#my opinion is that I don't see enough of these

[libraryogre]

I wrote something similar to this... less aboyt unfucking specific ancestries, and more about the philosophies behind racism in RPGs.

So, recently, I've started saying "More Pratchett than Tolkien" to describe my approach to D&D (and other RPGs, but it seems to be more an issue with those who prefer older versions of D&D). But what do I see that as meaning? I've got a few points on this; mostly what I perceive as being the core parts of a "Tolkien" mindset of game worlds, versus a "Pratchett" mindset. Note that I am not ascribing these opinions specifically to JRR Tolkien, but rather than Lord of the Rings is frequently invoked as defense of them. After this, I'll avoid referring to this as "Tolkien" or words derived from that; my statement is pithy, better for a signature than discussion.

1) Racism as a necessary component

One of the primary objections to playing a "humanoid" character is that the character will face insurmountable racism; the 1e DMG says "So unless the player desires a character which will lurk alone somewhere and be hunted by adventurers", before going on to explain that one might want to play a gold dragon, because it can look human, but that no gold dragon would want to do this. The games will often include something like a "Basic Acceptability of Racial Types" table; 1e has one in the PH to cover humans and demi-humans, and the DMG has one to cover most types of humanoids in their interactions with each other; Hackmaster includes it in the PH. With this, it is argued, the game wouldn't be "realistic".

Leaving aside the conception of a world which must, necessarily, include often violent racism, it also shows a lack of imagination, or consideration of the nature of the world presented in D&D and similar games... while many different species live in the world, Good and Evil are real and quantifiable things, and there are gods who can communicate relatively freely with their worshipers on the Prime Material (if they don't live there themselves). A view where violent, unexamined racism can leave one still aligned as "Good" is one that is alien to any understanding of the word "Good" that I have, much less the definition of "Good" as laid out in the 1e DMG. "Basically stated, the tenets of good are human rights, or in the case of AD&D, creature rights. Each creature is entitled to life, relative freedom, and the prospect of happiness. Cruelty and suffering are undesirable." (p 23) How is this compatible with the idea that Good people can freely kill non-combatants of "evil" races?

A particularly evident argument of this is seen in half-orcs (and, in Hackmaster, half-hobgoblins). The 1e PH states that "some one-tenth of orc-human mongrels ore sufficiently non-orcish to pass for human." (p 17). Hackmaster has "Note that even where hobgoblins are acceptable, half-hobgoblins are mistreated and disliked by the locals. Half-hobgoblins share a special bond with half-orcs,alongside whom they are often persecuted as beastly monsters." (HM PH, 31) Despite both being specifically being called out as being non-sterile hybrids, the only consideration is that all half-humanoids will "will always have an human mother and have been born and raised in human lands" and be "The offspring of questionable parentage and violent couplings" (HM PH, 31); none will be, for example, the offspring of a mommy sil-karg and a daddy sil-karg who love each other very much. Hackmaster mentions that "The city of Prompeldia has developed a sizable sil-karg quarter that is threatening to become large enough to count as its own culture." (HM PH, 31). But all will be "The offspring of questionable parentage and violent couplings."

A Pratchett-style view of the game does not pretend that racism does not exist, but rather disputes the idea that it is insurmountable. The dwarves and trolls of Ankh-Morpork do begin with hatred, but they reach an uneasy peace when forced into proximity by the city. Sam Vimes, like many in the city, is riddled with prejudices about non-humans and the undead, but he overcomes them as he deals with them as people. Some of this is inspired by Carrot, the human raised by dwarves, who still considers himself a dwarf in many respects... but also respects all people, learning their names and treating them as citizens, not as trolls or gargoyles.

2) Race as unbending identity

"Humans with pointy ears" is frequently invoked when you have a non-human character who is perceived to act unlike their stereotype, or one of the acceptable range of stereotypes. Are your dwarves "not dwarven enough?" Does he like wine instead of ale? Does he shave his beard? Is he a dagger wielding tunnel rat, instead of a chain-mail clad warrior with an axe? You're playing a short human, not a REAL dwarf.

This also tends to get invoked when dealing with traditionally hostile non-humans. An elf or dwarf might violate their racial alignment, but a good orc? Unheard of. It's argued that it is impossible for any of the "humanoids" to be other than their Monster Manual entries, despite that never really being written anywhere, and several counter-examples, especially from 2nd edition (such as the Monster Mythology deity who prizes his good bugbear converts). Gary Gygax, revered by many old school gamers, even stated "The old addage [sic] about nits making lice applies", referring to noted proponent of genocide John Chivington's statements about Native Americans. As I have argued before, Dungeons and Dragons owes a lot to Westerns, and the attitude towards humanoids in a game tends to mirror the attitude towards Native Americans in contemporary Westerns; in Chato's Land (1973), you have a half-Indian protagonist, while Dances with Wolves (1990) presents the Native Americans as the sympathetic characters.

One objection to having the possibility of non-evil humanoids is the idea that a DM may use these as "gotchas"... "You killed all of these orcs but they were secretly good so now you're all evil!". But this argument fails, in my opinion, as one could also use that as an argument against DMs... "We found a vorpal sword in a crypt guarded by a skeleton with no legs!" It is always possible for a bad DM to make a bad game.

A more Pratchett-style game recognizes that the stereotypes exist, and may be the norm, but they are not the only way characters of that race can be played. Pratchett's dwarves are uniformly male-presenting, with beards and axes and iron boots, with one's actual sex being so concealed that the beginning of a dwarven courtship is "find out if the person is the correct gender." In Feet of Clay, however, we're introduced to Cheri Littlebottom, a dwarf woman who doesn't want that. She wants dresses and jewelry, lipstick and high heels welded to her iron boots. It is noted to be unusual. Other dwarves react with disgust... but it also doesn't make her impossible to exist as a character. Other examples include trolls who join the watch, vampires in the Überwald League of Temperance who abstain from intelligent blood, and golems who buy their freedom to become their own selves.

3) Only certain races are proper.

Some of this ties into the distinctions drawn between humans, demi-humans (elves, dwarves, gnomes, and halflings), semi-humans (half-elves, half-orcs, half-hobgoblins), and humanoids (orcs, goblins, gnolls, etc.). In the older game mindset, players should only be humans, demi-humans, and semi-humans; anything else is too weird or outlandish. For this, I will set aside the humanoids; I feel the objections to them are largely addressed above. This is addressed to what are often seen as the more exotic races... dragonborn, warforged, tabaxi, and the like.

The older mindset tends to describe these are unnecessary. I've even had someone describe the non-evil drow, minotaurs, and other uncommon races described as "played out", as if the dwarves with beards and axes griping at the elves of the forests isn't itself cliche at this point. The small stable of relatively human races is seen as a bonus... provided they don't go outside "appropriate" for their species, that they're human-like is enough. Orcs and humanoids are rejected as above, but there's also examples like Lizardfolk (who have always been Neutral, if cannibals) who are part of the world, but considered too out there for PCs.

The Pratchett-inspired game eschews this; while golems are unusual in Ankh-Morpork, and certainly powerful (more powerful than you might want in a low-level game), Warforged are a similar idea, but rendered playable. Tabaxi represent a different kind of character than "short and resistant to magic in some way". Dragonborn evoke the namesake of the game, again providing a different sort of character to play. That these exist don't invalidate the options to play elves, dwarves, and halflings. A Pratchett-inspired game will have a more cosmopolitan approach to races, both in terms of racism (as above), and in terms of options.

