#my muse is strange

[katarena]

Can't Hold His Liquor

Follow up from this post.

“Can I help y’to some more mead, Skarlath?”

“Thank you.”

Fordpetal poured the liquid into the tankard, trying not to look at the newcomer’s piercing hazel eyes. If she did, she’d start blushing and she didn’t want to make a fool of herself in front of Lord Sunflash’s best friend. He may have been handsome, but he looked a bit scary.

“I say, steady on, Fordpetal, before you overfill it!” Fordpetal’s best friend, Lilybright, caught her arm. Quickly, Fordpetal put the jug down.

“Sorry, sir,” she mumbled.

“There is no need to call me that,” was the reply. “I am simply Skarlath.” He took a measured gulp of the mead.

Fordpetal’s curiosity got the better of her. “If y’don’t mind me asking, Skarlath, how did y’meet his Lordship? He’s spoken of y’often, and we’d like to know how you became friends!”

A surprisingly warm smile blossomed over Skarlath’s face, softening his eyes. “I was unconscious after a snowstorm and woke up close to Swartt Sixfinger’s camp. He was going to kill me at first, but then decided to let me freeze to death instead of finishing me off with his knife. Then he pushed Sunflash out of the warmth to punish him for…something, I cannot remember what it was. Sunflash’s hands were tied but the moment everyone was asleep he was crushing me against him. I thought he was going to suffocate me, but he was warming me up instead. When I could move my fingers again, I untied him, and he snapped a bough off a hornbeam tree…”

“Was this his mace, si-Skarlath?” Fordpetal asked eagerly.

“Yes it was! The very same. Then he laid into the camp, crushing Swartt’s hand, and we escaped like…”

Skarlath swept a hand over the tablecloth, sending his knife clattering into his plate. His hair was slightly dishevelled, his cheeks flushed.

“I…I say, Skarlath, old chap,” Lilybright asked, “how much of that mead have you had?”

He didn’t seem to hear her. Instead, he seemed to be trying to suppress a laugh.

Lilybright and Fordpetal looked at each other in alarm.

“Oh, lack a bally day, he’s squiffy.”

“I think he’s more’n just squiffy, Lily.” It was a well-known fact that inhabitants of Salamandastron were not only notorious eaters with excellent metabolism, but they could also hold their liquor admirably well without suffering hangovers.

Unfortunately, this meant they sometimes forgot that not everyone could tolerate alcohol as well as they could.

Fordpetal thought quickly. “I’ll find his Lordship. He’s got a bally good head on his shoulders, he’ll know what t’do!”

She quickly made her way towards Lord Sunflash’s chair and discreetly cleared her throat. It wasn’t long before he looked up.

“Everything all right, Fordpetal?”

Nervously looking around, Fordpetal murmured, “Well, that’s the thing, Sire. There might be a bit of a situation, if y’take my meaning.”

“Situation? What kind of…”

A wild laugh interrupted Sunflash, and he turned his head to see Skarlath leaning back in his chair, shoulders shaking. He couldn’t seem to stop giggling. Sunflash hadn’t seen him this relaxed in the company of people he didn’t know; it had taken him a while to be properly at ease when staying with the Lingl and Dubbo families.

Then Sunflash realised what had happened. He pushed his chair back. “Thank you, Fordpetal. Excuse me, Sabretache; I will return soon.”

*****

Most of the inhabitants of Salamandastron were happily eating and drinking, so it was easy getting Skarlath to leave the table, and to manoeuvre him away from the hall while keeping his dignity intact. Sunflash had one of Skarlath’s arms around his shoulders, while he himself kept a secure hold around his friend’s waist, preventing him from swaying too much.

After a few minutes, they reached the bottom of a winding flight of stone stairs.

“Sorry about this, Skarlath.”

Sunflash hoisted the slighter man over his shoulder; Skarlath yelped with surprise but didn’t struggle. Sunflash made his way up and up until they reached the quarters that had been set aside for when Skarlath came to visit.

“I don’t envy you the headache you’re going to have in the morning, Skarlath.” Sunflash gently placed his friend onto the bed and set about removing his shoes. Perhaps he would ask Dewfleck to make a poultice or a compress for Skarlath, if she had time.

“Rest, friend.” Skarlath’s eyes were closed, his voice barely audible. He seemed to be halfway in a dream. “Then we go far away.”

He hadn’t weighed much that cold winter’s night, either.

Sunflash sighed fondly, shaking his head. “My wandering days are over. Salamandastron is my home now – and it’s yours too, if you’ll have it.”

[illogicals-blog]

Trying to revive old WIPs is like playing a weird version of deal or no deal. Your brain might strike gold and you finish strong, or you get the case with a $1 and everyone is suddenly naked for no reason.

