#my thoughts: I don’t think he is a monster. but this would make his complex about it worse which im a fan of

[sabertoothwalrus]

what could it mean what could it mean what could it mean

[milkteahood]

not a good man 2

Simon Riley x fem!reader, part 1

Summary: Simon crawls back to apologise

You have asked and I have delivered. I might or might not make an alternative ending where reader doesn’t take back Simon and starts dating König instead

Warning: light smut (just a paragraph, oral f receiving), still mdni

The next weeks were spent by Simon drowning in alcohol, refusing to admit it’s because of you. He didn’t call or text at all after that last fight, but you didn’t either.

You on the other hand, spent the first week falling asleep crying next to your phone. You hoped that, for once, it would be him who fights for you. But he never called, which only worked to break your heart further.

“Silly me I guess” you’d tell yourself.

On the base he was more distracted than usual, but not enough for anyone to notice. Well, not enough for someone that wasn’t close to him. His captain, John Price, noticed. So one day, while he was having lunch, Price took a seat across the table.

“Captain” Ghost nodded his head.

“Ghost. What’s on your mind?” John’s eyes softened slightly. Simon was very dear to him.

“What are you talking about?”

“You’re distracted”

Those words cut through him like a knife. Distracted? Him?

“I don’t know what you’re talking about” he responded, tone more cold now.

“I think you do”

John wasn’t one to back down and Simon knew that. And John also wasn’t someone Simon could intimidate. He was trapped.

“Just a fight”

“Your girl or something?”

Simon didn’t respond and John knew silence was an answer too.

“Have you tried to apologize?”

“What makes you think it’s my fault?” he raised his voice ever so slightly. As much as Price annoyed him in this moment, he wasn’t going to be disrespectful to his captain.

Price only gave him an amused look.

“Look Riley, a word of advice. Not from a superior, but from a comrade”

Simon looked at him straight in the eyes, waiting for him to continue.

John smiled “just because she loves the monster you are, it doesn’t make you less of one. You cannot be Ghost where you should be Simon” and with that, John stood up with his cup of coffee and departed, leaving Simon alone with his thoughts.

And that is how Simon found himself in front of your apartment door. He stood there for at least 20 mins before he knocked.

You were on the couch, nose deep into one of your books. The past weeks have been rough, finding yourself unable to focus on much else.

The soft knocks on your door made you snap back to reality. They were so quiet you almost missed it. You stood up from the couch and made your way to the door.

Your heart jumped in your throat when you looked through the peephole and saw him. His hood was up, and he was looking down.

For a while you contemplated ignoring him, but part of you, the big part of you, the one that still loved him, won. So you opened the door.

“Simon” you said, coldly.

“Dove—“ he looked up and paused. Your eyes were red, you have been crying for god knows how long. He looked back down. In that moment he wanted to punch himself into another dimension.

“‘M sorry” he mumbled.

“What?”

“‘M sorry” he said again, still looking down.

“Is that all? Really?” you were getting angry.

“You know what? Forget it” you said, starting to close to door, which he promptly stopped with his hand.

“N-no. Wait. Look. I know. I’ve been nothing but a cunt to you since the moment we started dating… and— I’m sorry, ok?” he sounded almost desperate.

You let go of the door and stepped aside, which he took as an invitation and walked in after you, closing the door behind.

“You’re soaking wet” you remarked.

“I— I waited for 30 minutes in front of your apartment complex. Then 20 more in front of your door..” he was still not looking at you.

“So it took you about an hour to debate whether or not I was worth an apology?” your voice was cold and full of venom.

“No. It’s not like that” he looked up, his eyes almost pleading for you to stop. Just accept his apology. But of course you weren’t going to and he knew that.

“Look Y/N. I can’t be what you need me to be. I don’t know how to do love you. Not in the way you want me to”

“But are you willing to try?”

“What?”

You left a crack to your heart for him to use. It was up to him to make the effort to squeeze through it.

“I asked—“

“Yes” he cut you off. “Yes I will try. Please love”.

He took a few steps towards you, but this time, you stood where you were. You extended your hands to cup his face and he instinctively leaned into your touch.

“Don’t ever—“

“I won’t” he didn’t let you finish.

“Okay” you said, gently stroking his face with your thumbs “you will have to prove that to me”.

He only nodded, leaning more into your touch.

“I’m sorry love” he said again.

“Good. You should be” you said before standing on your toes and kissing the corner of his mouth.

His eyes widened “I thought you’re mad at me” he blinked a few times, not yet daring to touch you.

“I am. Incredibly so. But— I also love you” you said before kissing him back, not letting him get another word in. In a way, you were scared to wait, scared he wouldn’t say it back.

He didn’t wait too long before kissing you again, one of his big hands holding the back on your head, deepening the kiss. His other hand squeezed your lower back, closing any space between you.

“Seems like you can’t stay away for long little one” he smirked once you pulled away from the kiss.

“Look who’s talking. Last I checked, you’re the one that crawled back”

He gave you a quick look before pulling you into another kiss and picking you up. You wrapped your legs around him until he made it to the bedroom, dropping you on the bed and taking off his wet hoodie before climbing on top of you.

As much as he wanted to fuck you silly, he knew that wouldn’t build him a strong enough case. He didn’t want to make you feel like he was just here for a quick fix. He heard you sob about that enough in the past.

“You’re worth crawling back to” he said, kissing you again before you had a chance to answer.

You smiled, wrapping your arms around his neck and deepened the kiss.

Once he pulled from the kiss, he latched onto your neck, sucking on all the spots he knew were sensitive. His hand traveled down your abdomen, running circles over your wet, needy clit.

Your moans were suddenly making his jeans feel too tight, causing him to grind against the mattress.

“Si— let me help you”

“No” he said, standing up on his knees and pulling your underwear down “for once let’s not make it about me dove”. And with that, his face was between your legs, pushing his tongue inside of you.

“Oh fuck—“ you moaned, arching your back.

He kept eating you out like you were his last meal before death. One hand held you firmly in place and the other was completely abusing your clit.

“Si— fuck— just like that, oh fuck” it felt so good you didn’t even realize you were tearing up.

“I’m gonna—“

“That’s right babe, come for me” he said, while his cock was still throbbing in his pants.

You didn’t need more encouragement before coming, your body twitching as Simon refused to let go of you, licking every drop.

You were panting, your eyes were glossy as you watched him climb on top of you again, kiss your forehead and then lay down next to you.

“What about you?” you asked, rolling on your side to face him.

He caressed your face with the back on his hand. It was rough, but you wouldn’t have it any other way. “I came here to apologize dove”

“But—“

“No buts little one”

He pulled you to him, nuzzling your hair. The room was dark, and the rain was still strong. How you take him back over and over, he couldn’t wrap his head around. He didn’t deserve you, that was for sure. His own ray of sunshine into the void his life was. He would never feel good enough for you, but for what it’s worth, you’re stuck with him. And he promised he would do better.

He didn’t remember just for how long he held you, but it must’ve been a while, for you started to snore.

This made him smile to himself, and he wrapped a blanket around you.

“…. I love you too” he said, but you were already asleep.

tag list: @blackhawkfanatic @milavk13 @thychuvaluswife @darkravenqueen98 @fruitymoonbeams-blog @coooookie15 @fictionallifestuff

if I missed anyone I apologize

[stupditysholy]

I have to get this off my chest because the amount of Curly love on tik tok actually stresses me out and I’ll tell you why:

So to my understanding having experienced the game multiple times, Curly absolutely fails to advocate for/help Anya. She hides the gun to keep it away from Jim because Curly will not allow her to protect herself. He straight up calls her crazy to her face, too: “You never had to get psych evals like the rest of us. I should’ve known” or something along those lines. When Curly confronts Jim before Jim crashes the ship, he doesn’t say ANYTHING in defense of Anya, instead consoling Jim that they would figure it out, and he’d been in rough spots before.

For all intents and purposes, Curly does not see that Jim has done something inexcusable, and rather he has made a series of mistakes. He does not for one single moment consider how Anya’s life has been permanently altered, how her autonomy has been entirely stolen from her.

Until he experiences it himself.

Curly being reduced to a mostly immobile spring sausage is his way of experiencing the pain he allowed to be inflicted upon Anya, full stop. Even more ironic? Anya can’t bare to give him his pain killers, so he is left completely at Jim’s mercy, a fun-house mirror of how Curly could not bare to hold his friend accountable, and therefore left Anya at Jim’s mercy pre-crash.

Curly only becomes Jim’s victim because he allows Anya’s victimization to go on unchecked. He thought he was exempt from Jim’s abuse, and that is his biggest mistake.

Also, I have to say the idea that Curly get’s rescued and lives happily ever after does the narrative no justice. In fact, it completely undermines Jim’s entire character arc. Curly living happily ever after would, in some sense, redeem a little of Jim’s character—redemption he did not remotely earn because he did NOT take responsibility. At all.

Jim putting Curly in the pod at the end is no act of mercy. It’s actually the worst and most selfish thing he could have done. It’s the exact freaking opposite of taking responsibility. When he has his big talk with Polle before the very end, he is spouting complete and utter bullshit. Why?

The crash and Curly are NOT the things he is supposed to be taking responsibility for. The thing he is supposed to be taking responsibility for is ANYA’S TORMENT. That is the thing which started all of this, which lead to the crash, which fried Curly. That is the inciting incident.

That’s the freaking irony!

Anya get’s completely and utterly forgotten in this moment. In my opinion, this is why Polle says:

If all of that is true… why are you still so concerned with him?

Because right before that, Jim is about to say “Our worst moments don’t make us monsters.”

And Polle knows, then, in that moment, that when Jim thinks of his worst moments, he thinks of the accident, what happened to Curly, rather than the immeasurable pain he inflicted on Anya PURPOSEFULLY. Jim completely fucking ignores his worst moment, and that DOES make him a monster.

So when Jim puts Curly in that pod, not only is he righting the WRONG wrong, but he is actively choosing to believe this is what it means to take responsibility. He is making his amends to a man he accidentally hurt rather than the person who suffered the most at his hand.