Unfucking Dungeons & Dragons

The concept of some humanoid or near-humanoid species being naturally inclined to evil is a racist one, and, unfortunately, a prevalent one in Dungeons & Dragons, exacerbated by the fact that these “evil species” are frequently the “ugly” ones. Drow are a particularly glaring example - “made black because of their ‘evil’”?! Fuck you - but the duergar - “the slaves … learned only to enslave, really makes you think don’t it” - and the orcs - “they feel the CALL to evil in their Gruumshy HEARTS” - are also super not good. (There’s also a fair degree of ableism, with “insane” monsters - in such cases, I honestly think “unaligned” would be a better description for “too far gone to understand morality”. Evil implies a choice.) Honestly, I wouldn’t mind so much if these weren’t supposed to be naturally-occurring species - always evil demons or fey are fine, because they’re made of magic and stories, although care should of course be taken not to make them look like naturally-occurring species - but elves are really just fragile pointy-eared monkeys, and they have excuses. However, these evil humanoids are also genre staples and often quite aesthetically good. To that end, I offer the Unfucking D&D Guide, which provides what I think are solutions to this problem. (It should be noted that I am whiter than plain yogurt, so my ideas should be taken with a grain of salt and definitely not take precedence over the ideas of non-white folks. If I’ve said something fucked-up in this, please let me know and I’ll fix it.)

Duergar. Keep the “enslaved by illithids, made grim & psionic” bit, toss the “learnt evil from them” part. The duergar are joyless, or can appear so - you can play them either as gloomy and fatalistic or as eccentric and unreasonably concerned with “corruption” - but despite whatever mood they possess, make sure that they are thoroughly dedicated to making sure the horrors of the Underdark stay in the Underdark, and are as righteous and honorable as their hill and mountain cousins.

Derro. The derro are an “insane” species; I bring them up only because I saw them confused with duergar in one post about racism in D&D. Their lore has not been constant - the current lore is “dwarves enslaved by illithids, tortured into madness, and now they’re eeeeeeeevil”, which is ableist, not racist - but their metatextual origin is among the detrimental robots, or Deros, of pulp author Richard Sharpe Shaver’s stories (or possibly delusions). “Born from the dreams of a mad author” would actually be good lore if you can make that author a tragic sufferer of schizophrenia in a time before it was understood rather than an ~*~eViL mAdMaN~*~, but in any event, change their type to construct, fey, or fiend, and, most importantly, don’t take them seriously. The derro are pulp villains, and their evil is grandiose and nonsensical. They ought not to be seen as realistic; they ought to be seen as Snidely Whiplash, Commander Claw, or Heinz Doofenshmirtz. “Reasons” are for other genres.

Drow. Return drow to their mythical roots as trow, nocturnal hunters, tricksters, and magical artisans dwelling in the hollow hills. There’s high and wood elves; dark elves can find a niche. Lolthite culture is good villain fodder, but make sure that you can handle an “evil religion”, and make sure that all types of elves participate.

Goblinoids and trolls. Make them fey, and abandon Tolkien for Rossetti and folktale. Goblins make cruel bargains; hobgoblins attend faerie courts; bugbears hide in closets and create electricity from feed on children’s screams; trolls lurk under bridges and love riddles. As fey, they’re not evil, simply alien and lacking in empathy towards mortals.

Gnolls. If you use the Volo’s lore, change their type to fiend and be done with it. If you want to have them be natural humanoids, go read Ursula Vernon’s Digger for the best-written hyaena-furries in literature and base gnolls off that once you’re done crying.

Kobolds. Kobolds are already draconic cleaner wrasses in lore; there’s no reason that metallic dragons can’t enjoy them as well and influence some populations to good.

Illithids. The mind flayers certainly have great potential as villains. However, there is nothing about their psychology that impels them thither. Their biological requirements could easily be met by feeding on those close to death, whom I might imagine would willingly donate their brains as food or tadpole incubators in exchange for a painless death and the surety that their memories would live on in the illithid. Also, create food and water spells exist.

Ogres. Ogres are wilderness-dwellers who prefer to maintain their personal territories through fear instead of actual force of arms; the idea of the monstrous, anthropophagous ogre is a deliberate sham. They are actually capable of great heroism, even if they aren’t exactly the sharpest tools in the shed and okay to be honest I started out trying to build up to a Shrek joke but I think I’d take this over canon lore.

Orcs. Orcs are an easy fix; all you need to do is remove Gruumsh from the equation and they don’t have a bullshit “call to evil”; in Eberron, without objective gods, the people of the Shadow Marches believe that half-orcs are the proof that orcs and humans are one people, so there’s even in-game precedent for orcs as members of society.

Yuan-ti. There are two ways to do this. One is to dump all the lore and just have sexy snake cults, although don’t dress them like Asian or Aztec stereotypes like a lot of the art does. (The 3.5 Monster Manual yuan-ti pureblood looks like she’s constantly accompanied by an inappropriate bamboo flute riff, I swear to Istus.) A sexy snake cult (and I am including malisons, abominations, and anathemas in the term “sexy”, not just purebloods) should be fun for everyone.

The other way is to keep their personalities and dump everything else, because if you keep that, you get truly excellent villains. I mean, these fuckers. How dare they drag something as pure as snakes into their Ayn Rand bullshit. Villain yuan-ti should be something transformed from willing or deluded humanoids (histachii raise the sacred snakes and the children of the yuan-ti, who possess their parents’ original race at birth). Couple that with the fact that since snakes very definitely have emotions, yuan-ti logically should as well, which means that they only think they’re above emotions. Now you have Objectivists roped into a magical pyramid scheme, which should offend no-one who doesn’t deserve it. You can mourn for the beings they once were, or just laugh in their dumb faces. Also, the sexy ones all look like Ayn Rand.

[slyandthefamilybook]

The debate around Christmas is so weird.

On one side you have atheists saying Christmas is a secular holiday and everyone should celebrate it

On another side you have Christians saying Christmas been too secularized and it needs to be made Christian again

On another side you have antitheists saying Christmas is a Christian holiday and no one should celebrate it because no one should be Christian

On another side you have Christian Evangelicals saying Christmas is a Christian holiday and everyone should celebrate it because everyone should be Christian

And then you have me, a Jew, stuck in the middle like "I don't want any of this"

[ayeforscotland]

Do you think uk farmers are overreacting about inheritence tax? I genuinely don't know enough about it to confidently give my opinion, but on the surface it seems like it would affect farm OWNERS right, who are usually rich people passing their fortune on to their rich kids? But idk maybe I'm biased, growing up in Wales there was always a very 'YFC exclusive club of nepotism babies who already have business connections by the time they hit high school' vibe when it came to farmer's kids. My worst HS teacher was a farm owner, and she literally hosted boris j on her farm in Wales when he was PM, to my utter disgust. I guess I'm having a hard time seeing past my personal bias so I'd love to hear other opinions

As the saying goes, “You never meet a poor farmer.”

I’m not against it, but I think farmers have also had a really shit deal due to Brexit and there’s probably not been any support for them in the aftermath, so imagine that a lot of them feel like they’re getting both barrels (even if a good handful voted for Brexit)

Who I have no sympathy for is arseholes like Jeremy Clarkson and James Dyson. Dyson in particular has infamously used farmland as a tax dodge for years.

[shadowykittengladiator]

I disagree actually. I stand by my earlier words. Joker is not that important that a king would have to come from an another dimension to kill him. Joker didn't get ressurected that many times, there have been people that died and came back a lot more than Joker in DC canon. Including Jason, Bruce, Damian, Talia, Ra's, Superman, Superboy, the entire thing with the Black Lanterns really. It can't be because Joker killed many people either. There are people in both DC canon and earth history that killed a lot more than he did. Danny would need to visit a large number of people before he comes anywhere near Joker in that list.

I mean, let's be honest, we know why Danny is headcannoned to kill Joker a lot. Because people care about Jason Todd and wants him to get revenge. Never mind the fact that Jason doesn't want to kill Joker, he specifically wants Bruce to kill Joker. I mean I don't like Jason but I can still understand people who do. People in general disregard a lot in comic canons while writing fics, Which is,like, fine This isn't criticism by the way. It doesn't need to make sense in canon sense for it to be enjoyable. This is DC we are talking about after all. Comics are a mess.

Also I don't think Bruce would mourn Joker. Not even in the sense you talked about. Year 1 Batman might have given a thought or two, maybe felt pity for a second, that Joker wasn't able to change his life, before moving on with his life, completely forgetting him. But after Jason became the red hood in the timeline? No way. It's has been proven time and time again that Bruce wants the Joker dead, that he wants to kill him but is holding himself back due to his principles.