[fheythfully]

3.9.24 "The Exhibit of Eorzea's Warrior of Light"

[lesyablackbird]

"Unexpected Arrival" fan art commission of Daughter of Smoke and Bone by @lainit with just a hint of Strange the Dreamer. Commissioned by @teddibarez

As readers of both series will know, this is not a scene from ether of the two books, but its a possibility after the events of both books play out.

[sobeautifullyobsessed]

'It's Not the Years, Honey - It's the Mileage'

a Whumped Doctor Strange one-shot

Inspired by a couple of pre Multiverse of Madness articles comparing Stephen Strange to Indiana Jones😉😁

genre: whump, hurt/comfort, light humor

rating: general audience

characters: Stephen Strange, Tess O'Neill (Healer of Kamar-Taj, OFC); established relationship; Cloak of Levitation

word count: 1.9k

It was supposed to have been date night, but Stephen was overdue. Three hours overdue. Again. Tess had taken these things in stride, right from the start. After all, you can’t be lucky enough to be the significant other of the Sorcerer Supreme without being incredibly patient, understanding, and flexible. Besides which, he was always so adorable when he finally found his way home, sincere in his apologies, and more often than not, presenting her with a fresh bouquet, which he managed to conjure even before he uttered a single word. Tonight’s transgression was bound to be a two dozen roses mea culpa--and she just knew he’d make them her favorite: pale pink American Beauties.

Not that he ever needed to. His company was dear enough recompense for any time he kept her waiting. Except for the worrying, of course, but Tess had quickly adjusted to that, and so far she hadn’t made any complaint, no matter how late her Stephen managed to show up. She’d rather spend their precious time on more pleasant pursuits--and on showing him however she could, how happy he made her simply by being...him. 

And so, Tess had adjusted down their plans. First, from dinner out and a movie, to take-out and the latest blu-ray release. And then from that, to something she could whip up, quick and easy, in the Sanctum’s smaller kitchen. Stephen was bound to be hungry when he arrived, and she had a hearty pot of stew simmering on the stove and a batch of honey cornbread ready to pop into the oven while he cleaned up. 

Tess had just given the stew another stir, when she felt a tapping on her shoulder. She turned to find Cloak looking battle singed and...well...harried. How this being without a face could express such a wide range of emotions was a continual wonder to her--but right now her immediate reaction was to ask if Stephen was alright. 

Cloak’s collar shook a clear ‘no’, and then it tugged at her arm, to get her moving. She turned off the stove and moved the stewpot to another burner, and followed Cloak down the grand staircase. And there sat Stephen on the third step, head bowed and shoulders hunched, his bloodstained tunic rent in several places. Tess’s heart leapt to her throat, though she tried to remain calm, realizing that he needed her as a Healer tonight, far more than as the woman who loved him. 

She dropped to one knee in front of him, noting that the shelf of his jaw bore a dark bruise, and that he had a nasty cut across the bridge of his nose, a black eye and a split lip. “Hey,” she said softly, reaching her sure hands towards him, studying his wounds with practiced eyes, evaluating which she should address first. Thankfully, the blood on his clothing was dried, so that Tess concluded he wasn’t actively bleeding. “What happened,” she asked quietly, concerned to see him breathe shallowly, as breathing any deeper appeared to make him wince. 

“You don’t wanna know,” he muttered, as she placed both of her palms on his chest and closed her eyes, searching for any internal damage. 

“Ow...ow...ow...owwwwwwww,” he grumbled, “Is this really necessary?” 

Cloak was flitting back and forth, giving the closest approximation of pacing as possible. “It certainly is, as well you know...Doctor.” To that he only grunted, then followed with a heavy groan when she palpated his lower ribs and abdomen. “Stephen,” she informed him patiently, “You’ve got at least three cracked ribs...” 

“I know,” he replied curtly, “Don’t you think I know that?”

Tess tried to placate him. “Of course you do--but there’s no need to be pissy about it. It’ll just take a simple healing spell to start them knitting properly together.” 

“I...know,” he repeated through gritted teeth, attempting to stand. Cloak had to swoop in to keep him from landing hard on his bottom. 

Tess rose and wiped her hands on her denim capris. “Cloak, can you get him up to the infirmary, so I can take care of him properly?” 

Cloak nodded, but Stephen had other ideas. “No infirmary--just get me to my room...” 

Honestly, doctors really do make the worst patients, she thought, although she held her tongue, telling Stephen instead, “Nope. It’s the infirmary for you.” He huffed, but didn’t speak up. “And that’s Healer’s orders, Stephen. I outrank you in this, at least for the moment...” 

