#my parents aren't heroes they're just like me

[i-am-a-secret-ssshhh]

I used to listen to a song 'Older' by Sasha Sloan, quite a bit, hoping it'd make me understand the world. To be fair, I was in middle school, alright, no judging, we were all cringey at that age. But I remembered a lyric from that today after talking with my mother,

"My parents aren't heroes, they're just like me"

No the fuck they're not.

My parents might have created me, but they raised an entirely different person than I'm sure they originally thought they would. They are not just like me, or my siblings, as I am fucking insane, and my siblings are rapidly descending to my level of fed up with their (read: MY MOTHERS) bullshit.

[zincbot]

i gotta say, 13 hours into omori, i don't get why people call it a horror game

[sasquatch-turtleneck]

because jason dohring doesn't use social media ever. jason doesn't know how to use twitter or even instagram. his twitter is handled by his agent

ah, true, still i find it strange, the account liking random stuff like that.

[whirlybirbs]

— CAN'T WE BE SEVENTEEN? ; shoto todoroki ; 焦凍

summary: he's loved you since he was seventeen. pairing: f!reader x pro hero!shoto ; reader was a 1-A student tags: mutual pining, heavy make-out, thinly veiled sugar daddy shoto, reader does not go pro, touya might be a dick but he's a hero now, shoto is bad at feelings wordcount: 5.6k a/n: i do not fucking know what came over me, enjoy your food my little todorokinas. yes the title is what you think it is. no i will not elaborate.

You never did go pro.

Truthfully, you thought there would be more pushback when, in your senior year, you announced your plan to pursue a degree in early childhood education with a focus on non-conforming quirk development. 

The War changed a lot. It changed you, your classmates, and the world. But, through it all one thing stuck with you:

What if someone helped Tenko Shimura?

How different would his life have been? How different would history have spun? 

You graduated at the top of your class and joined the faculty at Chiba Prefectural Preparatory School for Quirk Specialties two years ago. 

Chiba Prep was opened eight years ago in response to a societal cry for more infrastructure around what was dubbed "non-conforming quirks": a nice way to say quirks that can injure, maim, or kill. Maybe even all three on a bad day. Some parents still see their child being labeled as a non-conforming quirk user in the national database as akin to social suicide. 

You see it differently.

Your quirk allows you to manipulate emotions — anger, sadness, betrayal, love, hatred. If you can feel it, you can sink it into another's psyche deep enough to drive them to act. You can even imbue things with feelings. For example, a cup of warm milk can transform into more than just a simple comfort, now it can hold the feeling of home and safety, or even exhaustion strong enough to put even the biggest foe to rest. 

You could easily use your quirk with nefarious intent. 

You could steep hatred in someone's bone so deep it drives them to harm themselves. You could sew fury so solid into someone's mind it drives them to violence. 

Just a touch and you can control others with something so intrinsically personal it only exists within themselves: their feelings.

What makes you any different from little Asuke, a shy little girl with a quirk that allows her to see people's greatest fears, and then manifest and control them? You're convinced she can use this for good, if only with practice. In your mind, her future is bright and glimmering. Perhaps she will become a therapist, focusing on exposure therapy? Or, maybe the most prolific horror novelist in their time? 

Or, bright and sunny Tao — a transplant whose parents sought out Chiba Prep's specialized education — whose heteromorphic quirk makes his bodily fluids, namely saliva, eat through nearly anything but his own biologics. A sneeze is quickly the most dangerous thing in the world for the cheery, lizard-bodied class clown. 

He's just a boy given a quirk that needs more care. 

He isn't a villain-in-training. 

None of them are.

It's important to teach them that young — and as their teacher for Year 3 of their elementary schooling, you aim to hammer that in as much as possible. They deserve to feel normal. To feel loved and supported. They aren't scary, they're children. 

So, you take it upon yourself to insist on pushing for privileges like field trips. There aren't many public spaces that welcome the classes of Chiba Prep with open arms. Over the years, there have been plenty of incidents. But, a day trip into the city to visit Tokyo's Hall of Heroes is green-lit with bubbling excitement from both faculty, the children, and their parents. 

You usually keep your history as a graduated member of Class 1-A quiet. 

After all, you never did go pro.

And even still, Shoto Todoroki never stopped thinking about you.

He remembers that weekend everyone moved back in for their last year before graduation. He remembers you smiling at him, and helping him drag up a duffel of luggage from the common room to his dorm. You made a joke about how you're sure he got taller over the summer, and how his hair is longer now. You said you liked it. 

It was the beginning of the end, then.

His crush was a silent, smothering thing. It made it hard to think. Shoto had enough on his plate thanks to Touya's acceptance into the Villain Rehabilitation Program and his father's insistence on staving off retirement. Not to mention his parent's divorce — no matter how amicable, it was still a separation. Add on training, tests, studying, finals, and j-term classes... And a desperate, writhing, burning crush on the nicest girl in class? 

Touya's elbow digs into Shoto's side.

It drags him back to reality — to the stifled quiet of the historical Hall of Heroes. 

Suddenly, the doors to the wing squeak open, and a tour guide ushers in the elementary school class. The buzzing excitement and wonder are visible on each of their faces as the attendant — one of the HoH's lead tour guides — excitedly explains the newest, in-progress addition to the Hall:

Endeavor's wing. 

There's a whisper of awe that ripples through the children as their teacher and co-teacher follow, and as the class moves through the large, open space. They're staring up eagerly at the gilded statue in the center of the room. It's larger than life and intimidating. Years ago, Shoto might have had to fight the odd tremble in his knees at the reminder it brings: to be small in his father's shadow again. But, things are different now. 

Very different.

Touya scoffs. "I thought this wing wasn't open to the public yet."

"They're just children," Shoto hums, turning his back on the gaggle across the way to inspect the large mural winding along the back end of the installation, "I'm sure it's—"

"Oh, ho, no way!"

Shoto quirks his brow at his brother's outburst. His elbow digs into Shoto's ribs again. 

"Ain't that the pretty girl you never got the balls to ask out your senior year?" comes the rasped drawl of his older brother's voice. Touya is clearly amused, his white hair hanging in his eyes as he leans forward to squint, "She is cute, Sho'—"

"Shut up," Shoto grits, turning his head over his shoulder; he tries to bite back the flurry of nerves that ignite in his gut, "Stop talking."

It is you.

You look... good. 

Happy. 

You're crouched by a small, timid girl in the back of the crowd. Your hand is in hers, and you're pointing upwards at the large paneled screens replaying Endeavor's most historic fights. You're explaining something to her, your knees bent as you squat. You look... the same. As if in the six years since they graduated, you sat still in time. 

For a second, it's like he's seventeen again.

It's his senior year, and he's stuck at the corner of the gym's edge with a half-empty glass of punch in his hand. The lights are low, and there's slow music playing. His tie feels too tight. Bakugo keeps telling him to 'ask her to dance already', and Kirishima is considering bashing his head through the wall. Even Midorya is trying to persuade Shoto. 

"It's prom, man! C'mon, this could be your last chance—"

Touya is about to be a real pain in the ass — his favorite pastime — and make some comment about your ass, but when he turns to lob the one-liner at his baby brother, Shoto's gone.

Shoto is on the move.

The crescendo of gasps draws your attention first.

Then, the cry of "WOAH, IT'S SHOTO!" leaves you dumbfounded. The rippling murmur of excitement bleeds into the children as their eyes — and the eyes of the tour guide — widen at the sight of the approaching Pro Hero. 

Shoto Todoroki.

He looks... good. 

Really good.

He's a bit older, and a bit more filled out than when you were both teenagers. You can see the strength in his arms and shoulders — it's a distant echo of his father's physique, though Shoto is so much more elegant and much... prettier. He's always been.

For a second, you're seventeen again.

It's your senior year, and you're sprawled across Momo Yaoyorozu's bed.

They had finally wrangled out of you who your crush was: something they hadn't been able to do in all their years as classmates.

There's a sticky, Miss Midnight-themed face mask clinging to your expression as you try to flip through the large magazine in your hands as nonchalantly as possible. Mina's voice, as she paints Ochaco's nails a bright pink on the floor, is sweet and saccharine as she looks up at you.

"I think you and Shoto would be, like, the cutest couple ever." 

You're still crouched when the tour guide nervously — like she was caught doing something naughty — introduces The Pro Hero Shoto to the already-aware crowd of elementary school students and their teachers. It's like igniting a match; the uproar of excitement leaves you laughing as three of your boys push forward to bombard him with questions about his quirk. 

Asuke is smiling shyly, now. That's a small win. She's intrigued by the appearance of a real hero, not the "scary statues" — and her big, fat tears stopped rolling the moment you laid a gentle hand on her to quell her anxiety over the new environment with a push of comfort through your quirk. She unhooks her pinkie finger from yours as you guide her towards your co-teacher. 

"Boys," you call with a crisp air of authority as you stand and lead Asuke toward the bulk of the field trip group, "What have we learned about personal space?"

"It's fine, really, Insight," comes Shoto's voice; as warm and placid as you remember. 

"Insight?" mutters your co-teacher at the presumed hero-name; a look of confusion plasters itself on her face, and her big, feline ears perk up. She leans in to whisper in a way that borders on conspiratory, "Do you two know one another?"

"Old classmates," you confirm, not daring to get into the finer details.

Shoto's attention is entirely rooted in the way you manage the kids. There's something beautiful about the ease with which you handle the bouquet of students; you quell the excitement into a manageable decibel like it's as easy as breathing. 

"Shoto," you start as you gesture to him, "Has a very special quirk — Toyamai, he has ice like you. And, fire like Tojiro. He can regulate his temperature. Can anyone tell me what that means?"

There's a wave of hands shooting up, a few me, me, me's rise from the gaggle. 

