#near as full of those posts as it should be

[ginnsbaker]

All Of Your Pieces (15 - Vis)

Chapter Summary: Why walk willingly into something destined to leave a scar? You didn’t need another scar. You didn’t need a Wanda-shaped scar.

You were afraid of her—always had been—but now you’re more afraid of wanting something you couldn’t afford to lose.

Pairing: Wanda Maximoff x Female Reader Chapter word count: 4.2k+ | Chapter Tags: Angst

A/N: Finally was able to write a few thousand words for the new chapter I'm working on. Hope everyone's doing alright :) Angsty chapters ahead starting with this one :P // More author's notes here.

Series Masterlist | Main Masterlist

For the first time since becoming an Avenger, you weren't doing things alone as often.

Wanda had seamlessly integrated herself into your routine, or perhaps you had integrated into hers. Either way, the companionship was a welcome change. She rarely used her powers around you, and the missions had been sparse enough that she seldom needed to use them at full throttle. Instead, you found yourself teaching her hand-to-hand combat, focusing primarily on defensive techniques since her main form of attack was still those spectral red wisps rather than direct physical strikes. Wanda absorbed techniques like a sponge. She learned the moves easily, and by the second week of consistent training, she was dodging your attacks with a graceful ease.

Wanda began making a habit of tapping at your door before dinner. With rooms adjacent to each other, it made sense to walk down together, often ending up side by side at the table. Vision, on the other hand, took up his post on Wanda’s other flank, filling in whenever there was a pause in your newfound friendship. Despite his constant presence,  it was clear that you were the one she gravitated towards, the one she focused on during conversations, her laughter a little louder, her smiles more prolonged.

Not that this was a competition with Vision. Nothing like that.

You were simply just… observing a fact, is all.

One afternoon, you were in the kitchen, attempting to make a passable stir-fry. The rest of the team was out on an extraction mission, one you were thankfully spared from. Normally, you’d be the first to volunteer for a job, but lately, you were more keen on staying at the compound. You had taken to training Wanda, spending afternoons reading side by side, and endlessly teasing each other. She'd picked up on it too, throwing back her own retorts just as fast as you could dish them out.

Wanda walked in, her eyes lighting up when she saw you. “Cooking again? Should I be worried?” she teased.

You smirked. Wanda's confidence in ribbing you at every chance was growing. “Very funny. I'll have you know I'm improving.”

She peeked into the pan. “Smells good. Need any help?”

“Actually, yes,” you muttered, trying to avoid the occasional splash of oil. “Could you hand me the soy sauce?”

She moved closer, reaching into the cupboard beside you. “Here you go."

“Thanks,” you said, your fingers brushing hers as you took the bottle. A brief, pleasant tension hung between you before you both looked away.

As you poured the soy sauce into the pan, you felt her gaze on you. "What is it?" you asked, glancing over.

She tilted her head, gazing at you softly. “You've got something on your face,” she murmured.

You attempted to wipe it off, but your hands, full and coated in cooking residue, only managed to smear more across your cheek.

Wanda decided to take matters into her own hands. “Hold still,” she instructed.

She moved closer, raising her hand to your face. Her fingertips brushed lightly against your skin as she removed a smudge of sauce near your cheekbone. Your heart hammered in your chest, her proximity heightening your awareness of every detail—the faint scent of her perfume, the tenderness in her eyes.

“All clean,” she whispered, her eyes meeting yours.

“T-Thanks…”

She didn’t pull away right away. Her hand lingered, a beat too long. Long enough to mean something. And you couldn’t look anywhere but at her. 

You leaned in, not thinking, not breathing, just moving. It was instinct. Wanda didn’t move away. Her eyes—those damn green orbs—dipped—quick, almost imperceptible—to your mouth, then back up. A signal, maybe. Or an accident. Either way, you took it as permission to continue. The distance between you collapsed like a snapped thread.

And then footsteps—loud enough to snap you both out of the spell. Your pulse rocketed, and you jumped back just as Vision rounded the doorway.

“Good afternoon,” he greeted both of you, but mostly he was looking at Wanda who was still focused on you. Your face felt like it was on fire, and you couldn’t meet her eyes.

“Vis,” Wanda said, her nickname for him finally drawing your attention back to her. “We were, uh, just... cooking.”

“So I see,” Vision said. “Wanda, I wanted to remind you that we planned to go into the city today. You agreed to assist me in selecting new attire.”

Wanda blinked, her face caught between surprise and realization. “Oh, right. I almost forgot.”

You kept your face turned toward the stove, stirring the pan with a little more force than necessary. “Well, don’t let me keep you,” you said, trying for casual but landing somewhere closer to bitter. “The stir-fry is just about done.”

Vision, for all his efforts to become more human, still couldn’t read the room. “Would you like to join us for an early dinner before we leave?” he asked.

You glanced back, just enough to see him, to see her, standing there side by side like the picture of domestic civility. “Thanks,” you said, shaking your head. “But I just remembered I’ve got some things to take care of.”

Wanda moved in front of Vision, blocking him from your view. “Are you sure?” she asked softly.

“Yeah,” you said, plastering on a smile you didn’t feel. “You two go ahead. Enjoy your shopping trip.”

Without waiting for a reply, you turned back to the stove, grabbed a clean plate, scooped out a portion of the stir-fry, and made your escape. Down the hall, up the stairs, into the bedroom. 

Your bedroom.

You sat on the floor, cross-legged, the plate resting in your lap. It was your comfort food, but there was no comfort in it at all. You’d lost your appetite somewhere between the stove and here.

Vis.

The name rattled in your head like a cruel mantra.

Vis.

A nickname. A pet name for her pet—of course. How fitting. How utterly ridiculous. How much it made your blood boil.

The food on your plate turned to ash as you shoved another bite into your mouth, chewing mechanically. 

Vis.

Vis.

Vis.

You hated how it sounded, hated how it felt. Too endearing. Too much like something Wanda had given him—a thing of hers that wasn’t yours. Too much like something you’d never have.

—

Wanda hadn’t been able to take her mind off you since that moment in the kitchen—where you almost kissed her. Or maybe it was the other way around. She wasn't sure anymore. What she did know was that she couldn’t stop replaying the scene: your pupils dilated, the hint of mint on your breath, your lips hovering so close to hers she could almost taste you.

Her interest in you wasn’t new. It had crept up on her not long after she and Pietro defected from Ultron and sought refuge with Tony—and through him, with you and the rest of the team. Among all the team members, it was clear that you harbored the most reservations about her. You were openly wary, never masking your distrust. You never feigned cordiality, and she respected that authenticity. It meant she could take everything you said or did at face value.

Over time, that respect began to shift in the days following her move to North America. At first, she told herself her fascination with you was just curiosity—a need to challenge the version of her you seemed to have already decided on, to prove she wasn’t the person you thought she was. 

The more Wanda watched you, the more she trailed you, the harder it became to ignore the small, telling details. Like the way your face always looked wound tight, your expression incessantly on the verge of a scowl, as if you carried pain or stress everywhere you went. It fascinated her—how your emotions were so easy to read, almost embarrassingly transparent. She could see when you were frustrated, irritated, or, on those rare occasions, genuinely happy. It became a quiet game for her, trying to predict the color of your mood each day. Most days, you were blue, just like the dull ache she carried inside since losing her parents and then her brother.

But unlike her, whose grief was laid bare for the world to see—grief that Vision appeared inexplicably drawn to—your sadness was a mystery. Those frowns you wore carried a story she didn’t know, a story that left her wanting to understand you more. But you made it nearly impossible. You kept everyone at arm’s length, even Natasha and Clint—the only two people in the compound you seemed to genuinely tolerate, maybe even like.

Wanda had planned to come to you right after fulfilling her promise to Vision to help him shop for clothes. But the outing dragged on, delayed by every fan who stopped Vision for an autograph or a photo. Wanda stood there, watching helplessly as he obliged every single request, until they finally made it back to the compound, long past midnight. She didn’t want to disturb you at that hour, and exhaustion had settled into her bones.

If she had known she’d feel this close to you in just a few short weeks, she would have thought twice about agreeing to Vision’s request. Maybe she’d have reserved all her time—every weekday, every weekend—just for you. 

And so, Wanda stayed up through the night, waiting. If she slept at all, it was barely more than a fleeting doze, her thoughts keeping her wide awake until the first light of dawn crept in. She played it out in her mind: a dozen different scenarios, but each of them ending with you returning her feelings. She’d been keeping track—comparing how much time you spent with her versus the others—and she was ahead by a wide margin. That couldn’t be for nothing, right? It had to mean something.

Finally, when the clock struck six in the morning, she rapped her knuckles against your door, the sound almost timid. She waited, holding her breath, for nearly a minute before knocking again, this time louder.

Still, no answer.

On impulse, she reached for the doorknob expecting it to be locked, but finding it unlocked instead. The door creaked open, revealing your room, neat and untouched. The bed was made, the desk tidy, and the faintest trace of your scent lingered in the air. But there was no sign of you. She nearly stepped further into the room, the thought of exploring your space crossing her mind, but she stopped, remembering your need for privacy. Despite her longing to know everything about you, and the self-control it took to resist reading your thoughts, she respected your wishes and refused to violate your boundaries without consent.

Since it was too early for you to be gone, her thoughts jumped to the only other place she knew you might be—your apartment. 

—

It felt strange coming here alone, without you to open the door and invite her in. The apartment seemed less welcoming and somewhat intimidating. For a brief moment, Wanda considered leaving. But she steeled herself and knocked.

For all she knew, you could be somewhere else entirely.

In the next second, she found out in the most awkward way that you weren’t. The door opened to reveal a tall blonde woman dressed casually in an oversized T-shirt and shorts, her hair tousled as if she'd just woken up. She held a steaming cup of coffee in one hand.

“Can I help you?”

Wanda froze, her mind stumbling over words that refused to come. Before she could find her voice, she heard your muffled question from inside.

“Is that the pizza?”

The blonde woman turned her head slightly. “Nope, but you've got company!” she called back.

You appeared behind her, pulling on a hoodie over your T-shirt. Your eyes widened when you saw Wanda standing there. “Wanda? What are you doing here?”

Wanda pulled herself together just in time. Whatever face she made at the sight of a gorgeous, half-naked blonde in your apartment, she wasn’t about to let you catch it.

“There's a mission briefing in ten minutes,” she told you coolly. “Thought you might not want to miss it.”

Without thinking, you blurted out, “You could've just called me,” making Wanda’s face slip into an almost wounded expression. 

��I don’t have your number,” she said, her irritation shining through.

Your hand moved to the back of your neck, rubbing at the tension that had already begun to settle there. “Right. You could’ve, uh, used the team comms.”

“Sure,” she replied flatly. For a second she simply stood there, eyes darting between you and your guest, a silent accusation or maybe just a question, burning in her gaze. Before you could answer—or even think of what to say—she turned on her heel and strode off.

“Wanda, wait—” you called, taking a step after her, but she didn’t slow down. The door swung shut behind her, leaving you reeling with the aftermath. 

“Friend of yours?” the woman—Chelsea—in your apartment asked.

You sighed. “It’s not what it looks like.”

Chelsea smirked. You looked visibly bothered for it to be anything less than what it looked like.

“Oh, I didn’t say it looked like anything. But if you’re feeling guilty, who am I to argue?”

“Thanks for making that worse,” you said dryly, heading toward the kitchen. “By the way, you’re welcome for letting you stay here last minute.”

She followed you to pour herself another cup. “Seriously, though—thank you. Josh’s business trip came out of nowhere, and with the contractors at our place, I didn’t know where else to go.”

“Yeah, yeah,” you said, grabbing a mug for yourself. “Just keep the place clean, alright? And no drugs.”

She raised an eyebrow at you, mock affronted. “What do you take me for?”

“If you must,” you added, pouring your coffee, “stick to weed. And air it out after.”

She laughed, shaking her head. “Noted.”

You hadn’t planned on going back to the compound so soon, not after driving yourself insane all night, obsessing over Wanda and Vision. But maybe you should’ve spiraled there instead of hiding out in your apartment—where Wanda just happened to stumble upon you with another girl.

Not that it should’ve mattered to her. But the way she looked at you, like you’d done something unforgivable, made your skin crawl. You hated how she had that power over you, how her disappointment felt like a knife. And really, what right did she have? You didn’t get to feel jealous over Vision, just like she didn’t get to feel jealous over whoever you were with.

Still, no amount of rationalizing could shake the image of her face, the way she stared between you and Chelsea. You weren’t even thinking about the meeting—you missed those more often than not. But now you felt compelled to show up, even if it didn’t make sense.

“Anyway,” you said, setting down your empty mug, “I’ve got to head back to the compound.”

“Go, hero,” she teased, waving you off. “Don’t let me keep you from saving the world or whatever it is you do.”

—

You arrived at the conference room, fully expecting to find Tony, probably already mid-sentence in some snarky comment about how generous it was of you to grace them with your presence. Instead, the room was dark. The chairs sat untouched, lined up neatly around the table.

No empty coffee cups scattered around. No notebooks left open with half-scribbled notes. Not a single trace that a meeting had happened at all.  

Wanda had lied—and you were a gullible idiot. 

Your feet carried you on autopilot, down the corridor toward Wanda’s quarters. The burn in your gut grew, a slow churn of anger and something uglier underneath. Her door came into view, closed tight, light seeping out from the edges. You could hear a  faint murmur of voices. One of them hers, the other...someone else.

You took a deep, steadying breath before knocking three times on Wanda’s door.

“Wanda? Open up.”

It didn’t take long for it to open, as if she’d been waiting for you all this time.

“What are you doing here?” she asked tersely. 

Behind her, Vision was lounging on her bed, looking up from a book opened on his lap. He offered a polite nod in your direction before going back to his reading. The irony of the situation wasn't lost on you. Just earlier, Wanda had found you with Chelsea, and now here you were, finding her with Vision. You almost wanted to laugh at the absurdity of it all.

“There was no briefing,” you stated flatly.

Wanda smiled, soft and unrepentant. “I guess you figured that out.”

“Why did you lie to me?” you demanded.

“Why do you think?”

You bit down on your lip to not say what you were thinking.  “I don't appreciate being played with, Wanda.”

She let out a dry scoff. “Funny, I could say the same to you.”

“What the hell is—” you started, but your attention landed on Vision, who was still in the room and wasn’t even pretending not to eavesdrop.

“Vision,” you said sharply, “can you give us some privacy?”

He didn’t even blink. Instead, he closed his book with excruciating calm and turned to Wanda. “I will leave if she asks me to.”

Your jaw clenched as your nostrils flared. Of course, it had to be this kind of game. “Wanda,” you said, your patience fraying. “Can you ask him to leave?”

Her arms crossed, and she stared you down, her eyes daring you to make this any more difficult. You didn’t back down, meeting her gaze head-on. When it became clear she had no intention of relenting, you grabbed her arm—not roughly, but with enough force to make your point—and pulled her toward your room. Vision stood, clearly intending to follow, but Wanda finally intervened. “Stay here, Vis,” she said.

You smirked, the corner of your mouth curling in satisfaction. “That’s right, ‘Vis.’ Be a good boy and stay.”

It was petty, but it felt damn good.

You closed the door behind you, leaning against it for a moment as you tried to steady your breathing. She didn’t give you much of a chance.

“What the hell is your problem?” she snapped, yanking her arm free of your grip.

You met her glare with one of your own. “My problem? What's your problem, Wanda? You bang on my door at dawn, feed me some line about a briefing that doesn’t exist, and now you’re acting like I did something wrong.”

Wanda didn’t seem remotely interested in answering any of your questions. 

“Who's the woman in your apartment?”

You let out a hollow laugh. “What does that have to do with anything?”

“Just answer the question.”

Alright then. You’d tell her—not because you owed her an explanation, but because you wanted her to see how absurd her assumptions were.

