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megaderping · 6 months ago

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I think the biggest issue with Naoto discussion is that there are so many intersecting perspectives with very strong feelings involved, and if a Persona 4 remake does happen, I fully suspect that Atlus is going to have their hands full figuring out how to handle the character in the modern day. First there's the cultural context of misogyny in the workplace and especially in the legal and justice systems in Japan, which informs Naoto's character a lot. It is important to consider this, as this was a Japanese game made in 2008 at a time where queer visibility wasn't nearly as prominent, but that alone doesn't invalidate criticism to the arc's execution, regardless of creator intention. A big point of contention is how the arc was handled. Specifically the way it uses talk of body alteration procedures, surgical equipment, and treats the idea of transition as scary. If you consider how draconian the laws behind legally transitioning in Japan are, you can perhaps make a case for why it might cause Naoto internal conflict as complete surgical transition/sterilization/diagnosis were all requirements at the time of the game's development and only recently were declared unconstitutional. Though, as this excellent video pointed out, it's possible this was meant to be a reference to the story Flowers for Algernon, given the weapon you get if you return there later. However, even if that was the intent, transgender people exist in Japan and have since well before Persona 4, and anime such as The Dirty Pair aired in the 80's with very progressive takes on transness. It's very unlikely that the team behind Persona 4 was completely unaware of queer issues and symbolism, given that Persona 3 had that infamous transphobic joke in the original version's babe hunt.

The Dirty Pair, a 1985 anime that was surprisingly progressive.

I think the issue, more than anything, is that the tropes at play don't exist in a vacuum and what comes after Naoto's dungeon raises a lot more red flags. Jokes about Naoto's chest size, the narrative framing Kanji's crush as only acceptable after the reveal, on top of the uncomfortable execution of the romance route in Naoto's Social Link. You get so much "Naoto is actually a girl" in a way where it's other characters talking about/over Naoto, which is what really makes the framing off putting to a lot of people, myself included. And it's not even that you can't do an arc about a female character fighting against prejudiced preconceptions in the criminal justice field without controversy, because Persona 5 pulled this off far less contentiously.

Sae Niijima deals with many similar themes but doesn't seem nearly as contentious, and I think a large part of that is due to Sae openly presenting as a woman from the start. The game openly depicts the misogyny from Sae's superiors and coworkers, such as how she's unmarried and fighting an uphill battle for success in a male-dominated field. Persona has toyed with these ideas in the aftermath of Persona 4 and even when revisiting older titles. Persona 2 went back and added the character of Shiori Miyashiro in the PSP release, a lady detective who has a lot in common with Naoto (e.g. knowingly endangering oneself to get the truth behind a supernatural case). It's also astonishing that we have Lala Escargot in Persona 5, which also had that infamous gay couple that played into horrible stereotypes that were only slightly fixed in royal's international release. Lala, whether trans or a drag queen, is given surprising respect, and her identity is never called into question. A Persona 4 remake could learn from this and cut back on the characters asserting what Naoto feels, what Naoto "really is," etc, and let Naoto and Naoto alone decide. Ultimately, Naoto means different things to different people, and these things can carry great personal weight and importance. Many trans and nonbinary Persona fans see themselves in Naoto. Others favor Naoto as some flavor of gnc or find Naoto embracing femininity and detective work empowering. I think the problem is that when this topic comes up, there's a lot of hostility. Trans fans and people who favor trans Naoto get told to shut up at best, and at worst get hit with shit tons of transphobia and gross conduct. On the other hand, I don't think people who prefer more canon-compliant depictions of Naoto are inherently malicious. It's how they approach these discussions and treat people that makes a difference. Just because someone uses she/her for Naoto doesn't mean they're being intentionally transphobic, but I totally get people wanting to avoid material that uses those pronouns all the same. I also don't think people are wrong to be uncomfortable with the resolution of Naoto's arc in canon. I think people who get upset when fanworks go with trans or NB interpretations of Naoto could stand to be more empathetic, as a lot of those fanworks come from people who connected to Naoto and want to explore what could've been. I don't think more canon-compliant fanworks are inherently malicious either, but no one is obligated to stick around works or spaces that make them feel uncomfortable. Tbh, I'm just wondering what Atlus will do. Persona 3 Reload removed that one transphobic joke during the babe hunt in all languages. Persona 5 Tactica had male marriage fantasies for Joker. I think Atlus is trying to be more inclusive, but Persona 3 Reload also kept Toriumi's crush on the protagonist and Chihiro defending student-teacher romances, so it's really unclear how much of Persona 4's more divisive aspects will be retooled. Because it's not just Naoto. Persona 4 has a lot of aspects that haven't aged well, like all the jokes about Kanji being predatory if he's attracted to guys, or Kashiwagi being creepy toward students, or the fatphobia with Hanako while Ebihara's past of being overweight is treated with more sympathy. I love Naoto and Persona 4, but I also think it's important to be able to criticize elements of the game that could be executed better.

