive dates. You are not a product. If your biggest incentive to be with a man is because of how much he pays for you, then that's the world's oldest profession, not a relationship of love. So this should play out more like them helping you manage your own finances. Don't go around thinking a 2H love placement is gonna turn you into Cinderella.)

If you do happen to be a stay-at-home person in your relationship, which is valid, as long as it's not all about money, 2H love placements and synastry will talk more about other material aspects of things. It will talk of stability, sustainability, longevity and security.

(e.g.: it could mean that you allocate your resources towards creating a safe, stable environment for your life together to flourish, such as buying things for your home together, revising your finances to make life goals and plans together more viable, setting budgets to achieve milestones together... as well as the literal physical aspects of valuables, so using your resources towards nourishment (food, shelter, clothing and health). Things that will ensure your relationship lasts and endures through hardships and tribulations. In the 2H of values, Synastry could indicate the relationship itself becoming your prized possession that you take care of. All the Earth houses are about caring for things, just in different ways.)

Another poorly explored aspect of the 2H is values in the moral, spiritual and emotional sense. It's WORTH. Both the causes you find worthy as well as your self-worth. A 2H love placement or Synastry can and will directly affect that. Even if you do happen to be dealing with financial/material things too, that can affect your self-worth directly.

(e.g.: say you are married to someone who is constantly in debt, or say your spouse is the breadwinner of the household and you depend on them financially. That can really take a toll on your self-worth. It can bring feelings of poor self-esteem, can you make you feel undervalued, inadequate, make you feel like a burden, or make you feel incapable of caring for yourself. It can strike your self-confidence and make you VALUE yourself less. Or the opposite. Your spouse may open you up to new possibilities of making money, which in turn gets you into a new passion project that you succeed in and that can make you feel like a worthy person, make you believe in yourself, make you feel important and valuable.)

I would argue that most often, it's the 8H Synastry that will really have your partner's materials affecting you, because the 2H is the house of your PERSONAL gains, while the 8H is the house of OTHERS' gains and possessions. Most often, the biggest impact I'd say 2H love placements have will be dealing with self-worth, self-confidence, shared values and morals, feelings of belonging and acceptance.

General Things ✨

What I see most often is that positive and negative outcomes tend to happen simultaneously. It's not all doom and gloom, but it's also not all sunshine and rainbows all the time. Sometimes it's great, sometimes it's not so great, and those ups and downs come and go. That's just life. Both are there to be worked with, worked for, or worked through. At the end of the day, astrology will not mandate your life events, and you have to always be learning from your life, and working on yourself and the things that matter to you. Astrology is just a guiding light to identify possible themes to be mindful of.

**************************************************

That's it! Thank you if you've read it this far! I might have come off a bit harsh (I hope I haven't), but I promise I'm nice lol.

My whole goal is to try to discuss astrology in as realistically as possible, but while making it clear that any possible outcome is plausible. If most times all you hear are fantastic stereotypical descriptions of placements, such as 7H, the not so great ways in which it can play out will be explored here to help people navigate them. If all you hear are bad things about a house, then I'll try to show the positive ways in which it can come out.

The whole point is to try to bring a wide range of notions to these descriptions, together with the information that is already out there and available by many other creators.

At the end of the day, remember this is all POSSIBILITIES. Your personal life has to be analysed to know what's gonna ensue. And don't be discouraged, because the truth is that positive and negative effects tend to happen together for your best.

Hope you have a good day when you find this!

MASTERLIST

[starlostlix]

ARCANE S2 ACT 1 SPOILERS BELOW as I analyse the scene between Vi, Jinx, Caitlyn and Isha, what it means for them, and the link to Caitlyn's 3-point plan for the strike team.

I don't usually post about Arcane here but I need a place to talk about it without word limits so here we are. Also my comparison between MTP's telling of A scandal in Bohemia and the og will be done at some point I have just been very distracted.

So the scene I'm focusing on starts here when Isha runs up to where Jinx and Vi are fighting, lying between them a pointing a gun at Vi to protect Jinx.

Now Isha is a kid that has accidentally wandered into Jinx's life and gotten attached to her enough to wish to try and save her from danger - a new found family for Jinx alongside Sevika (who gives aunt vibes to me). But not just any kid is going to run into the line of fire like this. If we know anything about Isha now it's that she's brave - really brave - but also shouldn't have to be in this position.

Taking at look at her face, Isha's expressions seem to flick between anger and fear quite quickly. There's the facial muscles around her nose often flaring for that anger, but also a deep fear you can see too.

I think it's how she maintains focus on Jinx whilst the gun is turned away to Vi that's interesting. It's clear that she's afraid of what Vi is doing and is focused mostly on protecting Jinx - so that gun isn't something she necessarily wants to fire. She occasionally kept trying to press the trigger, but her hesitation isn't necessarily that she can't, but that she doesn't want to. She had ample time to take a very clear shot but she doesn't (this is interesting when we think about Caitlyn nearby who is desperate to take a shot even if it's not completely clear - Isha's motive is protection whereas Caitlyn's is revengeful action). And once she is unarmed all she can do is cling to Jinx. Perhaps both for her protection of Jinx or for Jinx to protect her. Like how a child would cling to a mother or father or even a bigger sister. Isha is supposed to play the role of a younger sibling to, in my eyes, mimic that of Vi and Powder that Jinx is desperate to protect.

I wanted to move on to Vi because I think her reactions/expressions are the most interesting. You get to see her face a lot, and once Isha has the gun to her face the main expression is one of fear. Not fear for her own safety, but a fear for Isha's safety, AND a fear of what she's been doing as an enforcer.

When Isha has the gun, all Vi can focus on is this mystery child - who she's never seen before might I add- suddenly appearing to protect Jinx. Even if Isha is scared she's still trying to protect her, trying to help even. Perhaps Vi sees herself here, a kid just trying to protect her loved ones from the enforcers that oppressed them. Perhaps she sees Powder, a kid throwing themselves in harms way just to try to help. Either way, she sees an innocent kid putting themselves in the line of fire to protect their loved ones. Except this time Vi is the dangerous one, rather than the protector role she used to fill.

When the gun is knocked away we see Vi again, frozen in place as she stares at Isha clinging to Jinx. This one feels so much more like a face of realisation - that Jinx still has loved ones left and that Vi has become the problem she swore to destroy. She's become the enforcer who enters Zaun to 'clear stuff up' with no regard for how it affects the people of Zaun. Instead of a protecter, she has become an aggressor.

