#natalie scatorccio meta

[nerd-at-sea5]

'i want to understand the language you dream in'

okay so. imagine natalie's parents used to use exclusively italian w her for the first 5 or so years of her life, so she didn't start properly learning english until kinder/first grade and therefore didn't have the best english for a while (like she knew some but nothing concrete) so she goes through life having to constantly translate everything she thinks before she says it, else slipping into angry italian when annoyed/flustered, but always one step behind, not because she isn't as smart but because 1 step of theirs is 2 steps for her, but she never says anything and just keeps a journal in italian and if the sharpie label scribbled onto her team hoodie says 'natalia' then is that really anyone's business? - but. but one day lottie sits down with an italian dictionary and goes 'teach me?' ......nat breaks down sobbing.

[pintsofguinnesmakeyoustrong]

and to think that this all happened because laura lee called her piano teacher a cunt

[deathlikelead]

all of the yellowjackets are going to die.

i've had different versions of this theory bouncing around in my head since mid s1, and if you've seen final destination, you can just skip the rest of the post because you probably already know where i'm going with this.

natalie's death scene was overall unsatisfying in my opinion, but that's not because i don't think that the show was leading up to it eventually. her character arc was rushed and cut off too abruptly, but after sitting with the episode for a bit, i do think that natalie was always going to be the first of the survivors we saw die.

"we both know that's not true. this is exactly where we belong. we've been here for years."

now it's notable that natalie is appearing as she did the night of the party in the pilot. the last night before the plane crash. not just her outfit, but her hair and make up are the same. see how much of her roots are grown out, vs how much they're grown out in the 96 timeline.

when that plane went down 600 miles off course, no one was supposed to survive. not a single person on that plane should have made it out. The Wilderness, the lonely, violent, misunderstood Wilderness kept them alive when they crashed into It. when they found cabin guy's plane back in s1, lottie looked at the vines growing around the wheels and said "It didn't want him to leave", and she was right. laura lee's trip ending in spontaneous combustion should have been enough to prove that if only they were paying attention by then.

they all should have died when that plane crashed. The Wilderness allowed them to survive, to make a home. albeit violently, tragically, It nurtured them through two winters, and ungratefully, they all left anyway. eventually they're all going to have to go home to It, one way or another, dead or alive. It's already been inside them for years.

[novelconcepts]

There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.

Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.

Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).

But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?

How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.

How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.

How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.

How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.

How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.

How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?

All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?

They brought it back with them. Of course they did. It was the only way.

[nataliesscatorccio]

Dead cabin guy and his technicolor dreamcoat have haunted me since the wardrobe reveal in season two, and today im going to make it everyone's problem.

Travis wears the coat first. He and Natalie take the blessing and go out to look for Javi. Travis hallucinates (prophesies?) that Javi is dead and buried beneath the snow, but Natalie shows him it's only a fox. Travis finds the strange, mossy tree stump. The next day Travis has strong feelings about which direction is best to search for Javi in, and we don't see more of him until Nat reveals the bloody pants. Not that weird, all things considered. New season, new wardrobe additions. Hiking on a caloric deficit with PTSD, you'll probably hallucinate. Pretty standard stuff.

Then Nat wears the coat. She takes it to lay Jackie's bones to rest at the crash site, and while she wears it she sees (hallucinates? prophesies? I'm not sure!) the white moose that they'll later lose to the lake (ergo the hunt, ergo Javi dies for real but more on that later).

We get to Old Wounds, the hunting competition, and Lottie wears the coat now. You see where I'm going with this but just to be thorough: she enters the realm of death dreams, talks with Laura Lee, almost freezes to death.

Episode five. Melissa wears the coat. Maybe that's not important! Maybe it's just to show that they all share the wardrobe, and that the side characters are as equally All In This Together as the main characters are. Or it could mean something that a peripheral character, wearing important wardrobe, framed in antlers (not unlike Travis in 2.01), has the line "maybe he did die, and that's his ghost." It's a little suspicious, and at this point starts to feel like a pattern.

Who wears it next, who wore it best!? That's right baby, it's Paul! For his dreamworld drifter, hallucination hunk Coach Ben Scott. Nicholas Urfe himself. Ben spends almost all of his time in a dream, until *drumroll please* Paul, very pointedly, takes the coat and walks out the door. "Where do you think you are, Ben?" he puts the coat on. "You had to have known you couldn't stay here forever. [...] What matters now is that you aren't welcome here anymore." Following Paul means committing to death (to dream), and until interruption that's the choice Ben makes. Because letting Paul (and the coat) go would mean committing entirely to reality.

Of course, the pièce de résistance is something I didn't even notice until I went looking for it. The first dozen times I watched, I thought that after Lottie's beating Shauna brought her a blanket. "Lottie's cold." But she doesn't. She brings her the coat. Lottie is laying with it when, in a fever dream, she witnesses/hallucinates/prophesies parts of the hunt.

It's there again (on the back of the chair) when she sits by the fire and speaks for the wilderness, appointing Nat their queen. Ben watches, having woken from the dream himself, as they all bow to Natalie and leave reality behind for good.