You're using him as a teaching moment.

Shoto's smile is soft.

You nod at Ogomi, excitedly nodding as the reserved child speaks up. Normally, he hates public speaking. But, recently, he's started working with the speech pathologist during lunch. The boy bounces a little as he answers. "He doesn't g-get too hot, or too c-cold."

"Exactly! Isn't that cool?" you grin at the lazy attempt at a pun, "This is why it's important to learn about our quirks as much as we can!"

Touya thinks this whole thing is just too cute. 

You're different than he remembers — but, granted, things were sorta different last time he saw you. He was a little too busy tryna kill his old man and lil' Shoto. He's different now, too. A changed man! A real licensed hero. Support items and all. 

He hangs back. 

He... I mean, he is a jack-ass but he isn't gonna ruin this for Shoto. 

...It's kinda cute.

Just about as cute as Fuyumi said it was. 

Apparently, Shoto had opened up to her and Natsuo about his feelings after graduation — about how he regretted not doing anything about it. Fuyumi then told their mum, who then off-handedly mentioned it to Touya... and well Touya dug in because, duh, he is a whore for good gossip. He might be the family's black sheep, but Shoto is the glue that binds. 

And he deserves to be happy.

Your co-teacher is ushering the kids to the next installation — a viewing of All Might's Legacy, a new documentary following the retired pro's teaching career. It will be a good wind down for them, in comfy seats and the dark. It's hardly the sort of content an elementary school student would find riveting, but it is All Might. And they love him.

You hang back. 

Shoto's heart is hammering in his chest.

"Hey."

"Hi," you greet back, closing the door to the theater and stepping forward as you weave your arms around you, "Long time no see."

"Yea," Shoto breathes, his hands in his pockets as he meets you halfway across the museum's marble floors, "I... I see you're teaching."

His eyes are as pretty as they were back then. Slate grey and piercing turquoise. "I'm in my second year," you confirm softly, fiddling with the material of your sweater, "Congrats to your old man."

You gesture up at the statue, then wave around to the rest of the installation.

Shoto inhales, then nods; he's staring at your face, blissfully realizing you're just the way you were all those years ago. Kind. "I'll pass it along."

"How's he handling it?" you ask, your eyes raking across his expression and trying not to stick to the sharp slope of his jaw, or the bob of his Adam's apple, "Retirement, I mean."

"He's happy, I think. Touya and I are working together and... things are...  good."

Last month, Endeavor finally retired. He cited his age, and his dedication to passing his legacy to his two sons: Shoto and Touya. Shoto has planted himself firmly within the Top Ten in the last year or so, and shockingly, Touya isn't far behind. People love an underdog's redemption story, you suppose. 

And the underdog in question can read a room. 

This is getting a little too sexually tense for even him.

"Heeeeey, girl," he rasps out, staggering backward with a thumb over his shoulder, "Nice t' see ya. I'll let you two catch up, yea? I'm gonna go pop my head into the theater, see how the kids are handling the snooze fest on screen—"

You jump.

How long has he even been there?

"Hi, D— Touya," you strain, wincing a little; the rehab'd villain doesn't seem to mind.

"Hi, teach'. That cool with you?" he asks, wobbling his thumb and quirking a pierced eyebrow; it's comical, like he's trying to disarm you with humor, "Don't want you thinkin' I'm corrupting your youths—"

"It's fine," you breathe, ignoring the sting of age-old mistrust. You know better. Shoto wouldn't be here, with him, if Touya Todoroki hadn't changed. Endeavor wouldn't be entrusting his legacy to the ex-League of Villain member if he didn't believe in his capacity for good, "Just don't be disruptive."

Casting judgment on someone whose life was nearly destroyed by his own non-conforming quirk would go against everything you taught the kids anyway.

"Touya's whole thing is being disruptive," Shoto grits as his oldest brother slips silently through the doors, "I apologize for him—"

"No," you wave him off, laughing a little, "Don't. It's... nice to see you two together."

Shoto's expression is soft as he wanders a little closer. "It took time — and a lot of therapy — but we've all managed to come out the other side."

"That's great to hear, Shoto," you breathe, your eyes flitting across his face, "I'm really happy for you."

There's a long silence, then — and you can't help but ignore the roil of butterflies in your stomach. The eye contact is heavy with some unspoken thing, and both of your tongues are weighted by secrets-never-turned-confessions. 

It's like finally this dance you've been doing around one another for years breaks — and the two of you throw caution to the wind at the exact same moment. 

"Would you like to—"

"Are you free—"

Hesitant, slow grins bloom on both your faces.

"Dinner?" is all he manages after a sweet moment of soaking up your soft smile, "If you're available...?"

You make yourself available.

Yaoyorozu almost dies when you call her that night — winded from tearing through your entire wardrobe. You explained you had nothing to wear a-and you needed something nice, and you only have an hour to get ready, because Todoroki — yes, stop screaming, Todoroki — is picking you up at 8pm.

Little bro is nervous. Touya can tell. 

From his spot on the sofa, the white-haired ex-degenerate scoffs. Natsuo is digging around for some cufflinks in Shoto's dresser.

"Seriously, Sho'? A suit?" 

"It's a nice restaurant," his brother says tightly, adjusting the collar of the black button-down, "I booked the upstairs dining room for privacy." 

"Who the hell told you t' do that?" Touya quirks a skeptical brow.

"Father was the one who suggested it."

"...That old dog." 

Natsuo rolls his eyes at the exchange before throwing his hands as he emerges from the closet. "Do you have any links that aren't emblazoned with U.A. High School's crest?"

The ones in Natsuo's hands have his graduation year on them.

Shoto winces.

"Want me to ask dear ol' dog of a dad?" Touya snarks from the corner, his posture becoming less and less upright as he scrolls on his phone.

"Already did," comes the soft voice of Fuyumi; she's smiling, padding into Shoto's room with a velvet box, "He offered up his nicest pair. He also says not to screw it up with Insight. He likes her."

Of course, he likes her. You worked under Endeavor for a brief work-study period during your third year. Shoto remembers hearing grumbled praise over dinner one night about your talent for de-escalation.

"You told him who I was seeing?" Shoto asks incredulously, taking the box and working the cufflinks on. He's starting to feel exasperated.

Fuyumi nods, popping down beside Touya. 

"He asked. I'm not gonna lie to him."

"Did y' tell ma?" Touya rasps, peeking up over his phone to inspect Shoto's outfit. Not half bad, honestly. He looks good in all black. A man after his own heart, "M'sure she's gonna be real excited—"

"Yes," Shoto grumbles, "I called her earlier—"

"Chiba Prep is a really good school, y'know," Natsuo buts in as he tries to find a tie that matches Shoto's outfit. Ultimately, though, the middle brother decides against it and tosses the options over his shoulder, "They're, like, on the leading edge for quirk therapies."

"Hey, nerd? Quiet down. The big kids are gossiping," Touya shirks, turning back to Shoto, "What did mum say?" 

"She wants me to call her after—"

"One, you're gonna call mum the morning after," Touya raises a finger, "Because if you don't get laid, I'll be so fuckin' disap—"

Fuyumi slaps Touya's chest. He lets out a pained yelp at the solid smack.

"Uh, ow," he rubs his sternum. "An' two, take a deep breath. You look like you're gonna shit yourself. Those are my pants and they're expensive."

Shoto lets out a long breath. 

Fuyumi's smile is sweet like honey. "Aw, Sho'! It's gonna go great. You two have known each other for such a long time, and catching up is going to be amazing. Just be yourself! Confident and kind—"

"—Hold the door open for her, and pull her chair out," Natsuo adds as he adjusts Shoto's collar for him, "Car door, too—"

It's Touya's turn. He's dead serious. "—And do not chicken out on kissing her at the end of the night. I swear to god."

Easier said than done.

You never did go pro.

Those years of hardened battle instincts have lost their edge. You try to remind yourself this is just Shoto, not The Shoto — but you're a little lost in the whole celebrity of it all when he picks you up in a very nice, sporty little car with ENDVRplates. 

You answer the door and he forgets how to breathe.

He has flowers for you. They're blue and blooming and beautiful. 

Fuyumi's contribution. 

You settled then you were going to kiss him at the end of the night.

The restaurant is... nice. Really nice. The sort of nice you could never aspire to experience on your teacher's salary. Even the valet is a concept that has your head spinning. But, Shoto handles it all with cool ease. The entire time, his hand is settled on your lower back. 

It feels like you've been lit on fire.

You're glad Momo was able to create a dress fitting for the occasion. It's sleek and black. Comfortable, too. Not much can be said for your heels on that front, but it's fine. 

Somehow, Shoto managed to book the entire upper floor of this place in all its glimmering glory — it's just the two of you alone in a sea of tables. 

The waiter is pouring you a glass of the chef's suggested pairing of sake.

You thank him, smile, and take a sip as Shoto unbuttons his suit jacket and watches you. 

For a second, you're seventeen again.

Sero and Kirishima were always in cahoots when it came to parties back then — somehow, between the two of them, they always managed to smuggle enough booze onto campus to obliterate any semblance of promised sobriety from even the most stoic members of 1-A. 

You remember one night, after a lot of hounding, you finally gave in and joined a few of your classmates on the back lawn for a few drinks. 

A few beers turned into a cup or two of wine, and then another big gulp of whatever deranged jungle juice concoction Kaminiari managed to cook up. It tasted terrible, but you were too drunk to really care. Shoto was no better. He was nursing his fourth drink of the night — a rarity he was even drinking at all — and seemed completely fine with the way your arms brushed as the two of you sat close in the grass. 

He was always so nervous around you. Now, he just seemed... happy. 

"I can't believe there is only one week left until graduation."

Graduation day was the last time you saw him. 

Until this morning, that is. 

