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simpxxstan · 3 months ago

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HELLOOO!!! CONGRATS FOR THE 550 FOLLOWERS ON TUMBLR I HOPE U GET MORE FOLLOWERS BC UR WRITTING?? DELICIOUS 💗💗

But I would like to request seungcheol + dilfism ?? Like have u SEEN that man??

Thank you!! Have a good day!

HAPPY BIRTHDAY TO MY FAVOURITE MAN <333 thank you for sending this in! LOVED writing dilf cheol. i swear this man and his sexiness of 30s will be the death of me. inspired completely by his new glasses look at caratland 2024.

this is a part of my 550 followers event, but requests are now CLOSED.

genre: smut, enemies to lovers, age gap, dilf!seungcheol, lawyer au.

word count: 13k words.

warnings: MINORS DO NOT INTERACT 18+ nsfw content. 13 YEAR AGE GAP, mention of suicide, single dad!seungcheol, a ton of legal terms (not vouching to be accurate because i am neither a lawyer nor a law student nor is my research perfect), seungcheol is a bit selfish and toxic (but there's a redemption arc), ANGSTY angst, but A LOT OF FLUFF TO COMPENSATE. smut warnings: protected sex, oral receiving (f and m), mild dirty talk, implicit size kink, implicit spit kink.

"it's my first case!" you whine in surrender, slumping on the shoulder of your friend, as you both re-read the case file in front of you for the n-th time this morning. yoona pats your head, but she knows even she can say nothing to console you. it must be either sheer bad luck or some unknown person's vengeance, that you're against choi seungcheol in the very first case of your life.

y/l/n y/n: the lawyer of the plaintiff, hwang seola.

choi seungcheol: the lawyer of the defendant, KNT enterprises pvt. ltd.

nothing can save you from losing your first case in the worst way possible. not even the stellar letters of recommendation from your professors. not even your exceptional performance in the national lawyers examination process. not even your diligence during your interning years that's earned you the title of golden rookie. everyone expects you to make it big, including yourself- but that's clearly not going to happen if you lose the very first actual case you have to face in your life.

"at least no one will mock you for losing," yoona says in a meek voice. you scoff indignantly, "as if that's any comfort. still doesn't change the fact that i'm going to start off my career on the worst foot possible. why does my luck have to be so shitty?"

"hey, think about the positives. imagine how much of a learning experience it'll be. i know best how much you consider seungcheol as your idol."

you sigh. five years ago, when seungcheol had blown up across the country because of his historic debut in the court of corporate law, winning case after case and setting precedents that were welcomed with open arms, you'd looked up to him. five years ago, he'd walked into your college for an invited seminar during your first semester and blown your mind away. five years ago, you would cry in joy at the opportunity to even spend a minute in the same courtroom as seungcheol and see him in action. five years ago, he'd been the ideal man of your dreams- perfect in every damn way possible.

the only issue with that is that he's still the ideal man in your eyes. even if losing the case against him won't make your nervous, just being in close quarters with him for long hours will make you infinitely nervous.

"maybe i should recommend boss to let you take up the ca-" you tease yoona, and she squeals, whining protests instantly. "no thank you!" you laugh, hoping to lighten the tension of the moment. but the relief is only temporary, and the weight of the upcoming case lingers in your mind for hours later.

the first trial of the case is a week later. before that, you decide to change your mindset to a better thought process- even if you simply assume that you're going to lose this case, you're still going to give in your 100% so that you can step away with no regrets and only more knowledge gained. the first step to that, of course, is speak to your client personally, without the intermediation of the firm you work at.

mrs hwang turns out to be a woman just a few years older than you. the primary reason why she's suing the company her husband used to work at is because her husband had been driven to suicide by the constant pressure in his workplace to keep some illegal activities and fraud under the covers, which had not only harmed his mental health and morals but also affected the way his superiors judged his work performance. she may be young, but she's lost her husband merely three years after their marriage, and just one look at her face makes your heart ache in sympathy.

this isn't the first time you've seen such a case. during your years of study, you've studied plenty of cases involving companies ill-treating their workers and leading them to take up drastic steps in desperation. not only does this case come under a serious mistreatment of employees under labour laws, but also violates laws governing corporations which demand them to steer off illegal activities and maintain integrity. it's a very interesting case, and you're highly intrigued and instantly drawn into the case. there are several nuances that you know you may miss out by a hair's breadth if you're not careful. but you cannot take chances. if you have to even put up a fair fight against choi seungcheol, you're going to have to leave no stone unturned.

at the end of your discussions with mrs hwang, you're fully convinced that the company is indeed at fault here. however, you're going to have to prove it in court with the meagre evidence you have- which is low anyway, considering how big companies use their financial and social capital to turn such cases remarkably in their favour. the primary example of that being them getting seungcheol, the country's top corporate lawyer, to represent them, while mrs hwang can only hire you, a rookie lawyer at a lesser reputed firm.

however, as you walk into the courtroom, you convince yourself to not think about how the odds are against your favour from the first moment itself, to calm your nerves. you're here to debut with a bang, and you will fake it till you make it.

it doesn't work.

it doesn't work because the moment you enter the courtroom, you see choi seungcheol sitting next to the defendant's CEO on the other side of the room, dressed in the most immaculate suit, his glasses perched on his nose as he inspects the documents you've submitted in court prior to the trial as preliminary evidence. when you walk towards the bench you're going to sit at, he looks up at you.

it's a careful, measured glance. a glance of confidence, a glance of self-awareness. he knows he's going to win. and yet, he smiles at you indulgently.

moments later, he meets you halfway across the room.

"good morning. i'm seungcheol," he extends his hand for a shake, his nose upturned as he looks down at you with an aura that nearly blows you away. you wish that you hadn't worn heels tonight- because if he keeps looking at you like that, your knees are going to give up.

"of course, who wouldn't know you?" you steady your voice mustering a smile.

seungcheol's smile does not change. "it's nice to meet the golden rookie finally."

his words send shivers down your spine. there's just something about meeting your idol from so up-close that you want to submit instantly to his infinitely higher knowledge and experience to you. there's also something particular to him that's affecting your mind and body- because if seungcheol at thirty-one was handsome, he's absolutely godly at thirty-six. he's aged like fine wine- the rimless glasses sitting firmly on his nose, tiny wrinkles around his eyes, and a few graying hairs around his sideburns.

you don't get a chance to respond as the judge enters the court and you're pulled away to your bench, sitting next to a very nervous-looking mrs hwang. you forcefully drag your eyes away from seungcheol, who still has that tiny smile on his face as he talks to his client, and focus on your client, giving her much-needed confidence boosts (needed both by her and by you).

as anticipated, the first trial does not go well. it's just your fucking luck that the judge knows seungcheol already- but then, it was wrong of you to not consider that already, knowing how famous he is. on top of it all, mrs hwang breaks down in the middle of seungcheol's questioning, shaken completely by his straightforward questions and uncaring gaze, and the court gets adjourned, leaving you stranded without any proper progress against seungcheol's stronger case. the next trial is scheduled for a week later. you wish you could think that your work has been cut out for you, but it's far from that.

the second trial comes quickly- but it doesn't let you progress much further. seungcheol looks even more nonchalant on the second trial- dressed in another suit, he's less fierce today during his questioning. you don't notice it, because you're too flustered with your own work, but his eyes stray towards you more often. his eyes glaze over with something soft every time you make eye contact, and you immediately look away, like you've been caught in the act. but seungcheol doesn't let it slip- he keeps up his passive aggression when he's shaking hands with you before exiting the courtroom.

"tough luck, rookie. focus between the lines more."

his words make you even more nervous than before, but you put on a brave face for seola's sake. this motivates you to change your gameplan, and you decide to stop focusing on existing evidence, which is scarce, and use more verbal reports of other employees who have willingly stepped up to speak the truth after the suicide of their friend and colleague. by the time you're just three days before the third trial date, you have a solid set of verbal witnesses who will provide evidence on your side, but every time you feel slightly more confident than earlier, seungcheol's voice rings in your ears and you lose all hope.

on the morning of the fourth day, you receive an email from your boss.

y/n, please attend a lunch meeting on my behalf with some of our older clients (whose list i have attached below) today.

you jump to the opportunity- being provided a chance to interact with the old clients of the firm is a lucrative opportunity to impress those who've stayed with the firm from the beginning (and naturally, have graduated into stakeholders at the firm).

so it's safe to say you're in for a rude shock when you reach the lunch spot at a five-star restaurant along the banks of the han river, and find none of your clients but instead you find seungcheol waiting for you.

"close your mouth and stop drooling," jeonghan's voice somehow appears in his mind when he sees you enter the restaurant. "you make it obvious how hot you find women in suits."

but seungcheol cannot take his eyes off you. hasn't been able to for the last two times he's seen you. even if the courtroom is no place for indecency, he's had plenty of indecent thoughts whenever he's seen you, dressed in your suits and blazers, your curves prominent and your hair tied up in a practical ponytail. he should not think like this about you- he knows it. you both are set up at natural odds because of the case- but somehow, that makes him more interested in you. and seungcheol would not have it any other way. he looks forward to each trial of an otherwise boring case just to see you- the passion on your face whenever you're arguing your case, the way your mouth opens in shock whenever seungcheol casually dismisses a piece of information you've clearly worked hard on, the way you stare in exasperation at the witnesses when they speak against your stance, the hunger in your eyes whenever you're questioning his client, and the fire in you that burns you to work harder before each trial. seungcheol hasn't seen a lawyer as passionate as you in many years- most would have given up even before starting just due to his formidable reputation, but you're not even intimidated by his on-brand dead stare that works on everyone.

"i was told i'm here to meet clients of my firm. i didn't know you hired our firm for your personal needs," you cock an eyebrow as you stand in front of him, and seungcheol smirks. that attitude does nothing to filter his thoughts.

"would you have come if i'd invited you personally?"

you open your mouth to say something but he beats you to it. "have a seat, please. let's enjoy lunch."

you do so immediately. submissive. "but i still don't understand why i'm here." bratty.

he places a finger on his lips as the food he's pre-ordered arrives. the smell of the delicious food breaks your frigid attitude, it obviously helps that seungcheol's ordered your self-proclaimed favourite dish on your public instagram account. "i'm sure you must be hungry." seungcheol digs in himself, his eyes on yours as he carefully licks the spoon clean. your eyes flicker to his lips instantly before you're staring back into his eyes, defiance laced in your gaze. you pick up the spoon and start eating as well. seungcheol smiles.

i'm a dad to two daughters. i know how to tame brats.

after a few minutes, he finally speaks. "do you know the first step to winning a battle, rookie?"

you look up and tilt your head slightly in question.

"knowing your opponent."

"i already know you."

"that's what you think. that's why you're not going to win."

your eyes flash with anger. "are you just going to rub that into my face? is that why i'm here?"

"so what? you don't want to win? isn't the most loved story of human history the tale of the underdog?"

"frankly, my opponent isn't even you. it's your client, who isn't even here. so i don't understand the point of this meeting."

"so much can be learnt merely through observation, rookie. you can't know someone by looking at their annual reports and how much money they pay their employees."

"i don't need to know anything more than that! unlike you, i don't wish to meddle in people's personal lives to win cases. i don't need your brain games."

seungcheol chuckles. "the courtroom is nothing but brain games, rookie. think how far facts can take you, and then think how much further imagination can take you."

you gasp, pinching your nose. "i'm sorry, what? imagination? i'll win on evidence and evidence only. i used to admire you as an icon of law. but now, when i see you defend an obvious criminal with such blatant stubbornness, i'm having second thoughts."

"obvious criminal? are you telling me you've obtained the evidence you need to prove my client guilty in court?"

"and what if i do?"

seungcheol sits back, squaring his shoulders to his full stature. "you shouldn't tell me about it then, rookie."

"when you'd walked into my law school five years ago for a seminar, this wasn't the choi seungcheol i'd grown to love as an icon."

fuck. five years ago? just how young were you?

"i'd advise you not to get emotional about the case. the courtroom is no place for admiration or lov- or any other emotions."

"and yet, you have no desire to live up to the expectations of hundreds of law students like me who look up to you? you don't care about the youth you're letting down with this attitude?"

"why should i? i'm surviving just fine, aren't i?"

by this point, seungcheol can see the way your nails dig into your own palms in frustration. it's so amusing, how emotionally you're dealing with this. in a world of black and white, seeing you behave gray in every scenario makes seungcheol think he's lived thirty-six years of his life incorrectly.

finally when you cannot come up with any rebuttal, you stand up, dragging your chair on purpose to make noise. "there's absolutely nothing more for me to talk to you about. i hope you've learnt about me today, choi seungcheol. i've certainly learnt a lot too." and you walk away before he has the opportunity to say anything.

lunch with seungcheol leaves you shaken and stuttering. even as you open the door of the cab outside and ask the driver to take you to the office without a second thought, you spend the entire journey lost in your own thoughts. every little moment of the meeting lingers in your mind, unsettling your confidence. from the way he calls you rookie to his quiet arrogance and confidence, everything about him is so frustrating and yet... he draws you in. your perception about him has definitely changed after today, but even with the added understanding of just how selfish choi seungcheol can be, you can't ignore the sheer attraction you feel towards him.

it stays on your mind through the next three days. and on the morning of the third trial, you're stuck with two different thoughts plaguing your mind.

the first: a genuine concern about how the third trial is going to pan out. it's likely to be your last chance to even bring the judge's opinion to your side, because if you can't present good enough evidence today, there's no way to sway the jury to your side.

the second: choi seungcheol is a man who annoys you but you also have this innate craving to impress him. your respect for him hasn't changed, but your conversation with him has revealed to you just how cutthroat the world of law really is. and his suave attitude, the confidence with which he's so sure he's going to win, and his infinitely superior experience to you makes some part of you so desperate to seek his attention and impress him. show him that you can do well too. show him that you're not going to make beginner's mistakes. show him that you're more than a mere rookie.

but when you walk into the courtroom, seola next to you, your sunglasses perched on your head, you stare at the empty bench behind you. it was supposed to be full with the four witnesses you'd invited today and were relying on to sail through the the third trial. frantically, you ask your colleague who's assisting you in the trial, "where are the witnesses? are they running late? can you ple-"

"they're not going to come today, y/n."

seungcheol's icy voice cuts through the chaos and reaches you sharply. you spin around to find him dressed immaculately in a midnight blue turtleneck that shows off the stubble growing down his jaw.

"sorry, what?"

"you heard me the first time. none of them are going to come today."