Of course, there are a lot of times when characters hallucinate strange things in the cabin while not wearing the coat, because they're all starving to death and traumatized. Mari. Shauna. Akilah. But in addition to that, it seems like a pattern worth noting that in each instance where a character wears the technicolor coat, the line between the real and the imagined seems to blur with more ease. Does dead cabin guy's technicolor dreamcoat help the Yellowjackets connect to the dream realm?

I'll be brief here with the biblical parallel: blah blah Joseph is the favorite son (you were always its favorite), his father gives him a technicolor coat (they're nothing special, they don't change color in the cold or anything). blah blah Joseph starts having prophetic dreams etc etc his jealous brothers throw Joseph down a pit (the wilderness chose) and bring his bloodstained coat back as false proof of his death (hanging on a branch. a couple miles back). You get my drift.

Does it mean anything? Who knows. But in a series where wardrobe is such an integral part of the storytelling, it felt worth paying attention to.

[chasingfictions]

"i'm pretty sure it's exactly as bad as it looks" - 1x01 // 2x03

[wistfulwatcher]

1.04 BEAR DOWN | 2.05 TWO TRUTHS AND A LIE

[thelyreoforpheusmp3]

What gets me in 2.4 is the normality of it. Like yeah it’s an impossible situation in which precisely nothing is normal - Lottie just barely escaped death.

Yet the scene, that sentence from Lottie ("You fucking loser"), it’s so normal, so teenagers making fun of each other for losing. She’s really seeking that normality, when with the others she has to be Lottie, their leader/prophet/messiah. Here she lets herself be just Lottie, she lets herself be Lottie in front of Nat, the only one besides Laura Lee she has expressed her doubts in front of - granted, often when provoked by her, but "What do you want me to say ? I just said what I felt" is actually an admission of vulnerability in my opinion.

Speaking of vulnerability : Nat helping Lottie wash herself and get warm (very biblical may I add) and apologizing, taking the blame : "This is all my fault, I’m really sorry". Her relationship with Lottie up to this point could have called for another argument, yet she’s vulnerable, she bares her neck — oh, by the way, a parallel to the scene in the future where Nat puts her head on Lottie’s lap, sacrificial lamb style.

Just two people who haven’t let themselves be vulnerable in front of many people since the crash being vulnerable with each other.

In conclusion : I love them. They make me crazy. And of course : they’re gay.

[finalgirrls]

Coach Ben saying “you’re not like the rest of them” talking about the girls as monsters only to burn down their only place of safety and warmth and stability in the middle of winter as if that is not one of the most monstrous acts someone could’ve done….just 🤌��

[astvaryking]

lottie crowning nat and nat finally feeling valued and appreciated for the first time in a long time not knowing she's being handed the baton of doom... literally you started it and then you gave it to me.

[the-lonelyshepherd]

what’s your opinion on the travlottienat s2 sex scene

hi! um category five autism event and i got way too serious about this. however its not my problem.

oookay SO first off obligatory i am a minor BUT we are analyzing this from a narrative/plot perspective and not in a sexual way. theres naked people in art its fine. I think this scene is fascinating from like. not a shipping perspective but a character based one. it shows a lot about travis and it also shows a lot about lottienat (mostly talking abt the character combo and less the ship) and also jackie. yeah, jackie.

Madonna della Pietà, Michaelangelo

To start - even w how it looks, this is a Lottienat scene. Not even from a shipping perspective but because this scene SHOWCASES their "rivalry", the contrast in their characters and how they are perceived to the rest of the team (w Travis as a stand in for the team). It shows how they're both very present figures in the whole yellow jackets situation (shown through travis but can apply to all of them imo). Nat is there with travis. shes physical, shes providing. But lottie is also there spiritually, and against the norm, leading whats going on.

Nat as the physical

lottie as the spiritual.

so despite the fact that natalie is physically there, travis cant (probably physically cant as hallucinations are NOT voluntary) take his mind off lottie. because she can give him something, in his mind, that nat cant. Shes almost an escape - nat is the harsh reality hes living while lottie is the voice that brings him hope that his brother is alive. lottie is someone who can lead in a way that he wants to make sense. and its an idealized version of her in his mind, probably stemming from his issues w authority figures like his dad and the built up version of masculinity in his mind.

And this scene also emphasizes Nat’s role in the Javi situation. Because of this:

The wound on her leg where she faked Javi’s death so that Travis would stop his self-destructive search for his brother, who by all means should have been dead. Why? Because who is Nat but a realist? She’s gotten everything from life thrown at her and came out of it with that attitude, and who can blame her?

But this scene is right after she brings Travis forged proof that his brother is dead. Her guilt is present through this scene, and showing the wound is to emphasize that. layers!!! but travis has a lot of guilt throughout this scene as well - not only because of the supposed death of his younger brother that he as the older sibling feels at fault for but also… the jackie situation.

The Jacke of it all:

yeah this is a jackie scene. not only is it right before when they FUCKING EAT HER but like in spirit as well. Okay so the thing is that jackie is the character who puts the most emphasis on virginity, we all know this, but in the end it's travis that gets the "first time" that she puts so much emphasis on. Yes, jackie and travis lose their virginities to each other, but in this scene travis checks off doing it with his actual girlfriend. That, and he does almost the same thing jackie did with jeff. She looks to shauna's photo, travis thinks of lottie. They have to be outside of their bodies to perform because both of them have hangups (for one reason or another).