“Her name's Chelsea,” you began, “she's a friend—and married, by the way. They needed a place to crash. You missed her husband heading out for a convention by, oh, maybe five minutes.”

Wanda's expression faltered for a moment before hardening again. “You expect me to believe that?”

“Why do you care so much about who I have at my apartment?”

“Because you brought me to yours!” she yelled suddenly. “We’d been hanging out, spending all that time together, and I... Did I read this whole thing wrong?”

“What thing?” you asked quietly, even though you knew exactly what she was referring to. She hadn’t read it wrong. But just because there were feelings didn’t mean you had to act on them, right?

“This thing between us, Y/N!” she exclaimed. Her chest heaved, her hands clenched into fists at her sides. “The way we talk, the way you look at me. Or the way I thought you looked at me.”

It wasn’t a direct confession, but it didn’t need to be. The way Wanda stood there, trembling, said more than her words ever could. 

Being an Avenger meant living with one foot in the grave, a reality you’d made peace with. But caring about another Avenger—someone who lived on that same edge—was a different kind of risk. You’d seen it before. Natasha and Bruce’s quiet implosion. The way your mentor carried her heartbreak like shrapnel buried deep. Clint, splitting his life in two to keep his family safe. Tony, haunted by the faces of everyone he couldn’t save. Why walk willingly into something destined to leave a scar? 

You didn’t need another scar. You didn’t need a Wanda-shaped scar.

You were afraid of her—always had been—but now you’re more afraid of wanting something you couldn’t afford to lose.

You ignored the pleading look in her eyes, the way she was practically telling you that you were the one she wanted. Instead, you launched into what you thought would be your saving grace—a monologue of self-sabotage. If she could just see how unworthy you were, how ill-equipped for whatever this could become, she’d turn away before either of you ended up drowning.

“Vision’s in the next room. He’s waiting for you. He’s perfect, isn’t he? No mistakes, no baggage. Morally upright in every sense. Hell, he doesn’t even have a past to haunt him, no skeletons in his closet. He’s everything I’m not.”

She stared at you, her lips parting to respond, but you didn’t let her.

“I’m selfish, Wanda,” you went on. “I make bad calls. I screw up more than I get it right. I’m a terrible choice. And this?” You gestured vaguely between the two of you. “This isn’t going to end well. For either of us.”

She started to protest, but you kept going, unable to stop yourself now.

“You think you want me? You don’t. Trust me. Vision’s the standard. You deserve someone like him. Someone steady, someone who won’t let you down.”

And then you realized you weren’t going to convince her by selling her something else. 

You needed to reject her.

“I—I don’t like you,” you stammered, the lie spilling out, living a bitter taste in your mouth. “Not in the way you’re thinking. I’m sorry, Wanda.”

Wanda didn’t move at first. She stood there, her chest rising and falling with slow, deliberate breaths. You wished you knew what she was thinking.

And then it happened—that slight shift in her expression, subtle but unmistakable. Her brows furrowed, her eyes narrowing just enough to tell you exactly what she was considering.

“Don’t,” you warned.

She blinked, startled. “What?”

“You know what,” you replied, your tone sharper than you intended. “Don’t even think about it.”

Her shoulders stiffened. “I wasn’t going to—”

“Yes, you were,” you interrupted, stepping closer, daring her to deny it. “You were thinking about looking inside my head. Don’t try to deny it, Maximoff.”

Her jaw tightened, and for a moment, she looked away, guilt flashing across her face. “I just—” she started, but you didn’t let her finish.

“That’s one of the reasons I can’t—” You broke off, your frustration boiling over. “That’s one of the things I don’t like about you. You’ll always have that option. That ability to strip me bare, to take whatever you want, and I’ll never be able to stop you.”

Her face fell, and for a moment, you almost regretted the words. Almost.

“I would never—”

“But you could, Wanda!” you shot back, your voice rising. 

Wanda’s lips pressed into a thin line, her eyes glistening with unshed tears. She took a step back, crossing her arms tightly over her chest as if trying to hold herself together.

“I wasn’t going to do it,” she said quietly, her voice trembling but firm. “I was tempted, yes. But I wasn’t going to.”

“Temptation is enough,” you said, shaking your head, your laugh bitter and humorless. “You shouldn’t even want to, Wanda. Not with me. Not with anyone.”

Her gaze dropped to the floor, and for a moment, she looked impossibly small. “I wasn’t trying to hurt you,” she said, barely above a whisper. “I just—when you lie to me like that, when you say you don’t like me, I don’t believe it. It doesn’t feel true.”

You switched up tactics before Wanda could convince you to change your mind about this. 

“Well, maybe I don’t like you as much as you think,” you retorted, your voice nearly breaking somewhere in the middle. “Maybe you’re just reading into things that aren’t there.”

“You don’t mean that,” she said, more for herself than for you.

“Believe whatever you want,” you said coldly. “But I’m not going to apologize for telling you the truth.”

Neither of you moved, locked in this terrible stillness that seemed to drag on forever.

It was Wanda who broke first.

Her hand rose, shaky, to her cheek. With the smallest of movements, she wiped away a single tear that had slipped free. The action was so subtle, so restrained, that it almost broke you. But you stayed where you were, frozen in place, watching as she straightened her posture and schooled her features into something calm. Something controlled.

She turned silently and headed for the door. There was no rush, no slamming, no dramatic display of anger or heartbreak. Just Wanda leaving.

At the door, she paused, her hand on the frame. Slowly, she turned to look at you one last time.

“You’re right,” she whispered. “I deserve more than a coward.”

The door shut behind her with a finality that settled like lead in your chest. You stayed where you were, staring at the empty space she’d left behind, trying to tell yourself this was the outcome you wanted.

[whalefill]

If anon thinks the donation posts are triggering imagine how people going through those horrors feel....

yeah like 😭 that's what went thru my mind too

I try to be understanding because I don't know what anyones been thru before or where in the world they're from.. but if something is triggering to you online (given they actually meant that, because i dont know that for a fact either); you have the luxury of putting your phone down. no one in gaza or the drc or anywhere that's posting the fundraisers I've reblogged can just fucking turn it off like that and walk away. I don't want to make these things any more convenient to not see

[youredreamingofroo]

living in this household is such a train wreck ❤️

like wdym it's not normal for your guardians to be perfectly fine, then have an off day, which leads to my guardians arguing and having my grandma threaten to k word my grandpa and my grandpa just ask to be k worded, and then have me get so stressed out I just start crying, and in some cases (like today) have a panic attack that almost k/o's me 🫶🫠 only for everything to go back to normal 5 minutes later. Damn that's not normal??????? Welp.

[ms-demeanor]

How to avoid sharing Social Media Scams in the Wake of a Disaster

The world is full of disasters. It is also full of people who have learned to profit off of disaster. It is an unfortunate fact of life in the modern social media/online environment that in order to avoid spreading scams, you have to make a continuous effort and you have to be cynical.

There are a lot of wonderful, well-meaning people in the world who want to help everyone who asks for it. Unfortunately, those people are easy to scam.

These are some rules to prevent you from either falling victim to scams or from passing scams along to other people.

These are not suggestions, these are not things to take into consideration, the rules listed here are RULES that you need to adopt in order to keep from spreading scams on social media.

Rules:

Never, ever share screenshots of fundraisers or resources that you haven’t verified yourself. If you see a screenshot of, say, the Antelope Valley Fairgrounds Instagram announcing that they will be accepting evacuees with RVs, you go find the Antelope Valley Fairgrounds website, you find the social media linked on their website, and you check that the post you’re seeing actually came from the entity it’s claiming to. Once you have proved that the post actually came from the entity it’s claiming to, double check that entity with a couple of verifiable sources. So, for instance, if I was checking on the Guitar Center Music Foundation I’d check Guitar Center’s website and maybe I’d look for news articles about donations from the foundation. If I was looking up the Antelope Valley Fairgrounds, I’d look for a local newspaper calendar of events that linked to the fairgrounds or would check the city websites in the area and search “fairgrounds” on them. I would not share a link to a social media page for an organization until I was 100% certain that it was actually associated with the organization. You shouldn’t either. If you see a post that claims to come from a specific group but all you have is the screenshot of the post, go find the group’s website and if it all checks out you may share it IF AND ONLY IF you add the link to the post. And if a post has a link already, click through it and STILL check that everything looks okay.

Never give money or information to someone with a free email address. This sucks. I know. But if the group you’re looking at only has a gmail address or a protonmail you have no way of knowing if they’re legitimately associated with the organization at a glance. And even if they ARE associated with the organization, the free email account demonstrates a lack of planning/commitment that has troubling implications for the handling of your money or data.

Do not share screenshots of “resources,” headlines, social media posts, or news articles. I’m done with screenshots. Screenshots are easy to fake and almost always remove context from the discussion. A standalone screenshot isn’t information, it’s a trap to get you to share something without thinking. Do not *trust* screenshots of “resources,” headlines, social media posts, or news articles. Always assume a screenshot is faked unless you have found the original post yourself. A screenshot isn’t a “resource” it is an un-source, it is intentionally removing information from the viewer and we are well past the time when people should have understood that sharing screenshots without a link to the original text in context is never, every trustworthy.

Do not give money or information to accounts without a history. This may mean individual social media accounts, or it may mean a shiny new mutual aid project that popped up near your house. It’s unfortunate that people have their accounts deleted, it’s unfortunate that new orgs have trouble finding support, but the likelihood that a new account is a scam is simply too high to trust your money or information with it. If someone is asking for money or offering help on an account that hasn’t posted for years, or that suddenly changed all its content, or that has only existed for a month with no links to other, older sites and socials, you shouldn’t trust that account.

Okay, those are the RULES. Those are the lines you draw in the sand. The TL;DR version is this:

Don’t share posts you haven’t personally verified

Don’t give money or information to accounts with generic email accounts like gmail

Don’t share or trust screenshots that have no links or further context

Don’t give info or money to brand new accounts

I absolve you of any guilt you have surrounding this. You want to share that post to help a stranger but they have only had an account for a week. You want to spread that resource, but unfortunately it is only available as screenshots of an anonymous instagram account. You think that perhaps that mutual aid group really can help people, but the only way contact them is to put your info into a google form and send an email to their gmail account. That post seems really helpful, but actually you can’t find anything that suggests that the Mt. Pacifico Aquatic Center exists outside of this twitter account. No more guilt! Guilt be gone! You do not have to feel bad for not sharing these things, or not reaching out, or not giving money because doing so would be irresponsible and would put other people at risk of being tricked by scammers or wasting what money they can donate on a potential fraud.

Now, some tips:

Always, always, always take at least ten minutes to think about giving someone money or your information online. Read the post that moved you, then re-read it, then go sit away from it for ten minutes and think about it. There’s a good chance you will still want to give, or sign up, but ten minutes away will give you a chance to consider if there are any red flags in the post that inspired you.

Independently search everything you’re going to share. Go outside of social platforms and check on search engines. Check Wikipedia. Look up the website and send a while clicking around. Go on a *different* social media platform and check their account.

Just straight up search “[SUBJECT] Scam” before you do anything. See if this thing you’re looking at is actually an old scam that’s revamped for a new disaster. See if you can find an explanation of how something might be a scam or risk in a way that you didn’t understand before.

Get used to getting away from social media. Go check websites.

Learn domain name syntax. “musicfoundationguit.arcenter.com” is a bullshit scam. “guitarcenterfounditaon.org” is a bullshit scam. “guitarcenter-foundation.org” is a bullshit scam. The actual domain is “guitarcenterfoundation.org” and the link to the correct page isn’t going to be “guitarcenter.foundationfires.org” it’s going to be “guitarcenterfoundation.org/fires”  

Tips for Orgs:

If you do not want your org to look like a scam you are going to have to put some effort into it. Unfortunately this will probably also require at least a little bit of money; I know it’s hard to get money together at the beginning, but it will pay off in the long run.

Invest in a domain and hosted email. You can get relatively inexpensive hosted email through most domain registrars and even if you only get one email address for your domain you can forward it to all the free gmail and protonmail accounts you want. But buy a domain, set up a simple website, and get an  info@[yourdomain].com email set up because you don’t want people emailing “MyOrgInfo@gmail.com” because it’s super fucking easy for a 1337 hax0r like me to set up “YourOrgTeam@gmail.com” and scam the people who want to reach out to you.

Make a blog on your actual website, not on a social media site. A blog means that you can make regular posts and establish a history to prove that you are real and you do real stuff; it will also help with SEO and help to ensure that when people search for your org YOU are what comes up. Keeping up calendars of previous activities with links to those activities is also good.

Set up social handles on all the sites you use, make a “socials” page on your website, and link to your handles so that people can verify if you’re the one posting something. If you don’t make it extremely easy to find your socials, that means it’s extremely easy to set up fake accounts claiming to be you. Then put the link to your website in the bio on your socials.

If you are offering something or holding a fundraiser or doing anything on your social media page, link it back to your website. If you have an IG post offering resources, you should include a url for your site in each image. If you share a photo on twitter with the info for a march, that should link back to your website with more info about the march. If you post a fundraiser on tumblr you need to link the fundraising page of your website on that post.

If you absolutely positively cannot set up a website and a real-ass email address, set up a linktree, choose a primary social media to post on that all the others refer back to, and very explicitly state what your email address is and that you do not have other email addresses somewhere that's difficult to miss. Build a history of posts and link to other orgs that you work with or any writeups or stories about your events or projects. The point of all of this is making yourself easy to verify. "northfullertonfnb@gmail.com" sucks but it sucks a lot less if it's in the bio of "@northfulltertonfnb" and that page has a two year history of posting meal share schedules and menus.

In conclusion, don't share things that you haven't personally checked. When in doubt, it is always safer not to share.

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[classyrbf]

TAP OUT, TAP OUT! — JJK MEN

SYNOPSIS...the jjk men react to you doing the ‘tap out’ dance trend on tiktok

INFO...jjk men (gojo, geto, nanami, toji) x fem!reader, fluff, suggestive comments, possessiveness (in a cute way), not proofread

OTHER...likes and reblogs are appreciated

GOJO

as soon as you set the phone up, gojo thought you were gonna do a cute couple video with him while he was sitting on the couch. He was smiling, completely oblivious to what you were about to do. You stood in front of the camera and waited for the music to start, turning around before the time hit one on the countdown.

As soon as Gojo heard the music he damn near leaped off the couch and grabbed your phone. “Satoru!” You gasped, turning to him with wide.

“Uhn uhn, baby. I can’t have you throwing your goodies back for everyone else to see!” He holds your phone over his head, making sure you couldn’t reach.

“Satoru, I wasn’t gonna post it!” You laugh, reaching for you phone. “I just wanted to see if I could do it!”

“See if you could throw it in a circle?! Baby—”

“Wait a second, how do you know about this trend?” You questioned, slowing raising your brow.

“Uh…um…Suguru showed me.” He awkwardly cleared his throat.

“You’re a horrible liar.”

“It was one video! Baby I swear!” He dropped to his knees, clinging onto your shirt.

“Get up, you drama queen!”

TOJI

“Toji, I wanna show you this new dance I learned!” You excited propped your phone up, smiling as you set the timer and turned towards him. “Look!”

“I’m watching, mama.” He sighed, resting his head in his palm while standing beside you. That’s when the music started and you began to do the dance, the first few seconds of it completely harmless. It when you started shaking your ass that Toji’s eyes widened and he immediately grabbed your waist and threw you over his shoulder to carry you away.

“Toji! I was showing you the dance!” You laughed.

“That wasn’t no damn dance. Can’t have anyone seeing my girls ass like that.” He finally put you back on your feet, staring at you as you had a full on laughing fit.

“That was so funny! You were so quick to drag me away!” You fanned yourself, still chuckling with tears in your eyes.

“Yeah, yeah, I don’t wanna hear it. Should know that ass is mine.” He grabbed a handful of your ass.

