#myths about youth

[gingermintpepper]

On that trojan war au thing you're writing. 1. What are the tags for it, cause I'm super interested! And would love to read what you have so far! 2. "And Odysseus is a much grimmer darker man due to his home being one of the places that were first swallowed up by Erebus" - I wanna know more about this. Please tell me more.

Oh , wow, I'm so flattered! I'm very happy it sounds appealing to you <33 This work is a huge passion project of mine so I'm always glad to talk more and more about it, especially since there are many aspects occurring in the background (such as the alternate fates of the main players of the Trojan Conflict) which I cannot properly cover or even explain within the events of the novel itself.

That said: 1) If you mean tags as in ao3 - unfortunately, this work isn't on ao3 my friend :( As I said above, these are elements and concepts in the greek mythology based-fantasy novel I'm currently writing (the concept of which I outlined here in the introductory post of my novel concept!) As for wanting to read whatever writing I currently have available: I currently have three fics available on ao3 that are written in my Pursuing Daybreak verse!

The Prince and Princess series deal with a young Apollo and Artemis and the many consequences they face after Apollo has slain Python. The two works uploaded right now are Exeunt Phoebus Apollo which covers the murder trial of Python and Manent Apanchomene Artemis which covers the intense feelings of helplessness and alienation Artemis experiences after Apollo returns from his banishment and is completely changed. Both of these have themes of family, grief and relationship exploration at their heart.

The third bit of writing I have up is quite outdated but does cover the immediate aftermath of Hyacinthus' death. It's called A Petal Falleth and features Apollo making one of those Big Silly Decisions that have completely unintended but extremely important consequences: namely, instead of the larkspurs being made of Hyacinthus' spilt blood, Apollo anchors the boy's soul to the flowers so Thanatos wouldn't take him. Like the Dawn is also set in this world but because it is nsfw in nature, I wouldn't recommend it as easily as the other three bits of writing. If you don't mind the whole naked men thing though, I'd definitely suggest reading Like the Dawn for a better idea of what my current writing is like (along with eventually getting to see characters like Hector, Andromache and Cassandra/Helenus) Like the Dawn's themes are also different to the other three works with it focusing more on the power dynamics of a god/mortal relationship, exploring masculinity and masculine sexuality and self discovery.

The running theme here, of course, is that all of these bits of writing are centered on Apollo/Artemis or Hyacinth because my novel itself is centered around them. There are, of course, other important characters and figures like Eros, Psyche, Penthesilea and Iaso (one of Asclepius' daughters) but while there is the definite presence of characters from the Trojan War they most certainly aren't at the center of the novel (and the ones that are aren't the Greeks but rather the Trojans i.e Hector, Alexander, Andromache, Cassandra, Helenus, Aeneas, so on and so forth.)

2) The basis of the apocalypse in my work is cosmological! Due to Apollo's err-- untimely departure, there's no longer anyone maintaining the axis of the heavens or the navel of the earth. Because of this, Erebus - whose darkness is usually kept firmly in the spaces between the realms - begins to spill out into both the heavens and the earth. The beasts of Erebus (referring primarily to the Seven Curses - Old Age, Misery, Deceit, Violence etc etc) consume, torment and destroy whatever is inside of Erebus' darkness and Ithaca, as one of the islands on the far edge of the world, was one of the very first places that were devoured in this manner. Odysseus was visiting the Argives at the time for a festival and had left the pregnant Penelope at home since he didn't want her to suffer through the voyage in discomfort. He only finds out about the destruction of Ithaca after it had already been consumed when Athena personally interrupts a feast to warn both him and Diomedes. Needless to say, Odysseus, like everyone else, assumes that everyone on Ithaca has died and thusly is a very, very different man in terms of humour and comport. A part of him still stubbornly clings to the belief that Penelope managed to escape - that she was smart and resourceful enough to see the end approaching and do her best to escape - but that doesn't stop him from being dour for the majority of the time. Diomedes does his best to keep his spirits up in the meantime. Without him around, Odysseus is something of a black hole when it comes to the oppressiveness of his discontent though he does manage to lighten up when in the company of Helen, Clytemnestra and even Menelaus on occasion.

[bitchfitch]

i needed little simple line drawings of Arlo's brothers. I still need a Masal, Rhiannon, Asena, and three witches too. But I'm kinda undecided what animals i want to represent them.

Masal is probably going to be a lioness, and Asena a wolf.

but Rhiannon and the witches I've got Nothing for. Like, I've described Rhiannon as looking like a pile of spiders but a spider doesn't feel Thematically her. and the witches are snakes in the sketch, but I'm not vibing with how plain they look next to the unicorns.

[thisisnotacreativeusername]

my dad read norse mythology stories to me as a bedtime story when i was little which means i constantly overestimate how much other people know about norse myths (nothing)

[glittertimes]

Why did it take me until graduate school to be able to take a class on how children and youth are an oppressed class 😭

[oh2e]

Sometimes I think about the fact that one day I just decided, with nothing to back me up at all, that as a child James Barry went by ‘Peg’.

[iwouldliketoeatrandy]

Do people remember when Tumblr emailed everyone to let them know the site was compromised by Communist bots? Just out of curiosity. Ive seen a few posts on this site that are like "we are invisible to the masses" but like remember our history. Remember that we arent alone here and that people will try to influence us whether thats for advertising purposes or something else.

[long-live-astronerd-ghost-king]

DPxDC prompt: Danny is Chronos' first child.

Well, not his first child biologically, to be completely honest.

It just so happened that the Phantom very often helped/helps/will help Clockwork at different times and his presence next to the titan required an explanation.

