#namely. is there someone out there who this nitpick applies to

[cherryberg]

how do you have so many ocs its incredible to me

start with anything. a concept you like, a question to be answered, a name. garner inspiration everywhere. make whatever you want forever <3

[darcymariaphoster]

Hahaha, who posts things on time anymore anyway, right? @sunorweek2023

PT1: Taking Care of Iceland

[Collab (Britpicked and nitpicked (affectionate)) with @pvffinsdaisies]

NAMES:

Aksel: Norway

Ari: Iceland

Björn: Sweden

Mathias: Denmark

Aksel taps the tabletop absentmindedly as he watches his little brother play with his toys in the family room. Several papers are strewn about on the table; he's flipped through each of them at least three times already. The interviews are done, and he knows which ones Ari liked best, based on how they interacted. He, of course, wants to find someone who will be able to properly look after Ari, but also someone that his little brother approves of. He rests his elbow on the table and his chin in his hand as he watches Ari for a moment longer. “Hey, Ari, do you think I could pull you away for a moment? I have a question.” 

Ari pauses in his game, giving him his best annoyed glare as he puts down his toys. He toddles over to the table, gripping the edge of the table and peering over it. “Yes?”

“I need you to help me pick someone to help me with you,” Aksel tells him, pushing the chair at the end of the table out so Ari can climb into it. He watches him with some fondness, a bit regretful that he has to task someone to help him raise his brother at all. He wishes he could afford to stay home more, or all the time for that matter. When he’d been tasked with being Ari’s guardian, he’d been more than a little overwhelmed and concerned. How was he supposed to handle this? For the first few months, he’d been able to keep Ari in daycare and take a cut in his hours at work to accommodate. But that period is over. His bills are adding up, and he needs help at this point. As Ari gets settled, Aksel pushes a couple of pictures towards him. “They were nice, weren’t they?”

“Yeah, that one told some fun stories,” he answers, pointing to one of the pictures. He smiles a bit and launches into a story of his own that has Aksel smiling a bit as he listens, nodding a bit here and there. “But there was the man, who told better stories. He was nicest.” That is exactly what Aksel had expected. He hands Ari the picture of one Björn Olssen, a rather stoic man at first sight, but who had proven to be rather gentle where Ari was concerned. “That one!” Ari cries enthusiastically, snatching the picture and beaming at Aksel. “He told me a story about trolls! Just like you used to tell me!” When he’d had time. His smile falters slightly, but he listens to Ari prattle on and he’s also made up his mind. He’ll have to call Björn tomorrow and tell him he has the job. 

~~

“Guys actually apply to positions like that?” Mathias asks as he accepts his coffee and pastry. Coffee and pastry, it was his and Aksel’s morning bad habit before work. “I mean, like, I’m glad you got it figured out and everything, I guess.”

“Just because you wouldn’t want to do the job.” Aksel rolls his eyes as he collects his coffee as well. “He was really kind, and knowledgeable. Asked the right questions, just like the other candidates -- you know, medications and if he's allergic to anything, likes, and dislikes. And he told Ari some fun stories that he really enjoyed.” He sips at his coffee thoughtfully. “He wasn’t the one I thought I’d pick, I’ll give you that much.”

Mathias snorts as they start the walk to work. It’s not a very long walk; just a couple of streets away. Aksel usually justifies it as his daily exercise. “I guess as long as he gets the job done and Ari gets on with him, I’ll hold my tongue.”

“No, you won’t,” Aksel retorts, because he knows his friend better than anyone. They'd been friends since they were kids. 

"You're right, I won't." Mathias grins at him. "You picked him 'cause he's hot, didn't you?" 

Aksel gives him a rather withering look. "No, I picked him because he's responsible and Ari likes him. That's all I need." Mathias doesn't look convinced but shrugs and changes the subject.

~~

Aksel is being spoiled, and he knows it. But like hell he’s going to cave and admit defeat. It's been a couple of months now. Björn has been keeping the house in order, and now he's taken to coming early and starting coffee. He usually arrives about forty-five minutes before Aksel has to leave for work, immediately gets the coffee going, and then takes breakfast demands from a rather sleepy Ari who doesn’t want to miss out on anything but will definitely crash later. 

“You don’t have to go through the trouble of making coffee or getting dinner ready, you know,” Aksel tells Björn as he pours himself a cup of coffee. But he doesn’t really want Björn to take him seriously and stop, either.

Björn shrugs, a hint of a smile on his lips. “I don’t mind. You’re the head of house, and when the head of house is happy, the rest of the house is happy. Or something like that.” 

He’s the sole guardian of a single child with no one else in the house, but the implications of his statement still make Aksel smile. “Careful, or I might get used to it.” He’s already used to it. Sometimes he forgets he’s paying Björn to be here, because Björn is slowly becoming a permanent fissure in the house. The amount of stuff that Aksel has to do on his days off is dropping drastically because Björn is keeping up on it all -- he takes to doing quick clean ups of the house when Ari is napping, apparently, and gets dinner ready every night. 

Now he’s getting coffee in the morning and an almost uninterrupted morning to get ready for work. Plus, a really good conversationalist. Aksel hadn’t expected that when he’d hired Björn. He’d been soft-spoken the first time they’d met, and he’d sort of been surprised that Ari liked him at all. But then again, Aksel and Ari are very similar in that loud and demanding personalities aren’t all that easy to be around constantly. 

“What makes you think that I wouldn’t want you to?” Björn asks with a note of playfulness. Before Aksel can respond, Ari wanders into the kitchen and reaches for Aksel while demanding breakfast from Björn. Aksel’s heart thuds rather loudly in his ears as he peeks at Björn, who is very seriously listening to Ari’s requests. 

Damn.

~~

Aksel had never set out to be involved with Björn. In fact, quite the opposite. Who gets involved with a babysitter unless they’re looking for trouble, anyway? It’s just…Björn spends so much time at his home, and he’s honestly good company. He’s tried to up Björn’s pay, to compensate for the time he spends not taking care of Ari, but he took it almost as an insult the first time he brought it up and he hasn’t tried again. And, honestly, who is he to argue with him when he’s got a dinner date almost every night. 

It’s a cool summer evening when he realises just how in it he is. Björn has Ari outside when he comes home from work, letting his little brother run off any excess energy from the day. He leans against the doorframe and watches them for a bit. Part of him is a little jealous. All this time that he feels should be his rightfully with Ari and Björn has it all instead. He knows, logically, that he’s doing what’s best for Ari in the end, but it doesn’t always make the decision easy. The other part of him, however, doesn’t mind. He gets to spend extra time with Björn. 

“Are you going to come out or haunt the doorway?” Björn teases, looking over his shoulder at him. Aksel smiles slightly as he closes the door behind him and steps out, sitting down in the grass beside Björn. “Long day at work?”

“Every day is,” Aksel replies, crossing his legs and picking at the grass. “It just makes coming home nicer.” It’s quiet between them for a moment before Ari comes over and occupies several minutes of their time, telling quite the stories that they both nod to. 

When he takes off again, Björn says, “I was wondering… Maybe one of these nights, I could stay a little later than usual, and we could watch a movie or something?” 

Aksel glances up at him, barely even daring to smile. “I think I’d really like that.” A lot, if he’s honest. It’s not like their developing relationship is new, per se, but he really likes the idea of a proper date. “But you have to call it what it is. If it’s what I think it is.”

“A date?” The corners of Björn’s lips curl upwards a bit. ��I’d like it to be.” He reaches over, rather subtly, and takes Aksel’s hand. 

With the tips of his ears bright red, Aksel intertwines their fingers and nods shortly. “A date, then.”

[essayofthoughts]

Which version (i.e the comics, cartoon, original campaign art, other fanart, etc.) of Percy and Vex do you typically visualize when you write your stories? Is that version of them your favorite?

This is probably gonna sound kind of arrogant but for the most part, none of them? Like, certain things have influences on how I tend to envision the characters but I'm not a terribly visual thinker or writer; if you look at my fics you'll note I tend to dwell much more in emotion and tactile senses than I do visual. It's kind of why I envy people like my dear friend @cosmonauthill or the excellent @exhaustedwerewolf - both have this fantastic knack for creating a single striking visual that helps you build out a scene or a character in your mind from that.

Like. At the end of the day there's only one art piece that I tend to really look to as a visual guide for any of the characters and that would be This Fantastic Piece of Percy and Orthax from the lovely @agarthanguide, and that's more to do with the artistic style of the piece (which. I just love) and the fact Hannah is a dear friend who's art I've enjoyed for a long time, meaning I'm biased towards her art anyway.

As it is, I don't particularly care for the animated series - I find the designs too simplified to the point that they're boring to me, and I'm someone who likes the animated shows I watch to have a clear style; to me the animated series looks altogether too much like many other shows.

The comics are fine, I guess, but they don't really stick out much to me, and I have nitpicks about a few things in the fanart of others - namely that a lot of people draw half-elves' ears like they're full elves. If they're half elves, then elven ears would be like those of the World of "we have an ear fetish" Warcraft elves and I find those kinds of ears just to just... beggar belief. I need a bit of verisimilitude and the ear size/prominence is a nitpick for me.

I certainly take cues from some art. I used a mixture of the comics art and the group picture done by AnenomeTea to judge the height differences of Vox Machina, which, yes, I did sit down and do, I'm like that, and I love @crithaus' golden freckles idea for Vex, I like the sheer ludicrousness of Vex's hair in @alienfirst's art, and I like how long and awkward Percy's face is in the comics, but I also like the art of @2impostors which always makes him look like his nose has been broken at least once (a headcanon I share) and I also like just how young he looks in the original stream portraits with that round face. It really brings home that he was only a teen when he went through so much. That's another reason I really like alienfirst's art as well, because they similarly give Percy a rounded, young looking face - though I personally tend more towards how Hannah - agarthanguide - draws Percy's hair than anyone else.

And that's before we get to specific AUs of mine - Percy's differently weathered and worn in Delia AU and Ripley's Assistant because he wasn't physically tortured; in Ghost Cass he's much better rested and doesn't look so sleepless, and of course for Tiefling AU, I lean very much towards the lovely art @blorbologist did.

So... yeah. What visuals I do have are very much a mishmash of personal opinion and specific AU, and while I might take cues from this and that it doesn't really create a single coherent image so much as a few specific details I can then write in for people to apply to their own image of Percy. Hope this answers your question!

[cryptidorchid]

I'm thinking about why there was so much nitpicking about rules in Secret Life.