“Yeah, yeah,” he grumbled dismissively. He handed her his sling ring, “We can portal there--it’ll be quicker and a less bumpy trip than relying on...” He wagged his head in Cloak’s direction. 

Tess had to suppress a chuckle, as Cloak’s reaction to that perceived insult was to turn its back to Stephen. “Alright,” she sighed, slipping his ring on and bringing the golden circle to life. She returned to his side and offered him a hand to help him stand up. “Just lean on me, and we’ll be there in a jiffy.” 

She could feel his aversion to appearing so needy, even as he braced himself with an arm across her shoulders, but knew well that it wasn’t on her account. Stephen generally disliked showing weakness to anyone, although as their relationship had blossomed, his trust in her had been enough for him to reveal much of what he hid from the world behind sarcasm and bravado. Tess had always taken such precious trust as both a privilege and an honor. Stiff lipped against his pain and leaning on her heavily, they hobbled through the portal and Tess led him to sit on the nearest bed. 

The infirmary was empty but for them, and she took a moment to close the portal, and then rushed to gather her supplies. Disinfectant and a basin of warm water, along with a washcloth and the softest, fluffiest towel she could conjure, for after she got him cleaned up. And bandages. Lots and lots of bandages. Tess returned to Stephen’s side to find him struggling to remove his tunic. She set down her things, telling him, “Here...let me...” 

“I’ve...got...this.” he grunted, though it was clearly hurting him to raise his arms above his head. 

“No. No you don’t,” she corrected him gently, “Please--just let me do my job, Stephen.” 

“Alright...alright...” He did his best to relax as she worked the garment over his head and off. Tess gasped at the network of contusions across his shoulders and upper chest. “Dammit, Tess...that hurts!” 

“I know, darling. I know.” To her relief, most of his bruises appeared superficial. “Let’s start by getting you cleaned up, okay.” Stephen nooded, and closed his eyes as she washed the cut on his nose, and several shallow scratches on his cheeks and chin, finally seeing to the split on his lower lip. 

Next, she addressed the wounds on his back, circling behind him and perching on the edge of the bed. She was relieved again to find that they were rather shallow as well, and made quick work of cleansing them. Tess chose that moment to speak to him as his woman, rather than as a Healer. “You know--you’re extremely fit for a man your age, darling. But it wouldn’t hurt to be a little more careful out there.”

“It’s not the years, honey...” he snorted, “...it’s the mileage...” Stephen had stiffened despite her gentle approach, but when she applied the disinfectant, he hissed out a string of very un-Stephen-like curses. 

“Don’t be such a baby,” she muttered, her patience beginning to strain.

“I’m not,” he responded petulantly. 

Coulda fooled me, she thought, but bit back that retort. A few minutes more and she had his wounds properly bandaged. Tess set aside the basin and the towel, telling him, “Now let’s see about those ribs. Do you think you can lay back? It’ll be easier that way.” 

“Of course I can,” he barked, “I’m not an invalid, you know.” 

No, you’re just the crankiest Master of the Mystic Arts that I've ever encountered. Bravest and most selfless too, so I suppose I can forgive your churlishness.

He winced when she placed her hands on his shoulders, helping to ease him onto his back. Closing her eyes again, she skimmed her hands above the skin covering his damaged ribs, whispering the charm needed to bolster his body’s natural healing ability. Satisfied that she had succeeded once she could feel the spell take root, Tess pulled her hands away and opened her eyes. Stephen’s were closed, and his face had gone slack with a look of relief. Good enough, she concluded, hoping he would sleep a long while to aid in healing. 

Still, she thought she could do a little something to speed the reduction in the nastiest of his contusions--and it would be best to try while he was asleep. She reached tentative fingers to Stephen’s right shoulder. His eyes flew open with a start, “Owwwwww...that’s still tender, you know!” 

“I’m just trying to help...” 

“Well...I don’t need a nurse anymore,” he groused, “I just want to sleep.” 

“If you let me see to these now, you’ll feel much better in the morning...” Tess trailed her fingertips along his jaw, channeling her own energy into relieving his pain. “Any better?”

"A little,” he pouted, “But it hurts...almost everywhere...”

There seemed to be no pleasing him this way--but still, it was her nature to try. Exasperated, she blurted out, “Well, dammit, Stephen--where doesn’t it hurt?” 

Looking defiant, he showed her his elbow, “Here.” Tess laid the softest kiss she could upon it. 

“And...and here,” he added, pointing to his forehead, his whole demeanor softening in response to her tenderness. Cautiously, Tess leaned in and planted a loving kiss there. Momentum had turned in her favor. 

Stephen pointed to his un-blackened eye, “Um...here?”

