#my most popular post on this webbed site

[smackdownhotel]

OK but if that ain’t a Mood I don’t know what is.

(Happy 8/1, everybody!)

[wheucto]

oh yeah baby

[letteredlettered]

feedback and fic in fandom (3 f's of our own)

This conversation about feedback on fic says everything I’ve been wanting to say better than I could say it. But I’ll go ahead and try anyway.

Over the last five years or so there have been some great discussions around the rise of commodification of fanworks and decline of fandom community. This commodification looks a bit like enshittification of the internet: a cool site exists; its popularity makes someone realize they can get money from it; it has more and more ads; the site adds features to drive engagement, including The Algorithm; the things that made the site cool start to fall away. The site exists now as a vehicle purely to get clicks, and the people on it are on it solely to get clicks—to make money, to be successful, for some kind of social cachet.

AO3 doesn’t have advertisements. It’s not making money. But what is happening to fandom is proof of concept that enshittification changes the way we as humans engage. A cool website in 2004 was often a community space where you could meet people, have conversations, find cool things, and make cool things. A cool website in 2024 is either a content farm that will continually feed you enough content to hold your attention, or a social media site where your participation will come with stats to show you whether you are holding the attention of others.

AO3 wasn’t built to be a community space. It doesn’t have great functions for meeting people and having conversations. The idea was that, because fandom community spaces already existed, AO3 would serve the part of that community where you can find the cool things and store the cool things you made. It was meant to be a library in a city, not the whole city itself.

But it was also never meant to be a website in 2024, a content farm constantly generating content solely for your clicks and eyeballs and ad revenue, or a social media site where the content creators themselves vie for your clicks and eyeballs.

The most common talking point when people discuss the enshittification of fandom is the folks out there who are treating AO3 as that first kind of enshittified website: the content farm. This discussion is about how people treat fanfic as a product for consumption.

The post that kicked off the discussion on @sitp-recs’s blog was about someone who wasn’t getting very many kudos or comments on their fic, and was feeling pretty demoralized about it, then joined a discord server and found an entire channel dedicated to people loving their fic. But those on that server had never come to share that love with the author, which the author found really discouraging.

There are more and more stories like this. Someone on tiktok pulls a quote from a fic on AO3 and makes a 10-second video with them staring at a wall, the quote pasted at the bottom, music playing over it. It has 100,000 hearts, and 100 comments with people gushing over the fic, which has 80 kudos on AO3. Overall, people notice more and more hits on their fics, but fewer and fewer comments or even kudos. Fewer and fewer people seem to feel the need to interact with the author, instead treating the fic like a product to be used and discarded—which the enshittified internet (a stunning feature of late-stage capitalism!) encourages. The fandom community is dying, these stories conclude.

I agree. 100%. Both of the stories above have happened to me—viral tiktoks about my fic, secret discord channels to follow and discuss my fic—and let me tell you, it fucking sucks.

But from these observations about fandom enshittification, the discussion continues in a very odd direction. The solution to the death of fandom community is our favorite enshittification buzzword: engagement. We should engage the authors. They’re producing these products for free. We consume them at no cost. We must demonstrate our gratitude by paying them back.

It’s as though the capitalist consumption that the enshittified web encourages is so ingrained within us that we must think in terms of payment, in terms of exchange, transaction. Or as though, by forgoing payment, authors are some kind of martyrs defying capitalism, and the only way to honor their great sacrifice is comments and kudos.

Indeed, the discourse around this sometimes does veer away from capitalist rhetoric into something that smells almost religious in desperation. Authors are gods who bestow us mere mortals with the fruits of their labor benevolently, through love; the least we can do is worship them. Meanwhile the authors adopt the groveling sentiment of starving artists: I produce great art; I only humbly ask that you feed me in return.

These kinds of entreaties make my skin crawl for a number of reasons. I’m not a god. I’m not writing because I love you. I don’t expect your worship or even your praise.

I think the thing that disturbs me the most about it is that it suggests that authors (or, if the OP is feeling generous fan work creators) are the most important people in fandom. I’ve even seen posts stating that without creators, fandom wouldn’t exist—as though readers aren’t just as important. As though conversations where people discuss characterizations and plot points and randomly spin out interpretations and ideas and thoughts related to canon are meaningless. I’ve even seen people scramble to include folks having these discussions as “creators,” as though realizing that these people are necessary and integral to fandom communities but unable to drop the idea that the producers are the ones who are important. As though that person who just lurks can never count.

Is this what community is? When you join the queer community, are you expected to produce a product of your queerness? If not, must you actively participate and give back to the queer community in order to be considered a part of it? Or is it enough that you are queer, that you exist as a queer person and want to be around others who are queer, you want to be a part of something? What is community, anyway?