"and how do you know?"

seungcheol smirks as he shrugs and takes a step closer towards you. "i have my ways, rookie."

you're fuming at this point, but you really can't speak your mind because seola breaks down in tears right next to you and you can't help but shift away your focus from seungcheol's dangerous eyes and take care of her.

it's honestly a miracle that after the complete sweep that seungcheol presents in the third trial, with no new evidence nor substantial evidence from your end, you still get another chance at a fourth trial, scheduled two weeks from now, in a pitiful announcement from the judge, imploring you to use this final chance to collect as much as evidence as you can.

when the trial ends, you ask seola to go home, and you lock yourself up in a bathroom stall in the court building, trying to come to terms with everything that's come to pass today. it's been an overwhelming morning and you're still shaken badly by it all. every moment you spend in this world with seungcheol, he seems to make it his personal mission to show you that there's no place for softness or emotions in this cut-throat world.

when you exit the washroom, you find seungcheol standing outside, an unlit cigarette between his lips.

"did you bribe them?"

he turns to look at you, his eyes clearly wide in surprise. "what are you saying?"

you take a step closer to him, your entire body shaking with fury. "did you bribe the fucking witnesses?"

"we're in public, woman, control your tongue."

"i'm not ashamed of anything i'm saying though, are you?"

seungcheol's lips twist in distaste and he drags you away from the public place to a quieter spot secluded near the parking lot. "i understand you're frustrated because of that no-show today, but you're speaking nonsense-"

"i'm speaking perfect sense, seungcheol! only you knew that i was going to bring in witnesses today."

"only me?"

"except two people at my firm, one of who is my best friend, and the other is a colleague who's assisting me in the case."

"who knows? maybe your friend's the snitch-"

you step closer to him, seething in anger. "don't you fucking make false allegations, choi seungcheol!"

"you're the one making false allegations here, really."

"you'll have to admit it, seungcheol. someday. if all your fame and reputation has been through such cheap tricks and under-the-table dirty business, you'll have to pay for it-"

"or what?" seungcheol puts back the cigarette between his lips, and lights it with a lighter. he takes in a big puff, and exhales right into your face. "or what, y/n? maybe you should take my advice instead. and stop making rookie mistakes."

as he walks away from you, you shout behind him, "i'm going to expose you, seungcheol!"

"empty threats, la la la." his voice trails back, sending shivers down your spine, as you're left alone in the dark parking lot, wallowing in your own pathetic helplessness.

your search for further evidence has led you to a complete dead-end. the most important thing that you need, the one that will clinch the case for you absolutely, is any - even one- document directly coming from KNT to seola's husband. unfortunately, you've gone through his emails and fax multiple times, but found nothing. nothing on his laptop, no hard drives, no soft drives, no external devices, nothing on his mobile phone or other such devices either. today you're searching all his belongings again and again, but it's still the dead-end. you realise that there's no point looking for more witnesses because seungcheol's just going to drive them away by whatever tricks he's using. and you're confident that seungcheol's thinking a step ahead of you- so any new evidence sources that you might come up with now might have already been dismissed by seungcheol through some back-up plan of his.

"seola, i need you to think once more, please. did he use any other device apart from the one at his office and the one at home? any laptop or any other mobile phone?"

"no... i can't remember anything else, really. we couldn't afford anything more too..."

you grimace. "i hope you don't get offended, but i'm sure he received quite a bit of money from whatever services he was providing KNT. enough to motivate him to keep quiet and hold on for so long. otherwise an honest man like him wouldn't want to get into this mess, would he?"

seola doesn't reply immediately, tears silently dropping down his cheeks.

you sigh and place a hand on her shoulders, rubbing softly as she breaks down into more tears. in the last few weeks, you've become surprisingly quite close. you've comforted her through her worst moments, feeling compassionate both as a woman and as a lawyer. and she, in turn, has helped you without any qualms, in not just the case but also lent a patient ear to you whenever you've wanted to rant, made ramen for you whenever you've worked till late, and let you stay over at her place whenever the rain outside's become too torrential for you to take the bus back home.

after a few long moments, seola is finally able to gain back her composure. "y/n.... he did mention something about an outstation office... towards the outskirts of the city. he used to go there twice a month. he told me it was for sending out packages to the other branches of the company... but maybe you could see there once?" your eyes light up with excitement as you hear seola's words. is this finally the breakthrough you'd been looking for through high and low? is this finally going to be your trump card to win the case? your rational side tells you to not become overjoyed immediately, but something in you is desperate to see that cockiness wiped off seungcheol's face, and bring him down to earth from whatever higher place his arrogance has placed himself at.

"seola, can you give me any tentative location for it? i'm going to go check it now."

"now? but the forecast is showing there's going to be thunderstorms tonight! there's so much thunder grumbling out there-"

"it doesn't matter, seola. i can't afford to lose any more time."

seungcheol's been stuck in traffic for almost an hour now, and the windshield wiper is absolutely useless in preventing the rain from cascading on his front window. the rain is relentless- just like the thoughts tormenting his heart. the reason he's returning home so late is because there had been a dinner party at the workplace cafeteria, hosted by his colleagues and closest friends, jeonghan, joshua, wonwoo and minghao. they're all lawyers with their own reputations, and the only friends they all have now. the point of the dinner? celebrating seungcheol's (upcoming) win in the KNT vs mrs hwang case. (and also to get seungcheol's mind off y/n, who's distracted him from his work all week, ever since their encounter at the parking lot of the courthouse.)

it'd been a mistake to stay out for so long. a sheer lapse of judgement, and seungcheol has not choice but to curse at himself right now. his daughters have called him already, their voices sleepy as they stay up for their father to return home to eat ice cream with them, before they fall into bed.

"and yet, you have no desire to live up to the expectations of hundreds of law students like me who look up to you? you don't care about the youth you're letting down with this attitude?"

y/n's words ring in his mind.

as the rain pours down cruelly, seungcheol's heart lets out silent cries.

he's a failure.

he's failed his family. thirteen years ago, when his parents had cast him out of their house after he'd failed to get a job at a good law firm.

that attitude's gonna get you nowhere, kid! stop running your mouth and focus on your work!

he's failed his first love. nine years ago, four years before he'd finally made his mark in the country's law scene, his wife had divorced him and left their children with him, because he'd not been able to earn enough for her.

stop being such a social activist, seungcheol! the world isn't soft like you. stop being so stuck up and emotional!

and now he's failing his daughters. day after day, they'd stay up late, waiting to spend some quality time with their father. night after night, they'd end up sleeping alone because seungcheol's insomnia didn't let him sleep with them. month after month, he'd promise to take them to their long-due vacation, but he was always too busy to take leave for two weeks at once. year after year, they'd wait for him to come to sports' day but seungcheol could never make it.

appa, if you can't take us to jeju... can we go for the school trip this year to jeju? all our friends are going to go for it...

all these painful thoughts triggered simply by one person- you. you're an unprecedented variable in his life, someone he couldn't even imagine to be a part of his life even a month ago. and yet, you've made him feel so many emotions, that had become dormant for years, in such a short span of time.

he's disappointing you too.

he doesn't know why it hurts what you think of him. seungcheol had thought that at thirty-six, he's finally ascended from these petty thoughts. but somehow your judgemental gaze, your innocent words and your fresh perspectives have shaken him to the core.

or perhaps he does know why, and he doesn't want to acknowledge it.

you remind him of himself.

but you're far better than he was. he'd been a coward, a loser, too quick to give up, and too hasty to drown in his own pity party. you're a fighter, a challenger, not accepting the cruelties of status quo, and too passionate to give up your sense of justice just to fit in with the cut-throat dirty reality.

you're 10 times the lawyer than he could ever be, and something about that makes him so inexplicably drawn to you.

because you're the person he's always wanted to idolised.

no wonder that when you'd told him that you'd looked up to him as an idol, he'd laughed at himself.

the traffic jam disperses slowly, and seungcheol breaks out of his daze. the clock shows 10.30 pm, and the rain shows no sign of stopping. thankfully, the traffic is now moving smoothly.

after almost half an hour of standing at the bus stop, waiting for something to pass by, there's finally a car with a very bright beam slowing down in front of you. it's a private car, but you hope it can give you a l-

"what are you doing here?!" the words escape your mouth as soon as you notice who's in the driver as the car window rolls down.

"get in, rookie."

you consider hesitating, but seungcheol's car looks warm... and safe. so you do get in, hating how there's water everywhere you're touching, spoiling the clearly expensive leather of the seats. but seungcheol doesn't say anything even as you shuffle in and finally settle on the passenger seat.

he thankfully doesn't ask you anything as he lets you take a breath and get warm enough. so about five minutes pass before he asks you, "what were you thinking, standing out there in this rain?" his voice is low, almost cracked, but laced with serious concern. you notice that he's still dressed in his typical suits. is he returning from work so late?

"i had work here," you say carefully avoiding the connection about the case.

"so late at night?"

"it was important."

"that it couldn't wait till the morning?"

"no."

you're aware by the way his jaw is clenched that he's getting annoyed by your short answers. but you have no option except to be as vague as possible- his mind works too fast for you.

"where's your home?"

you tell him the locality, and he sighs. "that's on the opposite side of town."

"i know, just... maybe you can drop me at a more crowded bus stop? the one where i was waiting was a bit remote, but a more crowded one will definitely have more frequent buses-"

"you're out of your mind."

"huh?"

"just because you're irresponsible doesn't mean i will be too. i cannot and will not leave you in the middle of the road in this rain so late at night."

"seungcheol, i don't want to barge-"

"you're not barging into anything. you'll come home with me, change into drier clothes and sleep in for the night so that you don't fall sick."

"y-your home?"

"yes. do you have a better idea?"

you gulp, his gaze stern. you don't have a better idea, in fact getting to change into warm clothes and get into someone's house sounds divine right now. the only problem is that it's.... seungcheol's home. if you can't handle him in his everyday suits, you wonder what thoughts seungcheol in his natural abode will spark in you.

"i'll always be grateful to you."

seungcheol nods, and the rest of the journey is silent.

seungcheol doesn't know yet if it's a good or a bad idea. he did it as an impulse- perhaps some part of him hopes he's still redeemable in your eyes, so he wants to do the right thing for once. but he won't know if it's the right think for everyone until he reaches home.

when he parks the car and takes you up to his flat, he can hear the television blaring harry potter from outside the flat, and he can see the way your eyebrows furrow at the sound. so he slowly unlocks the door, to reveal his two daughters sitting on the couch, undoubtedly watching their favourite harry potter movies again, wearing identical pyjamas specially designed for the identical twins.

he can hear you gasp as you step into the house, and the girls come into your view.

there's an awkward moment of silence and staring, before sol comes running to him and wraps herself around his waist. "appa! we're right at the last scene of prisoner of azkaban, your favourite part!"

seungcheol almost tears up. how can they welcome him so warmly every night even though he's come home so late?

he clears his throat. "sounds like you've been having fun, girls. but first, say hello to y/n unnie-"

"imo," you whisper next to him, your figure shrunk with the cold.

"no unnie," he whispers back. "this is choi sol, our maknae, and that's choi byul, my eldest." the girls wave and shyly say hello, their dimpled smiles flashing politely as they bow. you bow back, "hi sol and byul! sorry you're meeting unnie in this state~"

"are you also a lawyer?"

"did you get caught in the rain?"

"do you work with appa in his office?"

"do you want fresh clothes?"

you giggle at the contrasting questions from the two girls, their starkly different personalities evident. "yes, yes, no, and yes please, if you could be so kind," you smile back, your dainty lips curving into a pretty bow that takes his breath away. sollie shifts from where she'd been wrapped around seungcheol to take your hand gently. "do you think my clothes will fit you? i think byul's clothes will. she has a very warm nightdress..." and she drags you away to her room, welcoming you in without even a single moment's hesitation. byul is more reserved in her welcome, but still warm. she follows the two of you shortly, and seungcheol is left at his doorstep alone, but filled with such a flurry of emotions in his heart that leaves his soul warmed unlike he's felt in years.

about twenty minutes later, he comes out of his bathroom after a refreshing warm shower, his hair soft after the shampoo. he can hear voices from the kitchen, loud-pitched voices of his daughters and the softer, lower voice that he recognises as you.

"unnie, do you want to have ramen?" byul's voice rings out. "we were going to have ice cream but you might feel too cold for that." sol adds, "did you eat dinner, unnie? didn't appa eat dinner with you?" "no, w- we- he picked me on the way when he saw me stranded in the rain. we didn't have dinner... together."

seungcheol's heart breaks and heals a little at the same time. he's taken the right step for now... but seeing his little girls like this have generated images and thoughts in his mind that he had shelved away forever.

the idea of a family.

the idea of giving them a new mother figure.

as he walks towards the kitchen, he can see the way sol and byul cling to you although they've met you barely half an hour ago. perhaps it's because they don't have any cousins and you feel like a sister? perhaps it's because they like bossing over adults, especially since they boss over him so much? perhaps it's because they've already been charmed by your magnetic appeal- your softness and your innocence, mingled with an intelligence that lets you befriend everyone.

"are y'all annoying y/n already?" byul immediately faux pouts, and he can see your eyes light up. "seungcheol, she looks exactly like you," your voice whispers with the revelation. "yes, she's my daughter. kinda expected, don't you think?" he laughs. it's sarcastic of course, because sol and byul actually resemble him more than any other father-daughter pair he's seen in his life. it's almost like they haven't gotten any of their mother's genes. and seungcheol doesn't really regret it. it's been nine years, he's gotten over that pain. his only regret is to not be able to provide a second parent to his children, who'd grown up in spite of being cut off completely by their mother. and his busy life has left him with no space to date or even think of marriage...

except right now.

right now, when he sees you wearing byul's nightdress that barely reaches your knees, cooking ramen with sol sitting on the kitchen counter next to you, chatting away about harry potter, and byul carefully carving out ice cream into bowls for the four of them, seungcheol thinks maybe it's time.

maybe he's found the one.

and maybe, he's already fallen beyond scope to return.

you didn't get much chance to talk to seungcheol last night, but when you wake up on the guest bed the next morning, you can see him as soon as you open the door. he's sitting in the balcony, sipping a cup of tea, reading a newspaper, his glasses sitting prettily on his nose.

"morning," your voice is still raspy in spite of your sleep being perfectly fulfilling.

he turns to look at you, his gaze uncharacteristically soft, much different from how he sees you at court.

"hi. tea?"

you nod, and wobble over to sit next to him. the tea clears your throat a lot, and you can finally open your eyes wide enough to see the glorious view from his balcony. so you soak in the nature for some time, while seungcheol buries his nose into the newspaper again.

"i didn't know you were a father."

seungcheol hums. "did you like them? my girls? they liked you a lot."

"can't help but not like them. they balance each other so perfectly- as if they're your twin personas."

"that's deep."

"but it's true."

seungcheol chuckles and goes back to his newspaper. the morning air hits your face and you feel so much more alive than you'd normally do on a thursday morning. "when do you have to get to work?" he asks you.

"i still have about an hour and half left."