Tess smiled softly, watching his eyes flutter shut, and then brushed her lips as lightly as she could upon his eyelid. There was a moment as her face hovered over his, and the look when he opened his eyes made her heart start to melt--for within their mercurial depths, she saw both gratitude and an apology for his childish behavior. Stephen tapped his lips and murmured, “Here.” 

She wondered if he felt her indulgent smile as their lips finally met, but before too long their kiss had gone from chaste to something deeper and more enduring, as he relaxed completely under her loving ministration. When she finally pulled away, Tess found that her kiss had worked a magic of its own, and her beloved Stephen was out like a light. 

Tess arose and draped the sheet across him lightly, then levitated the next bed over and landed it flush against his. Her hunch was that he’d sleep through the night, but she wanted to be close by if he should need her. 

Come morning, she awoke to find him gone--can’t keep a good Sorcerer down for long, she mused--but in his place, he’d left three dozen pale pink American Beauties, and a small piece of handwritten parchment. It was brief but to the point:  

Thank you, honey. For everything. Love - your Stephen xx

tagging: @hithertoundreamtof23 @stewardofningishzida @ironstrange1991 @mousedetective @aphroditesdilemma @icytrickster17 @groovyqueer @battledress @aelaer @mckiwi @couldntbedamned

[strangelockd]

His eyes & smile are just magical

[sillyfairygarden]

cydonia

[gothamsaved]

Iiiiiii get a little scared me going off on long tangents in replies will scare some rp partners away. On the other hand, I love digging into a muses thoughts and emotions and especially for someone like Bruce, he has a lot going on in there while he also doesn’t typically say much unless he’s out actively socializing. It’s a strange thing where I’m still trying to find a comfortable balance or way to write both the Bat and Bruce, while making them sound like the same guy and also different, without smacking my head into a wall and overthinking things too much.

[sunnfish]

[ID: A digital illustration of Hanzawa Masato from Sasaki to Miyano. He is shown from a behind angle from the shoulders up, head hanging down wearily. The back of his neck and his cheeks and ear are angry shades of red and orange, as if badly sunburnt. His eye, barely visible from underneath his bangs, is an image of a photorealistic eye; it looks back towards the viewer. The background is a solid neon cyan. The artist's signature "sunnfish" is written in the corner. /End ID]

sunburn

[luvdoomed]

hello!

just posted the 7th chapter of My Strange Harvest. read it here and drop me a word! i’d love to read your thoughts 🤍💌

here’s a preview✨

And the truth remains that it didn’t, and now James is dead, and Sirius feels it all over again: the guilt, the overwhelming guilt, now enhanced by the knowledge that he could have done something. That he could have helped. That maybe James would be alive if he did. That Remus kept him in the dark, and now James is dead, and Sirius can’t forgive James for dying, can’t forgive himself for not stopping it, and can’t forgive Remus for the two things.

He loves him. He loves him so much. He never stopped, could never stop even if he tried to, and Merlin knows he didn’t bother to actually try. He loves him.

But he doesn’t forgive him. He can’t. He thinks, stupidly, that he could forgive him for leaving. I wish you would have cheated, instead. I wish you would have gone and left me for a cute Muggle lad. I wish you would have stopped loving me. I wish you would have left out of hatred. I wish you would have been done with me, instead. He could forgive that. He’d do Remus one better – he could understand that.

But to keep him from saving James? And Lily? And Harry?

To let him live, like a fucking punishment, and then to let him know how… how deliberate it all was? To let him live, in a world where James doesn’t, to let him breathe out there, and then showing him how maybe things could have been different if he had known all along?

Sirius is trying. Really hard. He doesn’t think he has what it takes to forgive Remus, though. He wishes he had, and for that, he resents him, too.

[katarena]

Headcanon after seeing this art of Sunflash and Skarlath as humans and imagining a possible Redwall AU:

Skarlath can't hold his liquor. Unfortunately, not only is he completely unaware of this, but everyone else on Salamandastron (including Sunflash) can hold their liquor and very admirably at that.

Skarlath doesn't laugh much, so when he starts giggling uncontrollably while under the influence, Sunflash realises something is not right.

(Might write a fic about this. That sound OK to you?)

[mad-hunts]

i know no one necessarily asked for this information, BUT yes, barton did do masks with marcy while she was still around and also... yes, he might've looked a little bit like this self-care garfield while doing it. and honestly, he still puts on masks sometimes. so here's a little advice for y'all... if your muse is trying to talk to barton about anything that might possibly trouble him / make him angry — they might wanna do it while barton's doing his thing here, because it is pretty much a FACT that he can not be in a bad mood while he's like this LOL

[suddencolds]

~

[setaripendragon]

JSaMN Readalong Liveblog - Chapters 2-3

Honestly, I have no idea if I'll be able to keep up with this, the first one took an entire afternoon, and while I have a lot of free time, I'm not sure I have that much free time XD Either way, I'm going to try, and see how I get on, because this is rather fun, if time-consuming. I've never actually taken the time to write down my thoughts as I read a book before. My approach to fiction is generally that if I'm not so absorbed I forget the real world exists, I'll go read something else, which makes this sort of liveblogging a bit impossible. Alright, here we go.

