#nana take

[lolapath]

THE LOVERS OF TERUEL

This Nana official art reminds me of a spanish legend about to unfortunate lovers Diego and Isabel. Isabel’s family did not let her marry Diego because he was from the power class. The couple lived separated and eventually died because they couldn’t be together. Only after both of them died they were burried together in one grave.

Nana and Hachi also were separated during life time by people from their surounding. The two soulmates may or may not (cause we don’t know their ending) have never met again. The art suggest that they met again in one grave.

[wardingshout]

revstar tegakis

[todaysbird]

forever mourning the NC zoo’s aviary….RIP…you were where i learned birds were what made my world go round

[toasty-owl-arts]

its finals week at uni and i have lost control of my life

[upathosarts]

splat

[lotus-pear]

would nana and nana’s ship name be nana 🤨

[jnwonwoos]

he is simply dazzling

[anawkwardlady]

Okay I've been trying to write this for more than a week but frustratingly wasn't able to properly line my thought. Recently thought about Kyrie's violent assassination of Jessica during Ep7's Tea Party. And while theres some plausible practical explanation of why she proceeded that way (on top of all those traits that could be purposefully exaggerated) I always thought her sudden blood lust at that point felt a bit odd. I re-read the scene.

And I think it retroactively says a lot. Now I kinda want to go back to Rudolf in relationship to sexuality, women and by extension what it means for the people around him. Rudolf didn't have a lot of ways to establish a place, as a third in rank who was abused and mistreated by his older and more powerful siblings. Women thus became Rudolf's wealth, status symbol and means of control. Starting with using seduction towards the younger servants to isolate his little sister so she had no allies in the household, making himself a desirable option as a charismatic man bragging about money to have women fight over him during college and finally ending with the best of both worlds, marrying a kind and submissive woman (epitome of The Wife) while keeping the more exotic option on the side as a mistress (basically his Whore). Both being kept on their toes knowing losing him would also mean losing a life opportunity especially once pregnant. Rudolf made efforts and sacrifices to make each one of them stay at their assigned place which finally lead to the baby switching. And everything would have ran smoothly if not for Asumu's death, upgrading Kyrie from her mistress place to wife.

Rudolf's "attraction" towards Natsuhi is interesting. Whether it's played as jokes or comments about her looks it does seem trivial enough to never have triggered outward hostility from Kyrie since she is not an actual threatening woman. She however represents the wife fantasy by her seemingly pure and naive demeanor and motherly side, qualities that also drew him towards Asumu in the first place (and we know Natsuhi is more complicated than that and so was Asumu, probably it's more about the idea) and was lost after her death. He can't seduce her (she is maybe more disgusted by his ways than anything), She is also paradoxically not the best woman to go after by societal standards (being older, already having a kid). Finally she is married to a man who's superior to him (through hierarchy and physical strength), making her a prized possession by extension. During Episode's 8 Bern's game Rudolf finds sadistic pleasure of murdering Natsuhi in ways similar to sexual assault (putting the pen of the gun down her throat) which could be speculated as a way to get revenge on Krauss by defiling his wife and getting to have his way with a woman he cannot, and could never have at the same time. She is unreachable which is itself the appeal.

Meanwhile, Kyrie only reached the position of the wife because the first option died and she now has to spend the rest of her life making sure that place isn't stolen. Throughout the conference Kyrie actively performs a less assertive version of herself to fit that very wife image. One could fear any sign of fondness from Rudolf towards Natsuhi's character could trigger Kyrie past insecurities as it would betray a yearning for what Asumu was, what is still lacking within her. Especially since, by the time of Ep7's tea party, she is aware of the baby switching and by extension, of Rudolf purposeful sabotage to avoid having to marry her. It's hard for Kyrie to adapt to Rudolf's ideals because they're ultimately contradictory (seeking her because she is "different", ruthless, less conventional, yearning for a more quiet, meek woman who wouldn't challenge him).

Although Natsuhi is, as a person, inoffensive to her, Kyrie's initial mistake with Asumu (which haunts her to this day) was letting a woman she thought was inoffensive take her place by being exactly that. (I'll also note that Rudolf comments towards Natsuhi are often said in front of Kyrie which is interesting to say the least).

And at the same time Natsuhi is also a reminder of the position Kyrie would be stuck in if she wasn't able to escape her family to marry Rudolf. Theres probably some turmoil there. She never seemed hostile to Natsuhi because of all those reasons and I think it's probably because nothing is actively taking place, nothing is about her as a person. But even if, things to keep in mind is that, Kyrie performs a lot, extremely well and she has absolutely no angle or justification to be confrontational during the conferences. Basically if she actually beared resentment, theres a chance we would never know.