If you will, remember Caitlyn's 3 goals - 'Locate Jinx, Dismantle Shimmer, and neutralise any agents still loyal to Silco'. I feel that this is where Vi realises that those goals only truly help the people of Piltover rather than anyone in Zaun.

1 - 'Locate Jinx' - this is basically corporate speak for Caitlyn wanting to k!ll Jinx. Originally, Vi was fine with this, seeing Jinx as a 'monster she created' and who 'taints the memory of her sister' Powder. But in doing so, she now realises that she will leave people behind who care for Jinx - Isha in particular. She's seen in her life so many kids left behind after enforcers k!lled their parents/families who then turn to rebellion (INCLUDING HERSELF AND POWDER!!) that she knows if she k!lls Jinx here with Isha as witness that the cycle will only continue - more kids who turn to violence as a result of trauma. If she were to go through with it she'd have become a direct parallel to those enforcers who killed her own parents, and she's already become a parallel to the ones who terrorised her and her family in her childhood with her activities in the Zaun strike team (especially with their usage of the Grey).

2 - 'Dismantle Shimmer' - whilst the removal of this drug is a good thing for pretty much anyone, the way the team go about it creates huge problems. The team are specifically shown to simply burn large quantities of the stuff (in the opening montage to 'Hellfire') - not only does this add more dangerous gasses to the underground areas (which they've already been releasing the Grey into), but it also creates issues for addicts. With access to it simply cut off, a decent portion of the population who are addicted to it will experience pretty dangerous withdrawal symptoms which could even lead to d3ath. With no system in place, addicts are left entirely on their own, so the destruction of Shimmer like this only helps those in Piltover remove a threat to them without actually helping the people. Meanwhile higher-ups in Piltover like Salo can use it recreationally (for his tattoos, even if frowned upon as implied by Mel's conversation with Lest).

3 - 'Neutralise any agents still loyal to Silco' - I'm pretty sure the Chembarons are considered Silco loyalists due to the Zaun strike team's attack on one of Margot's brothels in episode 2. The Chembarons, now down to 3 of them, were heralded as the only leadership of Zaun besides Silco. Their infighting has caused major issues in Zaun, but their elimination will not necessarily help Zaun in the long run. The removal of the Chembarons will leave a power vacuum, much like the one already left by Silco, that others will only step into over time. The removal of leadership in Zaun will only cause more issues as up-and-comers will try to fill the power vacuum and build their own forces, eventually becoming a new threat but not without a long period of chaos as people try to build resources to fill the vacuum. Piltover needs the removal of those with current power and forces to remove any possible threats of attack like the attack on the councillor memorial. It is, again, only for the benefit of Piltover.

Vi had seen becoming an Enforcer as the only way to bring down Jinx (reinforced by Caitlyn's insistence of doing things together and also partly by Maddie talking about what Caitlyn did to get her the job) AND as a way of protecting Caitlyn, but now I feel that she has been able to see the negative affect she's been having on the people of Zaun - her own people. I think this is why Vi switches into doing anything she can to protect Isha and Jinx, her protective side for Powder kicking back in specifically.

Looking back at Jinx, she was so ready to d!e at Vi's hands until Isha appears. Her expression here is the clearest look at her emotions we really see in the sequence - concern and fear. We know she's not afraid of dying or k!lling (especially when she said earlier before the fight that she's not remorseful of orphaning kids as she's 'done it to herself enough'), but she's so visibly afraid of Isha being hurt, and afraid that Vi would be the one to k!ll Isha. She's grown attached to Isha more than she'd like to admit, perhaps even seeing similarities to her and Powder (especially in their desire to help their family).

Once Isha's gun is shot away she clings to Jinx. Jinx at first is trying to claw her off - get her away from the danger, telling her to 'scram', referring to her simply by 'kid' so she leaves and doesn't get hurt. But when Vi is just sitting there looking rather than attacking she brings Isha in closer as a form of protection and looks at Vi. The way she looks at Vi. That's fear. She's afraid of her own sister again. She's afraid her sister will hurt an innocent kid, who's just trying to help, with a punch again. All her face says is 'Don't hurt this kid'.

And it's devastating. Devastating for both Jinx and Vi. Jinx sees her sister as a threat, whereas Vi begins to see a bit of Powder in Jinx again. She sees herself about to repeat a mistake that previously cost her everything - leaving a child alone with no support. This is also part of what turns Vi to protect Jinx and Isha from Caitlyn.

Last but not least, Caitlyn.

Caitlyn's effect on this scene can sometimes be forgotten (I almost didn't include her in this analysis at all) but it's actually bigger than one may think. I mentioned before how her desperation to k!ll Jinx causes her to shoot even when her shot is not clear (and how it contrasts Isha's reluctance to shoot even with a clear shot), but there's also so much more. For one, she shoots at the gun Isha is holding almost without a second thought. She tries to shoot Jinx whilst Isha is clinging on to her almost without a second thought. She shoots Vi's gauntlets when she tries to stop her. She frankly is unhinged at this point, tunnel vision on k!lling Jinx with no regard for anyone else in this situation, not just Isha but Vi also.

Grief is a strange thing. It can create many reactions from people depending on their situation. In Caitlyn's case, her grief has morphed into a desire for revenge and a thirst for violence, strengthening her pre-established prejudices towards Zaunites that she was so adamant in reversing in season 1. In her grief there is one constant - blame for Jinx - that morphs into further prejudices towards Zaunites as a whole to justify her actions in her own mind. She similarly justified her tunnel vision in this fight with the idea that 'she wasn't going to miss' despite missing her shot multiple times already (specifically when she shoots to k!ll Jinx and only hits her middle finger).

Her actions here are what happens when grief takes control and her usual logic and reasoning is not able to intervene as much as usual. Her insistence on not harming innocents (seen early in episode one), her understanding of how Zaunites were treated unfairly (s1 episode 7) - it's all overshadowed by her grief. However, her grief doesn't excuse her actions - she's still making decisions based on her own internalised prejudices that with her grief are projected outwards and drive her actions.

This has all culminated here, where her tunnel vision has led to her hurting Vi and almost caused her to hurt an innocent child. She's this looming threat to the scene, her hextech rifle being probably the most powerful weapon here - and it's in the hands of someone who is vengeful and seemingly trigger-happy and in a position of power she was not ready for. If Vi was a big danger in Jinx and Isha's eyes at first, there's a bigger danger in Caitlyn, one that even Vi notices. And she's only going to get worse next arc.