Chapter 2 - The Old Starre Inn (January - Fabruary 1807)

Every time I read or hear 'the old starre inn', my mind puts it to the tune of The Magician in York. (Warning: song contains spoilers up to chapter 4 of the book, I think.)

Narrator: Chapter 2: The Old Starre Inn Me: All on a winter's day~

I find it very interesting, the fact that Norrell gives them no specifics as to the magic he's done. After all, he hangs so much pride on his status as a practical magician that you'd think he'd want to show off. But it doesn't feel at all out of character, as he sees these 'pretend' magicians as so far beneath him that why would he need to?

Which is in such contrast to Honeyfoot's impression of him as 'humble' that it's funny. But at the same time, I don't think Honeyfoot is entirely wrong in his impression of Norrell. 'Shy' perhaps gives the wrong impression, but I get very vivid vibes from Norrell of that loner kid on the playground who no one wants to play with because they're 'weird', except once they settle into their isolation and do something cool because they're just trying to have fun by themself, everyone's suddenly interested in them, and their response is 'fuck off, it's mine not yours'.

"For the nation's good. He is a gentleman, he knows his duty..." This is such an alien perspective to me. I know it's a very common attitude of the time, and something of a theme in the book, but there's a whole commentary here on community and how people's sense of belonging has changed over time that I don't have the brain-power to make right now.

"Magicians in England are a peculiarly ungrateful set of men." I love this sentence. 'Magicians in England' - you mean the rich white gentlemen calling themselves magicians? Ungrateful? Perish the thought! XD

The fact that York is 'one of the most magical cities in England' with the possible exception of Newcastle is such an interesting piece of worldbuilding, and I can't help but wonder if that's a modern (to the book) thing, that simply scholars of magic happened to gather and set off a positive feedback loop, or if there is some in-world... concentration of magic. Given the connection of nature and magic, and the Yorkshire moors being so very iconic, there might be something to that?

Also, loving another little taste of the Raven King mythos, with the mention of 'the King's city of Newcastle'. Honestly, I've never been overly invested in English history (save for Arthuriana, but that's fantasy), but the way this book builds the fantasy on top of a skeleton of truth makes me much more interested in finding out about reality as much as the in-book lore of the place. (Much in the same way Assassin's Creed made me interested in finding out the truth of the history it depicts to better compare the story to.)

I might have to go on a wikipedia spiral about the history of places like York and Newcastle at some point. If these liveblogs don't swallow my entire weekend XD

"We do not care for men who build their reputations at the expense of other men's peace of mind." I do not like this man. (I know I'm not supposed to like this man, he is a representation of the worst sort of self-aggrandizing and complacent entitlement of rich white armchair-scholars, but it bears saying; I really don't like him XD Much respect to Segundus for not punching him in the face.)

"English magicians were only ever given common ivy." Ah, symbolism. I have a lot of thoughts about why ivy, honestly, and I definitely want to do some research on this later, but the phrasing here is so telling. 'Only ever given common ivy', making it so blatantly not some sort of accolade, but something commonplace and unremarkable. There's also the fact that ivy can be associated with neglect, as it's seen so often on old, crumbling buildings, and as a symbol of nature 'reclaiming' or even taking over that which people have built. (Again with the ominous whimsy of this book; the gothic imagery of an old house all over-taken by ivy matched with the tone in which the comparison is made making light of potential drama of the symbolism.)

There's also the correlation between ivy and lovers (ivy clings and binds and twines around things. And I recall reading somewhere about it being used for symbolism in the story of Tristan and Isolde?) but I don't think that's quite as applicable here, even though my brain does love to chew on it.

I'm noticing now, as well, that the author makes excellent use of 'show don't tell'. Instead of simply telling us that the room was noisy and everyone was shouting over each other, though we do get told that, we're also given the example of an old man being very passionate about some point that no one can actually hear over the noise.

I find it interesting because I've been reading a lot of things expressing frustration with the maxim because, I think, people take it too literally. That you must never tell, and only show, which of course will absolutely ruin your pacing and make your story very boring. But this, here, is what I think it means. Of course we could simply have been told 'it got loud as everyone argued', but the art of writing is not to simply tell people what happened, but to make them feel it. And by 'showing' us this little snapshot, by giving the noise a face in this old man who cannot make himself heard over the din, despite being very engaged in making his point, it makes the whole business feel much more real.