It's not that Travis doesn't want to have sex like jackie with jeff, he clearly tries, but he can't do it while thinking very clearly. First by being drugged, then by imagining himself doing something unrelated. And they would've been happier if they hadn't done it - jackie is immediately shunned for it. If you think about it, she literally dies for it. Travis feels like he cheated and did something wrong despite being drugged out of his mind and having no real control over the situation (something jackie didnt know). and then IMMEDIETLY after this scene, there’s the Jackie feast. Not only is she everywhere symbliocally, shes also physically in them now. THE JACKIE OF IT ALLLLL

The Pietà

The Pietà is a reference to the 6th sorrow of mary. for all you guys who arent christian/catholic →

The Seven Sorrows of Mary are seven significant moments in her life:

Simeon's prophecy of joy and sorrow.

The flight to Egypt to escape King Herod.

Finding Jesus in the temple after being lost.

Mary meeting Jesus on his way to crucifixion.

Witnessing Jesus' crucifixion and death.

Holding Jesus' body after his crucifixion.

Jesus' burial, which Mary mourns.

To clear things up here - lottie as mary in this context is not a “maternal” as in motherly way - imo its supposed to be peace and hope, guidance/authority. travis, despite being famous for his daddy issues, is hinted at having mommy issues as well (see: him not getting hugged goodbye by his mom in the pilot while his dad and javi both do)

also, he clearly struggles a lot w masculinity - having a woman in authority doesnt come naturally to him, but in this moment it is his only comfort.

so in the wilderness, there’s a complete power shift from the outside world. in this isolated environment there’s a female majority - specifically, the team, who already (roughly….. it gets messy but ykwim) trust and know each other. they already have a, albeit shifting, power dynamic established. in the normal, precrash, world, it would be isolated to them. but post crash, they are now the majority and the three guys left standing are now forced to assimilate into that instead.

Ben had power - he was one of their coaches and an adult - but with the death of coach martinez, he loses a lot of power 1) because he’s only an assistant 2) hes outnumbered 3) he doesnt want to be in charge of these insane girls anymore. he just wants gay daydreams. let him live.

Then there’s Javi - he’s younger, and none of the girls really know him, but they’re generally nice to him. he cant contribute much though - and eventually he has to contribute all he has - his literal flesh.

Finally travis - arguably the most involved as he is the same age as the team. this puts him on their field as “involved”. He originally has this very built up view of masculinity that you can tell stems from a place of self consciousness/ self loathing as well as a buildup of society’s expectations on him as a teenage boy in the 90’s. He’s supposed to be tough, hes supposed to be in charge, hes supposed to be better. And when hes thrown into this female dominated space it completely falls apart. He’s not the best shooter, he doesn’t have authority or leadership. The only other older male figures are dead or have tried their best to remove themselves from the situation. He has to completely reevaluate everything he knows - Travis has come to learn that there is power in being near and simply being an approximation of femininity.

Travis has come to learn that there is power in being near and simply being an approximation of femininity. Travis has gone from the top (he was never really there, but the built up idea of masculinity put him there in his mind, though even then he had doubts and it came from a negative place) and to bottom of the totem pole - and now he’s rising back up to somewhere in the middle by connecting with femininity, by recognizing women in authority, and also trying to have that hope and spiritual belief that is brought about by these female figures. The middle is where travis can reconcile with the weirder things (ive been in discussions about how travis actually parodies a lot of classic feminine tropes) that clash with what travis should be.

overall this scene is fucking insane. its lottienat its travnat its mommy issues its daddy issues its deadass jackie its an older brothers guilt its religious its a sin its deconstructing the very nature of yourself and those around you. all through the power of weird sex hallucination. and eating someone right after.

if youre still here i love you. please send me yellowjackets discussion asks i love them so much <3 feel free to ask questions and shit, also if none of this makes sense im sorry lmao.

ALSO. special thanks to @periwinklekryptonite who like carried this discussion and came up with like half of tjis. ask him about trans travis or travis in general or maybe pike. shoooo go send him travis questions.

[tabithatwo]

hi hello thinking about how neither lottie or taissa is advocating for their sight or championing themselves.

lottie quietly doing the best she can to lean into what she hopes is real to give the others protection and faith, yes! but it isn’t I CAN LEAD YOU (especially this season) it’s I can quietly do the things that can’t hurt, in case they help. it can’t hurt to prick my finger and they’ve come back safe so far and I’m aware of my mental health I’m OH so aware and I know the dangers of delusions being proven correct by happenstance by setting up an infallible cause and effect by building my own reality BUT but. it’s just a prick and it’s just a sip and if I don’t do it now and they don’t come back safe then I AM the reason. it can’t hurt IT CAN’T HURT.

but see, now she’s stuck. she’s wedged into this place of having followers and she can’t tell them how she feels, partly because she isn’t even sure how she feels to begin with because nothing is real and everything is far too real!! (because BECAUSE lottielee jackieshauna parallels and so much post laura lee was not in our view, we didn’t fall as deep deep deep into the rabbit hole with lottie as we did with shauna, but this season has confirmed it for us. lottie and shauna both lost reality when they lost Them and they were both already girls with a loose grip of reality to begin with) so it’s That, but it’s also because she isn’t Lottie The Girl From New Jersey Who Shoplifts, she’s not herself, she’s what they make of her. she’s Lottie The Reason We Will Survive This.