[There could be more to say but I think this is a great place to end it! I may make more arcane posts as s2 releases but i'll have to see, I just really wanted to talk about this scene in particular it's just so interesting.]

[ashkabbom]

Storm - Mouthwashing

A/n: It's 1am, but nothing will stop me muahahahah! Give my writing a chance and correct me if anything, English is not my first language and I had a LOT of help from the translator 🫶🏽

•Pre-Crash!Captain Curly x Reader

synopsis/summary: You and Captain Curly talk a little during the night

Notes: I didn't specify the gender and I didn't talk about the relationship, it's up to you to see how you interpret it.

Drops of rain hit your window hard, thunder and lightning tormented you and took away your peace.

It was night and you were in the ship's kitchen, you couldn't sleep for some reason, but the silence and the moonlight projected on the huge screen were comforting.

Thinking of anything to occupy your mind, from how long a squirrel lives to worries about your current job, although you tried to push some of those worries out of your mind.

Somehow you got a job, only you didn't expect it to be here and like this, but it's good that you don't do much, it's good that no one got hurt and you need to take care of.

Due to sheer pressure, you ended up entering some area of medicine, although it wasn't exactly what your parents wanted, it's still something, but you would be anywhere else if you could choose for yourself.

You didn't want your parents to look at you like you had failed and disappointed them, it was horrible to feel like you were a failure, something they weren't proud of.

Do you sometimes wonder if a hospital would even accept you, would you want that? Maybe you would even do well? It's not what you want but-

"Awake at this hour?" A voice echoes lightly and a tired-looking captain is leaning against the door. You didn't even hear the door slam, you were so immersed in thought.

Captain Curly was one of the most easygoing guys you'll ever meet working at the Pony Express, and that's not to be rude, but there are very few people at that company who are easygoing with other people.

"Night snack break." You say with a shy smile, not expecting anyone to be awake at this hour either. "But someone emptied all the coffee."

He chuckles lightly before sighing, "I can't imagine who would be responsible behind such a crime." Curly rolls his eyes with a smirk on his face, then looks at you. "But something tells me that late night snack isn't what got you so focused that you didn't hear the door."

"Hmmm a captain really knows his crew apparently" You laugh a little and nod. "I was just thinking a little bit about... Everything, you know? There's a few more months to go, I think about 7 months or something and it's just as weird as it was in the beginning"

Curly listened carefully to what you said, as a captain he understood exactly what you meant.

Being in the middle of space for so long, with a group of people you're not used to, is quite something, especially for someone unfamiliar with being so far away from where they used to be.

Even he wasn't sure if this was what he wanted for himself, if this was the pinnacle of his life or if he should try something more and go beyond his comfort zone.

"So you feel like the things around you are devouring you little by little, you sink so deep into it that it's hard for you to get out. It's not bad, but you feel like it's not good." He tries to complete what was on your mind.

"You gave yourself away that you are or have been in the same boat captain" You look at him with a cheeky smile and start walking towards the couch. "or on different boats, but with the same destination"

Curly follows you right behind and also sits on the couch. You both stay in silence for a while, just looking at the moon.

"It's not the same as looking at the sky at night, but it's better than nothing I guess." You say without thinking much. It would be a lie if you said you don't miss being on earth, in your home and in the comfort of your room in your house.

"I think this when I look at the stars, it's even different when I remember that I'm in space with them, being able to see several everywhere.. Without light pollution" He says and another silence falls.

It wasn't an uncomfortable silence, quite the opposite, it was the most peaceful silence you'd had in nights. Just you, the captain and the stars, enjoying the company that each one could offer.

You look at the captain, wondering if there was anything he regretted doing in his life that brought him here.

It was no surprise that he knew what was bothering you in your thoughts, after all he is a grown man with experience in life, everyone goes through this questioning one day.

Uncertainty is what moves us sometimes.

You wonder if Jimmy is like that too, if there is anything he would do differently to be somewhere else or if he wouldn't change anything even though he might regret something...

He didn't seem much for talking about that sort of thing. Jimmy was always a mystery in his mind.

Him and Swansea. You knew very little about the two of them, but it's not like you knew much about the others anyway.

You knew that Jimmy and the captain were friends so he must not be as bitter as he seems, after all he wouldn't be where he is if he wasn't someone he could trust.

"So this is what they mean by staring into your soul" He laughs as he says this and you come out of your trance. You hadn't noticed that you weren't just looking at him out of the corner of your eye, but that you had turned your face to look at him.

You laugh at his comment. "Sorry, I didn't mean to intrude on the entrance to a man's soul." Sighing lightly you smile "Daisuke showed me a drawing of him yesterday, the boy is talented and expresses well how he sees places and people"

"Is that what you two were doing in the infirmary during lunch?" He asks curiously. "But I didn't realize you liked rock and metal, but the metalhead you drew looks nice."

"It's not a metalhead, it's Anya." You look at him like it's the most obvious thing and he's so dumb.

"Was that supposed to be Anya?!" Curly asked in disbelief.

You and he talked for a few more minutes, even though it was so late at night, maybe it would be morning in a few hours, but clearing your head at least a little was the best thing.

You yawned and realized that you were actually sleepy now. Curly yawns soon after and you both laugh lightly, agreeing that you would go to sleep now, wishing each other goodnight.

So the raindrops hit the window weaker, until they stopped completely, without thunder or lightning.

The next day you wake up dead tired, woken up by Daisuke questioning if you were still alive.

Soon you go to the kitchen together, talking a little about what you had dreamed about during the night. Anya was already there and so you and Daisuke join her, soon Jimmy and captain, arrives and-

"Whose metalhead drawing is this? It was lying on the floor" Swansea asks with the paper in his hand

"Not a metalhead!" You hear Daisuke chuckle and you swear you heard a chuckle coming from Curly.