It’s also pretty evil of Jim to put him in there because he knows: a good captain goes down with his ship. He makes Curly out to be a selfish and pitiful. He may even be setting him up for failure depending on how the authorities reason out what happened.

I just think at the end of the day Jim is the villian of the story, and Curly is a freaking bystander. Obviously post-crash this is inevitable, but that’s almost funny—not gonna do anything to stop him, Curly? Guess what, now you don’t even have a freaking choice.

Anyway please stop glazing the spaghetti man you can love his complexity but he is not a good guy or uwu cutie pie. He sucks. Straight up.

Feel free to start discourse in the comments I’m okay with being wrong about him I guess I just don’t think I am.

[quack-quack-snacks]

Time Will Tell - Chapter 1.22

My Time Will Tell Masterlist

My Cha Hyun-su Masterlist

My Navigation and Masterlist

The Time Will Tell Glossary

Warnings: Kim Seok-hyeon's death tehe. Word Count: 1,879 Author's Note: I couldn't find a gif for today's chapter :(

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The rest of the day as well as the morning and afternoon of the next passed by quickly. You’d mostly played with your siblings, finally starting to feel better after that much-needed crying session on Hyun-su’s shoulder. You visited Hyun-su during both the morning and afternoon, just to check up on him and make sure he was doing okay. You also saw him when he stopped by to ask if you needed anything on his next trip up. Like always, you shook your head and refused, thanking him for the offer and wishing him safe travels. 

What you were doing right now, though, was sitting in the apartment complex’s alcohol room with your two siblings sitting beside you. You were helping along with some other residents empty beer bottles and then filling them with water. The sun outside had already faded away behind the horizon, leaving the stars glinting in the black sky. Your injured hand still hurt with every movement but you made a point to not complain and just keep doing your part in the work. 

“When do you think Hyun-su will be back?” Seung-wan asked after there was a lull in the previous conversation about Byeong-il drinking the beer. 

Your hands stilled above the bottle you were holding and you looked down. 

“I don’t know. He’s late today,” Hye-in replied nonchalantly. “Do you think something happened to him?

You hadn’t even realized how much time had gone by but it had been a while since he left indeed. It scared you a little bit, wondering if he was safe and well. 

“You know he doesn’t die,” Jae-hwan answered with a condescending voice. “Even if he gets hurt, he gets better after a nap.”

“And that’s an excuse as to why we shouldn’t worry about him?” You asked him, fixing your cold glare on him. He shifted in his seat and looked away. 

Just as he was about to respond, the whistle signaling a monster sounded through the propped-open door. It continued to blow frantically, like the person was hyperventilating while blowing into it. 

Everyone shot up from their seated positions and ran out the door, ready to take on whatever it was that was in their safe zone. 

Everyone was screaming and shouting, panicking over the slow-moving monster that looked like a human-mop hybrid. 

Sang-wook walked forward, ready to fight it off when Seon-yeong put a hand on his arm to hold him back. “That’s my husband. Stay back.”

She walked forward, ignoring everyone's calls for her to get away. “Don’t go near it Seon-yeong!”

She paused a few feet in front of him. “Pull yourself together, Kim Seok-hyeon,” she demanded. He growled and took another step forward, his hands breaking through the mess of hair surrounding his body. “Kim Seok-hyeon. Pull yourself together!” She raised the pipe in her hand up like a baseball bat before swinging it down on him. 

You looked around for your siblings and saw them standing beside Mr. Han. You ran over, grabbing both of their hands and leading them away from the scene. You heard screams and sobs echoing behind you as you led the two into the nursery. Jin-ok wasn’t far behind you when you sat them down and told them to ignore it. 

“I’ll come back in a bit when everything has settled down, okay?” You told them and they nodded. Jin-ok nodded as well, thankful you were there to protect their innocence for as long as possible. 

You ran back to the lobby when you suddenly heard the buzzing noise of the door to the stairs ringing. You walked up quickly and opened it, not at all surprised to see Hyun-su standing there. 

What you were a little surprised about were the endless voids that stared back at you in the place of his eyes. You would probably never say it but you thought those black eyes were one of the most beautiful things you’d ever see.

But they would always remain in second place to the brown eyes that lie underneath those voids. 

He was leaning against the wall and breathing heavily. When he pushed off the wall to start walking in and stumbled, you rushed forward to grab him, standing unnecessarily close to him. You looked up at him only to find him staring back at you, his black eyes fading as soon as your eyes met his. 

The sobs from Seon-yeong interrupted your moment and you remembered where you were. 

You looked away first, not letting go of him yet as you asked, “Can you walk on your own?”

He didn’t answer for a second until he nodded. “Yeah.”

“Okay, I’m going to let go of you then,” you warned him, though your grip didn’t loosen at all for a long moment. You gave him a small smile that his own lips didn’t respond to, but you could see it in his eyes how much he wanted to return it. 

When the two of you reached the bottom of the stairs, Seon-yeong had just delivered the final blow to her husband. Blood was scattered all over her face and neck, a pool of it flooding the area where Seok-hyeon’s body laid. 

You could see the horror on Hyun-su’s face as he scanned the scene in front of him, and the way he actively avoided looking at it as he started heading toward the arcade room. He stopped halfway there and looked at the pool of blood reflecting his own face, standing there for a minute before dropping the bag of stupid supplies and continuing to the room designated to him and his ‘infection’. 

You started to follow him but you were stopped by Eun-hyuk grabbing your arm and shaking his head. So, with a few hesitant looks between Eun-hyuk and the direction Hyun-su went, you started heading to the nursery to check up on the three people in there.

You sat in the nursery with the rest of the residents, candles lit all across the room since the power went out. Yeong-su sat in your lap and you rubbed his back while he cried. He was never good with the dark, always picturing monsters lurking in the shadows.

It didn’t help that now his fears were rational. 

“Let’s wait a little, Ji-eun,” Seung-wan said consolingly to your left. “It’ll be okay.”

Hye-in scoffed lightly when she sat down. “How do you know? It’s obviously not okay.”

“What’s gonna happen now? I hear we’re about to run out of food,” Jae-hwan said worriedly as he snuggled up against Hye-in. 

“The water will be cut off soon,” Ji-eun said, her voice shaking. “I’m really scared.”

“Noona, are we gonna die?” Yeong-su asked. Tears had already streamed down his face despite you trying your best to comfort him. You couldn’t say anything in fear of it being a lie, so you just held him closer in your lap, squeezing him reassuringly. 

Everyone was silent for a moment as they thought about the boy’s words. It was only broken when Byeong-il broke and spilled his fears. “Yeah, it’s over. We’re all totally fucked!” He yelled.

“Hey!” You yelled at him, using a leg to kick him harshly on the thigh. He groaned in pain but you didn’t care because the whimper of fear from Yeong-su and Su-yeong caught your attention more. You whispered words of care and love into their ears as you wrapped an arm around Su-yeong as well and pulled her into the hug. 

“I really hope I go to Heaven when I die,” Byeong-il continued, yelping and groaning when you kicked him again in the same spot. 

“So what?” Eun-yu asked. “So what? Who cares? Do you want us all to drink the fucking Kool-Aid and just give up or something?” She yelled at him before standing up. “Stop whining, asshole! Whining won’t change anything. Trust me,” she finished and walked out while you still held your crying siblings close. 

“Okay,” you decided. “It’s time for bed, yeah? Get comfy and I’ll read you a story, okay?” 

They nodded, excitement momentarily taking over their fear. They always loved when you told them stories since you did the funny voices and had a great way of painting a picture in their minds.

You told them the story until they fell asleep, cuddled up against each other with tear stained cheeks and puffy eyes. You smiled at them with loving eyes before standing up. The rest of the people in the room were also quietly getting ready for bed so you weren’t worried about them waking the tykes up while you went to go check on Hyun-su. 

You grabbed your book, a flashlight that was sitting next to the door, and the first-aid kit you grabbed from your apartment before you set off towards the arcade room. You hadn’t been able to stop thinking about Hyun-su since he stumbled through the door after you opened it. It really looked like he had a bad encounter during his trip upstairs and it scared you. You hadn’t seen any visible signs of injury on him but the way he limped and couldn’t seem to catch his balance was enough to show you he probably had some sort of concussion and/or a leg injury. It would probably be healed by morning but it was still scary to think about. 

When you got to the room, you entered quietly, not wanting to wake him up in case he was asleep. It was a good thing, too, because he was out cold on a little bench next to a pillar. You tiptoed over to the chair placed next to his head and sat down, setting the first-aid kit under your chair. Before you opened your book to start reading, you folded the jacket wrapped around your waist and gently lifted his sleeping head to place it underneath. After you finished, satisfied with how he looked at least a little more comfortable, you opened the book and started to read, balancing the flashlight you brought in the crook of the chair’s headrest and body so you could see the words on the pages. 

It must have been at least an hour or two before Hyun-su started to stir. You thought nothing of it at first until it happened again. He let out a small sound you almost didn’t hear but from the way he was moving and groaning you knew it must have been a dream that wasn’t all that dream-like. 

You placed your hand on his forehead to feel his temperature and it seemed like an instant change in his behavior. His groans quieted and he stopped moving, save for the occasional twitch. You lifted your hand, satisfied that he was calmer and returned to your book. It was only a few minutes later that his thrashing and mumbling and groaning returned, this time seeming worse and more intense. You hesitated but placed your hand on his forehead again, experimenting and seeing if what you thought might happen would happen.

Sure enough, he calmed down almost instantly and you sighed again. Moving your hand, you brought it down to his bicep instead of his head, leaving it resting there while you used your other hand to continue reading your book.

[juvenillia]

thoughts on smoking ghost with a s/o that doesn't like it??

Hello anon and thanks for your request, I hope you enjoy!

And pls feel free to flood my inbox.