NANAMI

nanami was sitting in his office, typing away on his computer before you barged into his room, nearly giving him a heart attack. Without exchanging words, you propped your phone up and hit record. He closed his laptop and turned in your direction, brows furrowed as he wondered what you were up to.

He heard the music and watched as you began dancing, bending over lower and lower and it finally clicked in his head what you were going to do. He stood from his seat and stood directly in front of the camera, blocking the view of your ass.

“Nice dance, sweetheart but it should only be reserved for me. Don’t you think?” He smirked down at you as you stood back up, smiling at him.

“I wasn’t gonna post it!” You grab your phone, laughing at the moment when he completely blocks the view with his broad back. “I was just showing you!”

“Uh huh, just like all those other dances you were showing me?” He raised a brow. “Nice try.” He pecked your lips, walking back to his desk. “Your ass did look great, by the way.”

“Aweee, Ken!” You giggled.

GETO

as a prank you weren’t even going to do the dance, but instead close the bathroom door and blast the song to make geto think you were. You heard the audio on his phone a few times, knowing he’s seen the videos and what better way to prank him than to show him how it feels when youre shaking ass on the internet.

You quietly closed the bathroom and set up your phone against the sink, turning your volume up all the way and pressing the timer. You stood against the wall, a mischievous smile on your face as you waited for the moment he’d bust through the door. Over the music, you heard his footsteps and laughed to yourself when he flung the door open.

“What are you doing?!” He stood there, peaking his head in to see you were recording. “I swear if you’re out here shaking ass…Baby, I will literally crash out again.”

“I was pranking you!” You laugh, pointing at your phone. “That’s what your ass gets! Haha!”

“Baby, I swear you’re gonna be the death of me.” He glares at you, taking in a deep breath.

“How romantic.” You step towards him. “How about I actually do the dance, but…I dance on you, hm?” You question and immediately his eyes widened in excitement.

“I like the sound of that.”

[chiscaralight]

BOOTY POPPIN' !

men who just love their darlings' ass!

includes: nsfw! aventurine, childe, scara x afab!reader (separately), lots of backshots ! mirror sex, cum eating, dry humping, fingering, eating it from the back, i used the word ass a lot LMFAOO, outdoor sex, clothed sex, unprotected sex, slight mentions of exhibitionism, thigh riding, its all consensual, probably missed a couple of tags

new format! ill drop the second part of this for the boob lovers lmfao hope u enjoy! blade was also a last minute addition to this but I enjoyed writing for him. i was going to post this tomorrow bur I'm too excited to wait !!!!!

CHILDE.

childe loves your ass! you know it, he knows it, and everyone around you knows it. he doesn’t even try to hide it. why would he? your ass is perfect, he would probably write an essay on it if you ask! if you’re at home and you walk past him wearing something short be prepared, because there’s no way in hell he’s letting you get past him without some form of contact.

it’s the same when he’s fucking you! he’s sitting with his legs spread and you on top of him so he can set himself right in front of his full-length mirror. his eyes are switching between your adorable face and the view of your behind in the mirror! he’s kneading and slapping the flesh of your ass as he fucks himself up into you! his bony fingers are tracing the marks he’s leaving all over you while you’re a crying mess, but he’s nowhere near done with you. he’s pulling you off him and flipping you over so he can fuck you right from the back! his hands have found a home on the fat of your hips as he takes in the view. the dip of your waist into the curve of your hips and his eyes lock onto that fucking ass. he groans at the sight, dick twitching as he’s pistoning in and out of you. he’ll never get tired of it.

you’re even starting to think he’s doing things just to get you to bend over. Things that should be nowhere near his room disappeared under the bed, and the remote he was holding mere seconds ago accidentally slid so deep under the couch. he’s politely asking you to bend down and get it. when you do go in for it though, he’s already touching you! but you’re not even on the ground yet! you sigh, because you know swatting him away won’t do much but hold him off for half a second.

even when there’s nothing inherently sexual about what you’re doing! you’re just resting on the kitchen counter and he’s behind you, pressing his hard cock into you. you both end up coming untouched through the messy kisses and the clothes grinding, but you don’t even have it in you to complain.

AVENTURINE.

i’ve actually already written an ass-obsessed aven here, but i can’t get it out of my head!!! he’s definitely more subtle about it, but he’s still obsessed all the same. in public, it’s all fleeting touches. maybe he’s resting his hand there or slipping his long fingers into your back pocket. you help in protest as he silently curls his fingers into the flesh, but he only cocks his head to the side, mocking concern as he asks you what’s wrong. you can only roll your eyes in response.

Your eyes are rolling back behind closed doors though, as you’re laying flat with him beside you, staring at your bruised butt. those taunting fingers, after slapping your ass so much, are bullying your cunt as they’re pumping in and out of you. you want to tell him it’s too much, but you already agreed to give him one more orgasm and you do not want to disappoint:( But it’s a particular curl of his digits that has you arching off the bed and staining your thighs, his fingers and shockingly his face! you’re so embarrassed you could cry, but he only wipes his face with his fingers and licks it off. you’re trying to sit up, but he’s pushing you back down as he mounts you.

he knows how much you love him prone boning you, so as a reward for doing extra good earlier, he does! you’re practically weeping into the sheets as his hips meet yours over and over. he wastes no time in turning you on your side so he can see that face of yours. you’re all red and teary eyes as he doesn’t stop fucking you. his hand is rubbing the flesh of your sore behind and you can barely move! your little body is so spent, but he promises to take care of you with a kiss to your temple. but not without slapping your ass one more time.

he’s pulling out of you to drag your hips up. it’s his tongue that gets you reeling, darting between your puffy clit and dripping hole. he’s pushing you back onto his face over and over you’re releasing much more directly on his face this time! he apologizes, saying how much he couldn’t help himself because the thought of it stuck so much since you squirted all over him before ! Sure, I'll help you with that. The corrected text is: "apologizes"

SCARA.

when it comes to scara, he acts as if he doesn’t care. a body is a body. he’s going to tell you that the “ass or tits” argument is dumb, but his actions tell you otherwise.

he’s always finding some reason to press up against you! he’ll claim he just wants to get something from the shelf above you, but he’s dragging his clothes cock all over your ass!

even when he’s sat in his gaming chair, he has you facing him and immediately he hits an intermission in whatever game his playing, his hands are finding their way right down to the curve of your butt. but he’ll swear he doesn’t have a preference.

“your ass just happened to be in my hands' way,” as he shrugs it off. but you can see past his silly lie.

you didn’t think he’d be proving you right out in the open like this though. his car is parked at the end of some abandoned alleyway while he has you bent over the trunk! the cool metal is no match for the heat the two of you are emitting as he ruts into your walls.

he’s fisting your hair, spitting something about how good you looked. it wasn’t his fault! you’re the one wearing such a tiny skirt, how could he not get a piece of that? the nasty fucker only releases the hard grip he has on your hair so he can take another quick whiff from your panties. your strong scent has him powering up again, so he’s crossing his arm over your ass to grab your hips and fuck into you harder. the sound of your skin slapping is reverberating off the walls, and hard. you’re only getting louder, and he takes the opportunity to dip down into your ear again, warning you that you’ll get found out and show whichever passerby how nasty you are, taking him in so deep like this while anyone can catch you as quickly as it started.

the thought sends waves right down between your legs as his hands come in contact with your ass once again. he’s fucking you onto him as he cums, rolling his hips against the plush of your behind. and per his words, you have to keep it in the whole car ride home if you want him to fuck you again later.

BLADE.

even though blade doesn't talk much, he's very calculated with his actions. he makes sure he's thinking through everything to ensure he doesn't hurt you. it's also why you raise an eyebrow when you feel his fingertips very softly brush against your butt. and it keeps happening. you feel like you're going insane! the feather-light touches are running through your mind but the way he carries himself immediately after, it's like nothing ever happened.

so you start to retaliate. your bottoms are getting shorter and tighter day by day. it's gotten to the point where you're barely wearing any pants around him at all! you're constantly dropping things and bending over to pick him up, seating your half-naked behind just millimeters away from his fingers resting on the couch and asking him what's wrong whenever you notice him freeze up. more importantly, those small touches have stopped. you hmph in a small victory, not sure what you achieved but you feel satisfied nonetheless.

the hmphs and ahs that are spewing from you later in the night are nothing compared to the one of false victory. your shoulders are hunched as your back faced him. Do you think your actions wouldn't get noticed? think again. you're grinding your clothed cunt painfully slow against his clothed thigh. his hand connects with the soft skin as he tells you to speed up. two can play the teasing game but only one can win. your cries and pleas only fuel him further as you blurt out every apology your spiraling mind will let you. your legs are aching and your orgasm is moving in and out as you begin to tire out.. but your bladie isn't that mean, so he's repositioning the two of you to fix both of your problems.

his left leg is propped up on the couch, the other leg hanging off as his back rests against the arm of the chair. your body is flat against the cushions as he thrusts up into you (see sledge for reference). your cunt is sure, but he knows just the right angles to hit to make you forget that. but while you're lost in your world of pleasure, he's lost somewhere else. he literally cannot take his eyes off your ass. he's mesmerized, as each thrust keeps bouncing it around. his hands are gripping the top, pushing you down on him as you both cum against each other. even when he's pulling out and picking you up to clean up, he just can't get it out of his head !!! it's going to bother him for the next couple of weeks, maybe even months! but best believe he will be coming right back to enjoy the view.

[ccl-c]

i procrastinated on this for months and it didn't even take that long to finish lol things got very bad at work this year and i just didn't have the energy but i'm really happy with how it turned out!

(edit: thank you so much to everyone enjoying this piece! i'm so happy there are more people thinking about his prosthetic leg.)

some of my favourite details and long self-indulgent ramble below the cut.

as much as i love the unicorn leg in the show i really wish they gave izzy an actual post-amputation swordfight scene, which probably would imply a more practical prosthesis because honestly that candle scene looks very painful and pretty difficult to adapt in combat. so basically i wanted him to have a prosthesis that could work.

for the poses i mostly just took basic right-handed cavalry sabre movements that would need lots of force and/or mobility from the left leg (actually all of them do otherwise he'd lose stability which is a big no but well i did not consider the basic steps nor special ones such as the palestra because they're not very clear to draw. i included a flèche though because i just really, really want to see him do flèches (no more modern rules aha!!); i doubt he'd like it since it's very risky but it would be so fucking awesome. imagine him just darting full-speed at the opponent and passing through them sliding the sabre right between their ribs. the sabre isn't a pointy weapon especially since his is quite curved which makes piercing trickier than slashing (it would be a lot easier with a rapier or an épée; i like to imagine that stede prefers the rapier and makes every opponent who believes rapiers aren't fit for combat reconsider it) but hell that would just look amazing. although looking at it again i probably drew the footwork more like a pass forward …). now thinking about it i should have included a salute because he'd absolutely do that and make everyone do it in unison at the start of training sessions and it's just a cool series of gestures (i haven't gone through the historical documents yet but the salute our historical fencing club do consists of two appels (striking the ground with the forward foot which in izzy's case is the right foot), then raising the sword to the sky, then pulling the guard of the sword near the jaw with the tip pointing upwards, then pointing the sword down forward, usually a bit to the exterior for single-handed swords. this is the short version; we did the complete version of that salute precisely once and i seriously cannot remember either the year it was formalised or how it was done exactly. i think it was somewhere near the end of the 18th century and there was half a step forward and maybe a step on the spot at the beginning. if i ever find it or we ever do it again i'll update here). also i feel like the dagger doesn't really look right ever since i saw the daggers and little swords at the exhibition about knights in nantes … anyway.

the prosthesis is loosely based on those 16th-century moveable leg prostheses by ambroise paré (on a side note, he made hand prostheses too and i think they're good references for spanish jackie's hand), douglas bly's above-knee prosthesis in the 19th century and modern running prosthetic legs (for the need of explosive force typical in lunges) as well as historical fencing and buhurt (full-armour medieval combat) gears. although i'm horrible at physics and have forgotten what little ergonomics i learned at university so it probably won't work in reality lol.

the text is in french simply because i learned fencing in french and didn't want to make mistakes in the vocabulary. the small words from left to right top to bottom are: motion (movement?), knee (front), knee (back), ankle & foot, locked, flèche (as in fencing; the word itself means “arrow”), unlocked (middle french spelling because i like it and it's not completely anachronistic i guess), lunge, en garde position in tierce (i somehow can't find any fixed way to say this in english; it's just the basic stance with the third hand position). the text on the left is probably quite awkward honestly but i can't not put it there because it's fun lol it reads “leg and foot prosthesis designed for first mate hands, by doctor roach with the assistance of frenchie, realised (built? made? constructed? manufactured?) by black pete and wee john feeney and the entirety of the crew of the revenge under co-captains stede bonnet and edward teach, illustrated by lucius spriggs”. so yes any mistake in there is theirs and not mine lmao (no). the font is very loosely based on my memory of jean jannon's regular and italic typefaces. i adore his italics; it's the prettiest, most delicate italics i've ever seen.

i still have other drawing ideas for ofmd but i'm also into a lot of other things now … i'll probably get to them a few months later.

[verstappenverse]

Home is Where the Heart Is

Pairing: Max Verstappen x Reader

Summary: You’re very excited to redecorate, and Max is absolutely smitten.

1k words / Masterlist

Your phone vibrates on the coffee table, the screen lighting up with a new message. It’s Max, of course. He had to run out for a few hours, some training before his next race, but he promised he’d be back in time to help with the culmination of your decorating project.

On my way. Ready to hang up those weird plant things you ordered. followed by a laughing emoji.

You can’t help but chuckle. Max had poked fun at your excitement the entire week. You’d been planning this makeover for so long and now that everything was finally coming together you could hardly contain your enthusiasm. You had spent ages scrolling through home decor websites, adding things to your cart with gleeful abandon. Colour swatches were scattered across the floor, paint samples were smeared on the walls. The new shelves, throw pillows, and, yes, the complicated plant hangers he loved to mock, were all waiting in the corner of the living room.

"Okay, well they're not weird, they're aesthetic," you mutter to yourself, smiling as you look at the hanging baskets you’d planned to fill with greenery.

Just as you’re untangling the macrame ropes for the third time, the front door swings open, and Max walks in. He’s wearing that relaxed, post-training glow, one you’ve come to associate with this calm, off-track version of himself.

“Hey you,” he calls out, dropping his keys on the table. His eyes roam the living room, his lips curling into a grin. “So… what are we hanging first?”

You barely register his question as you concentrate on an imaginary layout in your head. "Do you think the sofa should stay in the centre, or should we move it to towards the window?"

Max walks over and stands next to you, pretending to study the space like he’s an expert. "Definitely the centre,” he says after a pause, though it’s clear he hasn’t actually thought about it.

You narrow your eyes at him. "You’re just saying that so we can be done faster."

Max’s grin widens, completely unbothered. "I might not care about throw pillows as much as you do, but I’m here to help. You’ve got my full attention."

“You underestimate the complexity of decorating,” you said with a grin. “It’s an art form.”

He bends down and kisses your cheek, his stubble brushing against your skin as he hovers a second longer than necessary. He walks back and leans back against the wall crossing his arms with a teasing smile. “Promise I’ll bring my A-game."

You shake your head, feigning exasperation, but you’re secretly thrilled to have him here. "I want this room to be perfect," you say, more to yourself than to him.

Max looks at you with soft eyes. "It’s already perfect."

"Max…" you groan, "the couch isn’t even in the right spot!"

"You know what I mean."

Your heart does a funny little flip at his words, but you push it aside for now. "Okay, so this first," you announce, grabbing the ropes and handing them to him.

He takes them reluctantly, staring at the pile in his hands like they might start moving on their own. "Are you sure about these?"

You giggle, reaching for the small hook you bought for the ceiling. "Of course. Plants are a must. Greenery is very calming you know."

Max raises an eyebrow, clearly skeptical. "You’ve seen my old apartment right? No plants there and I was pretty calm."

"You’re calm on the outside, but inside you’re one bad plant decision away from chaos."