And the opportunity to call Zeus a little brother is worth a lot, right? So when the Ancient came up with this idea Phantom did not resist just to have such a pleasant bonus from their cooperation.

However, in the time of the gods and heroes, such a solution was not a problem. But in modern times, when Phantom tries to attract as little attention as possible in order to graduate from university, such relatives are more likely to cause a lot of problems.

~~~~~

Wonder Woman: Uncle Danny?

Superman, who wanted to chase away a teenager serenely strolling through still smoking battlefield, turns to Wonder Woman, who is waving affably at excactly this guy.

Well, Fenton honestly happened to be in Fawcett City by accident, and it just so happened that by chance it was on this sunny and cloudless day that the villains decided to cause riots worthy of the attention of the founders of the Justice League.

Danny: Diana! My dear, it seems like we really haven't seen each other not for a long time! In what century was it? Ah, I honestly, I barely remember it... The speed at which children grow up defies the laws of time. I mean, look at you! Your mother must be so proud. How's Dad? Still not paying child support, arrogant bastard?

Wonder Woman: Oh, uncle, please. I'm all grown up now, don't worry about me.

Danny: Hm, well, let's get back to this question later. I didn't want to embarrass you in front of your friends. Anyway, would you like to introduce them, little princess?

Wonder Woman: Of course, meet Kal El, Batman, and Shazam. The rest of the guys have already returned to our base. Would you like to...

Danny: Ooh, you're talking about, um... What do you young people call it? The Justice League, right? During my youth, the heroes rarely united and mostly performed all the feats alone. It's good that you help each other, kids.

Danny flies up a little to pat Superman and Batman on the head.

Under the Diana's gaze full of hope that they will get along with her uncle, the men do not move.

In the background:

Red Hood and Robin who used to hang out with Danny near the Lazarus pits: *sounds of seagulls dying of laughter*

~~~~~

Flash: So you're Diana's uncle?

Danny: Yes, call me Danny.

Flash: Cool, cool...

Danny: What does the temperature have to do with it? Do you need ice? Let me make some for you.

Flash: No, it's like,um, I didn't know that Zeus has a younger brother with that name. So, it's good to know?

Danny: Hmm, thanks. Many people tell me that I look quite young, hah. But actually I'm his older brother, so...

Flash: Older? Oh, I'm so sorry, I didn't mean to disrespect.

Danny: No, it's all right. It's "cool". I rarely appear on the pages of your human myths and legends, I know it. After all this business about Chronos devours his own children, my father punished me for a long time. So, yeah...It's a funny story.

Flash: Punished for what? How?

Danny: Uh, sitting in a room at a time when there is no Internet or electricity is not fun at all. You see, I just didn't want a younger brother or sister because I was afraid that my parents would pay less attention to me. So, I made up this stupid prophecy and persuaded Gaea to tell it in order to remain the only child in the family. My father would never have thought that I would decide to kill him, that's why...Phah, it's just a bad family story. In 10 thousand years, we'll all laugh about it.

Flash: Yeah, that's... funny.

~~~~

Danny *is woken up by an emergency call from the League at three in the morning, although he fell asleep at two o'clock* (he gave his contact so as not to upset his niece): I knew this would happen! I knew it!

~~~~

Billy Batson *stands in his human form in front of the Justice League and doesn't know what to say*,*sweating nervous*.

Danny *enters the hall*: What's up, mortals, Diana and...Batman? My father said that there is something that I have to be here for. Oh! Well, at least someone in this family is also a shapeshifter. Have you decided to make a younger form so that your uncle doesn't feel lonely? What a good boy! Usually everyone is so afraid to seem like children, once they turn a couple of centuries old. Ah, youth~

Billy: Yeah, I decided to..experiment? and it seems I got stuck by accident.

Danny: It's okay, Uncle Danny will help you. Come on, let's go...

~~~~

Danny *teleports them to the Fawcett City*.

Billy: ....

Danny:

Billy: Hey, I'm still stuck!

A new portal opens and a man in a purple cape hands Billy a note. "Go to Constantine. P.S., my son always completes all assignments only by half, sorry." written on it.

Billy: Oh... OoOhHh!!!

~~~~

Meanwhile, Constantine, who is forced to do additional work: Son of a bi... beloved and respected Master of Time.

Danny: Yeap, that's me.

Constantine: Damn it. Couldn't you just let Batman adopt him like in other timelines?

Danny: And where's the fun in that?

[fosteringinsc]

"I could never foster because I would get too attached to let them go."

How many times have I, as a foster parent, heard that statement in response to hearing I am a foster parent? It’s over a hundred times by now. My usual response is a little education. When you become a foster parent you have to become SELFLESS and not selfish. It isn’t about your feelings anymore. How do you think these children feel? They NEED you to get attached. Challenging Misconceptions:…

[onetomb]

It says a lot about me that my egg cracking journey started with this doofus:

I always pined for how lucky he was to not have to have horrible flesh and cut his hair and wear boys clothes because he was a skeleton

[mask131]

Another reminder that Greek mythology is always somehow symbolic, metaphorical, allegorical, since we are dealing with anthropomorphic personifications and other embodiments of cosmic powers.

For example: Demeter has sex with both Zeus and Poseidon. Something-something about the relationship of the Earth with the Sky and the Sea (or the celestial and chthonian powers). ESPECIALLY since these relationships are said to happen at the beginning of the world, in the primordial times during which the world settled itself for what it is now.

Herakles' wedding with Hebe, the personification of youth, checks in with when he becomes an immortal god (aka, an eternally young entity). What better way to symbolize a hero escaping the clutches of death than by him becoming the husband of the spirit of eternal youth?

Why is Hestia never leaving Olympus? Something-something about her being the literal personification of the hearth, which is at the center of the house/community and does not move.