I wonder if the reason people were bothered by rules breaking or being applied inconsistently was because there were now punishments attached.

like the main and most important rule of Third Life was that only red names can kill people outside of self-defense. and that rule got broken all the time! so it seems a little odd that people suddenly had an issue with rule breaking in Secret Life. but in Third Life, there was no consequence to breaking the red life rule. if someone did break the rules, what do you expect to be done about it? you've kind of just gotta accept that those were guidelines, not hard rules.

but in Secret Life, the consequences for breaking the rules were laid out from the start. so if someone breaks the rules, you expect them to face the consequences that were promised. and when they don't, you feel betrayed or like you've been lied to.

like I personally wasn't too bothered when someone succeeded a task that I thought they should have failed. but back in Last Life, when Scott failed the boogeyman curse, if he had not gone to red, I probably would have been mad about it. and I feel like that a pretty equivalent situation: a person gets a task that they must complete and if they fail, there is a clear punishment laid out. when Scott failed, I wasn't like "well, what can you do?", I was like "okay, now turn him red".

and I assume that was the feeling a lot of people who were bothered by the tasks in Secret Life had, when they thought someone had failed.

[quicksilverownsmysoul]

Can I please request headcanons of Peter (in witness protection because I'm in denial) getting to Westview and meeting reader who lives there? I'd love some smut but some good ol' fluff and angst are good too 🥰 happy 300 followers!

Thank you! I’m totally in denial too I’m like nitpicking the series now trying to find evidence that Ralph is Peter 😂 (he so totally is btw). Also last request from my 300 celebration!! I’ll post a Masterlist of them all soon!

Peter in Witness Protection

- The last thing Peter wanted to do was leave the mansion. But Xavier told him there was a threat to the X-Men and all current members needed to go into witness protection for their own safety.

- He watched as each of his friends got sent to a different realities for the time being. When it was his turn they sent him to a place called Westview. It was supposed to keep him safe.

- One little problem, the minute he stepped into Westview he forgot who he was

- It was like there was this force that made him follow this pre written script. His name was now Pietro and apparently he had a sister. At first he tried to fight the script but whatever the force was was too strong.

- So he gave in and followed along with the script, and after a while started to “enjoy” life in Westview. He loved his nephews and causing Wanda stress.

- There were times where he’d get a flicker of his old self but then it passed and he couldn’t remember it at all.

- One day was babysitting the twins when there was a knock on the door. He sped over to answer it and he felt his heart flutter. There was someone very pretty on the other side.

- You have him a smile and introduced yourself. You were a Mary Kay associate, you started to tell him about the products you offered and he nodded along mouth hanging open.

- About halfway through your speech realized he wasn’t paying attention.

- You pulled out a tube of lipstick and showed it to him with a bright smile. “And this lipstick is the exact same color as the blood of the man I killed yesterday.”

-“Uh-huh.” Peter muttered, smiling as he scanned you up and down

- You excused yourself to leave but Peter stopped you.

- “Wait I’ll buy whatever you’re selling!” Peter shouted out stopping you in your tracks. You turned to face him with a puzzled look.

- “You’ll buy some?”

- “Hell yeah. As soon as you tell me what it is you’re selling.”

- Your roll your eyes at him. “It’s makeup.”

-“oh.”

-“I’ll get going-“

- “No I’ll buy it.” Peter said. He leaned against the doorframe smirking at you. “You know I’m in a band.”

- “Is that so?” You responded a playful smile on your lips.

-“Mhmm, and I think your makeup would be just the things to make me look even more badass on stage.”

- You come in greeting the boys as Peter leads you over to the couch. You sit him down and start to take out your makeup. The twins come over to see what you are doing.

- You take out your eye shadow palette and apply it gently, explaining to him what color it is and how to apply it in the future.

- He asks you questions as your work, asking you why you’re selling make up, you tell him you took it as a side job to help pay for college.

- The entire time Peter’s heart is beating out of his chest and he’s pretty sure his whole face is red.

- You finish and pull back brushing his hair out of his eyes and tucking it behind his ear. He blushs at the action.

- You get the mirror out of your bag to show him. He loves it and is boasting about it to the twins. They tell him looks cool and beg for you to do their makeup too.

- You put matching eye shadow on the twins and they are overjoyed. Peter runs to get his Polaroid and takes a picture of the three of them. He also takes one with you in it, the boys insisted

- He’s pays for the makeup and you began to pack up to leave. The boys are tugging on his shirt and whispering to him. He pushes them away and they run off giggling.

- He turns to face you and asks you if maybe you’d like to go out sometime. You smile and agree, Peter walks you to the door.

- As he watches you as you leave a huge smile is still on his face. Maybe living in Westview isn’t so bad after all.

Kinda want to write a full fic about this

Taglist: @chiswritingandreadingcorner @enemy-of-wonkru @xxspqcebunsxx @coffeeandteaintheevening @kitwalkerangel @xmaximoffic @livingmybestfictionallife @evanmybeloved @kaismessiahbb @bugboy-and-icegirl

[olderthannetfic]

Im the "spanish n word" anon sorry for calling it that 😭 i literally got harassed one time and told its as bad as the slur one and i didnt know how to say it hope you did have a good laugh at my expense though 😂

--

Lololol. Whomever said that was a fool.

Even in English, there are nuances. 'Negro' (in English) is dated, but it has been a preferred neutral term by some black people at some time. If someone asked me what UNCF's acronym stands for, I could tell them without feeling like I was violating some massive taboo, though like Wikipedia says, they've downplayed that part of their name in recent years. (However, going out of one's way to use this word as a white person is like those asshats who insist on using 'niggardly' because "tee hee, it isn't a slur, I'm allowed!" We all know they're just trying to be assholes.)

As a white person, I'm not going to say the one that ends in 'a', but I often hear people self-applying it, and the arguments over whether that's valid reclaiming or harming the community are none of my business.

The one that ends in 'r' makes me flinch.

When people say "the n word", they generally mean the last of those. That's the one that's a taboo, beyond-the-pale slur in English. The other two are more complex cases even if all of them derive from the same thing. Saying they're all exactly equivalent in English is nonsense even before we get to the stupidity of expecting Spanish to behave like English.

It sounds like the harassers were reaching. They wanted the moral high ground and went looking for something to nitpick.

There are only about ten billion debates about exactly how the -a version and the -er version differ, but here are some videos of people discussing it for The N-Word Project. Warning for... uh... a bunch of people talking about slurs, including some kkk assholes.

[bimbinis]

I remember seeing this post circulating about a year ago or so and I'm surprised it's making the rounds again because back then I smelled bullshit and when I checked the notes I saw multiple people pointing out the exact kind of bullshit it was. the irony is that in order to substantially disagree with the article you have to be the kind of person who bothers reading articles people link on tumblr. if you do so while also applying some scrutiny you'll notice that it's pure and simple boomer circlejerking. the majority of it is Hari giving a negative Yelp review on his own vacation experience interspersed with paragraphs of him (allegedly, we'll get to that) citing scientists and academics that seem like they are echoing the same sentiment but are really just saying unrelated things. To start with the quote highlighted

as someone else already said in the replies, it's already concerning from the get go to operate under the assumption of the existence of a "normal brain" as a thing that means anything, but the concentration time estimates are also meaningless without anything to compare to from before whatever it is that Hari is estimating to be the "point of collapse". You can't draw an unfavorable comparison without having anything to compare to!

but beyond that, this one paragraph is the one time one his quotes actually constructs the problem as some type of measurable change to the brain (and even then the actual numbers he presented don't even show any kind of change at all because we have nothing to compare them to). every following expert he's supposedly quoting is simply discussing how concentration works and what might get in the way of it. one of them argues that multitasking isn't actually real and that what we're actually doing is changing focus really fast, which makes our performance at all tasks we're trying to perform in the moment that require concentration suffer.

but it cannot be extrapolated from these quotes that this is a long lasting change to the brain itself. the tests that are mentioned in this section are measuring attention applied to a single current task.

the following scientist is just describing how focusing works.

for the rest of the article he just talks about how the evidence seems to point towards the factors making it harder to concentrate being systemic conditions: workers are not being allowed to fully disconnect from work because we're accessible at all time from our phones, we undersleep, are constantly stressed, etc. and that all negatively affects capacity for concentration. this is all pretty uncontroversial, however its clear that the entire thesis of this article is hinging on the idea presented early on that this is a problem that profoundly altered your brain in a measurable, physiological way, which once again, has not been meaningfully substantiated!

this may seem like a nitpick because a lot of the rest of what's said (how attention span works, how it's bad that our bosses increasingly encroach on our free time, that we're stressed and tired and need a fucking break etc etc) is pretty uncontroversial and agreeable. dare I say, to the point that it doesn't even need to be said, perhaps.

which is where the problem lies to me. if it's an article that just says "you can't afford to focus on things that would take more work and be more fulfilling to you because the way the world is structured demands your constant attention for bullshit you don't care about" that would probably be more of a manifesto (probably one much more explicit about the names of the systems that cause this state of affairs, too, like the one about literacy going around a few days ago) and much less of a "scientific" article that also gets to promote your shitty book. it would have much less of the sense of urgency Hari is trying to invoke by gesturing in the direction of the brain thing because for some reason people are much more easily alarmed by the idea their brain is secretly being tampered with than the idea that their lives already suck and they can already tell, and we should do something about it, despite the fact that the article depends on you basically already believing all this in order to agree with it and not scrutinize it very deeply. that fabricated sense of urgency is what enables him to go

and this should ring like 1000 alarm bells to everyone because any time anyone writing a "science article" goes "some scientists say this, others say that, who's to say what's true or not? (but here's why you should definitely treat this side as the right one)" without elaborating on what really is the disparity between these two sides that are seemingly on equal footing, its probably because they're trying to deceive you. in fact the particular invocation of alarm to justify "acting without perfect evidence" reminds me of how the MMR vaccine scare was constructed in the same way (luckily Hari is just trying to sell you his shitty book and his proposed solutions are also quite benign, hopefully it doesn't segue into him asking for needless invasive procedures to be performed on children just to prove his theory or anything).

and keep in mind who it is that is trying to sell you said book bc this is what his wikipedia page looks like

and if you go in that last section here's what it says about the book in question

which is what I meant when I said he allegedly quotes the academics he mentions.

it's clear that this article continues to get spread around despite the fact that it doesn't say anything of substance because people already believe what's in it. it's probably not a very big deal, as I said the article is mostly not even wrong, just kinda trash, but there is something supremely ironic about people reinforcing their preexisting beliefs about shrinking attention spans by using an article they must not have read or paid much close attention to cuz if they did they probably would have been turned off by the sheer amount of privileged whining that his expensive vacation was ruined bc his godson watches too much porn

Your attention didn’t collapse. It was stolen by Johann Hari

[todomitoukei]

English vs. Japanese Shouto - A 298 Comparison

Welcome back to another comparison between the Japanese version and the official English translation. This chapter has caused a lot of confusion as soon as the spoilers came out, particularly in regards to the last line in Shouto’s monologue. Does he want to kill Dabi? Is he going to fight him?

Aside from the confusion, this chapter is important for both Shouto’s character, as well as his and Dabi’s storyline, moving forward.