she was on the other side of this dynamic, she felt that anger at jackie, she felt that sense of betrayal, she felt that letdown, that rebellion in her heart. because jackie wasn’t serving them the way they wanted needed craved being served. jackie couldn’t be that person. jackie who had been divisive in her leadership before they even crashed, because what is leadership if not a spotlight that people can adjust to make you glow like something ethereal or to point out all your flaws with great illumination? jackie had larger than life expectations put on her (and they were warm and sunny and positive some of the time yes, but that all curdles when it’s left in the spotlight too long.)

so suddenly lottie is divisive. there are teams around her and against her and myth built up, but the myth isn’t that she’s the bratty unhelping girl who gets whatever she wants like it became for jackie, the myth is she is our only hope. she is our savior and salvation and seer. and she doesn’t need to even say anything to make that so. jackie didn’t need to say anything to make them color her selfish (other, but bad). lottie doesn’t need to say anything to make them color her anointed (other, but good). she is girl vessel, girl hopes, girl dreams, a witch hunt where she Better Be A Witch.

doomcoming lottie snapped. she was On drugs and she was Off drugs and she was tired and she gave them something to cling to that they could shape into more with the seeds of the past (bear and blood and you get the picture) that they’d already been trying to plant in her image. (jackie did the same that night. she snapped, she yelled, she gave them something to cling to that they could shape into more with the seeds of the past that they’d already been trying to plant in her image, do you SEE??)

and of COURSE natalie understands both lottie and jackie. of course she knows what it’s like to be doing nothing but your best, to not want the responsibility, to be seen more as liability than asset, even though the only reason you can fail so hard is because you provide so much. before the crash and after, because girl carrying the weight of family secrets and girl who bears their insecurities and girl who SEES that they are insecure so she cannot even bring herself to be ANGRY with them and girl who hunts. girl who hunts and feeds, but now who hikes and disappoints, because there is no game to bring home, but that can only be Her Failure because it is Her Contribution, do you hear me are you with me??

so natalie walks for miles and she eulogizes jackie and she steps out of her reward her one small comfort and she makes sure that lottie sinks into the hot water and she apologizes, she apologizes, she apologizes. because maybe she’s mad, maybe she says it isn’t fair in the heat of the moment, but at the end of the day she knows who she is and what she is and all that they’ve made her and she carries that responsibility. (like jackie the girl she wasn’t home to save and lottie the girl she doesn’t know how to reach. it’s too late for them, there are no words to undo it. jackie was sealed when she made captain and natalie was sealed when she pulled the trigger and lottie was sealed when she warned van.)

and taissa finally TAISSA. she has hidden her secret. little girl looking in the mirror and seeing something that shouldn’t be there and older girl who is hearing things that she shouldn’t hear and leading people places she shouldn’t be able to lead them to. she doesn’t want it and she’s made it the Most Known of them all. don’t tell lottie, don’t tell the others, don’t bring it up. and van who champions her so naturally, so routinely, so lovingly for all the normal things. van who believes in the supernatural. van who has simply refused to die. van can’t hold it in anymore, because taissa’s sight Brought Back Javi. but tai doesn’t want her to mention it to the others. tai is perceptive and tai understands power struggles and she’s tired and hates this part of herself and she’s scared and she’s logical and she doesn’t want to Be Lottie (not lottie the girl from New Jersey who shoplifts, but lottie who better be a witch).

so maybe I’m seeing things myself, maybe I’m reading too deep, but here’s what I saw in old wounds.

lottie, who sits quietly while the others discuss her prophecy. lottie, who seems to have developed an openness to a different view of jackie in her death, because she was girl there and now she’s girl gone and she served them again in death and maybe lottie didn’t quite have the right idea of her and maybe lottie is in her seat now, in a way. lottie, who wanders into the snow without ever really agreeing because it was never really a choice, and cuts her hand because it can’t hurt IT CANT HURT.

natalie, who signed up to hunt when it was spring and warm and possible, who knows that it will be hers always and forever now. natalie, who will always be the reason they are starving, more than the reason they are fed. natalie, who is jealous of the girl who is bone, because she was allowed death. natalie, who has sympathy for all of them and knows that lottie has been made her rival through the mechanisms of group projection than her own volition. so she bathes her and tends to her and apologizes to her.

taissa, who has always been a leader and always been under scrutiny but did so in a way She Could Control. taissa, whose deepest secrets are being unfolded before her eyes because she can’t stop herself from divulging them when she is unconscious. taissa, who might start to think that maybe lottie didn’t ask for this.

so jackie is bone, and natalie is hunter, and lottie is seer, and taissa might be even more so. natalie alone in the realm of the mundane (for this), but aware of them all, so I’ll set her aside for a moment.

jackie accidentally opened the door to this spiritualism. she was the seance and doomcoming (and the first communion), but she didn’t mean for it to be that. she meant to cheer them up.

lottie thought that jackie had it wrong, thought that she didn’t use her position to protect the girls, because she refused to work with the woods and lottie tries to save them and protect them and negotiate with the wilderness for them.

taissa thinks that lottie has it wrong, because she feeds into their delusions and her power is a runaway train in this setting and taissa wants to keep them alive in the best way. the practical way. except that logical leadership never led to anything out here and her other self, her spiritual self, found javi after months.