You smile into your drink. 

"What?" you ask when his eyes never leave your face.

His fingers twitch towards his own glass. Shoto blinks, then rolls his jaw. He was caught staring. He clears his throat, looking a bit shy. "Nothing."

"Nothing?" you press playfully, cocking your head to the side.

"You..." he starts, then bawks. You're stunning, and it's making it hard to even think straight. He thought these feelings might have mellowed out over the years but seeing you again has just reignited everything. He feels like a hormonal teenager again, "You look beautiful."

Your expression falters into something lovesick. You chew your lip. "You're not so bad yourself, Todoroki."

He manages a half-smile. "Touya had me worried the suit was a bit much."

The idea of Touya offering him advice on his outfit strikes a chord in your heart. It makes you smile even bigger than before. "Well, you can tell Touya that I like it. A lot."

You rake your eyes up and down him. On purpose.

He notices.

Shoto's face feels hot. 

He tries to shake the bone-deep want that has swept his entire body up in its grip, but it's difficult when every single word out of your mouth reminds him just how in love he was with you back in school. You explain, excitedly, why you chose to teach at Chiba Prefectural Prep and catch him up on where you've been living since graduating. He's pleased to learn you're still in the area, living in the city, and decidedly in love with the commute to the school. 

Shoto's always been a good listener — but you can see how much he's changed when he begins to speak about his career. He seems so much more sure of himself than he was all those years ago. It wasn't that he was... unsure... but, no. He was shy. Quiet.

Now, less so. 

It's adorable. 

Dinner comes and goes with conversation over sushi that is far too good for you to even process. It's easy talking to him. It was easy talking to Shoto back, then, too but... Things are different. You're both different. Not in a bad way, but in a way that feels like coming home. 

While you both wait outside for the valet, Shoto shrugs his jacket off and puts it over your shoulders without a single word. Suddenly, you're cradled in a warmth that's very Shoto — his cologne clings to the collar and you bury yourself a little deeper into it. 

Shyly, you step closer and steal his hand. It's calloused and warm. He laced his fingers with yours as if practiced. You bite back a grin. You give his hand a little squeeze when you spot the car coming around the corner.

His silence is calming — and he squeezes your hand back. When you look up at him, you realize he's already looking at you. 

His face is close. It's so... intimate. Very. Nearly better than a kiss. 

But, you've wanted to kiss Shoto Todoroki since you were seventeen. 

The valet driver interrupts the moment with a respectful call of Shoto's name and offers the keys with a shake of the hand. With a little bit of hesitancy, Shoto remembers the thing Natsuo said — the car door, too — and moves around the passenger side to open the door for you. 

It's sweet.

Really sweet. 

The car ride back to your apartment is punctuated with easy conversation — you ask him about Bakugo and Midorya, and you're pleased to hear they're both doing well. He asks about Momo, and if you still keep in touch with Mina and Ochaco. He smiles to himself when you admit you did call Momo for help with an outfit. 

"She did a beautiful job," Shoto breathes, a palm moving from the gear shift to brush over the dress' fabric on your thigh.

His hand settles there. 

Your stomach does a flip. 

You chew your lip, swallow down a sudden burst of nerves, and let your hand rest over his. You squeeze it. Shoto tries to focus on the road. His gaze drifts for a moment at a red light, his heterochromatic eyes dancing across your figure. 

Keep it together. 

He isn't seventeen.

He's twenty-five. He's a Professional Hero. One of the Top Ten in all of Japan. He's more than capable of keeping it together in the face of physical touch from the woman he's dreamed about for years. 

...Right?

Green light.

His hand is still on your thigh when he pulls up to your apartment. 

The touch is relinquished in favor of putting the sports car in park. 

It makes your chest ache.

Shoto swallows thickly.

Do not chicken out on kissing her at the end of the night.

He'll never forgive himself. But, admittedly, he's bad at this. He's not good at reading body language, or even knowing himself enough to realize he looks mildly terrified as you blink up at him in the passenger's seat. His heart is hammering a mile a minute.

What if you don't want to kiss him?

When would he even kiss you? Now? Or at the door?

Why does he feel like he's going to die?

"This was really... Shoto, are you okay?" you ask as you unbuckle your seatbelt; you pause, your brows knitting tightly. 

"What?" he asks, blinking back to the present moment. The look of fear disappears, "Sorry. Yes. I'm fine."

You're working his jacket off your shoulders, gently leaning to fold it neatly in your lap. Your voice dips low, into something playful. "You didn't look fine..."

"I—" Shoto clamps his mouth shut as he leans an elbow on the center console, "Sorry. I suppose I'm just nervous."

"Nervous?" you grin, a little giggle punctuating your words as you wriggle in the red, leather seat, "Why?"

Your expression makes his expression crack. He ducks his head as he huffs out a laugh. You continue to egg him on via expression alone. "I... Stop it."

"Stop what?" you push some more, your back pressed to the door as you face him in the car, "You're the one being weird—"

"I'm not being weird—"

"Then what's wrong, Shoto?" you tease in a sing-song voice.

"I'm nervous because I want to kiss you."

His words are punctuated by a slow look that takes in every inch of your face. Butterfly wings kiss your stomach walls. And your knees. You feel a little tremble in your chest. 

It feels like someone has sucker punched you square in the sternum. Shoto's no better. He isn't entirely sure what the expression on your face means. Is that... good? Are you happy?

Your voice is a little quieter now. You duck your head and fiddle with his suit jacket as you lean back against the seat, a little closer now. 

"You don't need to be."

Shoto's breath catches at that.

So, he makes his move.

His hand comes first — his calloused palm settles nicely against your face, his thumb brushing your cheekbone as his pointer finger brushes the underside of your jaw. Shoto is slow. Methodical. It's like he's trying to ground himself in the moment. 

Truth be told, he thinks he might be blacking out.

Your eyes flit up his wrist — a dark leather band around his wrist with an expensive watch face, a dark dress shirt with glimmering cufflinks, strong arms and a broad chest, and you can see the dip of his collarbone where the top two buttons of his shirt remain undone. 

He looks so damn handsome with his sharp jaw, pretty eyes, and his trademark white and crimson hair. Even his scar is beautiful. 

The touch pulls you in like he's got his own personal orbit.  

Your elbows are braced along the center console, your eyes flicking across his face as his fingers continue to brush along the soft expanse of your cheek. You wring your fingers together. 

Then, his eyes stick to your lips.

"Can I kiss you?" he whispers, his breath fanning across your face. 

You never did go pro.

But, Shoto did. 

It shows. 

Because, at this moment, all you can do is nod feebly before you're swept into the sort of kiss people go to war for. It's the sort of kiss that sticks to your ribs, that feels like warm, fresh food. It's the sort of kiss that would drive you to the brink, that would make you nod and agree sure, let's get married and have three kids, let's name one after your father, and paint the house blue like your mother's favorite flower—

His mouth is eager, but not in an overbearing way. It's gentle. Slow. As if he needs to remind himself this is real and not some midnight fiction that leaves him aching and alone. Shoto reminds himself to be tepid, pliable, and easy, which is easier said than done when somewhere deep inside of him there's a seventeen-year-old screaming in victory. 

It's better than anything he could have ever imagined. 

And then you whimper. 

It's a sound tied between bliss and relief and it's muttered against his mouth as you lean in and let your fingers brush the fabric of his dress shirt. The tips of your fingers brush his abdomen and he flexes, the feeling foreign and warm. It warrants his other hand to drift to your face and you break for a breath; he doesn't care that there's lipstick smeared across his mouth. He's kissing you again — this time a little bit more feverish, a little bit more aching. 

You melt against him, this time your hands trembling to grip his wrists.

He needs to slow down.

He is not having sex with you in his father's car.

That's shameless.

He needs to slow down.

He has to, or he'll lose himself in this and he refuses to fuck this up. 

Shoto's breath is ragged when he finally peels himself away, his lip parted and eyes half-lidded. His grip on your face is still so soft, so gentle. It's very him. 

You're glad you didn't do this when you were seventeen.

It would have permanently altered your brain chemistry, you're sure of it. How could you ever kiss someone else again after that? 

He's rubbing your cheek with his thumb. You swallow, and try to level out your breathing. It's hard when he's still so close, when he's so... perfect. 

"I've wanted to do that," he murmurs against your cheek, "Since our last year at Yuei."

A well-kissed smile breaks across your face. You reel back, your nose wrinkling as you shake your head in disbelief. Shoto is smiling. A real smile. The sort that's so rare you can count on one hand the amount of times you've ever seen it in person. 

"Are you serious?"

"Very," he says, chastely pressing another to your other cheek as he leans back.

"Me too," you admit shyly, "Can we... do it again sometime?"

Shoto's eyes widen incrementally. Then, his smile eases back onto his face. 

"Are you free this weekend?"

"I can be," you reply easily with a honeyed look, "And I will be. For you."

"I get off patrol on Saturday around seven," he explains before asking timidly, "We could... do dinner again?"

"Works for me," you breathe as you move for the handle of the car door, "After all, I never went Pro. Weekends are free."

Shoto scoffs. 

Then, as you open the door and swing a leg out:

"Oh, and tell Touya I thought the suit sexy."

Shoto's laugh is dry. You leave his jacket on the seat and scurry into your apartment with a lovesick wave. He swears he sees the silhouette of a familiar ponytail greet you at the door, but he doesn't dwell on it. He waits until you're inside and the lights to the front door are shut off.

Then it hits him. He has another date with you this weekend. 

Not so seventeen anymore, Shoto Todoroki. 

[j-jared]

Danny judges the Family Business

Danny: How many kids do you have? How many vigilantes are in Gotham right now?

Batman: ... you know how many.

Danny: Seriously, your grandson too? Couldn't stick to just yourself?