Why is Ares getting his ass kicked by Athena? Because Athena is civilization, and Ares savagery, and in the Ancient Greek mindset intelligence, wisdom and craft will always be above brutality, bloodlust and random cruelty.

Do I need to spell it out that the myth of Persephone-Hades-Demeter is about the cycle of the seasons, and how the earth renews itself and brings back life after a time of death?

And I wonder why Ares' companions during his mass-slaughters are called Phobos, Deimos and Eris - Fear, Panic and Discord... Why would the goddess that breaks harmony and sows feuds and chaos be depicted as the close sister of the god of the ravages of war and of the brutality of conflicts, what a strange mystery!

And I can go on, and on, and on. Remember, the Greek gods aren't just super-heroes or wizards (that's more in line with more "humanized" mythologies, like the Irish or Nordic ones). They are embodiments of concepts and ideas, personifications of natural forces and cosmic powers, they are living allegories and fleshed metaphors. Zeus wields the lightning because he IS the lightning and thunder. Dionysos is both the bringer of joy and madness because he IS alcohol. Hades is both the name of the god of the dead, and of the realm of the dead. Hestia's name is literaly "hearth" in Greek, Hebe "youth", Nyx "night", Gaia "earth", Eros "desire". You can write "Eris met Helios at Okeanos' palace" or you can write "Strife encountered the Sun at the palace of Ocean" and that is the EXACT SAME THING!

[Mind you to limit the gods to being JUST allegories is also a mistake not to make. Greek deities are much more than just X concept or X idea... But one part of the myths will always be, down the line, some weather metaphor or some natural cycle motif]

[writingwithcolor]

Wouldn’t my writing be worse off if I forced in elements like diversity?

If you are asking this question, you have yet to challenge the “default” of your culture’s media. Consider that the majority of modern Western media fill their casts with white men, and when there are women or POC, they stick out conspicuously. Many people view adding diversity as tweaking some white man characters by toggling race or gender. But this assumes that “white man” is some default, standard character template.

If you feel pressured to include diversity in your writing, distance yourself from this pressure and ask yourself why you feel it. If you feel attacked when seeing campaigns for more diversity or criticism of all-white, uninclusive media, sit with the discomfort and ask yourself why those who are different from you say they need diverse media.

These are people whose voices and faces are rarely visible in entertainment. Despite this, they enjoy an adventure as much as anyone, and have become accustomed to projecting onto white characters. Yet, when the reverse is asked of white audiences to acknowledge protagonists of color, it becomes a difficult ask. These character choices are immediately questioned, discredited, fought against, and accused of being “woke” or “unrelatable.”

This resistance reflects a larger issue: the imbalance between audiences’ empathy towards the majority/“default” and empathy towards those perceived as Other.

By mostly reading about white people, they become easier to relate to. By the same token, if we are not reading media and histories from the perspective of POC, we end up with more people who literally fail to relate to POC. When we talk about hope-deficits, increased alienation and lower self-worth among marginalized populations, underrepresentation in media is a big factor. Imagine for a moment: never the beautiful princess in the tower, never the badass hero riding dragons; always the two-second sidekick.

People of color are people and want to be seen and treated as such. Not as a burden to devote your time to, but people who have a place in the world, fictional or no. Really, writing a world in your story that is all or mostly white is more unrealistic, more forced—after all, there are far more non-white people on Earth. Becoming comfortable with diversity requires unlearning White as the Default and POC as the Other. It takes setting aside feelings of pressure to emphasize, open your heart and listen.

Further Reading:

“Diversity has gone too far!”

Diversity is for everyone.

Children and the Myth of Colorblind Youth

Those who read about aliens learn to emphasize with aliens. Those who read about wizards empathize with wizards.

---

This Q&A is an excerpt from our General FAQ for Newcomers, which can be found in our new Masterpost of rules and FAQs. If you liked this post, we have more recommended reading there!

-Writing With Color

[bitchfitch]

If this is helpful I do think of your OC couples as that "you two are perfect for each other just never involve anyone else in the fucked up shit you have going on" reddit comment so seeing content for a non-OC ship w that dynamic would be neither disturbing nor surprising

ye i think the issue I'm having is that Mohg/Miquella is a ship i wouldn't normally go within a mile of based on the tags and archive warning that apply to it by default. It's two things that squick me out so bad i can't read a good portion of the fics for them on ao3 because some authors enjoy leaning into those aspects of their relationship a lot more than i do. which like, not shaming them but boy howdy is the back button important for their tag.

so i worry folk would have the same assumptions about them I would have had if i had just like, saw a fic and associated tags without a 100hr game worth of context

[kneelingshadowsalome]

Hi !!!! I’m sorry if this is bothering you and if so you can totally ignore this but…

I’ve been thinking about how Ghost would react to reader gradually pulling away from him because she gained some weight and is self conscious and ashamed and doesn’t want to be seen by him, so sculpted and beautiful… but of course he’s feeling low because he wants to be close to reader and so he asks and she finally explains it to him (ready to be broken up with…)…. And I’d love to read your take on it !

You can make it female or gender neauteal I don’t really care !!!! Thank you anyway ❤️❤️❤️❤️

Wildflowers Grow in Ruins

(Ghost x F!Reader, word count: 5 k)

Summary: Reader tries to break up with Ghost because she thinks she's not good enough for him.

Tags/warnings: FLUFF, soft sensual smut 🔞, hurt/comfort, light angst, Jealous!Ghost, Soft!Ghost, self-loathing & self-body shaming. Good girl talk/praise kink. Reader is female and wears a skirt for smut plot purposes.