#naoto shirogane #persona 4 #persona discourse #discourse #persona #tw: transphobia mention #meta #can add additional tags if necessary!#tbh i wasn't sure what all i needed to tw for #sae niijima #long post

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wingedcat13 · 2 years ago

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Synovus: A Wishing Star

[Canonically, this takes place before ‘Call Me Menace’ - which is why there’s a notable lack of Alexandria and Minerva in this segment. This was requested by an Anon, with the prompt of Synovus being asked for by a Make a Wish child, through the Make a Wish foundation.]

[Trigger warnings for childhood cancer, descriptions of illness and hospitals, and discussions of suicide. Reference is also made to the possibility of substance abuse. Unlike most of my writing, for this, I cannot promise you will find this ending happy.]

“Your name came up today,” Rosie called up to you, laboriously walking laps around the cafeteria.

“Of course it did.” You replied laconically, keeping a careful eye on her progress from a perch in the rafters. Your shadows were ready to catch and steady her if she stumbled, though you both pretended you were too occupied with your knitting. “I am an incredibly interesting person. On a completely unrelated note, tell Dr. Grouch that he will receive payment shortly.”

That wasn’t an epithet, ‘Dr. Grouch.’ It was genuinely the man’s name. Dr. Jeremy Grouch, a pediatric cancer specialist, who had the good fortune of being the best choice for you to kidnap when Rosie had finally told you why she’d been half-joking about retirement. He was no longer your ‘guest,’ having returned to the mainland full time a few weeks prior, but he still communicated with Rosie quite often.

A bark of laughter had Rosie pausing, out of breath, to brace herself against the wall. She turned to rest her back against it, but since she didn’t sit, you didn’t jump down to see if she was alright. Even if you had stopped knitting.

“Not for the money.” Rosie assured you, when she had caught her breath enough to reply without wheezing. “He thinks you’re more than generous.”

“Dr. Grouch could stand to live up to his name a bit more.” You tsk’ed, “I kidnapped him, forced him to work for me. He didn’t even haggle.”

Not that this would have done him much good in the beginning. Historically, you did not respond well to threats or extortion. But you did respect a good hustle, and you were fairly certain that Dr. Grouch had been aware he could’ve pushed for more of a reward once Rosie was declared in remission. He hadn’t taken the opportunity.

“He isn’t hurting for wealth.” Rosie pointed out. The sardonic note to her voice had made you smile. You and your minions were in the business of exploiting greed and committing evils, but that did not make any of you less inclined to judge others for anything less than your own morality demanded. And that often included each other.

But Rosie’s tone shifted, becoming something lighter, “He said one of his patients asked to meet you.”

“What?”

“One of his patients wants to meet you.” Rosie repeated patiently. “Wished for it, even.”

You forced your tone to remain light, glad you were up in the rafters where she couldn’t see your body language. “Well, there’s a rarity. How many people ever say ‘I wish to meet Synovus?’”