A/n: I had another creative peak this morning and here it is, straight from the oven. I wish I had written something with Curly before writing something with Daisuke.🫶🏽🎀

[eph3merall]

toxic!ex!matt + a sprinkle of mean!matt . . .

cw ; slapping

—

matt is a... nice person. you know this, he knows this. he doesn't get mad too easily, keeping his calm almost all the time when anyone ticks him off. at least, that's what you thought. it never occurred to you how toxic the man was, leaving him after finding girls' contacts on his phone and some of the toxic shit he's done.

but, it always confused you how matt never seemed to care when you officially announced to him you two were done. it was like he just didn't care at all, after it took you so long to muster up the courage to even confront him about it. matt was shrugging and chewing on the toothpick in his mouth, as you huff in frustration and throw a few more curses in his direction.

you eventually got all your stuff and ended up crashing at your friends' house for a little. she was happy to have you anyways, not having seen eachother in awhile as you talked to her for hours about everything. in the end, she wasn't surprised that matt was a douche bag. maybe you aren't exactly surprised either—but he was a good boyfriend... kind of. but, if everything else wasn't good with him, the sex definitely was.

maybe it's why you find yourself outside matt's door. you're upset. pissed off and annoyed. matt always knew how to calm that storm down, and maybe you just needed him without realizing. your first instinct was to just go to him, yet you weren't even sure why. he was an asshole in the relationship.

when you find yourself in his room, matt is rolling his eyes when you start rambling on and on about whatever the fuck. you always talked a shit ton. that never really did change about you—but you looked.. more glowy. like you were doing better. a lot better.

when you kept droning on about something probably about him, matt is just sighing and sliding his hand into your hair. patting your head and then his hand comes up to pat your cheek a few times. "shut up." before his hand slapped your cheek gently—shock forming across your features as the sting starts from the harsh impact. you blink and turn your head to glare at matt, even though it did distract you from everything you were so worried about.

it's why matt has you on your knees between his legs, a hand cradling your face as you whine gently. he knows you. god, he knows you so well that he knows just how to get you to stop yapping your ass off. maybe you needed it too, with how much anxiety had wrapped around your entire body.

"shh, y'got it. doin' real good, baby," matt is cooing at you so gently, you forget that he's your ex. that you probably shouldn't even be here right now, for both of your sakes. but you can't help the way your cheek leans into the palm of his hand, warm and inviting. his eyes glance at your pitiful fucking expression, his free hand slapping you across the face gently.

sometimes, matt doesn't feel like making you suck his dick when you get too pissed off. so, he'll settle on this, or some other tactic to get you to shut your mouth. even after you two have broken off, some things just never change. and, in some way, matt kind of hates how well he knows you as he lands another slap across your pretty lil' face. "i got you, baby. i always got ya. don't gotta worry that head off anymore."

—

inspired from a thought i posted idk how long ago

@conspiracy-ash @sturniolosfavkayleigh @lvrsturniolo @st7rnioioss @meatballlover10 @ashlishes @ferdzom @55sturn @chriseatingmeoutin4k @unknvhx @mattslolita

©eph3merall 2024

[rhiannonsknife]

heyyy first of all, i just needed to say that your writing is soooo fucking good like i was genuinely impressed when you said that english isn't your first language because I can't imagine how this could get any better. Also, it isn’t only about the way you write but also the way you just get each character perfectly. That's just... woah, just woah. So yeah, I hope you keep on writing for a long time for the sake of everyone's happiness lol

And lastly, you remembered us about how you also write for the rest of the yellowjackets, not that I don't enjoy the whole "let's give love to all ella purnell's characters" thing going on here buuuut i remembered one scenario has been in my mind for a while and I'd love if you wrote about it.

Shauna, after losing so much to the wilderness, carries this relentless, overwhelming anger that keeps most of the other girls at a distance. Even those who aren't outright scared of her still know better than to get too close. She obviously needs love and comfort, but god help anyone who tries to say that to her. And then r decides to take a shot, carefully inching closer without setting her off. Slowly but surely, r makes progress. First, just being allowed in Shauna's space, then a hand on her shoulder, brushing her hand, maybe even touching her hair. When Shauna finally lets her guard down, r sees just how touch-starved she really is, how deeply she needs someone to just be there, to be her person.

Shauna and r start disappearing for hours, slipping off to somewhere, maybe the airplane, where r can pepper her face with kisses, making her feel safe. And Shauna just lets herself melt in those moments, holding r close.

my mind just goes ogdofgkditwukymg w her

── ౿🪵 NO ONE COULD SAVE ME BUT YOU

— summary: shauna shipman needs a hug. that’s it. that’s the summary.

— warnings: hurt/comfort. canon typical dark themes. implied cannibalism (duh). child loss. etc. so: angst. some fluff. did not beta-read this. + i had no clue how to start or end this fic.

— a/n: woah thank you so so much!! i genuinely appreciate that <3 i��m not planning on stopping any time soon! anyway, i hope you like how this turned out!!

out here, she’s lost everything. you all know it, though none of you dares to actually talk about it. it doesn’t come as much of a surprise that she’s beginning to lose herself too. it’s concerning all the same.

shauna still gets her chores done, so it is not like you don’t have her support in this poorly built system, this attempt to keep things under control when -really- all last restraints of control were lost the morning you’d found jackie’s body, buried in the snow, and with all that came after that. the things no one ever speaks about.

perhaps that is why none of the girls have approached her yet: as long as she does what she’s supposed to do, why would anyone try and cross her, or potentially upset her? after what she’s done to lottie, it’s no surprise. sometimes, in moments during which you find yourself staring at her hands for reasons beyond you, you can see the flash of a scar, standing out against the thin skin of her knuckles.

maybe they’re scared of her. or scared of what she’s become, out here. it doesn’t make a difference. maybe you should all be scared of what you’ve become.

either way, it’s not fair. you obviously know that she needs the same comfort some of the other girls have found in each other, whether shauna wants to admit it or not.

so you -with nothing better to do for the most part- make it your mission to be this comfort for her.

at first, shauna gives you short, cold responses when you try to make small talk, but you keep at it. there’s nowhere to go anyway, nowhere she could flee to get away from your slightly awkward attempts to just talk. it’s a first step.

gradually, you notice her replies get a little longer, her posture softens, just slightly, and she doesn’t seem so quick to brush you off. a small sign, but it means you’re beginning to earn her trust. you don’t talk, not always. sometimes, you’ll just linger nearby and watch her prepare the last remaining pieces of meat or sit in the same room as she scribbles in the journal she’s brought from home.

sitting with shauna in silence becomes its own form of closeness; she doesn’t say much, but she lets you be near her. you can’t remember, now that you think about it, when she was last hugged. when she last felt the touch of another person. your heart aches at this realization. could it have been jackie? it already feels like a whole lifetime ago, that she'd been among the group.

over time, she actually starts letting you sit close enough that your legs touch. you hope it’s her way of saying that maybe she doesn’t mind your presence as much as she lets on.