The scene starts with a panel of Shouto in his hospital bed, surrounded by his classmates who by now are also aware of the situation. As we find out at the end of the chapter, Shouto’s throat is burned, so he currently can’t talk. Regardless, he has a lot to say or rather a lot to reflect on, starting with an obvious fact:

“His flames are stronger than dad’s.”

An obvious fact and a simple sentence. But what about the original?

「あいつの炎は親父よりも強かった。」

「あいつ ; aitsu 」-> he; that guy

「の ; no 」-> possessive particle; similar to an apostrophe

「炎 ; honou 」-> flame

「は ; ha 」-> topic marker particle

「親父 ; oyaji 」-> dad

「よりも ; yori mo 」-> in comparison to; more than

「強かった ; tsuyokatta 」-> was strong

= “His flames were stronger than dad’s.”

The difference here is the tense. While the original text has Shouto say that the flames “were” stronger, the English translation has him say they “are” stronger. It’s not really an important difference, but I think the past tense was him reflecting on the one fact he knew about Touya before all this. The first time we, the readers, heard about Touya in chapter 202 -

was during Shouto’s early training days, where Endeavor brought up Touya and the fact that “his fire was greater” - so this is a fact Shouto was raised with, someone he was essentially compared to. Touya set the bar high, but Endeavor expected Shouto to raise the bar even higher.

“I couldn’t win with firepower alone. So strong… Those flames full of hate.”

While Shouto had so far only been told about Touya’s strength, this is the first time he got to actually experience this himself. Now, Touya’s flames being stronger isn’t just something Endeavor said, but something Shouto knows.

「火力で勝てなかった強い。。。憎しみの炎だった。」

「火力 ; karyoku」-> firepower

「で ; de 」-> with

「勝てなかった ; katenakatta 」-> couldn’t win

「強い ; tsuyoi 」-> strong

「憎しみ ; nikushimi 」-> hatred

「の ; no 」-> possessive particle; similar to an apostrophe

「炎 ; honou 」-> flame

「だった ; datta 」-> was

= “I couldn’t win with firepower. Strong… it was a flame of strong hatred.”

Again, not a big difference, especially since the English translation made sure to split the text the same way as the original, but tsuyoi (strong) is an adjective that attaches to the noun, nikushimi (hatred). Sure, his flames are strong, but more importantly, his hatred is strong and that is the bigger problem here.

Not only does Dabi have a stronger flame, but his hatred grants him even more power as he’s not held back by any rational thought or feeling. Like a forest fire, you can’t just extinguish it. Instead, it keeps spreading and growing larger and larger.

“And he’s… been watching us all this time.”

Next, we get the flashback to the first time Shouto met Dabi back in the summer arc. Maybe Dabi’s “How sad, poor little Shouto Todoroki” didn’t mean that much to Shouto - who might have just assumed that Dabi knew his name from the sports festival - but now he understands that this had been planned for a long time. Touya “died” around ten years ago and during all that time, Dabi had been thinking about this moment. 

「あいつはずっと見てたんだ。」

「あいつ ; aitsu 」-> he; that guy

「は ; ha 」-> topic marker particle

「ずっと ; zutto 」-> continuously; the whole time

「見てた ; miteta 」-> was watching

「んだ ; nda 」-> explanatory particle

= “He was watching the whole time.”

Again, not much of a difference except for the tense. Another thing that this is implying is that Dabi is incredibly patient. Instead of just being filled with rage and letting it out all, he waited in the shadows for years, even when being so close to Shouto he chose to keep his composure, even though he could’ve just killed him right then and there if he had wanted to.

Something that got lost in translation is the nuance of the nda at the end of the sentence, which can have multiple meanings. Here, it expresses reason and discovery, as Shouto understands his first encounter with Dabi now. Sort of like saying “Oh, so that’s why he knew my name. That’s what he has been up to the entire time.”

“All… to bring down dad. Wrecking his own body along the way… and not giving a damn whose lives get ruined in the process.”

「親父を貶めるためだけにその身を滅ぼしながらあらゆる人の人生を巻き込んで。」

「親父 ; oyaji 」-> dad

「を ; o 」-> direct object marker

「貶める ; otoshimeru 」-> to look down upon; to cause to fall

「ため ; tame 」-> purpose 

「だけに ; dake ni 」-> being the case; precisely 

「その ; sono 」-> that

「身 ; mi 」-> body; oneself

「を ; o 」-> direct object marker

「滅ぼしながら ; horoboshi nagara 」-> while destroying

「あらゆる人 ; ara yuru hito 」-> all kinds of people

「の ; no 」-> possessive particle; similar to an apostrophe

「人生 ; jinsei 」-> human life

「を ; o 」-> direct object marker

「巻き込んで ; makikonde 」-> involving; dragging into

= “For the purpose of causing dad’s downfall, he destroyed his body at the same time and dragged other lives into it.”

I find the additional “not giving a damn” in the official translation interesting (= I hate it)… since he literally doesn’t say that, but sure let’s just add this to make it seem like Shouto is judging Dabi here when he is not doing that at all. This is merely an observation, stating the fact that his older brother’s mind was so clouded by hatred that he involved other people’s lives in their family business. This isn’t to say that Shouto doesn’t see this as wrong, but it’s not the point and not something he is focusing on. He’s connecting the dots, making sense of the situation, and understanding the reasons that led to Dabi’s crimes rather than just stating the obvious of “this is wrong.”

On to one of my favorite lines this chapter: “He’s basically... me.”

「あいつは俺だ。」

「あいつ ; aitsu 」-> he; that guy

「は ; ha 」-> topic marker particle

「俺 ; ore 」-> I

「だ ; da 」-> be

= “That guy is me.”

So, I’m not sure why the “basically” was added in the official English translation since Shouto doesn’t say it like that. He just says “Touya = me.” It’s a fact. Obviously, Shouto isn’t actually Touya, but the “basically” isn’t needed unless you suddenly think that maybe Shouto hass two separate bodies at once somehow. This might be nitpicking, and there have definitely been bigger changes before, but to me the “basically” distances the two, even though the sentence is supposed to show that they are the same. Yes, one is on the hero side and the other on the villain side. Of course there are differences. But again, it’s not about the crimes Dabi has committed or how these two brothers differ. It’s about what’s going on in their minds, what feelings control their every action. They come from the same place, physically and mentally. The way they reacted to their pain is the same, with the big difference being what Shouto points out next:

“I was also burning with rage… up until that day.”

That day, as the panel shows, being the sports festival, the day Shouto began to see clearly. But Dabi didn’t have a moment like that (yet) and so he continues going down that path, while Shouto managed to leave that mindset.

「あの日までの俺がこの身を焼いたんだ。」

「あの ; ano 」-> that

「日 ; hi 」-> day

「まで ; made 」-> until

「の ; no 」-> nominalizes the preceding phrase

「俺 ; ore 」-> I

「が ; ga 」-> subject marker particle

「この ; kono 」-> this

「身 ; mi 」-> body; oneself

「を ; o 」-> direct object marker

「焼いた ; yaita 」-> was burning

「んだ ; nda 」-> explanatory particle

= “Until that day, I burned this body.”

As mentioned earlier, the nda is an explanatory particle. Here, it again expresses discovery. Shouto draws a conclusion here: Just like he used to burn his body, Dabi is still doing the same to his.

Again, his focus is not on Dabi, the villain, but Touya, his older brother, and someone just like Shouto. While other people might just see a mentally unstable criminal, Shouto sees how self-destructive Dabi is. And because Shouto hadn’t realized how clouded his mind was, he understands that Dabi most likely doesn’t quite realize this either. Dabi ignores his own pain, all in order to destroy Endeavor. A cry for help that others aren’t capable of comprehending.

“Dad can’t do it…”

「��父じゃやれねェ。。。」

「親父 ; oyaji 」-> dad

「じゃ ; jya 」-> casual particle

「やれ ねェ ; yarenee 」-> can’t do

= “Dad can’t do it.”

[EDIT because this part originally had a different explanation: As pointed out by this anon here, the jya in this case is a casual particle to mark the topic/subject, and the nee part is the casual form of nai, which negates the verb. The translation is the same but the explanation is different!]

And now, for the last line:

“I have to be the one… to handle… my brother Touya.”

Handle him…

「燈矢兄は俺がやらなきゃ。」

「燈矢 ; touya 」-> Touya

「兄 ; nii 」-> suffix for older brother

「は ; ha 」-> topic marker particle

「俺 ; ore 」-> I

「が ; ga 」-> subject marker particle

「やらなきゃ ; yaranakya 」-> must do it

= “I am the one that has to take care of Touya-Nii.”

So this is the line that caused confusion and panic, due to the yaranakya part. As you can see by the meaning of the word, similar to how “must do it” can have multiple meanings in English, the same logic applies to the Japanese word. It’s also important to note that the word here consists of the two parts yaru (to do) and nakya (must do). Nakya not only expresses that you have to do something, but, in this case, also shows determination. Shouto really has to do it and will do it. But do what exactly? Again, the problem with yaru is that its meaning depends on context, but sometimes context itself isn’t super helpful. One of the definitions of yaru is “to kill” and that might be what some people think it means here? But context tells us that this makes zero sense. Why show how much he understands his brother only to turn around and decide “well, I got help but he hasn’t so I’m just gonna have to kill him, I guess” - no.

More importantly, right before this line, he says “dad can’t do it” - what can’t he do? If we were talking about killing him, then why would Shouto be able to do it and not Endeavor? Of course, there are the... funny people who suggested that only Shouto can fight/kill his brother because unlike him, Endeavor has an emotional attachment to Dabi (I’m just not gonna comment on this). Anyway, to answer the question of what Endeavor can’t do but Shouto can, we have to look at what Shouto said before that, which is talking about him also having burned his body until the sports festival. This is the key moment where Shouto’s and Dabi’s similarities end and only because someone was reaching out to Shouto. So obviously, in order to have Dabi stop being self-destructive and fueled by hatred, someone needs to reach out to Dabi. And that’s the thing that Endeavor can’t do. After all, Endeavor is the root cause of this, which in turn brings this scene to a full circle since right before Shouto’s monologue began, we got this flashback to what Starservant said in chapter 244:

“That one is the root cause,” accompanied by a panel showing Endeavor.

For reference, here’s the Japanese counterpart:

「其奴こそが元凶じゃ！！」

「其奴 ; soyatsu 」-> that guy

「こそ ; koso 」-> for sure (emphasizes preceding word)

「が ; ga 」-> subject marker particle

「元凶 ; genkyou 」-> culprit; main source

「じゃ ; jya 」-> sentence ender often used for old people in fiction

= “That guy is definitely the main source!”