Just to be clear again, it is a bit hard to convey opinions in text. This is not criticism, don't come after me people. Overall, I enjoyed this discussion and the prompt.

By the way, if we are going with infinite realms being infinite, there must be other knights working for Danny. And with many people like Joker, Danny obviously can't go after them all. So instead;

-----------------------------------------------

He sends one of his knights. One of the inexperienced ones. Joker is after all, not as important as someone like Darkseid, who has been a thorn in Danny's side for some time now.

Batman is skeptical at first after all, when a knight in an armor appears and explains to him. A dead dimension? People Joker killed wanting revenge? Joker unbalanced life and death so much he must stand trial before the king? He doesn't believe it.

He sends word to Constantine, who confirms Infinite Realms exists and there has, in fact, been a new king but he doesn't know much more than that. A word to Captain Marvel confirms it's a death dimension and the new king is a good king. Marvel would know, he is friends with the new king, apparently. Diana confirms Joker might have been broken the balance and it is possible this might gather the attention of the king of the Infinite Realms.

Batman makes some more research after that but it is enough to him. The knight asked Joker to be delivered in a days time so Batman prepares to go Arkham Asylum only to find cave empty of Jason, who has been restlessly pacing while angrily muttering something.

He arrives at Arkham Asylum just in time to see Jason knock Joker out. He watches him for a bit before making himself known.

"Are you going to stop me?" His son asks. Batman doesn't answer. Instead he takes out a......... present tape?

--------------------------------------------

"Is that the Joker?" The young knight asks them when they show up at the agreed time. He sounds bemused, seeing Joker wrapped like a present and bound with tape. But that wasn't the funniest part. Courtesy of Dick, Joker looked like a clown. And actual clown this time, with red nose and wig.

He also had various bruises from various people all over his face but nobody cared about that.

"We figured your king might like it." Dick answers as Nightwing.

The knight coughs and Bruce doesn't need to have perfect reading skills to know he is trying not to laugh.

The knight takes of his helmet and offers them a smile. He reaches out for a handshake. He couldnt be older then eighteen but that is not what Bruce focuses.

A gasp by his side, from Red Hood, makes him realize he is not hallucinating.

Bruce knows this boy. Like he knows the girl he failed to save because he couldn't solve Riddler's puzzle in time, or the girl that drowned in the sewers because Bruce wasn't strong enough, or the boy that was stabbed by his father because he he didn't want to join a gang, or the boy that froze to death the last time Dr.Freeze escaped Arkham, or the child that burned to death due to Firefly and to this day they don't know who they were.

He knows this boy. Aiden Miller. Got kidnapped by Joker. The clown told them they were on a time limit. Him and Jason, as Robin at the time, managed to find him in time, only to find Aiden's body completely brutalized. Joker played with them again. Aiden's parents were also killed in the attack. Bruce made sure the boy had a funeral for him.

He shakes the hand of the boy he couldn't save and watches as he takes the Joker. Bruce thought this Infinite realms was just another afterlife governed by a God. And it was. But it has to be more than that. This boy that died as a preteen grew up to a fine young man and came back to bring justice to his killer. Even if he was a ghost.

He needs to talk to Constantine and Marvel. See if they can help him join Jokers trial and get him and his family a seat on his execution. Jason's birthday was coming, his boy would appreciate it.

He wondered if this King of the Infinite Realms needed a lawyer for Jokers trial. He is Batman after all, and Batman was a master of many things.

-------------------------------------------

Damn, I don't know how to write in English😮‍💨😑

DPxDC Legal Power

Batman: You can not punish the Joker

Batman: You are no judge, jury, and executioner

Danny Fenton, standing over Joker's beaten body: Actually, I am

Danny Fenton, raising the Creep Stick up: I am the High King of Infinite Realms, and this bitch has been resurrected more than once

Danny Fenton, smacking Joker like a piñata: With the use of a pool of some nasty smelling ecto, mind you, but it puts him under my jurisdiction nonetheless

Danny Fenton, smiling at Batman as Joker is wheezing and trying to crawl away: So I am the judge, jury, and executioner for him since I'm the highest power in a Realm where he is a denizen

Danny Fenton, catching the Joker by the ankle and dragging him back: And as the King, I hereby sentence him to death by a repetitive use of The Creep Stick over his whole body

Batman: ...

Red Hood, with a bowl of popcorn: Do you mind switching The Creep Stick for a crowbar?

[rushingheadlong]

(Left: Photo from an ebay listing from Magnifico Vintage Magazines; Right: Photo from a PDF scan from worldradiohistory.com)

I stumbled across this article (from Record Mirror magazine, 30 March 1974) and wanted to share it because it’s a fascinating follow-up to this article I’ve previously shared from Melody Maker which was printed a week prior. 

The Melody Maker article looked at the role of big business in the music industry, specifically by using Queen and another band Merlin as examples of “hyped” groups i.e. artificially manufactured to generate maximum interest. While this may be somewhat accurate for Merlin, it’s not true for Queen at all - and as the Record Mirror article above shows, they were not happy about this comparison.

(Left: From Record Mirror magazine; Right: The photo in question from Melody Maker)

Lead guitarist Brian May picked up the paper and waves it under my nose. "This article is the biggest load of rubbish I've ever read in my life", he declares vindictively. "Look, there are people going to read this article - some of them won't have heard of Merlin and some of them won't know us. The headline screams out commercial pop. They've printed a very old picture of us, which we hate, looking extremely poppy and underneath it is the word HYPE. The whole article says in a suggestive way that Queen are a hype."

So Brian is certainly not happy with the Melody Maker article - or at least he doesn't like the photo they chose! I suppose he would've preferred something from the Queen II shoots instead, though it is rather funny for him to call a photo taken only a year prior a "very old picture of us".

But alright, surely the rest are concerned with things other than how they look...

(Left: Roger quoted in Record Mirror; Right: Freddie quoted in Record Mirror)

"Freddie and I used to sell old clothes. In fact Freddie used to design and MAKE our stage costumes. We've always taken care to make sure that our clothes are just right and look good. Perhaps they'd prefer it if we went on in dirty jeans, but we don't really think the public want to look at that. I think they'd rather see something that looks good." ... "Oh, really," [Freddie] exclaims in disgust, "this paper has no flair - I mean to print this picture three times in succession... and just look at my arms!" He was horrified, "look how fat they appear, now my arms aren't like that at all - what do you think?" He rolls up his sleeves for me to inspection and I'd like to state here and now that the poor dear's arms are quite, quite slender!

...okay, that's on me, I should've realized that the two fashionistas in Queen would have thoughts about their appearances and such. Or at the very least I should've expected Roger to bring up the Kensington Market stall! Poor self-conscious Freddie, but at least it seems like the interviewer reassured him about his arms!

Enough about clothes and photos though, I wonder what else the opinionated Roger Taylor had to say about the Melody Maker article?

(Above: Roger quoted in Record Mirror)

"That's exactly how we think it is," joined in their drummer Roger Taylor. "Supported by the fact that they've compared us to a totally new band who we've never heard of. We don't want to say anything against them, but apparently they're just a straight pop band. Whereas we've been playing and working up to this for years. Christ, I'm 24, Brian's 25, Freddie is 27, John's a bit younger 23. Plus the fact that we're all intelligent enough not to want to be put across in that way. We want to put our music first."

Honestly, Roger makes a really good point here. When the Melody Maker article was printed, Merlin had only been together in their current form for less than a year and had only released one single. Their first (and only) album wouldn't be released for over 6 months, and unfortunately they would be disbanded by this time the following year.

That being said, the emphasis on their ages is very funny to me because while Merlin might be a young band, the individual members weren't exactly far off from Queen's own ages and experience.