one day, after a particularly hard night, you take a chance and rest a hand on shauna’s shoulder. you’ve noticed, even from a distance, that she doesn’t sleep well. truthfully, no one out here does. but, with your makeshift mattress closest to the spot she’s preoccupied in the farthest corner of the room, you often notice the way she flinches in her sleep, or shoots up in the middle of the night, panting heavily.

when you notice it that night, you slip out of the more or less comfortable ‘warmth’ of your blankets and make your way over to her.

she tenses, but for a moment, she doesn’t pull away. her silence feels like a monumental moment, a sign that she’s slowly starting to let her walls down. you sit like this, hidden by the darkness of the cabin and with none of the others awake, for a long moment. neither of you moves, neither of you even dares to breathe, afraid it’ll pass by as fast as it has come. then, she shrugs away from your grip and mutters: “i’m fine”. she’s not, obviously. but you take it as a small victory. you’ve felt the way she relaxed under your hold, the way she didn’t immediately push you away.

as weeks pass, you notice shauna becoming less and less guarded in your presence. she’s still wary, still sharp, but you can sense the small shifts, a quiet murmur here, a shared look there, that suggest she’s warming up to having you close.

maybe that night is what’s to blame, or maybe she’s genuinely beginning to realize how much she craves the warmth of another person. your warmth.

it’s one of these days where she’s angrily scribbling down words into her journal when shauna reaches a first ‘breaking point’. she’s sitting beside you in silence, the weight of the wilderness and the day pressing down on both of you. the only noise is the angry scrape of her pencil against paper. in a rare moment of boldness, you reach out, brushing a strand of her hair back from her face.

you’re not sure why you do it. but shauna seems so far away from everything, so detached from the reality you live in, that you just want to offer her something grounding.

her first reaction is to freeze, her eyes widening with a flicker of surprise, and you nearly pull your hand away, wondering if you’ve overstepped. but instead, shauna lets out a breath and holds still, allowing you to tuck the strand behind her ear. as your fingers brush her cheek, you can feel her breath catch, her defenses lowering just a little. it’s a brief, fragile moment, but one that feels much bigger to you: an unspoken acknowledgment that maybe, just maybe, she’ll allow more of this.

that’s when things begin to change: shauna starts looking for you after difficult moments, lingering by your side in ways that tell you she needs someone, even if she won’t say it; too stubborn to ever admit it out loud. she lets you take her hand quietly, her thumb rubbing yours a wordless promise that, just for a while, she’ll let you be her safe place.

it becomes routine for you and shauna to disappear to some quiet spot when the cabin feels too heavy. no one has figured you out yet, although you’re sure that they can put two and two together by now: tai has caught your eye, the last time you sneaked off together and lottie has long claimed that the wilderness has its fucked up ways of communicating with her. whether any of it is true or not, something about the glances she shoots in your direction tells you that she knows. that she might even appreciate it, though that could just be because she won’t be the outlet for shauna’s anger anymore.

after a particularly tense exchange with the others, she brushes past you, muttering, “let’s go.” you follow her immediately, of course, and the two of you wind through the forest until you reach the plane’s wreckage. inside, it’s silent and dim, a place that’s somehow managed to become a safe haven. the last reminder of civilization, somewhere far far away from you.

shauna lets herself lean back against the metal frame, shoulders dropping in relief, her usual guarded expression softening as you sit close beside her.

she doesn’t say anything, but her hand finds yours, squeezing it tightly, as if she’s grounding herself in your presence. then, in a rare show of vulnerability, she leans her head on your shoulder, her eyes closing as she lets out a shaky sigh. you wrap an arm around her, pull her closer, and let her melt into you, feeling her tension slowly give way as she buries her face in the crook of your neck.

together, you stay like that for hours, just holding each other. shauna curls into your arms, letting herself fully relax in the quiet. you actually dare to cradle her head and press gentle kisses to her forehead, feeling her melt into your embrace, and trusting you in a way she hasn’t trusted anyone else in a long, long time.

“you’re…you’re way too soft for this place, you know that?” you hear her whispering. she doesn’t stop you, though.

when it’s time to return, shauna doesn’t say a word but gives you a look that says it all: gratitude, trust, and something almost like relief.

even when you’re not together, shauna’s glances toward you become longer, her eyes lingering with something that remains unspoken, as if she’s trying to understand this newfound feeling.

around the others, she is still hesitant to be openly affectionate. in the cabin, it is only late at night, when it’s just the two of you, that she lets herself fall into your arms. It’s the only time she allows herself to be unguarded, clinging to you silently as if afraid you’ll vanish too if she lets go.

that same night, you catch a quiet confession under her ragged breath. she’s facing the other way, letting you spoon her from behind. only this way, does she dare to open up about how everything seems to slip away from her. she’s scared but hides it behind anger and frustration. you’re the first person allowed to see her tears.

you can’t even begin to imagine what she’s going through. all the things she’s been robbed of: girlhood, like all of you. even if you’re ever rescued (which seems less likely with every day that passes) how are you supposed to move on? how are you supposed to live, like none of this ever happened? her best friend, who no one dares to talk about anymore, afraid it’ll bring back the things you’ve done. it’s like she was never here at all which, you think, must be even worse. motherhood, too, though she never even wanted it. no one seems to acknowledge that, out of everyone out here, she might just be the one to have lost everything to the wilderness.

in an attempt to comfort her, you trace mindless shapes against the back of her hand, slowly soothing her back to sleep. the letters of her name, a loopy S, gliding across her scarred knuckles with a tenderness so contrary to everything these hands have done. your own name, next. you hear a gentle chuckle coming from shauna. she knows what you’re doing, of course. you don’t stop.

the outline of wiskayok, as you remember from the map. she doesn’t seem to recognize this one, a little crease between her brows. “home” you tell her quietly and the crease vanishes.

it feels surreal that, somewhere out there, home is still a place. that wiskayok still exists to the people, to your families, your classmates, and everyone else back there. that it’s more than just a fading memory.

“you suck at drawing” she finally manages. it’s the first time you can hear the glimpse of amusement in her voice.

“what? you think you’re any better?” you whisper quietly, wanting it to last.

shauna shifts beside you, and takes your hand with a gentleness you didn’t think she possessed still.

now it’s your turn to lay back and feel. she starts with words. “yellowjackets” she spells out. a small smile flashes over your features as shauna studies your face attentively. then, though it’s harder to make out, she traces the word: “champions”. your heart feels heavy with everything that could’ve been.

shapes are next: a tiny heart, resembling the shape of jackie's necklace, then a simple circle.