Shouto remembering this is just stating an obvious fact that he hadn’t fully understood before: Dabi’s existence is Endeavor’s fault. His actions drove Touya to become Dabi, someone whose sole purpose for existing is to destroy Endeavor. So Endeavor couldn’t possibly save him. No matter what Endeavor would say or do, it would be meaningless. But Shouto is different because Shouto was Dabi. The big obstacle Shouto has to figure out how to overcome is making his big brother understand this, too. Regardless, Shouto is the only one that can reach out to him and the only one that fully understands him.

Another important to point out with this line, and many others have already talked about this, is that Shouto now refers to Dabi as Touya-Nii, whereas on the battlefield a few days prior, Shouto only called him Touya, without the “nii”. He is now actively acknowledging that this is, in fact, his big brother. He isn’t Dabi, the villain. And he isn’t just Touya, either - some abstract idea; someone Shouto has heard of but never met or talked to (not confirmed, but likely). This is now his big bro, just like Natsuo is, and just like Fuyumi is his big sister. They’re family.

Overall, this chapter was actually pretty accurate in terms of translation; though granted, Shouto isn’t a villain so the bias isn’t there… but anyway, this marks a very important turning point in the story and gives us a rough idea of what’s in store for Shouto from here on out.

He recognizes where Dabi is coming from. He doesn’t just see him as a villain, but rather someone who has been so full of hatred - for good reasons - that he ended up dragging innocent people into this. The focus, though, is entirely on that one fact: “That guy is me.”

Shouto understands that he could have turned out the same way, he understands hurting his own body just to spite his father.

The key concern with this chapter was that Shouto said that he’s going to kill Touya. I have no idea who started this rumor, but as mentioned, there is a possible confusion regarding yaru, which has multiple meanings. But although he doesn’t explicitly say “I will save him” it’s obvious from everything else he says during this chapter. If he recognizes that they’re the same, his conclusion won’t be “I have to kill him.” Especially when taking into consideration the fact that Shouto also pointed out that he couldn’t win against Dabi with his fire. And no, that doesn’t mean he can beat him with his ice or that that’s what he intends on doing. It’s not clear what he will be doing exactly, but that is partially due to the fact that Shouto is currently not in a state where he could possibly figure out the answer, either. 

But he has a goal: saving Touya-Nii - not so much from Endeavor, but from Dabi.

Next week’s chapter will hopefully focus on the Todofam conversation about to take place and will maybe give us some more hints as to what to expect. So far, though, it’s very obvious that Shouto will try to reach out to Dabi and save him, much like he was also saved from his hatred during the sports festival. He might not have a relationship with Touya the way he has started to build one with Natsuo and Fuyumi, but they have a much deeper connection because they are the same person.

[sevenkittensinatrenchcoat]

Flaws of Cats 1998

Cats 1998 is my favorite version of the show and it’s basically designed to be the most watchable version, so it tends to be the favorite of many. But, like every production, it’s not perfect, so I’ve decided to gather a list of imperfections. Some of these are objective problems with how something was done, while others are nitpicks or entirely about personal preference.

I’ll start of with the disclaimer that I love this version, I love the cast, and I don’t think anyone did a downright bad job. Most of the Bad Stuff is less Bad and more Could Be Better.

Anyway...

The continuity editing is comically bad. *Insert teleporting Pouncival comment here*

1998 Tumblebrutus is, and I’m sorry to say this, underwhelming. He’s not bad, and Broadway-based productions give the character more to do than London-based productions like this one, leaving him at a disadvantage, but compared to Pouncival, Plato, and even George, he often feels like “the other boy”. Out of the trio of Plato, Pouncival, and Tumblebrutus, both Bryn Walters and Karl Morgan had played their roles before, while Fergus Logan had not and you can tell. He didn’t seem comfortable with the role. His voice in Jellicle Songs is much deeper than it is later on, so he was experimenting with how the character’s voice should sound between these scenes, meaning that he was probably still figuring the character out throughout filming. It’s an opening night performance, rehearsed but not quite perfected yet, and there was really no time to fix that.

That said, Fergus nails the physical part of the role. He can tumble like a Tumblebrutus should and his ballet during the Jellicle Ball is just as good as Jacob Brent’s is. According to Jacob, Fergus actually had the timing right for the dance while he was slightly off. Fergus is generally at his best here when he’s doing something he would’ve been doing as Mistoffelees on stage.

Disclaimer: Fergus Logan was not the only actor playing a character he’d never played before and these sorts of problems could apply to anyone in this situation, but this is the example I found to be the most noticeable.

Speaking of Tumblebrutus at the Jellicle Ball, the decision to give Tumblebrutus Pouncival’s track during the ball was a bit inconsistent. During the Boys Jump segment, Pouncival has his usual track, though it’s a Broadway-based version of the track. In London-based productions, Mistoffelees and Carbucketty/Pouncival usually have opposite roles in this part. Tumblebrutus comes out in what I usually see as Mungojerrie’s entrance. Then the tom kittens sort of switch out for the Boys Ballet. Having Tumblebrutus as Pouncival during the Cartwheels actually removed Tumblebrutus’ usual track in that segment. They should’ve either had Pouncival do his usual thing here, swapped the tracks completely, or had someone else, possibly Mungojerrie, cover Tumble’s track.

Exotica. They at least could’ve kept her in the ensemble consistently. Or kept a consistent character design. Or given her a better name.

Macavity’s design is too monstrous. It’s established that multiple queens, despite hating him, are attracted to him, so he should have at least a few qualities that the audience could see as attractive, in order for this to make sense. But he’s a big furball who lacks the more human face that the other cats have. He looks and acts like the monster that he is, so Demeter and Bomba’s thing for him, and him being described as “outwardly respectable” don’t quite make sense. He’s supposed to be unkempt and somewhat feral-looking, but they went too far with it.  

Lastly, this is not a flaw as much as a personal preference for something other productions have done, but this one didn’t. When it comes to the Mr. Mistoffelees number, there’s a specific version of their dynamic that best highlights Misto’s character development. Throughout the number, though Misto is the center of attention, Tugger is the instigator. When things aren’t quite working, Misto turns to him. Tugger narrates everything.

Towards the end of the number, as Misto gets to work bringing back Old Deuteronomy, he directs a few other cats on how to help him, but he never directs Tugger. He interacts with Tugger as if he’s the one in control here. This is why Tugger can’t be his assistant in the trick. But, after bringing Old Deuteronomy back, Misto has confidence and has truly come of age.

In some productions, this is when he realizes that this is his musical number and he can decide how it goes, so he whispers to Tugger how he wants the number to end. The words Tugger says at the end of the song are at least partially Misto’s suggestion. He has enough confidence and authority to take charge of the number and Tugger does what he asks. He probably would’ve done that before, but Misto lacked the sense of confidence to try. 

If you want to see a good example of this, look at the German Tent Tour.

The 1998 production has Tugger come up with the finale by himself, so the sense that Misto has come into his own as an adult isn’t quite as strong as it could be.

Also, they could’ve not removed every bit of choreography where Tugger and Misto touch. That was a bit lame of them.

[heartslogos]

the executive assistant to the batman [62]

“Don’t talk to me. Don’t look at me. Don’t even consider acting like I exist in the same room as you,” Tam says. “Of all the times for you to — seriously! Right before the big restructure of our west coast branch and redistribution of our logistics pipeline across the states?”

“Tam. I know you must be feeling very negatively right now. But it’s for the greater good. If I took real sick leave then the entire thing really will be fucked over. At least this way I have some sort of…sense of control about it. I’m not actually leaving. I’m still around. Sort of. But this way I won’t have to turn the front half of Wayne’s office into sick room. How unprofessional is that, Tam? I’ve worked too hard for this. Years of my life dedicated to turning my job into something people actually pay attention to.”

“Greater good my ass,” Tam glares at him. “Who gave you permission to get a collapsed lung? Work from home? You? Work from home? What about the rest of us who have to work here while you’re not physically present? You think we can stop the Waynes if they’re about to do something stupid? If you’re work from home they’ll act like normal. You should’ve just taken sick leave. If it’s sick leave then they’ll attempt to behave until you come back out of guilt or something.”

“Shouldn’t you be nicer to me?” Tim scowls. “I’m the one who has a collapsed lung and pneumonia.”

“Speaking of, how did you get both of those? Does the universe hate you that much? Who did you piss off? Aside from me and the rest of this company?”

“It’s not like I’m asking for it to happen! I’m not happy about this either. I’m the one who’s getting my home invaded by my job. At least you get to go home and put your phone on silent and pretend like you have a life outside of work. I’m being forced to bring my work home with me for a few weeks.” Tim directs his glare at the several boxes that some poor interns are currently packing up to be transported to his apartment.

Tim had to fight to be present for this. Thankfully someone had seen reason about the fact that Tim can’t work from home if he doesn’t have the proper materials.

It didn’t stop any of the extended Wayne family from fluttering in and out of the room like anxious bats and birds.

The only reason they’re not here right now is because Tim said he was hungry as loudly as possible, sending the assorted family members scattering to every region of Gotham to procure their own versions of what a sick and convalescing person should be eating.

Tim expects to be laden down too much take out for one person to reasonably consume in a week. He might even have a grocery delivery waiting for him at his apartment right now.

He shifts uncomfortably on the sofa, headache slowly creeping up at his temples and carving out a space for itself behind his eyes.

Tam’s expression softens, just a little. “You need to take better care of yourself before that family decides that they’ll do it for you. I don’t think you could survive the Wayne brand of tender loving care, Tim.”

“Let’s never find out,” Tim replies. “I am sorry, though. You know that, right? It shouldn’t roll down to you whenever I’m out but — well. You’re capable.”

Tam shakes her head, running a hand through her hair as she rolls her eyes towards the ceiling.

“The curses of being capable in Gotham. Suddenly everything’s your problem. How come these things never get down to Li?”

“Because Li would collapse the economy if anyone tried to make her take on more than she wants to.”

Tam rolls her eyes.

“Tam, I’m being serious.” Tim’s eyes flick towards the door. As though saying Li’s name could summon her from the austere and perfectly coordinated circus of a department she runs. Like the devil but also Clippy or an extremely judgmental Alexa.

“No, I know you are,” Tam says, “But it’s funny how you think she’d stop at collapsing the economy. Li could probably cripple governments through sheer force of disdain if she wanted to. Let’s never give her a reason or a chance to try. I don’t know where you find these people, Tim. I really don’t. Mandy’s shaping up to be a terror. I’m still trying to get her to consider applying for management positions.”

“Agreed. Mandy’s still in school though, isn’t she?”

“Didn’t stop you from shooting yourself to the top of the corporate ladder at the tender age of — what was it, sixteen?” Tam checks her phone. “Just got a text from MeiMei. She was on the second floor of the lobby and she saw one of your Wayne’s coming back with an entire armful of take out containers.”

“Was MeiMei kind enough to say which Wayne?”

“Nope. Says that their face was covered by the stack of take out and tall with black hair doesn’t rule anybody out. Especially after Damian’s growth spurt. Is that kid ever going to stop? You’ve had that kid re-fitted for suits five times this year.”