Rosie sighed. “Usually just people who want to kill you.”

“Are we certain that isn’t what the child wants? I’m assuming it’s a child, adults usually know better.” You picked up another stitch, fumbled it, did it again. This time it stuck.

It wasn’t the idea of a child trying to kill you that had you so… disoriented. You’d been responsible for the deaths of a lot of parents over the years - you wouldn’t be surprised if there had been hundreds of vendettas sworn against you, or all villain kind, or even the heroes who had failed to stop you, over the years. But kids - children - you had a soft spot for.

You remembered too clearly what it was like to be young, sheltered, and out of control of your life. It was debatable, some days, how much of that still applied to you in some way or another.

“I’d bet on the kid.” Rosie remarked.

“I-“ You twirled one knitting needle, intending to point it at her, and snagged it in the trailing end of your yarn instead. It didn’t matter, because she couldn’t see you. “- take offense on the child’s behalf that you would doubt them.”

“Oh yeah?” Rosie perked up, “Offended enough to defend their honor in person?”

Frowning, you set down your knitting again. “What are you asking me here, Rosie?”

“I want to know if you’ll honor the kid’s Wish.”

There was something in the way she said it that gave you pause. You mulled it over.

“When you say ‘wish,’ you don’t just mean a general expressed desire, do you.”

It wasn’t much of a question, but Rosie answered anyway, “Nope. I mean the Wish. Apparently they hadn’t wanted to say anything, because they didn’t think anyone would let them, but they were talking to Dr. Grouch, and asked where he’d been -“

You groaned. You’d been assured of his adherence to HIPAA, but hadn’t pushed too hard on the ‘never tell anyone where you’ve been, ever, on pain of excruciatingly over described death’ angle. Maybe you should’ve.

“- yeah, I know, but apparently he only told the kid and asked them to keep it a secret, and the kid ‘lit up like it was Christmas.’” Rosie relayed this information, complete with air quotes, without moving from the wall.

To avoid thinking about the idea of being anyone’s last, true Wish - the big W, the heart’s desire, the crown of a bucket list - you instead thought about how Rosie had trapped you. You couldn’t just disappear because then she’d be alone, and could still collapse. You couldn’t call her physical therapy completed for the day yet either, because she hadn’t finished this lap.

Evil, your minions. Absolutely evil.

You sighed, sure Rosie would feel it, even if she couldn’t hear it at this distance. “Very well.” You conceded, morose. “When are we meeting this little miscreant?”

—-

Hospitals were not easy for you to break into. Not when you were in costume, at least. You could get terrifyingly far in a white coat with a coffee cup and a clipboard, but that came down to timing and confidence and an aura of ‘fuck off, I am incredibly busy’ that you’ve always felt most doctors cultivated on purpose.

That didn’t really work when you were in all black with a cape and a helmet. And this was a children’s cancer ward, so it wasn’t like you could just wait till everyone went home. Windows didn’t open up here either.

So you’d had Dr. Grouch let you in from the helipad on the roof.

“You’ve taken the precautions I requested?” He asked, as you paused outside of the ward itself. “Fully clean, as you would have for Ms. Rosie? You will not touch anything you do not have to, and will call for assistance if she seems overwrought?”

“Yes, Dr. Grouch.” You replied, accepting another antiseptic wipe for your gloves. “I am here to answer a summons. That is all. I swear that your charge will not come to harm from me.”

You did not point out he had been the one to arrange this meeting. His face made a strange expression, as though he were surprised, and surprised at being surprised, and a bit disappointed in himself for that sequence of events. Still, he recovered quickly.

“At least I do not have to remind you to wear a mask.” He granted, in an attempt at levity. Luckily for you both, you didn’t actually need to reply, because he was already triggering the ward doors for you to enter.