"that's a soccer ball" she whispers expertly. for the first time, you laugh. it only lasts a short moment before you remember where you are, and that the others are trying to sleep just a couple of meters from you.

you fall asleep with her hand in your own, as both of your eyes grow too tired and you drift off together.

other nights, when she’s fast asleep and -for once- doesn’t seem haunted by nightmares, you find yourself watching over her. it’s the only time you get to see her the way she’d once been: when her features aren’t tense or pained, but relaxed. when she’s the girl you met at the very first soccer practice years ago, who hasn’t known any of the things that’ll happen to her in this lifetime. you stay up all night, only realizing how much time has passed when light starts spilling into the cabin and she stirs up.

you know shauna hates being pitied. so while you do feel for her, instead of asking if she’s okay, you just stay close, offering your warmth and presence. when shauna’s frustration bubbles over, she lets herself scream or cry in your arms, knowing you won’t turn her away. you hold her tightly all through the waves of emotions, murmuring quiet reassurances, and she clings to you, even as she struggles to accept that someone genuinely cares.

“everyone else… they don’t understand. they couldn’t. but you-“ she murmurs softly. “you’re the only one who sees me. the only one who wants to.”

shauna begins to show subtle signs of protectiveness over you, too: always looking out for you and offering the little comforts she can manage. even though her gestures are often quieter than yours, and less obvious, she's found her own way of showing she’s come to care for you, and that she’s willing to fight for you as much as you’re willing to be there for her out there!! <3

[junktastic]

Hi everynyan,

Some of you will remember that I was taking names/addresses to send out free stickers in September. I am almost done sending them out now, so here's a quick update on that.

The Good!

I like this a lot! It's fun to do. For reference, I'm printing, laminating, and cutting these myself at home, so I'm learning a lot about my machine. I like being in charge of the quality control, I like doing the logistic work. Idk. It's fulfilling to me.

It's also really delightful to see names on the list who I've known of for a long time. Old and new faces, people all over the world, I love seeing people adopt a catgirl. :3 And for free! I'm by no means making a lot, but being able to provide something fun and physical to the people who enjoy my art for free is just! Wow!

The Bad!

Everything that could have gone wrong during this process did, which is why they're going out so late. The at-home manufacturing process was relatively simple but the materials kept being funky, or I'd do something wrong, so I'd have to toss something that I'd completely fucked up, OR I'd just miscount how much stuff material I had left. It's been a pain in the butt, so I'm glad it's done and that I've learned so much from it. I ALMOST FORGOT, I DESTROYED ONE CUTTING MAT MAKING THAT ROGER STANDEE FOR MY WEDDING LOL SO I HAD TO SPEND TIME CONDITIONING THE NEW CUTTING MAT! UGH!

There's also: the money. I know it's gauche to talk about it, but doing this was pretty expensive. I live in Canada now, and most of the letters were going out of Canada, so that postage added up. Materials cost, time, it's a pretty good chunk of change, but I didn't go broke so I want to do it again.

The Other?

I definitely want (and plan) to do this again very soon. I'm talking within this month. I'm making Christmas cards! I've already set money aside for this so it's all good, and it involves less at-home manufacturing since I can just reach out to a local print shop.

I know some people were wary of the google form, but I can't really find a better alternative at this time. MailChimp has had at least one major information leak in 2024 alone, so I am not sure where else to turn for collecting addresses at this time. I had a few people who did not give me towns/zip codes, and the street address would have three or four towns in that state alone with that address. Since I didn't collect e-mail addresses, I didn't have any way to reach out to entrants about this. If you don't see your sticker in the next few weeks, this might be why! I also plan on adding a checkbox just to confirm that the person requesting the sticker is over 18, NOT because I plan on sending anything saucy, but I know what it's like to be a teen with parents who open you mail, an I don't want to cause problems for anyone because Mom and Dad think fairies are satanic or something.

Most people I've talked to about all of this have really emphasized that I need to reopen my Patreon. I'm not saying anybody is wrong on this, but it just makes me feel so uncomfortable. I think anyone who's followed me for a while has seen me try and fail to do art full time or, hell, even have a schedule for something, and I've failed every time. I'm so scared of failing people again. How can I ensure that I'm producing things on time, to a standard I am happy with, that anyone willing to support me (in this economy?) would also be happy with? It will probably happen, but I'm just so... Plus, with all honesty, I have a commission backlog that I need to finish first! I'm bad at the business part of this whole thing, I think. I'm a blue-collar labourer in my heart.

That's my update! I wish you all well, please stay safe and take care of yourself and those around you. I'll post again when I'm collecting addresses for the Christmas cards.

[aftgficrec]

Can you please suggest fics where neil and bee have more interactions. Or even ones about andrew and bee talking about neil or anything else

Btw I really really appreciate everything yall do! God bless you.

Here is what we found for you. -A

Neil/andreil talk to Bee:

Neil goes to therapy here

‘we softly stir the violence’ and ‘Healing’ series parts 1 & 3 here

‘“I wish I'd never…”’ here

‘Andrew Minyards Crystal’ here

‘pain our brain has made’ here (updated)

‘not to blame for falling’ series and ‘sidelines’ here

‘on the tip of my tongue (say something)’ series here (completed)

‘Andrew and Neil's guide to getting better’ series here

‘True Love Waits’ series here

‘Cyberstalking’ here

‘Promises’ here

‘A Taste of Your Own Medicine’ here

‘The Massive Continuity of Ducks’ and ‘Ghost of You’ here

‘A collection of Andreil one-shots’ ch 3 here

‘I Don't Know’ here

‘The Destination Was Always Forever’ (updated), ‘Minyard-Josten Rivalry’ (updated), ‘sunrise, abram’ series, ‘and in a flash, it's gone.’ series part 2, and ‘Stay Where I Can Reach’ here

Andrew talks to Bee about Neil:

previous ask here

‘Unspoken’ here

‘AFTG Drabbles’ parts 1 & 8 here

‘Paper Cut Hearts’ here

‘the shuffling of cards’ here

‘words can't warm the windows of my soul’ here

‘The Hand That Needs Me’ here

‘Mother Mannequin’ here

‘Anything’ here

‘the icarus to your certainty’ here

‘No straighter path than to struggle’ here

‘Can we can pretend like we're (not) in love?’ here

Neil Josten is Not Fine by Anonymous [Rated T, 3362 Words, Complete, AFTG Then & Never 2024]