“Tell that to Damian.” Tim slowly pushes to his feet. “Alright. I think that’s everything I’ll need. Let’s get this loaded for transport. I do not want to be here with every single take out option in Gotham.”

Tim can picture it now. They’d probably try to make him pick one to eat then and there. God. And they’d probably consider it as some kind of strange contest to see which one of them he likes best. They’d hold it against him and sulk for weeks.

“I need to find a different job,” Tim groans as he and Tam quickly head towards the elevators, interns at their heels with dollies and carts loaded with banker’s boxes of documents and equipment. “Or I need to find some sucker to throw at them so they can get attached to and fight over them instead of me. Half the work of this job is appeasement.”

“The curse of being capable,” Tam repeats, “Should’ve played stupid like the rest of us. Too late now. You could fake having aphasia and they’d still go to you for everything.” Tam pauses. “Don’t try to fake an aphasia. They’d turn over the entire medical research department and create a whole new set of gone-bad doctors with with some sort of weird language theme. The Riddler might shit himself over the sudden brand incursion.”

“I don’t think the Riddler is that kind of doctor.”

“Oh, yeah, Tim? That’s the detail you want to nitpick? What kind of doctorate the Riddler may or may not have?”

[bilbobagginsomebabez]

not arguing with the post; it's correct. been trying to figure out what bothered me about it though and it's the "super fucking mad about queer acknowledged as slur" thing. because 'queer is a slur' discourse is FUCKED--that's what happens when it's started by bad faith actors (terfs). you have a lot of people yelling that queer isn't a slur because terfs popularized the idea that queer is a Special Slur that can't be used anywhere and everyone needs to be very careful about because it might Hurt Another Gay To Hear It, that queer needs to be tagged and isolated and warned about and Rarely Used. and we all know they did that because queer is the most broad and inclusive of our terms. we also all know it's bullshit because every single one of our words started as a slur.

but that nugget--that you have to be really careful about any community terms because of other peoples' individual trauma and the possibility they could have bad experiences about it--it got spread around. and now you have queers thinking that you can only freely use community terms that don't have a history of pain or oppression. which is LGBT. which can easily have the T cut off. which is what the terfs wanted.

and because all this started by trying to kill the community's use of queer, you STILL have the same LARGE group of people who are sick to DEATH of their ID getting isolated as The Bad Label You Can't Say whose hackles raise right away when you try to point at queer as a slur. and honestly! what the fuck else can we expect! for years it's been "queer is a slur don't refer to anybody as queer unless you have permission first." DUH we're all fuckin skittish. i specifically use queer because of its radical roots, i AM queer as in fuck you. and if someone starts a conversation with me about "queer is a slur" bullshit, i'm generally more ready to bite them than listen.

and like. a nitpick. queer HAS been reclaimed. seriously. the academic field for studying The Gays is "queer studies." we aren't still in the process of reclaiming queer, we're already done. we've been done for like 40 years. the idea that queer is a specifically Bad slur or needs to be specifically Recognized as a slur is ahistorical and about 10 years old. Queer Is A Slur is new (and fucking stupid) because everybody KNOWS queer is a slur! ALL OF OUR IDENTITY LABELS ARE SLURS. some of them are diagnostic terms that used to get people thrown in the sanitarium! so NO it is not about assimilation, it's not about wanting queer sold back to me on a t-shirt, it's terf bullshit we're all stuck dealing with! and it sucks!

anyway, the majority of people on THIS site are statistically likely have FAR more direct trauma over the word "gay" considering it was the insult du jour from 1995-2010 and queer hasn't been widely used since the fucking 70s when we started marching with "QUEER AS IN FUCK YOU" signs and used it as the name of our academic discipline to study ourselves which we named for ourselves.

and now I've figured it out. this post is assuming that intra-community arguments are supposed to be applied universally. "q slur" is a fucking insult to us, acting like our identity that we reclaimed 40 fucking years ago needs a Disclaimer to Protect Other Gays. like we ourselves are too radical for our own fucking community because the queers are too scary and they use a mean word. gonna go through and block every motherfucker on this post that tagged it q slur

christ i'm actually seeing people insist that dyke is not a slur now as if that's a necessary justification for wlw to be able to say it? why are people so fucking terrified of what reclamation actually means? the point isn't to make a weapon used against you so meaningless that target feels safe to sell it back to you on a shirt, it is transgressive and shocking to say "so what if i am that? i am the words that have been the last thing people have fucking heard before being bashed". don't insert yourself into a words history and then deny its weaponization, WIELD IT against your oppressors!!

[elsi-bee]

2021 Annual Writing Self-Evaluation

Thank you for tagging me @absoloutenonsense ! So happy to have gotten back into writing this year after some time off. :) 

1. Number of stories posted to AO3: 2

2. Word count posted for the year: 65,634

3. Fandoms I wrote for: One Direction

4. Pairings: Harry/Louis 

5. Story with the most Kudos/Comments/Bookmarks: It’s Been So Long

6. Work I’m most proud of (and why): I’m proud of both of the fics I wrote this year!

I’m proud of It’s Been So Long because it’s the first fic I’ve published since 2017. I took an extended break from writing after having a baby. I didn’t realize how hard it would be to carve out time for myself as a mom to eat... shower... meet basic daily needs... much less write! So writing took a back burner for a long time while I worked to figure that out (I still don’t have it fully figured out 😉). I had started writing It’s Been So Long way back in 2017/18, so actually finishing it and getting it posted was huge. 

I was inspired to join the @1dchristmasfest in late November after seeing their open prompts, and can’t believe I managed to write 34k in a month! I don’t think I’d want to write at that capacity on the regular (it’s all I did every evening and toddler weekend nap time for a solid few weeks), but I had set an unspoken goal for myself to write two fics this year and I actually managed to do it! My Christmas fic Give It To Someone Special allowed me to practice writing without stopping in order to get the first draft done, instead of nitpicking every little thing I’d written previously over and over. And I’m proud of the end result! 

7. Work I’m least proud of (and why): Definitely doesn’t apply. These days, I’m proud of anything I manage to get done! 

8. Share or describe a favorite review you received: I was so touched after posting It’s Been So Long to receive comments from people who remembered me from my earlier works and were happy to see that I had returned to writing. Thank you @honestlytrulycompletelysteady, @allwaswell16, and @lululawrence to name a few <3

9. A time when writing was really, really hard: I had a different idea for a Christmas fic that I had started working on late summer/early fall that just wasn’t coming together. I also returned to work in-person full time in August after having some work-from-home flexibility since COVID had started, so adding an hour of commuting back into my day really cut into having extra time. And... my toddler was sick for 3 weeks as all of this transition was happening. 🥴 I had basically resigned myself to not writing a second fic this year until I was inspired by one of the Christmas fest prompts. 

10. A scene or character you wrote that surprised you: (Tiny spoiler alert) but I didn’t set out to write a fic that involved cheating as Give It To Someone Special was coming together... oops! I had a very basic plot outline when I started to quickly write it and as I went the story just moved that way seemingly out of my control! I’m happy with the way it ended up though, even if that is a topic I would generally tend to avoid. 

11. A favorite excerpt of your writing: From Give It To Someone Special. Harry and Louis share a tense dance at the wrap party for their film.

“Louis,” Harry said again. “Just please stop talking.”

“Okay, okay,” Louis said, trying not to take offense. He thought about commenting that it was virtually impossible for him to do so, but it was evident that any attempts at sarcasm were not going to pull Harry out of tonight’s funk.

So, he stopped talking. He focused on the weight of Harry’s arms on his shoulders, the way Harry’s clasped hands brushed against his neck as they moved back and forth. He focused on how their bodies swayed in step without any forethought or planning necessary.

He focused on the song blasting through the sound system.

He tried not to focus on all the things he wanted to say. On how if he started talking again, he might not stop. He had so many questions he wanted to spew at Harry in rapid succession, so many unknowns he felt desperate to clear up. Not knowing what Harry was thinking had evoked a constant thrum of worry in his mind.

But Louis had agreed to stay silent, so he did. He touched Harry’s waist, the small of his back, their sway slowing to a still as the song continued on. He tried not to wonder if this would be his last moment of having Harry in this way. He tried not to dwell on the fear that he wouldn’t even have the chance to put his thoughts out into the open. That this dance, this party would come to its inevitable end, along with his chance to become something more than Harry’s former co-star.

Louis didn’t speak, because he’d said he wouldn’t, but his mind was practically screaming.

12. How did you grow as a writer this year: I wrote. I carved out time to sit down and put words into a doc. I got better at writing during any free moments, instead of waiting to have a few hours in a row I could dedicate to uninterrupted writing like I had in the past. I wrote and kept writing until I had a shitty first draft, and realized it wasn’t so shitty after all as I molded it into what landed on AO3. I’m super proud of myself for getting back into it. :) 

13. How do you hope to grow next year: I want to continue to give myself grace - not just in writing, in life in general. I might publish a fic or two this year. I might not. And I know either outcome will be okay. 

14. Who was your greatest positive influence this year as a writer (could be another writer or beta or cheerleader or muse etc etc): So grateful to pick back up with @camiii this year and for her cheerleading and beta work. Working with @mindpalace-ellcrys during the Big Bang was a wonderful experience, and I encourage you to scroll right past my wordiness in It’s Been So Long just to sneak a peek at her incredible digital art! ;) Also grateful to @artsymisfitlover for beta reading my Christmas fic on such short notice. Writing takes a village, and I’m so glad for the help I’ve received! 

15. Anything from your real life show up in your writing this year: HAHA, yes! In a last minute addition to Give It To Someone Special, I added that Louis’ stepdad has a front yard full of Christmas lawn inflatables. That’s a shoutout to my husband (not that he knows/will ever read this), but he has become OBSESSED with Christmas inflatables over the past couple of years and our suburban display is quite a sight. 🤣

And just a minor detail but It’s Been So Long takes place near where I live. 😊

16. Any new wisdom you can share with other writers: Write for yourself. Write what you want to write instead of what you think people want to read. I am so much more satisfied writing works I truly like and am proud of instead of writing something that I think could be a big fic and then being disappointed by the result. ❤️

Also! This year I started reading my works out loud to myself during my final stage of editing. I find that reading it aloud helps me catch little words I’ve missed or realize when wording is confusing so much better than if I’m just skimming it over. Going to keep doing this moving forward for sure. 

17. Any projects you’re looking forward to starting (or finishing) in the new year: I have two ideas in mind. Just completely realistically when I think about what 2022 could have in store for me, I’m not sure I’ll publish anything at all. But, never say never!

I had an epiphany for how I could rework the Christmas fic I abandoned a few months ago, so I might return to that.