pedestals and wrecking balls and clearer views once you’re hoisted up with the girls on them. girls who are not Them but who are What Others Say. shauna dictating jackie and mari dictating lottie and van dictating taissa and everyone dictating natalie. everyone meaning the best and riding the high of delivering it, until it’s cut out from beneath them. you don’t go from great to fine. the mighty don’t fall to land on a straw bed with the rest of them, thanks for trying and welcome back. they are Icarus and their love for the others is flight and their belief that They Can Do It Better is the sun and the sun burns. in death or in life or in dreams.

and maybe in old wounds lottie understood jackie a little more and taissa understood lottie a little more and nat, who has always been able to understand them all, can watch and wait and hope that it changes things. but it won’t. because they aren’t driving their own stories anymore.

so they’ll hunt and they’ll bleed and they’ll walk in their sleep and, no matter what they say or don’t say, the others will fill in the gaps.

[jackietaylorsversion]

Soulmates.

I was in a discord server earlier, and we got to talking about the Yellowjackets as soulmates, and I thought I'd share those thoughts here, just a nice little put together catalogue of all those thoughts put together. I might add to this, too, as more pairings and relationships come to me.

For the record, I want to point out that I think that all of these characters are soulmates, far beyond ship dynamics, far beyond romance. What makes up the insides of one makes up the insides of the others because they are all the same: teenage girls trapped in either growing or decaying bodies. Their souls are all mated to the others in some way or another.

Tai and Van are a pair. Two separate souls that are a part of a matched set, like socks. They can be worn mismatched, certainly, but they really are at their best together. Tai gives Van a purpose. Van calms Tai's "demons." They can exist without each other, live without each other, love without each other, but they just are at their best together.

Lottie and Nat are that sort of star-crossed soulmates, doomed soulmates. There's a red string of fate but its severed somewhere in the middle. They can be good for each other, laugh and smile and hold each other close. They can be the worst of each other, holding knives to each other's throats, laughing in the face of it. They're the epitome of a missed chance. What kind of missed chance? That's up for you to decide.

Misty and Nat are the kind of soulmates that don't seem like they'd match, but they work so good together. The believer and the skeptic (though who is who changes with the circumstance, the belief, the skepticism). Orange and blue. Salt and sweet. Chaotic good and lawful evil. They're diametrically opposed but in a way that makes sense, in a way that works together. They each feed off of what makes the other their opposite. One is running, the other is chasing. Of course one would die at the hand of the other.

Lottie and Laura Lee are the kind of soulmates where each thinks they are the worshipper while the other is the god. A prophet, a believer, a worship under the sun. Souls that just burn brighter around each other (and that pun was unintentional the first time but very intentional with the emphasis). Both want to help the other. Both want to hold the other. They are belief without boundaries personified. Each is Icarus. Each is the sun.

Tai and Shauna are soulmates in a way that recognizes "That is my person." Two people that have so much in common, who understand each other, who both recognize the want in the other. They have an understanding and a care for each other that's fierce. I see you, you see me, ad it might not be pretty, but we will be honest with each other. Especially as the two of them have aged; time has not erased their understanding of one another.

Jackie and Nat are soulmates in a way that isn't explored a lot in the show but has been discussed, from what I've seen, really well. Foils. Two sides of the same coin. Opposites. Rich girl, poor girl. Prude, slut. There are certain stereotypes around both of them that, from a glance, seem to play out. One only needs to look deeper to really see it. Unfortunately, from the show, we never really see the two of them see past their expectations of each other.

Jackie and Shauna. Two heads, one heart. I don't know where you end and I begin and all that. We've been there, we've done that. We know it by heart. They're not a pair because a pair implies separation, and there is none. You can cut out your heart, and you can even replace it, but it's never the same. They're two shattered halves of the same fucked up whole. When one piece is gone, the hole cannot be filled properly ever again. There are some species of worms that, when worm cut in half, can keep living as two separate entities. That does not negate the fact that it was once one whole creature. They're unhealthy together. They're unnatural apart. One did not live long enough to remedy either of these facts.

(If Jackie's heart was still beating, I know it would beat in time with Shauna's. I hope Shauna ate it to feel it beat with hers one last time.)

[m4rdb]

An insight into the characters based on their approach to the “Allie problem”

If good writing means that every scene has the potential to say something about a character at their core, then the girls' attitude towards the "Allie problem" is an interesting example.

Taissa

The one who comes up with the very plan. This establishes her as ambitious and extremely rational, but it’s the type of rationality that without grounded moral principles could degenerate into violence and cruelty at any time. It’s what we see with adult Misty and Walter, who are both so practical-minded that resorting to murder is nothing more than a smart option to choose to them.

Like Jackie says, Taissa has so much fight in her. The way she handles the Allie situation shows that if she has a goal, she’ll do whatever she finds necessary to obtain it.

How does that translate into their time in the wilderness?

Taissa’s the first to make the call that they should leave the plane and find water. She’s the one who sleeps in the attic when everyone else wouldn’t, she’s the only one who tries to tell Jackie she shouldn’t leave. And in season two, she’s the one who says, “We need to find a way to stay alive, and it can’t be her [: Lottie]”.