Flash: Can we not?

Danny: ... I mean I sorta understand the clone thing makes it murky water, but COME ON!

Superman: *sweating*

And finally, finally, they have enough of the lectures. They know Danny's identity, they know of his parents, his sister. So they ask.

Batman: Would you not tell your parents if you needed help.

Danny: I chose not to tell my parents! My dad has his own section on the news if he's out driving, I don't want them on my team!

JL: .. What?

Danny: I mean, yeah, they'd be helpful on the government research side of things, but... You guys obviously looked into this, they can't aim for shit most of the time! They cause more property damage than any of the ghosts do in the longterm. My dad would probably shout out my name each time he saw me on patrol. Besides, they've calmed down the whoke vivisection thing, they're more like... safari people now. If the ghosts aren't actively attacking, they watch and make notes to study behavior.

Wonderwoman: And your sister? She helped you did she not?

Danny: Yeah, when I was 14 and freshly dead? Believe me, the moment she had an out we both took it. She's studying out in California now, and she's only stepping in for emergencies. Like, end of the dimension emergencies, not 'Oh I've been stabbed again' emergencies.

-----

I find the idea that Danny lectures the JL about the younger heroes and like, making sure they aren't prioritizing hero work out of duty really funny. This undead boy took up his own duty when the only other option was his parents and their inventions (one of which actually killed him by opening a door to another dimension) and felt obliged to deal with the ghosts for both the living and the dead's sakes. He opened the portal, he'll clean up the mess while keeping everyone safe. Sam and Tucker got to help, but once he got control of his powers (maybe once he gets the crown and authority in a Ghost King setting), he's offered them outs as well. They take them slightly. They step in for the heavy hitters, but generally Phantom flies solo; besides JL business. Maybe Dani joins in, but she's her own free spirit so it's not like she sticks around long.

Danny wants to know that all these younger heroes are there because they wanna be, not sacrificing a normal life because of feeling pressured or needing to live up to the expectations of their guardians/mentors.

And I know the JL care about these kids, Danny just ain't sure (He can glance at the BatClan and just smell the death and drama) - and he wants to be. These kids better have a healthy work-life balance, so help him Ancients.

[blackbirdsblackberries]

I HATE THE NEW HERO

Pt 4: No luck today

Engineering is probably one of your good subjects - mainly due to the grades you get and the equipment you get to create for your second life.

That being said, your luck isn't very high right now because just as you enter the classroom you're called up to the office. Over the loud speaker. In front of everyone.

This is your last straw. You're going to actually break down and cry.

Taking a deep breath you head to the office and stand in front of the receptionist.

"Uh, hi.. I was called up?" You state to the distracted receptionist. "Huh? Okay. Go into the principal's room I guess." She waves you off dismissively and you hold back a retort.

You make your way to the room and knock on the door. It opens with the principal on the other side. "Ah, There you are. I was worried you wouldn't show! Please, have a seat." He opens the door wide enough for you to get in.

You enter and your eyes fall onto a boy with spiky black hair and tanned skin. His back is to you. Next to him is a taller, more bulkier man in a pressed suit.

Your stomach lurches, feeling ill all of a sudden. Your senses go off and you fight the urge to run away. You can't tell who these people are but something isn't right.

Slowly you make your way to a third chair that was placed at the desk. You glance at the two males and have to swallow the bile - it was none other than Damian al Ghul-Wayne and Bruce Wayne. Your eyes immediately snap forward and you clench your fists slightly.

There's no doubt Tim had said something horrid about you to them, maybe he snitched on the fights you two had, whatever it was now you're in deep shit.

You try to get a read on them but it was near impossible, they were both stoic. It didn't help that you refuse to look at the two. The principal sits down at his desk and crosses his arms.

"So, I have been made aware of some things that you have done recently, (Reader). According to numerous anonymous reports you have cyber bullied someone, picked fights, had plans to build dangerous weapons and had hit animals... Listen, you're a good kid but with what I have here I might have to expel you."

Fuck. You can't get expelled your parents would throw you out or something! You can't! You didn't hit animals! The most you hit was a fly! Dangerous weapons? There's nothing like that at all, besides the plans for you superhero weapons. Those aren't dangerous though. You cyber bullied your vigilante persona to make it more realistic! You never pick fights - you don't want to risk hurting someone with your increased strength!

Though, something makes you freeze. If you were called here for that then why are the two Wayne's here?

You think the principal is a telepath because he speaks up.

"You're very lucky Bruce Wayne and his son are kind enough to vouch for you though they said they wanted a favor in return." Oh. Manipulation. You scrunch your eyebrows, they probably reported me alongside Tim. They're doing this so they can hold it above my head and make me complacent or subservient to them.

Maybe it'd be best if Aranea faked their death. Started a new identity or something... You probably wouldn't go through with it but it's a nice thought.

Well, you don't have much of a choice. You can still silently make your hate known towards the vigilante and it's not worth losing a scholarship over. Especially with parents like yours.

"... Fine... Thank you for this offer, Mr Wayne and Mr al Ghul-Wayne" you mutter. God it's shameful, you want to crawl into your skin and die. Was it worth putting your dignity on the line? You're not too sure. What you're sure of though is that you will get to eat tonight. If your family has the money...

Bruce nods his head in affirmation and puts on his Brucie smile, one that even you struggle to see past. "Of course, what kind of person would I be if I would overhear something so tragic and not do anything about it. We can go over the favor later." He states. You hold back a grimace though you're sure everyone can see the effort.

You don't know what to respond with, humiliated enough by this clear manipulation. You just give him a double thumbs up. Damian stares at you weirdly and the principal raises a brow. Bruce however chuckles, though it's forced.

The principal ushers you out of his office and tells you to wait out the front with the receptionist for Bruce and Damian while they chat some more with the principal himself.

After waiting for a bit the door opens and the two males walk down the hallway to where you are. Damian scowls and glares at you while Bruce looks to you blankly, detached.

You stand and awkwardly rub your hands on your uniform. Something they clearly don't miss as their eyes snap to the motion.

"uh, thank you for this opportunity... What's the favor?" You managed to work up the courage to speak without stuttering like a madman. Something you believed you should get a pat on the back for because the two guys were terrifying.

"The favor is simple really," Bruce starts his Brucie personality back in play "Stop speaking badly of Aranea and don't pick fights with my ward, Tim. Easy right?" You nod. You expected this. Honestly you should be a detective or something you think to yourself.

Nah, that's Batman's job.

You pick up your bag and head to the door, Bruce however had moved while you had seemingly zoned out while in thought and was standing in front of the door while talking to the receptionist and in your haste to leave you bumped into his side.

He automatically puts his arm on your shoulder to steady you and your mind connects the dots.

Bruce has the same build as Batman. Batman seemingly adores Aranea, or at least you think so, he's hard to read - like Bruce (for both being hard to read and adoring Aranea to a weird point). Same amount of kids. Plus Batman had to be rich if he could have a plane and a new looking suit after gruesome nights.

God, how did you not see this before...

Amidst your freaky reality check you fail to notice Bruce trying to get your attention until he snaps in your face - like how your dad does. You hate that.

Your head shoots up and you take a couple steps back while muttering an apology while Bruce stands there with a raised brow, confused while Damian looks at you with disdain as if you soiled a good outfit.

Feeling humiliated and terrified you quickly move around the two men and out of the door. You're in deep shit now... Even something as simple as secretly knowing the identities of the vigilantes that watch over Gotham is a death wish.

This is going to be the worst day of school, so, you decide to leave. You go to the sick bay and get a slip to leave school and you do.

You run home as fast as possible and get to your room. Your mother is out cold in her room with some man she met from the bar so you shouldn't have to worry about her.

You take a couple deep breaths and contemplate on what to do now that you left school, you could catch up on assignments, you could take a nap, or you could go on patrol...

It's daytime and you're pretty sure Signal will be patrolling today, you like Signal, he's a chill guy. Now though, now you don't really want to be near any of the vigilantes.

You decide to check your phone to see what area Signal is patrolling, it comes up in the GC, Westside Gotham at the Midtown area.

Okay. You can do East Park Side then. It's not your favorite area but at least you won't be confronted with one of the vigilantes so soon. Plus, the park is nice.

You suit up and head out. East Park side wasn't far away from you due to the lack of money your family has you are stuck in downtown.

You spend a majority of your time on patrol, helping people and just hanging around. Soon, much to your surprise, you get a call from Batman.

"Aranea. What are you doing patrolling without your comm on and without informing us?" He sounds as serious as ever, usually you'd roll your eyes but right now you're struck with fear. His voice holds maliciousness and anger deep under it. The very same way that Bruce Wayne had spoken to you. You don't want to admit it but knowing the identities of these heroes makes it more suffocating to be around them.

It also meant you had to be much more careful around them.

"Uh... I was bored at home so I went out on patrol?" You respond, trying to keep the energy in your voice, even if it felt like you were going to explode.

"That doesn't answer my question." He responds, you're sure he's picked up on the fakeness of your cheerfulness. "Right! Ha! Forgot about that. I didn't wanna disturb you all! Plussssss, Signal is patrolling so it's all good!" You laugh it off.

Batman isn't laughing. When does he ever?

"That's no reason to not inform us or at the very least turn on your comm. What if something happened to you? What if you died? You aren't invincible. You'll die in that stupid suit if you don't work with us!" You wince slightly. Fuck him. Does he really think you need him and the others to survive? Not to mention him calling your suit stupid, sure it's not perfect but stupid is just overkill. He only even thinks it's stupid because it isn't made with his money!

You honestly couldn't find the effort to continue talking to him, so with your faux cheerfulness you decide to end the call. "I get it. I'll know better next time! Bye bye!"

Sometimes you wish you were old enough to drink.