Oh, I feel so bad for Honeyfoot and Segundus in this part. Although I find it very interesting that we never actually got to see whether Norrell did do any magic for them. We cut from him confessing that he's a practical magician to Segundus and Honeyfoot leaving, and we don't actually know what happened in between.

And, of course, neither do Honeyfoot and Segundus. Which is deeply, deeply unnerving to me when I think through the implications. Not knowing where you are is one thing, but not knowing where you have been is a whole nother level of creepy. And yet, the narrative doesn't treat it as a particularly horrifying occurance. (Again with the ominous whimsy.)

There is something of a theme of this, too, in the book, with the truly horrifying things that magic makes people capable of being treated as a sort of just a thing magic can do, rather than lingering on the violations of privacy, personhood, and autonomy. Not to say that I feel that the narrative is treating them as inconsequential or in some way not as bad as they really are, but that it doesn't pass judgement on it, and lets you draw your own conclusions (which is a bit refreshing in this resurgence of purity culture in fandom at the moment).

Like, here, Segundus doesn't react with any particular horror or upset at his confusion and disorientation. Which, honestly, I find only heightens my own horror. He's just... sort of vague and fuzzy about it all, even in his emotional reaction to his memory being vague and fuzzy. (Like how someone with mind control telling someone to 'do a bad thing' is not nearly so horrifying as someone with mind control telling someone that 'you want to do a bad thing')

I find this part particularly gave me shivers, when Segundus and Honeyfoot are being questioned about the library and they're asked of the books:

"Had they been permitted to take them down and look inside them?" "Oh, no."

Like, everything else we hear from them is just... an obfuscation of the facts? There were a lot of books in the library, some of them were very rare, and that's the impression they've been left with even if they can't remember the specifics, but that? That, we know for a fact to be false.

Which then very abruptly throws Segundus's previous assertion that he knows for a fact that he hadn't seen any magic done into doubt.

Honestly I think that whole sequence is masterfully done. Because at the time, the way Segundus explains it, we're given no reason to doubt his assertion. He says he feels as though he saw magic, but knows for a fact that he didn't. Which can very easily explain away his awareness of the extra lighting and the... (I keep wanting to call it a maze-array, but that's the wrong fandom XD) directionlessness of the hallway, as him having the sense of magic, but not, actually, knowing for sure it was such because neither he nor us the audience were shown Norrell actually casting those spells.

Except then we get that blatant untruth, and suddenly that blank space of time between Norrell's confession at the end of chapter 1 and Honeyfoot and Segundus leaving at the beginning of chapter 2 just opens up with posibilities.

There's also the contrast between Honeyfoot merely being affected in the moment he tries to explain, and Segundus having felt 'heavy and stupid' for the entire week in between meeting Norrell and meeting with the Society. I do love how clear it is already that Segundus is sensitive to magic, the way he noticed so clearly the magical lighting and direction-obfuscation in the last chapter, and now this.

"Other men may fondly attribute their lack of success to a fault in the world, rather than to their own poor scholarship." "But what is my reward for loving my art better than other men have done? For studying harder to perfect it?"

Ooooo burn! He's so catty. What an asshole (affectionate)! Not to say that the Society (and Foxcastle in particular) don't thoroughly deserve it, of course. Everyone in this room is so ready to be offended, they're actively looking for reasons. Their lives must be so incredibly boring that this is how they choose to entertain themselves, holy shit XD

Oh, god. This attorney guy. Robinson. He is so... He's something, alright. "He was so clean and healthy and pleased about everything that he positively shone, which is only to be expected in a fairy or an angel, but is somewhat disconcerting in an attorney." No kidding. And during the whole scene he's so... blandly inoffensive and faux-innocent and defferential that it puts my hackles right up. He is deeply unnerving to me.

'This would be only fair' he says, of a deeply unfair and rigged agreement designed solely to punish them. 'Then surely they would recognise magic when they saw it' he says, as if he's not perfectly aware that they've just been given an incentive to fucking lie about it. 'All your friends have done it' he says, as the only argument he can come up with to try and coerce Segundus into signing the agreement. (Once again, much respect to Segundus for not punching this guy in the face.)

Yuck yuck yuck yuck yuck. Creepy motherfucker.

I love the descriptions of scenery and environment in this book so much, they're so damn evocative:

"The very voices of York's citizens were altered by a white silence that swallowed up every sound." "The winter gloom was quite gone, and in its place was a fearful light; the winter sun reflected many times over by the snowy earth."