The problem with people raising the authors above everyone else in the community and demanding that tribute be paid is that they are decrying the “content farm” style of 2024 website out of one side of their mouth, but out of the other side are instead demanding that AO3 become a 2024-style social media website. Authors are influencers. “Engagement” and clicks are the things that really matter. They are in fact suggesting that the way to solve the commodification of fanfic is by “paying authors back” with stats.

Before anyone comes at me with the idea that comments aren’t just “stats,” I will clarify what I mean. There are literally hundreds of posts on tumblr alone claiming that any comment “helps” the author. Someone replies that they are shy to comment. Someone else replies that incoherent keyboard smashes, a single emoji, or the comment “kudos” are all that is required to satisfy the author, all that is required as tribute—all that is required as payment to keep this economy healthy.

I’m not condemning the comments that are keyboard smashes or emojis or a single kind word. I receive them. They make me happy. If anyone wants to leave such a comment on my fics, I’m really grateful for it. But this is not community-building. This is a transaction. In @yiiiiiiiikes25’s excellent response in the post linked at the beginning, they point out that “you have a cool hat” is something that is “perfectly nice” to hear from someone—and it is! We all want to be told we have a cool hat! But as they go on to say, what builds community is interactions that are deep and specific, interactions that are rich in quality, not in quantity. A kudos or a comment that says only ❤️are lovely things to receive, but they don’t build community.

My reaction, when I see people begging for kudos and comments as the only means by which to keep fandom community alive, is very close to @eleadore's. I want to say, “No. Readers do not need to comment or kudos. Believe not these hucksters who claim to know the appropriate method of fandom participation. Participate as you feel able, or not at all; nothing is required of you.”

I’ve been told before (several times) that I’m not qualified to participate in such discussions because I am an established author who has some fics with very high stats. It doesn’t matter that I have also been a new writer with almost no one reading my fics. It doesn’t matter that I still write in new fandoms where no one in that fandom knows me. It doesn’t matter that I, like any human being, still care about receiving recognition and attention and praise.

And maybe that’s correct. I personally don’t think that billionaires have a place in deciding the direction of the economy, and--if we're really going to consider fandom an economy--in fandom terms, if I’m not a billionaire, or even a millionaire, I’m definitely in the infamous “one percent.” So, just as no one wants to hear Elon Musk say “money isn’t everything,” maybe it’s not my place to say “kudos isn’t required, actually.”

That said, I’m not the only one who has a problem with the stats-based discourse around fandom community. However, the main counter-response to this discussion I see goes something like this: you shouldn’t be writing fic for validation. If you’re writing for attention, you’re doing it for the wrong reason. Authors should write fic because they love it without any expectation of return.

This is, in my opinion, missing the point of what is meant by fandom community.

I wrote fanfic before I knew that fanfic, as a concept, existed. I read books; I wanted them to be different; I wrote little stories for myself with new endings, with self-inserts, with cross-overs, with alternate universes. I did it for myself in the 90s. It never occurred to me that anyone else would do this, much less that people would share.

As @faiell points out—creating and sharing are two different things. I created fics for myself, but I decided to share them in the early 2000s because other people might like them, too. And of course, I wanted to hear whether other people liked them. How could I not? I might decorate my home just for me and not for anyone else’s preferences, but when people come over and say my house is nice, how can I not enjoy that? And if a lot of people think my house is nice, which encourages me to post pictures of it online, isn’t it understandable I might do so with the hope that more people will say my house is nice? And, honestly, if no one is appreciating my pictures, I probably won’t continue to go through the trouble of taking them and posting them. I’ll just enjoy my house that I decorated without sharing, the end.

When I found out there were whole fannish communities where people discussed canon and tossed ideas around about it, made theories and prompts and insights into the characters, fics they had written and recs for other fics and analyses of fics and art based on fics and fics based on art—I wanted to be a part of that, too. Now, sometimes, I write fic not out of an internal need to do so but out of a desire to participate in that community.

The idea that we write fic only for the love of it, then post it only because we possess it, is a process entirely centered on the self. It’s fandom in a vacuum. The idea that we share this thing, that we feel pleasure if someone likes it but feel nothing at all if no one says anything about it, that it’s completely okay to be ignored and unseen—that’s not what a community is either. That’s some weird sort of self-aggrandizement through self-effacement—because yes, there is often a weird kind of virtue-signaling in this kind of discourse.

I say this as someone who has virtue-signaled in that way: “some people write for stats, but I write for myself.” It’s bullshit. Sure, I write for myself, but why post it on the internet? Honestly, said virtue has a whiff of the capitalist machine, which would like you to produce for the sake of production, work for the sake of work. The noblest among us expect no recompense for that which they give!