Their lead singer, Allan Love, was born in 1946 just like Freddie and had already been in the music business for seven years. The youngest member of the group was guitarist Jamie Moses, who was only 19 at the time, but even he had been performing semi-professionally for six years. In fact, all the members of Merlin had some degree of previous experience in other bands and the rest of them were right around 23-24 themselves, the same ages as Roger and John!

But speaking of John, what does he have to say about all this?

(Above: From Record Mirror)

By this time John Deacon (who reminded me of the Alice's doormouse) had woken from his slumbers (too many late nights and early mornings), he was reasonably cheerful for someone who had had his clothes ripped off the day before. "By the law of averages," he was saying, "it's someone else's turn to be ripped off today."

That's a lovely tidbit of wisdom at the end there, John, but what on earth is that about your clothes being ripped off?? Unfortunately there's zero elaboration on this in the article, so I guess it's just left to us to imagine.

So, any final opinions from the boys?

Above: From Record Mirror magazine

Phew! If after all that you think that the lads are hypersensitive to criticism and feel animosity towards their critics, then let Roger put you straight. "No, we don't hold grudges - we just go round and wrench people's arms and legs off. Or send them bags of wet cement, nothing too violent!"

Amazing response, perfectly executed by the one who would later refute a Rolling Stone article about Queen by writing them a letter on an airline sick bag.

Never change, Rog. Never change.

[redishsunflowers]

this is all my personal opinion as a somewhat new arcane enjoyer.

act 3 of arcane really ruined it all for me. one of the things that makes me love shows so much is when they make me just feel so so much. and arcane did this so well, especially in s1. act 1 and 2 of s2 also did this very well, tho not even close to as well as s1 in my opinion.

i felt sad about isha's death, but i don't really care about jinx's. this isn't bc i cared more abt isha than jinx, a million percent no, this is bc it didnt feel liek there was any weight to it. we saw a very small clip of vi sobbing then, boom, she's almost fine???? her humming powder's lullaby isn't enough, i need to see her grieve. jinx literally completely gave up because of isha's death. vi wasn't even close to being in the same position as jinx but that was still her sister. her sister whom she tried so hard to protect and get back and finally got her back. it just didn't feel real. and on top of that, everyone thinks she's not actually dead. i wish they showed the "proof" of that later or something because i needed that grieving period from vi.

i felt so strongly about jayvik and their whole dynamic snd ending this season. in act 2 i felt that the writing for caitvi wasn't as good as it was in s1 and act 1 but then it just pissed me off at the end. i kinda liked the fact that they were in a cell when they had sex lol but i feel like it was weird timing and also could be a weird setting. but what rlly got me was the fact they don't fucking talk. they dont talk it out. one of the bjggest reasons i love jayvik is because of their lines too eachother. theyre so devestating and beautiful and thats what we got with caitvi before act 2. i was hoping they would talk about alllll the problems they were having because they were having a lot but, either they didn't or we just didn't see it. the resolution to jayvik was so satisfying because we got to know all of their closing thoughts and emotions. we didn't get to see cait apologizing or vi talking abt jinx and it just felt so emotionless.

im really sad they got rid of all the political stuff. i feel like the first step to doing that was putting vi in an enforcer outfit but with that i thought theyd explore into it and the trauma around it even more. but they didnt at all. they put more of the oppressed into the oppressors outfits and called it "fighting against a greater evil" i think thats a fine thing to happen but not if you throw away the whole conversation about politics you were having beforehand. i felt enger towards the piltover people and council just because they were a part of the oppressive regime. after s1 i felt like they tried to act like those ppl were never in the wrong. they swept it all under the rug.

it really just felt like there wasn't a clear conclusion. what happened to zaun and piltover? the scene of sevika sitting at the table isn't enough (don't get me started on sevika I MISS HER). what happened to the firelights?? everyone says ekko lost everything but like do we know what happened to the tree or to the firelights??? i wanted to see the progress the two cities made and how PILTOVER compensated for their actions.

thats it ig, im rlly trying to be happy abt the ending and to do that i have to think abt jayvik bc theyre the only perfect ending in my eyes and i miss caitvi i miss them

[mintaikk]

Why Morpherine should be canon

Remember: all of these are just MY opinion. In all honesty, I just want Morph's feelings for Lpgan to addressed instead of just burying it immediately. That's all I'm asking, I'm not even asking them to get into a relationship. Morph's VA even agrees that Morpherine doesn't even need to be canon, and that their friendship should be explored more. But, these are just my reasonings on why it would be good for morpherine to be canon.

It would put an end to the not love triangle between Jean, Scott, and Logan

Love triangle has been going on for a while now, and I think we're all sick of it. I like that it let's us see a softer side of Logan, but Jean isn'tinterested! She's been with Scott since high school, and there's no way in Hell that she is going to leave him.

What sucks to me is that the fact that nothing has really been where he develops abd is able to get over his crush. I get it. Feelings are hard, and they don't go away. But, nothing is going to be done with this except useless pining and have Jean kiss him for some fucking reason. I literally just want Logan to get over Jean. That's it. He gets over Jean, and find someone thar actually likes him in that way.

And that's Morph bcuz the entire post is about :).

It already has good buildup

Half of this section was just stolen from a post made by @waywardsou2 bcuz I haven't watched the original series in a while and they put it perfectly lol.

Morph and Logan were best friends, with Logan famously saying that, "He [Morph] is the only one that could ever make me laugh." But (in literally the first episode lol), Morph dies protecting Logan from a sentinel. And Logan was fucking PISSED. He didn't like Scott before, but I think Morph dying contributed to his dislike for him even more, since he believes that Scott's decision is the reason that his best friend was killed. He then goes to grieve and then later avenge Morph ("This one's for you, Morph!" Slayed so hard with that line tbh). Later, when they find out that Morph is alive, but under Sinister's control, Logan is the first one to offer and go out to rescue them, even though they all think that Morph betrayed them. He says that "He's the only one that could ever make me laugh", quote and also mentions that he's "not giving up on him again." When Logan goes to talk to Morph, the purple around Moeph'a eyes dissappear, and only return when Logan isn't around, so they're already shown to be pretty close.

Another thing is that when Morph and Logan are fighting, Morph turns into Sabretooth and Jean to get under Logan's skin. It's already and open secret among the X-men thst Logan has feelings for Jean, but he hadn't told anyone about Sabretooth. Morph turning into Sabretooh implies that Logan gold Morph about him. I find it sweet that Logan trusted Morph enough to tell them about Sabretooth.

Morph wanted to get revenge on the rest of the team, but with Logan, they just explained what they were going through. And Logan understands them because he wants them to feel better.

And then, in X-men 97, they're just attached by the hip and are literally always seen together. Morph cheers Logan up when he's upset, Morph is always the first one to save him, etc. They're even like this in the comic, being the first one to notice that Wolvie is upset during Scott and Jean's baby shower.

Oh yeah, the thing that made me go "HOLD UP" and got me into this ship: Morph's (confirmed) love confession to Wolverine.

And that fuckass shower scene.

We could just leave it at that, but I'm a fanfic reader and writer, meaning that I latch onto ANY angst I can find. So, here's the stuff this scene implies.

-The illusion of Logan was made by Mr. Sinister when he was bringing out the worst fears of the X-men. And Morph’s worst fear? Logan finding out their feelings for him, and Logan finding them repulsive

-Mr. Sinister is aware of Morph's feelings for Logan, which implies they've had feelings for him for a while now

Those two things are very important for me, and just adds to their relationship more. Imagine a scene where Morph tells Logan expecting him to be grossed out by him, but instead, Logan accepts them and hugs them or smthn. I'd honestly cry if I saw that.

Happy ending for the gays :D

So, so many stories of unrequited gay love or "burying your gays." I don't think they're gonna kill Morph as a lot of their time was spent being dead, but I can see them being rejected by Wolvie. Which is completely fine! Again, I'm not saying that they need to be together! Having a scene like this or this would be great!

But also, I think a lot of people are just tired of having gays get unhappy endings in media, be that rejection for a straight relationship or just straight up dying. Morph's VA believes that it's important to have a gay character be rejected by a straight guy since it's happened to so many people in real life, and I do agree with it! But also, this is fiction, and escapism, and goddamnit, people just want their favorite characters to be happy!