While Grouch moved to the ward station, motioning to calm the various staff on duty, you moved with purpose for the room you’d been directed to earlier. Grouch was telling the staff that he’d found someone willing to stand in for you, as a way of reassuring them. You weren’t sure they’d buy it, but it really wasn’t your problem for the moment.

You moved quietly. You weren’t sure whether or which other rooms were occupied, and you didn’t intend to scare anyone who hadn’t requested to see you tonight. For that same reason, you double checked the number on the door you opened, and lifted it faintly on its hinges, that it would open smoothly and as silently as you could make it.

The room beyond was dim, if not completely dark. The corridor behind you was also dimmed for the night cycle, trying to give the ward’s occupants a chance at sleeping, though the ward station was still well-illuminated. You made sure its light wouldn’t give you a halo or shadow as you entered, and quietly shut the door behind yourself.

You aren’t familiar enough with hospitals to say whether this room is average or not. Tiled floors, the bed that is also a gurney, sparse furniture, windows on the far wall. There are signs of life here, in the form of some decaying flowers on the dresser, with several cards propped around their vase where the bed’s occupant can see. A television is mounted near the ceiling on an extendable arm, but it’s off for now.

There’s a few sources of dim light - the distant aura of the streetlights casts the bars supporting the windows on the wall across from the bed. A floor light illuminates the tile enough to show any potential tripping hazards. The odd blinking light on the medical equipment provides a dash of color to the gloom.

And in the bed, there is a lump curled on its side, as far as the IV line and monitors will allow it, blankets pulled tight over the shoulder and tucked near the chin. Dr. Grouch told you some basics about the patient before you reached this floor, so you know who you are supposed to be meeting. You feel bad for waking her, but you’ve been assured she doesn’t sleep well anyway, and is likely awake. Judging by the faint rustling of a body’s small movements, that judgement was accurate.

You are reminded of Dr. Grouch’s planned lie, out in the hall. You do not want this child to think they are being tricked. So you stay where you are, in the deeper shadow of the door-well, and you summon your shadows to life.

The window frame shadows make an excellent trellis for your branching additions - they stretch out, forming words in deeper darkness than the natural shadow from which they are woven. If you are mistaken, if this is the wrong room, if the girl sleeps, you won’t have disturbed them.

But you see the streetlight illuminate the planes of a too-sharp face as it turns to focus bleary eyes on what you’ve written.

Hello, Loralai.

At fourteen years old, Loralai should still have the roundness of youth. She does not. Nor is she quite skeletal, despite the advanced nature of her illness. It almost seems, in the half light, as though a slight push would be all that was necessary to send her in either direction: back to the hale softness of health, or further on to the sharp stillness of death.

She blinks. Her eyes widen, then narrow, then widen again. You belatedly wonder if perhaps she needs glasses. Or what if she’s dyslexic? Your shadow-words are hardly the easiest things to read. Damn it, Synovus, now is not the time for posturing and-

“Synovus?” Asks a breathless, whispering voice.

“In the flesh.” You reply, because you are a melodramatic moron. Still, your voice is quiet, and you remain unmoving.

There’s some more rustling. The bed is already mostly elevated, so Loralai doesn’t need to try and sit up so much as readjust how she’s sitting. There’s a click of a lamp - and then there’s a real light source in the room, even if it’s dulled by the lampshade.

You step forward as Loralai rubs the spots from her vision with one hand. There’s an IV catheter taped to the back of it from some recent event, the bruising around it just beginning to ripen. You don’t remember what that might mean, if anything.

As she gets her vision back and examines you, you turn your helmet, pretending to survey the room. Eyes bright with curiosity flick from the helmet to the cape to the patterns of padding over your torso. She does not seem scared, but then, why would she be? Dr. Grouch had informed you she was well aware her case was terminal. You may be a specter of death to some people, but this child has already started staring down the real thing.

“You are Loralai Weber?” You ask, turning back to face her directly.

She nods, leaning back against her pillows. You can see exhaustion on every line of her too-young face, but it seems not to have any power over her at the moment. “Yes. I didn’t think you’d actually come to see me.”