He laughs at that, the sound warming the space instantly. “Fine, fine. Where are we putting them?”

You point to the corner near the window, excitedly showing him the exact spot.

As Max climbs up to attach the hook to the ceiling, you sit back on your knees, looking around the half-decorated room. The shelves are still leaning against the wall, the box of candles untouched, and the cushions… well, they’re scattered everywhere. But you can already picture it in your mind, your perfect little sanctuary.

He finally gets the hook in place and hangs the first rope. Stepping back to admire his work and gesturing towards it.

You clap your hands together. “It’s perfect!”

Max shakes his head, chuckling. “You’re way too excited about this.”

"I just love how everything’s coming together," you say, getting up to wrap your arms around his waist from behind. He’s warm, solid, and his familiar scent fills the air, making the room feel even more like home.

The room starts to take shape, and with each new addition Max’s admiration for you grows more than he thought possible. He’d occasionally step back to admire your work, his gaze lingering on you with a look of pure adoration.

Max leans into you from behind, his arms resting over yours. “I like seeing you like this.”

“Like what?”

“Happy,” he says.

You smile up at him, “I am happy. Especially now that you’re here.”

He turns you around in your arms, catching you off guard as his eyes meet yours. There’s that familiar spark of mischief. “You know, I never thought I’d spend my afternoon hanging plants or arranging cushions,” he nods vaguely towards the room, “but if it makes you this excited, I guess it’s worth it.”

“You are so cute,” you tease.

He reaches out, brushing a stray lock of hair from your face, “Well, you’ve certainly outdone yourself."

You stand there in the middle of your half-finished living room, surrounded by unpacked decorations and the future plans you’ve been obsessing over. But for a moment, it all fades away as Max leans in and kisses you, soft and slow, like you’re the only thing he wants to focus on.

When he finally pulls back, he cups your face in his hands, his eyes locking with yours. “You’ve made this place beautiful, and it’s all the more special because you’re in it.” Your heart flutters, touched by the sincerity in his voice. His hand gently strokes your cheek. "So, what’s next?" he teases.

You laugh, resting your head against his chest. "Maybe we can take a break… but just for a little while.”

Max pulls you closer, wrapping his arms around you. “Take all the time you need. This place already feels like home.”

[taintandviolent]

that which terrifies ; Count Orlok x Reader

summary: You're a housemaid who is sent away by her employer to an estate nestled deep in the Carpathian mountains. On the first night, your dreams become very bizarre, and you are no longer so sure of your purpose at the Castle.

word count & w a r n i n g s: 3.7K | female reader, smut, period cunnilingus, vampire coercion, invasion of privacy, scent kink, technically dubious consent and somnophilia (cos Orlok likes to touch when reader is sleeping and it gets a little blurred there), blood mention, decay mention, monsters, vampires,, bloodplay, biting, drinking blood / blood loss, mentions of accents, shadow play (fingering), possession kink.

a/n: I feel like I should apologize in advance because this one feels weirder than my last one. again, you either get it you don't. nevertheless, I hope it is as good! thank you for reading if you do!!! MAY CONTAIN SPOILERS FOR NOSFERATU 2024! banner by @/strangergraphics!

↓ full fic under cut! ↓ / playlist here / ao3 link here! / I don’t have a taglist anymore, but please turn on post notifications if you’d like to be notified of future fics!

With a sharp crack of a whip and a high-pitched whinny, you are alone.

It’s snowing when you arrive. You look back down the pathway, unable to see the carriage any longer; the flurries obscure your vision. The coach that brought you to the looming doors of the entrance is long gone, as is the safety of it. The only sound that can be heard amongst the deafening silence of snow is the fading squeak of hinges and the clip clop of the horses’ hooves as they return home, wherever that may be… far away from this dreadful castle. As you gaze skywards, looking up at the castle, you wrap your shawl around your frail shoulders, shuddering. There is something that roils in your stomach like a malady, twisting and turning your insides until they ache so. Foreboding…

You had been sent here by your employer, a ruthless man who lacked any empathy, only possessed an insatiable greed for fortune. He had requested that you be sent away, to tend to a man who resided deep in the Carpathian Mountains. He had a large estate – a castle in every sense of the word – and needed it maintained. Your darling mother fretted the entire night, feeling as though it was an unwise and dangerous proposition; a young, unmarried woman going into the dark and cursed woods of Transylvania, forced so under the pretenses of mere employment. Though, you had been promised riches. This man, Count Orlok, would reward you handsomely for your duties. Or so it was said. 

At first glance, the looming castle provides no welcome, nor does it beckon you inside. Though, the longer you stare, shivering in the snow like a lost child, the more inviting it becomes. As fearsome and ominous as it is, you know that within those stone walls, lies a comfort, a warmth of some kind. Another person to provide company. 

With footsteps crunching down into the snow, you approach the doors. Your fist raises to the doors, poised to knock as hard as you can to alert the occupant that you’ve arrived. As you do, your knuckles pounding against the wood but once, both the doors swing open slowly, revealing a grand, but barren, courtyard. White blankets everything, obscuring any foliage that might have greeted you.

“Hello?” Your voice is swallowed up by the snow. 

All at once, you hear scampering beside you, accompanied by a huff of breath from something and quickly pivot around, clutching your breast. When you turn back around, you’re met with a startling visual; a tall, intriguing silhouette, stands near another entryway. He’s stock still, the only movement is that of the furs that he wears, which blow delicately in the wind. After a moment, he turns, and disappears into another open door. 

“Sir! Please, I beg of thee, wait for me!” Gripping your satchel in one hand and holding your shawl shut with the other, you hurry behind him, praying to get out of the biting cold. He does not wait for you. 

Once inside, the castle provides little reprieve. It, too, is bitterly cold; the stone walls have absorbed the chill of the winter and seem to radiate out onto anyone who dares pass by, like long fingers, reaching out to pilfer any warmth that passes. 

The staircase is dark, staggeringly so. It curls around a column, trailing ever upwards. He is gone from your line of sight, until you climb the last step, and enter the main room. It is dark, save for a robust fire that consumes the left hand side of the room, drenching it in warmth. Dropping your belongings, you hurry over to it and quickly stretch your palms towards the glow, the heat licking at your frigid fingertips. 

Casting your glance over your shoulder, he stands near the table. You hum quietly to yourself, and turn back to the fire. 

“Count Orlok…” you start, your voice feeble. You stare at him now, desperately trying to discern his features. Though he is unmoving as he watches you, the shadows which dance across his face obscure him. You swallow.  “Pardon my –” 

“Thy lord…!” he bellows, startling you. Despite the volume, his voice was low, deeper than any man’s voice. It was almost a growl, carnal and demanding obedience. You dare not defy him, not when he sounds as such. You furrow your brow to the fire, looking deep into the flames to hide your shame.  

“My lord,” you started again. “I mean not to offend. I was only going to ask you to pardon my urgency in coming to the fire, I fear I may have caught my death had I been out in the storm any longer.” 

“You,” he booms, his voice seeming to vibrate the air around you. He gestures, extending his long fingers towards the table. “...are weak with hunger… eat.” 

You glance apprehensively at the expansive feast behind you; fruits, roasted meats, breads. It was enough to satisfy several men. “Are you not… not joining me, my lord? Surely, this is too great for my appetite.” 

“…I shall sate myself… later….” 

His response serves as nothing but confusion to you, for it is nightfall. Perhaps, you think, you are not accustomed to the habits of the area. You turn your attention back to the table; you are unable to deny the gnawing in your belly, and the enticing aroma of the food calls to your hunger, seducing you with promises of a full stomach, and a delightful, food-induced sleep. You get to your feet and approach one the chair, carefully setting yourself down upon it, smoothing out your petticoats as you do.

Wordlessly, you reach forward, plucking a single piece of fruit from the plate. Its glossy skin glistens underneath the flickering candlelight, and as you bring the succulent fruit to your mouth, its sweet nectar coats your tongue. You hum happily, and savor the taste, rolling it around on your tongue before gnashing it up with your teeth. Next, you reach for the fork that sits at the plate’s edge, and pierce the flesh of a morsel of meat. It’s tender; the prongs of the fork giving way, and the intoxicating aroma of herbs and spices fill your nose. 

Though the food is delicious, it does little to distract you from the fact that you’re being watched. The Count sits across from you, his presence an ominous shadow that threatens to swallow you whole. You chew once, twice, and raise your gaze to his. It’s dark and envelops you like an embrace, one you cannot deny. 

“My lord,” You say, swallowing the remainder of the meat. “Pray tell, who cooked this delicious meal? I was told that you resided here by thineself, hence your need for a ma–.” 

Before you can finish speaking, his words slice through the space between you. “No… more questions. Eat.” 

“I was only –” 

“Hush now. You are too weary to have such… conversations.” 

His words rang true; you were exhausted from the journey and the food was only increasing your fatigue. Now, with a full belly, you felt the first, soothing touches of sleep running its fingers through your tresses, beckoning you closer. You stifle a yawn, not wanting to appear rude in your present company. 

“I long to become familiar with you, my lord. I have many questions… but perhaps, I’ll rest…” You say as you wander over to the fire, longing for its warmth once more. You fold yourself to the floor, resting your arms and head on the seat of the ornate wooden chair that sits in front of it. “If only just for a moment.” 

With the crackle of the fire lulling you away, it isn’t long before the drowsiness takes you, your form drooping slightly in the chair as you nod off. It is not a restful sleep, however; it is a disturbed slumber, filled with bizarre dreams that feel like waking nightmares. 

Shadows claim your body and soul as you sleep, drifting farther and farther away from your consciousness. Slender, phantom fingers graze over your heartbeat, feeling it, tasting it with physical touch, and they graze the fullness of your breasts. Lingering touches chill every inch of your flesh; your neck, between your legs, and along the length of your arms. You dream of being intertwined eternally, though if asked, you couldn’t explain what that meant. Pain, braided with throngs of indescribable pleasure. 

You aren’t sure how long you sleep, but awake when the sun’s rays reach through a nearby window. You stretch your limbs as far as they’ll go, the muscles shaking with exertion. Then, unexpectedly, your palm flattens atop a cotton pillowcase, the tips of your toes feel sheets beneath them. A bed. The fire, you think. I fell asleep at the fire. He must’ve carried you to bed in the night – a thought that, while somewhat comforting in its thoughtfulness, concerns you. You remember not the feelings of him cradling you in his arms, carrying you to bed like a groom carrying his bride over the threshold. You remember not the feelings of being tucked in like a child, delicate and small. But you remember your dreams. 

Pleasures that capture your sleeping body, controlling it so that you thrash and turn on your bed. Long, slender fingers ghosting over your jawline, desperately twitching to pull your mouth into a bruising kiss. The overwhelming scent of Earth, the irony scent of blood, paired with a sickly scent that you can’t place. Stinging pains as the shadow in your room consumes you. Whispers of promises, of ownership, of eternities. Things that you cannot comprehend, but wish to agree to willingly.

Your eyes open fully, having now adjusted to the light. The realization dawns on you; your lewd dreams had been about your new employer, the mysterious man who had only insisted you eat. Knowing not what time it is, you quickly throw the covers from your form, and get to your feet. You’re still clothed, but the buttons on the front of you are peculiarly undone. Your fingers work fastidiously to redo them, before you cross the small room to the door. 

Hurrying down the stairs, you return to the once warm dining room, now flush with sunlight, but still freezing. The fire has burned itself out, and the table remains full of food. The meat has likely spoiled, but the fruit and bread… You eye them both hungrily. 

“My lord?” You call out into the emptiness as your heart pounds in your chest, a staccato rhythm against your ribcage. You wait… but nothing comes, no response, nor sound. Satisfied that you are alone, you rush to the table, hurriedly taking up a piece of bread and some of the fruit. You scarf it down in a very unladylike fashion, but no guilt taints your urgency; you’ll need energy to do your duties. 

As you chew, you decide to meander some, and still, fail to find the Count. Your exploration yields very little aside from the discovery that this castle looks all but abandoned in the daytime. At night, at least there is a fire in the hearth to tell stories of the living craving warmth, but during the day… It is nothing but emptiness. The castle itself is so vast, so decrepit, that you have a hard time navigating it without feeling like you’re running yourself in circles. Most everything looks the same, and frustratingly, most of the doors are locked, try as you may to enter them. How is one intended to clean if they do not have access? 

~

After several hours of cleaning to the best of your ability; sweeping up leaves and dusting away long abandoned cobwebs that hung in the recesses, you pause to wipe your brow, and in doing so, catch a glimpse of the setting sun. Like an overripe fruit, it hangs heavy atop the silhouette of the castle, and disappears, sinking into the horizon as you watch it. Has it been that long? Or had you originally slept much longer than you’d thought? 

Gradually, the castle is submerged in darkness. You hum to yourself, retrieving the rag from the floor and return to the main room. The visual before is laid out as it was the night prior and you are equally as perplexed. 

The fire roars once again, and the Count, with his tall, menacing silhouette, stands in front of it. As soon as your foot hits the last step, he turns, gripping his fur coat at the side. His fingers seem to go on forever, only lengthened by his sharp, pointed nails. You bring your hands to your lap, shifting nervously.

“You have been hard at work, I see…” 

“I… yes, my lord. Though, most of the rooms are locked. Might I have access –” 

“No.” He says lowly, curtly. There is an unsaid warning, discouraging any persistence.

“My lord…” You quiver, fighting against your own nerves. “Might I ask… what is my purpose here then? If not to clean thy castle… why for?”

He is suddenly beside you, his tall frame dwarfing yours. “You will… provide me… company.” 

Your heart squeezes within your chest, tight, as though his hand had reached through your skin and gripped it with all his might. The rag drops from your grasp, falling to the stone floor silently.

“I’m afraid I don’t… I don’t understand.” 

But you do. You understand that you were sent here under a falsehood, an arrangement disguised as employment. As you recollect, the terms in which you were sent away were very sudden, very demanding and very specific – he had requested a young unmarried woman. You thought it to avoid any incessant mail, perhaps, but realize, the reason is far more personal. 

“Fret not,” he says, his fingers reaching up to brush across the warmth of your cheek. They are cold to the touch, frigid even, and you shudder underneath the gesture. His dark eyes suddenly seem to widen, his nostrils flaring. As he inhales sharply, he dips closer to you, his claws reaching towards your clothed hips. 

All at once, his long arms wrap around you, seizing you, pulling you into a desperate, hunger-driven embrace. He tastes your flesh, licking from the nape of your neck to the hollow between your full breasts. It is not tender, nor is it heartfelt. It is insatiable, it is dark, yet… your supple frame melts into his grip, allowing him to support your wilting body in his grasp. 

You feel the edge of his nails gently caress your body, fingers wrapping around the flesh of your arm with their length. Your lids flutter as his mouth nears your ear, his labored breathing hissing into the tight space between the two of you.

Deep between your legs, an incessant want pools. It is hot, greedy, and coils in your stomach like a venomous serpent. Your lids grow heavy with need. Above you, Orlok nears ever closer, dipping down until the bridge of his nose presses into your sternum. He inhales deeply, as though inhaling your very essence. He makes a sound akin to the low, warning growl of a wolf, though it’s tinged with something far more satisfied.

“That which terrifies you….” his full-bodied voice snarls above you, consuming you. “....pleases you.” 

Your breath catches in your throat as you realize what he’s just done, what provoked such a bold claim from his lips. He had smelled your blossoming state, your throbbing arousal and inhaled deep into the confines of his very lungs. No man has ever done such a thing, and the thought leaves you reeling, shuddering in his grip. Because, you know… he is no man. 

“My lord,” you whisper. “I… I…” 

“Speak,” he urges, his voice thickened with lust, with hunger. You can feel his breath upon your breast, upon the exposed column of your neck. He nears closer. 

“I cannot! My words fail me, my lord… I know not what I speak of… what I feel deep within my chest.” 