A/N: I hope you like this take & I hope you don't mind that I tweaked this request just a little bit!) Also: JFC I'm wordy. The "I need to explain why they're fucking!" meme comes to mind every time I write anything.

Wars are exhausting. 

You know fighting for something can empower people. Fighting against something usually just depletes your strength.

But waging a war against yourself… 

Now that is pure hell. 

It started somewhere in your youth. You thought adulthood would take it away; that reason and tolerance would take it away. You were supposed to feel more confident in yourself, more positive about life. And for a moment, you thought you might just succeed.

But standing beside a god of war is no easy feat.

He came into your life like a walking myth, swept you away, and you only laughed as you went. It was fun at first. He was supposed to be your savior, the solution to all your problems. If a man like him found you attractive, perhaps it was the world that was crooked and not you.

But then you got soft: you started to gain pounds. Meanwhile, he became even more magnificent. It reminded you that it had all been just a dream.

Perhaps it was his eyes that seemed to worship you, that seemed to look past your every flaw. Perhaps it was the hands which never seemed to get enough of your skin. Whatever it was, it was too much. And at the same time, never enough.

The day has finally come to let him go.

You think yourself heroic. It's like it should be: it's only right that you finally release him to someone better than you.

But inside, the noble feelings twist and turn and curl around your throat and stuff your stomach full of ice - the kind they fill glasses of mojito with. The drink you'll always remember him by because he teased you about it: that you wanted an ice-cold summer drink even in the middle of winter.

Now you feel cold all over, and wish he could warm you like he used to. 

You would forsake all the mojitos of the world to keep him. You would renounce the whole drink if it came to that; if you could make him yours.

But he's not yours. He never was: he was just on loan to give you a taste of what it would be like to have a man like him. That taste should be more than enough for a lifetime. You should feel grateful.

So why is it so hard to let go?

The key on the front door turns, and your heart shoots up your throat: you're supposed to settle this thing once and for all. You're supposed to let go of him today. 

And still, when he arrives, you can't find the courage to say what you need to say. The words are stuck in your throat, but tears are not. He should already be a memory, but you find yourself suffocating on memories as you cry. You've learned to do even that in silence, like the rest of your suffering.

You take a few deep breaths, wipe the tears away, shove the rest of them down your throat – you save them for later, later, when he's far away and you can finally curl up and cry your heart out without no one there to look. Fucking later.

Good. 

Good.

Great.

You put your heaviest armor on. It protects weak and soft flesh because you can't meet him all bare. Then you step forward with the knowledge that you’re a thoroughly wounded guerrilla while he is a seasoned, well-rested veteran. The fight is nowhere near even, but it's ok. You are not meant to be in the presence of immortals anyway.

The man looks at you warily as you finally enter the room. That haunted look has followed you for some time now as the distance between you has grown. 

It should be easy, what is about to come, because he hasn't touched you in weeks. You haven't wanted him to.

Or you have… But it's not easy to have his hands on you when your body is only a vessel you hate. How can you even think about pleasure when all you think about is how it must feel for him to caress something as awful as this?

The man is a vision, and he settles for a peasant. It should be against the law, but it's not… so you figured a some time ago that you should simply find the strength and grace to do ii: do what's right.

"I need to talk to you." 

Your voice comes out neutral, and it makes you more confident, if only for a second or two.

He lifts his chin: already knows what's coming, because he's not stupid. You've been shutting down for weeks, and he hasn't done much about it. But when the thunder rolls in, he doesn't flee. Probably because he fears nothing.

"Go ahead then," he says, equally as neutral, equally as icy. Got his armor on, too. 

This should be easy…

It's really not, so you decide to rip the band-aid off in one yank.

"I think we should go separate ways."

The following inhale from across the room pierces the air like a bullet. You can hear his breaths gain depth and speed all the way to where you're standing.

"Ok."

It doesn't look or sound like he's ok. If anything, he looks like he's trying to process the sudden storm. 

"Ok…" His eyes are on the floor as he rubs the back of his neck. Then he starts to pace around the little kitchenette you've shared for almost six months, just before you started gaining weight.

He stops to look out the window, then turns to you, and the hurt in his stare comes through like a thousand needles pushing through skin.

"Is it because of my work?" 

"No."

"What is it then?"

Your breaths are getting out of hand, too. He looks like a lost, tired creature in an abandoned animal shelter for a moment, and it breaks your heart. It squeezes the organ inside a flaming fist until it shatters like it has never been nothing more than ice.

Your lip starts to tremble, and he notices, as per usual. Nothing escapes this man, except perhaps the true reason for your anguish.

"Hey. Hey."

He comes to you and hugs you like it's the only thing that matters: to comfort you when he sees you're about to cry, no matter how crushed he's feeling himself. The sudden warmth, the intimacy after weeks and weeks of pain is knee-buckling. 

"Is there anything I can do to change your mind?"

His voice is soft, so soft… The tears rush forth now; there's no way of stopping them. What the hell can you even say to a question like that? That you wish he could grab a magic wand and turn you into someone gorgeous, the woman he deserves?

His embrace feels good, kind of. It also feels smothering because your self-hate makes you want to disappear from existence entirely. His eyes are equal to physical touch, a probing scan that sees every little flaw, not to talk about massive faults, the ones which make you feel like you're simply disgusting. His touch only reminds you how you must feel like to him: soft, too soft, weak.

And he must hate weakness.

"What do you need me to do? I'll do anything," he tries with a parched throat, then swallows. 

It's fucking horrible. This isn't going at all like you had imagined.

"It's not about you," you struggle out of his hold, and he lets you go with reluctance. You have to basically fight your way out of a bone and steel prison. Why would he even want to hold a pathetic woman who's on the brink of ugly crying on top of everything?

"What do you mean?"