You gesture aimlessly, “I am not often asked for.” You reply candidly. “You’ve piqued my interest. And.. one could say I was in the neighborhood.”

Loralai’s expression brightens, “Are you going to attack the hospital?”

You frown. The prospect seems to excite her. Still, you keep your voice casual, noncommittal, “Not tonight, at least.”

“Damn.” Loralai sounds disappointed now. You muffle your amusement at her cursing as she continues, “Any time soon, maybe? Like, in the next week?”

She can’t see you raise your brows, so you tilt your head to one side, “You sound almost hopeful, Ms. Weber. Why could that be?”

Loralai averts her gaze for a moment, plucking slowly at the top blanket of her bed. This is the moment of truth, really. You spent hours trying to figure out what you might be asked for:

Could you kill someone for her? A doctor, a nurse, another patient who was really annoying? Or could you attack the hospital, so she could help you wreak havoc, and have the chance to feel as powerful as a Villain? Alternatively, what if she were the one to stop you? You were dreading the deathbed request that you ‘turn good,’ but that doesn’t seem to be forthcoming. Maybe she simply wishes to witness a hero battle up close, and needs you to initiate it. Or-

“I want you to kill me.”

You freeze. Most of you, anyway, as your stomach seems to have left out the ground floor entrance. You had not anticipated this. You feel like you should have.

Remorseless for your shock, Loralai continues, managing to look directly at your helmet face as her words spill over each other, “I know I’m dying, and that I don’t have long left, but I’ve been dying for months, and I just feel worse and worse every day, and I - I want to die fast, not slow. I want it to be over. You - you could make it quick for me, couldn’t you?”

You have not been inclined towards religion for a very long time. Yet, in this moment, you see the appeal of dropping to your knees and offering a fervent prayer of gratitude to whoever or whatever might be listening that you gave Dr. Grouch your word in the hall. You do not want to answer Loralai’s question, or know what your answer would be. You refuse to acknowledge the burgeoning answer within you.

The horror of it all still threatens to overwhelm you. The shadows in the room thicken, automatically reaching for you to provide shelter from unfortunate truths and uncomfortable conversation. This is why she asked for you. Because you are evil. Because you are terrible enough to meet a child face to face and kill them at their own request. Because you are not beholden to law, morality, or sympathy.

The black pit of despair yawns, and it is only by the barest shred of your willpower that you stay out of it - as awful as you feel in this moment, as much as you know you have only delayed your own suffering, the fact remains: you are not the one dying here.

It does not matter how you feel, looking at someone younger than you were when you finally found freedom, and knowing they will never reach the same age, the same feeling. It does not matter how you feel about their request. Loralai Weber sits in a hospital bed, terminal at 14 years old, and she is suffering badly enough to seek the Scourge of the West Coast.

So you scrape yourself together, and move to the end of her bed.

“May I sit?”

Loralai nods, brow still furrowed, and shuffles her feet so you can avoid accidentally sitting on them. You perch there, partially leaning on the rail at the foot of the bed, and watch her for a long moment.

“Yes.” You say, finally. “I could make your death swift. There is little you could do to stop me.”

You have Loralai’s undivided attention. When you stop speaking, she waits. The clearer it becomes that you will not say more, the further her face falls. “Could.” She says tonelessly. “But won’t.”

“No.” You confirm quietly. “I will not.”

“Why?” Loralai cries. She tries to gesture to herself, to the room that she’s in. “You’ve killed so many people! What’s one more to you? Why not me? Is it - do you want me to suffer, is that it? Would this be too merciful for you?”

You let her yell, and gesture, even when she comes within several inches of you. “No, Loralai. I do not want you to suffer. But nor do I think this would be an act of mercy.” You avoid addressing the issue of your body count.

Loralai looks offended and confused, gaping at you for a moment. “Does this look like a life worth living?” She demands.