He growls, considering that for a brief moment, before speaking again. “Your body speaks loud enough.”                                                                                                              

With your breath catching in your mouth, you quickly utter your next words. “I think I may retire… early this evening, my lord. I feel faint.” 

“If you are… unwell, it would be in your best interest to do so.” His words are strung together so laboriously, punctuated by wheezing breaths and his heavy accent. You swallow again, looking up into his unimaginably dark eyes. There is a hunger there, a flash of something that frightens, but moreso, arouses you, and you gasp, turning quickly on your heels, heading back up the nearby steps. “I bid thee goodnight!”  

You run down the corridors as though he is pursuing you. Hunting you. And as soon as you are in the safety of the room that he once carried you into, you shut the door, collapsing against the back of it. You pant, trying to make sense of what had just happened, but you cannot ignore the clawing lust that you feel.

You dress yourself in your nightgown, and quickly get into bed, pulling the covers up to your chin as though that is some ward, some protection from the shadows which plague you. As before, it is not long before the warmth carries you off to sleep, the comfort of the bed acting as a tranquilizer for your nerves.

The dreams come again, wrapping themselves around your body and cradling you in their enticing embrace. They are heavy, like the weight of a lover atop of you, and they ghost along your legs, trailing along the curve of your thigh. You whimper, taking fistfuls of the sheets.

“I beg of thee… please…” you murmur, sleepily. Still, it is a call, a beckoning, and the shadow in your dream heeds it. Immediately. 

You shift, kicking your legs and thrashing your head to the side, whimpering pitiably in your slumber. The sheets are cold and seem to cling to your thighs, bringing you no comfort and do not free themselves when you move your legs. There is a pressure, a pulling deep between your legs. You whine again, bucking your hips. Against something.

Your eyes snap open, your body jerking with unimaginable arousal. The first thing you see is the ceiling, decorated with shadows and uncertainty. The second thing is that your nightgown is pushed up to your waist, exposing your lower half to the chill of the room. The third, and perhaps the most startling, is that Count Orlok is nestled between your thighs, his lengthy fingers gripping your hips tightly, not fazed by the rocking of them as you feel, feel deeply, what he is doing. He pulls you closer, and you immediately feel his cool tongue as it laps at your center. He swallows loudly, wetly, and you immediately smell the harsh, irony scent of blood. As he gulps, you feel an ungodly pulling sensation, as though the essence is being drained from between your legs.

Realizing, you yelp and push your hips into the mattress, pulling his mouth from your cunt with a slick sound. His mouth chases you, but in the second in which the moonlight hits his angular face, you see that the lower half is coated in blood. You wince, and tighten your grip on the sheets. You had heard stories as a child of a mystical, monstrous creature… strigoi, nosferatu, vampyres… many names for one being you’d never thought you’d meet. And certainly not in this way. But you realize, as his mouth hovers over your core, his cool, wheezing breath washing over you, you do not want him to stop. The nerves, the anxiety, it had all been because his aura had captivated you, called out to you like a beacon in the storm. 

“Give thyself to me…”

You nod once, unable to hide your true nature. Your hand drifts to his bare, decaying shoulder, urging him back between your legs. Orlok’s tongue snakes out once again, delving deep into your entrance and lapping up the viscous fluid that leaks from it. You nestle back against the pillow, allowing yourself to feel everything, to drown in the sensations. It is unclean, monstrous but you cannot contain your cries, the lascivious sound echoing off the stone walls. Your hips continue bucking into his mouth, your hand gripping his aged flesh with all the power you have left.

He laps at your cunt, starved for the sanguine nectar mixed with your sweet arousal, and your body quivers and shudders with each pass of his tongue. You feel the sharp points of his fangs grazing your swollen clit, a teasing, dangerous feeling. You dig your nails into his cool flesh, pulling him closer still and you feel that serpent return, coiling around itself until it threatens to burst. 

“Pl-please… my lord…! I’m… I feel as though I might…!” But he does not relinquish his feasting, nor does he slow. 

Your body seizes up, muscles spasming as your back arches desperately, the fire of your orgasm reaches a peak, crashing over you like waves on a shore. Your hips buck violently up into his greedy, hungering mouth, crying out. 

Finally, as the pulsing subsides betwixt your thighs, he is above you, lowering himself down upon your breast. His lithe fingers spread apart the pieces of your nightgown, exposing your skin to his waiting mouth. A white, hot lance of pain erupts over your sternum as his teeth puncture the waiting flesh there, the ache sprawling its stinging tendrils down the length of your arms and to your fingertips.

You gasp, your pupils dilating. The feeling is unlike anything you’ve ever experienced, and you know, unlike anything you’ll ever experience again – a feeling, a craving that only he can sate. The room is filled with your weakening moans and the slick, gulping sound of Orlok as he drinks from you. Your menstruations were not enough, and yet, neither was a singular orgasm. Your hips writhe with a desperate plea, though he is too far buried between your breasts. 

A dark cloudiness rings the edge of your vision. No… not sleep. Not now…. I beg of thee…

The world fades from your grasp, like water through thine fingers, the only sensation is that of your skin chilling, paling as he drinks your sweet, warm blood. 

“M-my lord…”

[beloveds-embrace]

(The awaited regicide addition! A huge thank you to @sun-daddy-yoriichi and @thegreyjoyed for reading this beforehand and giving me their thoughts and pointing out the typos I missed! To @nightunite and everyone else, I hope you all enjoy!)

Original Post

Dukedom masterlist

The halls of the Palace were as oppressive as they were grand, a suffocating testament to a monarchy that, to you, had long since lost its soul. Towering columns of alabaster rose toward impossibly high ceilings, their surfaces carved with scenes of divine rulers ascending to eternal glory. The frescoes above- gold-leafed and luminous- depicted gods bestowing crowns upon mortal kings, and with those crowns, the right for greed.

It was a vision of power untouched by humility, a stark and painful mockery of the kingdom that groaned under its weight. Under its own monarchy’s weight.

You moved through the opulence with the practiced grace, your silks whispering softly against the cold marble floors. The jewels at your throat sparkled, but they felt like chains around your neck. No amount of finery could shield you from the oppressive weight of those walls- or the eyes of the man who ruled within them. You couldn’t wait until you could leave at last.

King Edgar, on the other hand, sat upon his throne of carved ebony and gold, draped in garments that spoke of wealth beyond even your imagination. But the man beneath them was a creature of cruelty. His gaze was sharp, predatory, as though he were dissecting those before him for weaknesses to exploit. Edgar wielded his authority like a weapon, each word carefully chosen to cut deep.

And you had made the mistake of challenging him. You and John both.

When Edgar imposed brutal taxes to fund yet another palace wing for a Queen never satisfied, for the concubines he keeps, John spoke out in the council chamber. When he refused aid to the starving eastern provinces, you arranged for secret shipments of grain. Neither defiances were ever bold enough to be declared treason, but it burned like an ember beneath his throne.

For this, you both earned Edgar’s ire.

But it wasn’t just ire. You wish it had just been ire.

Edgar’s disdain for you, specifically, had taken a far more personal turn. At court functions, he would find reasons to draw near on the now-rare chance you weren’t close enough to John, his presence impossible to ignore.

His hand would rest on your shoulder, his grip firm enough to press a message into your skin: I am in control. His words were always mix of thinly veiled insults and mocking observations, the look in his eyes something that made your stomach twist.

This last court gathering had been the worst yet. Edgar had been in rare form, seated at the head of a long banquet table while nobles competed for his favor. You had been seated nearby, as was customary for a duchess of your rank, but unfortunately, proximity to the king was a double-edged sword not even John could outright protect you from.

“You look radiant tonight, Duchess Pricee,” he had said, his voice loud enough to draw the attention of the room. John’s hand landed on your thigh, squeezing lightly, comfortingly. “Tell me, do you think your husband appreciates your beauty, or is it wasted on him?”

The comment was met with nervous laughter from the assembled nobles, their eyes darting between you, John, and the king. You forced a tight smile, keeping your voice measured. “The Duke has always been a man of great appreciation, Your Majesty. For beauty, and for substance.” You turned to look at John then, finding safety in him.

Edgar’s smile didn’t falter, but his eyes darkened. The conversation moved on, but the tension lingered like a storm cloud. Later, as the banquet ended and the guests began to disperse, Edgar found you near one of the towering windows while you waited for John to finish speaking with a Baron. The light of the full moon was beautiful, but there was nothing serene about the way he cornered you.

“You should know your place, Duchess,” he murmured, his breath brushing your ear as he leaned in far too close to be proper. The scent of his perfumes was so heavy it made your head swim unpleasantly. “Perhaps I’ll remind you of it one day. You’d make a good teacher, at the very least, for my other women.”

The implication behind his words froze you to the core. You felt his hand graze your arm- light, but too close-before he turned and strode away, leaving you trembling with suppressed fury and fear. Queen Vivian, the only witness to this encounter, merely cuts you a dark, nasty look before she leaves as well.

You hated him. You hated her. You hated both of them.

You tell your men as much later that night, after Kyle helped you shower and kisses every inch of your skin until you could no longer think about the way Edgar had touched you.

John’s face darkened as you spoke. He sat by the fire, his broad shoulders hunched, his hands gripping the arms of his chair like he was holding himself back. Across from him, Simon’s jaw ticked, eyes unreadable beneath the flickering shadows of the room. Johnny paced the room, his usual good humor replaced by a simmering rage, while Kyle stood in the corner, his expression calm but his hands tight while he held yours.

“He’s a bastard,” Johnny muttered, accent thick with anger. “I’d love ta wipe that smug grin awff his face.”

“He’s more than a bastard,” John said, low and dangerous. “He’s a threat. To her. To the kingdom.”

Simon leaned forward, his elbows resting on his knees. “This isn’t just about his treatment of her. The people are starving, dying in the streets while he and the Queen feast on their labor. They are desperate, and will grow more desperate as winter fully comes…” he trailed off, but you had always been sharp enough to read between the lines.

And still, you hesitated. “…are you saying that-?”

John looked up, his eyes meeting yours. “We are saying it’s time for a change. If this continues, we are looking at a kingdom that will fall.“

He stood up, striding until he was pulling you into his arms and Kyle easily let you go. “But if we stop it now… we are looking at a kingdom that will prosper under new rule.”

And so, the plan was born in that room.

But still, plans and results take time. In that time, you still do your best to help your people:

The smell of smoke lingered in the air, heavy with the scent of charred wood and burnt houses. You stood at the edge of a village that had been reduced to rubble by one of the king’s careless decrees- his soldiers had come through a week ago, demanding supplies the villagers couldn’t afford to give. When they refused, their homes were set ablaze, leaving them with nothing but ash and grief.

And now, you were a witness to it. But you wouldn’t be a bystander.

John stood beside you, his face carved from stone. His shoulders and back were set straight, but his eyes softened when he turned to the group of villagers huddled nearby.

They looked up at him with a mix of awe and apprehension, as though they weren’t sure whether to trust the tall, battle-hardened man who had appeared out of nowhere with promises of help, and he couldn’t blame them. He likely reminded them of the same soldiers that ruined their lives, but he hoped your presence would soothe that animosity just a little.

Simon moved silently among the wreckage, not a Duke; masked and armoured, he had no identity in this moment. Yet, when a small child stumbled toward him, soot smudged across her cheeks and her eyes teary, he knelt without hesitation even when he could see her father and mother rushing towards them.

“Easy now.” he said, his voice low but gentle as he handed her a chunk of bread from his pack. The girl blinked up at him, her tiny fingers clutching the food as though it might vanish if she let go. Simon stepped back when her parents reach them, nodding his head towards them.

“Got the last of the grain sorted,” Johnny called, his arms loaded with sacks of provisions like the other servants. His coice carried a warmth that drew the attention of the villagers. “We’ll get it distributed fair and square- no one will be left hungry, aye?”

And Kyle was already speaking with the village elder, his calm, measured tone putting the man at ease. He had a natural way of connecting with people, one you were so fondly familiar with, and soon, the elder was nodding, gesturing to the scattered remains of what had once been homes. “We’ll help you rebuild,” Kyle said firmly. “But we need to know if any of the king’s soldiers are still nearby.”

They weren’t worried about repercussions or punishments; the King and Queen would just likely use this as an opportunity to boast about how they convinced John Price and his lovely little wife to help those in need.

As the men worked, you found yourself among the women and children, offering what comfort you could. You knelt beside an older woman who was cradling a young boy with a bandaged arm. “You’ve done well to keep it clean,” you said, inspecting the makeshift dressing. “But it needs proper tending. Let me help, please.”

She hesitated for a moment before nodding, tired eyes brimming with gratitude. As you worked, the boy looked up at you, his small voice breaking the silence. “Are you the Queen?”

The question startled you, and you glanced at John, who had overheard. He smiled faintly, his expression softening as he turned back to the villagers he was helping.

“No,” you replied, brushing the boy’s hair back gently. “I’m just someone who cares.”

Though you still heard the older woman sigh quietly. “… should’ve been you the Queen.”

Later, as the sun dipped below the horizon and the village settled into an uneasy calm, the five of you gathered around a fire with the villagers, everyone now with coats and blankets to fight off the chilly night.

“They will likely not come back.” John told them, easing them more. “But even if they did- the Duchess and I will help. The Price and Riley duchies will never turn you away.”

You glanced at the men surrounding you, their determination. They were the hope these people desperately needed. Not a greedy King and an impassive Queen.

Your plans had to succeed.

Late at nights, you all sit together. Tonight, you were pressed to Johnny’s side, finding comfort in the soft smell of sugars and cinnamon and his arm warm and heavy around you.

John spoke, his voice a low rumble. “The army’s discontent is no secret. Edgar’s burned too many bridges, especially with this recent village raid, and Simon and I still have allies who’d follow us.” His blue eyes met yours, steady and unyielding. “But we’ll need more than soldiers to topple a king.”

Simon nodded. “That’s where Kyle comes in.” He said, squeezing Kyle’s hand. “His network runs deeper than the king realizes. Servants, merchants, guards and soldiers- they all talk. We’ll plant the seeds of truth, let Edgar’s reputation rot from the inside out.”

Kyle leaned against Simon, squeezing back. “I don’t need to do much. People are already whispering. About the taxes, the famine, the soldiers running unchecked. Give them a reason to believe the king can fall, and they’ll push the rest of the way.”

Johnny grinned, his usual lightheartedness sharpened into something fierce. “And that’s where I come in, eh? The common folk already hate him. They just need a spark. I’ll give it to them- allies, stories, newspapers, whatever it takes to light the fire.”

Then all eyes turned to you.

“You want me to be the face of this,” you said, more a statement than a question. Your heart pounded in your chest, but you… weren’t afraid. You trusted them fully and unabashedly.

“You’re more than the face,” John said firmly. “You’re the reason, beloved. The people already call you the People’s Duchess. They trust you. They have reason to trust you.”

Simon leaned forward, his gaze locking with yours. “They need someone they believe in. Someone who cares about them more than titles or power.”

“You don’t have to be ready,” Kyle added, gentler. “You just have to lead. We’ll do the rest.”

Johnny kissed your cheek, raising your hands to kiss your knuckles. “They see you as hope, lass. And hope’s a powerful thing.”

Such a big responsibility, and yet…

If they believed you could lead this, maybe you could.

Another night, weeks into the planning, spreading and investigating, John found you in your study. The room was dimly lit, the fire casting warm light over the worn leather of the armchairs. You sat by your desk, going over the latest reports from the villages who were slowly and steadily understanding, when you felt his presence behind you.

“You shouldn’t have to carry this alone, my Duchess,” he said softly, leaning over you to brush a kiss across your bare nape, jewelry forgone for comfort.

You turned to face him, smiling. When he cupped your cheeks with such gentle hands, you leaned into his touch right away. “I’m not alone. I have all of you, no?”

John stepped closer, his fingers brushing your skin. “We’ll protect you. From him, and from anyone who dares to harm you.”