Smoking, but you don’t approve it [headcanon/drabble]

a/n: as someone who once was in such a situation it was kinda cute writing it, if you know what I mean. Also, I am just weak for Simon, you can literally request anything with him and I’ll gladly write it, as long as it fits my picture of him though

cw/tw: smoking (obvs), fluff, this is only sfw [thinking about a nsfw version for price though]

Characters: Ghost

》 Masterpost 《

Ghost – See, our man is very complex, so there are different situations. But thinking of his partner as civilian, there are a few states of him smoking in your presence just like there would be different states of your relationship. To make one thing clear, Simon Riley is many things, but he is not an asshole neither a monster. At least not to the people he holds dear to him. He can be distant and stern, but this is a matter of his past. He is indeed a very kindhearted person, and if you earn his trust and he decides to let you be his partner, he is going to carry you on his hands for the rest of his life. And I am going to scream that as loud as possible for even the last ones to hear!

Anyways, in the very beginning of your relationship, he would be annoyed. Not annoyed of your reaction to his smoking, no. He would be annoyed about himself. Your eye rolling, or even leaving when he pulls a fag out affects him so much that he’s pissed about himself. Because simply like that he shouldn’t doubting his actions because of one person. He easily dismisses it as empathy. He would never want to cause someone discomfort when off duty. Especially not when you’re a woman. He has seen so many things and due to the behavior of his father, he would never want to be like him. So anytime he’s around you or your friends, he excuses himself to leave for a smoke.

Well, things change as soon as he realizes that it’s in fact your reaction that affects him so much. If Johnny or Kyle are annoyed of his smoking, hell, even another woman on the street, he doesn’t care as much as if it’s you. So, he starts to keep his smoking around you at a minimum. Still, he can’t hold back the urge. The years long habit got the best of him and the nicotine bringing him a familiar comfort. As things between you become more serious and he starts to trust you to actually get close, he sees how much discomfort the scent of the cigarettes causes you. That way, he makes it his personal mission to find a brand that doesn’t leave such a disgusting scent on him. Even if the fags taste like shit, it doesn’t matter to him. What matters to him is the realization that you start to kiss him more, lean closer to him and cuddle even more often into him. Because that is the turning point. He learns that your touch, your sheer presence gives him much more comfort than all the fags could ever do. He doesn’t need to smoke when he’s around you anymore. A squeeze of your hand, a small peck at your temple and your sweet smile is all he needs to feel comforted. You are his new addiction and he’ll never let go of that.

[nobodysdaydreams]

Explaining fandoms I’m not in, but I have seen on my dash from the mutuals (to the best of my knowledge based on their posts):

Why? Because I thought it would be fun and entertaining and I hope I’m not wrong.

The Magnus Archives (TMA)- a group of people document creepy and supernatural events while they slowly one by one discover either that they are the monsters/possessed by them, or that they are being taken in by the monsters, or that their coworkers are the monsters, or that they themselves are possibly friends with or dating the monsters, or that they have been working for the monsters (or bad guys) the entire time. Many of the villains seem to be demented or possessed life sized toys and clowns or eyeballs. This podcast has so many episodes, and I see so many posts about it, but these seem to be the common themes.

Miraculous Ladybug- actually haven’t seen this one on my dash in a long time, but when I first did, despite appearing like a straightforward kids fandom, the shipping discourse confused the heck out of me. But if I have this right, based on the posts from my younger followers, two teenagers are animal themed superheroes who are dating each other and also have crushes on each other, but they don’t know they are dating each other, because they don’t know each others secret identities, because… okay, I still honestly have no idea why. There are ~5K posts about this apparently very central and specific plot line, but not one explains why they don’t just tell each other who they are??? Anything for the plot, I guess. Apparently this has been going on for a long time to the point where even the show’s target audience of children is confused as to how these teenagers and grown adults haven’t put the pieces together as to who everyone’s secret identity is.

Keeper of the Lost Cities (KOTLC)- there’s a girl named Sophie. She is an elf in a love triangle with Keefe and some other guy (I think his name is Fritz). Keefe’s parents are terrible, especially his mom. Sophie has horse DNA (I don’t know if that post was a joke or not sorry if that’s wrong). There’s an elf with fire powers. Elves read minds. There’s a group called the black swan who are the good guys, I think. Also I think the elves and humans are at war. I know Keefe’s parents are trash, does Sophie have parents? From what I can tell, she grows up believing she’s a human but then surprise! She’s an elf and the chosen one, and elves are possibly immortal? Wait, maybe Sophie’s a half elf. Is that a thing?

Spy x Family - two people are fake dating each other for spy reasons but eventually fall in love for real. The twist is, they each think the other is a normal civilian who doesn’t know about the fake relationship (which is kinda messed up to make someone fall in love with you for a fake cover but if they’re also doing the same to you that’s karma I guess) but I think it might end up ok, because they fall in love for real (Aw) but possibly also not okay, because I also think it might be revealed that they’ve been working for enemy sides this whole time (drama). Also the adopted daughter is a mind reader who knows everything but chooses to keep what she knows secret for the plot. Respect. And I recently saw something about the family having a super powered dog? Is he real?

The Murderbot Diaries - a bunch of robots are created for one purpose: murder. But when their murder programming goes haywire, they discover that they might have more in common with the humans they’ve been assigned to kill than they originally thought. Or that they have more humanity inside themselves than they thought… or maybe that the people who created them have more evil intentions than… well in hindsight, “the people who build the murder robots are evil!” seems like an obvious plot twist, but maybe they’re more morally complex or had decent intentions and just never intended for it to go this far… or maybe the robots get hacked or decide maybe they don’t want to be murder bots anymore which brings us back to free will. Interesting philosophical questions, but I think the robots might be getting into some wacky shenanigans as well. Also they apparently have diaries. I get that a diary is just like… a log of what they’re doing, but that won’t stop me from imaging a big scary robot with a little pink glitter pen writing “Dear Diary, I killed three people today. I still see their faces when I try to power off at night. When I go into sleep mode, I dream of their faces. I begin to wonder things, like whether they had families, dreams, or ambitions. I also wonder what they felt in their final moments. I fear this means I am developing a conscience and desire to turn against my programming and the creators. But probably nothing a little update and restart can’t fix. I’ll keep you updated, dairy. XOXO, Murderbot 💕” So. How did I do? Scale of 1-10, with 10 being “you nailed it!” and 1 being “None of this is remotely close. What posts have you been looking at?”

[miragedmoon]

Walks in, people are really doing the “my white man has done nothing wrong in the narrative ever because he is autistic and autistic people can do nothing wrong actually” with Dungeon meshi

Read down below for my thoughts on people pulling this shit

Before I start, maybe pick up a book from school and practice how to read a narrative and learn content analysis,

it’ll really help because I don’t know what the hell else to say to people who are bad at reading subtext and putting context into practice at this point

I see the sentiment of “Kabru is actually evil because he actively murders people-“ as if the story isn’t actually like super nuanced and complex in its’ dynamics between races

and y’all can only really see a man that has personally gone through nothing but tragedy have a proper reaction to not having that tragedy handled properly and go “because he is a brown man he is inherently violent and therefore bad for my white man because of these story beats” with the type of stupid white person reaction.

The subtext went out the window huh, he gave the viewer ample context and reason as to why it happened he was going to kill the body retriever group, WHO WAS TRYING TO SAY TO HIM THAT THEY WERE GOING TO MUG HIM. AND KILL HIM AND SPLIT THE MONEY THEY MADE FROM GAMING A SYSTEM THEYVE BEEN EXPLOITING, WHICH HE DIDN’T DO.

Dying to monsters is one thing but someone like a retriever artificially upping the amount of people who die in a dungeon while also actively disrespecting the rules that the dungeon has by doing that fits perfectly into Kabru’s moral compass and motivation. Do you think that wouldn’t bother him? Sure, he has learning to do himself in regards to monsters and all, but do people really think he’s a monster actively incapable of change, when he’s stated in text that he believes himself to be a monster due to the things that have happened to him? Do you think he doesn’t blame himself and have survivors guilt from what he went through? Or do we think because Kabru lies and he warps and he cheats only to start realizing that the Kabru we’re shown doesn’t even know where he himself starts or ends. This is not trying to justify his actions. I am explaining his thinking. Of course He’d kill the retrievers.

And I think he would kill the Canaries if he had the chance to. I think the Retrievers were an active stand in for his feelings towards the Canaries.

When you build a life speaking lies after your previous status quo crumbles, how the fuck are you supposed to differentiate your own behaviors from the lies you grow into saying to make sure you don’t get close enough to people to be hurt as badly as he was as a kid. He is a sole survivor of a tragedy, and he reacts accordingly, and you all just want to antagonize him.

Did we forget who we’re talking about in comparison here, or are you guys that focused on justifying a man who clearly was used, exploited, and literally lost his mother because some group who thought themselves to be higher than due to their longer life cycles decided to destroy his whole life because it created a slight inconvenience

god you lot are truly fucking insufferable and can’t let characters be complex without woobifying or flanderizing them to be more digestible.

Let characters be complex.

You don’t have to like them all the time, You don’t have to agree with their actions.

You don’t have to agree with a character all the time for you to like a character’s writing.

[incorrect-riordanverse]

finally reading tsats here are my live thoughts (spoilers, obviously):

i’m so excited because some pages are darkly decorated and its so cool. still don’t vibe with the title though (the sun IS a star and its peeving me)

why are we talking about dating darth vader 😟 where are we rn (anakin is a yes, but DARTH VADER???)

maybe i’m too old but the jokes are not funny 😭

“this whole place feels like my soul. empty and dark. dark as the pit of the underworld.” <- i don’t care if he’s joking nico would never say thissss 🙏😭 we’re only 10 pages in but please stop butchering my fav character he’s not himselffff i am cringing so bad

i know i’m being dramatic but if they do nico dirty in this book i’m going to end it all

oh my god i don’t think i’ve thought about the words “significant annoyance” in so long. bringing back good memories for sure.

i can tell which parts were written by riordan and which parts were written by oshiro. i don’t think their voices are blending very well together…

also, maybe it’s because it’s the start of the book and they’re trying to familiarise new readers quickly with the characters but it feels like they’re making nico the caricature of ‘emo and shadow and ebony darkness dementia raven way 🥀⛓️🖤’ and will the caricature of ‘happy and sunshine and blonde and flower gleam and glow ☀️🌈🫧’ and i usually like this dynamic when it’s not blatantly pointed out every other page. i have faith they’ll show more complexity than this later on though. future yan will let me know by the end. (future yan here, im not at the end but the characterisation def does get more complex thank gods)

oh ok so it is bob the titan

since when was nico’s actual name niccolo??? how did i forget this detail??