[openphrase123]

anyway. weird little bonnie whatever below the readmore it just kind of leapt out of me. just writing down my own little analysis of boniface instarsandtime

you're twelve. you live with your sister. you pick up on things because adults will gab and talk for days near you because they think you're too young to understand. your sister took you away from your parents for good reasons. but what do you know, you were a toddler when that happened

you're twelve. you've probably read a hundred stories written by adults about a plucky kid without parents that goes to save the world. and that sounds super awesome but of course that will never happen to you.

you're twelve. the world is ending. your sister tells you to run, and you do. and then you almost starve and pass out in the wilderness.

you're twelve. you're nursed back to health by literal actual storybook heroes. and the world is ending but this time you're in the pathway to help save it. you can help your sister, you can help your town, you can help these cool adults that love you now.

you're twelve. they don't let you help them.

you're twelve. one of them loses an eye trying to save you and they don't even seem to care about that.

you're twelve. you're on the cusp of being a person with their own opinions that aren't just what adults tell you. you're old enough to cook, you're old enough to swear, and you're old enough to fight even if nobody else thinks that. you don't know why adults care about some things and not about other things and you're worried that one day, you'll be an adult, and you'll be stupid like one too.

and then, the day before the adults are supposed to save the world, you realize they're all talking like they're not going to be able to do it. everyone acts like this is their last day on earth. and maybe if they had a little more help, something else, they could do it. but you're on snacks duty. and all the adults talk about when they think you're out of earshot is the worst case scenario. but they still won't let you help.

you're twelve. it's the end of the world. and you're in the right place to save it, but nobody will let you.

you're twelve, and all of these adults are looking at you as if you'll never be thirteen.

[starwrighter]

surprise! I'm alive :D

Chucking out one of my prompts anyone can take this.

Prompt starts with the whole idea that everyone believes that ghost are malevolent, non sentient beings that aren't capable of feeling pain. Amity parkers believe that, the Fenton's and the GIW "proved" that and the ghosts that escape the portal have caused so much mindless damage that it just further cements the idea that ghosts aren't sentient.

But during one of Phantom's ghost fights The Fenton parents realize Phantom is a bit different than the ghosts he fights. They finally decide to observe Phantom more carefully after this (they're still shooting at him just watching him a bit first)

During this observation period they notice it's not just phantom's rapid power growth that's different about him. It's everything he does! He's proven to be more intelligent than the other ghosts, having managed to steal and operate Fenton tech despite the fact he doesn't appear to have powers like technus.

He has body language?! Subtle body language that isn't destructive or angry! He fidgets when he's nervous, smiles and is more talkative and expressive when he's excited or happy. He shows emotion more humanly than any of the other ghosts showing emotion that wouldn't benefit him in the moment. Now the Fenton's wanted to brush this off as clear ghost manipulation at it's finest but in the most recent ghost attack gave a preposterous theory a leg to stand on.

They had been shouting their usual threat's of tearing the ecto scum apart molocule by molecule. Most of the ghost ignored them, fixated on the destruction they were causing but Phantom hesitated, the GAV cameras catching a look on Phantom's face that would be game changing.

Fear.

Genuine fear. It was not the robotic mimicry of human emotion they were used to. The emotion they got was that of a being that fully understood what was going to happen to it and had the capability to be afraid.

They compile all the footage of past ghost fights and ghost sightings and come to the horrifying conclusion that phantom is a sentient ghost who could feel pain.

They're horrified that they've been hurting this little boy (because that's what phantom is) who's just trying to help and didn't understand why the other ghosts lacked the empathy he had. As for Phantom's crimes they finally had a reason for them. He's a scared child , loney and confused with everyone around him trying to hurt him even though he was trying to protect people; of course he would act out!

The Fenton's show their undeniable proof to the GIW and within a week a law is passed stating that phantom is the only sentient ghost and it's illegal to harm him.

Danny is very confused to say the least, especially when everyone starts treating him like a little kid (Danny either looks young for his age or the accident happened earlier whatever causes more angst) The worst part is they don't believe him when he tells them some other ghosts are sentient no matter what he says! They just give him this sad look and nod or try to comfort him by telling him he wasn't evil like the other ghosts. The other ghosts like the thought of being able to get away with crimes without being charged so they don't even try to prove their sentience if anything they try to disprove theirs and prove Danny's.

Bonus Dp x Dc crossover:

The justice league is called about Phantom's situation Amity Parker's demanding that phantom be taken somewhere safe where he can be a regular (but spooky) child. Double points if the heroes don't believe any ghost but Phantom are sentient.

Tldr

Regular ghosts are too spooky for humans to believe they're sentient but Danny's halfa status makes him look more human and genuine (Vlad is not a true halfa you can fight me on that >:c) the other ghosts ramp up their acting skills so they can crime without consequence as "non sentient beings"

[cosymelody]

Okay but you know what's better than Hylian space orc!Reader? Hylian space orc!Dom! Reader

Not only is there little content on Dom readers, If not (for what the chain is) I think that someone with a cold mind and who thinks about all the options and possibilities is more suitable to manage the chain, Of course the chain's bodies, mind, soul and heart already belong to Reader, but we already know what happens to the chain if they become too greedy, territorial, protective and more....So someone needs to teach them discipline, control and good behavior (it's like training dogs) (well with Twilight it may be very literal-)

So, yes, someone who analyzes the situation, the benefits and drawbacks, and learns to monopolize control (perhaps with a little manipulation involved) is more suitable, and very, very mentally strong.

YESSSSS THIS IS THE SHIT I LIVE FOR

Personally, this is my absolute FAVORITE kind of Reader so when I find even a crumb of content on it I absolutely DEVOUR it!

(Gn! Reader implied 👍)

Hylian Space Orc!Dom! Reader (aka HSO!Dom! Reader as I shall call it for now) is exactly how I imagine the reader when I write! Definitely not projecting myself into my own writing in a way hahaaa

HSO!Dom! Reader is definitely something I strive for in my writings since in many cases it can help to balance out the yandere tendencies of the Chain. Even more so when Reader can be an absolute sweetheart when the Chain behave, but can do a whole 360 and turn into a sadistic/scolding parent that puts the boys in there place, which for most of them would urge them to be good for their god/goddess just for a hint of praise and affection they desperately crave for.

Reader knows exactly what makes the boys tick and what causes their possessive urges to rise and has taken action to catch and calm them before they can even think about chasing killing off whoever it was that dared to take Reader's attention away from them. It's gotten to the point where Reader can so much as sense a slight hint of jealousy and diffuse the situation before it even occurs.

Don't get me wrong, Reader is happy to have the group of heroes so obsessed with them definitely not because they are just as obsessed if not more so than the Chain, but they aren't too fond of the fact that every shopkeeper and traveler they encounter seem to be scared off by the Chain due to the way the boys seem to glare daggers into the stranger that has Reader's attention. With the way they think and with how they seem to be much stronger than the boys due to the Chain having a different biological body structure, Reader can easily stop any fights between the Chain or with random people they encounter just by holding one of the Links to their chest or just throwing one or more of the boys over their shoulder. It especially helps with the more antsy and aggressive Links (Four, Twilight, Wild, Courage, Sage, etc.).

When one of them start acting just a slight bit passive-aggressive or start to become more possessive and violent, all it takes is one glare from Reader for them to know they are acting out of line and they should stop before they lose their beloved. Sometimes it doesn't work on a few of the boys, especially when they're insistent and stubborn on what they think is right, but they start to quickly learn and correlate good behavior with positive attention and praise from their angel.

The ones who would most likely be first to associate your positive attention with good behavior would most likely be Hyrule, First, Koridai, Warriors, and Time possibly a few more to name a few. They quickly get their act together and show a good side to Reader just to hear they're honeyed and addictive words that are definitely not laced with a tad bit of manipulation to pull the strings of their dear Chain, but even then, Reader can tell when they've went and offed someone behind their back which only results in a cold shoulder and them learning to progressively lower the bodies they have to hide and instead focus on behaving well for them.

When they do start to get better, they start getting more and more rewards from Reader which can be anywhere from more time together, more physical affection, more words of encouragement and love, and so much more which feeds into them being good and obedient for their Reader. It's like slowly taming a group of feral beasts, teaching them that if they do good in Reader's eyes, they get positive reinforcement and get to have more of their beloved to themselves.

With HSO!Dom! Reader, it's obvious they are stronger than the Links in more ways than one (physically, mentally, emotionally) and are more than capable of putting them in their place in order to calm their desire that burns within them so brightly. I definitely need to start putting this aspect into more of my writing in the future even though I already have in most of them!

If anyone would like to add on to this little idea, I'd LOVE to see what people think of this aspect not me writing this in the middle of the night when I've got work early in the morning! I also need to stop forgetting that I exist and I should probably keep doing this cuz I forget about all the WIPs I have ಠ_ಠ

[writersmorgue]

BNHA does TikTok trends: candy salad trauma dump 🍬

inspired by @weewoow-20706030's post

READ AT YOUR OWN RISK.

-------

@.minatheealienhero posted a new video!

Transcription:

"Hi! I'm Midoriya, and when I was 14 I was told to kill myself, suffocated and almost killed by a slime villain, and told I would never be a hero in the same day."

...

"Midoriya, the candy."

"Oh, right, and I brought Twizzlers!"

-

"I'm Bakugo Katsuki, when I was 17 my heart exploded and I died. I didn't bring anything and I'm leaving now."

"Thanks for participating!"

"Fuck you."

-

"Hey! I'm Red Riot, and I watched one of my teachers die in front of me. I brought Crimson Riot gummies!"

-

"I'm Denki! I once fried my brain during battle and was legally dead for seven minutes. The video of it went viral and my uncensored corpse was on the cover of a magazine. I brought skittles!"