I also have had an idea for a fic that involves a somewhat unconventional sport for YEARS. It would need some research, and I don’t have a story fully fleshed out yet, but the fact that it’s still circulating in my brain tells me I need to get it down some day. 

18. Tag some writers whose answers you’d like to read: I would love to hear from @camiii @juliusschmidt and @artsymisfitlover if you would like to play along! 

[billcpher111fics]

I̴̤̫̿̕ņ̵̺͔̱̮̈́̈́̋ş̸̠̠͍̈́̽̒̕͝e̷̔͌́͜c̷̫̗͚͛u̷̧̨̺͇̞̍̋͠r̵̫͑ì̷̡̳͔̓͜t̶̛̬͎̔̎y̵̹̬̥̒̍̃ ch1

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Fully detailed version on Ao3

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Roman wasn't doing too well after the most recent episode. He had locked himself in his room for the last several days and had been pushing himself to the edge with pumping out new content for Thomas. He didn't eat, he barely slept and he refused to talk to anyone or take a break. He couldn't help but heavily nitpick his work. If the idea wasn't perfect, then it was scrapped altogether. He was horribly stressed and couldn't stop the cascade of horrible thoughts bouncing around his mind.

It's not good enough...

You could do better...

It's not original...

Thomas deserves better...

R̸͙͂̊e̵̥͛́m̴̗̕ủ̷̼̙̚s̷̯͚͂̓could do better than you...

They'll never forgive you...

It was all your fault...

You're the one who decided to make fun of his name...

He had every right to defend himself...

The more he listened to these thoughts, the worse they got. Throwing around his worst thoughts and feelings back at him. The worst part? He knew that they weren't wrong. He was the one who messed everything up. He was the one who chose his actions. Those were his mistakes. He only hoped that if he worked hard enough and pumped out enough good content, that would at least give him the opportunity to try and make things right.

That will never work...

All he needed to do was work a little harder. It was the very least he could do after being such a pain for the other sides to deal with.

They're probably happy that you never leave your room anymore...

He would be able to apologize to J-... Deceit. For his actions and making him out to be the villain...

You have no right to say his name after what you did...

He would apologize to Patton for putting too much pressure on him.

You expected too much from him. Driving him to his limits. I wouldn't be surprised that he would have finally lost his patients to deal with you...

He would apologize to Logan for always being so uncooperative with him.

All you do is bother him with your nonsense and ignore him whenever he isn't relevant to your own selfish wants. How horrible does that make you? He does his best for Thomas and all you do is mess things up? How can you look him in the eyes after treating him so horribly?...

And he would apologize to Virgil. For... Everything. And he wouldn't expect him to forgive him.

You don't deserve forgiveness...

He didn't deserve Virgil forgiveness... Or anyones. But he had treated Virgil the worst, by far.

From the beginning, you gave Virgil nothing but a hard time. You made him into the bad guy for you to fight against to make yourself feel better. You're pathetic. He had never done anything wrong to you but you insisted on bullying and degrading him. Your probably the reason he ducked out. If not, at least a big reason why. All Virgil has ever done was try and keep Thomas safe. But you just had to put your own selfish desires above his. Didn't you?...

Then he would apologize to Thomas. He deserves so much more than...

A pathetic and self-centered Creativity who couldn't- Wouldnt stop thinking about himself for five seconds to see how much he was hurting thous around him? A Mistake? Someone not deserving of the title Hero?...

Him...

He also needed to apologize to... To...

You can even say it. How pathetic. After everything you've done to make everyone else the bad guy but your self, you still can't even say his name and admit you were wrong. You're always wrong. When have you never not been wrong!?

You were wrong about Virgil...

You were Wrong about Janus...

You were wrong about the wedding...

You were wrong about everything...

They're probably mad at you...

I wouldn't doubt it...

Your the one who had messed up...

You don't deserve them...

You don't deserve to be here...

They would all be happy if you ducked out...

Janus was right...

You're the evil twin...

All Remus has ever done was to do his job as intrusive thoughts...

Your the one who had hurt the ones you had 'cared' about...

Your no hero...

You don't deserve to be a hero...

Your not Thomas' hero.

Roman gasped and grabbed at his chest in pain. It hurt. Almost as if someone was stabbing him in the chest. He looked down to see that there was a small dark patch that was barely covered by his sash. It almost looked like a splatter of ink, staining his previously white and pristine princely outfit.

You don't deserve the title of 'Prince'...

Roman gasped in pain, not noticing that the spot had grown slightly at the hurtful comment that plagued his mind.

Then he had felt a slight pulling sensation. He was being summoned. By Thomas. Dammit!

Roman quickly ran over to his mirror, looking himself. He looked horrible. His hair was a mess, his eyes had dreadful bags underneath them, his clothes were terribly wrinkled. He was a mess. In a rush, he tidied his hair and quickly applied some concealer then with a snap he removed the wrinkles from his clothes. Another look in the mirror had him frowning. His hair still looked like a mess.

They were going to notice...

The concealer was sloppy at best.

They were going to know how tired he was...

His suit was looking... Better... But the black 'ink' blotch was still there and nearly visible from behind his sash. He could do better.

He felt another tug.

He didn't have time. He rushed to grab a stack of papers filled with his approved ideas and quickly sunk out.

"Greetings, plebeians!" Roman greeted, posing in his typical manner.

God. Could you go one day without acting like a pompous prick?...

He flinched slightly at the pain but dug his nails into his fists as to not react.

"Roman," Logan began, "It had taken Thomas calling you more than once for you to arrive. What were you doing?" He questioned. He didn't look mad, but he wasn't the one for flaunting his emotions.

He's mad at you...

You know how important punctuality is to him...

Roman forced a smile threw the pain. "My apologies, Dear nerd!"

You cant go 5-second without making fun of someone, can you?...

How pathetic...

"I was just a bit... Fashionably late! Tis all!" Out of the corner of his eye, he could see Janus staring at him. He felt dread pull into his stomach.

Logan hesitantly nodded, appearing to take that as an answer. "Alright, let's get back onto the current topic." Logan excepted that far too easily. Usually, he would ask for more detail or lecture Roman on showing up on time but he had just... Excepted his answer?

He didn't want to waste any more time on you than he already hast to...

You really do get in the way...

"As for the current issue...Patton? Do you mind addressing it? You're more suited to deal with more... Emotionally based issues?" He asked awkwardly. Clearly uncomfortable with the current topic that Roman was still in the dark on.

"Oh!" Patton started. "Well, Roman? We've been talking lately...and well..." He paused, trying to work out his sentence. Romans' stomach was in knots and his heartbeat raised.

They don't like you...

They're going to make you apologize for making their lives miserable...

They were going to ask you to take a step back and stay out of the way...

You're always in the way...

Romans' nails dug tighter into his palms. A trickle of blood making its way down his hand. Virgil was starting to look at him worried. Why on earth would he be worried about him?

He didn't deserve it.

You don't deserve it...

"Well... We've just been wondering... Are you-"

"Are you ok!" Virgil blurted out. Blushing furiously when everyone turned to look at him. "Sorry..." He muttered quietly. "The suspense was driving me up the wall... anxiety and all..."

"That's alright, Virgil." Thomas reassured calmly, "But that is what we're here to talk about. Are you ok Roman?" He asked, turning to the fanciful trait.

Roman was... confused, to say the least. His fists relaxed and unfurled and he looked baffled at the others. They were asking if he was ok? Why did they care? Weren't they mad at him? He had messed up big time and they weren't even going to comment on that? "Uuh... Sure?... Why?" He asked hesitantly.

"You haven't left your room in over a week, kiddo," Patton said, playing with the sleeves of his cat hoodie like he did when he was upset. "We were worried bout you."

They don't mean it...

They're only doing this to show face...

Why on earth would they worry about you after all that you've done...

"Well, I am fine, padre," Roman answered, ignoring the stabbing pain in his chest. "I have just been in my room working in some ideas for Thomas' videos. That's all." He answered. They all looked around at one another, clearly not believing him.

Why would they belive you?...

What have you done to make them believe you? Let alone trust you?...

In fact, they believe that lying snake more than you...

"Oh, Roman," A hiss rang out that sent chills down his spine. "For an actor, you are such a 'good' lier..." Janus said, looking at his gloves like he could examine his nails from underneath them.

"I have no idea what you mean," Roman said, doing his best to keep his mouth in check.

God, how horrible of a person do you have to be to have to try and not be an asshole...

No wonder they hate you...

Roman let out an involuntary flinch, doing his best to ignore the stares he was receiving from the others. "Seriously," Janus said softer, "Are you ok? You've been avoiding everyone."

Grate, now you've gone and upset them...

Roman's hands were back into tight fusts, trying to block out the pain. "A-and you look a mess," Virgil added quietly. "Your concealer is patchy and you look exhausted. Have you even slept?" He asked.

"Of course I have! I-"

"Lies," Janus stated simply.

How stupid can you be to think you can just lie like that with Janus here...

Roman flinched back at the comment, his nails digging further into his palms and drawing out more blood. "Roman, are you ok?" Logan asked, "You seem to be in pain. Are you hurt?" He asked, moving closer to Roman to see if he could find any injuries.

All you do is cause problems for them...

Roman quickly backed away, "Of course I'm fine!" He insisted, continuing before Janus could interrupt him, " "But, yes, I haven't been sleeping too often because I've been working on these ideas!" Roman said, holding up his small stack of papers.

How pathetic...

A creativity who can't even come up with enough good ideas...

Are you sure you've earned the title 'creativity'...

Roman's forced smile flickered slightly at the pain. Blood lightly smearing onto the stacks of papers he held in his own hand. "You shouldn't overwork yourself, Roman." Thomas softly scolded. "I know that things have been stressful lately-"

All because you can't keep your stupid mouth shut...

"-But you need to take a break and go easier on yourself."

"I'll be fine!" Roman insisted, "I just needed to pump out a few more ideas and the ill take a break! I promise!"

You should no better than to make promises you can't keep...

He bit back a flinch, hoping the others didn't notice. But they did. They looked back and forth at each other wondering what they should do. "Well..." Thomas paused. "Then... Let's see your ideas."

"What?"

"Let's see these ideas you've been working on."

"Um- Well... Uh..."

They're not good enough...

They're going to hate them...

They will hate you if you show them these ideas...

You spent so long on horrible ideas...

What will that make them think of you?...

You should have done better...

They're not good enough...

You're not good enough...

Thomas would be better without you...

They all would...

Romans' hands were now lightly shaking, but he didn't seem to notice. "I d-don't think that's the best idea. They still need revised and worked on some more before there more... Presentable?" He said hesitantly.

"We can help you review them," Logan suggested. "You are far too overworked to have to handle them on your own."

Roman sifted from one foot to another, "Yeah... But like you said I am a bit overworked, so most-"

All...

"- of these ideas might not be so good. I still need to revise them and touch them up a bit before I can show you guys..." He answered.

"Just let us help you, kiddo." Patton insisted.