His words, the protectiveness that laced each letter, carried a weight that made your breath hitch. When he leaned down, his lips brushing yours in a tentative kiss, you didn’t pull away. Instead, you reached up, tangling your fingers in his hair as the kiss deepened, his hand sliding to your waist to pull you up and closer.

When Simon walked in moments later, he froze. Then, with a low chuckle, he closed the door behind him and stepped into the room. “Didn’t mean to interrupt.”

“You didn’t,” John said, voice husky as he straightened, his hand still on your waist. You were trying to catch your breath, butterflies fluttering in your stomach and a slow, curling heat between your thighs.

Simon’s eyes met yours, and for a moment, the air grew thicker and warmer. Your dress felt like too much on your skin- you wanted to take it off. “You’ve no idea how much you mean to us, do you, darling?”

His words sent a shiver down your spine, and when he stepped closer, his hand cupped your cheek with surprising tenderness. He leaned in, his kiss slower, more deliberate than John’s, but no less consuming.

When the door opened again, it was Johnny and Kyle who entered, their expressions shifting from surprise to something far more intense as they took in the scene. What followed was a night of you being adored, their touches and whispers a vow, a promise to make you Queen, a devotion that words could never capture.

Eventually, in due time, it happened.

The coup began with the precision of a blade, honed by months of preparation and carried out by hands both steady and ruthless.

Under the cover of night, John and Simon led their soldiers into the Palace, moving like shadows through the grand halls. Years of military training were evident in every step, every silent order given and every hand waved. John’s voice cut through the tense air as he directed his men, his commands sharp and decisive.

Simon reminded everyone why he had earned the respect he was given.

Kyle’s network of informants worked in perfect synchronization with the military strike, just as they’d predicted. Loyal (to the people) servants within the palace dismantled its infrastructure from the inside- locks were jammed, gates sealed, and secret escape routes collapsed.

What had once been a fortress of power was turned into a cage, leaving Edgar and Vivian trapped within their own walls.

Beyond the palace, Johnny roamed the streets, igniting the people’s fury like sparks to dry timber. His words were a rallying cry, weaving tales of justice and liberation that resonated with a populace crushed under Edgar’s rule. Crowds gathered in the streets, their anger swelling into an uncontainable wave and further encouraged by Johnny.

By dawn, the city was awake, and its people were ready to reclaim what had been stolen from them.

Inside the estate, you paced the length of your study, the minutes dragging by like hours. The room felt stifling despite the cool night air, your thoughts a cacophony of fear and hope. You had wanted to be there, to stand beside them in the heart of the action, but your men had insisted you remain safe and sound. The helplessness clawed at you, but you trusted them.

You had to.

The doors burst open, and Johnny stepped inside. His clothes were disheveled, streaked with blood and soot, but his grin was feral and triumphant and you could feel a matching grin forming on your face. The fire in his eyes was unshakable. “It’s done. The palace is ours, lass. It’s time.”

The throne room was a battlefield, its previous grandeur marred by the evidence of the rebellion. The alabaster columns still stood tall, but the golden trim was tarnished by smoke and blood. Soldiers that did not join the rebellion lay bound and defeated across the marble floors, their weapons scattered.

And at the center of it all knelt Edgar, expensive robes torn and stained, his crown discarded and dented, all glory stripped from him. Vivian clung to him, her once-perfect facade crumbling into a mask of fury and fear.

“This is treason!” she shrieked, her voice piercing the heavy air. “You’ll hang for this, all of you! Guards! Guards!”

Edgar ignored her, and raised his head as you entered, enraged. “You dare to challenge me?” he spat, blood his voice trembling despite his bravado. “You think you can rule this kingdom? You’re nothing but a woman playing dress-up, a woman with too much freedom-“

You stepped forward, the sound of your heels- Simon had bent down himself, kissed your ankles and placed them on your feet by his own hands- echoing through the chamber. The weight of your fury steadied your voice as you replied. “And you’re nothing but a tyrant who will be forgotten. You will not be remembered for your glory, or achievements. Just… a simple speck of dust.”

At your signal, Simon hauled Edgar to his feet with ruthless efficiency, his gloved hand gripping the torn fabric of Edgar’s robes.

Edgar’s sneer faltered as his gaze flicked to John, then to Kyle, whose cold, measured gaze spoke of a resolve that could not be broken. Finally, his eyes landed on Johnny, who leaned casually against the throne, his dagger spinning idly between his fingers, his grin sharp as the weapon itself.

“You’ve surrounded yourself with traitors, John-” Edgar hissed, but his voice wavered, betraying the fear he couldn’t suppress. “This bitch-“

“Watch your words.” John shoved his sword right in front of Edgar’s face, a scoff falling out of his mouth, while Simon chose to grip Edgar by the roots of his graying hair, pulling tight. “The mud at the bottom of her heels is worth more than you’ll ever do, Edgar. Do not speak of treachery when you, your wife, and your family had betrayed this kingdom first.”

The weight of John’s words hung heavy in the air as Edgar’s sneer crumbled, and for the first time, you saw fear in his eyes.

It made you… happy.

It made you happier to know what their fates were, watching Simon and Johnny drag them away. You’d have to kiss them extra hard later… including some other things, of course.

When the throne room was finally cleared, John ordering the soldiers and Kyle speaking to the palace servants, you lingered near the grand windows overlooking the celebrating city. The adrenaline still coursed through your veins, leaving you trembling.

The men found you there, the tension of the night giving way to a quiet that was almost more overwhelming.

Johnny reached you first, his usual teasing grin tempered with a softness you rarely saw. “You were bloody brilliant in there, sweetheart,” he said, warm and fond. “Never seen a tyrant look so small.” His hand brushed your arm, and his voice dropped, the edge of his accent rougher now. “You’ve got more fire in you than half the men I’ve known.”

Before you could reply, John stepped forward, his presence grounding you. He cupped your chin with surprising tenderness, tilting your face. “You’ve had more done tonight than Edgar’s done in all his miserable life.” He’s quiet, filled with pride.

Simon appeared at your other side. His gloved hand settled on your waist, unyielding. “You’re ours now,” he murmured, low and rough. “Our Queen. And no one- not a king, not an army- will ever lay a hand on you again.”

Kyle joined you last. His fingers brushed yours, as gentle as a whisper. His eyes were on the celebrations and songs, then on you. “You’ve given them hope,” he said softly, admiration shining through. “You’ve given us all hope, love. Let us retire for the night, hm? Everything else can wait until the morning.”

“For now,” Simon cut in, shaking his head, and his eyes were alight and alive. He looked at you in such a way that made you shiver, cheeks warm. His hands settled on your waist, squeezing. “I’d like to see our Queen on her rightful throne.”

No disagreements rang out.

And in the morning, the sun rose on a kingdom reborn.

Standing on the palace balcony, a crown on your head, you looked out over the gathered crowd. Their cheers rang out, echoing through the city with a fervor that sent pride up your spine. The people had come not just to celebrate the fall of a tyrant but to welcome the dawn of a new era.

As the golden light bathed the kingdom, you felt the weight of your new crown. It was heavy, but you were not alone; you had John, your King. Simon, Kyle, and Johnny. All of them were with you, supporting you.

You’d never want for anything else.

[honeychamomile1]

Odd One Out

JJ Maybank x fem!reader

Summary: Reader feels invisible around the Pogues.

Warnings: Crying, feeling strongly excluded, comfort, mention of disease, etc.

Note: I know this wasn’t part of my “Future Stories” post, but it’s been a side story for too long so I decided to post it! Hope you like it!

Masterlist

“I’m tellin’ ya, pineapple doesn’t belong on pizza, that’s uh,” Pope chuckled at the silly conversation of debate whether the topping belongs on the delicious food or not before finishing his sentence, “the end of discussion. Debate closed.”

The whole room was still trying to wear off its laughter, a few people still going off in a fit before calming down again.

The girl was laughing too, just a lot softer and less full of….what’s the word….happiness.

Most of the time she didn’t know what the jokes were about, or the little references they would whisper to each other were on the topic of. It didn’t help the fact that she was sitting away from the majority of the group, the one sitter arm chair away from the couch they crowded.

She still remembers the encounter of them practically pushing her away from the group, forcing her to sit on the chair alone. She had walked in with them, all of them still laughing at some joke JJ said but of course she couldn’t get a word in on what he spoke at all, for she was always in the back of the group anyhow. The friends had walked in the house, one by one plopping on the couch or on the floor in front of it, so there wasn’t a single little space for her to squeeze in.

If she thought back deeper and shut her eyes, she could still feel the stare they laid upon her, waiting to see her point of action towards the matter. It was almost like they didn’t like her, like if she went near one of the particular that very person would be the unlucky girl or boy to have to deal with her for the rest of the hang out.

So yeah, her cheeks flushed deep red as she stumbled over crossed legs and ankles towards the back of the room, muttering soft pathetic apologies before sitting in the very chair she is sitting in now.

Now it wasn’t so bad, just that she was in the back, meaning all she could see were backs of heads and once in a while profiles. So the bit of participation she wished she had was no longer available, so now she was sitting in the chair, her legs crossed apple sauce style so they wouldn’t accidentally kick someone.

JJ was so close. So close that all she had to do in order to talk to him was tap him on the shoulder. He would turn around and talk to her and smile, giving her one of those blue eye sparkles. Maybe then she’d-

If she kept thinking like this she’d never be able to participate in the conversation. So she forced out a chuckle, trying to ease herself in.

Maybe she could squeeze her own voice in with all the others? If there’s room for them there has to be room for her too, right?

“One time I went to a pizza shop and-“

Her voice dyed out, the response being absolutely nothing. No eye contact, no expression change, not even a glance from anyone, almost like they didn’t even hear her.

She was speaking loud enough, the same volume of everyone else, but she also didn’t want to talk over the whole group just for a grab of attention.

So the conversation she wasn’t included in continued, someone else’s voice covering hers.

That someone else being Kiera, who of course everyone has to pay attention to. “Yeah, I agree, no more pineapple on pizza talk, maybe we should get actual pizza.” She suggested, and everyone loved the sound of that.

So did she, her stomach being the other thing she was thinking about besides the fact she wasn’t being included. She got up with the others, heading out the door behind JJ.

If she just tapped him on the shoulder-

He closed the door. Maybe he didn’t see her, since there was a corner to go around before exiting the house, but he didn’t forget about her, right?

She stared at the closed door, the past events causing small tears to arise in her eyes.

No.

She can’t cry just because someone closed the door in her face. It was such a small thing, a small action of a mistake he might’ve made. She almost expected him to come back, staring at the handle to see if it would twist, awaiting his face to pop in and apologize for the little thing he did.

But he never came.

She took a sharp breath in, reaching forward for the handle herself and leaving the house.

The group was outside piling into the Twinkie, talking about. She went to the side door too, hoping she could squeeze in somewhere.

But all the seats were full, and all the pitiful eyes were on her.

“Oh, there’s no room. Maybe you could drive in your car and meet us there?” Sarah suggested, and it was the first time that day they spoke directly to her. And it should’ve been something she enjoyed, like a little invitation to join the conversation or an offer to squeeze next to someone, them willing to be a little bit uncomfortable just so she could join.

But it was something she wished didn’t happen, because why did she even go to the side of the car in the first place? Did she really think there would be room for her?

“Or someone could squeeze over..?” Sarah trailed off, looking over at the rooms of people, and the girl couldn’t help but notice how John B moved closer to the edge with the window, covering a small space. Her heart broke.

“Or ya could sit on my lap, Princess.” She heard JJ chuckle, and she glanced at him, her broken little heart believing him for a second, her cheeks softly flushing, before realizing it was a joke. Some people laughed, Kie smacking JJ on the arm but there was a smirk on her lips.

The girl cleared her throat awkwardly, fiddling with her hands, all eyes still on her.

“Yeah, I’m not gonna go anymore, I’ll just go home…I’m not feeling so well.” She had to come up with some excuse, some ticket to get out of there, not like they would miss her at all.

She just walked away, heading to the sidewalk to walk home. Alone.

No one wished her well, despite her lie, but she still wished to at least get a “get well soon” or a “goodbye”.

Nothing. Just pity looks as she walked away, not long before chatter filled the car once more and they drove off.

She didn’t feel like eating anymore, despite her stomach yelling at her because she missed the only chance to eat; they would probably make her pay for her own meal anyway.

So she headed home, arms crossed as tears finally made their way down her cheeks. It hurt, the concept of not being included. She was the nickel out of all the pennies. They were all tan skin and smiles, considering themselves lucky because they found each other, very similar to being lucky when you find a penny. But she was all silver and plain, having a different engraving on her and being a different size than everyone else; they were all small and sweet, yet she was the biggest fool out of all of them.

She hated being a nickel. What did she have to do to be a penny?

She didn’t know, and that right there made her cry harder. She wiped at the tears but nothing worked, for whole rivers were already down her face by now. Her heart cracked, she felt it, because she knew if John B moved over just a little there would be enough room for her to sit with them.

But he didn’t want that. He didn’t want to sit next to her, like she was some sort of disgusting disease that he didn’t want to catch.

All she wanted was to be included, to feel loved and fit in by them. But she’ll always be the odd one out.

She fell asleep crying, and woke up hungry since she skipped dinner the day before.

She got out of bed, seeing her red-eyed self in the mirror while brushing her teeth.

She decided to go out today, to JJ’s house.

Now, it didn’t seem like a good decision, but she needed comfort and he was the only person she knew that would provide it. Maybe she would tell him how she’s feeling, not the crying all the way home part, and he would assure her he likes her in the group.

At least that’s what her brain told her he’d say.

Because her mother wouldn’t understand, plus she had other things to deal with, and she didn’t want to bother her father with all the work loads he had on his mind.

But JJ, he was the shiniest penny of all of them, and he seems like the only person to trust. Sadly she didn’t forget about the joke he made the day prior, suggesting she sat on his lap, but it was a one time thing and he could’ve been peer pressured to make it.

That’s what her brain kept telling her.

But the morning was sunny and warm, practically begging for her to enjoy it so she couldn’t refuse.

She put on some Jean shorts and a sun shirt, putting some knitted bracelets on her wrist because she saw everyone else wearing one; plus they were fun to make.

She had made one for JJ, his two favorite colors she overheard him reveal tied into the bracelet. She was gonna bring it to his house, maybe have the courage to give it to him.

She got to his house on foot, spotting his blob of blonde hair behind his car hood, where it normally was.

She shyly made her way over, gazing at his car to pass time. She liked how rusty it was, showing its age but it was still quite clean, like it was his prize possession. (It probably was)

“She looks good, doesn’t she?”

She flinched, looking over at him and making eye contact. His blues were something she admired, but looking directly into them overwhelmed her so she looked away. He chuckled.

One of the main reasons why she went to him was because JJ was the type of person who could talk to anybody. He knew the words to say or the way to talk to make the person comfortable (friend wise that is.)

She hoped he would do just that while he talks to her, and so far so good.

She nodded in response, hands in her back pockets of her shorts and fiddling with the bracelet she made him.

“Yeah, looks great.” She assured, despite the fact that she knew he already knew that, but then again it was all worth the smirk he gave in response, leaning back into the hood.

“What’s wrong with it?” She had the courage to ask, hands out of her pockets now and fingers fiddling together.

He shook his head. “Absolutely nothin’, just had to replace the engine.”

She smiled softly at that, glad that there wasn’t anything severely wrong with his car. “That’s good.”

He nodded, clearly half listening but she knew it was only because he was so focused on the task at hand.

They fell into silence for a little bit, and she was kinda glad he didn’t ask why she was there, mainly because she needed time to build up the courage to start the topic.

“Hey, JJ?” She blurted out, forcing her lips to move. Her heart started beating quite quickly. He looked up at her briefly at the acknowledgment before glancing back down, letting her know he was listening.

“Mm?” He hummed.