"He has it framed in his office."

"Well, it's funny now."

-

"Hey everyone! I'm Uravity, and when I was 16 a girl sacrificed her life for me and I watched her die while her quirk kept me alive. I brought gummy bears!"

-

"I'm Shouto. My father's family bought my mother for her quirk-

-I was burned with boiling water-

-he died, or we thought he did. I'll get back to that later-

-severely isolated, at least according to my therapist-

-he tried to kill me, which was unfortunate-

-but then I had to fight him even though he's my brother-

-I mean and he was basically just a skeleton at that point but somehow still lived-

-and he said 'soba' which was heartbreaking,-

-but I don't really remember a lot of it. So there's not much else I can tell you. Oh, and I brought these strawberry candies. They're my favorite."

"Great, thanks."

"Why are you crying?"

"Why aren't you?!"

-

"-the red button, yeah like that! Okay so I'm Mina, and when my quirk manifested I gave my mother an acid burn that permanently disfigured her, and I can count on one hand the amount of words she's spoken to me since. And I brought whoppers!"

-

"My name is Shinsou, I brought... I don't know what these are but Denki said they're good. Anyway, when I was little my biological parents muzzled me and kept me locked in the basement for two years."

-

"Hi! I'm Jirou, and I had part of my ear ripped off mid-battle and still had to fight while in excruciating pain. I brought nerds."

"...I also had to listen to Denki do karaoke the other night. That was really traumatizing"

"Kyoka, shut up!"

"Learn how to sing!"

[splonk-fox]

Tobecky is one of those ships where it's like, at first glance, you ask why people even see it as a viable pairing. It's not like Becky and Tobey are exactly shown getting along often, it's not the healthiest ship out there, as a matter of fact there are... certain episodes that make the pairing downright toxic (Looking at you Go Gadget Go).

Yet at the same time, I think that's what I like about the ship. In real life, relationships are never a straight path, they require effort from both sides and nine times out of ten there will be road blocks, times when partners do objectively questionable things, that's just how relationships are, and in a weird roundabout way, I feel like Tobecky is a good example of that. Sure Becky and Tobey fight a lot, they disagree about a lot of things and do things that upset each other, but they also understand one another on a fundamental level.

Seriously the parallels between these two is actually sort of surreal. They've both been lumped into this box of being one thing, said thing being expected of them. Becky is expected to do hero work as WordGirl, and Tobey, while nothing is forcing him to be evil, episodes like "Tobey Goes Good" show that when it comes to his mentality, doing bad things is the only way to get people's attention, to make people care about him.

They're both child prodigies who, in a lot of ways, are locked out of a lot of the things that other kids have. Both have families who could never really understand them. Becky for obvious reasons, and Tobey because, as made pretty clear through episodes the center around him, his mother doesn't tolerate his behavior and as far as we can tell, has never tried to understand why he does what he does, instead giving him corporeal punishment via ear pulling (which by the way, she does that to him even when he, to her knowledge, hasn't misbehaved, kinda fucked up if you ask me, coming from someone who had parents who used physical punishment as a way to reprimand their kids).

Another thing to point out when it comes to these two, is that they are both pretty arrogant, Tobey more apparently so than Becky, but Becky clearly takes pride in being WordGirl, and even beyond that there are times where she views her own opinions as above others, whether she realizes it or not. Obviously Tobey is called out on it more, but there are clear signs that Becky's status as a superhero has lead her to gaining a bit of an ego.

Really though, the big thing that I think draws people to this pairing is the rare moments where they aren't fighting, and are instead sitting down, talking, and it's when that happens that the two of them are actually able to get along, that they're able to understand each other, because in a lot of ways, they are the same, just on two different sides of the moral spectrum. I think this is best shown in "The Robot Problem" where the two of them are shown to legitimately be able to work together, Becky even saying that they make a good team.

So to summarize, the thing that makes Tobecky good, at least for me, is not that it's the safest ship, or that it doesn't have moments of toxicity, but rather in how it feels more realistic, more complex than your average pairing, the fact that when it comes down to it, Tobey and Becky understand each other, loathe as they are to admit it.

Alright, that's all. Thank you for coming to my TED Talk.

[star-boi0720]

Giant lore dump here, basically they're the seven deadly sins, in my version to become one you commit an act to break a seal that Irene made to contain the devil within and their punishment is to become the new host for said devils. so I'm gonna go person by person and explain how they became a sinner

(the concepts aren't complete, still needs work but I just want to have it written down)

Aaron-Wrath, has a similar backstory to the OG, but I added a thing I remembered from Emerald Secret of the Utltimas backstory (this was solely from my memory and might not be exact) and took Zane out of the equation, basically Aaron had a hobby of hunting and he without knowing killed this holy wolf that Irene created, and as a punishment he was combined with it and in the foggy haze of his transformation he murdered his whole village and his family.

Lucinda-Gluttony, Her hunger for knowledge killed her best friend(/ maybe girlfriend aka Sasha don't 100% know yet) and sealed away her mother to the cursed forest. Hyria used to have like a coven/school for witches she made after Irene left. Lucinda was a prodigy and wanted to just keep learning to the point she was so desperate she stole a book her mother told her never to even touch (which had sin inside and was trusted to hyria by Irene) which made Lucinda's magic go crazy and destroy the school and seal her mom away and kill Sasha.

Travis-Lust, so his mom dies to seal his dad away all that's the same but Travis is just super lonely right, but then a girl comes to visit him and he eventually falls in love with her but she actually is a member of his fathers cult to break him free and Travis is so obsessed with her he doesn't notice, and before he can stop her fully she partially freed him and travis in the struggle to stop her he kills her and breaks his mothers necklace(which had lust inside) but right after he kills her a bunch of villagers burst into the chamber the demon warlock was locked in and it looks like Travis just sacrificed some girl to his father and they try to kill him so Travis hides deep in the mountains

Katelyn-Envy, her entire life in her village of dragons she was treated as lesser compared to her brothers Kayden and Cain cause she wasn't as strong as them and she pushed herself but wasn't enough, her jealousy boiled over and in a fight with her brother Kameron she broke a statue that had the sin inside she didn't kill him but burned him beyond recovery

Garroth- Pride, He was the cocky prince troupe kinda like Hercules from the Disney movie and he liked to play hero, and vylad always went with him like Garroth's little sidekick. but one day they came against a monster they couldn't beat and Garroth refused to back down and in which the monster which was a huge lion killed vylad garroth killed it but it had the sin of pride inside it Garroth returned home and when he told his mother of what happened she hid him away knowing the world would see garroth as a threat and kill him. So Evelyn(Aka Zianna I changed a lot of the parent's names cause it seemed repetitive to me, so mom is now Evelyn and the father's name is now Adam) sent Garroth to hide in Phoenix Drop and claimed the beast killed both of them.

Zane- Greed, Zane was always a good man the whole kind young priest get up. but after the sudden deaths of his brothers, his faith was shaken, and in a desperate attempt to bring them back he began to research black magic and corrupted his mind and he opened a box deep in the catacombs of Okasis which was Pandora's box which held the sin of greed and became and the once kind prince became a true monster.

Nana-Sloth Nana is the eldest daughter of a duke of the Tula Kingdom, her mother died when Nana was young and her father was very heartless about it, like had a new wife in 2 days and all her other siblings were only her half she tried to be close to them but her father kept her away from them to the point she stopped trying after so long but on a night a raid happened she was only able to save one of her siblings her youngest Juno who was only like 7 but as she was escaping she broke a mirror that had the sin of sloth inside and possessed her and nana escaped to ruan and made her little cafe with her sister. (Nanas I don't fully like it yet but it is something ig)

So that's pretty much just some tragic mfrs sorry for any spelling mistakes

[kitkatopinions]

When people talk about how "rwde is mad that RWBY subverts expectations" I wonder how much of what's considered subverting expectations is actually ignoring set up, doing things out of nowhere, and actually doing a popular and very much so expected thing.

Like don't get me wrong, I do think sometimes people have ideas for what RWBY should've been and then think that it was more set up then it actually was. Like, people who took Blake saying she grew up outside the kingdoms and had to learn to fight to mean "I am an orphan and spent my whole life on the streets" that then got mad when Blake had pretty big house and parents. I might agree that RWBY perhaps shouldn't have given Blake the privileges they gave her specifically because of how they decided to use her to tell the other Faunus to stop being mean to their oppressors (though I'd sooner throw that part out than get rid of Blake being the daughter of a leader with a big house,) but I don't think it was pulling the rug out from under people the way some people do.

However, then you have things like Adam, where some people in RWDE are saying "he was set up as this interesting character who would be an ideological foil for Blake that cared about the cause and his people, and it felt like he'd be used as a way to talk about the injustice in the world of Remnant and then was reduced to nothing but a girl-obsessed hate sink two dimensional incel" and some anti-rwde people are hitting back with "you're just upset that the edgy bad-boy isn't getting redeemed, you just wanted Adam to be Zuko, but RWBY subverted your expectations by not redeeming him and instead giving Ilia the redemption arc, and giving Blake and Yang the sympathy."

And there's a lot to unpack, there. Including the fact that redemption arcs and sympathy aren't a zero-sum game in fiction and as someone who loves both redemption arcs and when characters get justified sympathy, it's frustrating when people act like there isn't enough redemption to go around as if it's a pie and Adam getting a piece of it means Ilia doesn't get any.