Your answer is without hesitation, “Yes.”

The girl’s face contorts with incredulity, then despair, then anger. Her eyes are increasingly red-rimmed, and there’s a wet quality to her wavering voice when she responds, “Fuck you.”

Grimly, you brace yourself for much worse before the night is over. She hasn’t ordered you out yet, so you have to attempt to explain. Even if you cannot give her what she wants, you can be an outlet for her anger, and the face she cannot show to her doctors.

“There are cards on the dresser.” You point out.

“Classmates I’ve never even met.” Loralai responds flatly.

“Flowers, too.”

“Another parent bought some for the whole floor after their kid bit it. It’s a pity gift to make them feel better, nothing to do with me.”

“You still have family.”

“So they should get the honor and joy of watching me die? Paying a fortune for every extra hour I sit here and wait for it to be my turn?”

“It is worth it, to them.” You explain, matter-of-fact. “Every penny. Every extra shift. Every loan. Every night on your fold-out couch. How did you convince your mother not to be here tonight?”

Loralai flinches. “She has a bad back.” She mutters, “She - it’s better for her to be home, in a real bed. And so what if it’s worth it to them? What if it’s not worth it to me? Can’t I choose how and when I die?”

You sigh, “If that were true, the world would be full of immortals. And suicides. You realize that is what you asked of me, yes? An assisted suicide?”

Loralai draws back at the word, but doesn’t deny it. “It’s not like it would be anything new for you.”

The truth of that statement is painful. For a moment, you hear a distant ringing with no physical source. You are acutely aware of the shadows in this room - their patterns under the bed, on the wall, the sky behind the window, in the spaces under your skin-

“I am not your tool.” You rasp, before remembering that Loralai couldn’t possibly know about your past. She is a teenager. A hurt one. They always have a gift for striking true, even when they lash out blindly.

You take a deep breath, and suppress the shadows again. You don’t want to know how far up your arms they reached before you regained your senses. “And I will not be baited into killing you either. You are right - I’ve killed. Plenty. I will again. But I do so for my own reasons, and not because someone asks me to. You asked for me by name, Ms. Weber, out of all of the villains on the West Coast, so I’m guessing you know that.”

Loralai opens her mouth to respond - then looks away.

“You have every right to be angry.” You continue into the silence, “With me, with the people around you. With the doctors and nurses for how often they check in and the poking and prodding they do. With the kitchen for the quality of the hospital food. With your parents for not sparing you this life, or being overbearing in their concern, or not being able to balance what it is you really need.”

You pause. Loralai doesn’t respond. You continue, “I would be angry. I would be furious with every car that passed by and honked its horn, because I’m stuck up here dying, and they only care about the stupid traffic. And I would be even more angry about the fact I can’t tell anyone that without becoming the bad guy, who can’t take their situation with grace.”

“But you won’t kill me.” Loralai says finally, “Before I do something I regret. Or become a husk of myself.”

This time, it’s your turn to remain silent. Loralai turns to look at you, even if she can’t find your eyes in the mask. She’s crying now, but so far managing to hold off actual sobs, “Why can’t I be selfish? Just once?”

You offer her your hands, and aren’t surprised or offended when she doesn’t take them.

“You should be selfish.” You tell her, and the ferocity in your voice takes her aback. “You should be as selfish and greedy as you can. You should seize every moment - every conversation with your parents, every breath of conditioned air, every chance you get to actually smile. Even if you only get one more of those, Loralai, it’s one more than you would get if I did what you’ve asked. Dying isn’t selfish. It isn’t selfless either. It just is, the same way taxes are due and commercials always take too long and the drivers outside your window have road rage. It’ll happen whether you want it to or not. Don’t lean into it.”

Converse to your own advice, you lean towards Loralai, adding, “Kick the bastard in the balls.”

On reflex, she gives you a confused, watery half-smile.

“Yes!” You cry, as though this is a great victory. “Just like that! Rip and tear your joy from the universe.”