The reason that I’m bringing this back around to capitalism is that capitalism actively works to dismantle community. The reason that folks are out here pleading for “engagement” in order to “pay back” authors for the products they give us “for free” is because people no longer even have the language to discuss how to participate in meaningful community. And frankly, how to build back fandom community, in the face of enshittification, is getting harder and harder to see.

But I do think that if we value fanfic and the fanfic community, it’s really, really not constructive to judge whether someone��s reasons for writing fanfic are valid. It’s also weird to me that it would be considered wrong that someone’s reason for sharing fanfic is because they would like to receive some recognition for it, when in fact that seems to be the most natural reason in the world for sharing something so private and vulnerable with the world.

Let’s go back to that idea of how hurtful it is to find out your fanfic is trending on tiktok without anyone from tiktok saying anything to you about your fic, or how it can be painful to find out there’s a secret discord channel dedicated to your fic. The people who respond to that with, “Ah, but you shouldn’t be writing to get attention!” are missing the point. The fic did get attention. It got lots. Attention obviously wasn't why the writer was writing--they were writing to participate, and they didn't get to. At all.

However, if your conclusion is that the author was upset because these particular stats were not accruing under this author’s profile, thereby preventing them from achieving the vaunted status of BNF and influencer—I don’t know, maybe you’re right. But I don’t think that’s why I, personally, have been hurt by these things, and I doubt it’s what hurt the people in these posts either. They’re hurt because they want to participate, and they have been systematically excluded by the very people they thought were part of the community they thought they could participate in.

Sure, if those folks from tiktok and the discord server all came and showered the author with kudos and comments that said “kudos,” the author might have felt satisfied enough with the quantity of this recognition that they would continue writing. But in the end, this still does nothing to address the problem of fandom community, in which the deep, meaningful recognition, interactions, and relationships in fandom are getting harder and harder to have and to build, as a result of how people now expect to engage in online spaces.

So, how to address the problem of fandom community? You probably read this long, long post hoping that I had an answer, and for that I must apologize. I don’t have solutions. My intent was to be descriptive, rather than prescriptive. I wished to outline the problems that I’m seeing in what was hopefully a slightly new or at least thought-provoking way, rather than offer solutions.

But, now that I’m talking about being prescriptive, maybe I can offer one suggestion, which is—maybe the solution to this isn’t about prescribing behavior. I do understand the irony in writing a prescription saying we shouldn’t prescribe people, but I’m going to write it anyway:

Maybe we shouldn’t be telling anyone the appropriate reasons for writing fanfic or for sharing it. Maybe we shouldn’t be telling readers they need to kudos or need to comment. If we’re going to go pointing fingers, we should be pointing at the institutions of capitalism that have made the internet what it is today—but I don’t think that’s going to solve the problem either.

But I do think that describing this problem, understanding what it actually is, not blaming readers for it and not blaming authors for it—I do think that helps. The discussion I linked at the beginning of this post is what I think of as the fandom I miss, the fandom that's now harder and harder to access, the fandom that is dying. That fandom was a social space where people had opinions and disagreed and went back and forth and gazed at their navels and then talked about Buffy the Vampire Slayer.

In the words of @yiiiiiiiikes25, it was a fuckin’ discussion about hats. And we’re hungry for it.

[baddywronglegs]

It's coming up Dragon Age time!

I streamed the first three games in the series blind and will be picking up that worldstate for this playthrough and, as I did for all of them, will be putting my player character's background up to polls. More info under the cut.

Also Tumblr just hit an error and posted this instead of saving changes when I edited the draft. Thanks Tumblr such good design webbed site

The difference is the first three, most of the people responding had already played themselves while I knew nothing - especially Origins because I knew nothing about Dragon Age at all when I started that. Now though, I probably know as much as anyone about what's in store (barring spoiler avoidance).

So for Origins, I polled gender, race, class and background - or would have had the poll not chosen mage, so there was only one background option - 2 just gender and class and Inquisition gender, race and class.

Race and class are up again, gender is more complex in The Veilguard but because of its complexity I don't know if it'll affect anything. But background is back in the form of factions!

I'm going to avoid having the same race/class/faction combination as any of the companions, so if the winning combination matches one of them I'm going to take the most popular second-choice to not duplicate anyone - for example, if I get a human Shadow Dragon mage, I don't want to step on Neve's toes, but if Elf is a close second for race I'll switch to that and keep the other two winning choices.

Before the polls begin, here's the world my Rook will be trying to save:

My Warden was a female Elven mage, who romanced Leliana, brokered peace between the Dalish and Werewolves, destroyed the Anvil of the Void and saved the mages in the circle tower; Alistair Performed a Ritual with Morrigan so both survived, Alistair went on to be king, after which the warden worked with and spared the Architect.