Then we see them drawing cards. We’re not shown how they get to that very decision exactly, but it’s important that we know that the two things are tied. The hunt that follows, their first conscious hunt (let’s not forget about Travis), wasn’t supposed to happen—it’s rather the consequence of the designed sacrifice refusing to take on the role.

Though there’s an obvious religious aspect to it, drawing cards isn’t just letting fate/the wilderness decide in their place so that they don’t blame themselves. It’s also the girls’ attempt to give the ritual some semblance of logic and structure—on a normal day, they would draw cards to decide who gets which task. They’re using the same mechanism, except that they’re now deciding who should die and get eaten. And it starts with Taissa’s very rational and straightforward remark about needing to survive.

Natalie

She openly and passionately goes against Taissa’s plan. Despite being presented as the outsider who doesn’t really engage with the team and disregards rules by smoking and doing drugs, she’s the one who fights to play fairly. She most likely doesn’t care about Allie personally, but she’s a teammate, and they should treat her as such.

While Tai’s ultimate goal is winning at Nationals, Natalie doesn’t want to win more than she wants to be a team (T: What’s your plan, then? / N: I dunno, play like a fucking team and win? It’s worked so far.).

It’s quite ironic—yet not that surprising—how, despite being opposites, Natalie and Jackie share a similar mindset about this.

The scene establishes Natalie as a sympathetic character with grounded and noble moral principles, no matter the adversities. In the wilderness, she’s the first and possibly the only one who acknowledges Travis’ grief and sees through his unsufferable attitude and understands that, as much as questionable his methods are, he’s trying to make sure Javi gets over their father’s death and wants to live on.

It's also meaningful that Natalie’s not there when Jackie and Shauna fight and Jackie ends up leaving the cabin. The night earlier, Natalie was the one who let her out when Lottie and the others locked her in and went to hunt Travis down. Natalie basically saves the girl who just had sex with Travis being perfectly aware that it would hurt her, and she doesn’t even know. Viewers do know, though, and we’re instinctively led to think of her as even more noble and deserving of empathy.

Jackie’s death certainly comes from an irrational choice, but the deepest reason is the others’ lack of sympathy towards her at the end of the season. It could be delusional, but I can’t see Natalie turning a blind eye on the whole thing, had she been there.

Jackie was their captain when they had a normal life. Natalie becomes their leader thanks to the constant effort she’s put into the group ever since they landed there—and possibly, as the matter with Allie shows, even before that.

Lottie

Lottie’s phrasing for her refusal is telling. She says, “It doesn’t feel right.” It’s not that she thinks it is, or that it seems like it is. She feels like they’re not meant to go through with it. A simple yet fitting choice of words foreshadows Lottie’s spiritual nature and her connection to the wilderness as well as her role of prophet/messiah.

It’s also important that she’s not shown as particularly proactive. She does express her opinion, but she’s not as passionate as Natalie about it, who instead actively tries to convince them what a terrible idea it is and interferes with Taissa’s plan on the field. This shows how Lottie never cared be a leader, but rather follows where her feelings lead her.

Van

We’re not really shown Van’s reaction until they’re in the locker room after the scrimmage. We just learn that she’s impressionable, as she almost throws up at Nat’s mention of Allie’s bone being visible, and that she’s so devoted to Tai that she won’t let Shauna talk shit about her at the party.

Laura Lee

Of course, nobody would even dream of telling Laura Lee about an act of such misconduct. She would never go along with Taissa’s plan, she wouldn’t even fathom doing something like this. She’s more clueless than Jackie, because Jackie at least did notice something was off on the field. Even at the party, Laura Lee is the only one who still has no idea there were such tensions.

Her blissful ignorance keeps her kind and pure, apart from the ruthless tendencies of the team. It doesn’t change once they’re in the wilderness—Laura Lee dies trying to help her friends, and she fortunately never gets to witness their worst moments.

Shauna

Unsurprisingly, Shauna’s a tough one. Her attitude towards the Allie situation is as ambivalent as it will be for the rest of the story towards everything else.

Shauna keeps her thoughts for herself until Nat and Lottie leave and it’s just her and Tai, and even then, the first thing she says is, “Jackie’s not gonna like it.” The moment she’s asked to make a personal decision, she talks about what Jackie would think, and it’s not because she herself doesn’t know what to think, it’s just what she chooses to say outright. If anything, Shauna isn’t against Taissa’s plan entirely, and bringing up Jackie rather sounds like an excuse so that she doesn’t dwell on her own dark thoughts.

When Taissa says, “Then we probably shouldn’t tell her,” we expect that to upset Shauna—she wouldn’t keep things from Jackie, right? They’re best friends. While it does upset her, it still doesn’t stop her. We understand why later in the episode, when we discover that she’s no stranger to keeping secrets from Jackie, between her affair with Jeff and the admission letter to Brown (it also recontextualizes their first scene together in Shauna’s car, where Jackie addressed literally both).

On the field, when Taissa plays aggressive and forces Allie to play under pressure, Shauna tells her, “It’s not helping,” and once Allie’s on the ground, she’s one of the girls who runs to her first and tries to comfort her. Even though she didn’t openly disagree with Taissa’s plan, she didn’t want or expect things to escalate the way they did. She’ll make the same mistake when Jackie leaves the cabin, Taissa tells her to go talk to her, and Shauna just goes to sleep, underestimating the consequences of it.