"will you go home and then-"

"yeah. the office is really close to my place, like a minute's walk. so i'll leave soon, don't worry-"

"you'll stay for breakfast." seungcheol says firmly. "the girls will want to see you before you leave."

and you can't turn that down. so you simply nod in agreement, carefully taking a look at the man sitting across you. seungcheol at home is so unimaginably different from seungcheol at court. if he's fire in the courtroom, then he's water at home. he's cold and practical in the real world, but with his daughters, he's the most gentle person you've met. something about the soft smile he gives when he indulges his girls. something about the way his eyes light up whenever they talk to him about anything, even if it's trivial. something about the way he's taken care of you since last night, not just giving you a shelter during a terrible night but also giving you so much warmth from his personal life. it's all made you see a completely different side to seungcheol than you'd met at the courtroom, and it's changed the way you've grown to see him completely.

now you know that seungcheol was not harsh to you that day at lunch, he was simply being realistic. his cockiness and arrogance is just self-confidence, it doesn't define who he is as a person. and he's still a man you can look up to and admit, without shame, to yourself that this is the ideal man in your eyes.

your phone pings right then, and you open it to see the mail that's arrived.

the cup of tea almost slips and falls from your hands as you jump up in your seat in joy. seungcheol looks up at you in alarm, "what happened?" your smile is bright, just like the sun this morning. "i have an emergency at work, i'll have to leave now! please say goodbye to sol and byul from my side!" and you rush into your room to change into your clothes from last night, still damp but at least cleaner, and you literally run out of the house, waving and thanking seungcheol again and again, leaving him very very confused indeed.

seungcheol feels incredibly at peace the next day when he walks into the courtroom. even though you'd disappeared suddenly like that without any explanation, he's quite sure that he's back in your good books. not that it matters much- because what really counts is how he's feeling about himself. and after many years, he's feeling good. the usual guilt that engulfs him as a whole every day as he wakes up to face a new morning, isn't bothering him. he feels like he's achieved something, he's done something right, and he's going to get better from now on.

but as soon as he pushes open the doors of the courtroom, he feels like he's missing something out. everyone on his side of the bench seems flustered as hell, papers rumpled and expressions distraught. but he doesn't get an opportunity to ask what's going on because you catch his attention first.

"seungcheol, can we talk for a second?"

"not right now, i have to talk to my team-"

"this is urgent. you'll want to hear this, i promise."

seungcheol lets out a long sigh as he takes in your words. there's a crisp confidence in your words today that intrigue him. "okay go ahead," he finally replies.

"in private, if you please." he follows you wordlessly out of the room, and you lead him out towards a small isolated office in the corner of the building, that's totally deserted. seungcheol leans back against the closed door, completely silent as he waits for you to settle your papers and finally look up at him.

"so what's this about? you wanna kiss me or someth-"

"you're going to lose the case today. i've found enough evidence to prove the absolute guilt of KNT, and the ceo will go to jail by the end of the court session today."

"you're bluffing me."

"i can show you the evidence, but i'd rather you'd see it in court."

"then why are you telling me this now? to pity me?" seungcheol's mouth fills with bile as a dread settles over him. the tables are turned- now he feels as rattled as he had seen you feel that day at lunch. what if you're being serious right now? what if you've actually found incriminating evidence? but he's gone through all potential sources of evidence with his client, left no stone unturned to hide all tracks-

"so that maybe you can step off the case in time. do you really want your daughters to find out you've been defending your client for so long knowing you're defending a criminal?"

seungcheol's heart skips a beat.

"do not bring them into this."

"i'm not bringing anyone into anything. this is just me being nice to you because i know what it feels like to be disappointed by someone you look up to."

"do you hear what you're saying, y/n?" he takes two steps closer to you. "this is borderline blackmail. i don't even know if you're bluffing or not, and you're already blackmailing me using my daughters. have you fallen to the same crude level i'm in? are you going to disappoint me like this?"

his words have the expected effect on you. he can see your cheeks flush pink. "seu-seungcheol, don't twist my words." you take a step back, your back straightening as he sees confidence seep back into your face.

"and maybe you should stop worrying about my morals and worry more about how badly you're going to lose the case. from next time, don't make rookie mistakes." your finals words, before you leave the room, ring in his ears and cause goosebumps to erupt all over his skin.

as soon as you're gone, seungcheol slams the desk in front of him, his brain running at a hundred miles an hour. what might have slipped from his sight? what might he have missed? he immediately calls the ceo of KNT enterprises.

"what have you been hiding from me?"

"oh? mr choi, what happened to greetings? good morning to yo-"

"nothing's good about today morning, mr kim. what have you been hiding from me? i'm not going to ask you again."

"nothing! i've bared my entire soul to you for the case."

"mr kim, there's a fresh piece of incriminating evidence that's been found, and i cannot do anything to stop mrs hwang's lawyer from submitting it to the court unless you tell me what it is exactly."

"mr choi, you're mistaken, there's nothing left to be wiped-"

"the first rule of a client and lawyer relationship," his voice is seething and snarky, volume rising with each word, "is that you should never lie to your lawyer." seungcheol knows if mr kim was in front of him right now, he'd be quaking in his shoes. he can imagine a similar situation on the other side of the phone too. he knows he's intimidating enough when he wants to be.

"i didn't think it would be important-"

"you're not the person to judge what's important and what's not, mr kim."

there's a sigh and the voice becomes shaky.

"there's an outstation branch..."

the case ends unceremoniously. there are no paparazzi waiting for you outside the courtroom, ready to capture your life's first win. there are no cameras flashing on you, no historic moments being documented, no crowds gathering to celebrate this win for the masses.

there's just seola's happy tears and a wildly beautiful feeling of victory in your heart as realisation ultimately sinks in for you. it's a clean win- the evidence showing unmatched proof of orders coming from KNT to mr hwang, detailing all sorts of illegal activities and even records of payments being made to mr hwang. it's really crazy how it's not been eradicated cleanly already by seungcheol. clearly, either he or his client had underestimated you.

but you'd proven them wrong.

yoona's the only who comes to see you outside the courtroom after the win. there's a bright smile on her face as she hugs you and congratulates you. seola promises that she's going to take you out on a treat right now. other colleagues from your workplace call you to congratulate you on the win.

and yet you feel empty.

seungcheol's gone. he hadn't come for the trial. he'd not been in the courtroom for the final statements, his aide quoting something about a family emergency. he'd run with his tail between his legs, ashamed of his failure and finally realising his stupidity. this thought should be giving you satisfaction, but surprisingly, it doesn't. it leaves you feeling empty, still wanting something even though you've won the case just now.

but there's no way to reach out to him. you don't even have his number for god's sake, and it would be awfully awkward to go to his house. and what would you say? that you missed seeing his sad face in court when the verdict was announced? that you wanted to see if he'd be proud of you for winning the case? that you wanted to impress him by beating him in the case cleanly without any dirty tricks? so you go to eat out with yoona and seola, and decide to stop thinking about seungcheol any further.

it's about seven in the evening when you make it back to your tiny flat in a shabby part of town, the house dark as you'd left it in the morning after rushing home from seungcheol's place. you smile to yourself when you unlock your home using the password on the door, thinking of how you'd been with seungcheol's adorable daughters last night, and how much fun you'd had with them.

your bag falls from your hand as you open the door.

"seungcheol?!" your voice is a shaky whisper, shocked to see him inside your house. "how the fuck did you get in?"

he's still wearing the suit he'd worn in the morning, and yet he looks divine in the dim reflection of lights from the world outside the window.

"your password's your birthday. got it on my first try."

"and how do you know my birthday?"

he takes a step closer, his body towering over yours. "shhh. it's called knowing your opponent."

there's something so oddly intimate about seeing him in your flat, in the shadows of your home. the street light illuminates one side of his face, and you can't breathe because of how gorgeous he looks.

"why do you know my birthday, seungcheol? really it's not going to help you in any way-"

"it did help me get into your house."

you lightly pick up the bag from on the floor next to you, and you walk past him. "which brings me back to the first question. why are you here?"

you're purposely avoiding his gaze, the intensity making you feel things. there's a plethora of emotions in your heart right now- finally the emptiness in your heart dissipates as you can feel yourself surrounded by seungcheol. you're taking off your blazer, untying your hair, walking over to the sink to wash your face... but you can't ignore the way you can feel seungcheol's eyes on your back. his heady scent clouds your senses, and you feel weak in your limbs. first he's intruding your house, and now your heart too?

"i have a question to ask you." he speaks after a long time, when you've finally cleaned up and taken out a cup of strawberry yoghurt from the refridgerator.

"you could've asked me on the phone." you lean back on a wall, putting yourself as far away from seungcheol as possible in your tiny flat. he's in the darkness, you're in the light, but you're still feeling small and vulnerable under his gaze.

"i couldn't. it's serious." he starts walking towards you.

"seungcheol, if this is about me trying to expose your shit, i'm not going t-" seungcheol puts his hand on your lips, pushing you against the wall.

"fuck that. this isn't about that."

you cock your eyebrow, mumbling against his hand, "then what is it about?"

seungcheol doesn't answer at once, his gaze continuing to pin you against the wall, and a hand comes around you to trap you between his bigger body and the wall. "seungcheol?"

"answer me honestly, okay?" his voice is raw, slightly wobbly, and you're getting more and more curious. you nod slowly, encouraging him to say whatever's on his mind. but he doesn't say anything. a few minutes pass just like that- or maybe an hour. his scent makes you dizzy, you can't think of anything but how his big figure is over you totally.

"when you said you looked up to me in college... i know i ruined that image. b- but... can you... fuck. wait. canyoueverforgiveme?"

"what?" you ask, confused at what he just said. he removes the hand from your mouth, standing even closer than before.

"can you ever forgive me? will you let me show you a better side of me? can i ever get in your good books again?"

your breath stops for a second. why does this matter for him? doesn't he already know the state he's left your heart in since last night- ever since he'd brought you into his car, he's already been promoted to your ideal man again.

"show me a better side of you? what do you mean, seungcheol?"

he sighs for a second, before straightening his posture, becoming impossibly even bigger.

"will you ever see me as a man, y/n?"

your knees almost give in. the fuck is his implying? are you dreaming this? is this a fever drea-

seungcheol leans in and kisses your cheek, close enough to your lips, his breath falling on your skin, and making your body tingle. "will you let me show you myself to you like this?" on instinct, you tilt your head away to give him more access, your body shivering with the intimacy. so he kisses your cheek again, closer yet to your lips, and you turn your head slightly to capture his lips, but he moves away.

"y/n, don't leave me hanging please. i know you might find this odd... but i've come to feel things for you that i didn't even know remained in me. you're an extraordinary woman, one of a kind. in all my life, i haven't met anyone like you. not even my ex-wife. you don't know this yet but you're the ideal image of perfection i've always thought of."

then he stops talking for a second, clearly expecting an answer from you. but your mind can't form words, not with the way you have tunnel vision on his face right now, your eyes drifting to his pretty cherry lips, to his long eyelashes, to the beautifully expressive eyes you've fantasised about since your college days.

"y/n, say something please." his voice is desperate, and you break out of your daze.

"you're my ideal man too, seungcheol. you have no idea for how long." there's a blush creeping on your cheeks, but in the dim yellow lighting, you can see an identical blush rise on his cheeks too. so you lean in and finally kiss his elusive lips, feeling the taste of his chapped but pretty lips on yours, feeling the way his body steps even closer to yours, one arm wrapping around your waist, pulling you to him, and your body melts as you feel the warmth from his body. the kisses slowly grow in pace, the momentum rising, as he kisses you more and more hungrily, his tongue entering your mouth too, as he begins to bite your lips and leaves you breathless and moaning just from a few kisses.

"god, rookie. you sure know how to kiss."

"i know how to do a lot of things, seungcheol." you know you're bad at dirty talk, you've never really succeeded at it during your few college experiences of sex. but somehow, seungcheol's eyes roll back at your words and you feel his heartbeat quicken up too. maybe it's working on him?

you try to test your hypothesis by gently wrapping your hands around his neck, slowly untying his tie, slipping it to the floor. once it's off, you rub your hands all over his chest, feeling the pure hard muscle flex under your muscles. his breathing is as hot and heavy as yours, and you slowly untuck his shirt from his pants, unbuttoning it carefully.

"must you torture me like this, y/n?" his eyes are glazed over, but you look up at him innocently. "what, seungcheol?" "fuck it, you're such a tease, princess." princess. he pushes you against the wall and kisses you again, one hand wrapped around your hair as he pulls you in, and another hand helping you unbutton his shirt and get it out of the way. seungcheol doesn't stop kissing you even when he begins to unbutton your own shirt, but his hands wander all over the skin he slowly unravels. it's like his own adventure mission, the gentle but urgent way he touches your skin, almost worshipping.

"you're so perfect, y/n." you whimper when he cups your breasts from over your simple black bra that does nothing to flaunt your tits, but somehow seungcheol's appreciating it all. are you really his perfect woman?

"do you mean it, seungcheol?" your voice is so weak, but it takes seungcheol aback. "what do you mean, y/n? you don't think i find you beautiful? is that why i've been dreaming about you every night these days? is that why you're always on my mind? is that why i died and came back from heaven last night when i saw you with my kids?" your breath hitches as he tilts your face to look at him. "you're the most perfect woman i've ever met, i told you. you've gotta believe me, y/n. or do i have to show you?"

"maybe, yes?"

he groans at your words, and his eyes become darker. "fuck, where's your bedroom, babe?"

seungcheol's touch is like moonlight caressing the ripples of a pond at midnight. a soft, gentle touch that lights up every inch of your skin that he touches. as the moonlight kisses the water and makes it ebb and flow with it, seungcheol's movements guide your body too. he's laying you out on a bed, his hands wandering all over your skin. as he takes in your figure, you let him, because he's making you feel so good. he kisses all over your body, your limbs tangling as you can't get enough of each other. seungcheol is all muscle, his hard planes flexing against your supple skin. he pins you against the headpost of your small double size bed, one hand wrapped around your waist, and the other caressing your breasts, making sure there's not even a single inch of your skin that's left untouched.

"did i tell you i think you're perfect?" his words are feverish, and leave you lost for words. so you can't reply to him, hoping he gets the way you feel about him too through your desperate whines and moans, pulling him closer if he puts even a hair's distance between your bodies. something about him being so big and engulfing your smaller stature is so hot, you can feel yourself getting aroused by the minute.