“you have to listen if not you’ll share my fate.” “ominous much?” <- ok he’s finally himself again guys it’s all good

the one-sided beef nico has with percy will never not be funny

“cookie monster appeared over the mouth of the jar, reached inside and gobbled up nico like the chocolate-chip cookie he was.” <- nevermind i’ve gone back to hating this book again

“what was one straight boy when you spent your whole life longing for the impossible?” <- i’m reminded of that time a few years back where everyone made ‘having an unrequited crush on percy’ nico’s whole fanon personality, so i’m glad they addressed this somewhat. this boy has been through so much and people really thought crushing on percy was the biggest thing to focus on about ‘nico angst.’

“we made a mistake. you have to fix it.” <- call me a red flag but if i was nico i would do anything and everything to not go. i would medicate myself so highly on sleeping pills that i can’t dream (doctor bf can go kick rocks). i would track percy and annabeth down and haul their asses into tartarus instead to do it. and if i had to go i would only go in to kill bob myself for sending me those traumatic ass nightmares. no thx. bro willingly jumped in himself and now wants me to save him. nuh uh.

not cupid being will 😭 its like his aphrodite 😭 i am not well.

they always have a really good and emotionally moving scene and they ruin it with a dumb joke. let it be heavy 👏👏

something’s really fishy and i have a feeling that it might not be bob calling for him

if this whole “grumpy ball of darkness” thing continues i will actually lose it

you can’t tell me the percabeth pep talk was actually needed. i will forgive it because i miss them though

im sensing tension in the gap between nico’s connection to the underworld and his relationship with will and i’m here for ittttt. give me the dramaaa

who is the gorgyra girl and why is she in their business sm?

oh shit a will solace pov??? christmas came early 🙏

nevermind that whole nightmare sequence was so fucked up 😭😭

somebody HELP HIM i never thought we would get will angst (nico angst fs, but will???)

DONT JUMP IN THE STYX PLEASE

SOMEBODY TELL HIM HE’S HELPFUL OMG

nico strangling epiales in his sleep is so fucking cool he’s literally HIM he’s literally THAT GUY

[forwards-beckon-rebound]

just finished watching under the red hood and oh boy i have some thoughts.

warning: spoilers for utrh the movie obviously, a very long and not particularly coherent rant, i have not read the comic yet because i heard jason gets treated even worse in it but i’ll probably get around to it soon

first of all, i didn’t realize how violent it was, especially considering it’s a kids show. not only that but how callously jason just kills people. like i was aware but i kind of assumed that he did it when it was necessary. but sometimes he kills people when he could just incapacitate them. i think it adds another layer of complexity to his character, like i see why he’s an anti-hero bordering on villain to some people and not just a misunderstood hero.

not that i don’t stand by his points about killing the joker, but i do understand why bruce wasn’t exactly eager to welcome him back with open arms (i still think he could be a better father though).

ON THE SUBJECT OF BRUCE AS A FATHER. it physically pains me to hear him never acknowledge jason as his son. jason’s always his soldier, his partner, his fault. thank god jason never heard the shit bruce said because i would rage if i were him. you can’t call somebody your partner if you don’t see them as your equal. and how could jason be his equal? he was a child. at best he is his son. at worst he is his ward. either way, no child wants to hear that they’re a mistake. not their death, not the way they were raised or trained. just their whole existence. like thanks bruce, you really know how to make amends with your children.

and on that topic, there’s this theme of like oh was jason always destined to be a criminal? like was there truly nothing bruce could’ve done to stop him? it literally broke my heart when jason said maybe he was always the monster under the mask, like to hear him give up on himself like that made me want to cry. i hate this idea of this life being his fate. especially since bruce was like oh yeah he was stealing my car tires, he was raised to be a criminal and all that. i don’t think the writers meant it in that way but for a billionaire who also breaks the law to say that a child who grew up poor was always meant to be a criminal rubs me the wrong way. like i don’t think he has the moral high ground to say some of the things he says because jason did make a point when he talked about how joker has killed way too many people for batman to let him go.

anyways, do i think murder is wrong and what jason did was reprehensible? yes, although the becoming crime lord thing to control it in gotham was very smart. but is it so bad that he couldn’t have just come home? gotten therapy and had a semi normal life again? gotten to kill the joker as a little treat? no. he was like, what, 18 or 19 during the movie? and also traumatized and in desperate need of therapy? i’m not excusing his actions but when you grow up fighting these violent criminals and also being tortured and killed by one, it certainly blurs the lines. so i understand, and i think there is still redemption for him.

and the real villain of the story is the gotham criminal justice system for never doing anything about crime alley or keeping people like the joker from breaking out of arkham every week.

[ekashuu]

Vashwood angst edit🥀

I wanted to make a random post about one of my edits and explain it🥲⚠️TRIGUN MAXIMUM SPOILER⚠️

I don’t know where to start… I think that the relationship between Vash and Wolfwood is as complex as beautiful. The way Wolfwood always try to protect Vash unconsciously, the way he always seems rude but he’s careful. Sometimes he could act roughly but that’s always for Vash’s safe… for example, when he put Vash’s gun at his forehead (when he killed Rai- Dei the blade) and he said to shoot him, that was only because if Vash did, he’d learn how to kill and protect himself, and wolfwood would be glad to help him learn it at cost of his own life…

Wolfwood never risked his life for no one, he never puts himself in a danger situation but only for saving the orphanage. But why he wanted to “trade his life” for Vash? I genuinely think that wolfwood consider him as part of his “orphanage”: someone to protect and love at any cost.

Even tho Vash didn’t want to kill, wolfwood stayed by his side until the end.

Even when everyone called Vash a monster, even Milly and Meryl stayed away from him. Even tho all that… wolfwood ran with him. You could say “that was knives order!”… do you really think that’s the only reason? If that was because of knives, he’d killed him already, because he always think that they are too different and Vash can be dangerous.

But he never shot because deep in his heart he knows he is different to Knives and also feel dumb thinking of what he was doing

Here he was referring to the fact that during a battle he turns his back to him because they protect each other. He never turns his back to no one, he is always on alert (also in trigun stampede he always says to Vash to not turn his back to him because Vash doesn’t know who wolfwood really is, but Vash always trusted him).

With Vash he is different. He unconsciously trust him because he knows that Vash will never hurt him like Knives did. Vash is the only person he would trust and turn his back.

I used this song because the beginning of the lyrics suits so well for me. When it says “don’t wanna scrape you off the pavement. I can’t be your savior. I don’t wanna be here when you’ll lose control” I thought that Wolfwood is saying that to Vash. He doesn’t want to be rude with Vash but if Vash willl not understand how to protect himself he’ll loose control someday, and wolfwood doesn’t want that. “Don’t wanna watch it as it happens, see the crowd’s reaction” I thought when Everyone saw Vash as a plant, as a “monster”, because he lost control, and the crowd around him hurt him with rocks and stuffs. He lost control because he didn’t want to hurt people, but doing so he hurt himself, and wolfwood couldn’t stand it thinking that if he continues like that he will “kill us both”. But despite this he always wanted to stay with him… and also… learn something from Vash, even tho that will bring him to death… but he didn’t care because he finally understood Vash, he was happy to die for it. Also he entrusted Vash with protecting Livio, his dear brother. He could entrust him only to Vash, the only one person he could lean on hard situations… and on his death.

If you read until here, I’m really glad you did😭 I always edit Vash and this time I wanted to edit wolfwood perspective. I think in the future I’ll analyze other edits of mine, also because I’m so obsessed by them😭I hope you liked it💕

If you are interested in my edits you can find me as “zaxkura” on Instagram and tik tok😚

[just-a-living-meat-thing]

Oooohhhhh have an old ramble I wrote to myself when first getting into DN!!

- so I keep seeing these “L is actually a very emotional and vulnerable person!” posts and I do agree with them wholeheartedly (there are many many moments in DN where L exposes himself emotionally where he did not have to and that makes my brain rot every time) but I also sometimes really enjoy analyzing his cold calculated side at work

- Basically, I just… really enjoy the romance of two awful people loving the worst in each other

- Because while, yes, L Lawliet is a very sensitive, even compassionate character, he can also be cruel. Not needlessly cruel, not thoughtlessly cruel, not cruel for the hell of it, but yk—motivations don’t really matter in Death Note, only the actions and consequences do. But cruel out of necessity, really, more than anything else

- And while this could be argued for his more empathetic nature as he doesn’t really want to hurt people, I also don’t think he regrets it. He does all that he can to reduce harm, but he doesn’t kid himself that he can avoid it entirely. I think he’d also acknowledge that those harms could’ve been prevented if other action was taken, but at the end of the day, what’s done is done. He did his best, and that’s it

- He also drags out the game with Kira more than he had too—and it could be that his love for Light drove him to delaying the inevitable, but I also think it was his love of the game. He was entertained, he was puzzled, he was terrified. No one else had ever made him feel this way on a case; Kira was the first to truly defeat L using the same rules he did. I expect it was as delightful as it was horrifying for him—like finding a sharp razor blade in a strawberry cake, so to speak

- And I do think he was in love with Kira as much as he was in love with Light. I also think he hated him as much as he loved him, and I think he hated that the game had to end with one of them dying. Remember, L only takes cases that alleviate his boredom; his cause is not solely for justice, like Light. I think he must’ve been angry and betrayed on the day he realized he would die. That Kira would kill him to get that perfect world, that Light saw that perfect world without L and L saw his perfect world full of Light: atrocities included

- Anyways, L is a very morally complex character and I love to dissect him for it. I do understand why people dislike characterizing him as a cold, calculating machine (and I do too because that’s not ALL he is) but I also don’t think his colder traits are that bad. He has so much empathy and emotion and vulnerability to counterbalance that stone logic and it makes for a very nice internal battle to see lol

- The reason why I don’t want to overlook his more stereotypically calculating flaws (and strengths) is because I personally find nothing so compelling as someone falling in love with all of you, even—and especially—with all of your monsters. And finding that you love their monsters too

ANYWAYS ppl are for sure completely ok to disagree w/all of this; I based most of this interpretation off the anime version of L when I got into DN roughly a year ago. Also! I love hearing different perspectives on him and other characters as well so pls send me your thoughts ok ty byeeee!!!