Her ambivalence—if not hypocrisy—is shown later that night at the party, when she tries to pick a fight with Taissa while drunk. I think some part of her felt guilty to an extent, so she tries to fight with Tai out of remorse and because she wants to make her look like the only culprit, since she hates that she was so close to being complicit in it. Who calls her out when she defends Nat from Taissa’s slut-shaming at the party? Natalie herself slams in Shauna’s face that she is complicit.

If Shauna had told Jackie, she would’ve put a stop to it for sure. In the 2019 script for the pilot, Jackie says, “You should have told me about Taissa and Allie.” Shauna’s choice to keep the secret directly anticipates their falling out towards the end of the season. Shauna’s continuous lying drives Jackie mad until she explodes and they have that fatal fight.

Shauna’s the one who tries to act as a person who has it together but really doesn’t. She has the potential to be a good person, friend and mother, but she ends up flunking everything and she barely understands why.

Finally, she tells Tai that she’s “a fucking sociopath”, which, considering everything that happens later in the series, is sort of rich.

Jackie

Like Laura Lee, Jackie has no clue the whole “freeze Allie out” strategy is even happening. Shauna didn’t tell her, she was left out, and she doesn’t find out until Allie’s already hurt and there’s nothing she can do about it.

She watches the others as they rush to help and comfort her and handle the situation, but she doesn’t partake in it because she’s too shocked to move. After the scrimmage, she tries very hard to do as Coach Martinez told her—as captain, she’s meant to glue them together (“When it gets tough out there, these girls are going to be looking for someone to guide them. Can you handle that?”). It’s more than that, though—the way Coach put it, if Jackie can’t do that, then she isn’t really anything special. She’s not as fast as Shauna and her footwork isn’t as good as Lottie’s, and there’s something else that Taissa’s better at, too, though Jackie stops Coach before he can tell her that bit. But nobody seems to care about what she’s saying, and Natalie storms off.

Jackie’s inability to handle the Allie situation and lift the others’ spirits foreshadows her incompetence as well as her progressive loss of influence in the wilderness—in Lottie’s words, “You don’t matter anymore.”

Allie’s accident marks the beginning of Jackie’s downfall even before the plane crashes.

[nunyabznsbabes]

The Yellowjackets' Cards

Misty pulls the Eight of Diamonds. Eight traditionally represents resurrection, regeneration, and new beginnings. The Diamonds suit symbolizes the merchant class, autumn, dedication, ethics, confidence, stability, and advancement. The Eight of Diamonds specifically is a sign of healing, passion, and safeguarding.

Akilah pulls the Seven of Spades. Seven traditionally represents warfare, protection, completeness, perfection, grace, and divine mercy. The Spades suit symbolizes the military, winter, water, grief, and loneliness. The Seven of Spades specifically is a sign of certainty, warning, loss, perception, intuition, and kindness.

Van pulls the Jack of Hearts. The Jack is a symbol of common blood, loyalty, good luck, deception, innocence, and new beginnings. The Hearts suit represents the Church, spring, fire, love, vows, and childhood. The Jack of Hearts specifically is a sign of love, youthful passion, emotional support, reconciliation, and the pursuit of inner knowledge.

Shauna pulls the Four of Diamonds. Four traditionally represents creation, completion, mental stability, change, and freedom. The Diamonds suit symbolizes the merchant class, autumn, dedication, ethics, confidence, stability, and advancement. The Four of Diamonds specifically is a sign of strength, a need for confrontation, sensitivity, dissatisfaction, defensiveness, stubbornness, rebellion, intuition, good fortune, new beginnings, change, and charm.

Travis pulls the Ace of Clubs. The Ace historically represented bad luck, but in the present day it represents strength, authority, power, and victory. The Clubs suit symbolizes agriculture, peasantry, summer, youth, and the earth. It is also the lowest-ranking suit in games that prioritize suits. The Ace of Clubs specifically is a sign for good luck, prosperity, abundance, power, and influence.

Tai pulls the Six of Spades. Six traditionally represents power, imperfection, humanity, broken connection, restored connection, union, romantic union, materiality, and success. This number is also associated with Satan/the Beast. The Spades suit symbolizes the military, winter, water, grief, secrecy, loneliness, obsession, and development. It is also the highest-ranking suit in games that prioritize suits. The Six of Spades specifically is a sign of infidelity, dishonesty, turbulence, rootlessness, growth, denial, avoidance, change, change, and renewal.

Melissa pulled the Three of Hearts. Three traditionally represents power, cycles, life and death, divinity, completeness, fulfillment, and perfection. The Hearts suit represents the Church, spring, fire, love, vows, and childhood. The Three of Hearts specifically is a sign of success, love, opportunity, and aid.

Javi pulled the King of Spades. The King is a symbol of masculinity, maturity, control, and command. The Spades suit symbolizes the military, winter, water, grief, secrecy, loneliness, loss, and development. It is also the highest-ranking suit in games that prioritize suits. The King of Spades specifically is a sign of reason, logic, authority, discipline, justice, dominance, charm, observation, cruelty, obstacles, and boundaries. Reversed, the King of Spades is a sign of irrationality, control, judgement, and dishonesty.