Good queer rep

Imma br so fr: Marvel shows and movies are shit when it comes to queer representation. It's getting better, but it's still shit. It's either a one-off comment or queerbaiting. Apparently, Loki is genderfluid? That's great! Would've been nice to actually see! Bucky Barnes is implied to be bisexual (he mentioned a lot of tiger photos on Tinder, tiger photos are mostly posted by men, it implies he was looking at men's profiles on tinder) but again, that's only implied, and you gotta dig deep to realize it, so really, only people who are actively looking or are in those communities know. America Chavez is gay, (haven't read her comics, but I think she's also gay in the comics :D), but I didn't even know that until I saw it on the wiki. I don't feel like going through all of it, so here are some links to posts that talk about it. Link 1, Link 2, Link 3

Honestly, it'll boils down to wanting to appease the cishet male audience.

X-men is a bit different though, as the series was literally MADE to be woke. Like, here's a post I made that talks about it bcuz I don't feel like repeating myself. Except Marvel shows are cowards, so they'll probably tone-down the wokeness. Smthn about "Wolverine can't be queer bcuz he's mainstream" and they gotta appease that cishet audience! Except that's exactly WHY it would be great for Wolvie to be in a queer relationship! Because he's mainstream! He's already a super popular character, and having him be queer would be great, because a lot of queer people will look up to a character that they already liked before! Straight men have a shit ton of characters that represent them. What's wrong with queer men having a character thar can represent them? Same with lesbians, bisexuals, trans people, literally anyone under the queer umbrella.

I latched onto Morph so heavily because they're nonbinary and gender-nonconforming, which matches my gender expression so heavily. And if I can be so extremely happy with a character that gets a couple minutes of screen time being queer, imagine how happy people will be when a main character whose in a queer relationship gets even more screen time?

Also, Wolvie dated the literal actually Hercules in one comic. Don't come at me yall, it can happen.

And if Marvel wants to add queer rep but is still shy about it, Morph would be a great start. It's like putting little kids into the shallow end of the water because the deep end is scary.

Morph only exists in the X-men cartoon and Exiles comics. Unless you're this tiny community on tumblr, no one gives a shit about Morph. When people think about their nostalgia for X-men 92, no one thinks of Morph. Their ass literally DIED in the first episode, wasn't even in the goddamn intro, and only appeared for like, 6 episodes, and they didn't even exist in the comics. So, paring up with Wolverine would be the "safe" option. It wouldn't be like pairing up Bucky with Sam or Cap (no matter how many people would love that), because no one knows who Morph even is. People would say, "Oh, Wolverine got with Morph!" and most people would reply with, "Who?" Safer option so less people get mad. Just dipping a foot into the pool of queerness, lol.

Yeah, it sucks that there has to be a "safe" option, but I'm also very attached ti this ship and Marvel needs to learn that queerness isn't some evil thing that drives away customers.

Tldr; Morpherine should be canon bcuz It would put an end go the Jogan love triangle, it already has good buildup, it leads to a happy ending for the gays,

[galacticghoste]

THANK YOU

Just let people complain its not like their opinions are gonna change anythings what's done is done it's not changing so just let me complain on what they could have done

Me rambling

AS MUCH AS I LOVE each episode on their own

bunce of ships becoming Canon!!!

And the art was gorgeous through out the whole series and the music chefs kiss to both

But seriously I don't get what people's deal is with someone not likeing the ended of a show like if you love it good on you bro that your opinion

For me NOPE it's not bad I can deal with cliffhangers that's not the issue here

(I KNOW NOT EVERYTHING GONNA BE PERFECT)

But seriously though for me personally it's didn't hit.

There's SO MUCH potential wasted and so many characters died but we don't get enough time to fully process their loss bc nope time limit

Me and my friend went on for like an hour on what could have gone differently

(I know they have a limit on money and time)

This obviously needs more episodes to actually fully tell the story

LIKE ISHA KINDA DIED FOR NOTHING what was the point of the beautifully painful scene of her sacrificing herself only for Vander to be revived once again WTF?!?

We don't even see what happened after that because we only learn it by characters say what happened after we don't even know what they did with her body we only know Jinx got REALLY depressed

It felt like we could have had a episode dedicated to vector more focusing on him and Jayce and how he tried to change that fate so many times kinda like homora from madoka magica did

Also what was that homeless guy Vi finds name anyways i don't remember it and we GOT NOTHING ON HIS BACKSTORY I really thought we would get an episode on that since he seemed important

SAME WITH ISHA I DONT KNOW WHY SHE WAS BEING CHASED OR WHAT HAPPEND TO HER FAMILY we don't get anything on that either

She kinda in a way existed just for Jinx to get better just to get hurt again by her lose

I think since multiple storys were happening at once it was struggle to find a way to fully close it correctly so what better way then killing off most the characters

Also

WTF happend to HEIMERDINGER??? Like is he dead? Bc he just poof and dissappear not even fluff was left behind

by the way. people are allowed to complain about this season feeling rushed. i don’t know when it became a thing in this fandom to completely jump people who have valid complaints like YES arcane is a fantastically produced and beautifully animated show and nobody will be able to top it but they did start things with some characters only for it to never go anywhere so it can all be wrapped up in three episodes 😭

[yandere-daydreams]

Daytrip Illumi my beloved... and poor Darling. You capture how unnerving and unsettling he should be so well!

Illumi should be Strange and Uncanny even at his mildest(? not sure if an Illumi in love could be 'mild', but idk if it could be called volatile either. Darling was right, you can't ever tell with him); man was cosplaying Pinhead for a week. He could talk the whole time but just literally rattled at people. And poor Ghost, my stomach just dropped because everything so far was downright too tame and too thoughtful for a Yandere.

Aside from the porn, I was waiting for that drop. Darling really can't have nice things, can't she? Or rather, she can't have anything he's not able to take. Whether a Darling is defiant (Obedience Training, Ingress) or submissive (Daytrip) he's always going to pile on the trauma.

But the moment he started mouthing and groping at her in the car, I knew he was out of patience. Everything else that day was window dressing and foreplay, and the bit where she picks a cute, frilly, puff-sleeved dress really sold the toy and doll comparison later, she was so right at the observation that Illumi took her as a ballerina for his music box. In the end, the daytrip really wasn't for her to enjoy: he ripped up her dream dress, dashed her hope that her cat was doing well without her, and didn't get to eat anything at the picnic aside from the morsel he gave her. Girl couldn't even enjoy the scenery cause he blocked it off with himself. The end was so despondent in comparison to the beginning where she resolves to take any out that presents itself, falling asleep and giving into the dark (Illumi) swallowing her.

And meanwhile, Illumi's just had an epiphany on why his parents kept having kids even after the designated heir Killua. And also patting himself on the back cause he checked off all the boxes on his 'perfect romantic date to-do list', and gotten the *ideal* ending of having finally lost his v-card. 10/10, Great Day. Would do again sometime (but not too soon).

The juxtapostion between her opinion of how the daytrip went and his opinion of how it went must be... something. I almost don't want to know, and I don't know how to properly describe what this made me feel, but it's visceral.

i love it when you people treat my silly little fics like they need to be studied under a microscope,,,, i will be living on this ask for weeks thank you anon <3

illumi just makes me,,, yeah. i feel like there's so little you can do to actually fight against him (running's not an option when he has you under surveillance 24/7, fighting a seasoned hitman won't end well, etc.), but good behavior only makes him more likely to proceed with the awful things he would've done anyway, had you spent every minute from your inevitably kidnapping kicking, screaming, and cursing his name. he's got a running checklist of uncomfortable positions he'd like to see you in, and it's less a question of when you'll be ready for it and more what he'll have to do to make you compliant enough to be, if not a willing participant, than a docile one. i think he does care about your feelings and you loving him back, but your priorities are so drastically different that you two are never actually going to end up on the same page. in his mind, he's done his research (i.e. played roughly a hundred hours of the most popular dating sims he could get his hands on), been a good partner, and taken very good care of his beloved doll/pet/captive. in yours, you've been violated and abused by the man who both kidnapped you and admitted to killing your cat without blinking, and there's very little reconciliation from there.