[karniss-bg3]

I would like to hear your thoughts about Larian giving Kar’niss female pedipalps?

Personally I feel like it was just another f you from Lolth

Alright so, this is a complicated and detail-heavy topic. For that reason I’ll be splitting this theory into two sections: Technical Aspects & Lore. There will be a TL;DR at the bottom.

Technical Aspects

Kar’niss is a complex model and I imagine the rigging on him was wild. To my understanding his walking animation was done by hand which makes sense. His torso could be motion captured but the arachnid portions needed to be moved in engine. The best time to witness the separation is if you play music for him as a bard. His torso will bob and sway the same as the rest of the NPCs but his legs stay perfectly stationary. I do get a kick out of the idea of the Larian devs trying to put a tiny motion capture suit on a spider but alas.

I bring this up because the pedipalps add an extra layer of complication that the devs didn’t really need. In fact the concept art for driders doesn’t include them at all which suggests they weren’t part of the original design. A lot changed from concept art to the final version it seems. He used to have extra arms, his legs were longer, and his facial features were more twisted. His skin was also darker but it was either changed because he is a Szarkai or because his skin tone blended too heavily with the color of the chitin.

This would align with a lot of the concept art from D&D. There are many examples of driders without pedipalps, both male and female.

All that said, when it comes to the technical aspects, I have a theory as to why the original and final designs were so vastly different: Time. Kar’niss is one of the more detailed models in the game and even the final version didn’t turn out perfect. If you look closely at where his torso attaches to the spider body you can see some model tearing when he turns at certain angels, as well as what I refer to as “tubing”. I’ve seen this in a few games and it’s where limbs or portions of a body thin out to an impossible degree and they look like a squeezed out tube of toothpaste. This could be due to improper skeleton models, broken seams or rigging but as I don’t work in the industry those are my best guesses.

When you have a strict budget and time limit sometimes a development team has to cut some fat. They didn’t have the time to add in the extra arms, super long limbs or highly detailed face model. Perhaps they looked at the final design and weren’t satisfied with the lack of monster features. Thus, the pedipalps were introduced. But since drider are canonically sexless they designed the palps in such a way that they were made for battle; hence the sharp barb present at the tip of each. They are located face level for most races which make them perfect eye gougers or maybe they use them to subdue prey. Palps are also used to “taste” in most spider species and he could likely use them to discern if prey is edible or not.

“Pedipalps contain sensitive chemical detectors and function as taste and smell organs, supplementing those on the legs”

As for why they are female in design the simplest answer I have is that it was an oversight. If they were already scrambling to finish the model then they were likely going for the path of least resistance. Male pedipalps would’ve required a bit more work and either they didn’t think that much about it or chose the easiest design to model. I know about the Kar’niss is trans theory and I’ll be touching on that in the next section.

Lore

Anyone who has followed me for a while knows I’ve discussed drider lore a lot here so I’ll try to be a bit more brief in this section. Drider are meant to be sexless as Lolth didn’t wish for them to reproduce and rise up against Her. If Larian’s design of the palps were with intent then I believe we’re looking at Jurassic Park situation here. Maybe Lolth’s manner of birth control was to make all spider bodies female regardless of the gender of the drow who is changed. It would also align with the Matriarchal society drow come from as well as Lolth choosing to make driders in “Her image”. So yes, a “fuck you” from Lolth would be accurate in this case. The issue I run into is that Kar’niss is the only drider model in-game and so I have nothing to compare him to. I don’t know if all driders in this universe look the same or if there would’ve been a difference between females and males. It leaves it all up to pure speculation, sad to say.

There is a theory that’s been around for a while now that Kar’niss is transgender. While I think it’s a perfectly fine theory I don’t necessarily agree with it. It’s not because I’d be against him being trans, it’s more that I can’t find enough evidence to support it. For starters if he is trans, is he a trans man or a trans woman? We’ve learned that Kar’niss is a female name according to drow naming conventions and of course his palps suggest a female body. The name can be explained as an act of defiance as it is stated that if a man takes on a womans name they are considered troublemakers. If he is a trans woman, why would he ever allow himself to be misgendered?

There are several NPCs that refer to him as “he” and Kar’niss never once barks at them. It’s not as if he’s shy and in fact he’s proven to have quite the temper. He no longer follows nor worships Lolth and he’s under the protection of the Absolute, a cult that allegedly loves and accepts him. Why hide himself as a trans woman under these conditions? Especially in a game that is very progressive in terms of character creation and pronoun usage.

If he is a trans man then the spider body becomes a moot point. Did he transition before the drider transformation or did Lolth change his sex but slap on the female spider body as a way to mock him? Is that why he was changed? I imagine in a drow society where being a woman is a big deal having one that wanted to become a male, a lesser, would be the talk of the Underdark. I’m sure it’s worse for men who want to be women as that could be seen as “rising above their station”. It’s hard to say as modern day gender identity isn’t really addressed in drow lore.

There is a trans woman in Baldur's Gate 3 that the player meets during Shadowheart’s storyline. It can be easy to miss as her past isn’t revealed unless Shadowheart consumes the noblestalk Tav picks up in the Underdark. This is an excerpt from Nocturne’s journal.

“I am Nocturne. I think as her. I see her when I look in the mirror. I can't remember the last time someone called me by the wrong name - Shadowheart has been swift to gently correct slips of the tongue, and even swifter in challenging those who'd use my forsworn name in malice. I'm lucky to have her as a friend. “

While it seems she had trouble in the beginning, those under Shar came to accept her in time as far as I can tell. With this we can at least say that Larian has no issues adding in trans characters but Kar’niss doesn’t receive this treatment. Another thing to note is that Nocturne is voiced by a trans woman, Abigail Thorn. Where as Kar’niss is voiced by, what I assume to be, a cisgender male. In my mind if Larian would take that much time and care for accuracy wouldn’t they do the same for Kar’niss?

With all of that said if people have the headcanon that Kar’niss is trans that is a-okay, I have no issues with that or any other character! It’s simply a theory I don’t personally subscribe to because the elements don’t line up well enough for me. But hey if they ever expand on his story and he is trans that’d be cool. I don’t know if there is a trans man elsewhere in-game so it’d be nice to see that representation there.

Phew, that was far longer than I anticipated but I hope I covered the topic well enough as it has been debated quite a bit in the fandom. Once again I want to express that I believe folks are allowed to write and draw these characters how they see fit. It’s fantasy fun folks, go wild and enjoy your faves as you desire.

TL;DR: I think the female pedipalps are a technical oversight and were only added in to give Kar’niss a more monstrous appearance or to round out his design. I don’t believe he is trans due to the lack of evidence to support the theory. If Lolth had any bearing on the spider body it was likely to prevent reproduction or in an effort to make driders in her image. Overall, the pedipalps are more up to interpretation than hard evidence.

[rawliverandgoronspice]

Okay so this has been on my mind for awhile and I wanted to get my thoughts out there. Regarding the topic of Rauru and Ganons relationship, I feel like rauru has kinda been bashed? people seem think that rauru in memory 6 (I believe) had a bit of a god complex, and that he was disrespectful. I feel as if rauru kinda had a right to act the way he did.

Rauru had wanted to become Allie’s with the gerudo. Not necessarily because he wants them to serve him but more for resources. Or more likely knowing Ganon he was attacking hyrule. The reason why I suspect this is because during the molduga incident rauru and Sonia seem to be very familiar with theses types of attacks. So it’s likely Ganon had ordered monster attacks on them before. Likely the attacks were getting to much for rauru and Sonia to handle; on top of establishing hyrule, rauru sent out messages for Ganon to join the kingdom in order to stop the attacks. Or another reasoning is that the gerudo were likely suffering. Ganon has been shown to not always prioritize his people. And knowing from past games the gerudo desert doesn’t have much resources. We can kinda see this in Totk they seem to only have hydromelon and voltfruit (I highly doubt that the gerudo had men at the time bringing them food from hyrules fields). If you’ve talked to rauru on the sky islands you’ll know that rauru is actually a very sweet and sympathetic guy, so I believe this could be a possibility.

Moving forward to raurus attitude during their meeting.Now rauru wasn’t exactly the nicest during the meeting, but I don’t really blame him. Rauru probably annoyed that ganon has been ignoring his letters and putting his people in danger. Also Ganon was very sketchy during that entire meeting and was rude in his tone.

Why did Ganon bow? Ganon and rauru are not equal, yes they are both kings but rauru has massive amounts of power and has a much larger land mass. (and zonia are kinda gods) but I don’t think the reasoning for Ganon bowing is because he less than or non equal to rauru. More like he was apologizing and giving rauru respect for the countless times he’s ignored him or tried to kill him.

More of raurus tone in the meeting Again I think he was really fed up with Ganon and rauru seems very non confrontational (he apologizes in the sky islands that the constructs attack link, and ask link not to be angry because they can’t understand) rauru likely wanted it to get into ganons mind not to attack the kingdom again because rauru had a lot of Allie’s and power and will attack Ganon if he pulls a stunt.

Ganon vs the gerudo. This part is a little off topic but, lots believe rauru is low key kinda racist towards the gerudo. But if this was true why was gerudo sage working with rauru? I don’t think that the way rauru acts is how he acts to all gerudo. The sage of lighting very obviously doesn’t like Ganon. The reasoning  could be my first point. And later on after the imprisoning war the gerudo still stuck with hyrules side.