Virgil nodded in agreement, "You have been overworking yourself to the point of exhaustion. We can take some of the load off." He promised, "Just trust us..."

Roman still looked rather hesitant. "I'm not sure. The ideas are... Not so good at the moment..."

Janus spoke up, "Oh Roman. There is no reason to be so insecure about your work, I'm sure whatever it is we will all love it."

Insecure...

Insecure...

Insecure...

I̶̲͌n̵̨̓s̵̞͌e̵̛̱c̴��̭ȗ̵͍r̷͎̀e̴̪͘.̷̛͕.̷̨̋.̶̣͒

"I am not Ḭ̴̧̡̧̟̥̮͓̥̜̪̯̭͈̬͍̔̉̈́͋͂̑̈́͒ṇ̶̭̙̼̭̭̱̦̽̉̂̓͊͌̍̍͐̈̔̄̃̚ş̷̡̢͙͔̦̙̳͙̖̪͖̲̝̥̪͂̆͗̇̊̾͛̔̃͐̊̏̕͝e̸̢̪̟̣͇̖̖̯̅̈̈̽̀̈́̂c̷̹̫̭̘̤̺̳͓̺̊ų̴͎̲̱͚̮̮̏̄̃̊̿̀̔̈́̑͛́̑͘r̶̹̳̘̤̟̙̬͓͙̩̭̟̫͇͖̦̲̍̉̀̃͗͊̏̿͊̋͋͛͜e̷̛̖̩̗͔͑͂͌̉̂̾̕!" His voice shook the room.

He let out a shocked gasp and slapped his hand over his mouth as the others looked on in startled shock. He felt like was shaking down to his very core. "Roman...?"

"I-i am sorry! I- I have no idea what that was...": he insisted softly. He looked confused when everyone looked at him even more concerned. Glancing down at his hand, he finally noticed the blood seeping out of the cuts made by his nails. He was stunned for a moment before quickly whipping the blood off of his face using his sleave.

Logan was quick to his side, examining his hands. Causing him to drop his papers and scatter them across the floor. Logan was talking as he cleaned Roman's hands before bandaging them. But Roman didn't hear anything. Just the ringing that echoed on his own ears.

You've really made a mess of things now...

That last comment tipped Roman over the edge, causing him to gasp out in pain. Nearly sinking to the floor if it wasn't for logan at his side, quick to help him keep steady. He tugged lightly at his sash, the pain quickly spreading like a burning fire.

The tug on his sash revealed the far larger black stain that had nearly filled the space behind his sash and was quickly spreading.

Janus and Virgil gasped. Horror seeping into there expressions as they realized what was happening to Roman. They were both quickly at Roman's side. The next thing he knew, Romans was sitting on the ground, struggling to breathe threw that pain. Virgil and Janus' hands held onto him comfortingly as they talked to him along with the others.

But Roman felt far-off at that moment. Like he wasn't in the room. Or as if he was a spectator, watching this unfold with an equally horrified expression. So he didn't hear a majority of what was said to him or the others.

"... Safe...ho-... Long..."

"...Roman?..."

"...-Breath Ro-..."

"...-man's falling..."

"...falling..."

Romans breathing grew more erratic once he looked down to see the black spot spiderwebbed out further, staining more and more of his once crisp white suit.

Then there was a hand in his hair and a few holding his hands and rubbing soothingly over his back and someone whispered calming words to him. Wanting him to follow there breathing. It was a struggle, but eventually, he managed to get his breathing slightly under control.

"-oman... Roman... You need to remain calm." Virgil said softly. Roman's head jerked as he nodded. Focusing on his breathing. "Do you know what's happening?" Virgil asked. Roman shook his head. "Your..." Virgil hesitated. "Your falling..." He said, "To the other side. So you need to keep calm and breath so we can help you..."

Romans heart figuratively stopped beating at the news. He was... Falling? Everything started to feel foggy and distant again. Like he wasn't there. He didn't want to be there. Sitting in front of the others. Vulnerable and in pain. Having the others watch his humiliating downfall. How low must they think of him now? How weak was he in their eyes? How pathetic was he in Thomas' eyes...

His chest suddenly shook as all the air seemed to leave his lungs. He couldn't breathe. He couldn't breathe. He could vaguely hear Virgil's voice become more panicked and others began chiming in. But he was far to gone to understand it at this point. He needed to leave.

He needed to leave.

He wanted to leave.

He couldn't breathe.

He just needed to leave.

Leave.

Leave.

Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave. Leave.

A rush of airbrushed past him as he managed to force himself to sink out to a far side of Thomas' mindscape where they would never find him.

He curled up into a ball, squeezing his nails into his palms, and cried in pain.

[plasticnightmaredoll]

disclaimer: not my video and thankfully, I didn’t have anything to do with the performance.

I have just recently gotten into K/DA (no, I don’t play League of Legends as it’s just not my kind of game but it looks good from what I have seen) and am obsessed 😩

I stumbled across this video just today and omg...somebody probably got fired! 🤔

The animation quality was like someone went into the bargain bin at Wal-Mart and pulled out whatever looked decent and of course, got exactly what you’d expect from a bargain bin.

Kai’sa looked like a PS2 character.

Ahri’s warp-speed SWOOSH to the center of the stage like a Looney Tunes character. I did crappy animation warps like this in Adobe Flash, like, 10+ years ago.

Akali’s face here

Seraphine was a low-res .gif from the Internet.

Evelynn looked like a goddess, which I’m not complaining about because she’s a sexy demon chick 👀

The lighting was all over the place. I mean, they were never consistently shaded with the surrounding environment. I know they aren’t real people so, yeah, some lighting issues could be expected, but damn--it just looked so bad!

Sometimes the girls looked bored while dancing...for whatever reason. It was like they just gave up for a bit on animating the characters.  “Yo, we don’t have the budget to make them dance too much so, like...just have them move around a bit.” - someone behind the animation for this performance

What is happening to Kai’sa’s arms?!

I know it may seem like I’m nitpicking and, “THEY ARE JUST CGI SO WHAT DO U WANT?” but as someone who is a fan and admirer of art and animation, a (new) fan of K/DA, the popularity (and 💰MONEYS 💰 ) of League of Legends, and the fact that they can do much better with animating characters outside of the game, I think this is just pitiful. 

Yes, it was a dark arena, but that doesn’t excuse the poor-quality renders for everyone except Evelynn. I mean, Kai’sa got the short straw, clearly, as she just looked AWFUL. Why treat Kai’sa so terribly? 

Also, I would think that they’d have spent time planning this event in advance, like, testing things out so they could make the animation look as good as possible. Studying the real world and applying what you observe to the animation is the name of the game, right? 

And if it’s NOT important to get an animated performance to look great -- which you think iwould be important since it’s representing the company and League of Legends -- then...........why bother making the performance animated at all?

But hey, they did good with Evelynn at least. 🤷‍♀️

Regardless, I can say that, as a developer, if I turned in a project for a client that was a hot mess like this performance, I’d be out the door and looking for a new job 😮

[mysterious-prophetess]

Review: Red Shoes and the Seven Dwarves

It’s finally out in my region so I was finally able to get my hands on it to watch without risking my computer.

Not that I would resort to such....less-than-legal means... <.<

Anyway, I’m glad I did buy it officially. It was every bit as cute as I thought it would be after I saw the new round of trailers and comments by others on tumblr. 

I’ll give my spoiler free thoughts now and go into more details under a read more.

So first, I have to compliment the animation. It is so beautiful. The characters all looked great and none of them looked uncanny at all. My favorite character design of the humans was Snow sans shoes, but Merlin in his normal form is a close second. It’s their eyes. 

My favorite non-human character design was the magic mirror. 

The magic effects were also nicely done.

The plot’s pacing was decent. There were times where it almost felt like they had built in commercial breaks for an eventual network airing from how some parts would cut to black and start a new scene. It wasn’t often and it didn’t really detract from the film. 

The characters were all consistent and Snow White/Red Shoes was down right relatable for me. Merlin and the other six Princes were fun and played off one another, though the trio of Pino Noki Kio almost felt like they didn’t need to be three characters since they never acted independent of one another. Whereas Jack, Hans, Arthur, and Merlin all had their own distinct personalities.

Even the Evil Queen had some good moments. 

Prince Average felt like an after thought.

The moral of the story, while done before and nearly to death, was given a fresh spin in this film. 

Over all this film is charming and the marketing team that screwed them over with the fat-shaming like ad campaign should never be hired by these guys ever again. There is no fat shaming in this film directed at Snow White/Red Shoes. 

The lesson is instead a good one. 

I heartily recommend people watch this movie. There are some semi-Shrek like elements on occasion (like out of place pop culture references) but overall the film has its own identity. 

Another nitpick aside from the weird commercial breaks that kept seeming to happen and that’s the over use of the movie’s main pop song. I liked it the first time but after a few other reuses it started to get a little stale. 

Otherwise I loved the music of the film. 

Snow White’s journey was one that I loved. She had one mission and one mission only: find her father. In fact her desire to be herself contradicted the shoes magic. She was perfectly happy as her normal self and not the magic enhanced version the shoes transformed her into. That’s a powerful message to send to girls who aren’t skinny or traditionally pretty. Though, Snow White is down right adorable as her true self.

I also liked that the perfectly pretty form wasn’t something Snow White necessarily liked but was willing to use to her advantage to help find her father. I also liked that it had drawbacks as Snow White in her normal state was actually a physically strong woman but as a dainty pretty girl all that strength she had and liked having was gone. Furthermore, the movie showed that Snow White was decently athletic as her real self, which was a refreshing take for a heavier character. Large doesn’t equal flabby, weak, or out-of-shape. 

Snow White’s struggles with taking off the magical shoes were reflective of the times where she got insecure about herself. Despite loving who she was, she did sometimes accept the pretty dainty form because of how much nicer people were. 

The Magic Mirror was surprised she could even take them off because it meant there was something she wanted more than being pretty. The first time, at Risky Rock in the Fearsome Seven’s house, it was her desire to be herself. In the alleyway, it was a desire to escape the goons. In the river it was her desire to save Merlin. Yet, whenever she wanted to take them off other times, things had happened to make her hesitate on giving up the conventionally pretty form that had made it so others would help her.

As someone who is not conventionally pretty and definitely not skinny, I really empathized with Snow White about this. 

On no occasion was Snow’s true self ever treated like a joke. There was the scene after she’d taken the shoes off where guards were harassing her where it almost looked like Merlin and Arthur would ignore her peril because she wasn’t her Red Shoes form, but Merlin came back and helped her.  He was even kind of nice to her. 

Never even when Merlin finds out about the shoes versus her real form does he call her ugly or make comments about her weight despite being still kind of fighting his own ego while learning the lesson at this point. 

Speaking of Merlin (and the others of the F7). 