[hwonnrinji]

hiii sooo can i req yoonchae x f!reader where katseye goes on their asia tour and while they’re in korea the girls find out that yoonchae has a gf and interrogate reader bc yoonchae is basically their daughter and they wanna make sure she’s in good hands!!

funny cuz yoonchae's literally my gf

"WHO ARE YOU?"

jeong yoonchae x fem!reader

{ synopsis } : while in korea for one their asia promo trip, yoonchae randomly goes out, coming up with random excuses as to why she is. the kats gets suspicious but ultimately concluded it was messing around with friends. until one night, they see her with a random girl in front of a convenience store.

{ tags/extra } : fluff, secret relationship, established relationship, yoonchae is a flirt, reader is korean for the plot, pacing is iffy i apologize

{ a/n } : yall alr know this is sooo rushed cuz i delayed the publishing of this by a lot 😭 plus tumblr didn't save it 😒

now playing : pink by wave to earth

@lararajjj @ohmyhaely @ninguitar

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"SHE'S BEEN ACTING WEIRD LATELY," megan says out of the blue, confusing the members for a moment. manon glances at the television, seeing nothing playing on the screen, then looked around at the rest of the girls.

"who?" she questions. she has an idea of who, but she won't admit it until everybody else brings it up. how is she so confident in this person? well, maybe it's because the person in question isn't even there with them. the youngest has been a bit distant lately, always having excuses about going out early in the morning and not coming back until late at night, sometimes even coming back the next day.

"you know who."

nobody dared to say anything else but it was hard to ignore the elephant in the room. sophia finally spoke first, the perks of being the closest to yoonchae finally being useful. "it's been a long while since she's back in korea. she told me she's hanging out with friends."

"i don't think friends keep each other out for the long," lara lazily voiced her opinion, not sparing any of them a glance as she's busy playing block blast. daniela clicked her tongue before reaching out and turning off lara's phone, which resulted in the younger letting out a loud 'hey!'

"uh, yes, they do. you should know since you're always dragging me to go out." megan rebutted. lara rolled her eyes and turned her phone back on, backing out of the conversation. daniela pondered some more, trying to figure out what to say before deciding to test the waters. she wanted to see how the girls would react to what she has to say.

"what if yoonchae's seeing someone?" she asks.

sophia immediately snapped her head to daniela, a mix of disbelief and annoyance on her face. "if yoonchae says she's out with friends, then she's out with friends. don't jump to conclusions." even so, there's a small part of her that is convinced the youngest might have a partner that neither her or the others know about. "plus, yoonchae never lies."

"right.. okay."

═══════════════════════════

yoonchae does, in fact, lie. she keeps secrets about a lot of things. like this, for example:

"hi, beautiful," she greets in korean as soon as you opened the door, leaning down to kiss the lips that she missed oh so dearly. "god, i missed seeing this eleven outta ten face."

"stop lying, you didn't miss me that much." as you hit her arm lightly, your scolding demeanor changed into one of giddy highschooler. yoonchae only chuckled before holding your waist to pull you closer, her fingers resting on the small of your back. your hands cradled her face, your thumb grazing the curve of her jaw.

"i'm telling the truth," she confessed. "i'd kill myself if i ever said i didn't miss my gorgeous girl."

"flattery sure gets you anywhere." you rolled your eyes, tiptoeing up to give her cheek a gentle peck. yoonchae swerved her head to the side, just enough to capture your lips in a slow, longing kiss. you swore you felt her fingers practically digging into your hips like she never wants to let go.

"i-" a kiss on your lips, "missed-" a kiss on your forehead, "you-" a kiss on your nose, "so-" a kiss on your left cheek, "much." and finally, a kiss on your right cheek. "like, a lot."

"oh shut up." you fully wrapped your arms around her shoulders to bury your red, flustered face into the crook of her neck. to say you also missed her was an understatement. you longed for the days you two would finally be physically together again instead of on facetime calls that get cut short because she has a busy schedule. and now that it's happening, you just wanna pinch yourself, convinced it's a dream.

after a few moments of comfortable silence that yoonchae let you have to collect your thoughts, she finally spoke up. "snack run?"

"of course."

it takes a while to get to the 7/11 despite it being only a three minute walk from your apartment. yoonchae was just so warm for the cool evening that you didn't want to pull away from the hug. but unfortunately, all good things must come to an end.

~

"pringles or kimbap?" yoonchae asked, holding up the two options in your face. you already know she wants the kimbap, but you also know that there's a small part of her that wants the pringles.

"how about both? you want both of them right?"

"yeah... but–" you cut her off by taking both of the items and putting it into the basket with a proud smile on your face. you didn't give her time to protest, already making your way to the checkout. "y/n.."

"it's no big deal, baby. you can get whatever you want." you handed the cashier the money. "even if it's just snacks." yoonchae subtly pouted and wrapped her arms around your waist from the side, resting her head on your shoulder.

"you're so sweet," she mumbled. "i love you so much."

"mm, i love you more." you thanked the chasier as he handed you the change, stuffing it in your hoodie pocket. well, it wasn't yours, but nobody really cares. you held yoonchae's hand to go to tables outside, but she quickly stopped upon seeing the girls. she let go of your hand while you set some space between you two, making it seem like it was just a friendly snack run. "wait, your hoodie–"

"just keep it," she whispered.

soon enough, they all spotted yoonchae nervously standing next to you. sophia rushed over to yoonchae, asking why she's out so late before looking your way. you turned around and pretended you had no idea who they were. "do you know her?"

"uh, yeah. this is my friend, y/n." she nudged you with her elbow. "say hi to them."

"it's so awkward, yoon... i'm literally your girlfriend."

"yeah, but they don't know that." she gave a smug smile, grabbing your forearm and pulling you closer. "y/n is my really close friend. i've known her since elementary." her hand slipped from your arm and around your waist, squeezing your hips as a way of comforting you in this stressful situation.

"are you trying to make us public?" you jabbed her side, twisting your hand to make it extra painful.

"baby, if i had five seconds to say anything to the whole world, i'd most definitely shout that you're my girlfriend." she winked– which was horribly cute. you clicked your tongue in annoyance, ignoring the blush creeping up to your face. the girls watched the interaction with partially stunned looks. you two looked awfully a lot like a couple and it was concerning.

yoonchae sat you down on one of the chairs and began walking back to the store, claiming she's going to buy more snacks. you rushed to get up and follow her but lara got in front of you, her hands clasped together with a sickeningly sweet smile. "let's talk."

~

"when did you two start dating?" lara was the first to ask after moments of silence at the table. everybody was either too busy staring at you– ahem, sophia –or too busy eating the snacks you and yoonchae bought.

"better question, are you two dating?" sophia intervened. at least she was decent enough to ask. words bubbled in a throat but it refused to escape your mouth, so you only gave a weak nod. sophia nodded as well, more in understanding than anything else. lara and daniela high-fived each other while manon and megan groaned

"so.. can you answer my question then?" lara questioned. "with some background too?"

"we started dating in our second year of middle school," you began. "honestly, we had no idea what we were doing, but, y'know, she was soo in love with me." you chuckled at the last part, remembering how head over heels yoonchae was.

("wait, what's second year of middle school in korea?" megan whispered to manon, in which the older replied, "eighth grade")

"so you're saying yoonchae, possibly one of the most logical people ever, had no idea what she was doing?" sophia raised a seemingly interested eyebrow. before you answered, you took the pringles and kimbap, putting it on your lap for yoonchae to eat when she comes back.

"she was thinking with her heart, if i'm gonna be honest." you nervously laughed, rubbing the back of your neck. "her whole head was empty like her brain took a vacation."

"that has to be so funny," daniela sneered. "imagine yoonchae walking into a pole because she was too busy thinking of how pretty y/n is."