After weeks of nightmares and an embarrassing discovery, Neil finally decides to pay Betsy a visit.

tw: implied/referenced torture, tw: implied/referenced rape/noncon, tw: nightmares, tw: bedwetting

i'll take anything you have (if you could throw me a line) by ifitmeanslosingyou [Rated M, 923 Words, Complete, 2024]

the sunrise can be pretty, neil thinks, but instead of the pinks and oranges washing him with ease, neil can’t help the panic at the thought that he’s been up here for longer than he planned to he wonders if anyone has even realized he left the dorms in the first place, wonders if andrew even looked when neil left the bedroom, wonders if he gave up, wonders if he finally came to his senses and realized neil was more trouble than he’s worth wonders if the roof of the court is high enough that the fall would kill him day 31: asking for help | therapy | “i’m alive, i’m just not well”

tw: suicidal thoughts, tw: implied/referenced self harm

help, I've lost myself again (but I remember you) by abitsillygoofy [Not Rated, 5320 Words, Complete, 2024]

“Neil we have to talk about it,” Betsy said “I don’t think so” Neil replied “Nope, not happening” He popped the p at the end trying to make the woman mad at him. “You just tried to kill yourself, so I think we have to have this talk” Betsy didn’t seem bothered by his act and kept her nice, neutral facial expression, but unlike on his session looked worried too. or Neil wakes up in the hospital after his suicide attempt and has to face what he did.

tw: suicide attempt, tw: self harm, tw: blood

keep telling me that it gets better (does it ever?) by phan_taloon [Rated M, 15415 Words, Complete, 2022, Locked]

Previously recced here

AU where Neil never met the Foxes, with a little less mafia and a little more pain for Neil when he ends up captured by Nathan for months, and has to deal with the consequences by himself. He ends up in treatment for chronic pain with opioids, and let's just say opioid use is tricky when you're alone and in pain; one thing can lead to another more easily than it seems.

tw: drug addiction, tw: drug overdose, tw: withdrawal, tw: suicidal thoughts, tw: implied/referenced self harm, tw: implied/referenced abuse, tw: implied/referenced torture, tw: vomit

an acquired taste the asbestos is lovely by cyanica [Rated M, 6617 Words, Complete, 2024, Locked]

“What did you take?” Andrew demands. Neil wonders if Andrew will taste all that is wrong with Neil when he kisses him. He wonders if Andrew will recognize it. Andrew knows what it is to hurt himself, and this must be familiar. It’s deja vu, Neil thinks, if only a little bit worse, a little more terrible. Neil shakes his head, groaning into the toilet, “I don’t want to tell you.” Andrew pulls out his phone, and Neil can already hear it dialling when he says, “You can tell the paramedics.” Or; “Cigarettes,” Neil says. “I ate your cigarettes.”

tw: self harm, tw: overdose, tw: pica, tw: eating disorders, tw: vomit, tw: blood, tw: mental breakdown, tw: implied/referenced abuse

If it means protecting you (I’ll pay my dues) by Intangibel (duskbutterfly) [Rated T, 125462 Words, Incomplete, Updated April 2023]

Previously recced here

What if the threat of Aaron being charged with murder was more significant and Neil found out that he could prevent Andrew from having to be at the trial if he were to testify. What would he be willing to sacrifice to achieve that? What if instead of refusing to testify for Aaron, Neil decides to make a deal with the FBI to become their witness against his father if they’ll backstop his current identity. He thinks it means signing his death warrant and losing the Foxes. Betsy, Aaron and the Foxes are determined to convince him it doesn’t have to be all or nothing, his father’s people are coming for him and that’s not even starting on what Andrew will have to say about Neil choosing to martyr himself.

tw: graphic depictions of violence, tw: child abuse, tw: torture, tw: blood, tw: scars, tw: vomit, tw: implied/referenced drug addiction, tw: implied/referenced rape/noncon, tw: implied/referenced csa, tw: homophobia, tw: conversion camp reference, tw: reenactment therapy with noncon

The Sun Still Rises by mordax [Rated E, 474451 Words, Incomplete, Updated Oct 2024]

Previously recced here

Somewhere on the road, Mary Hatford gets pregnant with her second child. When she passes, she leaves behind not only Neil, but his toddler brother. Survival is difficult without also raising a kid. Worn out and desperate, Neil still somehow ends up at Palmetto, only this time, he brings his four-year-old brother with him.

tw: violence, tw: anxiety, tw: panic attacks,  tw: implied/referenced rape/noncon, tw: implied/referenced self harm, tw: implied/referenced child abuse, tw: drug use, tw: involuntary sedation, tw: reenactment therapy with noncon

NB: find fanart for this fic by @/elidanus on twitter here

Ain’t it fun by jemejem [Rated T (we say M) 30672 Words, Complete, 2018]

Neil can't sleep. Andrew can't feel. High school is going well for the both of them.

tw: homophobia, tw: mental breakdown, tw: anxiety, tw: depression, tw: suicidal thoughts, tw: suicide attempt, tw: implied/referenced self harm, tw: scars, tw: ptsd, tw: psychological trauma, tw: flashbacks

I been here all along (so why can't you see?) by alexcherry [Rated G, 8691 Words, Complete, 2021]

Andrew leans on the counter beside Neil's thigh. "Where do you want to go, Josten? What favor do you need from me?" Neil looked at Andrew and steeled himself. "I want you to come with me to the next therapy session with Betsy posing as my boyfriend." "Like one," Andrew thought for a moment. "Couple therapy?" Neil perked up. "Yes! Exactly, and then we see how long it takes her to find out we're not connected at all."

tw: implied/referenced child abuse, tw: implied/referenced torture, tw: implied/referenced murder

If You Need Shelter by AfraidOfBananas [Rated M, 2642 Words, Complete, 2021]

“The boy is staring at Neil with a startled expression like he’s just seen a ghost. Well, maybe he has. Neil hasn’t felt alive for a very long time.” Or.....Neil meets Andrew while he’s on the run

Family by BlueJay26 [Not Rated, 9420 Words, Complete, 2021, Locked]

The blood of the covenant is thicker than the water of the womb. Three adults who certainly proved this was true, and their (sort of) children who realised a family isn't always linked by blood. Also known as, how Abby, Bee and Wymack earned their family's love and trust.