Merlin being the main male protagonist does get the most screen time. Arthur get the second most. Then Hans and Jack, and then the Pinocchio Trio. 

At first their dynamics were all clashing and Arthur seemed like a bully and Merlin seemed like a very shallow impulsive jerk. Let’s be clear, all the guys are shallow. Even the trio who are more obsessed with their inventions half the movie. It’s what got them cursed by the fairy princess in the first place. Considering it was a fairy they pissed off, being turned into green dwarves when anyone (who isn’t a magical creature) looks at them was actually getting off mild. 

I was surprised that each Prince actually has to break their curses one at-a-time. It’s not a “break the curse for one and you save all” which was a new take on a collectively applied curse. Which was why they were every-dwarf-for-them-selves when it came to trying to woo “Red Shoes” and get a kiss from her. 

Merlin’s character journey was one that is usually reserved for the curse breaker in fairy tale movies where a curse indeed is in play. In that he was the one who had to learn to look past appearances. I love that Snow White calls him out on that at one point in the movie too. 

Merlin learning to let go of his obsession with looks (his own included) was what allowed him to see Snow White as the most beautiful woman in the world (in his eyes) which was what let her second kiss at the end break his curse. Because he saw her inner beauty which mattered more than any physical appearance she had.

The characters grew and them ending up together at the end felt natural and not forced because the time they spent together always felt like they had chemistry which is hard to pull off.

Moving on to other things: Regina, Magic Mirror, and Average. 

Honestly? Average felt like a real waste of time. It was through his lines we got the most Shrek-like throw-away references, it was he who had the least impact on the plot, and he who could have been written out of the flick almost all together. Yeah, Merlin recognizing his tree-i-fied form did hint at what Regina had done to others (and it was after he and his two not-the-Stabbington-brothers-goons became evil ents that I figured out King White was that wood bunny because it was large and cute and that was the White Family’s designs overall). 

Average was a throw away character. In many ways he wasn’t even mediocre let alone average. 

The worst thing about him is he can be easily written out of the movie. 

As the stepmother of Snow White, Regina is queen of the kingdom and all the scenes where soldiers go after Snow White and the F7 could have been her sending people to do her dirty work to spare her magic usage. 

Average’s two goombas? Hired thugs who’d never seen Snow White before. Take him out, shuffle a few things around, make a captain character be his replacement in the attack on Risky Rock scene, and nothing of value would be lost in his removal. Average is the film’s only major mistake. He was a dead end that could have been easily written around and the screen time would have been better spent on Snow White and the F7 or maybe fleshing out Regina a little more.

Magic Mirror and Regina both played well off one another. Patrick Warburton as any character will always be an excellent casting choice. 

Regina’s schemes made sense from a shallow perspective. 

I saw someone compare her to Mother Goethel from Tangeled  in a youtube comment on one of the trailers and kinda? 

They had the same sort of vanity-wanting to keep their youth and maintain their beauty-and their penchant for cloaks was the same but, Regina to me....was more like Mother Goethel and Triss Marigold from Witcher 3′s fusion. Her younger form reminded me WAY more of Triss than Goethel as did her gown. Plus, it’s canonic in the Witcher-verse that sorceresses use magic to keep young. Also, she’s not the first evil queen of a Snow White retelling to even be obsessed with youth to the point she goes to extreme lengths to maintain it. See Snow White and the Huntsman’s queen. 

Regina stands out as her own character despite sharing a name and role with Regina of Once Upon a Time. She’s ruthless, and able to manipulate others with either her words or illusionary magic (though it costs her like the witches from Stardust). She’s also absolutely cold. She just kind of falls flat compared to the Magic Mirror.

No offense to the voice actress or the writers, but up against Patrick Warburton’s Magic Mirror/tree character, Regina is a little less memorable to me. He has more sass and more pure threat to him than Regina does. Sure, she has magic that can turn people into strange tree monsters, but it’s the mirror that gives the F7 the most trouble throughout the movie, and they fought off something that looked to be a whole platoon of guards/soldiers armed with heavy artillery (canons). Granted, it was a close call that relied on their wits and other skills, but they still had less trouble with that fight than they did against Magic Mirror. 

Some More Things:

The humor was nearly overplayed but they managed to tow the line between going too far and just right.  Mostly this was seen with the F7 and their attempts to get Snow White to kiss them and break their spells, especially Arthur. 

They did give him more of a character beyond loud bully, which was that he had a sensitive side and a lot of pride (which was easily bruised). In fact, only he and Merlin felt like they had characterizations compared to the other five. Hans was obsessed with cooking and Jack with jewels and the trio with tech but that’s all they got beyond having their friends’ backs whenever it really mattered and being awesome badasses. Since these other five were mostly side characters, this is more of a nitpick than an actual problem since the film was setting up Arthur vs Merlin for Snow White’s affections. 

The fact that Snow White brushes all the attempts of flirting off so easily was very amusing to me and a nice way of showing how she was focused on finding her missing father throughout the whole film (despite the fact that she had already found him). Hilariously, in hindsight, she really had seen him in the woods. If she’d been herself, who knows if he’d have even attacked her.

Finally, I’ll end on what had seemed like an inconsistency but now I realize is a loophole because the fae have those in everything. The guys have to be alone or have the person they’re with close their eyes to be their true selves, except Merlin is still his true form even though he’s not alone with the Magic Mirror or the wood rabbit/King, or the three wood bears/children. 

Turns out, once I thought about it, the fairy’s curse was if “people looked at them” which meant, the ones doing the looking had to be people and the wood creatures-despite formerly being people-were considered to be people no longer. The Mirror was probably never a person, which mean he’d never counted as a part of “people” so he could look all he wanted (which was his thing as a mirror). It’s an interesting loophole. 

Long story short, I really enjoyed this film. It was very cute and it was done so dirty by its marketing three years ago. 

Good film. Good messages. Go watch it! It’s not like we’ve anything ELSE to do at the moment (and it’s not like there are any other worthwhile films coming out right now). Support this film, and this studio.

[belleandkurtbastian]

Okay, more awake now. Time for thoughts on Skam France Season 5.

(Note: I will be translating “personnes en situation de handicap” as “disabled people”, the term preferred within my social spheres over “people with disabilities”. I will also be translating “sourd” and “surdité”, as they relate to Arthur, as “deaf” and “deafness” respectively. I understand that these terms have social and community meanings that some may or may not consider as applying to Arthur, but the translation is already fuzzy due to different community boundaries cross-linguistically.)

Background: I’ve watched Skam S3-4, and Skam France S3-4 before this.

Of the those 5 seasons, I think Skam France S5 is the best-constructed. The tone, pacing, and content is the best-realised. I think Skam S3 will always be the favourite in my mind, for personal reasons, but I find it hard to say that Skam S3 is “better” than Skam FR S5.

So, getting into it:

First: the Skam France writers clearly do well unshackled from the expectation of imitation. They don’t have source material to adapt here, so it’s a wholly new series, and they take that to their advantage. My problems with S3 and S4, where they were changing and moving things from the original in ways that I considered a pure downgrade? Not a factor here.

Okay, the actual content: it’s pretty rare to see later-in-life disabilities represented. Like, you’ll get people who are terminally ill, and you’ll get people who were disabled from birth or since early childhood, but it’s so rare that media actually follows the story of someone BECOMING disabled, and I really appreciate that.

And my God, they packed a lot into those 10 episodes. They have the entire “between two worlds” thing, brief discussions of language around disability, treatment of the differing needs of different disabled people and communities, medical interventions, pressure around medical intervention from parents and medical staff, the use of a variety of assistive devices (two different types of hearing aids, cochlear implants, live transcription apps), Arthur learning LSF, Arthur getting his sign name...

And that’s all just kind of peripheral stuff to the overall story of Arthur accepting and owning his deafness.

I want to talk in particular about the point where Arthur tells Noée “je ne suis pas entendant” (”I am not a hearing person”), because that scene has me a little conflicted. I get that rhetorically, it’s a powerful scene, and he then spends the next several clips without his hearing aids in. But it bugs me a LITTLE, purely because Arthur had already been owning the label “sourd” for a couple of episodes before this, at school, and socially in general. The way that the declaration is played as this Big Thing™ doesn’t really fit with the way that Arthur had been describing himself before.

But I guess it’s a community thing. I’m not sure if Arthur had owned his deafness to any other D/deaf people before that. And that “pas entendant” and “sourd” are different nuances.

I don’t know. I like the arc overall, even here, it just felt a little... muddied. Maybe the intent came through better to others, and to D/deaf/HoH people.

Briefly, the D/deaf characters within the show. We only really get introduced to two. There are several background characters, but we focus on Noée and Camille.

First of all, Noée. I like her. I think she’s a very realistic character, and she’s clearly there to guide both Arthur AND the audience into the community, but without a full hand-holding lead. The romantic subplot... Eh, the whole “cheating on Alexia” part makes me uncomfortable, but the actual development felt very organic and earned, and it really sold the “entre deux mondes” concept well. I think that the lack of a firm resolution at the end of the season is fine. It works narratively and rhetorically, with Arthur still feeling somewhat “entre deux mondes”.

And then Camille. Honestly, I’m surprised that Skam France introduced an LGBTQ+ deaf character. Arthur already had Alexia, his bi girlfriend, and it would have been SUPER easy for the writers to justify not adding any more queer characters around Arthur. I am *not* objecting to this turn, though. While most of the disabled characters I know on TV are queer, that’s more to do with the media I watch, rather than some grand representation win.

Anyway, Camille is a fine character. I think he’s the most... “we need a character who fills this role” character (a go-between for Arthur/Noée and the designated “you’re an idiot” guy for the season) that the show has had so far, but I think he’s a fine character. His relationship with Mika? We don’t see much of it, at all, but I think that works considering who those characters are in relation to the rest of the main cast. Camille’s sexuality and relationships aren’t important to Arthur’s story, but they’re still *there* in the show.

And then all the social stuff with Arthur’s friends. I think this was handled... well, by the show. Less well by the characters...

But the tension between them, and the overall discontent... It felt less dramatic than Lucas’ and Imane’s seasons’ tension. And I know some people wouldn’t like that, but I do. I think that they played into the “well-meaning friends don’t know what to do” thing well, without excusing Arthur’s friends’ actions, and also without the absolute feeling of despair and emptiness that Lucas and Imane got into at a certain point in their seasons (ditto, Isak and Sana).

They draw that weird parallel to Lucas’ secrets, too. And like... first of all, the whole “We don’t keep secrets” thing is laughable considering that Lucas’ season was only a year ago. But secondly, is this just going to be a thing now? Anything after an Isak’s season will be compared to the Isak’s problems? Like with the Sana/Isak (Imane/Lucas) conversation in S4?

Anyway, that’s kind of a nitpick.

I really liked Skam France S5.

Oh, and I finally figured out how to watch it: French subs, English transcript. Only took me three seasons :P