That’s all I have for right now, sorry if it’s all jumbled up I tried to make it coherent. Anyways I appreciate you for reading this :3

-🔺

Hi, thanks for the lengthy ask!! I'm sorry for the lengthy answer this beckoned, but I think this conversation is pretty important --even beyond Zelda and this specific case. We're talking themes and tropes and framing!!!!

I will try to reply to all of this in a way that kind of threads through several layers of why people have been bashing Rauru, me included. I will try my best to explain why I dislike this character, and try to parse out why I am this miffed by Tears of the Kingdom's storyline overall.

The long story short is: I don't dislike Rauru as a person (I mean, I also would tbh), I dislike him because of what he represents.

I think the waters did muddy a little in the "discourse" recently, and it's a good thing to take a step back and re-explain where I'm coming from (me personally, not going to speak for anyone but me here).

Also, before jumping in: this is not a condamnation on anyone who enjoys this story or these characters, nothing is unproblematic, it's fine, everybody does what they want, all of the things. I like the game and I keep playing the game in spite of being harshly critical of the ideas pushed forward. Also: it's fine to digest this and come back later (or not at all) if that feels like a lot, or if some of these ideas don't immediately click. But it's also partially why I think it's important: this game is aimed at a young audience, and one who might not have all of the keys to decipher what's going on, which is why I think it's quite irresponsible (which is the charitable interpretation) on Nintendo's part.

Anyway. Too many words underneath the cut.

The Story

So, first of all, I want to say that I believe you completely and fully read the situation as Nintendo intended it to be read. This is the text of the game (aka, the story taken at face value). You picked up on every single safeguard put into place to have Rauru and Sonia act in the most justifiable way possible, and have Ganondorf, on the other hand, act as a duplicitous, power-hungry and downright insane as they could have made him. In the reality of their universe, and only taking into account what is given to us through the narrative, trusting it comes from a neutral place and isn't influenced by anything, everything you said is 100% correct.

Rauru and Sonia WERE acting in self-defense, and were even kind not to turn their incommensurable power against the invading army.

The kingdom Rauru built as a demigod IS a paradise and they WERE very generous to invite neighboring nations to bask in their wealth and its technological and natural blessings (and the results of their extensive mining and why are there killer robots everywhere if this world was such a peaceful paradise uhh let's not ponder about this too much). That Ganondorf was too prideful and envious to accept IS a sin that rests solely with him.

Rauru IS a brave hero that sacrificed himself to seal the invader that killed his beloved wife.

Every single Sage IS extraordinarily devoted to protect both Rauru's lineage and their own lands, and gleefully pass down that duty to their ancestors --all thanks to Zelda, heir of that blessed royal line who returned to the past and made them promise to fight alongside Link to seal the Evil once more.

The gerudo WERE (apparently) oppressed, as they decided to fight under Rauru's authority freely (so against their own chief??) and, also, must make amends for having put Ganondorf in this world in the first place? ( I think we are already starting to see some contradictions --were you always victims or did you start this conflict in the first place? what is your place in all of this? why don't we ever get to know?)

This IS the story of Tears of the Kingdom. A story of a great sacrifice that happened in the golden mythical past (confirmed as unquestionable truth through the archeology motif), done by benevolent godly figures of royal blood and immense power they would never abuse, giving their everything to bring Light into a broken world corrupted by the degeneracy of Evil, echoed by the devotion of nations who swore fealty to that divine being and must now renew their vow in the present to defend their lands and Hyrule at any cost. Also, the impossible and magnificient suffering of the princess, whose tears lead to a trail of truth into the very land, informs the current population about why they're fighting now; she's at once a hero of the past and a martyr in the present, completely incapable of acting on her own, carrying with her the blade that will slay the crushing and violent sway of Evil for good and bring eternal peace into the land (Evil who uses her own appearance to cause chaos and violence against her own people --the blasphemy!!). The title of the game reflects this too: the Tears of the Kingdom are hers. Zelda is the kingdom here, and her pain/the pain of that mythical past is what is centered.

Also Ganondorf IS green so it's not racist okay let's stop right here and unpack all of this mess, because BOY oh boy oh boy oh boy.

oh boy.

The History

Now comes the time to point out the obvious, but that bears being repeated: this is a fictional story. It's a story crafted by a very powerful game company set in Japan. It's a story crafted by a huge number of people, who debated for years how to best tell it, why, and what for. Every single choice made in the narrative is purposeful, has been weighted against other options, and was picked over what could have been virtually anything else. Again, I want to state that I don't know if any single person took these decisions, probably not entirely, and it's even possible Nintendo didn't realize (I doubt it heavily tbh, but I'm sure there are people in the team that didn't get it or didn't see the issue), but a certain kind of story was crafted in the end, and it's the one we got.

One word that has been tossed around a lot as far as TotK's story goes is ✨ imperialism ✨, and I want to pause and take a second to analyse exactly what we mean by that and why I think it's painfully relevant here (and, honestly, I think another word would be very very relevant here also, but it's the kind of word you keep for after you're done with your argumentation not to scare off the unconvinced audience --but, to anyone who reads and might have picked it up already, yeah.)

In our real world of Earth 2023™, we have seen quite the number of extraordinarily powerful nations becoming gradually larger, engulfing neighbors, breaking apart, and leaving the buds of new future empires behind them. Hell, there's a number of them existing right now, even if they don't call themselves empires and don't have literal emperors at their head anymore (though Japan does, and it is important here). Of course, no nation, especially nations striving for expansion, worldwide legitimacy in culture and power, and their own understanding of "greatness", would ever call themselves anything but enlightened and justified. After all, the Roman Empire brings aqueducts and infrastructure to the lands they conquer, China unifies disparaging regions struggling under constant barbaric attacks, France and Spain converts local populations of the "New World" and save their souls from eternal damnation (wow thanks guysss), the British Empire brings industrial revolution uhhh everywhere please don't ask what was the cost, Africa sure loves everybody ripping their culture and lands apart and were so super glad to receive whatever "civilization" is supposed to mean when their literal people were being pillaged away to keep on building said empires using their blood as mortar, the URSS protects neighboring nations from the Evil Capital/West, fascists want to purge the world of anything they consider impure, the US brings freedom to the world and the whole world is grateful forever!!!

Everyone always has an excuse, and everyone is always kind of semi-mandated by God (in the largest possible sense; divine responsibility would perhaps be more appropriate, it's kind of the idea that with great power comes responsibility, while defining what responsibility means and inflicting their conclusions to conquered lands to squeeze even more value out of them) to do whatever the hell they want to others, claim their lands, their bodies, their minds, their culture --and demand gratefulness on top of it all to avoid having to feel bad.

There is a large body of fictional works that are dedicated to boister the image of the Empire. Every single empire has a number of them; their goal is often to mythologize, in some form or another, the story of their expansion. It often flattens every nuance, paints the actions of the empire as the natural order of the world and its opposition as morally malignant, their leaders are charismatic, benevolent, powerful and self-sacrificial. Often, it invokes previous empires to cast the current one as inheriting a grace that was tragically lost and must be restored through war, hard work, and healthy natality --I'll dip into the forbidden comparaison but Nazi Germany loved its greek myths of Sparta and Athens (and modern day fascists still do), or the Napoleon Wars so they could retell the story of their own empire by invoking a legacy of moral diligence and ethnical greatness being restored. But the pattern is often very similar: we used to be Great, a tragic event due to both external invasion and internal corruption precipitated our golden age into chaos and degeneracy, and now we must fight off current day corruption to restore the Glory of the old times we lost --all of this under the benevolent gaze of our leaders, whose mission is a direct or indirect intervention of divinity into mortal lives. It is righteous and glorious to fight/die for the nation (and its leaders) and protect it from the uncivilized, who are inhuman and exist solely to trick us, corrupt us, attack us and assimilate/destroy us.

Are we starting to notice some similarities here :) :) :)

The Narrative

There's two conversations running in parallel here.

The first one is the least important in my opinion, even though it's the one we tend to focus on a lot as theorists/enthusiasts/enjoyers of media: is Rauru oppressing the gerudos, and does that inform Ganondorf's actions?

Honestly? Textually? Probably not.

There are arguments to be made (and that deserve to be made) about the insane power imbalance, there are a lot of suspicious aspects that deserve to be picked apart like the address and deference of Ganondorf towards Rauru, the whole mining thing that I don't see being discussed much but could be a huge part of it --there are ancient mines in the gerudo region after all; since when? what's the history here?-- the strange masks the Sages are to wear when Zelda, as a direct descendant, isn't wearing any, etc etc. Lots of other posts have been made about the million tiny red flags that litter the game, but I think that if we take the game at face value, they barely matter. I would love them to have been placed with intent (and they maybe were as a desperate attempt by an employee trying to inject grayness back in the equation and if that's the case I SEE YOU random gamedev and I love you and you did the best you could <3), but to me that's more a case of wishful fan thinking (including mine tbh) that any concrete argument that the story is secretely about Rauru being imperialist and this costing him everything. There are some hints of a more nuanced world (the Horned God, the Bargainers, that some NPCs are invested in monsters are creatures worthy of study and awe --tho almost all of them ridiculed in some form), but these demand that you go out of your way to collect them and make the connection yourself. Can this even qualify as subtext? As in: the story under the story? As much as I wish this was the case, I don't think so. We can't make the case that it's a simple story for children that isn't trying to say anything grand while also demanding people to make insane mental gymnastics on their own, without any help on the game's part, for it not to be a blatant endorsement of imperialist thinking.

(especially not the kind of game that repeats 3 different times back to back that Sidon didn't talk to Yona because he was afraid to lose her like he lost Mipha --honestly what's up with this writing I don't get it, BotW didn't act like its players' brain was this unplugged, ANYWAY)

The story is about Ganondorf being duplicitous and monstrous and destroying the beautiful kingdom of the past, and us preserving our modern day kingdom from its corrupting influence by recruiting allies and friends in that fight. We are given a plethora of situations that paint him as inhumanely cruel and chaotic, and none that breath even the suggestion of a critique towards our heroes. He's evil: we must stop him.