Oh. Hmm. I can't be sure, but I think this is the first time the narrator has inserted themself quite so blatantly into the narrative. Things have been couched as observations before, but I don't remember before this the narrator actually referring to themself, or directly addressing the reader, or positing an opinion of their own? (I may have to go back and listen to chapter 1 again to check...)

"brooding blue shadows of the cathedral's west face" "sailing magisterially around the corner like a fat black ship" "he had a strong thin face with something twisted in it like a tree root" More great description and more adjective-adjective-noun phrases.

And then we come to Segundus and Childermass's second first meeting. Again, I feel so bad for Segundus, having his mind and memory messed with like this, but, if you'll excuse me a moment, -shipper goggles on- Segundus still remembers him! "I've seen you... I can picture you! Oh, where?" Can't remember so much as taking down the books that so enthralled him in the library never mind reading them, but he remembers Childermass.

"He thought John Childermass very insolent." Aaaaa, that's my blorbo! He's so cheeky, I love him so much.

"Several looked about them before going inside, as if taking a last fond farewell of a world they were not quite sure of seeing again." And we end the chapter on yet another absolutely magnificent line. Not quite the almost-cliffhanger of the first chapter, but still extremely tantalising, baiting the reader with questions about what, exactly, is going to happen next.

Hmm. Since this one isn't quite as long as chapter 1, I think I'm going to stuff chapter 3 in here, too; try and condense things a little bit XD

Chapter 3 - The Stones of York (February 1807)

"The cold of a hundred winters seems to have been preserved in its stones and to seep out of them." I have been in old churches and this is entirely accurate. I've said it before and I'll say it again, the description in this book is really top tier. Simple, but incredibly evocative and poetic.

"Bells often went with magic, and in particular with the magic of those unearthly beings, fairies." More symbolism, and this one I know less about, but at the same time, it feels right in a way I can't actually explain. Just that the vibes, the atmosphere it creates of bells being this ominous sound associated with something dangerous.

That being said, on thinking about it, I find it very odd that bells are symbols of fairies in this book for two reasons. One is the way that humans often get referred to as 'Christians' as a whole (I remember this gets explained later as a consequence of fairies being bad at telling the difference between humans, I think?), and church bells are the most commonplace example of bells I can think of. So why, then, are bells so specifically associated with fairy magic when there's such a strong connection to the way the book talks about the people who are not fairies?

And also, one of the primary uses of bells, with more significance in the past but with the tradition continuing on to this day, is to tell the time. To put order and structure on the otherwise abstract passing of the day. Which is in direct contrast to everything else we've been told about magic so far. Magic thrives in the places that are not structured to suit humans. Trying to impose scientific reason on magic kills it.

...Okay, I am definitely reaching here, but it just occurred to me that the other primary use of bells is as a warning. I can think of a bunch of examples; ye olden ships and fire-engines, castles and forts and such. All used to say 'something is wrong, action must be taken to avoid disaster'. And that makes me wonder if the bells are less a product of the fairy magic and more, perhaps, some other magic acting as an alarm.

And the only person I can think who could have cast such a wide-reaching, long-lasting spell would be the Raven King. And wouldn't that make sense? Wouldn't a King want to have a warning that some other being is trying to abduct one of his people?

...I'm reaching, but I really like this theory actually. Even though we knew the Raven King had no compunctions about stealing his own subjects away himself. (I still think it fits, as a King would feel entitled to privileges that others would certainly not be permitted.)

Which is a whole 'nother thing I have thoughts on. It's very interesting that the second real bit of information we get about him (after the bit about him having 'only three' Kingdoms being mentioned in one of Norrell's books. I think that's the only time he's actually directly named before this?), is that despite being an Englishman, he has the fairy habit of abducting people to other lands. And that ballad about it!

"The priest was all too worldly, Though he prayed and rang his bell, The Raven King three candles lit, The priest said it was well."

What is this? What does it mean? It does answer a bit of my speculation about bells, I think - they're used as a warning/warding off it seems (given that it's paralleled with praying) - but then there's that bit about the Raven King lighting candles and this, presumably, causing the priest to say 'oh alright then, do carry on'? I'm gonna have to keep my eye out for any more candle symbolism as well, I think.

"This land is all too shallow, It is painted on the sky, And trembles like the wind-shook rain, When the Raven King goes by."

-shakes fist at the author- You weren't content giving me chills with your description in prose, now you're doing it in verse?! -weeps- God. God. I don't have words for how this makes me feel. I am going fucking feral. I want to print this song out so I can eat it. Fuck.

And it's followed up by the narrator absolutely roasting the Magicians of York, which is making me cackle far more than it probably should because I'm still high off that absolutely unnecessary bit of poetry.