"what if that's why she did that when we were in new york," sophia commented, her stern demeanor finally cracking. yoonchae finally came back after an eternity with two full bags of snacks. she sets down a bag in front of you after giving the girls the other, plopping down on the seat next to you.

"you said you like pepero right?" after a full conversation in english, you were grateful yoonchae was here to switch back to korean. yoonchae rummaged through the bag, quickly finding the box of chocolate sticks and gave it to you.

"mhm. the chocolate one?"

"they just restocked on it."

"y'all are so cute." lara appeared between you both, the smile from earlier back on her face. you audibly gulped when she looked at you, your body sinking into the chair. "say, how much do you love yoonchae?"

"..." you stayed quiet for a minute which made yoonchae a little nervous. though, she has no reason to be. it was evident on how much you love her. "i think i'd go insane if she's more than five minutes away."

"that's such a basic answer." manon teased. sophia was looking at you expectantly. she wants to know if you're good enough for yoonchae (despite the fact you two have been dating possibly three years).

"she's the girl of my dreams. she fell first, but as always, i fell harder. every time i look at her i just get reminded of how lucky i am to have such an amazing girlfriend like her." your hand found its way to yoonchae, intertwining your fingers and pulling it up to your lips, leaving a soft kiss on her knuckles. "i'd choose her over my own life."

through a series of 'aw's and 'how cute', all you were focused on was yoonchae and how her eyes gazed into yours, how her hand squeezed yours just a little tighter. most importantly, how pretty she looked just right underneath a street light. "you're so gorgeous, baby."

yoonchae suddenly stood up from her seat, the action startling everyone. she got down on one knee, and holding a singular pepero in her hand, she said, "i wanna marry you. be mrs. jeong."

"what?!" the girls, including you, all exclaimed in shock.

[pruneunfair]

"But Rashta got greedy." Breaking down a common argument

I'm sure that no matter what character you like more you've probably heard the "Rashta could've had a good life but she got greedy" argument, it's a common one that even though I was reading and thinking "I don't see the greedy part?" I chalked that up to me just not noticing it well enough like others until I shared this idea with my mom

Ive been constantly sharing what I read with my mom, she's a writer so when I want advice on writing or an opinion on a certain book I'll either get my feelings on a topic validated or my eyes would be opened to a whole new perspective. When I explained the plot of TRE and how the mistress was an escaped slave that immediately got my mom interested when I said "She ends up getting too greedy and it became her downfall" to which she replied "so dreaming and wanting more when your life is at rock bottom is greedy now?" In fact up until I mentioned that Rashta was a slave, she was under the impression that the mistress was a noble woman.

Greed is mostly known as a never ending desire for more even when you already have everything, it's an obsession with what you don't currently have and you'll go to great lengths to achieve more then you really need especially if there is no real reason for your desire for it. Money is the most famous example but it can also be greed for social media attention or more objects to buy and consume.

Rashta never had everything or really ANYTHING as a child, there was no safety net to fall on, no real noble background, not even parents that would guaranteed to protect their daughter. So the greed factor is lowered significantly when it's apparent that Rashta doesn't have the "everything" to want even more.

when she was found by the literal emperor she took the most logical decision at the time and became his mistress even though she was technically still a slave, she was just treated better then she was at the Rimwell estate. When I reread some key Rashta chapters where she at her worst so see the greed of her character I still couldn't really see actual desires for more and more, mostly desperation, hurting others to save her skin, jumping to conclusions and holding grudges, terrible but if I had to really pick a sin to align this with, it'd be wrath with a hint of envy not greed.

In fact for most of season 1 Rashta isn't exactly clamoring for the empress seat until push LITERALLY came to shove, even if she really wanted the throne more then anything there was no way she could get it just by "stealing" Sovieshu because if I abdicate my title as empress has taught me anything, it's that being the sole lover of the emperor isn't guaranteed to make you empress. At the end of the day even if Rashta was a greedy person who wanted Naviers throne to satisfy her neverending greed it would've all been based on her luck.

when Sovieshu offers the position to her she even wonders if it's really a good idea since she has no experience and she'd just be dethroned in a year anyway but she chose to say yes because it was for her child's chance at a prosperous future, no desire for power, money or the desire social fame was minimum compared to her real goal of guaranteeing her daughter a chance at life. The closest I can say that is remotely related to greed is that Rashta wore a few over the top dresses (like her wedding dress and that one purple one with the bows)

Finally when she does become empress Rashta isn't exactly looking for more, she was ready to just live in luxury under the impression that her safety was guaranteed and that was it, she didn't want more jewels, money, power, maybe she wanted more social attention from others but even then the chapters dedicated to empress Rashta were, again, based on her wrath rather then her greed.

Honestly if any character symbolizes greed more it's Heinrey

The guy started off as a prince, then a king and then a damn EMPEROR, yet he still stole more magic from the mages, he wanted to go to war with the eastern empire for practically no reason and was willing to doom his damn country if he went through with it considering that the west is landlocked so going to war all willy nilly with potential allies when you have to rely on other territories just for water.. it took falling in love at first sight with Navier to get him to put it on hold and only stopped when she found out almost 170 chapters later and even then, his daughter ends up getting the eastern empire thanks to power of random plot holes. Before meeting Navier Heinrey really just wanted to keep expanding more and more for no reason because I looked and searched and could not on my life find a reason as to why Heinrey wanted to go to war other then one claim that he wanted revenge for the past which.. really? If that is the case we'll thanks for almost instigating something that didn't need to be instigated.

He really doesn't give a damn, one way or another Heinrey will get what he wants.

[temporalbystander]

Was gonna leave this alone, partway through reading this my insecure overly anxious brain was going "oh god this is me, Frosted hates me I should just delete my blog." And... Well you get the idea. I'm sick and I just woke from a nap, I'm not in the best headspace.

But I'm still going to tackle this. I'm still going to fight this. Because for the love of all things good it's not just ML now. Literally every fandom I've been a part of at some point has had these.... Organisms, that feel like they can't let someone enjoy something. That they need to remind you that you're a terrible person because you like a terrible show. And god forbid if you have shown interest in adult content of that show, because then you get called names 8 ways to Sunday all implying the world would be better off with you dead or in jail.

I don't know what it is, I don't know why they do it, and I don't know why ML has picked up so much more of it recently. But the rest of us have had more than enough and, quite frankly, should all be super vehement about the block button. Maybe even a name and shame if they get too out of hand.

I was gonna say more on the show, about my own opinions and what not, but no. I've made my stance clear enough. I've said time and again that I'm done. With the show, with writing, and yet I can't stop thinking about it. About giving it another chance, about catching up or watching the shows from the viewpoint of a normal fan and not a crazy person who got too involved with the OC reactions. And I'm still writing, still contemplating ideas that may never see the light of day but are still there.

Miraculous Ladybug is an amazing show and anyone who feels otherwise has no business saying so on my blog. It's quite obvious what you're getting into here.

you can't make a single fucking post about miraculous ladybug on this site without someone thinking their opinions about how ML Is A Bad Show are wanted or appropriate

[tales-of-wocdes]

I really liked the demo. With the choices I picked at least, I felt there was a good balance of humorous and dark moments (calling the Ancients "grandpas" was one highlight, the other the baby question XD). I see my MC as a shy and quiet girl who rarely speaks, with a mind like a partially complete puzzle, and I just really like how the inner dialogue is written. I also really like the occasional view from other POVs. I'm also really intrigued by the end of the demo, very curious about/looking forward to more tidbits about what the psychos were up to. I don't really have anything specific to ask, already read all the asks, just rambling about how much I enjoyed it. 😅

Always happy to hear from people :D

And thank you! I my opinion, the inner dialogue is quite important for a character like MC who is not necessarily very verbal. Not excactly a chatterbox in any event, no matter the choices made. The inner dialogue developed while I was writing C1, and I remember being fairly happy how it turned out.