"seungcheol, i w- want to... touch you," you finally whisper out, and he pulls away from where he's been kissing your neck. "but you are?"

you shake your head and shove him lightly until he's on his back, and you're hovering above him. he's still wearing his pants while he's stripped you naked, so you do the honours for him. "what are you doing," his voice is strained. "want to touch you there," you focus on taking his trousers off until he's just in his underwear under you- his bulge quite obvious to you. if you weren't wet enough earlier, seeing the massive wet patch on his grey boxers leaves your own underwear soaked. is he this aroused because of you?

seungcheol seems to read your mind as he brings your face towards his own, whispering with hot breath, "do you see what you do to me, princess? got me wrecked and ruined." his confession is so raw, you lean in to kiss him again. as you do, your hand wraps around his clothed dick, and he groans into your mouth. "fuck fuck fuck," he curses as you begin to rub it softly. "i'm going to cum right now if you do that- babe, p-please!" he finally gets your hand off his dick, eyes large.

and then you giggle. something about seeing seungcheol so desperate triggers something off in you, makes you more determined to ruin him. so you pull off his boxers and take his erect, red cock straight into your mouth. seungcheol's body trembles with surprise, your name leaving his mouth in broken moans as he cannot take the pleasure of your mouth sucking him off in an excruciatingly slow speed. and you don't stop, even when his hand comes around the nape of your neck to keep you in place, even when you feel his entire body tense up with the imminent orgasm. you don't stop until he comes inside your mouth, spewing string after string of his hot seed, and you swallow it all. his breathing is laboured as he watches you lick off the last bits of the orgasm from his dick.

but your self-satisfaction of having the upper hand only lasts for so long. seungcheol's competitive side kicks in soon and he quickly flips over to pin you under him on the bed, his teeth nibbling at your chest, leaving pretty hickeys all over.

"let me return the favour, darling."

you don't know what he means right then by return the favour, but never in your wildest dreams, did you think it would include seungcheol burying his face into your cunt, his nose rubbing against your clit as his tongue laps up your wetness.

"fuck! no- seungcheol- pl-please, cheol!"

"do you want me to stop?" he asks you, his face barely moving up inches from your pussy to look into your eyes.

you hesitate before answering, so he softly kisses your stomach. "tell me, princess."

"i've never done this before..."

"what? sex?"

"no. oral. like no one's ever gone down on me before..."

and seungcheol doesn't waste another minute. he uses his teeth to push aside your panties and inserts his tongue right into your sloppy cunt, and you scream out his name. he doesn't go slow, and you don't want him to go slow. he's showing you all the stars in the sky, so you grab onto his hair to move his head back to a particularly good spot, and he moans incoherently when you tug at his locks. and within minutes, you're reaching your high, your screams getting stuck in your throat as you close your eyes and arch your back off the bed.

thankfully, seungcheol gets his face out of your cunt and hovers over you to take in your writhing figure under the impact of the orgasm.

"so how was your first experience?" he asks you when you finally open your eyes and look at him, his lips smeared with your essence and his body.

"heavenly," you whisper, before pulling him into you, and kissing him again. you can get drunk on his kisses. he's leaving your lips abused and raw, but when he's spitting into your mouth, you wrap your legs around his waist to pull him closer, feeling the toughness of his back muscles shift under your touch. this position ends up making his cock graze against your clit, and you jerk in overstimulation. but you can feel how hard he's getting with the kissing and the way your hands are tugging his hair. the heavy length rests on your stomach, and seungcheol pulls away.

"need to be inside you now, princess." his words have this rawness to them- long gone is the smooth-talker lawyer choi seungcheol. it takes several moments for you to process that you've caused him to descend to this desperation.

"do you have a condom?" he asks you.

"hmm, i do." you point towards the dresser next to your bed, and he casually bends away to take it out from the dresser. you're getting more turned on by his easy flexibility, and as soon as he's got the condom rolled on to his dick, you pull him for kisses again.

"patience, baby," he laughs, as he pulls away again after kissing you, to nudge the tip of his dick on your folds. "nooo, need you now. need your lips." "did my kisses break you?" "i think so," your voice is a whisper and he leans in to kiss you again, a beautiful smile showing off his dimples.

and then he's slowly pushing inside you, making you whine out his name as you feel him stretch you. it's not an easy fit, but his kisses make the pain easier to bear. when a tear escapes your eyes, he asks you, his eyebrows furrowed in concern, "is it very painful?" "not very but it's been a while." he leaves kisses on your hairline. "i'll be gentle, princess."

you grip his locks tighter, pulling his face away to make eye contact.

"you better not dare, choi seungcheol."

something breaks in him. his hips begin to move faster, as he pushes your hands above your head, holding them as if handcuffed, and he's biting hickeys all over your neck. he's thrusting harder now, and your second-hand bed is already making noises. but it seems to arouse you more for some reason. something about him shaking everything around you and moulding you and everything about you to him makes you want him more.

you can't stop moaning his name, as he whispers into your ear, "i can feel how close you are baby. can feel your cunt clenching around me." "pl-please, cheol. need you more, please!" "more? faster?" you nod feverishly, and he pulls away, biting his bottom lip in concentration, one hand gripping the bed, and the other your leg around his waist, as he fucks into you.

you take in his full form, towering over you like adonis. beads of sweat falling down his pecs and his hair falling into his eyes. the sight is so beautiful that you cum right then, even as seungcheol fucks you through the orgasm.

you can feel that he's close, his dick twitching inside you, as he's making your eyes roll back. even after one orgasm, he keeps fucking you. "give me one more, baby. cum with me." and then he shifts one hand to rub your clit, and you moan under the additional touch. the last straw is when you clench around him so hard that he lets out a strangled moan and reaches his climax too. you can feel the condom become warmer, and you tremble all over as you cum again because of that sensation.

when your eyes open again, seungcheol's pulled out from you, but he sneakily lets in a finger in between your folds and licks it clean.

"seungcheol?" your broken whisper makes him look up at you.

he smirks. "you taste like nectar, baby."

seungcheol's insomnia doesn't let him get a full night's sleep on most nights. if he's lucky, he'll sleep for four hours at once, dreamless rest that leaves him fully charged for the next day. on other days, he'll stare into the night sky for hours, sleep eluding him. some nights he'll go to his daughters' room, and watch them sleep, his heart filling up with a warmth that's comforting like chicken soup. on other nights, he'll open his laptop, put on his glasses and finish his case files.

everyone wonders how seungcheol is so efficient at his profession. only he knows why.

but ever since you've come into his life, everything's changed.

he can no longer focus on work. he's distracted, making silly typing errors and forgetting details. but he's sleeping the best ever in a long time. he doesn't remember when was the last time he'd slept this well. it must've been before the fights had started with his ex-wife.

today, seungcheol sleeps for eight hours straight.

and he knows why.

it's because he's wrapped around you, your body melting into his under the duvet. your head's resting on his arm, but his arm doesn't hurt at all. your hair shines with the sunlight streaming in through the gaps between the curtains, but you sleep through the slight pouring into your eyes. you look particularly angelic today morning, and he feels his entire being shiver with the new-found affection for you.

you're his.

finally.

well, hopefully.

jeonghan had told him yesterday when he'd told him about his feelings for you, you've not been turned down until you've been turned down. so shoot your shot.

and oh, he had shot his shot. shot it too fast in fact. the clarity of the morning makes him suddenly worry if going straight into your bed last night had been too quick and you'll think poorly of him now. then there's the worry about you going to sleep without eating dinner last night- what if you wake up angry? another worry crops in his head as he realises it's a saturday. he doesn't have to go to work today, but you might have to. what if you get upset at him for not waking you up on time? the warm, glorious light in seungcheol's heart dims slightly as he realises you have so many reasons to turn him down.

so he lightly shakes you, whispering your name in your ear, until he feels you whisper out a soft five minutes. it makes his heart melt again, but he's more worried about you missing a work day.

"wake up, princess, you're going to be late."

as if hearing a magic word, you jolt awake, staring right into his eyes.

"late?! what's the time? fuck, it's nine-thirty!"

"it's saturday though. do you have work today?"

and then you fall back on his arm with a huff.

"saturday! of course i don't have work today. why did you wake me up!" you whine and turn around so that you're now snuggled into seungcheol's bare chest, your hair only slightly tickling him. the warm light in his heart shines bright again as he feels you cling to him.

"i didn't know if you work on saturday or not." seungcheol leaves a kiss in your hair, and you let out a satisfied sigh.

"now you know. never forget, okay? never wake me up on weekends."

never forget.

"i won't." another kiss in your hair. another sigh that makes his chest buzz. another kiss. and then you open one eye to peer at him, and he smiles at your cuteness. so there's another kiss, and then another, and then-

"stop!" you move out of his arms, giggling, your eyes finally open.

"i can't. you're too cute."

"shhhh!" you lean in to kiss him on the mouth, a gentle peck, and seungcheol takes the opportunity to wrap you in his arms again. "don't go far away." he's more serious that his tone implies, but somehow you realise that too. so you snuggle in closer, your head almost on his chest now. "i won't."

after a few long minutes of you being still in his arms, and him smelling your scent through your hair, you finally shuffle and pull him down so that his head is now resting on the pillow and you're resting your head on your palm, perched on the pillow using your elbow as support, looking down at him with clear fondness in your eyes.

"you're very romantic today, mr choi."

"do you not like it?"

"no. on the contrary, i love it."

at your words, he smiles, and you let out a fake gasp. "the rabbit has dimples!" and you attack his face with kisses, leaving him giggly and blushing as you smother him with love.

when you're finally done, he pulls your face in for a kiss and then you go back to your position to look at him from above.

"come lie down next to me."

"no this view is prettier."

seungcheol scoffs, hiding the way his heart is racing with your words. it's been years since anything barely romantic- a few dates here and there. but this is teenage seungcheol again, falling head over heels for a girl with a pretty smile and a cute way of speaking her mind.

"this view is the prettiest," he says and he's rewarded with your pretty smile again. so he spends a minute staring at the view, taking in your beauty.

you've not been turned down until you've been turned down. so shoot your shot. somehow jeonghan's nagging voice comes up in his head again and makes him remember that he's yet to ask you properly.

so he counts to three and says it.

"i like you, y/n. a lot. as i told you last night."

a strawberry latte blush taints your cheeks.

"and as i told you last night, you're pretty much my dream man, seungcheol. i've been crushing on you since my freshman year."

well that was easy.

"that long?" seungcheol feels his confidence cruise back, a smirk on his lips.

"don't laugh at me."

"i'm not. it's just unbelievable that you liked me back then. i wasn't even well off back then."

"who even cares about that! you were confident, manly, intelligent and passionate about your work. and so, so handsome. how could anyone not like you?"

"am i not handsome now?"

"of course you are, silly. that's why i still like you." you roll your eyes, as if it's so obvious. "i couldn't even date guys for a long time because i kept comparing them to you in my mind."

seungcheol's eyes go wide. "wait, really? that's kinda sad."

you laugh. "maybe, but who cares? none of them were nice in the end. that's why i kept going back to crushing on you." you lean in to kiss the mole on his cheek.

"how long has it been since your last relationship?"

"hmmm, about seven months? broke up before i graduated."

"and sex?" he hopes you can't see the way he's holding back his breath as you answer. "about a year."

and then he lets out his breath.

"and you?" you ask him, running your fingers through his hair.

he hesitates before replying. "nine years," his voice is weak.

and then you do what he's been fearing for so long.

you laugh.

"wow. that's like... that is long." but your expression changes into a serious one soon. "but you haven't lost any of your technique yet. so it's a win in my books. i don't even have to be jealous of anyone else. who was your last lucky lady?"

"my ex-wife." seungcheol winces as he mentally prepares himself for all the reasons you might turn him down.

but you don't. your serious expression remains even as you're surprised. "you were married? is she the mother of sol and byul?"

"yeah."

you nod your head slowly, digesting the information. after a second you say, "i can't fathom why anyone would leave you and your two perfect little girls."

seungcheol's smile turns bitter. "she did. but it doesn't matter. she's found a better life now, after moving away to the US with her new husband. and i've found a better life too, moving away from her."

you nod again. "you're very brave, cheol." and you kiss his cheek again, and seungcheol's heart swells at how maturely you've handled this conversation. but there's yet more reasons for you to reject him.

when you pull away to look at him again, you softly ask him, "are your daughters okay with the idea of you dating again?" dating. there are tingles all over seungcheol's body as you finally quash all worries from his mind. "i haven't explicitly discussed this with them," he says with some hesitation. "that being said, i think they like you a lot. you made a very strong first impression. and trust me, for ten year olds as stubborn as mine, a first impression is all that matters."

"they're just like you," you giggle, your hand fondly cupping his cheek. "but seriously. they like me as a friend... as your colleague. what if they don't like me as your... girlfriend?"

girlfriend. seungcheol wants to flip you down on the bed and make love to you all over again, but he resists his urge. he settles for wrapping his hand around your hips and caressing them. "they'll love you, princess. they've longed for a mother figure for long enough." after a pause he says, "i'm worried they'll not see you as a mother figure but as a sister."

you burst out laughing. "what?!"

"i'm much older than you, y/n."

"so?"

"i'm thirty-six, y/n."

"that's not old. i'm twenty-three."

seungcheol chokes on his own words. "exactly. i'm literally old enough to be your father, y/n."

"well, you'd have to become a father really really early then," you say, laughing.

"y/n, be serious."

"i am being serious. i've met men who're twenty but act like they're forty. what really matters is what you've got here-" and you poke at his chest where his heart's supposed to be.

"i'm going to die thirteen years before you!"

"darling, i don't think that's how death works."

darling. seungcheol's heart hammers against his chest as he pulls you in for a deep kiss. and then you pull away from him. "you're a dilf, seungcheol. that's like 80% of why i'm attracted to you. bet i wouldn't be attracted to twenty-three year old you." there's a teasing glint in your eyes, but seungcheol still whines as he feels upset at your teasing words. "babyyyy!" you laugh at his deepening pout, and lean in to kiss his pout in a peck, before getting out of bed.

seungcheol's mouth falls open as he takes in your soft curves which look even more alluring in the daylight. something about the way your ass sways as you walk makes his dick twitch in interest, but seungcheol curses himself. he can't be thirty-six and this hormonal, for fucks' sake.

you open the closet door to pull out a loose t-shirt and shorts, wearing them without any underwear. "do you want to stay for breakfast?"

a lazy grin spreads on seungcheol's face as he stretches his body in bed, relishing the way you ogle his stretching biceps, and he casually pushes the blanket away from his hips to reveal his toned stomach to you too.

"i want to stay for the rest of my life, rookie."

he's left with no doubt of reciprocation of his feeling as he sees the blush on your face as you hide and run from him at his cheesy words.

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thirstywoso · 2 months ago

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Love me like a sailor - Jessie Fleming x reader

A/N: a little bittersweet childhood sweetheart fic, now I've re-read it I kind of hate it and let's just say there will be a lot of angst coming - you've been warned

THIS IS A RE-POST AS TUMBLR IS HAVING A MELTDOWN

WC: 2k

Warnings: none atm

Synopsis: long distance is taking its toll on you relationship with Jessie

London, Ontario. You knew it well, why?