“Um,” she started, fiddling with her hands harder than before and trying to ignore the surprisingly annoying racing of her heart. “I noticed yesterday-“

“You noticed the toilet paper I put on John B’s shoe? You didn’t tell him, did you?” He interrupted, his eyes sparkling as he looked at her. She’s always wanted an eye sparkle from him, that meant the topic was mischievous and exciting for him.

But now wasn’t the time, for she needed to get to the point before her courage wore off. “Well, no, I didn’t tell him, but-“

He let out a sigh of relief. “Good, I wanted it to be there when we went to get pizza, which…”

He slowly trailed off, realizing she wasn’t there when they went out.

She swallowed nervously, feeling her cheeks flush. “Yeah, whatever, anyway, I really need to talk to you about something.”

She was satisfied that she could get that sentence out, for the courage in her chest hasn’t left yet.

His face drew back, twisting with confusion but he looked okay with it. “Okay, what’s up, sugar?” He said casually, leaning back down and popping the old engine out, lifting it before placing on the ground.

Her cheeks flushed red at the nickname, but brushed it off so she could stay on task. She kept telling herself that talking to him would help, so she really wanted to get her point across.

“Um, well, I’m feeling a bit, I don’t know, like I don’t…belong.”

The word: belong. It was something she always wanted to do, something she would die just for a taste of being it. It was something she so wanted to be that she held the word close to her heart, holding onto it tightly so it wouldn’t leave her. It was slowly fighting back against her grip ever since she met the group, yet she wanted friends so badly she kept trying.

She stared at JJ to see his reaction, watching as he lifted the new engine towards the car hood. He must have felt her stare because why else would he look up, eyes looking as clueless as ever.

“Did you say something?” He said, scratching his head, closing the hood.

“What?” She pathetically whispered, tears welling up but she blinked them away. She cleared her throat. “N-no, I didn’t say anything. I was gonna say I made this for you.”

Her voice was soft and helpless, setting the bracelet on the now closed hood of the car after taking it out of her pocket. He stared at it, eyes softening slightly before looking up, meeting her glossy eyes.

“I-I hope you like it,” She said, voice thick and her lips were quivering, tears so close to bursting themselves out.

“Woah, what’s wrong?” He said, stepping around his car and reaching for her, but she snatched her wrist out of his reach.

“You weren’t listening to me!” She sputtered. “Just like everyone else.”

“I’m sorry.” Was all he could get out because he was in shock at her outburst. Normally she is the quiet cute girl in the corner, now her eyebrows were furrowed in anger and her cheeks were red. Smoke was practically coming out of her ears.

“Sorry?” She quoted. “I have been feeling like this for weeks, and I finally had the courage to talk to someone, that someone being you of all people because I had a speck of hope that you would listen but when I do you can’t do that just this once?!”

“Feeling like what?” He said- almost demanded- his eyebrows furrowing. She threw her arms in the air in asasperation at his response, like out of the whole outburst she expressed the only thing he heard was that little part. “Does it even matter?” She almost yelled. “You had one chance to listen and you didn’t take it. If you cared you would’ve listened.”

“I do care, sugar,” he desperately assured. “I didn’t know you needed my full attention. I should’ve listened, and I’m sorry.”

“It doesn’t even matter anymore, forget about it, JJ,” she said, wiping her cheeks before turning away.

“No no talk to me, princess. I’m listening I promise,” he whispered, dirty fingers curved around her wrist.

She turned to him, desire for someone to listen to her was strong.

Once he knew she wasn’t gonna leave, he let go of her wrist, the warmth from his touch leaving her. She fiddled with her fingers, looking into his eyes that seemed so sincere.“You promise?”

He nodded almost instantly. “I promise.”

He even held out his pinkie to her, making her laugh but seal the promise nonetheless.

The rest of the morning they sat and talked, JJ’s smile as big as ever and the threads tied around his wrist.

She laughed.

Laughed.

And she actually got to hear his jokes for once. The ones she missed, misheard, and never repeated for her.

And those sounds were as genuine as they could get, her heart singing as he gave her a real eye twinkle.

It was at that moment her heart fell, fell hard for the boy next to her.

And at their next hangout she didn’t have to sit on the chair alone like she normally does, for now she got to see on Maybank’s lap (as offered) as she laughed with the group and got to have her say.

She felt loved. Felt like she was included.

And, most important of all, she felt belonged.

-Tell me what you think? 🫶🏻

[confessedlyfannish]

Writing Prompt #11

It's an innocent ("please," Jason sneers, "there's nothing innocent about a plagiaristic propaganda machine encouraging minors to dance for sick ol' pervs while it spews misogynistic hate speech.'"

"okay, boomer,"

"the fuck did you just call me, replacement?") TikTok, one of those ones that kind of simmers in the background for a few weeks until someone with a decent enough following posts it on the Platform Formerly Known as Twitter and from there it seriously catches traction, blowing up until Tim knocks on Bruce's office door, phone in hand. Damian stands behind him, arms crossed and clearly simmering.

Bruce, fresh off a series of zoom conferences, raises an eyebrow.

"Okay, so you haven't seen it," Tim decides, striding forward.

Bruce's eyebrow jumps a smidge higher, on the edge of concern, as Tim thrusts his phone into his grasp.

"So," he begins, reaching over to refresh the mobile page "there's a video that's been making the rounds on Twitter and—well you should probably see it," He sighs over Damian's scoff as he clicks through the pop-up asking him to sign in or join TikTok, and presses "Watch Again", unmuting the video.

🎶 "Doo, badoo-badoo-badoo Badoo-badoo-badoo-badoo,"🎶 an upbeat background song hums as someone, presumably a student, films a school hallway with their phone. They walk past students talking near their lockers, some of whom flash peace signs and silly grins as the camera swings their way before continuing on.

But the main point Bruce gets stuck on is the all lowercase white text at the center of the screen that an automated woman's voice awkwardly narrates:

"when you go to school with bruce wayne's other long lost lovechild"

The student filming comes up behind a much taller student who faces away from him, in conversation with a black haired pale teenaged girl. She spots the cameraman and shoots him a confused, disgruntled look, saying something to the boy who then turns around.

Bruce quietly observes as the camera zooms in on a boy around Tim's page, possibly older. Tall and broad-shouldered, with a strong jaw, he raises an eyebrow at the one filming, looking beyond the camera, pitch black hair with blue undertones falling into his blue eyes. The camera momentarily zooms too far into those eyes then abruptly pulls back as he quirks a puzzled smile at the viewer, mouthing out an easily understandable "hi?".

The TikTok ends and seamlessly transitions to a person balancing their cat on an exercise ball with minimal success and this time Bruce presses the Watch Again button. The heart on the right side claims 750k likes.

Damian scoffs, louder, as it ends. "Clearly it is a hoax, but it has been popular among my classmates."

"The board hasn't made much noise about it—" Tim starts.

"And they won't," Bruce says, lifting his eyes from his phone. "Wayne Industries doesn't give statements on videos like these, no matter how viral they become. I've been getting lovechild claims since before I adopted Dick."

Which Tim knows, which is why his insistence on showing Bruce this one raises his hackles. He pins Tim down with a stare and despite Tim's perfected PR mask, he can see Tim is unsettled.

"B...he really, really looks like you." Tim admits. Damian scoffs for a third time and Tim shoots him a glare, "I get it, you don't see it, but you haven't seen the pictures of Bruce when he was younger."

"I don't need to!" Damian says angrily. "You're all being ridiculous!"

"All?" Bruce asks. Tim shifts awkwardly. "The family group chat has been talking," he says.

"I see," Bruce says. Because he does. Many claim Damian to be his doppelganger, but the boy actually favors Talia not just in skin tone but in the shape and color of his eyes, as well as the soft slope of her mouth and ears. Whether those features will sharpen once he goes through puberty is anyone's guess.

But this young man has Bruce's eyes. Martha's eyes.

That night they have a suspiciously full house for dinner, with even Jason dropping in, but no one says anything until Barbara wheels in for dessert, carrying a manila folder on her lap.

"What?" she says, when everyone stares. "Dick told me it was crème brûlée today!"

Bruce extends a hand wordlessly, and Barbara sheepishly hands the folder over.

"Bruce," she says, before he can open it, "I wouldn't have looked into this normally, but,"

"Just say it," Jason says, leaning back in his chair. "Take away the gray hairs, the receding hairline, and the wrinkles and the kid's a dead match."

"Take it back, Todd," Damian growls, "Father has a very full head of hair!"

"Not to mention a failed track record at keeping it in his pants, Exhibit A," Jason continues, pointing a fork at Damian, "oh wait," he says gleefully, "kid is definitely 18, so I guess that would make you Exhibit B!"

The table erupts, cutlery tinkling as Damian gets a knee up on the table to hurl himself at a cackling Todd, Dick jumping up to grab him as the others lean out of the way—

"Ahem!" Everyone stops cold as Alfred stands in the doorway, porcelain ramekins of crème brûlée stacked perfectly on a silver tray. Under his gaze, everyone sits back down, Damian and Jason both quietly uttering a "Sorry Alfie/Alfred," as they straighten up.

Bruce is oblivious to the chaos, Barbara biting her lip beside him as he stares blankly inside the folder at the printed copy of an adoption certificate.

Two days and several million likes later, another TikTok goes viral from the same user. Caught in the moment as whoever is filming runs up to the group, the same young man is chatting with a blonde in a red letterman jacket, a partially formed crowd around them. Even with one leg still in the cafeteria table, he towers over everyone.

"—sh. Look, we're all possibly Bruce Wayne's son!" the boy snarks. He has his hands out, palms up as if he's making a great point, and as he looks around he catches sight of the cameraman and his smirk drops.

"Ah Mac, c'mon dude not again—" and the TikTok ends.

[yjhzies]

“Patience.” — CSC

⸝⸝୭ ˚. fluff . est. relation

⋆ pairings : seungcheol x f!reader ⋆ warning : implications of getting pregnant (?), just pure comfort and fluff ^^ ⋆ wc : 0.5k [✉️] · Seungcheol had always been the one having a baby fever, but this time, it seemed to be you.

It had been more than two hours—from what Seungcheol can remember—since you were in your room, giggling over the phone. And it had also been two hours since he had been waiting for you to come into the living room and cuddle with him.

Maybe he should wait, or maybe he should let his patience win over and crawl onto your lap himself.

But when he hears your foot dragging along the floor, nearing towards the couch, his thoughts come to an end.

“Seungcheol,” You called out, placing your hand on his shoulder from behind. His head shoots up in your direction, eyes big at the mention of his full name.

Your face seemed red—probably from the laughing and giggling, and you had this look on your face that Seungcheol recognises it to be one of those when you want something. From him.

“Hm, baby?”

“I want a baby.” Your voice lowered, eyebrows furrowing—as if it was something that had to be done.

Seungcheol’s brain stopped functioning. With that look on your face, he knew you wanted something, and he would give it to you. Anything you wanted.

But this? This was unexpected.

Not receiving a response, you gently shake his shoulder, bringing him back to his senses.

He looked at you and smiled, bringing up his hand to take your hand in his.

“You want a?”

“Baby. A baby.”

“Alright, come here.”

Seungcheol guided you forward, holding in a chuckle.

“Not there,” he said as you were about to take a seat beside him, on the couch. “Here.” He patted his lap, guiding you to sit on it.

His strong arms gently snake around your waist, providing you the comfort you craved.

“You want a baby?” He asked softly, rubbing the side of your waist. You nod, taking your phone to show him a video of a baby—giggling and playing.

“Isn't she so cute? I want to have a baby too…” you sighed, smiling at the sight of the adorable baby.

Seungcheol, too, was smiling. He wouldn't deny that he had had a baby fever a couple of times, and he would always cling to you, talking about how great it would be to start a family together.

But you both know it's not the time, yet. Soon, very soon, but it's just not now.

“I'll give it to you.” His face lit up with a faint smile, hands reaching at the hem of his shirt as he attempted to pull it off.

Horrified, you grab his wrist, stopping him from doing so.

“What are you doing?” You ask, your voice dropping to a whisper, eyes widened. Seungcheol, on the other hand, looked at you innocently.

“What? I'm giving you what you want, baby.”

Yeah, he's right.

“But—”

“But?” He tilts his head, waiting for you to continue. You look at him, a smile creeping up your face.

“Fine, I get what you mean.”

Seungcheol mirrors your smile, wrapping his arms around you again to hug you tight.

“I promise you, the day when we have our own baby isn't too far. It's just not now, or today.”

You've learnt alot from those six years of being with Seungcheol. One of them is patience. You couldn't wait to give life to a new one—all prepared, without any problems.

And Seungcheol might just have the best way to tell you so, that patience has always been the key.

– taglist : @gyubakeries @oojiehae @haowrld @armycarat2612

[check out masterlist - pinned post to be added to the taglist!]

[annievrse]

happy new year!

roronoa zoro x fem!reader —ᡣ𐭩 fic summary: watching explosions of colour in the sky on the night the year changes from old to new… but something else is changing too. c/w: so extremely self-ship coded, she/her, no use of y/n, ‘pretty girl’ aka zoro’s fave pet name for fem!reader, one sex joke, alcohol a/n: happy new year!! i started writing this in september but never posted it, so i changed the occasion and speedran to finish it so it would be ready for nye. i hope you guys enjoy it!! see y’all next year ;)

“Here, let me—“

“Wha—?” Zoro ducks away when he sees your hands nearing his collarbones, his palms covering the sides of his neck. “What are you doing?”

“I’m not gonna tickle you, you freak,” tilting your head in annoyance, you sigh, hand falling to your sides. “Your collar’s messed up.”

“Oh,” Zoro stands up straight and steps toward you, shoving his chest in your face. You go to step away but are pulled closer to him when Zoro grips your hips and grunts in irritation. A giggle bubbles in the back of your throat. “You don’t need to go that far away to fix it.”

Rolling your eyes, you raise your arms again and pull at the fabric to right it. Zoro’s breaths are heavy and warm against your forehead, and you refrain from peering up at him, knowing what will happen if you do. Your fingers knock his earrings gently, and the sound, combined with the silence, makes a shiver go down Zoro's spine.

The girl's quarters of the ship are quiet, unlike the boy's quarters, which are overly rambunctious at all times of the day. The perfect hideaway for the pair of you while the rest of your crew gets ready for the explosion of colours in the sky. A fleeting moment of peace and privacy amid the usual chaos of the strawhats.

You stand like this for a while. His collar has long been fixed, yet your hands remain firm on his collarbones, smoothing the fabric. You’ve forced him into his only suit, one that strains against his broad biceps and deliciously thick thighs.

Zoro exhales deeply and drops a kiss on your hair, his fingers dancing on your spine, the backless dress doing wonders for your figure.

"We should hurry up," He mumbles against your scalp, making no moves to do so. "Who knows what those idiots are up to."

You laugh breathlessly and nod, shrugging one shoulder hopelessly. "Surely, they'll be fine without us for once."

Zoro hums in disagreement but dips his head down, nudging your nose with his. "Doubt it."

You roll your eyes and press your mouth against his. Zoro inhales sharply and squeezes your sides, lifting you up against him.

"Anything you want tonight, I—"

"—they're down here having sex!"

You jump away from your boyfriend, accidentally biting his bottom lip when the wooden door slams against the wall. Your eyebrows furrow at the familiar yell of your captain, your mind still hazy.

"Literally what, moron?" You don't even see Zoro's mood shift; his face has already morphed into his usual scowl before you can comprehend what's happening.

"Fuck," Zoro mumbles as an afterthought, his thumb coming up to wipe the dot of blood collecting on his lip. He throws you a heated glance, and you try to ignore the connotations behind his look in front of your captain.

Luffy stands in the doorway proudly, sporting a suit jacket and his usual denim shorts, his scar on full display. "No wonder they're not helping!"

You feel your cheeks warm in embarrassment as your mind finally catches up to what he initially claimed. "Luffy—"

"Luffy, get out! No boys allowed in the girl's quarters!" Nami's voice echoes down the hall, and the younger boy's mouth opens to respond. But before he can, Nami stands beside him and eyes you and Zoro wearily.