He's slightly breathless – and restless as fuck. He's usually so calm; nothing can get to him, nothing can rattle the tower of raw strength. Now you've not only pierced some invisible armor; you can hear pieces of it falling on the floor.

"Have you found someone else?"

What the…

"No." You put as much weight on that word as you possibly can. To imagine that he thinks you are cheating… Fucking cheating on someone like him. "Jesus Christ…"

He takes a deep breath and sighs deeply, sighs out relief, perhaps. Then his razor-sharp stare fixes on you again, and you can see the fear turning into something akin to concern. You suspect you have to tell him the truth, otherwise he will dig it out of you. 

"I'm just…" 

Jesus, this is just humiliating. 

"I'm just not your type."

"What the hell are you talking about," he mutters, the impending fury giving way to momentary surprise. 

He gets intense sometimes. This time, the ferocity is born of barely concealed distress. He's broad and magnificent, even in despair. He’s just so fucking fine… The perfect man, someone you had never even imagined yourself with. Pulled down to the world of puny mortals, evidently stressing about losing one. 

Losing you.

"If you have someone new, you can just bloody well tell me."

"It's not that. You don't understand–" 

"Try me."

"I just…" A tear escapes down your face as you finally break for him. "I'm fat. Okay? And ugly. And–"

"Stop right there."

The look on his face is just… It's priceless, you suppose.

"Bloody fucking hell…" 

He looks at the floor, then runs his fingers through the short cut hair on top of his head. You've yanked those blonde strands more times than you can count, nearly every time he's been between your legs, and you miss it – you long for it, like fallen angels long for heaven. 

And if there was a time this man was rendered speechless, you would say you were witnessing that moment right now. His brows knit together, then he looks up at you again with blaring disbelief.

"You're serious?"

"Yes."

"This is the reason you wanna break up?"

Ugh.

"Yes?"

His voice grows rougher with every question until it resembles thunder, and you suspect this is the commanding tone his soldiers are used to hearing. 

But you're not: it's gravelly, harsh, and betrays the feeling of having been insulted. You feel even more devastated with yourself – it appears you can do nothing right.

"Where has this… idea even come to your head?"

"I don't know." 

"And you never thought to ask my opinion?"

"Would you please stop yelling," you whisper and blink back some putrid tears. His mouth is snapped shut, his head pulls back just a little as he realizes what he's done. 

"Sorry," he says with a half-whisper, and you catch the strain in his throat. You've never seen him cry, but now his voice is suddenly thin and frail. "I'm sorry."

He takes a step, then another, places fingertips on the counter as if to take the faintest support.

"Can I touch you?"

You don't really want him to do that, but you feel pity for the man. He's trying to find a way through this mess, and you want to help him.

"Yes," you whisper, and he immediately comes and takes you in his arms again. Hot tears disappear into his shirt, and you sniff a few times. He feels so good, so safe, even when you're about to lose him. His hold tightens around you, and the kitchen is silent; the whole world is silent. You don't know if you're being put to a grave or if you're in a deaf womb, waiting to be reborn.

"Now I don't know who's said this shite to you but ugly is the last fucking thing I'd call you," he declares above you. As if it was some bully whose fault it is that you were this way, a bully he could deal with with his fists or a gun. If only things were that easy…

"Have I said or done something? To make you feel this way?"

Then the blade is turned against himself. The man desperately searches for a culprit so he can deal with them.

"No," is the only thing you can say because it's true: he has never done a thing to make you feel like you weren't good enough; quite the contrary. But then again, he doesn't have to. It's enough that he exists and resembles a god.

"Then why do you think you're not my type?"

"Because you're so perfect," you hear yourself wail, no, cry into that shirt that smells of sweet safety and familiar musk – his scent, another thing you have missed like it's the only way to heaven.

"That for sure ain't true."

"But it is."

He seems to have the utmost difficulty in grasping what the issue here is. You can almost hear the wheels turning in his head with a rusty, laborious creak.

"Can't believe you wanna break up because of this," he finally says. You've chipped his pride, the ego that lives off of pleasing the ones he loves: the few chosen ones who he wants to give his whole life to. 

"To me, you're perfect," he then says, and you simply… You stop breathing. "You're like… my dream woman. Ever thought about that?"

It can't be true, even if you vehemently, desperately want it to be. You reach out to his words like they're precious food after years of famine. Like they're sun and spring rain after being buried in the cold, dark soil whole winter.

"No…?"

"Never occurred to you that I might find you fucking beautiful?"

"Stop," you whisper, because it's too much to take in. He sounds so serious, so sincere.

"No, I don't think I will."

He pulls back a little and cups your face. Brushes away a tear, looks at you with so much love that it physically hurts; you feel like it's a lance that slowly drives through your heart.

"How about I kiss every part I love about you?"

You let out a soft little whimper. Fuck, that you want him to… 

It would also be uncomfortable as hell. To try and let him love you and your body, which you have grown to loathe.

"It's gonna take all night, though. Wanna be as thorough as possible."

"Simon–"

"Love. I want you. Thought I'd made it pretty clear, but apparently I haven't. If you only knew how much–"

He sighs deeply. The man is frustrated with his shortcomings, thinks that this is all his fault. You cry a tear or two just for the sake of how absurd it all is. 

"I don't want you to go. I fucking love you. Everything about you."

For the second time this afternoon, your lower lip starts to tremble as if this was some stupid, romantic movie. He can be so soft when he wants to, more romantic than the soft-spoken gentlemen in Jane Austen's novels. It doesn't even require any effort: underneath the cynical surface, there's fiery emotion, so powerful and raw that it almost bleeds out of him. Fuck… Does he even know what he's doing to you?