It was the city you'd grown up in, learned to love and where you now as a 26 year old adult resided. It was also the city you met your childhood sweetheart. Jessie or as most people knew her Jessie Fleming the captain of the Canadian women's soccer team.

You'd met Jessie when you were in kindergarten and since then the two of you had been inseparable. It wasn't until 9th grade though where you'd both realised your friendship was maybe something more, Jessie had been bold and made the first move.

It had been shortly after her debut for the senior team, at 15 years old it was a huge step for her. You'd gone to see her play and unbeknownst to you the feelings you had for the dark haired girl were also creeping their way into her, only the feelings were for you.

So there you were at the sidelines, back then the games weren't so busy but you held up a sign for her "Fleming is my hero" she came over and said hi, the freckled Canadian grinning from ear to ear.

Shortly after the game you found yourself sat cross legged on her bed watching some old movie you'd probably seen a hundred times, yet this time you felt different. Your gaze shifted to Jessie whose eyes were already trained on you, she gave you a soft smile and before you knew it her lips were on yours.

You reciprocated the kiss and in your teenage brain it felt like hours when in reality was more than likely ten seconds, that's where it all started though. The innocent touches, the shared looks until one day you decided to bite the bullet and ask Jessie to be your girlfriend and now here you are just over ten years later. Still loving that goofy lopsided smile and those big brown doe eyes.

The issue with London, Ontario though was that it wasn't Portland, Oregon which is where Jessie currently resided. That being said it was two and a half thousand miles closer than London, England which was where she had been for the past three and a half years.

Jessie playing across the border provided to be easier than when she was across an entire ocean. It mean't she could fly to you during off season, you could fly out to games especially the ones she played on the east coast. It was easier. There was no doubt about that.

Yet after graduating high school together and both going to college on the west coast of America yourself at Berkeley and Jessie at UCLA, then dealing with the time differences being on different continents, nothing felt as distant as it did now.

You always knew Jessie would go far and even though you both decided it was best for you to stay in your hometown to pursue your career it seemed to be eating at you more and more.

This is something you should probably bring up to Jessie, yet it never seemed like the right time. When you saw her you'd go to talk but something inside of you didn't want to ruin the precious time you did have together and then she would be gone again. However, over the phone also didn't seem like the best way to have this conversation. So you kept it to yourself.

That was until you visited Portland, Jessie had been there several months by now, however, you'd only managed to get out there a few times but it was better than nothing.

This time was different though, she was showing you some of her favourite places she had found since being in the city, one of which was a coffee shop on the river. As you walked in you took note of the way the barista who you'd soon come to learn was named Alex beamed at your girlfriend, her face slightly dropping as she clocked you and your fingers threaded through Jessie's. This didn't go unnoticed by you.

She greeted Jessie as you both came up to the counter and Jessie introduced you to her, telling you how Alex had helped her one day when she got caught in the rain and the paper bag with her groceries had split. They'd soon became friends and Jessie would frequent Alex's coffee shop, it seemed odd to you that Jessie hadn't mentioned her to you before.

As you turned to find a seat you noticed that the shelves in the shop contained some old cameras and some books, the layout of the shop and the items scattered is only what you could describe as a representation of Jessie's brain. You mentioned this to Jessie and she told you that's why she liked this place so much, her eyes then wondered over towards the counter where Alex was looking over at you both smiling. A pang of jealousy struck you in the chest.

Once you'd both finished your coffee Jessie suggested one of her new favourite walks that Alex had apparently showed her, you politely declined, feigning a migraine and asking to go back to her apartment.

Arriving back at the apartment you laid down on the couch on your front a pillow under your head as your arms stretched out underneath it, that's when you felt some soft material poking out from under the couch cushions. After a slight tug you find a flannel shirt, one you didn't recognise.

"Hey babe" you call out

"What's up?" Your girlfriend says walking over to where you lay.

"What's this?" You ask holding up the garment in question

"Oh" she scratches the back of her neck "That's Alex's, she must've left it here"

"What was Alex doing in your apartment? Much less leaving clothes?"

"She just came over one day after I'd finished training to bring coffee... she must've got hot and just left it here by accident" Jessie says almost questioning it herself.

"Right.." you say pushing yourself up so you're sat on the edge of the couch.

"What? You don't believe me?"

"It's just. Jessie, you seem real close with her. The way she was eye fucking you across the coffee shop, how her clothes are literally in your apartment. How you've never told me about her ever yet she seems to be a big part of your Portland life, it just doesn't make sense!" You say beginning to raise your voice.

"I didn't bring her up because I want to focus on you when we talk, she was certainly not eye fucking me and she's just been helpful since I met her"

"Yeah, yeah Jessie, you can't deny the way she looked at you" you yell at her

"You're out of your fucking mind!" She yells back

"I'm out of my fucking mind, clearly you are lying or just so stupidly naive if you don't think she likes you"

Your words are almost instantly confirmed when Jessie's phone lights up on the coffee table,

Alex💕: You still coming over after you drop your girlfriend at the airport tomorrow?

"And there we go" you say gesturing to her phone

"Wow, we are really doing that huh?" She says handing you her phone

"Go on look through our messages" she huffs at you rolling her eyes

"I'm not saying I don't trust you Jess, I'm saying I don't trust her" you place her phone back on the coffee table.

Running your hands through your hair you don't know where to look, settling on the ground you can't bring yourself to look at her.

"She's just a friend, even if she does have feelings I promise you I don't" she says tilting your chin to look up at her.

Begrudgingly you make eye contact with her, deep down you know she's right. Jessie could never cheat on you... could she? You shake your head dismissing that thought.

"You're right, I trust you Jess. It's just been hard you know? You've been so far away for so long and I'm not one hundred percent sure how I can keep doing it" you let out a sigh feeling relived you addressed your feelings.

"Right... so what does that mean for you? For us?" She narrows her eyes slightly somewhat taken aback by your statement. It wasn't that Jessie hadn't also felt the strain and had begun to have those questions herself, it was more that she hadn't even thought about you feeling the same.

"I'm not sure, I love you Jess, I always will but it's just not felt right for awhile" you say your chest tightening

"I see, I love you too but you're right it's been hard, what should we do?"

"Maybe, maybe we should take a break. See how we are in a few months from now?"

"And if we are meant to be, we will be?" She says sadness seeping into her voice

"So, this is it?" You ask tears brimming in your eyes

"This is it" she repeats back to you.

"For now" she follows up.

Before you knew it you were on the plane back to your hometown, Jessie still in Portland. Your conversation last night ended with the mutual decision to keep contact to a minimum whilst you both figure things out.

You'd gotten on the plane with a book and some music downloaded on your phone, the way you'd kill the next few hours instead of enduring crying babies and staring at the seat ahead. That all went out the window though when a girl in the seat next to you was struggling to put her luggage in the overhead bin.

You being the kindhearted person that you were you'd decided to give her a hand, helping her cram her baggage in as she slammed down the bin door. Only she ended up knocking your phone out of your hand which came crashing down in the aisle.

She was so apologetic but that didn't help the fact you now had a broken phone and a six hour flight with nothing but yourself and your thoughts.

This gave you time to think about your relationship and your own life. You'd been with Jessie for all of your adult life and half of your teenage years, the time you had made you realise how you didn't know who you were without her, this break would be harder than you first thought.

You loved Jessie, you really did. Just for now you knew you needed to see who you were and what your life was without her.

After several hours of your mind ticking away back and forth between if you made the right decision or not, how you felt and if you should've just stuck with it you finally exit the aircraft making your way to the luggage carousel. As you turn to take your luggage you see a pair of feet in front of you and hear what sounds like someone gasping for breath.

"Oh hi" you say slightly surprised at the disheveled girl in front of you, the same girl from the plane.

"Sorry, it's just, I... hold on" she pants out

You stay still your gaze steady on her whilst she regains composure.

"I, I'm sorry about your phone. I couldn't let you go without apologising again and.." she rummages in her pocket pulling out a crumpled napkin with the airline logo stamped on it.

"This is for you" she says handing it to you

"Your dirty napkin?" You question confused.

"No, open it" she laughs

You do, looking up meeting her eyes a confused look still plastered on your face, eyebrow slightly raised and head cocked.

"What, what's this?" You ask

"My number silly" she giggles to herself lightly before carrying on "when you get your phone fixed, call me or text me and we can grab coffee or something and I'll reimburse you for the damage"

"I don't expect you to do that"

"It's nothing really!" She insists

"Well I'll agree to the coffee but don't worry about anything else" you bargain with her

"Deal" she shakes your hand "It's a date"

Those three words replayed in your head the rest of the day.

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books · 6 months ago

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Writer Spotlight: Rose Sutherland

Rose Sutherland @rosesutherlandwrites is a Toronto-based writer who grew up a voracious reader with an overactive imagination in Nova Scotia (where she once fell off a roof trying to re-enact Anne of Green Gables!). She's been to theatre school in NYC, apprenticed at a pâtisserie in rural France, and currently moonlights as an usher and bartender—in between writing queer folktales, practicing yoga, dancing, singing, searching out amazing coffee and croissants, and making niche jokes about Victor Hugo on the internet. She's mildly obsessed with the idea of one day owning a large dog, several chickens, and maybe a goat. A Sweet Sting of Salt is her debut novel.

Keep reading for more about character arcs in A Sweet Sting of Salt, Rose's favorite fanfic tropes, and some excellent reading recs 👀

Can you tell us about A Sweet Sting of Salt and how you came to write it?

A Sweet Sting of Salt is a queer (f/f) historical reimagining of the classic folktale of the selkie wife, set in 1830’s Nova Scotia. I call it a “reimagining” because while it draws on the folktale, it’s not a retelling of that tale so much as a story playing out in relation to that mythology. I’d wanted to write something centering a love story between two women for a while, but the initial spark came from a Tumblr post! It suggested the idea of selkies testifying before the UN as victims of human trafficking, which reminded me of all the things I disliked about the original folktale and its inherent darkness that is generally glossed over, starting me down the rabbit hole toward finding my own story.

How did you approach research for A Sweet Sting of Salt, and what is a favorite historical fact you learned?

I joke that I did a lot of research by osmosis: I already had a lot of base knowledge about the location, having grown up in Nova Scotia, and then set the story in a period that I’ve been absorbing information about in a low-key way for ages—1832 is also the year of the student rebellion in Les Mis, so I’ve been gleaning tidbits about this era since I first got into the musical and book back in high school. However, I had to do more specific research into things like British divorce law, period midwifery, and animal husbandry. I also visited some small, hyper-local museums on the South Shore that gave me an invaluable glimpse into daily life. I also did some fun practical research into things like “How long does it take to walk from x to y?” and “How cold IS a plunge into this body of water in March?” (Spoiler: Very.)

A fact that fascinated me but didn’t make it into the book was that some early European settlers in the area were granted lands by luck of the draw, pulling from a deck of playing cards: Each card was assigned to a specific 50-acre lot, and whatever you pulled, you were stuck with it.

When we meet them, Jean and Muirin are isolated for different reasons. What do you hope readers still searching for their people take away from A Sweet Sting of Salt?

That there’s always hope. It’s valuable and important to keep reaching out to the world around you, to be open, and not cut yourself off—the biggest reason for Jean’s loneliness at the beginning of this story is the way she has come to keep everyone around her at arm’s length, shutting herself away out of fear, and refusing to let anyone truly get to know her because she thinks that’s the best way to protect herself from being hurt again. Reaching out to others can take a real act of courage, especially if you’ve had bad experiences in the past, but “your people” will reach back to you.

Found family elements play a strong role throughout the novel, within supernatural and mundane settings and across species. Was this something you intended from the beginning, or did this grow out of writing the relationship between Jean and Muirin?

I always intended for Jean to have a found family of this type, which is something that a lot of queer people identify with, but those bonds also got stronger and more meaningful as I wrote, especially once Jean and Muirin began growing into their own family unit—their new relationship and the real danger that comes along with it put pressures on Jean’s other relationships that I hadn’t originally considered. Disagreements with Anneke and Laurie over Jean’s choices arise from their deep concern and love for her, and her own love and care for them, reflected in her responses, is a big part of what made them feel like a real family, for me. Jean and Laurie always having each other’s backs while also being the first to call one another out on their bullshit ended up being one of my favourite dynamics in the whole book.

The selkie myth carries an inherent element of transformation. What is a character transformation you most enjoyed writing, and why?

On a character level, the change in Jean’s worldview following a conversation with her childhood sweetheart meant a lot to me—it heals an old wound for her. I love how grounded and self-assured she is afterward, in spite of the daunting task still ahead of her. But my favourite transformation to write was the antagonist’s mask-off moment, where they directly threaten Jean for the first time. It’s so sly and coded so that only she will understand the menace behind it, a real dun-duh-dunnn moment, which was a lot of fun for me—I also enjoy the foreshadowing elements in that exchange.

This is your debut novel. Did anything surprise you about getting it from manuscript to published book?

Oh my gosh, how LONG it took! After I finished the original draft and decided it was worth attempting to publish, I spent over a year revising based on my own thoughts, input from beta readers, critique partners, and my mentor, Maureen Marshall (whom I connected with through the now defunct Author Mentor Match program, and whose book, The Paris Affair—about a young gay engineer attempting to help Gustave Eiffel secure the funding to build a certain celebrated Parisian landmark— is coming out in May). After that came a full year of querying agents and getting rejected. A lot. People loved Salty but weren’t quite sure what to do with her or where the book would fit in “the market,” which was hard to deal with at the time but is hilarious in retrospect: Salty was snapped up less than a month after she finally went out on submission! But that was back in 2022, and the book is only coming out now. Publishing can be painfully slow.

You’ve written fanfic in the past—do you have a favorite fanfic trope?

I’m not sure either of these counts as a trope, but I adore a character that’s “pure of heart, dumb of ass”, and love a truly unhinged Fanon Explanation For Canon Object. As a longtime Les Mis stan, I ship Tholomyes/Getting Punched. If you know, you know.

Do you have any favorite queer retellings of folktales you can recommend?

Right here on Tumblr, I’m a huge fan of @laurasimonsdaughter, who writes delightful riffs on classic folktales, truly inventive urban fantasy spins on old lore, and her own original folktales.

I’m currently reading Spear, an amazing queer, gender-bent, Arthurian novella by Nicola Griffiths. Anna Burke’s books Thorn and Nottingham are up next on my TBR. Lately, I’ve been reading a lot of brilliant queer historicals that aren’t retellings (I recently loved Suzette Meyr’s The Sleeping Car Porter and Heather O’Neil’s When We Lost Our Heads) and wonderful historical retellings that aren’t queer (I highly recommend Molly Greeley’s beautiful, heartbreaking Marvelous, about the real-life couple that inspired Beauty and the Beast). Queer, historical retellings aimed at adults seem to be considered quite niche, still, and can take some digging to find! So, throwing this out to Tumblr: Do you have recommendations for me?