But more to the point, A. I at least have zero interest in Adam being a Zuko, because so much of Zuko's redemption arc hinged on Zuko confronting his and his people's role in oppression. Adam is oppressed. Zuko was scarred by an abusive father and banished from home, Adam was branded like cattle by a supremacist who he was working for as a child laborer. Although both are incredibly sympathetic, they're incredibly different. Whether or not the writers were trying to harken back to Zuko (which I believe they were,) they seemed to completely miss the differences between the two characters, and also deciding to 'subvert expectations' when the circumstances they themselves wrote were so different is a bad look at best. As if they couldn't have 'subverted expectations' with a different character like Cardin or Jacques or even Roman Torchwick, that wasn't a member of their in-universe oppressed minority group.

B. A member of an oppressed people group that's been hurt by the oppressors of the world and yet spends their time committing horrible cruel acts that force the heroes to stand against them is not some never before heard of thing. In fact, it's very common. A revolutionary supposedly fighting for equality that's actually hurting the people he's supposedly fighting for is a pretty regular every day thing. People have literally been criticizing how it's misused and usually racist propaganda (usually written by white people) since long before RWBY was even concepted. Adam isn't a proper subversion of anything, in my opinion, because you can't do the common thing and then say you subverted expectations by not doing the less common thing. Which in this case, the less common thing would actually be to make the oppressed person who had been branded and was shown fighting for the rights of his people to actually be a nuanced and complicated character who does deserve sympathy and could be redeemed.

C. It might just be me, but if you're going to 'subvert expectations' then the thing you write instead of the expectation had better be pretty freaking good. Because sometimes the expectation is there because it just works well. Like in a group of heroes, you expect them to develop a friendship. If people want to subvert expectations by instead having them hate each other, the story better be golden because the reason people tend to expect friendship is that it's usually much easier to connect to character dynamics when they actually like each other. If you're going to write a story where hope is a central theme, but you want to subvert expectations by making a sympathetic and cool character with a personal connection to the mains look like they're gonna get redeemed but then instead make them just the worst person imaginable, then you better do it super well and make him instead a great well-rounded nuanced and fun to hate villain. So not only do we have to pay attention to why the writers shouldn't have gone that route for Adam, we gotta look at the quality of what they did with it, and... Nope. It sucked. Adam was paper thin and horribly voice acted and honestly if he'd never attacked in V6 nothing would've really changed because it had no real consequences that couldn't have been better achieved in a different way, and introducing his branding scar in the same scene he got stabbed was purely for shock value, and nothing came of his character, and idk if Ruby ever even learned his name on screen or Weiss knew anything about him, and it was so badly done. If you're going to 'subvert expectations,' you gotta do it well, or people are always going to want the thing they expected in the beginning instead. Unfortunately, the RWBY writers didn't write Adam well at all. So I for one can't blame anyone for saying 'honestly, I wish they'd gone with the other thing.'

D. Back to 'sometimes when people say subverting expectations, they really mean ignored set up.' With Adam in particular, I do believe that he was always meant to be a bad guy who did bad cruel things from the very first trailer he appeared in, but that doesn't at all mean that set up wasn't ignored. From Blake talking about him as a mentor, to her crediting him with the Grimm masks, to the ideological differences, to Cinder literally having to threaten and coerce him into working with her on screen, the set up indicated that at the very least, this would be a complicated and nuanced 'villain with a point' and that point was going to matter and be addressed. The set up was that Cinder's coercion was going to be addressed and would matter. The set up was that Blake's complicated feelings about Adam and her desire to help her people and her later established care and compassion for Ilia (who may I remind people is at least just as bad as seasons 1-3 Adam in at least attempt if not execution,) would lead somewhere when it came to Adam. The set up was that seeing a child laborer literally branded on the face with the logo of WEISS'S COMPANY would lead to big discussions and some sort of recognition of just how bad the current system is and how bad the SDC itself as always been. And instead Weiss as far as we know never even heard about it and continued on being angry that she wasn't set to be CEO and calling her grandfather a hero and Blake was completely disinterested in attending a rally against Jacques Schnee and teased Weiss about her family owning half of Atlas. Like ???

E. Doing things out of nowhere is also not subverting expectations. In regards to Adam, this looks like randomly making him totally obsessed with Blake enough that he stalks her for weeks when he literally let her go repeatedly before that. Doing things out of nowhere is making Adam not care an ounce about his people in order to do whatever Salem says when we saw him reject Cinder outright and need to be coerced with threats to his people. Those aren't subverting expectations, that's just doing one thing and then retconning the character to do something out of character.

This post turned out to be mostly about Adam, but there's tons of examples of this, like people saying RWDE are mad that the writers 'subverted expectations' by making Ironwood turn evil when we were sitting there like 'the fact that he wasn't evil was subverting expectations in the first place! And they had to throw V3 out the window to get where they were in V8! And it was super badly done!' People just throw around 'subverting expectations' when it comes to RWBY because it sounds a lot better than 'flying by the seats of their pants doing whatever pops into their heads with no care or consideration towards set-up or emotional pay off' but that's it, that's what the RWBY writers seem to do. When I expect something to happen in RWBY, it's because it's the natural thing that makes sense to happen, and in their supposed effort to 'subvert expectations,' the writers instead made a show with no consequences where you can't expect the writers to make anything that happens matter and you can't trust what's in the show because the writers might say sike and retcon it. It's endlessly frustrating to be like 'hey was any of what was in the show going to matter' and then have people say 'you're just mad because RWBY subverted your expectations.' RWBY subverted my expectation that the show would be good, how about that?

You know, if the show actually was interested in subverting expectations, Jaune wouldn't be in the show nearly as much and he'd be more gender-non-conforming and be a support healer role instead of the man now with like twenty years of experience on the mains who always has his trauma get plenty of focus and gets away with screaming in Ruby's face that she's responsible for all bad things while he mourns the three different women that were shoved in the fridge for the sake of his character development. They could've started with making the white straight cis able-bodied not-faunus man actually not be a basic underdog-protagonist turned Michael-Scarn-esque tragic hero that Weiss lusts after, but whoops. Like what am I supposed to think, that they're super interested in subverting expectations for the sake of women when Jaune is right there guzzling up screen time? Nah babes.

(Before someone comes in here talking about Adam-obsessed fan boys, I do not even like Adam, canon Adam is not only gross but far too two-dimensional for me to even enjoy, and my own ideas for rewrites involve me boiling Adam down to a concept and building him up again as if he was a different character as much 'Adam' as Ruby is Red Riding Hood. Nobody accuse me of being an Adam-obsessed dudebro or I will lose it. Because that's another thing that a lot of anti-RWDE people seem to do, is decide that the only reason anyone would ever talk about problems with Adam is because they're an obsessed incel man. And meanwhile I'm over here as a bi-women who dislikes Adam partially because he reminds me of my controlling 'my happiness is your responsibility' ex-boyfriend who we - long story - thought might've stabbed someone with a sword once. So yeah, not an Adam fanboy lol.)

[malk1ns]

A prompt if this sings to you... established relationship mid-30s sidgeno taking in a rookie to live with them? Maybe a Russian? Maybe not! Maybe it's ABO and the baby alpha is overwhelmed by milfy Sid/baby omega is overwhelmed by dilfy Geno? Maybe not! IDK I just want to see an awkward 18 year old being completely rabbit in the headlights witnessing these two icons and heroes being dorky and frisky and middle-aged at home.

Ooooh I love this!

This isn't my best work, but I haven't written in ages and I'm rusty, so—you get what you get, haha. But this is such a fun concept and I had a lot of fun thinking about it!!! That's part of why it's so disjointed I think, I had so many ideas about how this could look and what it could involve and I wanted to cram everything in. Maybe I'll revisit this when I can actually properly use the English language again and clean it up!

--

Mack doesn't get a choice about where he lives his rookie year.

Not a lot of guys do, really—if they're bouncing between the A and the big club, they get real familiar with a few specific hotels, and if they make the show right away the team usually encourages them to look for something in a particular neighborhood—but Mack, after the excitement of the draft was over and the contract negotiations began in earnest, didn't even get that much leeway.

He's a first overall pick. He's an omega. He was drafted by the Pittsburgh Penguins. Of course he'll be living with Sidney Crosby and his mate.

Crosby—call me Sid he'd said, backstage after Mack stumbled his way onstage and held up his jersey and smiled so hard his face hurt—sends him and his parents an email in late summer, offering up a suite in his house in one of Pittsburgh's suburbs. He'll have a bedroom, a bathroom, and a living area to himself, along with a small fridge, and Sid says he'll help Mack get a car, too, if he doesn't already have one.

Mack's agent is copied on the email, along with four names from the Penguins organization that Mack doesn't recognize. It's not really an offer, after all.

Mack's parents are overjoyed. They're both betas, and when Mack presented his mom had practically lost her mind trying to figure out how to parent him appropriately, and they'd both been desperately worried about him living on his own. As if that had been an option; every interview at the combine included some discussion about where he'd stay, and it seemed like every team had a plan, no input from Mack required.

His dad's more focused on what he'll get out of living with Hall of Famers. "Watch how they spend their time off," he says to Mack as they're standing at Pittsburgh International. They'd all driven down in Mack's new car together, and spent the last two days getting him settled in and seeing the sights, and now his parents are flying back to Vancouver. "You're never going to have a better example than Malkin and Crosby. Pay attention to them, and you'll be fine."

Mack's not sure that this is quite what his parents had in mind.

Sid's amazing, of course. He knows what it's like to be an omega in the league—for all there are more now than when Sid was drafted, they're still an extreme minority, and going first overall, over all the alphas eligible, has only happened twice. Well, three times now. He walks Mack through the accommodations at the rink, connects him with the dynamics counselors and heat coordinators, and he spends a lot of time just listening to Mack, sharing his own experiences and talking him through his panic and nerves. Mack's lucky, and all the guys from BU are jealous as hell, constantly blowing up the GC with questions that Mack's not gonna answer in a million years.

Geno, though?