"I love you too," you whisper back, and the warmth that starts to bloom in his eyes is an entire sun on its own. It's hope, and you believe him, almost believe him.

"Then I'd say it's a bloody bad idea to break up."

You chuckle while few more tears push through to the surface.

"Simon…" You sigh and look back up at him, your armor falling to the floor too. "I feel like a wreck."

You allow him to see the pain, all of it. His breath is sharp as it hits him, but he still doesn't waver.

"Then let me help you."

The arms around you gain more strength, and you're crushed against a chest made of power. He tries to turn shit to gold, and threatens to succeed. You allow yourself to soften in his hold. How good it feels to be supported – no, loved.

"You don't even let me touch you anymore."

It's a filed complaint, but also heart-rending, soul-wrenching longing. You have evaded him for weeks now – hell, this shit began months ago and has escalated gradually, stealthily, until the moments together were a rarity, the space between you was full of frost; and not the crispy, happy summer drink kind.

"I thought you'd found someone else. Could've found out if that was the case in minutes, but honestly, I didn't wanna know."

Oh my God…

Has he lived with a growing suspicion and dread all these months? 

That would explain why he has avoided you too…

He has allowed you to go to your supposed lover, has given you space to be alone and without too much attention. The man has shielded himself from pain. 

Jesus fucking Christ.

"I'm so sorry," you say with a strained little breath. "I swear it's nothing like that. I just… I feel like a mess."

"Never seen such a gorgeous mess." 

He speaks on your skin, the kiss on your forehead feels like an absolution. 

Then you notice it's not only his words which try to assure you. He's growing harder by the minute against your stomach, just from a simple hug. Just from being pressed against you like this, after weeks of dry, bitter longing.

"Miss your taste," he murmurs to your skin, his voice like sand wrapped in burning velvet. "The sounds you make when you want it hard."

Oh God–

"Miss your smile when we go to shower after."

"Hmh…"

"Don't wanna live without that smile."

You don't have to. 

God, you don't have to…

"How about we make a deal," he draws fingers down your chin, coaxing you to look up at him. His eyes are stripped from the cold distance that greeted you just moments ago: now they are filled with warmth that spreads to your chest and belly and bones. You drink him in like summertide.

"You come to me every time you feel bad and I'll make you feel good. Alright?"

"...Ok." 

He tilts his head a little to the side, not entirely satisfied with your shy little answer.

"Come on. Make me believe it."

"It's a deal," you say with more grit to it, even if you're nearly crying again, this time from relief.

"That's my girl."

Oh fuck…

He knows exactly what strings to pull, the good girl talk being one of the things that instantly makes your legs feel like jelly. 

And why does he always have to use that voice when he calls you a good girl or his girl, that sultry smoke that makes you want to swoon until he catches you and carries you to bed?

The man seems to be a mind reader as well, because he sweeps you off your feet and does exactly that: carries you to your bed which has mainly seen silent tears and painful sleep last months.

"Poor thing doesn't even know how lovely she is."

He sounds amused in the face of your darkness: sees it in full and still doesn't fear at all. He's ready to battle your demons for you, and you feel like shaking: from his touch and that voice, from the stress and loneliness that starts to release as he lays you down on the bed.

He looks so different from the man that has haunted this place for the past months, the complete opposite of the reserved soldier retreating into the shadows.

He moves to kiss you, and it's been – what? Weeks since your last kiss? And even that was only a quick peck, nothing like this… Wet, and desperate; a devouring. It makes you clench around nothingness, and you finally surrender. 

No one can fake such fervor.

You try to accept it: accept the fact that even if you hate yourself, he does not. For some reason, he adores you. His breaths hit your face hot and urgent, and he can't keep his hands to himself anymore. They wander over your waist and hips, they even risk to steal a feel of your breasts, and then he groans in your mouth.

"I've missed you. Fuck, I've missed you..."

You taste notes of burning leaves; tobacco, his only weakness. You fantasize on the thought that you might be another weakness, too.

"Remember when I fucked you in my office?"

"I've missed you too," you utter softly in between the kisses that threaten to turn into a sloppy mess. "So much..."

He smiles at that, and it makes you weak, even when lying down like this.

"Yeah…?"

"You were so loud I had to put a hand over your mouth."

His voice is thick as he laughs a short chuckle. Your inner walls clench again at the sound, you throb among the warm syrup surrounding you.

"Never seen you so wet. Almost dripped all over my gear."

"It's that stupid mask you wear," you hear yourself breathe like you've just been underwater. Feel yourself throb some more, feel a burning sensation in the nether areas from the scorched desert turning wet again. You want him so much that it actually hurts down there.

"Knew you'd like it. That's why I kept it on."

If this man keeps talking, your underwear is going to be utterly ruined. And of course he does; of course he continues to pour more love in your ear.

"Everyone looked at you like you were a queen," he grunts in your ear, sounding almost… pissed.

"Don't be ridiculous," you try to form sensible words. It's only a faint breath, really, but he huffs at your modesty. 

"You don't have eyes in the back of your head, love."

Wow… He is a bit pissed.

Had they checked your ass out when you visited him? 

It was the first and, what you thought, the last time you got to visit him at his workplace… but you never would have guessed the reason for him not asking you to visit again would be jealousy. 

"Don't worry. I put those fuckers in their place after you left." 

Whoa. 

Ok…

First, he had fucked you senseless in his office – a highly inappropriate move for a man in his position – then got jealous because some soldiers had checked you out as you left with his cum practically dripping from your cunt.

You put yourself in his shoes for a moment: he's had to live with thoughts of you running to some other man's arms when he's not home, and then watch you waltz around his workplace after making what was supposed to be the last effort to make him love you… When he has loved and adored you this whole time, has watched the sway of your ass with the rest of those home-deprived, horny soldiers, thinking you had fallen out of love and were on your way to go see some other guy.