Natalie pulls the Queen of Hearts. The Queen is a symbol of leadership, authority, confidence, femininity, and power. The Hearts suit represents the Church, spring, fire, love, vows, and childhood. The Queen of Hearts specifically represents unconditional love, compassion, creativity, intuition, healing, counseling, warmth, and self-love. In a reversed meaning, the Queen of Hearts is a sign of insecurity, fragility, dependence, self-sabotage, martyrdom, and over-giving.

[wistfulwatcher]

"at least natalie's death was narratively satisfyin—"

no. it wasn't. they gave us a character who has struggled with addiction her whole life. struggled with self-harm in a variety of forms. who has felt lost and guilty for the last twenty-five years. a character who has been suicidal multiple times in the past, a character who was literally suicidal a week ago.

and you killed her a day after she started to actually, truly try to heal.

yes, this show has always been dark. yes, from the first moment of the entire series we knew these girls committed unspeakable violence on one another, and did so ritually. yes, we knew that the adult versions of these characters spent the last twenty-five years struggling with their guilt and shame and trauma, and were doing it very, very poorly.

all of this just shows that the story has been in their struggle. this has been—or at least it was initially sold as—a show about women and their trauma. a show about women who don’t know how to examine their trauma, don’t know how to process it. who can’t take more than small glances at what happened, but who can also never, ever forget that it’s there. this has been a show about women who are coping, most times poorly, but very, very realistically.

and there was so much hope in that, despite (or because) this is such a dark show. these women can screw up and struggle and be real people—which women never get to be on television—and still maybe, they can heal bit by bit. there was always an inherent hope in this story, because they were all still, as adults, trying to make a life for themselves even if they were muddling through it.

in season two, natalie starts to heal at the retreat. (apparently—i personally found her 180 between "qui" and "burial" highly suspect and very poorly executed, but that's a moot point now.) she spends most of the season struggling against lottie, but finally accepts lottie's therapy (thanks to lisa) and beginning with "burial" she keeps trying to get the girls to talk about what happened. she figures out what she needs to move forward—to finally, truly address what happened in the wilderness by talking about it. that becomes her goal, and her focus with the others.

but natalie doesn't get to talk about anything. the girls want to drink instead of talk in "burial". and in "it chooses," the second nat suggests they talk, lottie shuts her down and suggests they drink poison instead. natalie is sober, and trying to do what she thinks she is supposed to do by confronting her trauma. she has made all of the "right" choices to actually heal from her pain, but she never gets to.

natalie’s entire story line, set up in her very introduction in the pilot, is to find her purpose. she talks about her self-destructive behaviors being due to her lack of one, and makes it clear that she intends to find that purpose once she leaves therapy. thus, for natalie’s story to be narratively satisfying, her story needs to end with her finding that purpose, right? which means that, if we are to treat this as a narratively satisfying ending, then natalie physically sacrificing her life for lisa is supposed to be that purpose. 

but death is not a purpose. and, to portray it as such for a character who has tried to commit suicide is, honestly, disgusting to me. especially for a character who was saved—again, a week ago—from her attempt by the very woman who then encourages her to drink poison that is used to "put animals out of their misery". who is then told in her death vision to “let the wilderness in” (when "the wilderness" has been a pretty clear metaphor for trauma!!!). they spent all season telling a suicidal character to suddenly let go and give in and stop resisting in a narrative that leads to her “””finding purpose””” in her fucking death. not to mention letting that death be recorded as "an overdose" after she has been explicitly sober as part of her growth!!

a far, far more narratively satisfying path for natalie is for her to actually find a purpose that is consistent with the hunter-protector she’s always been described as. in “no compass” tai says that natalie is the reason they all made it out of the wilderness. (again, wilderness as a metaphor for trauma!) so why, on earth would the better story line, the more consistent story line, the more satisfying story line—especially when this show is all about parallels and cycles repeating—not be natalie leading them all out of “the wilderness” by helping them process the trauma? by getting them all to talk about it?

(i didn’t necessarily need or expect yellowjackets to give a truly “good” message or resolution—bittersweet would be plenty for me—but can you imagine the beauty of that story? the character who has felt nothing but pain and guilt, who has been alone for the majority of her life, who has never felt good and stable love, being the one to break through the trauma first? the one who finally learns to heal first, and protects them all once again by leading them through the wilderness? a story of a woman supporting women through trauma that only they can understand?)

instead natalie's story goes from struggling with her pain and guilt, to trying to find some purpose in her life, to losing that purpose and attempting suicide, to being saved and actually starting to address her trauma head-on. and then dying before she can. i'm sure there are some people who believe that this is character growth (the briefest moment of addressing her trauma), but it wasn't; her growth is blunted by her death.

and this makes her death both tragic and unsatisfying. a character who struggles so hard and so long, who finally, finally sees a light, and the moment she reaches for it, is shifted back to where she was a week ago, having never gotten to actually grow.

so no, just because i am personally devastated by nat's death does not mean that i am blind to the narrative; quite the opposite. i am furious both as a fan of the character and a fan of the story. i feel deceived, disappointed, and insulted by every single part of this story. i feel like we were all cheated out of what could have been a beautiful exploration of a complex and fascinating character. and on top of all that i am very, very hurt.