That wins you a snort - though the amusement doesn’t last.

“I’m not strong enough to do that.” Loralai deflects, turning a hand over in your general direction. “I’m not like you. I can’t literally steal happiness from - banks, or whatever it is you rob.”

“Banks.” You admit, “Though usually their corporate offices instead of the average buildings. Irrelevant, however: how many of my fights do you actually see me win?”

Loralai frowned. “Uh….”

You don’t leave her hanging long, “It depends on your definition of ‘victory’ really - but if I count it like the heroes do, where a victory is when I have my opponent in my custody, I haven’t won a single fight in over ten years. My track record is abysmal.”

(This is not strictly true - but it does count for your fights with heroes. Interpersonal villain matters you handle rarely make the news.)

“So, what, you’re bad at your job?” Loralai says bluntly, sarcasm tingeing her voice.

“I’m fantastic at my job.” You can’t help the rebuttal, it’s too much in your nature. “Because even if I don’t take down the hero who comes after me - and let’s face it, they’ll keep sending them endlessly, it’s exhausting - I still do what I set out to do. Sometimes that’s steal something. Kill someone. Make a scene. On bad days, just get out and away. And if you use that metric, well, darling, my track record is spectacular.”

Loralai considers this for a moment, staring into the middle distance between you. It’s impossible to figure out what she’s actually thinking of.

“Your metaphors suck.”

Well okay then. “My metaphors are elegant contrivances -“ You give up when Loralai gives you a look, and sigh instead.

Still, what you’ve said seems to have made some difference. Loralai has stopped crying, and she doesn’t feel as.. raw, as before. You hope it’s the right kind of difference, and that you haven’t just chased her further into a shell. You wait for her to break the silence again.

“So you think I should live, for the people around me?” She challenges, indicating the flowers and cards. You both know that’s only a fragment of your argument, but you’re willing to play ball.

“Nope.” You reply succinctly. “I think you should live for you and your own experiences. However, I think you are currently in a position where you have to see your joys in others before you can see them for yourself. If they anchor you, use it.”

She’s staring at you now, expression unreadable. “And you think that will get better.”

You almost answer ‘yes’ - but you know that isn’t quite what she’s asking. There’s a second half to that statement that is a question, left unspoken: ‘will it get better before I die?’

And for all of your lies, you answer her honestly. “I don’t know.”

Loralai nods. You want to clarify, to explain that even a chance is a chance worth taking. You want to give her some of your own rage at the world, the defiance that makes it possible to simply refuse to die. The conviction that let you kill a god.

No, maybe not that. You’re not sure that would be a blessing after all.

“Okay.” She says, after several moments. “Fine. I get to live. For now. But when I die -“ Loralai’s attention abandons the far wall and the middle distance, zeroing in on you, “- if my life gets any worse between now and then, if I don’t get any more good stuff like you’ve described, I’m haunting you.”

You believe her. “I believe you.” You say solemnly. “And there are few things in this world more terrifying than a teenage ghost. No, that isn’t sarcasm, I’m serious. Once-“

—-

You spend the rest of the hour telling stories of the teenaged ghost you’d met once in New Orleans, back when that wasn’t quite anyone’s territory. It’s not nearly enough time to share all of her stories - but it is enough that you remember her fondly, and smell the faint scent of bergamot and citrus that always heralded her presence.

When you spoke to her more regularly, you teased her about being a ghost who smelled like Irish Spring, and she ensured your cape got caught on everything it possibly could. You feel a tug on it, as you are moving to leave, and understand the prompt.

“Here.” You tell Loralai, unclasping your cape from your shoulders, and draping it over the bed.

“Does this have magic powers, or something? Is it bulletproof?” Loralai lifts it’s edge, rubbing the fabric between her fingers. She’s in higher spirits, but the bags under her eyes have deepened. She’s also cold, though you don’t think you’d be able to get her to admit it.