Had he invited you there to try and win you back, too? By showing himself to you in all his puffed up, masculine glory? A desperate man in a skull mask, hoping to get love from you…

There's so many misunderstandings; they rip your throat. A sob escapes, and he stops his caress.

"Love… Tell me to stop if you–"

"No. No, I don't want you to stop." 

Your request comes out with such demand that he hesitates only a second or two. Then he moves on top of you and tugs your skirt up. You don't even have time to realize what is happening before he has worked himself out of his pants.

He's hard and heavy between your legs, and your eyes go wide as you realize he's not going to bother to take your briefs off. He just slides a hand under the skirt and draws the fabric aside, and the fat tip of him is pushed in the middle almost clumsily. It's hot, and slips down to your opening with ease.

Oh f–

"Been jerking off to you nearly every night at the base," he says just before he pushes himself in. 

"Uh–...."

Your thighs spread wide as he fills you slowly, inch after inch. The sound that leaves him is starved: a dry, painful sigh. He's been waiting for this for god knows how long, and you're just as hungry to take him in. He seems endless, the way he finally works himself fully inside, spreading you even wider as the thickening base of his cock reaches its end. 

"Thought you were getting railed by someone else while I only get to fuck my hand."

"Oh god…"

There's really nothing else to say as his balls press against you, heavy and taut. He's not going to last long.

"Yeah. Imagine that," he admits, breathless like you. 

You look at him with what must be the most helpless stare of longing in your eyes. Then he moves, and you want to grip him to keep him inside. The first thrusts are divine, they're pure heaven, and your head sinks deep into the pillow as you try to get enough air, try to not scream from pleasure already. Somehow, all you are able to utter is a desperate little whisper.

"Simon–"

His cock is good enough to bring tears to your eyes. You're starving too, you're pulling him in with fierce hunger, and he groans, then nearly falls forward, his weight pressing against you, swallowing you, until you feel like you're an idiot for thinking that you're too big. The thickness of his chest rubs against you as he makes love to you with passion that echoes the first times you did this.

"Just wanna adore you, love." He's panting desperate somewhere above you. A god and a man, both furious and gentle. "I wanna adore you. Just like this."

You answer him with what must be those sounds he told you about, the sounds you make when you want it hard. 

You want him to fuck you, to wreck you after weeks of loneliness and hate. To love you until you break into a million pieces.

"Simon," you whisper. "...Love me."

He halts, huffs in your neck. It's almost a sob. There's so much emotion and desperation in the air that it could be scooped up and sold in the streets.

"Always," he rasps in your ear, then moves to kiss you again. "Always."

The promise echoes around you, it coats your lips as he loves you with all he has. It's been so long, and he feels so good that you nails dig into his shirt, his shoulder, you try to hold onto him even though he's the wave that rocks you.

"You feel that?" He goes deep; he's out of breath and desperate, even more desperate than you. "That's love. You feel it, yeah?"

"Yes," you sob in his shoulder, tears trying to escape your waterline as you're going dumb from the pure sensation, the sensuality of it all. 

"That's it, love. That's a good girl," he turns to your neck and gruffs in your ear as you whimper and moan. "Always such a good girl."

Shit…

"I, I'm gonna…"

Your legs wrap around his middle, your muscles twitch and your hands reach and grab – they claw and yank and tug everything they can: his back, shoulders, shirt, something sturdy to keep you from drowning in a glorious orgasm.

He laughs in your neck and continues to grind you through your climax even when you're shattering, sighing, moaning, writhing under him. He just laughs, the man who never laughs: from witnessing you respond to him calling you a good girl.

Fucking bastard…

Lovable, infuriating bastard who knows you to your core. 

You're an overstimulated heap by the time he comes as well, not long after you, but long enough to make you feel like you're only a tender bunch of nerves. Your legs have fallen to the side, he has open access to take what he needs: you, your love, all of it.

His whole middle goes tense as he cums, he groans and swears somewhere deep into your neck, rolls his hips over and over again like it's a must that his balls press against you with every thrust that shoot his load. 

Then he falls slack, nearly collapses on top of you, reminding you of what it feels like to be small under a giant like him. You're throbbing together, you're full and fulfilled, and he is still lodged deep inside you, panting and broken in a sweat.

"Jesus Christ…" 

He sounds dazed. 

Relieved. 

"Should've done this weeks ago."

You laugh at seeing him so done – a man in love, torn by jealous yearning, finally taking what's his. You stroke his neck, his back – it's so good to have him finally there… So close, with no barriers in between.

"I should've talked to you weeks ago..." 

"Yeah. You should have."

"Are you going to punish me?" You giggle a little – the flirt is light and frees your heart further from its recent jail. He moves to look at you with all the tenderness there is. It's too much... His love is too much. But you won't run from it anymore.

"Nah. Think I'm gonna spoil you some more."

He spoils you right away with a kiss. You surrender to his treatment with happiness: happy tears, even. 

The medicine to your anguish has been the exact opposite to what you had first tried, what you had originally thought. The true remedy for your sickness is mercy. Perhaps some spoiling…

And love.

[homunculus-argument]

A serious gritty graphic novel about a secret hidden society existing behind the scenes of the ordinary world that we know, whose members are considered almost a myth, feared, even loathed and despised by society for their uncanny abilities and appearance. Once they were respected for their talents and skills, as welcome in the courts of kings as they were at home on the streets of common folk, but now their name has been dragged to mud by a handful of bad agents, who have turned their former fame into notoriety, and frighten the common people for their own selfish gain.