Then what about Jessica. Jessica previously being praised by Rudolf for looking like Natsuhi in something that seemed like a passing comment getting violently assaulted to the point of being disfigured. Kyrie even throwing in a comment about being used to smashing women faces, something that was certainly aimed at romantic rivals. I don't think Rudolf actually ever showed interest towards Jessica in that way and by extension I don't think Kyrie considered her to be a romantic or sexual rival as a person. At the time Kyrie confronts her Natsuhi already died rather quickly (and anticlimactically). Jessica is her mother's good looks though younger but with those less conventional attractive qualities, who fought back when attacked thus literally standing between Kyrie and her escape, metaphorically embodying the ultimate rival. Close enough to be a reminder, far enough to actually oppose threat. Disfiguring as catharsis and as symbolic rage against what she represents, "A waste a of a good Natsuhi-esque woman" with all that it entails.

[bread-wizards]

I think a lot of the meta about Orym forgets that Orym isn't just an adventurer, he is a former bodyguard. His self worth is tied up in how well he can protect people and especially his loved ones. Thats why he sold his future to a hag, because its all he had left to give in order to be able to help.

Thats also why he seems so angry after FCG's death.

Otohan has killed his husband and father. Then him. Then he is brought back and told she also killed Fearne and Laudna. She killed Eshteross. She almost kills Keyleth. Now FCG has to sacrifice himself to save them all and kill Otohan and Orym was knocked out for it.

His job is to protect people and even with the added power from Nana Morri, it's still not enough. 6 years later and his loved ones are still dying and he can do nothing but watch.

[currynatto]

farmer nana designs for spring/winter!!!!!

[shih-coulda-had-it]

B3 Nana

this isn't really in the spirit of halloween, but i'm about to reblog some of pocketramblr's dc au for bnha, and the thought of nana as wonder woman made me aasldfkaskdfkjsadlf

[big-moon-little-moon]

I would really love to see Liam in the next 4-sided dive episode because 1. it's been a while (🎶) and 2. he's been giving us some real good dorym bits after orym has been focusing on *bigger* stuff and didn't talk about (didn't let himself think about?) dorian for quite some time. First orym's confession during the honesty trial and now they realize sending is working and his first thought is "I can call Dorian". Not "we could contact the tempest", not "we can get more people here and prepare a full mission" - no, he will get to those but right now he can call dorian, he can maybe hear back from him he could tell him- he can call dorian. So he does! He tells him to find the Tempest and if he does they could all see him again and then that freaking pause in the last sentence. The emotional damage of that pause, i swear to gods. "If I don't get the chance again..." he could tell him. He wants to tell him. Is it fair to tell him through the stone? Should he feel like this? Sometimes he thinks that's okay and sometimes he thinks it isn't. "...I've really missed you."

And why didn't he answer?

Soldier orym has been in the driving seat at least since bor'dor but the blue bard is still on this halfling's mind and when he is - watch just how fast romantic orym can take over.

[bloodraven55]

nana with every single romantic couple in any script she writes:

[lnmei]

NANA 🎸🎤 🎶

[xcziel]

just put this out on the shelf today! thought some of you might be interested

from the Simon & Schuster page

"Nana Visitor, Star Trek: Deep Space Nine’s Kira Nerys, explores how the series has portrayed and influenced women. Interviews—with the stars, writers, producers, and audience members from all walks of life, including a politician and an astronaut—highlight the struggles and triumphs of women both behind and in front of the camera throughout the sixty-year history of Star Trek, and how they have mirrored the experiences of women everywhere.

The groundbreaking casting of Nichelle Nichols as Lt. Uhura in 1966 was a paradigm shift for women and people of color. Pioneering is no picnic, and she planned to leave the show until none other than the Reverend Martin Luther King, Jr. contextualized her appearance in people’s living rooms across America as a way for people of color to know they were indeed an important part of the future.

Since then, each Star Trek show has both reflected the values of its time and imagined a future of equality. In her first book, Open a Channel: A Woman’s Trek, Nana Visitor sets out to discover both how Star Trek led the way for women, and how each show was trapped in its own era.

For Visitor, this is more than a book about Star Trek. It’s also about how society and the stories we tell have evolved in the last sixty years, and how the role of women has changed in that time."

[heartorbit]

i think they would get along