I love the way the narrative builds up to the magic. We get the bells, and then a voice, and then what it's saying, and then another one, and then that it comes from a statue, and then the rest of them, and between all of it we get these elaborate descriptions of the magicians reactions and fears.

Going back a little bit. The tale of the girl with the ivy leaves in her hair. This coming in the very next chapter after we were told that magicians are associated with ivy I think can't be a coincidence. And I wonder if the girl being a magician might not be a part of why the stones care so much about her murder? Not that I think murder inside a cathedral is all that common, but I find it hard to believe it only happened once in over 500 years.

"Kings, even stone ones, dislike above all things to be made equal to others." Hmm. Given how many Kings we have this story, I have a feeling this is Significant.

The fact that the stone statues that were to be repaired flinched from the chisel is... Oof. The idea of stone having a concept of harm, enough to fear it, is wild. And it raises the question of how... aware of what they are the statues are. Obviously we have the examples of kings bickering and quarrelling because they do believe themselves to be kings. But are they aware that they are statues of kings, or do the truly believe themselves to be those kings? The first statue seems aware, talking about how 'no one saw but the stones', instead of 'I saw'.

And if they know that they're stones, then... what does it say that they're afraid of the very thing that created them in the first place? Or is the fear of being 'remade' into something different? Is it particular to that statue, and another might welcome the chance to transform?

...Apparently I am my father's child.

My dad: But what is it like to be a tree??? -overthinks it- Me: But what is it like to be a stone??? -overthinks it-

I love this conversation between Segundus and Childermass. Childermass is coming at the thing so side-ways and sneaky, and yet... he's so blatant about it? It's so obvious right from the very start that he's leading up to something, and then he just... waits for Segundus to offer, instead of actually just asking? It's such a weird approach to take.

Also, the fact that we get another of those lovely poetic descriptions of the snow and the clouds as Childermass is waiting really gives the sense of a long drawn-out silence, and I can't help but laugh at the idea of this bizarre little stand-off, these two men just... staring at each other in the snow.

-shipper goggles on- "Until all the world contained was the falling snow, the sea-green sky, the dim grey ghost of York Cathedral... and Childermass." Perhaps it's an aspect of the audiobook that doesn't come through quite as strongly in the text, but the weight put on that last? Putting him on the same level as these... rather ephemeral, magical things, the natural phenomena of the snow and the sky, and the 'ghost of York Cathedral'? As well as the contrast of these... pale, dim, ghostly things, to Childermass who's so often described as dark and ragged. Even without that description here, it makes his presence so stark against this hazy, light backdrop. (And all this implied to be from Segundus's persepective =3)

And then there's all those compliments Childermass pays Segundus once he's gotten what he wanted, too XD (Even if I do kind of get the sense that Childermass doesn't necessarily mean them entirely as compliments. I don't think he thinks very well of people who are too obliging, tbh.)

You know, this is very much my brain veering off into the wilds here, but the thing about Mr Honeyfoot pursuing the tale of the girl with the ivy leaves makes me think of... this idea I've had for a while, mostly inspired by a JSaMN fanfic, On the March, where Childermass 'wakes up' the Yorkshire moors, and the notion of how magic, which in this book is so tightly tied to nature and the wild, could so easily be affected by the location in which it's done.

And if a place like York Minster can be aware of what's going on even when magic isn't being done upon it... then are the stones aware of Mr Honeyfoots efforts on their behalf? Do they see, for whatever value of sight they possess, him fighting this battle for them, and does this earn him anything from them? Can a stone feel gratitude? Is there some reciprocity or good will there? Does Mr Honeyfoot forge a bond of some kind with, or win the favour of, the Stones of York Minster?

There's a fic in this somewhere. (Mr Honeyfoot gets into a disagreement inside the Minster, and a stone drops onto the head of his adversary. Crumbly old buildings, you know, someone ought to check and make sure it's not going to happen again!)

'The Last Magician in Yorkshire' Now there's a phrase you could build an entire other story around. Another quite powerful end to a chapter, though not quite as gripping as the last two.

Well, I'm glad these two were somewhat shorter than all my thoughts on chapter 1. And I'm now more than half way through this week's chapters. I hope I'll be able to get 4 and 5 done tomorrow (or later this evening, maybe, if I feel like it?)

[jokerlennon]

i love blogging i wish nobody ever reblogged my posts bc i get scared

[sobeautifullyobsessed]

Watching No Way Home and I just wanna shout:

Isn't he MAGNIFICENT!!! - at the sight of the magic literally flowing from Stephen's hands in his final scene 🥰🥰🥰

...and also...

Please, oh please, can't we just have some more of Stephen mentoring Peter Parker and America Chavez? PLEEEEEESE??? That's not too much to ask for, is it?🥺🥺🥺