tw: implied/referenced abuse, tw: internalized homophobia

Art

Abby and Betsy art by @rainbowd00dles 

Betsy 💕💕 art by @neroholik

Mom and Dad and Mom art by @llstarcasterll

Betsy and Abby 💖 art by @jeannemaybedarc

Betsy Dobson cosplay by @/toobeetofunction on instagram

@drbetsydobson instagram account/moodboard

[bidisasterevankinard]

The only hope i have rn is that as with kiss break up was just a shock plot twist that is going to be explained later. As you might remember 7x3 gave us almost nothing to really believe bucktommy will happen (not talking about me who was already all in my "tuck (I called bt that that time) is happening guys". And then next episode till Buck is kissed by Tommy we are led to believe Buck is jealous about Eddie. The kiss was a shock, till the moment they started to move close, but even then. We didn't really expect it to happen. It was like BOOM. And then the episode ended and interviews were all like "yeah Buck is finally bi". And ga were really surprised, and some of them were homophobic ofc, some were just really surprised Buck is into men. Since when?. And then more explanation and answer to that question and exploring happened only next episode. The explanation on the screen, not in interviews that ga more likely do not read, that it's actually NEW to Buck, that he never thought he's into men before Tommy

So rn i kinda hope it's the same with break up. It was the shock that would be explained later, in the next two episodes, tho I'm not sure if it will lead to bt make up or not

At least I hope they'll end it better, give Buck actually say I'm bisexual and say either good bye to Tommy, but firstly admitting he is in love with him, even if it will happen not to Tommy's face, or him chosing to go and get his man saying it to Tommy. 911 never does cliffhangers tho Wendell died in 6x9 and Bobby was looking in his death only in the next part of the season. so hope is here that maybe they'll end the middle finale after emergencies, when they show us how they leave out characters before 3-4 months time jump in montage, that Buck is knocking at the door that Tommy opens, and Buck says "you're wrong about me. I can see our future not because I'm so excited that I understood I'm bisexual because of you, but because I love you. I don't need anyone else. But if you can't see our future then ok, tell me to go home. And I'll do it. But stop being coward and just run without explanation. I, as Abby did, deserve it". Black screen

Boom again. Fandom runs around speculating that will happen, and you don't need to write all fix it of 8x6. Just show in another part that:

a) bucktommy are actually talk and not the shit that they showed that apparently they never talked that Tommy is gay and Buck (possibly bc you can enjoy watching smt and not play it) hates basketball

b) Buck sees Tommy's flaws.

And you can do what you want with their progression as a couple. Or ok if you still don't want bt you can make one scene where Buck says that he's boyfriend said they can't be together. But it at least will give everyone closure

[firey-passion]

League of Villain Headcanon - Being Drunk

Shigaraki:

When he gets drunk he pretty much goes completely nonverbal, not bothering to use his words anymore and instead communicating through grumbles and grunts. He also gets really clingy when drunk, with the more drunk he gets the more willing he is to cling to absolutely anyone who gets close to him. This makes it a requirement for him to wear his gloves when he's drinking, otherwise someone may end up a pile of dust on the ground.

Spinner:

He gets pretty chatty while drunk, an insane amount actually. He'll talk about practically anything; his past, his favorite video games, his parents, his thoughts Pokémon strength and weakness, absolutely anything becomes on the table and it's imposable to shut him up. The more drunk he gets, the more incoherent his words become until he just passes out.

Dabi:

He starts having a go at the karaoke machine and dancing like a man who's got nothin' to lose. He's actually really good at singing despite being drunk, I know typically when someone's drunk their singing gets worse but in Dabi's case, he actually just keeps his skill level, just less impulse control. He's an incredibly well coronated drunk, never once falls during his dance routine unless he intended to.

Mr. Compress:

He becomes a lot flirtier than he normally would be, with him losing the impulse control to not flirt with anyone he finds attractive. Interesting enough though, if he's in a monogamous relationship he'll only flirt with his partner. Even if he's around someone he was attracted to before he started dating this other person, he'll still only flirt with his SO. Basically, when he's in a committed relationship his ability to find others attractive kinda just vanishes except for his partner. Also, his ability to flirt is a lot less sophisticated than it normally would be. Not in a, "he's being creepy" way, more so in a, "he won't stop telling you how pretty/cute/hot you are". His ability to use big, sophisticated, and well put together words/sentences to flirt has disappeared for the time being, he'll regain them when sober.

Kurogiri:

He can't really get drunk. Now hear me out on this one! A personal headcanon of mine is that Kurogiri was not only given Warp Gate as a quirk, but also a bunch of smaller less noticeable quirks. One grants him a regenerative ability that makes it so injuries that would normally take a day to heal will instead heal in a few hours, another gives him a perfect internal clock, and (the one important for the headcanon here) one that gives him heighten poison resistance. Since alcohol is technically a poison, a side effect of this quirk is that he can now chug straight vodka and remain sober. This also leads to him having a high spice tolerance and caffeine not doing anything for him, with both caffeine and capsaicin are poisons. This ultimately led to the headcanon that in the MHA Panera's Charged Lemonade, instead of being an affront to God and a sin against the FDA, is instead marketed specifically for those with quirks around poison resentence so that they can use caffeine to get through their day. So that's how Kurogiri is able to handle the League and all their stillness, with the lawsuit making lemonade.

Twice:

He's a sad drunk, like, a really sad drunk. He just starts sobbing and questioning all of his life decisions. He won't stop crying until he passes out. He needs to down soooooooooo much water afterwards to regain all the hydration he lost through his tears. This has kinda lead to him being banned from getting drunk anywhere away from the League, as they're concerned that if this 30-year-old man starts sobbing uncontrollably in public that'll draw to much attention and someone might recognize him and get the pros called on him. He doesn't really have an issue with this, after all he lives with the League now so he can basically just stay home and drink with family instead of going out to some bar with a bunch of strangers who probably couldn't give less of fuck about him.

Toga:

Currently is not allowed to drink, has she is 16. When she becomes 18, she'll be allowed to drink (that's the legal age for drinking in Japan, for my fellow Americans who forget that other countries decided that if you're old enough to sign a contract you're old enough to drink). When she is able to get drunk, all of her impulse control goes out the fucking window. Not only does this mean that she's more likely to stab people, it also means that she's willing to jump out a window to see if she can fly. After her first time being drunk lead to her being put out of commission for a week and all of the League (except Kurogiri, he's very good at dodging) having new knife scars, it is now a requirement for someone who's sober to be responsible for her when she's drunk. Luckily Kurogiri fits into this role perfectly, so he's now the one to be responsible to make sure she doesn't hurt herself or others when drunk.