“Nah.”

“Then why would I want it?” Remarkable, how little your status matters to teenagers. You aren’t sure if it’s your curse or a trait of the species.

“Capes are cool.” You reply confidently.

There are other reasons too - it gives your ghost friend an anchor to stay with her better, it’s warm, it will remind her this wasn’t a dream. If her family needs to, they can sell it to cover some of the medical bills, since (unlike some heroes and villains) you rarely leave a trace behind, and collectors would love to get ahold of one of your capes. Actually, Tallflawes might even buy it at an exorbitant price, just to taunt you with it. But this isn’t a lie: capes are cool.

“Whatever.” Loralai says sleepily, resting back on her pillows, your cape tucked up under her chin. “Goodbye, Synovus.”

“Goodbye, Loralai Weber.” You say gently. You aren’t sure if she even notices your shadows flip the switch on the bedside lamp, returning the room to darkness. Your shadows muffle your exit back into the hall.

You leave as quickly as possible, after that.

—-

The good thing about being a dramatic fool on purpose, is that when you are having a public meltdown, it can appear as though you are simply performing again. The shadows contorting and swirling around you? Ah, Synovus, making an entrance. Disappearing between one blink and the next to the unobservant, because you’ve turned and booked it into the dark? A classic exit.

Your minions know you too well for that facade to hold. They also know you too well to ask.

You stalk down the halls, lights seeming to ripple in your wake with the amount of shadows you’re dragging, like a toddler with their blanket on their way to throw a tantrum. But you skip the training room. You wind up in the kitchen, as Oflok watches from a distance.

You spend an indeterminable amount of time staring at the collection of alcohol. You don’t indulge, because you are terrified of what might happen if you lose control of yourself. You know you are a walking bomb. Your minions can partake as they like, however, and today, reminded of how destructive you are, you want very badly to join them. To get wasted beyond memory.

“I want you to kill me.”

You get as far as reaching up one hand for a bottle. You don’t know which, you didn’t bother to read the labels. You lower your hand. Spin on your heel. And leave.

—-

It’s Rosie and Doll who hover in the corner, silent witnesses while you dig through the cabinets in the infirmary. You grab the first ampoule of a drug that looks like it would force you out of your mind that you can get your hands on. You have a tray laid out with syringe, bandages, tourniquet, disinfectant wipes, before you realize what you’re doing.

“Does this look like a life worth living?”

You walk out without a word.

—-

The grave at the bottom of the island is not well tended. It is not a monument to be remembered. This is the third time you have visited it since you stopped obsessively checking for signs of disturbances, in case it’s occupant decided to crawl back out.

You tell the empty space about Loralai Weber. What she looked like, what she asked of you, what that means. This time, you’re free to cry, though whether it’s for her or yourself, you’ll never be able to parse. By the end, you are screaming in the dark cave, knowing it’s all pointless at this stage in the game.

The man in the grave could heal himself, when he wanted. And very rarely, when he was convinced it was ‘appropriate,’ he could heal others too. He wouldn’t have counted Loralai Weber as ‘appropriate’ for his gift. You would. It doesn’t matter, though.

It’s the one part of his powers you never inherited.

—-

[Thank you for reading Synovus: A Wishing Star - if you want to read more of Synovus, you can find the rest of their stories on my blog, in the pinned post. Further, if you want to find out more about the Make A Wish Foundation, you can read stories of children they've helped (in rather different ways than Synovus) on their website, or donate here.]

[I do not have a personal story to share for Loralai's inspiration. However, I did tap into my experiences as a chronically ill individual, and the mental state I experienced both before and during treatment. There are still days I wonder as Loralai does - but I wholeheartedly believe as Synovus says: This life is worth living. It is for you too.]

#synovus #synoverse #Synovus: A Wishing Star #tw cancer #please dm me if you feel additional tags are necessary!#reader discretion advised #tw suicidal ideation #tw implied child death #tw self destructive behavior

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