Do you have a writing routine? Is there a place/state of being/playlist you find most conducive to your writing practice?

My routine is chaotic at best, but I find I do my best work earlier in the day, so I usually scribble in my journal while I have breakfast, and then progress to working on my current project as I drink my second cup of coffee. I’m lucky—my day job is an evening gig, which mostly allows me to write on my preferred schedule… but I’ve also been known to have a bolt of inspiration strike at 10pm and dash home to write until well past midnight on occasion. Nothing quite like the hyperfocus zone!

What’s next for you? Are you working on anything you can tell us about?

No official news yet, but I’m currently working on a story set in 18th-century provincial France based on a true unsolved mystery of the past. It has me delving into a very specific branch of French folklore, and I hope future readers will pick up on common threads with one popular fairytale in particular. I’m really excited about where this one is headed, but keeping the details close to my chest for now!

Thank you Rose for taking the time to answer our questions! If you love queer fantasy and old folktales, grab yourself a copy of A Sweet Sting of Salt, and be sure to share your queer folktale reading recs with Rose on @rosesutherlandwrites!

#writer spotlight #writers' room #booklr #writers on tumblr #writing community #writeblr #creative writing #debut author #reading #rose sutherland #a sweet sting of salt #selkies #myths #fanfic #Les Mis #queer fiction #f/f fiction #queer folktales

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sshannonauthor · 7 months ago

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Hello, Tumblr:

Just popping in, after a long absence, to tell you about the pre-order campaign for my Author's Preferred Text editions of the Bone Season series.

As you may know if you've followed me for a while, I wrote my debut novel, The Bone Season, when I was nineteen and still at university. For its tenth anniversary last year, I decided to re-approach the book with ten years' more writing experience under my belt, and have since revised the whole series to bring it in line with the first. Bloomsbury has given the revised series a beautiful new look, with jackets illustrated by Ivan Belikov, the artist behind The Priory of the Orange Tree and A Day of Fallen Night.

The first book is available in hardback now, and the other three are coming in May, in either hardback or paperback. The audiobooks will also be revised, with narration by Alana Kerr Collins. You can pre-order them here.

If you're pre-ordering from the US, the UK or Canada, you can claim a beautiful art print of Paige and Warden by artist Erica Chan. Details here.

I hope you enjoy the revisions as much as I've enjoyed working on them.

The year is 2059. For two centuries, the Republic of Scion has led an oppressive campaign against unnaturalness in Europe.

In London, Paige Mahoney holds a high rank in the criminal underworld. The right hand of the ruthless White Binder, Paige is a dreamwalker, a rare and formidable kind of clairvoyant. Under Scion law, she commits treason simply by breathing.

When Paige is arrested for murder, she meets the mysterious founders of Scion, who have designs on her uncommon abilities. If she is to survive and escape, Paige must use every skill at her disposal – and put her trust in someone who ought to be her enemy.

#the bone season #the priory of the orange tree #a day of fallen night #the mime order #samantha shannon #the song rising #the mask falling #roots of chaos #tpotot #adofn #the dawn chorus #the pale dreamer

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fionaapplerocks · 2 months ago

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The Long and Winding Road That Leads to Fiona Apple

By Tyler Coates 2012-05-31

“The past is never dead. It’s not even past.” So goes the oft-quoted line from William Faulkner’s Requiem for a Nun. Time is circular, and our relationship with our own personal histories is ever changing. This is a concept with which the enigmatic Fiona Apple is deeply familiar.

The 34-year-old singer-songwriter is about to release her fourth album—the first in seven years—aptly titled The Idler Wheel is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do. The spinning wheel of time cranks back and forth for Apple, who continues to re-examine her past while trying to keep up with the present. Like most artists, however, Apple finds that her fans cherish the past more than she does.

In 2000, a 16-year-old fan named Bill Magee approached Apple after a show in Upper Darby, Pennsylvania with a request: he told her he was a member of his high school’s gay-straight alliance and hoped that Apple could write a few words of support. “[I] was much more interested in interacting with a celebrity than building an alliance between gays and straights,” he admitted on his blog 12 years later where he posted a scanned image of the letter he received less than a week after requesting her response.

Apple wrote: “All I know is I want my friends to be good people, and when my friends fall in love, I want them to fall in love with other good people. How can you go wrong with two people in love? If a good boy loves a good girl, good. If a good boy loves another good boy, good. And if a good girl loves the goodness in good boys and good girls, then all you have is more goodness, and goodness has nothing to do with sexual orientation.”

“My brother was the one who told me about it,” Apple tells me just weeks after Magee posted the letter on his Tumblr, which was then picked up by various sites like Jezebel and Pitchfork. “I was like, ‘A letter I wrote to someone when I was 22 has made its way online?’ That’s the scariest thing I could possibly hear in my life. And the subject matter was so important—I know how I’ve always felt so I knew it wasn’t going to be a bad letter, but I was like, ‘What did I say?!’”

The letter’s sudden popularity online is indicative of how much has changed since Apple released her debut album, Tidal, in 1996.

For starters, she was then a 19-year-old singer-songwriter signed to a major record label and churning out emotional and dark odes at a time when her contemporaries were singing bubblegum-pop love songs.

She made headlines after appearing in the video for “Criminal.” Shot in a seedy apartment, the video featured a scantily clad and emaciated Apple, sparking criticisms of the exploitive quality of the images (and suggesting that she had an eating disorder). In 1997, when accepting her award for Best New Artist at the MTV Video Music Awards, Apple infamously shouted into the microphone, “This world is bullshit, and you shouldn’t model your life on what we think is cool, and what we’re wearing and what we’re saying.”

While the speech was replayed and parodied on TV for years following, Apple was lucky enough to have said those words before the days of blogging and YouTube; had she given the speech 15 years later, it may have turned into a career-damaging viral video and sparked a few thousand snarky tweets.

She also has the luxury of being a successful artist who doesn’t need to promote herself online. “They want me to tweet now, but I don’t,” Apple tells me of her label reps. “It doesn’t feel natural to me. But I do find it actually more interesting to see people posting ridiculously mundane shit. I like to hear about what people had for breakfast or what they did all day. It’s interesting because I don’t know how other people live.”

While Apple is hardly a recluse, she’s made few public appearances in the seven years since the release of her third album, Extraordinary Machine. The excitement following the announcement by Epic Records of the late-June release of The Idler Wheel speaks to the loyalty of her fan base. (And as for that long-winded title, it’s a callback to the much-maligned 90-word title of her acclaimed sophomore effort, universally shortened to When the Pawn…)

The Idler Wheel does not deviate from the familiar sounds of Apple’s earlier records; the songs are still layered with complex instrumentation, and her reverberant voice still takes center stage in each tune.

The album was produced nearly in secret over the last few years—a surprising move from an established artist with the resources of a major label at her disposal. But Apple explains that her experience with the label system is what allowed her to feel free to work on her own. “It was very casual, and I wasn’t fully admitting that I was making an album,” she says. “I got to use the time in the studio to inspire me to finish other things rather than feel like I was finishing homework to hand in. It wasn’t a lot of pressure. And the record company didn’t know I was doing it, so nobody was looking over my shoulder.”

Most might take that mentality as a reaction to the restrictions of her record label, especially after the drama surrounding the release of Extraordinary Machine. After collaborating with Jon Brion (who produced When the Pawn) to create an early version of the third album in 2002, Apple then decided to rework all but two of the songs with producer Mike Elizondo.

The original version of the album leaked online, and Brion suggested in interviews that Apple’s label had rejected the demo and forced her to rerecord the songs (a claim that Apple later denied). Still, it incited an uproar among her fans. An online-based movement called Free Fiona organized demonstrations outside of the Sony headquarters in New York, and protestors sent apples to the label’s executives.

The final version of the album was released in 2005 and received positive reviews and earned Apple a Grammy nomination. “I ran into the guy who started Free Fiona after a show in Chicago,” she tells me. “He apologized to me! They didn’t get the story quite right, but they did help me get my album out. I felt so bad that he had spent all this time thinking I was pissed at him—I had a physical urge to get down on the floor and kiss his shoes!”

It’s an intense reaction (she admits she didn’t bow to her fan because “it would be weird if I did that”), but Apple is still a very intense person. Dressed in a flowing skirt paired with several layers of spaghetti-strapped tank tops that reveal her slender frame (which seems healthier than in her early days, giving the impression that she must spend most of her downtime on a yoga mat), Apple fidgets in her seat during our conversation, often giving off an infectious giggle.

But she is surprisingly comfortable to talk to, not much like the somber young woman who sang of heartbreak and disappointment. “I don’t think I’ll ever have an idea of what I look like to the rest of the world,” she replies when I ask if she ever worries that her lyrics, which are sometimes in stark contrast to the up-tempo, progressive sounds of her songs’ instrumentations, give off the wrong impression of her personality. “It’s all your own perception. I could easily be concerned with how I’m taken and then have all the good stuff filtered through to me and choose to believe that. For the rest of my life it’d be the truth for me, but not the whole truth.”

Born Fiona Apple McAfee Maggart in New York City to Brandon Maggart and Diane McAfee, Apple’s musical destiny was settled at birth. The McAfee-Maggarts are, while not reaching Barrymore-level name recognition, an entertainment family; Apple’s father was nominated for a Tony for his performance in the Broadway musical Applause, both her mother and sister are singers, and her half-brothers work in the film industry—one an actor and the other a director.

She’s a third-generation performer, as her grandmother was a dancer in musical revues and her grandfather a Big Band-era musician. While Apple’s auspicious introduction to the pop world had critics calling her a prodigy, she crafted her early songs as a cathartic necessity. (“Sullen Girl” from Tidal, in particular, is about her rape at the age of 12.) “Over the years it’s transferred more into a craft,” she says. “I use myself as material because that’s what I’ve got. But these days I write less than half of my songs to get myself through things. I have to find other things to be meaningful— otherwise I’d just be miserable all the time.”

Her songs are still extremely autobiographical, which is perhaps their charm. Following in the footsteps of other singer-songwriters, especially women who emerged in the early ’90s and expressed their emotions in particularly vulnerable ways, Apple’s openness has always had an empowering appeal. Her songs seem to suggest that feeling a variety of emotions—sadness, glee, despair, insanity—is not only normal, but, like those self-reflective musicians before her, she also gives permission to her listeners to feel the same way.

Even for Apple, her older songs are relics of another time, and she now makes them applicable to her life in the present. “They all kind of become poems after a while,” she says. “You can take your own meaning out of them. It’s been a very long time [since my first albums], and I can apply those songs to other situations that are more current in my life.” She admits she has changed greatly since she started writing songs in her late teenage years, especially when it comes to how she portrays herself. “I don’t feel comfortable singing the songs that I wrote. I used to blame other people and not take responsibility. I thought I was a total victim trying to look strong.”

And she is much harder on herself in the songs on The Idler Wheel than she ever was before. Sure, she admitted to being “careless with a delicate man” in “Criminal,” arguably her most famous song, and in When the Pawn’s “Mistake” she sang, “Do I wanna do right, of course but / Do I really wanna feel I’m forced to / Answer you, hell no.”

On The Idler Wheel, Apple examines her own solitude and neuroses as well as their effect on her relationships with others. “I can love the same man, in the same bed, in the same city,” she sings on “Left Alone,” “But not in the same room, it’s a pity.” On “Jonathan,” a somber love song layered with robotic, mechanical sounds that’s presumably about her ex-boyfriend, author and Bored to Death creator Jonathan Ames, she urges, “Don’t make me explain / Just tolerate my little fist / Tugging at your forest-chest / I don’t want to talk about anything.”

But performing, as a central requirement of her career, still takes precedence. “Some nights I’m very, very nervous, and some nights I’m not at all,” she tells me. “I think, ‘This is ridiculous. I’m not a person who does a show, I’m a person who should be on a couch watching TV.’ But then it’s like I get knocked into another state of consciousness, and then I’m left behind, and the person that’s doing the show is there and there’s nothing else in the world existing other than the note she’s singing. It’s such a joy to do, but I forget about it until I’m on the stage.”

Apple has lived in los Angeles since Tidal’s release in 1996, although she admits that she’s “not an L.A. girl.” “I was supposed to stay in New York,” she tells me. “I remember being 17 and asking if I could record in New York. How did I end up here? It’s 15 years later… How did that happen?” Apple doesn’t seem to process time like other people. When I ask when she began recording The Idler Wheel and when she knew it was ready, she has a complicated answer. “It must have started in 2008. Or 2009. I don’t know! I have no idea. It’s weird to think that there was 2008, 2009, 2010, 2011.” Her big blue eyes suddenly look to her right as she furrows her brow. “Where’ve I been? What was I doing? What was that year about?”

Maybe the solitary nature of living in L.A. contributes to her aloof tendencies. “I’m not a social creature,” she says, “I don’t go to parties all the time because I’d probably just wonder why I’m there in the first place.” Her preference for being alone may also stem from the kind of personal criticisms that people tend to throw at female musicians. “I’ve gotten so used to being misunderstood. Nobody’s ever really said anything bad about my music, but when I’ve had albums come out there are always people making fun of me. ‘Oh, she’s back?’” She didn’t even expect the comments (mostly online) when the full title of The Idler Wheel was announced. “I didn’t stop to think that anyone would call it ridiculous, but people did. I thought, ‘Ahhh. My old friends.’ I’m not sure what’s ridiculous about it, but that’s what they’ve got to say.”

I cautiously mention the infamous acceptance speech from the VMAs, a moment early in her career that defined the public persona of Fiona Apple as an angry, ungracious woman. “I’ve never been ashamed of that,” she replies immediately. It was the first moment, she says, in which she felt like she could speak up—to break free from the shyness that defined her childhood and early teenage years. “I genuinely, naïvely thought that I was going to put out a record and that was going to make me have friends. I expected to give it to people and they would understand me; no one would say to me, ‘We don’t want to be your friend because you’re too intense or too sad all the time.’” It wasn’t necessarily the case.

“Do you still think the world is bullshit?” I ask when we talk about the VMAs. She laughs. “It’s not the world!” she exclaims. “Of course people think that ‘the world’ is the whole world. I felt that I had finally gotten into the popular crowd, and I thought, ‘Is this what I’ve been doing this for?’ I felt like I was back in the cafeteria in high school and still couldn’t speak up for myself.”

These days, Apple spends more time focusing on her own art rather than the reactions to it. With age has come calm and decreasing desire to pay attention to her detractors. “I’ve decided it takes too much energy to try to avoid it,” she tells me, brushing aside her freshly dyed crimson hair. “I’m not going to hide from the world.”