Now comes the second conversation, and one I think is more important: is this entire storyline built off imperialist tropes that were created to oppress and exploit marginalized populations in real life while justifying the violence inflincted upon them?

In my opinion, yes. Undeniably so.

I am not so much invested in Rauru being racist towards Ganondorf; I am invested in the real life Nintendo videogame being racist towards the idea that Ganondorf represents: the scary foreigner that will lead to the fall of civilization if we let him in.

(and perhaps this was Rauru's hubris all along: to believe he could let a scary (male) foreigner in and then trust him to remain docile.... a little too much. And then he reaped what he sowed.

checkmate liberal.

This makes an uncomfortable amount of sense and I kinda hate having made the connection tbh)

This is especially true when it's the second time around that this exact storyline is represented, and I believe it to be much more insidious this time around --because now, gerudos are our friendssss and feel great shame and personal responsibility towards that aspect of them that once rebelled. Meanwhile in OoT, a majority of them were onboard with Ganondorf as their leader and explicitely did not want to be assimilated in the kindgom (Nabooru being specifically painted as one of the exceptions). I go more in depth about all of this in this pre-TotK post about gerudo culture. We had plenty of conversations about orientalism and islamophobic representation in videogames since; it was A Thing at the time, the turn of the century was particularly egregious in that regard. But It's not 1998 anymore, and I personally believe it's pretty inexcusable to rethread that same ground beat by beat without batting an eye at any of its implications (especially since they have done better since; even Twilight Princess, who gave him very little grace overall, dared to criticize hylians through Midna, Zelda and even Zant --and Wind Waker towed the line rather beautifully between the part of him that was human and the part that was monstrous, and the tragedy of these two cancelling each other out constantly). I was expecting much, much better than what we got --I didn't even dare to imagine they would just double-down on that aspect and make a worse version of Ocarina of Time to reintroduce the character.

This is also partially why I'm so uncomfortable with the green skin situation: can you imagine how this scene would have felt like, with the single brown-skinned guy having a central role in the game kneeling in front of a white old man with a droopy mustache (which was Rauru's first iteration in the series, and the one I always keep in mind when having these conversations) and his blonde wife, and Zelda being "hmmm he's evil for sure"? And then he 100% is, with no justification or reason beyond an urge to consume the entire world --even this, which is not uninteresting, remaining completely unexplored in a 150+ hour open-world game that decided to focus on everything under the sun EXCEPT Ganondorf's motivations and his relationship to his own people? Can you imagine how obvious of a racist caricature Ganondorf would have been just by keeping his skin a normal brown (not to pretend he's not already super coded as Foreign in every possible way)? The man is intimidating, uncomfortable to be around, he's greedy and power-hungry, he's insane, he comes for our lands and our women and oppresses his own and also corrupts everything through either infiltration or literal disease. Also he's uhhh the Devil, for good measure.

As much as we can rationalize and embrace these parts of who he is as fans, there's no ignoring how icky this entire situation really is.

So, to tie everything together.

There are three readings of this game competing in my head.

The first one is: the textual interpretation. Rauru is self-sacrificial and a victim, Zelda is deeply brave and an icon of the empire's longevity and deep-rooted history, Ganondorf is utterly inhuman and must be destroyed at all costs. What the game says it is --and what it is.

The second one is: the critical interpretation. That this story sounds awfully convenient for the prosperity of the Empire (here the empire being Hyrule), paints Zelda, the current leader, in a weird fanficky way by literally sending her back to the past with her super cool ancestors and allowing a military victory in the present while also being a martyr to the cause and being much more of a symbol than a person, and nobody even bats a fucking eye in the direction that Hyrule might have been questionable in any way --everyone is so happy to be a vassal, see? Let's not unpack why the king of the zoras prefered hiding himself than facing the consequences of what would happen if Zelda really did attack him out of the blue (this plot point is insane, but its potential is too good so therefore it's illegal and immediately dropped). Let's not unpack the absolute insane amount of abuse false Zelda gets away with by virtue of acting as the princess of a sacred bloodline (but she's nice, right? because that's how you want to make a sure a ruler won't hurt you: praying they will be nice). There are enough red flags to doubt this world, its reality, the complexity of these people's inner lives. The rejection of the notion that any sort of flaw or problem could exist within the system makes it borderline dystopian in my opinion (especially when compared with BotW's Hyrule, which had problems who led to its own downfall and were the fault of nobody but their own actions as Ganon is portrayed more as a natural event than an actual, malicious person), and this is the first reason why I don't like Rauru: the entire world revolves around this goat-kangaroo-furry man's chiseled navel. Everyone is, quite literally, a faceless tool in the glorious and tragic story of his lost empire (or they're women here to become sacrificial objects serving the fights of men; or they're Ganondorf, who's a non-person and an antagonistic object lacking any interiority or humanity, and the narrative being completely uninterested in that), and only his bloodline and his vision for the future really matters. Not that Rauru thinks like this --but the game does. And so, it's hard for me not to see him as either the most narcissistic person ever if we accept him as the narrator of this story, or a flat propaganda machine built for an even greater cause (Hyrule, the Empire).

And then, the third one: that Nintendo would put out a game that is so deeply embedded in imperialist and orientalist language and tropes, so invested in its traditional and patriarchal values, so uncurious about the Other and so critical of it while refusing to look inward, is not neutral (yes even if the game is super fun and has other great qualities, I do believe this game is a monumental achievement in game/level design and in optimization/tech art while also being a trainwreck in quest and narrative design). This rethoric is not neutral, especially when addressed at the West at large --especially right now, with such a global uptick in traditionalist values overall, and Japan not exactly being spared. I won't pretend to be knowledgeable enough about Japanese history and culture to pick up all the little nuances of what is going on here, but I know enough to recognize that such stories do play out a certain understanding of this country's history, its fears and its difficulties to reconcile with its own (very recent) past as a colonialist empire --both the terrors it unleashed on others and the terrors that were unleashed upon it as it was dismantled. Instead of exploring that subject, every potential for nuance and conversation and self-criticism is slammed shut immediately, often at the cost of their own characters and the depth of their quest design/writing. The unearthed past agrees with its current understanding of itself; there is nothing discovered that leads to being questioned and reconsidered. Everything wrong is the fault of a single, corrupting entity that can be identified as Foreign and Other. There is a literal Heaven (zonai and civilized, Rauru's) and Hell (monstrous and corroding, Ganon's). None of this is neutral. Especially when infused in a game targeted for a young audience lacking context.

So I hope this very verbose answer helped a little to parse out what is being criticized at which level! Thank you for giving your thoughts, and I hope mine were clarifying to a degree.

I understand it can get a little confusing; but a lot of the urge not to take this scene at face value is born from the knowledge that nothing is ever that simple in real life, that these sort of self-serving narratives often hide horrific amounts of systemic harm underneath its perfectly curated presentation, and that, well. Some Zelda fans, especially the older generations that were invested in these characters and their re-imagining, expected Nintendo to be less..... like this.

And the wake-up call stings a little more than we would have liked.

(again obligatory disclaimer that I'm not saying TotK is Bad or should be Cancelled or that you're Bad for liking it --but it's still important to explicitly talk about how themes like these are being utterly glossed over when I don't think they would have been if they'd come out of a new IP, and not with the huge nostalgia cloud that envelops The Legend of Zelda and has people being extremely uncomfortable at criticizing the ideas the series can sometimes champion --though the series never veered in that direction nearly as hard before in my opinion)

[tragicbeauty1991]

So I know I’m extremely late to the party, but I FINALLY got around to watching Wish now that it’s up on Disney+ and…I genuinely don’t understand why it got so much hate?? Sure, maybe it wasn’t on par with things like The Lion King or Frozen in terms of the lasting effect it’ll have on pop culture but it was still a good, fun film with original characters and plot and catchy songs. While I can see where some of the complaints are coming from, I feel like ultimately most of them blow the issues out of proportion. As for my personal thoughts on the film…

- The songs were good overall. Maybe not as memorable as some of my favorite ‘90s Disney jams, but topping Phil Collins and Elton John is admittedly hard to do. Ariana DeBose and Chris Pine were great, though. I honestly had no idea Chris Pine could sing so well. “At All Costs” was by far my favorite song of the entire film. I would have loved to see it as a love duet rather than singing to the wishes but regardless, it’s beautiful. “This is the Thanks I Get” got a lot of flak, but honestly, I thought it was catchy and fun—rather reminiscent of Gaston’s pub song about himself.

- Speaking of Magnifico… More backstory, please! I would love for a sequel to do what they did with Frozen and explain all the things that were not fully developed in the first film. I want to know details on what happened to Magnifico’s family… But man, oh man… Was I EVER happy to get a “real villain” again with more of a classic Disney feel—dramatic, over the top, a little unhinged…and just FUN. I think the reason so many people seem to be having a problem with him is that they don’t quite know how to categorize him, though, before his ultimate downward spiral after being possessed by the book. (I think after that point, no one would argue about him being a villain.) But before…while he’s definitely narcissistic and has a temper…he’s not straight-up evil. There’s a big difference in being a bit of a jerk and being someone who makes you legitimately fear for your life. In fact, we have several heroic characters in the Disney canon who at least start out their story in a similar vein. Prince Naveen, Peter Pan, and Emperor Kuzco, for example, are all full of themselves and entitled…but they ultimately choose to do the right thing when it comes down to people they care about. That is to say, Magnifico’s less than ideal character traits we see early on in the film shouldn’t automatically qualify him as a villain. He could frankly go either way. And then when he does “go dark” it’s ONE stupid decision on his part (going for the book) that ruins any chance he had of being like the aforementioned characters. Personally, I like the complexity…and the tragedy of what it means for Queen Amaya. Which reminds me…

- Yes, a villain power couple would have been fun. But honestly, I think I like this better. Partly because of the angst potential here. For all his faults, Amaya DOES genuinely love him, and watching him slowly lose his mind and himself to the power-hungry monster he becomes has to be absolutely heartbreaking for her. Also…maybe it’s just because I identify with Amaya here. I have been in a bad relationship where I did truly love the other person and thought they loved me…but ultimately, they seemed to love themselves more. And I made excuse after excuse for his behavior for a long time because I couldn’t see what he was doing to me…didn’t want to see it…because I loved him. People say Amaya had to have known sooner that something rotten was going on but I don’t know that she ever allowed herself to think anything other than the best of him. Amaya has a good heart…and sometimes those people see the best in others even when it isn’t there. What I really would have loved is to have Amaya and Magnifico sing a short reprise of “At All Costs” in which Amaya is asking, “Really? You’ll hoard all these wishes for your own selfish reasons even at the cost of losing your people’s love? Of losing me?” And Magnifico is just…stoically resolute. That would have hurt but it would have been so good!