Mack's been around alphas his whole life. Sports at a higher level are riddled with them, obviously, and omegas aren't cloistered away anymore—he's not required to cross the street if he approaches an alpha, and North America has been totally integrated for decades.

There's getting in board battles with alphas his own age, though, or interacting with random people out in the world, and living with an alpha in his 30s, in the space he's marked as his.

Geno's not nervous around him. Which, obviously, why would he be, but Mack's used to the guys his age being a little on edge, a little anxious, a little fumbling in the presence of Mack's pheromones. Geno's a whole-ass adult, though, and he's been mated to Sid for as long as Mack can remember, so of course he wouldn't give a shit about some 18-year-old kid.

The whole house smells like Geno, a mix of coconut and snow and citrus. It's comforting; Mack's never slept so well in his life, and it just feels safe, knowing that there's an alpha around all the time. Sid's left his mark too, of course, but there's no escaping that an alpha lives in this house, an alpha who's strong, and confident, and sure of himself.

It takes Mack two whole weeks before he can talk to Geno without turning bright red and stuttering. He'd feel more embarrassed by his behavior, the way he reacts to Geno's scent, if he thought Geno noticed for one single second.

Because the thing is, what Sidney Crosby and Evgeni Malkin seem to spend most of their off-hours doing is...each other.

Mack's never walked in on them—they're too thoughtful, and he's seen the way Geno stares down other alphas who look a little too closely at Sid, he's not interested in anyone seeing Sid that way—but he can smell them, all over the house. Geno's got a hand on Sid constantly; at his waist as they move around each other in the kitchen, on his legs when they sit on the couch, cupping the bond-bite on Sid's neck when they think they're alone. He smells like he wants Sid all the time.

And Sid absolutely reciprocates.

Mack can't blame him. If he had an alpha like that— He doesn't let himself go too far down that path, because he has to live with them, and he's too young anyway, he wants to focus on his career for a while, but there's something about how happy Sid looks, the way he teases Geno until they're both pink and smiling, the way he gets this look in his eye when he watches Geno putter around in the kitchen, that makes something in Mack's gut twinge with longing. He wants this, someday—a mate, a home, someone who makes him that happy.

He just wishes they'd do a bit more to hide when they're going off to fuck, though. Mack's cycle is still irregular, and being this close to a mated pair who are having sex practically every night—Mack is shocked they can still do it that much at their age—is gonna push him into early heat one of these days, and then he'll have to ask for a ride to the facilities, and Geno will know, Geno will smell it on him, and they'll both be so nice and understanding and go out of their way to assure him it's normal and make sure he has what he needs, and it will just be the worst, most mortifying thing that's ever happened to him.

Anyway, yeah. Mack's pretty sure his dad had something else in mind, when he was talking about what Mack could pick up from living with Crosby and Malkin.

It's going to be a long year.

[erinwantstowrite]

Okok fr questions because I’m obsessed with Tim figure skater AU

Because the bats aren’t aware of tim being the one behind his vigilante mask, how are his relationships with them out of the suits? Do they interact often or on spare few occasions? (I see the happy birthday Bruce message and think they don’t talk *too* often? idk)

ALSO JANET AND TIMS SIGNATURES… them being so similar has me rocking back and forth crying (interpret as you will)

AHHHHH I LOVE FIGURE SKATING TIM AUUUUUU

be prepared i am about to YAP cause i love this au sm and now i gotta talk about it LFMAO

So far, the backstory is that Jay ended up not dying and was just extremely injured after the Joker incident. When he got back on his feet again, he joined a hockey team to make more friends outside of the hero community. Cass wanted to try figure skating and they start going to a rink in Gotham, and that's where they met Steph, who is "not" a vigilante. (She is, but more on that in a sec.)

While there, they start to hear more about "Tim" who comes by sometimes and is Steph's friend (they met when they were much younger and they are besties), and they end up connecting that the Tim they're talking about is "that famous figure skater from Bristol" that's always in the news. Cassie is a huge fan of Tim's, and she freaks out when she hears from Jason and Cass that this rink is one that Tim frequents. That's why she ends up dragging Bart and Kon to the rink to see Jason's practices or to hang out with Cass- so she can meet Tim.

However, it's sort of a well kept secret that Tim and his rink friends have. He's not supposed to go there anymore, because he has a private rink. Janet lived, but Jack went into his coma still. He eventually woke up and while Jack is recovering, he finds out they moved back to Bristol full time and there's no more travelling. In turn, they spend more time with Tim, but it's also a strain on their relationships. Jack gets on Tim's case about school, and Janet becomes Tim's manager and pressures him about skating. So Tim doesn't get to visit the rink as often anymore because of his workload. Like, he's in the gym 24/7, does his schoolwork online (he's grades ahead), doesn't ever get a break. Meanwhile, Jack and Janet are always fighting and sort of using Tim as an outlet/weapon against the other.

Buuuuuut, when he does visit, he meets Jason, Cass, Cassie, Bart, and Kon through the connection with Steph and other unnamed rink friends. They start getting to know Tim through the times that he's at the rink, and Steph, who is Janet's #1 hater and an instigator at heart, starts pushing for the vigilantes to look more into Tim's life and befriend him.

The dynamics at play are super funny because Steph and Tim are a vigilante. "A" vigilante, as in sharing the same identity. Tim doesn't have the time in his schedule to go out there, so Steph takes up that part of the role and they share this identity together- Steph taking out the bad guys as "Bird Watcher" and Tim doing the computer/tech work as "The Ornithologist". They're both detectives in their own right and work so well together that it's incredibly hard to distinguish that they aren't one person. They both know that the Bats are the Bats, but the Bats are unaware that these two are the same vigilante they've been trying to figure out for years now.

The rest of the family meets Tim through Jason's hockey stuff, away from Janet and just who he is as an individual. And then they see his figure skating side and the dynamic he has with Janet when Cass enters the same competitions as Tim. (This is my world and they compete against each other.) Obviously, Bruce sees this black haired, blue eyed kid who has parents that treat him like shit and goes "Another one, thank you!" So Tim ends up getting closer to them that way and Steph (again, Janet's #1 hater and looking for members for her club) is having the time of her life causing chaos on the side.

There is... a "tiny" little detail that I won't share yet, cause I truly do want to write this au at some point, and it's way more fun to see people react in real time to it. (I have SOOOO many Tim aus it's not even funny. Blame alighterwood for that.)

Also YESS Tim and Janet are so alike but so completely different it makes me CRAZY

[f4nd0m-fun]

@puppetmaster13u

It was getting too long so...

Okay this was VERY long but I love it all. So much food, and very much alive when possible. And yeah they're very much venomous.

... oh gods you're making me hungry for food that isn't even safe even if it existed 😂

Also, I feel like Ivy's plants would, ah, sometimes move if they don't like where they're currently planted. If your neighbor is taking better care of your flowers then you might wake up and see them over there, you just learn to deal. 😅

Ooooo I love that. And I feel like, to Aquaman, it would be like speaking in Pig Latin + Esperanto mixed with the heaviest Scottish accent ever. He can tell it's words, but he can't really understand it.

Also, Bruce singing lullabies to the kids, just imagine. Jason or Dick or anyone shows up having a panic attack and Bruce starts calming them down. First in English, then aquatic, and slowly morphing into a lullaby.

Oh definitely, those other heroes will be struggling. Almost feel bad for them.

The medical professionals must be paid well, and Gotham University probably ends up with a very heavy metal degree that most people might assume is for vets not human doctors. 😂

Oh my gods Helena yes. Poor Supes, and I love the JL freaking out. Also, her bottle HAS to be a little pink, because of the blood that's probably in it. Also, I imagine they're born with weak venom, and drinking their parents' blood lets them process and produce stronger toxins.

I bet Dick and the other kids probably have the same weird food habits and their teammates aren't really sure what they're supposed to do. Sometimes Tim will fall asleep in the middle of lunch and whoever is in the same room will get to see his lunch run away. Probably a bit unnerving. 🤣

I like the idea they might do them for 'major holidays'. Not on the holiday, because Calendar Man (on the holidays is Gotham only, they fully expect him to show up, he's practically invited without saying anything outright), and that's the Outsider Galas. Not just one a year, but not like 20 of em either.

And yeah, aside from runaway food, Tim is pretty good with outsiders. He probably wouldn't eat 'normal' (normal for Gotham anyway) around his team if he didn't trust em or something either. This is probably another reason Bruce made him CEO. 😅

Yesss uncanny valley please. Everyone is freaking out internally, and yet at the same time they can tell they're safe... for now. Servers doing their job, and Gothamites not revealing anything, unless someone does something wrong.

Yesss the rogues. Honestly I just want an AU where the rogues are basically family.

||=====||=====||

"Oh yeah that's aunts Harley and Ivy, they can be fun but don't drink the wine."

Then (controversial I know but also heavily depends on the AU)

"That's Uncle J, we're on tense terms with him but he's got the best drinks if you don't mind letting a bit."

Maybe

"There's not-dad Harv-"

"he's Uncle T right now-"

"-that's Uncle T, don't gamble with him or ask about his coin collection unless you want to stay a while."

Or

"Don't mind Uncle Cobbles, he's a little competitive with B about their family histories, but other than that and birds he's pretty calm."

Even

"Yeah don't mind Uncle John, he's probably more nervous than you are, doing spook him and you'll be fine."

||=====||=====||

Yesss so many photos.

Also, there's two wedding photos. One he shows to outsiders, the other is up at the major as a painting and is the same wedding photo but underwater.

... Ras don't bother your son-in-law's friends please, they have enough on their plate. Seriously, stop. 😂😅

Bruce probably confuses everyone even more by knowing the assassins.

Oooo yes. Sharks, aquariums, oh my. I love all the animals you mentioned too.

... so I randomly looked up 'Victorian modern punk' because why not and...

This was the top result.