Source Archive.org:

https://web.archive.org/web/20120603033544/http://www.blackbookmag.com/music/the-long-and-winding-road-that-leads-to-fiona-apple-1.49114

#fiona apple #interview #2012 #LONG #black book magazine

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kalahannikolai · 4 months ago

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This is a bit overdue for posting on Tumblr, but behold! The Superior Soundwave! Alongside him my designs for Laserbeak, Rumble & Frenzy, and Ravage. Soundwave's alt mode is a cybertronian aircraft, and his assets are very musically based. He is a clever engineer and a brilliant communications officer; Megatron's most stalwart supporter, Soundwave was his second-in-command for the Decepticon rebellion.

Lore and backstory under the cut!

In the days of Sentinel's rule, when his conclave and the overarching Senate controlled the fate of every cybertronian, Soundwave's own origins were notably mundane. Originally a minor clerk in a communications facility, the being that would one day be called Soundwave had been one of many bots whose forms were minutely controlled. He was built to man a communications array alongside many other such limited bots. But while some found either joy or simple indifference to their work, Soundwave dreamt of more.

He would spend his free time perusing the streets of Bitrex. It was among Cybertron's smaller cities, but he enjoyed the calm and simplicity that it brought. It was here that Soundwave met the likes of Jazz—introducing himself as "Sounder" at first, unwilling to give Jazz a designation—and the pair quickly caught on like a wildfire and became good friends. Jazz's free spirit and unwillingness to tie himself down inspired Soundwave, who envied his freedom and admired his dedication to it. The two spent much of Soundwave's free time together. In this time, they would culminate a shared enjoyment of music and even begin a musical career together.

A journey that would suddenly gain great traction for them both, as the people of Bitrex came to greatly enjoy their performances.

Before too long, Jazz and Soundwave's musical venture would become almost too much. While Jazz had little responsibilities to slow him down, Soundwave struggled regularly to make time for their music and his work at the communications array. He would even suffer poor performance reports and harsh criticisms from his superiors. But one day, as a superior shouted with reckless abandon in Soundwave's then unmasked face, the con would snap and bring the so-called "superior" to his knees. Soundwave turned in his resignation then and there, and left without ever looking back.

To his luck, none of the officials that oversaw his work knew of his personal life at all. So little care for the lives of their workers allowed him to essentially disappear. To avoid being found and dragged back, Soundwave not only visored and masked his face but commissioned drastic alterations to his form. A normally illegal procedure under Sentinel Prime's rule, but the city of Bitrex was not one normally cared about by his Senate nor his Conclave. Furthermore, so beloved by its citizens was Soundwave that the augmentors of Bitrex gladly helped one half of their favorite musical duo realize his true potential.

Before long, Soundwave would find companions in the form of four smaller beings; Laserbeak, Ravage, and the brothers Rumble & Frenzy. Pseudo-mini-con beings, the four cassettes had been deemed obsolete and set to be scrapped and salvaged. Soundwave worked with some of the shadier types of Bitrex to get them rescued, and the four gladly became his closests companions. This newfound friendship would result in Soundwave's last but most cherished alterations; a cassette deck in his chest, hidden behind his waveform chest plate.

All but a celebrity of Bitrex now, the mysterious "Soundwave" made his re-debut alongside Jazz as they took their music on the road.

While the pair were close, Soundwave would still find time for himself; a desire that Jazz always respected and utilized to go on his own solo ventures. Soundwave would curiously check out the gladiatorial arena of Kaon, wherein a fateful meeting would take place. He would witness the furious might of the Pits' greatest champions, as he watched the likes of Jetfire, Arcee, and Megatron rule as a Triumvirate of Kaon from its lowest depth. But Megatron himself would most catch Soundwave's visor, and eventually the two would meet and have long, intense discussions about the state of Cybertron's society and people.

They would both be in adamant agreement that the harsh control Sentinel enforced over the very bodies of his people had to end.

Together, the two would eventually spearhead the formation of the Decepticon Rebellion against Sentinel's regime. Soundwave would successful enlist Jazz, who gladly joined a cause that would liberate their people from the injustices they suffered. But whereas Jazz would remain within their territories that couldn't fend for themselves, Soundwave would part from his musical companion to always stand by Megatron's side. This would ultimately lead him to be just as complicit in the Decepticons' crimes as he was. For while he never liked the dark direction their fight took, his faith in Megatron would blind his reason.

But when Megatron realized the error of his ways and chose to step down, Soundwave was as honored as he was accepting of his lord's choice to deem him his successor. Now with the reigns of command in hand, Soundwave steered them back to a path of righteous fury and away from the bloodlust they'd been misled into.

In the cyberkin world of Fódlan, Soundwave would find himself amidst a quagmire of chaos. His calm and reasonable leadership of the Decepticons would eventually be usurped. But Soundwave would never forget what they were once meant to do, and he waits in the fringes of the lands outside of Fódlan and waits for his time. Soundwave still awaits Byleth's return and call, for he knows she and Megatron both will be vital to the world's peace...

#Soundwave #Cyber Emblem #my art #transformers #fire emblem #fire emblem: three houses #fusion au #three houses #decepticons

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sheepytina · 5 months ago

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So people are talking about the artwork in Metal Slug games again

There's been a few posts going around talking about how weird the Metal Slug characters look in the mobile games, particularly female characters like Eri and especially fan favourite Fio.

This conversation comes up again every so often, but it's been reignited on Tumblr again this week with three new Metal Slug games coming onto the scene:

The recent re-reveal of the indie title Metal Slug Tactics from Dotemu, which was originally announced in 2021, during Summer Game Fest 2024,

The June 2024 Nintendo Direct shadow-drop of a revamped version of the former mobile game Metal Slug Attack as Metal Slug Attack Reloaded, and

The impending global launch of the Chinese mobile game Metal Slug: Awakening from Tencent Games next month (July 2024), which originally released in China and SEA in 2023.

Remember these three names, because this is what this post is going to primarily centre around.

However there's one version of this type of post going around that just posts artwork from Metal Slug 3 and MS: Awakening and doesn't adequately explain what the artwork actually comes from and why it looks the way it does, resulting in the confusion and bewilderment of many people who are less familiar with the Metal Slug series.

And so I decided I really need to throw my hat into the ring and see if I can dissect this and bring some actual facts to the conversation.

Look, it's not great. Basically, the stuff people are saying is indeed mostly true, but there's a lot of half-truths and even a few straight up lies being mixed into it. Such as how what the original Metal Slug games looked like is actually more complicated than people think, for starters.

Furthermore, one of the three games I mentioned actually looks really good, and oddly it seems to be the one with the least attention on it right now.

Now, because I'm me, this blog post ended up really long, long enough to have chapter markers, so please bear with me and stick around to the end if you can. — And if you don't care about the historical context, I'm happy for you just to look at the pictures too.

Part 1: The original NEOGEO Metal Slug games

So the main point of this conversation is that the classic Metal Slug games let the characters look weird and cartoony. That's a big part of Metal Slug's core identity, and this is lost in the recent mobile games.

(Of course I had to get a real CRT photo in here at some point.)

To define "classic Metal Slug" you can assume most people are referring Metal Slug 1 through to 3, i.e. the ones that SNK created before their bankruptcy in the year 2000. And most of all, that iconic character select screen from Metal Slug 2, X and 3.

As you can see, there's definitely a shift that took place here.

But hold on, Fio also looks pretty different on the arcade flyers, especially in her original debut in Metal Slug 2. So it's not exactly as clear cut at the cherrypicked images would suggest, but all the same there is still a distinct, extremely late '90s style to everything.

Metal Slug 4 and 5 also released for the NEOGEO system and are similarly loved by many, but were developed in the 2000s under the newly formed Playmore, aka SNK Playmore. I definitely agree with this sentiment that the "original identity" of Metal Slug was strongest in the early titles, and the artwork is the most noticeable reflection of that.

However, although it has little bearing on the conversation, I think it's important to clarify that this change to a contemporary anime style actually began in the early 2000s during the Playmore era of SNK. Like would happen with other SNK game series like The King of Fighters and Samurai Shodown, things got weird for Metal Slug once SNK was reborn as Playmore, eventually becoming SNK Playmore.

Still, all the mainline Metal Slug games through to Metal Slug 7 and Metal Slug XX are still considered classics by fans. The problem for a lot of fans would be SNK's push into new markets such as pachislot and mobile gaming.

Which brings us to…

Part 2: The Metal Slug smart device games, and the Chinese mobile game market

Mobile games would prove a highly lucrative market for SNK Playmore, with hundreds of titles published for Japanese phones during the '00s. A few of these also made their way to more conventional J2ME devices in China. Eventually the mobile gaming market would move to smartphones, with SNK bringing games such as Metal Slug Defense and Metal Slug Attack to market in the 2010s.

This is the first mention of China in this post and it won't be the last. SNK's arcade titles had traditionally been extremely popular in the Chinese market, and with the mobile game market rapidly growing and a hunger for bigger games from beloved SNK series, a lot of interest had grown for SNK titles in this market.

This would result in a huge investment from Chinese companies, with a new joint venture acquiring a 81% stake in the company in 2016, leading SNK Playmore to announce a new shift in their strategy, and with that came a rebrand, once again to simply SNK.

This new identity signified a new era for SNK. This newly reignited SNK would move away from non-videogame markets such as pachislot, and focus more on console games and character licensing. This is the SNK that gave us The King of Fighters XIV and a new Samurai Shodown game.

But this is also the SNK that really doubled down on the Chinese and South-east Asian mobile markets.

This is where this conversation stems from. Games such as the tower defence mobile game Metal Slug Attack and many other mobile games in series such as The King of Fighters would be massive money-makers for SNK. Even the new Samurai Shodown game on consoles/PC would centre Chinese audiences with its first DLC crossover characters pulling from Ubisoft's For Honor and Tencent's Honor of Kings.

But when it comes to centering the tastes of the mobile game market, the big one that bugs people is Metal Slug: Awakening, a mobile game developed and published under license by Tencent Games, which entered beta testing in 2021 and released in China and South-east Asia in 2023.

Now this game actually doesn't have all that much to do with SNK besides the license. However it would be disingenuous of me to say that means it's insignificant to the series. We didn't get to this point out of nowhere out of all. Plus this game is set for a global release in 2024, so this game is for all of us to enjoy.

Although, is it really for all of us? The game certainly seems to plays like a real Metal Slug game, retaining the series' famous run 'n gun gameplay, which is more than you can say for most Metal Slug mobile games. But it certainly doesn't look like a Metal Slug game. The in-game graphics are a strange 3D interpretation of the original pixel art, and all the game's promotional artwork and splash screens look like this. Fio in particular straight up looks like a different character in these pictures.

It's not great. I'm not about to try and defend this. It's just that I really need to stress that it's really not a game targeted towards us.

To make matters more confusing for a lot of people not super plugged-into Metal Slug is that it's not even the only Metal Slug game in the news recently. Metal Slug Tactics had been missing in action since 2021, and all of a sudden it gets re-revealed by Dotemu in June 2024 but overshadowed by many other announcements during the Summer Game Fest period.

But also, SNK themselves would, during the June 2024 Nintendo Direct, reveal and immediately shadow-drop a revamped offline version of the Metal Slug Attack game called Metal Slug Attack Reloaded.

youtube

I actually saw a lot of people confused by this. People who remembered the initial 2021 reveal of Metal Slug Tactics and thought this was the same game. It might seem obvious to some of us, but if this is you, then I assure you, it's not the same game.

Although SNK seems to be downplaying this for some reason, Metal Slug Attack is a pretty old mobile game that went defunct last year, and this is a revamped version of it for consoles and PC that can be played offline without microtransactions. (An increasing trend I want to see more of!) The game is still very much a mobile game to its core though and you can tell.

But, look, don't worry, there's hope for us yet, in the form of a new game that many western Metal Slug fans have been excited for for many years. I've already mentioned it, it's…

Part 3: Metal Slug Tactics, a new tactical Metal Slug game from Dotemu and French developer Leikir Studio

I'm going to preface this section with a clarification of my stance on this. As a strategy game this doesn't exactly scream classic Metal Slug. However, a few people have been lumping this in with the mobile games and I think that's pretty unfair.

For starters, this game is oozing with personality and really looks like it's developed by people who truly understand Metal Slug.

youtube

Second, the artwork in this game is clearly a very different beast from what can be seen in Metal Slug: Awakening.

Obviously this isn't the same as the funny looking characters you remember from the in-game graphics of the NEOGEO titles. I still however feel like this captures the spirit of these beloved characters better than any of the mobile games have. This is definitely along the lines of Sonic Mania or TMNT: Shredder's Revenge in terms of attention to detail, and that's especially reflected by how the actual game looks and moves in action.

This is really my true agenda if I'm perfectly honest. Please don't sleep on this game. Even if you don't like tactics games, this is the one you want to keep an eye on if you want a true return to form for Metal Slug.

#metal slug #metal slug tactics #metal slug attack #metal slug attack reloaded #metal slug: awakening #snk #tencent #dotemu #blog posts

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thebardbullseye · 2 months ago

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On the Purpose and Appreciation of Compelling Recaps: “Of the Reaching Green” (WWW Episode 10)

From the desk of TheBardBullseye

“Previously on “The Wizard, The Witch, and The Wild One.” Naram, spirit of the gentle sea, lies bound at the base of the Calabel Nautomantic Apparatus by Guild Mage Morrow of the Scepter’s Chorus. Our heroes stand divided. Having re-established contact with The Citadel, a castigated Suvi now has direct orders to do nothing until Steel arrives in Port Talon three days hence. Eursulon, having returned to the Ace of Wands alone, once again wields Wavebreaker, the sword that legend says belonged to Naram himself, with the power to break the spells and curses of his foes. And Ame, with just such a curse still clouding her mind and concealing crucial memories of Grandmother Wren and her most important lessons, now rushes forth to find her fox familiar, chasing him beyond the walls of Port Talon into the wasteland of witch fire and ash that stand between the city and the wrath of creeping kudzu beyond. We now return to Port Talon in the wee hours, as a tall and tipsy traveler ambles contentedly down a cobblestone street, a gleaming sword swinging at his side. [music swells] (0:00:18-0:01:30)”*

tl;dr below the fold- I’m captivated by the "Previously On" at the start of episode 10, and I wrote a whole damn essay discussing it. The recap is a brilliant piece of writing and a fascinating snapshot showcasing why this particular actual play podcast is So. Damn. Good. They didn’t have to go this hard!

// Spoilers (both direct and indirect) for Arc 1 // (but honestly I think if you don't already listen to this show, then hopefully this essay convinces you to.)

I’ve been relistening to “The Wizard, the Witch, and the Wild One” (WWW) from the beginning (starting with the Children’s Adventure). My work life has gotten super crazy in the last month (yay promotion!), and I’ve found the first arc (and firesides) to be a great boon during a stressful time. As I already know the story, I’m less concerned about missing something and will listen to it whenever I need to—note that when I listen to a new episode, I allocate free time to listen and do only that (and play solitaire so I don’t scroll social media). Anyways, when I got around to episode 10, I was reminded by how much I loved the “Previously On” recap at the start. I don’t know if it was written separately or improvised, and although I suspect the former, I wouldn’t be surprised if it was the latter (1).