The elders of the society have agreed to endure this indignity with dignity, and simply demonstrate by their own behaviour that their kind is not to be feared, slowly and gradually rekindling humanity's trust in them, to give people faith that they could work together to improve humanity. But one youth among them has had enough. He goes rogue.

Foresaking his peoples' peaceful ways, he goes down a dark path of the antihero, and starts to hunt down the traitors and frauds who have given his kind a bad name. In a slow moral slippery slope he loses himself, breaks the same codes of honour and law that the ones he hunts, using his powers for evil and selfish gain just the same as they do. In their last moments, some of his targets call out this irony - why does he think he's better than they are? Has he not made himself the monster that common people think they all are?

The protagonist refuses to hear it, he knows the difference: He knows he is no longer a part of his people, he will not call himself one, never again. He is willing to kill to defend the honour of a society he can never return to.

If you won't obey the clown code, don't call yourself a clown.

[princenotsocharming]

Greek mythology AU anyone? Alright, I need to get this out of my system, so... I know I don't share much of my personality on this blog and that's on me and my anxiety (I swear y'all are so cool and talented and I love your stuff, I'm just too chickenshit), but there's a little bit of info about me - I love mythology of any kind. I even took a Greek mythology course at uni, as any self-respecting finance graduate does... That being said, I've been playing with this myth-inspired idea for a while.

Have you heard about the story of Ganymede? A Trojan prince whose looks captured the eye of Zeus, who then decided to swoop in, snatch the youth and take him to Mt. Olympus to become his new cup-bearer? You might see it framed as a love story. I'm more inclined to see it as a tragedy - a young person being objectified and preyed upon by someone much older and then subsequently losing their mortal life for it. I would say the myth in itself is actually pretty dark. Ganymede doesn't ask to be taken to Mt. Olympus or to be made immortal. In most versions of the myth that I've read, he's not given any choice at all.

Anyway, I couldn't help but see sort of a parallel with Billy's story, as he's also heavily objectified and his looks seem to play a pivotal role in his arc, from all of the adult attention he gets to Neil's obvious disapproval. It could also be argued that it's this objectification that at least partially leads to his end (because no one can tell me that goddamn Karen was interested in his personality). All in all, another tragedy. You see where I'm going with this?

Anyway, rant over. Sorry for the long post. The painting itself was inspired by Pierre Julien's Dying Gladiator (1778). A closeup of the face is under the cut.

[artifacts-and-arthropods]

2,000-Year-Old Fayum Portraits from Roman Egypt: also known as "mummy portraits," these funerary paintings were often fastened to the coffins of the people they depicted

Above: Fayum portrait of a woman from Roman-occupied Egypt, c.100-110 CE

Fayum portraiture was a popular funerary practice among the upper-class families of Roman Egypt from about 50 CE to 250 CE. Given the high mortality rates for children during this period, many of these portraits depict children and youths, but adults were often featured, too.

Above: portrait of a youth wearing a golden wreath, c.130-150 CE; the wreath and the background of the portrait are both gilded

The population of the Faiyum Delta, where most of these portraits were found, largely contained individuals with both native Egyptian/North African and Greek heritage. The Greek lineages can be traced back to the Ptolemaic period, when the Greeks gained control of Egypt and began to establish settlements throughout the region, gradually leading to a cultural diffusion between the Greek and Egyptian populations. The Romans eventually took control of Egypt in 31 CE, absorbing it into the Roman Empire and colonizing much of North Africa, but the demographics of the Faiyum Delta remained largely unchanged.

Above: portrait of a man with a mole on his nose, c.130-150 CE

Many of these Fayum portraits reflect the same blend of ethnic and cultural roots, depicting individuals with both Greek and native Egyptian heritage (a claim that is supported by both archaeological and genetic evidence). Some portraits may also depict native Egyptians who did not have any European ancestry, but had been integrated into Greco-Roman society.

Above: portrait of a bearded man, c.170-180 CE

These representations of native Egyptians provide us with unique insights into the actual demographics of Roman-occupied Egypt (and the ancient world at large). Non-European peoples are rarely included in depictions of the classical world; it's also interesting to see the blend of cultural elements that these portraits represent.

Above: portrait of a priest of Serapis, c.140-160 CE; the man in this portrait is shown wearing a fillet/crown that bears the seven-pointed star of the Greco-Egyptian god, Serapis

As this article explains:

In the 1800s and early 1900s, Western art historians didn’t know what to make of these portraits. Scholars of Roman history labeled them Egyptian. Scholars of Egyptian history labeled them Greco-Roman. These binary academic classifications failed to capture the true complexity of the ancient (or, indeed, modern) Mediterranean. In reality, Fayum portraits are a syncretic form, merging Egyptian and Greco-Roman art and funerary practices. They reflect the cosmopolitanism of both Roman and Egyptian history.

Above: portrait of a man, c.80-100 CE (left); portrait of a bearded officer, sometimes referred to as "Perseus," c.130-175 CE (right)

Above: portrait of a young woman in red, c.90-120 CE

Nearly 1,000 of these portraits are currently known to exist.

Above: portrait of a man wearing a gilded ivy wreath, c.100-150 CE

Above: portrait of a bearded man, c.150-170 CE

Sources & More Info:

Curationist: Fayum Portraits

Harvard Art Museums: Giving the Dead their Due: an Exhibition Re-Examines Funerary Portraits from Roman Egypt

Getty Museum: APPEAR Project

Getty Museum: Faces of Roman Egypt

National Geographic: Ancient Egypt's Stunning, Lifelike Mummy Portraits

The Athens Centre: The Myth of Whiteness in Classical Sculpture

Forbes: Whitewashing Ancient Statues: Whiteness, Racism and Color in the Ancient World