- Similarly, I don’t get the complaint about Star. I wouldn’t mind seeing Star Boy like he was in the concept art and having a romance with Asha. But also…Star is ADORABLE, okay?? He may not speak but he has so much personality. Makes me think of like…Pascal in Tangled or even Tinkerbell.

- I know a lot of people complained about there being too many references to other Disney films but this just seems like a silly argument to me. Disney has always liked to leave little Easter eggs in their films and have some fun with crossovers. I am thinking of the Genie imitating Pinocchio and pulling Sebastian out of nowhere in Aladdin. Hidden characters in the background of other films like Flynn and Rapunzel showing up in Arendelle. Hidden Mickeys. And of course shows that were all about a Disney multi-verse that sort of pokes fun at itself like Once Upon a Time, House of Mouse, and even Ralph Breaks the Internet. With this being a special anniversary film, of course we ought to expect more nods to other films and Disney animation history. I thought it was cute. Especially Magnifico’s jab at Asha’s little moving drawing. (“Is that a talent?”) Made me literally laugh out loud.

- I think the one complaint I do agree with at least in part is the, “But Magnifico was right, though??” Some dreams shouldn’t come true. Especially if it’s a wish you’re making when you’re 18. There are definitely things I wished for at 18 that I am glad I did not get in hindsight. Sometimes what we wish for isn’t what’s best for us or others. And while Asha’s wishes are selfless and for others…she seems to assume that everyone else will also have equally harmless, selfless wishes. It’s sweet but perhaps a bit naive. Also…Asha has good intentions but it is rather funny and frustrating as the adult to watch this teenager come in and try to upset the whole system thinking she knows better than the person who has been running the kingdom for years. That said… Asha isn’t totally wrong either. The wishes do ultimately belong to the people who made them and it’s better even if it’s painful to have a dream in your heart than to be lacking purpose. It may be easier to forget the wishes entirely but certainly not healthier. Ironically, if only these two could have worked together, they actually would have made a great team.

Overall, I liked the film. And I think if I was still a child myself, I would have enjoyed it even more.

[fistfuloflightning]

Slightly more polished version on ao3 here

They're summoned to a local fishing village to investigate some kind of water demon. Just the three of them, which Shen Yuan thinks is hardly fair. Sure, there’s Shen Jiu, who’s worth at least four decent disciples. Shen Yuan doesn’t think he’s too bad. But Shang Qinghua is so far out of his depth it’s almost funny.

They find out it’s a carp demon, old and hungry and slowly picking off the locals over the span of months. Trapping it is the hard part and it goes wild when it realizes it can’t go anywhere. Which Shen Yuan kinda wishes it wouldn’t, since he’s currently hanging above the thrashing water by one leg and staring down into the gaping maw of the carp demon and wondering why all of this feels so familiar.

Shen Jiu is shouting from the side, sounding panicked. But Shen Yuan sincerely hopes his shixiong (bestie? fbf? boyfriend? what the hell?) doesn’t try to play the knight in shining armor (…again).

But it’s actually Shang Qinghua who frees his trapped leg for him, even though it leaves him cursing the An Ding disciple and plummeting into the disturbed water far below. There’s a glimpse of horrified green eyes, then he’s past. There’s no time to worry about Shen Jiu’s weird hero complex at the moment.

But there is a moment of revelation though, the moment before he hits the water: he knows why this whole situation is familiar. Change the demon, change the people dealing with it. But it’s the same. …Fucking Airplane.

And when the demon is suppressed and Shen Yuan drags himself up into the wharf, he’s spitting water and furious. “You fucking ripped off Journey to the West, didn’t you?”

Shang Qinghua’s eyes grow wide for a split second before the biggest grin practically blinds Shen Yuan. “Do you like that movie too?! I thought I was only one!

“I hated that movie.”

Shang Qinghua has the gall to look betrayed. “But Stephen Chow is a national treasure! It’s hard not to be a fan!”

“And it shows in your writing.”

“What does that mean?!”

Shen Yuan is relentless. “So you don’t deny it.”

“It was a good movie,” Shang Qinghua mutters defiantly, as though that’s going to change Shen Yuan’s mind.

But before he can snap back, Shen Jiu is dropping from his sword and grabbing his shoulders to examine him for injuries. “You absolute fool,” he hisses.

He very easily ignores Shang Qinghua in favor of a much prettier face. “A fool for you.” Shen Yuan’s hazy grin is all that saves him from Shen Jiu’s sharp tongue

“Focus.” His eyes flick between Shen Yuan’s, looking for—what? Concussion? His hands don't leave Shen Yuan’s arms, as if afraid he’ll disappear too.

It’s only afterward in their shared inn room that Shen Yuan fixes a gimlet eye on Shang Qinghua. He’s glad Shen Jiu left to check in with the local magistrate, if only so he doesn’t have to explain more than he has to. “You plagiarized the whole beginning scene—didn’t you. Even the little girl, you sick freak. Is there not a single original thought in your head?”

“The girl lived! You saw it! It’s completely not the same! And you have no room to talk, Mr. I-hated-it. You even remember what happened in such a short scene. Even if you deny that, you liar, I know you like the monsters I made up,” he points out. Now that a scowling Shen Yuan can’t deny. Shang Qinghua’s brow rise pointedly as he adds: “…And my bastard son. When’s the wedding, by the way? You’ve gotta make a honest man of him sometime.” A thought suddenly comes to him and he freezes. “Wait. If you got married, would that make me your father-in-law?”

Shen Yuan gags. “Never refer to yourself like that ever again. I hope Stephen Chow finds a way to kill you in your sleep. And if he doesn’t, I will. We never speak of this again and I pray to any bodhisattva who decides to have pity on your sorry ass, that you have not plagiarized any more of that movie. Especially the pig demon.”

Shang Qinghua’s sweating silence says more than words.

“…Are you fucking kidding me?!”

[she-posts-nerdy-stuff]

PJO TV SHOW (and book) SPOILERS beneath cut!!!!!

What follows is simply a bunch of my nonsensical responses to the first 2 episodes in no particular order; I really cannot explain that any other way I’m afraid

“Whose side are you on?” “Hers, always. She’s my little sister” JUST RIP OUT MY HEART WHY DON’T YOU

Mythomagic. Mythomagic. Mythomagic.

Sally saying not everyone who looks like a hero is a hero and not everyone who looks like a monster is a monster - THE FORESHADOWING??? THE REFERENCE TO BOOKS THAT ARENT EVEN BEING ADAPTED YET IM LOSING MY MIND - Also, the justice for Medusa in this was absolutely gorgeous and so well done because it didn’t black and white anyone as just a hero or just a villain but very well highlighted the woven and layered morality of a very complex web of stories, personally I’m mostly a Medusa defender but give me a good quality, well written Perseus retelling and you could probably convince me otherwise I think the point of many of these stories is that there is never a true victor and nothing is ever as easy to understand as a hero and a monster. I’m getting distracted now but hey let’s keep going, I really love Stone Blind by Natalie Haynes, which very strongly labels Perseus as the monster and Medusa as the victim, but I also think there is an argument that Danaë’s plight was diminished/overlooked in it and I would be open to hearing opposing views on that. Since I’m in this tangent I should add I don’t study classics I am just a fan, so I’m not the expert and would generally expect others to know more than me so get it out there I’m eager to learn. Anyway, Percy Jackson (sorry for the tangent)

Percy saying he thinks he’s made real friends I WANT TO CRY

They softened Gabe up quite a bit, or at least I thought they did maybe you guys think otherwise, but I wonder how his death will come across in this case(????)

I actually really like that they had Annabeth clock who Percy’s father was and push him into the water instead of it being Clarisse shoving him into the creek and stumbling upon it by accident, because it really heightened that idea of her being six steps ahead

I think the conflict between Grover and Percy was interesting and I’m intrigued as to how easily it’s resolved with the quest coming up, and on that point am I right that Sally making Grover swear to protect Percy was a new addition? Because I’m guessing that if the conflict between them is still heightened then that’s going to be the logical reason Grover uses to get into the quest, but also they made a big deal out of that and I kept expecting her to request he swear it on the Styx but she didn’t, I wonder if it was meant to be implied (?) or maybe I’m just reading into it

There was less Annabeth screen time than I was expecting but every second she was on screen was PERFECTION

The casting could literally l not have been better I love them all omg

I was kind of surprised they didn’t confirm Percy’s dyslexia and ADHD in the first episode and instead had Luke mention it because I always thought that Percy had already been diagnosed long beforw he call to camp but maybe I misremembered that (?)

THE D’ANGELO REFERENCE YES - like I know it wasn’t about them but it has to be intentional right?

The blink and you miss it Kane Chronicles reference amused me I haven’t actually read all of the Kane Chronicles yet but I really should

WAS THAT BLACKJACK!!!!!??????

I’m guessing that mechanical monster Percy saw out the window was reference to the bulls in book three sorry I can’t remember what they’re called, and with that the doodles in his notebook YES!!! I noticed a cyclops, Medusa, the minatour, and what I think might have been the hydra but I haven’t rewatched yet so stay tuned for possible correction on that lol

I love camp so much! The cabins are incredible and the interior of the Hermes is so much nicer than I imagined whilst still maintaining a kind of overcrowded atmosphere, I love it.

“You are Poseidon’s son” “I am Sally Jackson’s son” y’all don’t understand I almost screamed oh my good lord yes yes yes yes yes

Also, sassy Percy