Her shimmering green mini dress reflects the warm glow of the lamp in the corner, and she looks as dazzling as she always does.

"Get upstairs! You need to move the dining table," Nami barks at Zoro, who rolls his eyes and leaves you standing there, shoulder-checking Luffy as he passes.

“Can’t that damn cook do it?” He mumbles as he walks through the doorway, sending you a transient glance of annoyance—not at you, never at you. You smile warmly, ignoring the glare Nami gives you.

"Go!" Nami snaps at Luffy, who salutes and stretches his arm down the hall. And from the strangled yelp that follows, you know he's grabbed Zoro by the throat. Nami kicks Luffy's shin, and he cackles before shortening his arm and flying to meet Zoro wherever he stands.

"And as for you," Nami points at you. "Robin and I are sitting in the Crow’s Nest. C’mon.”

—

With a glass of something sparkling in your hand, you lean back and watch the stars twinkle. The island a few hundred metres away is alive with rambunctious laughter and squeals of joy, and the music that echos across the water makes you eager to dance.

“If you want to leave,” Robin side-eyes you, ever the observer. “You can.”

You shake your head, a small laugh falling from your lips. “It’s fine. I’m sure he’s having fun with the boys.”

“You know he’s not,” Nami quips, sipping from her glass. “He’s probably in a corner, sulking with his sake.”

The image in your head of Zoro doing so is not an unusual one, but it makes you giggle nonetheless. “I don’t want to ditch you guys; the show is about to start.”

Nami flicks her wrist. “We don’t want you here.”

Robin rolls her lips between her teeth, a telltale sign that she’s a little intoxicated. “Yeah, go to the back of the ship; I’ve heard there’s something waiting for you.”

“Guys,” You sigh, butterflies swarming your stomach.

“Go!” Nami almost yells, her cheeks pink. “He made us do all this for you anyway.”

Robin slaps the navigator’s shoulder and laughs, and you know she’s trying to keep her composure. She says your name softly and nods. “He’s waiting.”

You twist your lips and place your drink on the wooden floor. “Thank you.”

They brush you off and urge you to leave, both grinning wide with sparkles in their eyes.

The trip down the ladder is a shaky one, thanks to the sparkling wine the girls had been feeding you. Your hands may be steady, but your heart thunders loudly in your ears.

When your feet hit the deck, you see Luffy and the crew laughing on the grass, their backs to you and attention on nothing but the drinks in their hands and the anticipation of the incoming celebration.

You follow Robin’s instructions and make your way to the back of the ship, your footfalls quiet. Peering around the corner, you see familiar green hair.

Zoro paces back and forth, whispering things far too quiet for you to hear from here. You take the opportunity to sneak up behind him.

“Hey, pretty girl.”

You sigh with exasperation, though there’s no irritation in your tone. “Seriously?”

Zoro smiles; a real smile that reaches his eyes despite one of them being permanently closed. You grin back, forever grateful that he chooses to present himself in such a way to you—he’s utterly and irrevocably beautiful.

He shrugs, reaching for your waist before pulling you into him. “I always know where you are.”

You shove your face into his neck, cheeks warming at his admission. “You’re weird.”

Zoro scoffs, the action vibrating through his chest. “Yeah, okay. You’re the one who says she loves me so… who’s the weird one now?”

You peer up at him, eyes wide with adoration. “Still you.”

All he does is hum and drop his lips to your forehead. “Guess I am considering I love you more.”

“Hey!” You giggle, pulling your face back. Zoro’s dark iris is obscured by his blown out pupil, and the tender look in his eye makes you shiver. You sigh after calming down. “Why’d you wanna meet out here?”

He tilts his head. “Thought it’d be a good spot to watch those things in the sky… you know, since you’ve been talking about them so much.”

There’s something he’s not telling you, but his intention is enough to make your heart flutter tenfold.

“And, I, uh—”

“It’s starting!”

You ignore the yells from your captain and focus on Zoro, who is trying to formulate what he wants to say. He averts his eye when you give him a look that tells him to keep going.

Bang!

You jump in surprise at the explosion behind you, but the urge to turn and watch doesn’t cross your mind, not when Zoro is before you.

He looks up, and you can see the reflection of the pink sparkles lighting up the sky in his eye.

You nudge him. “What do you wanna say?”

He lets out a breathy, nervous laugh, and looks at your hairline. His fingers move quickly to brush away the stray hairs that got swept out of place by the breeze.

“It’s nothing, just that I—”

Bang! Bang! Bang!

This time, Zoro startles. He blinks into the night once more, and blues and greens reflect off the glassiness of his eye.

“Zo.”

His attention returns to you, and you squeeze his clammy hand.

“I’m right here. I’m not going anywhere.”

Zoro’s inhale is sharp as he nods, cheeks blooming with a pink hue.

“I love you,” He says, swallowing thickly. The cheers and laughter of your crew fade into nothing, and the explosions of colour in the night don’t dare deter you from the light expression on Zoro’s face.

“You know I’m bad at this shit,” He grumbles, brushing a pretend eyelash from your cheekbone. “Words.”

You laugh softly. “I won’t disagree, but you know you can tell me anything.”

“I know.”

You wait patiently for him to continue, and the joy around you is nothing compared to what you feel inside.

“I, uh,” He finally says, digging his hand in his pocket. Your heart starts racing before you can even fathom what’s happening. “I found this on an island a few years back.”

From his slacks, Zoro pulls out a gold ring. Its intricate diamonds and elegant design cause your breath to catch in your throat, and you feel your bottom lip start to quiver. He grips the metal a little too tight between his fingertips and it catches the orange hue of the fizzing lights.

“It’s not an engagement ring, or whatever Nami keeps telling me to get you, but a promise ring.”

Your chest aches and tears blur your vision as your shaky fingers hover in the small space between you. Zoro’s own trembling hands slide the ring onto your ring finger, and it’s a perfect fit.

“A promise that no matter what happens to us, to our crew, I will always be with you. You’ve got me for as long as you want me. There’s nobody else I wanna do this shit with.”

There’s an unspoken vow—every broken part, every scar, every piece of him that’s been lost along the way of becoming the world’s greatest swordsman, it’s yours.

“Zoro…”

His hands cover your cheeks and he smiles. You blink away your tears, choking out a laugh of pure happiness. Zoro’s palms smooth down your hair and return to your cheeks before he leans in close.

“Don’t get mushy on me,” He whispers, breath hot on your lips. You giggle as his thumbs wipe away the wetness under your eyes. “You’re the one thing in this world I’m not willing to lose, alright? I’ll fight for you, protect you, be there when you need me—whatever.”

His words are quiet, almost lost in the moment, but the weight of them hangs between you—real, undeniable, and from the deepest depths of his soul.

“You mean to world to me.”

You sniffle and lean forward to capture his lips with yours. His wraps his strong arms around you and pulls you into him. He kisses you like it’s the last time, but that reality is far from where you stand now.

“I love you,” You whisper against his mouth. It doesn’t feel like much after he’s poured his soul out to you, but Zoro doesn’t need it. He already knows, from the way your eyes shine and your heart pounds relentlessly against his chest, that you feel the same. He always knows.

“Did he do it?”

Zoro groans into your mouth but refuses to pull away. The crew gathers on the deck behind you, all snickering but with hearts full of warmth for their crew mates.

When you lean back, Zoro chases, and the world fades back in. The whole crew stands there, shaking with anticipation before Luffy breaks first, flinging himself at you. He wraps his arms around you and Zoro multiple times, squeezing you together as the rest of the crew, all eight of them, rush to embrace you too.

The salty air and the dying bursts of coloured light make the night feel like a transition; one that marks the end of another year, and the start of a new, exciting embodiment of raw commitment.

And in the midst of the group hug, Zoro finds your lips again. All that matters is the quiet weight of the promise he’s just made, and the ring on your finger that shines, not in the warm light of the hanging lanterns, but with the love and respect it’s been holding for years, waiting for this moment.

[reidrum]

carry the weight of you | s.r

A/N: i had this posted on an old blog but here's this, idk if i like it but it's also one of my first fics so if lemme know if you have thoughts <3

cw: fluff, angst, hurt/comfort, reader is sad, depression ?, spencer is a cutie who just wants to love, can be read as gn!reader

wc: 1.8k

_______________________________________________

it was supposed to be a routine case. well, not a routine case. those don’t really exist in the bau, but one that had a clear MO and decent enough leads that garcia could easily use to find the unsub. it wasn’t even a case that was especially creepy in nature, lord knows those give the whole bureau nightmares for days.

so why did you feel this way?

you were relatively new to the team—having one year under your belt to your near decades experienced colleagues. but you had rightfully earned your spot in the bau, and you deserved to be there.

but right now you had no energy to believe that. the ache in your chest was ever present from your younger days, courtesy of the circumstances from your upbringing, and you should’ve expected that joining the fbi would’ve only made it heavier. you bared it nonetheless because that’s what you were taught to do. you felt beaten down by the last few days, and just couldn’t wait to get back home and crawl into your bed.

the team had wrapped up the case, and you all were on the jet flying back home to the district. sat next to the ever observant dr. reid, he noticed your glazed eyes and distant aura exuding from you.

“you okay?” he bumps your shoulder bringing you out of your trance.

“i’m fine, don’t worry about me.” you replied curtly and tried to fold into the crevice between the seat and the walls of the plane.

“bold of you to lie to a profiler while on a plane full of profiles,” he chuckled lightly, “seriously, you look troubled. are you sure you don’t wanna play honesty hour right now?”

“spence, i’m okay, I promise.” you tried your best at a genuine smile that was as see through as a windexed window. he returned it with his own thin lipped smile and left you be. 

were you okay? you don’t even know how long you’ve felt like this. small, insignificant, nothing. you do great work at your job, tarnishing evil and saving lives. but you can’t help but find it ironic that it’s your own mind working against you that seems to be your demise. 

the jet landed around midnight and the team shuffled through the bullpen to gather their belongings before going home. everyone offered their goodbyes and goodnights and spencer was waiting for you by the door. you both lived in the same apartment building, only because when you first moved to quantico you had no one and knew no one. spencer took it upon himself to help you out, being the newest young rookie on the team, a position he was all too familiar with. his next door neighbor had moved out for an immediate job offer and was looking for a subletter and lo and behold, spencer had become your best friend.

in the few months that you were getting accustomed to the area spencer invited you over for nightly chess games and doctor who marathons. morgan always teased the two of you saying you should be going out on the town having fun only young people can have, and spencer would blush and stammer something out but you would have the brightest smile and look at him saying they were the most fun you’ve had.

so he was surprised to say the least when those nights started to become far and few. you would politely decline and spencer would assume you’d finally listened to morgan and got better plans. but he could hear the patter of your footsteps and the occasional expletive from when you’d hit a table corner and wondered what he did to make you recluse yourself again.

spencer was a profiler after all, mix that with being your closest friend and he could pinpoint the moments you started to change. you’d started making less jokes, even during moments where the team would pause and wait for a little quip from you but hear nothing. you were harder to gain attention from, usually needing three or four calls to get you to even look up. and he just saw you distancing yourself, almost like you didn’t want anyone to perceive you.

spencer loved you. he wouldn’t say it out loud or admit to anyone but point blank he loved you. he felt understood in a way that no one else made him feel. you were kind, smart, funny, and the empathy you held for others was enough to make him tear up. you were there for him when maeve died, letting him cry on your shoulder, and as fucked up as it sounds he realized he loved you in those moments leaking tears onto the stomach of your sweater.

so here stood spencer in front of your desk, “you heading home?” you nodded, “mind if i ride with you? i don’t feel like taking the metro this late.”

“okay, let’s go.”

the walk to your car was silent, and somehow the ride back to your apartment complex was even more silent. walking up the stairs to your apartment doors, you turn the key and step in when spencer goes, “hey actually i think i left my book at your place do you mind if i just look for it really quick?”

you stared at him blankly. you just wanted to be alone and he wants to get his book now? unbeknownst to you spencer was desperate to get to the bottom of your melancholia, and needed any in he could find right now to get there.

nonetheless you nodded your head and left the door open behind you so he could walk in. you dropped your bags and shoes at the front door and trudged through your apartment to your kitchen to put tea on the kettle. you softly called out to him, “do you want a cup of tea?”

“i’d love a cup.” he says sitting on your couch.

you’re fussing around the kitchen getting two mugs out— one doctor who and one snoopy mug. you fill the doctor who one up and add a lemon slice and turn around grabbing your snoopy mug. when you turn back towards the kettle you hit the corner of the island table and watch as your favorite mug drops and shatters into millions of pieces.

when they say a straw is what breaks the camel’s back you fully understand what they mean now because how are you about to lose all your shit over a snoopy mug. you don’t even make an effort to move, just staring at the broken pieces on the floor, trying to make sense of them like a kid pointing out cloud shapes. it’s like you can see the pieces molding into the demons that keep you up at night, the thoughts of uselessness and lethargy personifying in front of you.

spencer has to call your name three times before you finally move your eyes to meet his. you can see his lips moving but you can’t hear him, his hands are out as if he’s telling you to stay put oh wait he is. you wait as he finds your dustpan and broom and brushes up the remains into the trashcan. he slowly approaches you and maneuvers you towards the living room where you sit still glossy eyed and trembling.

he sits down next to you and places a hand on your bouncing knee to soothe it, “why won’t you talk to me?”

you shake your head, “it’s nothing spence, it’s not a big deal i can buy a new mug.” push it down.

“not that, something’s not right. and i want to help. will you let me help you?”

you feel the tears making their way up your face to make their grand exit, and you hold on to last bit of resolve you can as you shakily breathe, “i-, i can’t, it’s stupid and we see so much worse stuff so i have to keep it together and i am but today was just-“ you abruptly got up to get water from the kitchen before finishing your sentence. grabbing a glass from the cupboard, filling it up at the sink, and gulping it down with shaky hands. you set the glass down and placed your hands on the cool counter in an attempt to tether yourself to some string of reality that was left. you couldn’t burden him. you wouldn’t.

spencer gives you a minute alone before rising from the couch and walking into the kitchen. he approaches you slowly from behind, mirroring his hands on top of yours, entrapping you in his warm embrace. “i think you’re carrying so much,” he whispers gently in your ear, “you don’t have to do it by yourself. it’s okay to not be okay.”

the tears win and start streaming down your face silently. spencer continues, “what we do, it’s hard. we all have ways of not letting it get to us. rossi and his cigars, hotch and jack, garcia and her tchotchkes, i mean even emily with her sin city weekends.” you let out a wet laugh in response.

spencer doubles down and intertwines his fingers with yours, “my point is, you are not alone. i am here. let me carry some of it for you, please.”

letting out a soft sob you twist in his arms and burrow yourself into his sweatered chest. this was a new feeling for you, letting someone in to see the horrors that you worked so hard to suppress. why would anyone want to brave that journey? surely you weren’t worth the effort.

but as spencer tightened his arms around you, rubbing his hands soothingly down your back and placing a kiss at the crown of your head, you felt that even if the walls of your resolve came crumbling down that spencer would be there to catch as much as he could. and that was enough.

“thank you,” you mumbled tearily incoherent.

“i will always be here for you, no need to thank me sweetheart.”

his kindness overwhelmed you. how could someone who sees so much darkness and been through so much still hold the level of kindness he does?

you lifted your head slightly as his hand came up to cradle the back of your head, “so, what do you have?”

he hummed quizzically in response. you continued, “you said everyone has ways of getting through it, what’s yours?”

“it’s you,” spencer softly says with the most tender loving look in his eyes, smoothing your hair back as he looks down at you in his arms, “it’s always been you.”

your eyes welled up even more and squeezed him tighter if it were even possible. spencer had you. and now you had spencer.

the next day you show up to work, a snoopy mug with a gift bow sits on your desk.