The POV's have generally proven to be quite popular, there was a quiz about it at some point :D Funny enough, I was having a hard time with C3 main text so I started writing some POV scenes :D I do that quite a lot when I get stuck with the main text. The variety helps so they are there to stay. Though starting one is a lot easier than finishing one :D

[superemeralds]

i think about ur piece with shadow captioned “welcome to the promised land” ALOT… with that, i wondered what your thoughts are on the sonic movies (both the ones that came out and the new one thats coming) in regards to their portrayal of the police/military/GUN.

I’m personally really disappointed in whats been done so far (with Tom being a cop, like cmon man what. and with the goofy portrayal of the military, especially that old general guy in the second movie) and im really nervous about whats coming, with team sonic working WITH GUN (and now Tom and Maddie wearing military uniforms) in the trailers. I have a suspicion that Maria’s death will be an “accident”, like a very MCU style “sometimes the military makes mistakes…” bullshit. itd really suck to see this series become another piece of copaganda, especially since like. its so out of character, like sonic is unique in the way its been blatantly anti military (for the most part) in the games. it wasn’t revolutionary by any means but it is arguably a core part of the original story.

What are your thoughts? sorry for the long ask, I’m a big fan of your writing and thoughts on sonic (huge heart of a monster fan!). Hope youre having a good day!

big same. I've made the comic in question as a response to the first trailer for sonic 3 actually.

the trailer made me feel a LOT of emotions, mostly negative if im honest, and the only thing that I liked from it was the scene of shadow bursting from his tank thing and being sloppin wet that looked like he was standing in the rain. so i went and made a comic of shadow in the rain. and i made it as anti military and anti capitalism as i could.

becasue sonic 3's marketing, in my opinion, especially after the second trailer came out, is a perfect axample of everything wrong with the current western (mostly USA, but the USA influences the entire world so.) society. it exemplifies capitalism, militarism, consumerism, a lack of emotional depth and the infantalization as well as mliking (for a lack of better word; i mean how advertizements are usually heavily marketed at kids because parents will buy anyhting to shut up their crying annoying meat bags and therefore spend money on shit they dont want nor need) of children (that detective pikachu bit was so painful). and let's not forget the fatphobia. it was so painful to go back and watch the first trailer to freshen my memory for this reply oh god.

when sonic 2 came out i was really happy with the movie. i think sonic 2 is miles better than 1 in terms of characters and fun, most obviously because there's more of actual sonic characters in it now then the first. the first felt mostly like a pilot honestly. the second one had much more fantastical details and elements thatreally leaned into sonic's world. Or at least... the environment artists tried with it. I remember being OBSESSED with the fact tehre was a mural of perfect chaos in that labyrinth for like 1 second and theorized about what it could mean. while watching the movie i even speculated it was foreshadowing that perfect chaos was gonna be the secret final boss of the movie as that was only the halfway point of the runtime. having sobered from the hype i understand its a neat detail from the cg department that means absolutely nothing.

the worst thing is that the movie (sonic 3 now) itself might be like. a well made movie with good (enough) writing and good visuals and whatever. sonic might betray the military and go his own way bc here he's a little younger and he's learning (he didnt grow up w military so he might be blissfull yunaware bc hes only been fed propaganda through hollywood movies so far) and him meeting shadow and learning about his fate might change his mind. we don't know yet.

The marketing sometimes is detatched from the movie itself so it'll misrepresent things for the sake of "bait" to get ppl to spend money to watch it (the teenage kraken movie suffered from that bc it was fun imo i liked it). Or even just to get people to make viral reactions to get even MORE news of the movie out and attract more people. Especially when adapting a story that already exists I think it makes them reveal a LOT of the movie (I saw ppl complain they reveal the entire movie in the trailer, i think given the fact we already know all those key moments shown it's fine)

actually. does anyone know if the us army funded this movie? i know it does a lot of movies ever since iron man

idek where im going w this rn im just. eghh.... def not gonna see it in cinema ♥ my money goes towards literally anything else

[xclowniex]

i find it so shitty that all these people are in your asks being like "YOU MUST SUPPORT THE IDF!!1!1!!!11" upon you explaining that israelis literally DO NOT HAVE A CHOICE to serve in it. i have a huge family, most of which is in israel, and that means every single cousin my age is in the IDF. they didn't WANT that, and yet i've gotten people in my notes saying they hope my family members die.

honestly it shows how narrow minded their privilege makes them because they clearly don't live in/come from a country that has mandatory service. one again, westerners are applying their western views to a very not western issue. white non jewish westerners shut up about things that don't involve them challenge (impossible) 🙃

sending you all the love in the world tysm for being one of the coolest blogs in the universe!!!!

no bc literally this.

It feels like talking to actual chidren. Like the world works like it works. You can work towards changing it, but until it changes, it works how it works. Service is mandatory, and for a lot of people it is hard to get an exemption.

These people complain so much about it, yet don't do anything to support any changes. Like imagine how many people (over time ofc as it wouldn't be an instant culture shift) would not serve if they A) didn't have to and B) didn't have this cultural pressure to.

Supporting groups advocating for no more mandatory service would be so much better than sitting on your arse complaining online, saying that you think Israeli's should kill themselves than serve (real thing said in response to my post).

I don't really have an opinion on if mandatory service should still be a thing or not as I am not informed enough. I see the pros and cons on both sides, but advocating for no more mandatory service would be so much better than what these antisemites are currently doing.

(also thank you!!!!!)

[bambi-kinos]

Hey!

I was listening to double fantasy today - specifically ‘I’m Losing You’ (heartbreaking song)

In my eyes, very Paul McCartney break up based. But I thought their relationship had been on good terms in 1980, so in your opinion why did John write this song?

Thanks :)

I'm Losing You has always struck me as John's good-bye song to Yoko, nothing to do with Paul. He really did care about her, or what he thought she represented. Letting go of her was a long process. The lines about the stranger's room and the phone always makes my ears perk up because Fred Seaman said that Yoko was constantly on her landline, all day and all night. She barricaded herself inside her office and often slept there so that she didn't have to deal with Sean and John. Yoko had Fred move John's stuff in and out of his room when he left to sail to Bermuda. If he hadn't come up with Double Fantasy, she was planning to divorce him and take him for everything. John knew that or suspected when he came back, I don't see why Fred wouldn't have warned him. I think the song maps to this pretty reliably:

Here in some stranger's room Late in the afternoon What am I doing here at all? Ain't no doubt about it I'm losing you

Yoko moved everything back into John's bedroom as soon as she heard about plans for Double Fantasy but I fully expect John to have known or been warned about what she had done. He knew the room was no longer his.

Somehow the wires have crossed Communication's lost Can't even get you on the telephone Just got to shout about it I'm losing you

One of the reliable ways of contacting Yoko was through her phone which John could use. However she also barricaded herself away from him, sent him to Korean brothels and massage parlors to deny him sex and intimacy, John had a screaming argument with Yoko that was about John not understanding the Japanese staff at their apartment, etc. Even if he called her she wouldn't have picked up. Straight to answering machine!

Well, here in the valley of indecision I don't know what to do I feel you slipping away

John spent a lot of time babbling his head off to Fred about second chances and working at love and relationships etc. To me it's always read as the scared chatter of a man who knew a train was hurtling towards him. Major fear of the unknown and understandably paralyzed by the end of his marriage. I fully believe John wanted to leave Yoko but he was struggling against inertia.

Well now you say you're not getting enough But I remind you of all that bad, bad, bad stuff So what the hell am I supposed to do? Just put a band-aid on it? And stop the bleeding now Stop the bleeding now Well...

Well, well, well I know I hurt you then But hell, that was way back when Well, do you still have to carry that cross? (Drop it!) Don't wanna hear about it I'm losing you

Yoko had many ways of communicating her moods to John and regardless of whether it was good, he was very attuned to her and her desires. I see this phrasing as John finally finding his backbone. He blew up his life for this woman and she never thanked him for it. He was getting sober and getting inspired and was finally telling her to fuck off.

But he's obviously going to have complex feelings towards her despite everything so I'm Losing You is John working through that.