Before I get into it, y’all, this podcast is so fucking good. I’ve said it before, and I’ll keep saying it. There have been numerous moments, developments, episodes, etc. that have grabbed me by the shoulders and shouted in my face, “HEY! STUFF IS HAPPENNING! PAY ATTENTION TO THIS! MAKE THE HAPPY BRAIN CHEMICALS!” (in the Fox’s cadence and voice, of course). And sometimes, that voice compels me, perhaps as a Geas, to Do Something creatively (much like what you’re reading now). Early on, this was mostly a ramble to a friend, or word dump in a doc or group chat. Then, I wrote some music and some lyrics and some poetry, and then a full-length academic essay (…5k words long), and then designed a magazine cover, and on and on. (I don’t know why this podcast has my brain in a vice, but also, I sort of do, which is another essay in the drafts.) Regardless, the first instance of Creative Compulsion that manifested in a more structured manner was when episode 10 debuted and is in fact this very essay (that has since been rewritten and fleshed out). I didn’t have a Tumblr at that time, so my thoughts on this recap have just been collecting dust in my documents folder for more than a year. But, upon my relisten, I realized this episode introduction was significant and that there was more I wanted to say and praise, since I haven’t heard another one like it since.

When the episode first aired, I heard the first 90 seconds (2) of “Of the Reaching Green” and instantly replayed it three times before moving on to the rest of the episode because I was so captivated. After I finished the episode, I listened to it again. The episode had just come out, so the transcript was not yet available, and I wanted to see the recap as well as hear it. *Above, you will find my transcript of the recap, preserved as it was on that day, so my apologies for any unintentional spelling or grammar mistakes (3). Then, I stared at it and reread it, and started to piece together my thoughts on why the hell I’m so enamored by this. It’s 90 seconds of an hour and twenty-minute podcast, and not only that, it’s not even technically part of the diegetic episode, since it’s a recap! (What the hell, Brennan?!)

I promise I’ll get to those specific thoughts soon, but I think it’s important to alight briefly on the nature and necessity of recaps. In serialized storytelling mediums, most notably television shows, the audience often requires a recap of the previous events to refresh one’s memory since it’s been a week (or more) since the previous episode (TV Tropes). I think these may have fallen out of favor as of late, especially in the advent of prestige television, DVRs, and streaming—most producers probably assume that their audience is either binge-watching the show, has access to the previous episode, or can just look up a summary. Or if not done well, it may further confuse the viewer if too much or too little information is included (4). Further, recaps are NOT synopses of the previous episode—they serve to highlight the main points of the previous episode/storyline and specifically underscore what the audience needs to know for this episode. Additionally, these don’t necessarily show up before every episode; for some shows, these only happen for mid or end of season finales, when major storylines conclude. These are not just for returning viewers- in the bygone age of broadcast tv (I jest, kind of), people didn’t always catch every episode every week, so recaps also needed to be compelling. They needed give any random channel surfer the general gist so that they could watch the episode and convince them to not change the channel. Recaps don't need to execute on these all of these elements, nor do them perfectly, but a good recap communicates all of these things well in a very short time frame (usually around 1 minute). Essentially, "Previously On" segments say, 'pay attention to this.'

For actual play shows (a catch-all term for recorded or streamed TTRPG games), recaps serve this same purpose of reminding the audience of previous events, but these also do the additional duty of reminding the player characters themselves at time of recording of what is important in the story they’re telling and game they're playing. Often, the GM will recap the previous session so that everyone’s on the same page, and this is often improvised (as most things are). Needless to say these aren’t usually the most compelling part of the episode (though they don't have to be), and often devolve into synopses of the previous session (i.e., “Last time you guys did XYZ, Timmy fell down a well, ok let’s start…”). Or, if the GM does recap the most important points to know, it’s not usually that compelling to listen to—and honestly, why would one spend extra effort on something that insignificant anyway? Moreover, recaps in most actual plays serve the purpose of recapping for the players first and the audience second (5). The GM can remind, and players can ask questions, so the burden of this segment is lessened.

Ok, so back to our regularly scheduled essay about WWW. I mentioned earlier that I thought that the recap in episode 10 was not improvised at the start of the session and instead was written and recorded separately. While (to my knowledge) this hasn't been discussed publicly, there is some evidence in the structure, cadence, and delivery that lends credence to this assertion. On the whole, I don't think it particularly matters whether it was written or improvised; I merely mention it because the choice to script is significant when every other introduction is improvised (just look at much people love the "Fire" introduction for Calamity). This creative choice makes a lot of sense both in narrative and in production.

WWW first debuted in March 2023, releasing biweekly, so episode 10 aired in early July 2023. I would wager that most listeners don’t relisten to each episode in the intervening weeks, so most episodes start with an informal recap or general scene setting. However by this point, the story had just reached its major turning point at the end of episode 9—the recovery of Wavebreaker. This sword is the MacGuffin of the first arc, and each character is connected to it in some way—it breaks curses (one of which Ame is under), Eursulon was the last one with it but parted with it years ago in Port Talon (he also needs a weapon), and Suvi was the one that gave it to him in childhood. The previous episode also focused on Naram, a great spirit trapped in the harbor of Port Talon, who up until then seemed tangential to the protagonists—but then Ame discovered on her own that Wavebreaker originally belonged to Naram. This pivotal moment is what propels the story to the conclusion of the first arc, thus the need arose for a moment to remind the audience of the stakes and current landscape.

From a production standpoint, this podcast has a lot of love and care poured into it, especially with the marriage of masterful improv and immersive sound design. It’s clear (and has been explicitly stated) that this crew prioritizes the quality of the final episode through little details and extra effort. So, whereas with other APs, fewer resources would be allocated to a recap simply because it’s not necessary, Worlds Beyond Number finds the use-case where it becomes necessary to put a little extra mustard on it.

That said, it’s a really good recap, excellent even. It contains everything a good recap should have: it paints the big picture, snapshots the major players, flows perfectly into the opening scene of the episode, and above all, is compelling. To further support the theory that this was written and recorded separately, it also lacks the filler words, pauses, and direct address to the players (i.e., Suvi, you did X, and Ame, you did Y) that are typical of an improvised introduction and recap—and thus it has the tone akin to the opening crawl of Star Wars. It is eloquently written, with so much information communicated by inference in just seven sentences, so let’s analyze line by line:

Translation: It all starts with Naram. Naram is a gentle spirit held captive by another wizard and his fancy machine. “Our heroes stand divided”—they had an argument in the last episode about whether or not to free Naram (and how). Needless to say, the situation with Naram is more complicated, but those four words express that succinctly.

NB: Naram is alone.

In the context of the previous episode, the listener is reminded of this quandary—what to do about Naram. But, there is an ingenious double meaning here. That last line not only alludes to the philosophical division amongst the party, but a physical one as well.

“Having re-established contact with The Citadel, a castigated Suvi now has direct orders to do nothing until Steel arrives in Port Talon three days hence.”

Translation: Suvi has been reprimanded by Steel after unintentionally going AWOL (“re-established contact”) and now she has to keep the situation with Naram locked down until Steel arrives. The audience is reminded that Port Talon is remote from The Citadel since it will take three days to get there.

NB: Suvi is alone.

Steel, Suvi’s adoptive mother, is flying by airship because the travelling door is broken, but since this is extraneous information to the immediate situation, it is left unsaid. As Suvi is the party member with the least connection (relatively speaking) to Wavebreaker and Naram, I think it makes sense that Suvi is mentioned first and has the least airtime in the recap.

“Eursulon, having returned to the Ace of Wands alone, once again wields Wavebreaker, the sword that legend says belonged to Naram himself, with the power to break the spells and curses of his foes.”

Translation: Eursulon ran off to see Will Gallows (proprietor of the Ace of Wands) but got his sword back (“once again” wields Wavebreaker), and it is a legendary sword belonging to Naram that can break curses.

NB: Eursulon is alone.

This section is also brief but sets up the pattern for a clever sequence that subtly shows the movement of the sword over time. First, Naram (who owns the sword), Suvi (who gave Eursulon the sword), Eursulon (who got the sword back), and then finally Ame (who needs the sword). The last phrase, “with the power to break the spells and curse of his foes,” neatly sets up the next line.

“And Ame, with just such a curse still clouding her mind and concealing crucial memories of Grandmother Wren and her most important lessons, now rushes forth to find her fox familiar, chasing him beyond the walls of Port Talon into the wasteland of witch fire and ash that stand between the city and the wrath of creeping kudzu beyond.”

Translation: Ame is cursed and because of that, she is lacking crucial knowledge (but the sword can break the curse). Now, she has left Port Talon and is chasing after her fox into the dangerous wasteland choked with smoke and treacherous forest outside the city.

NB: Ame is alone (do you see the through-line?).

Now, with the major characters introduced and with the stakes increasing, the segment concludes as it introduces the present moment and establishes the opening scene:

“We now return to Port Talon in the wee hours, as a tall and tipsy traveler ambles contentedly down a cobblestone street, a gleaming sword swinging at his side.”

Translation: It’s the middle of the night and Eursulon is triumphantly (and drunkenly) wandering the streets of Port Talon.

It’s notable that Eursulon is not mentioned by name at the end but trusts the listener to have been paying attention, though the next spoken word as the recap fades is “Eursulon.” The opening scene transitions seamlessly to him arriving at the Chantry—now we've come full circle. (This is Morrow's HQ, who trapped Naram in the first place).

Thus, it’s clear that this recap is descriptive yet not needlessly verbose or rambling (unlike this essay), due to its well-formed sentences and syntax.

But beyond that, it’s pleasing to the ear. There is ample use of consonance throughout (e.g., “bound at the base,” “wields Wavebreaker,” “curse… clouding… concealing crucial,” “rushes forth to find her fox familiar,” "walls... wasteland... witch fire," "creeping kudzu," and “tall and tipsy traveler ambles contentedly down a cobblestone street, a sword swinging at his side”). There’s also an interesting alternating alliterative and rhythmic pattern of k and s sounds with “contact with the Citadel, a castigated Suvi”. There's just enough to be noticeable but not too much to become annoying, and the brevity certainly helps. It's poetic.

In the sound quality and design, there’s an air and cadence in Brennan’s voice of being read a bedtime story, and he speaks clearly and with purpose. Further, the musical motifs of the chorus signifying the spirit world at the start transitions to a carefree, plucky tune during the last line that embodies Eursulon’s mood and instills it in the listener. As it ends, this musical transition is reminiscent of waking up and slowly starting to hear the ambient noise around.

When analyzing any kind of creative choice in any medium, I tend to remind myself that the creator(s) could have simply chosen to not make that choice, for any number of reasons or limitations (6). The "Previously On" in episode 10 could have been unremarkable, rambling and verbose, it could have had no music or sound effects, it could have been written and structured in an entirely different way, or it could have simply not existed at all. But it does exist, so I look at what is there. Now, this analysis is not intended to be prescriptive for future recaps in WWW or other APs. As is evident, this recap is one-of-a-kind and serves a greater purpose overall in the first arc of the story. In writing this, I spot-checked a handful of other opening moments of WWW, and while those introductions were improvised, Brennan is so adept at it that I would not expect to hear another a written recap unless the narrative and production calls for it again.

These seven sentences are truly brilliant. There are plenty of moments that have stuck with me since WWW started in March 2023, but it speaks volumes that something this insignificant spawned a ~3000-word analytical essay (7). Damn.

Footnotes:

(1) I elaborate on this later in the essay, but I suspect it was written and recorded separately solely because of how concise it is, both in word choice and in delivery (the lack of filler words or pauses), as well as the difference in tenor/tone as it transitions to the opening scene. We’ve also heard plenty a recap from Brennan in WWW and other shows, and I have yet to hear one as crafted and, dare I say, perfect as this one. Not to knock other improvised (or otherwise) recaps of course, as those fulfill their purpose well and fine. I just appreciate the extra mustard on this one (no shit, I just wrote a whole damn essay with footnotes). I suppose I could submit a Fireside question and ask (lol) but I think that (sky)ship has sailed, since we're now on episode 35. (If for some godforsaken reason someone involved with WBN reads this... let me know if I'm right, I guess? If I'm wrong, I don't want to know /j)

(2) I refer to the recap as 90 seconds as shorthand throughout, but it technically just ends at 90 seconds. And I think that’s neat. It's also easier to just say 90 seconds—a nice, distinct chunk of time—than its true length, which is 72 seconds (due to the WBN theme).

(3) Formatting the quote in this way also neatly organizes my analysis of it later in the essay, which is not exactly reflected in the transcript (but that’s because it’s for readability).

(4) Complete tangent to the podcast discussed here is that I’ve seen DougDoug (internet streamer) do a blind reaction to just the “Previously On” recaps for "One Tree Hill" and "24" (without knowing the plot of either show) to hilarious and baffling results. It further demonstrates my point that recaps are not synopses, and you can’t fully grasp the plot of something through these. Because that’s not their purpose—which is to make clear to the audience what they need to know for that next episode-- not necessarily explain what happened in the last episode (and clips can be from earlier episodes as well).

(5) Something that I think is often discussed by WBN et al. (among others) is the distinction between an actual play and a home game. In a home game of D&D, the sole audience is the people playing the game. In actual play, the audience is BOTH the players and the viewer, and (good) actual play has to balance the two—you want to make sure the people playing are having a good time but also that it makes for a good viewing/listening experience. This tension between the two audiences can be balanced for- either in the moment of recording or in post-production, and I think WBN does an excellent job at this balance. However, I make the point that players come first and audience comes second specifically for recaps, because if your players don’t know what’s going on beforehand, then the whole shoot/recording could be in jeopardy, and it may simply not be worth the time, effort, or resources to craft an outstanding recap. So, there’s fundamentally going to be less effort put into the recap from viewer’s perspective in actual plays, and they just don’t matter that much, since players can just ask questions/GM can remind players of things.

(6) Might be a hot take, but I find it counterproductive and uninteresting to engage in editorializing player and DM choice in APs when it is presented as critique or literary analysis (i.e., "they should/could have done this instead" or "XYZ would have made for a more interesting story"). I've noticed this sentiment crop up in AP spaces/fandoms, but there isn't a writer's room to edit and revise the story being told (well there is one, and it's happening in the moment). To me, it's more interesting to look at the story that is being told and the choices made, and ask, why? Which is the point of this whole essay—to look at those seven sentences and go, "why is this here and what does it mean?"

(7) Or I'm just a nerd. Or both. Don't mind me, I'm just over here building my donut house. (I reblogged a post about fandom and donuts recently—it makes sense in context I promise.)

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