Hawke was a female mage too, romancing Isabella - Carver's a Templar, Feynriel's in Tevinter, companions all survived on as good terms as they could

Inquisition it's back to being an Elf, still female, but a rogue now. She recruited the mages, re-united Celene and Briala, left Stroud in the Fade, recruited the Wardens, drank from the Well of Sorrows, got Bull excommunicated, Cole despirited, Blackwall put through his joining; Cullen stayed off the lyrium, Dorian told his father where to shove it, Cassandra rebuilt the Seekers, and with hardened Divine Leliana as her witness she disbanded the Inquisition to redeem Solas.

And I romanced Harding. But she deserves better than someone whose response to plotting chaos with Iron Bull is "all right, get it out of your system" so I suspect they've drifted apart by now on account of Harding being someone to knock out an assassin with someone else's beer so she clearly has more in her system where that came from.

[qqueenofhades]

Hey! I just found your blog and followed yesterday. Came for the fact that you're the only other person in this webbed site actually say out loud that they liked Biden, stayed for the hope and determination and perspective. Anyway just wanted to introduce myself and I hope you're coping well!

Hello and welcome to you and the other sudden flood of followers that I got after yesterday's event. I'm glad to have you and hope you are all in on the project of Kicking Fascism In The Shriveled Testicles 2024, American Edition. It's a dirty job, but someone's gotta do it.

Biden was not my first choice (far from it) in the 2020 primary process, but when it became clear that he was going to win the nomination, I supported him early and often. Trust me, this was not a popular position, and it remains so, but so be it. By any reasonable metric, he is the most progressive president we have ever had, it is a crying shame that the media is so beholden to the Trump Teat of Drama that they gave him such a kid-gloved free pass and ratfucked Biden instead, and it makes me worry, a lot, for American democracy. I have always gotten a lot of "you support everything Biden has done so you're awful and going to hell!!!" messages, because this sure is a Webbed Site Where We Piss On the Poor, and like -- I don't. I had major disagreements with Biden, especially on foreign policy! But because I apparently did not performatively self-flagellate myself in every post about how awful he was but maybe I guess vote for him anyway, that got some people very mad! It's also true that there's literally nobody in the world anywhere, especially and including in Palestine, that would benefit from Trump becoming president again! Especially since Biden at the NATO summit recently and explicitly endorsed progress on the ceasefire framework he has been pushing for several months! So unfortunately, we live in a society where shitty choices are necessary, and that is part of being a grownup!

....anyway. Deep breaths. Rant for later. Glad you're here. I have been desperately trying to Not Politic for a bit, since doing so on social media in the year of our lord 2024 is a recipe for swift insanity, but the world keeps taking a large dump directly on those plans, and I guess someone's gotta do it. In more normal times (OH LORD WHEN), you can expect history (I am an academic by trade), random posts, various asks, and sometimes a great deal of fanfic for assorted blorbos, though the Horrors have done a number on that and I am also working on an original fantasy trilogy at the moment. (Still deciding whether I should bother trying to agent it or just publish it on Amazon/Lulu/etc.) I have turned off anon for the moment because otherwise my inbox would be a nightmare beyond comprehension, but I do generally enjoy talking about things and/or answering them as much as I can. I am old, queer, tired, fueled by coffee and spite, have been politically conscious since the first Bush Jr. term and have therefore seen all the Anti Voting nonsense before (quick thought: if it was going to deliver the perfect Leftist Messiah and/or stop a flawed candidate from becoming president, don't you think it would have done so by now?) So yes. Welcome again and I hope you will enjoy (if that is the right word for it) your stay.

[lastoneout]

Making this it's own post bcs I don't want to detract from the racism discussion on the last post I reblogged(and also this is rambly as hell, sorry) but like I always find the critique that "x genre of music is only about drinking, sex, and violence" wild bcs....almost ALL music in every genre is about that?? Like with rap/hip-hop it ofc this argument ties directly back to racism but even with other genres that get shit on like country people are like "they just sing about getting beers with the boys and driving their trucks" like???? Yeah, I could grab 50 songs from other genres that are about that and beloved regardless??? Getting beers with the boys is a fucking cherished meme on this webbed site!! Or that one Ed Sheeran song people roast all the time like "how dare he write a song about finding his girl's body attractive" bro, are you new here. 99.9% of popular music is "my partner is really hot and I want to have sex with them" and that's like the ONE song of his I know of that's just about fucking like he writes about other stuff, people just ignore those bcs it doesn't fit the narrative of him being a shallow misogynist everyone here loves to drag around and beat like a dead horse.

Why is this a bad thing when people you don't like do it, but fine when the people you do like do it, huh? Hozier is one of the most popular artists out there rn, this site worships the ground he walks on, and yeah his music has a lot of layers of poetic meaning but a lot of it is just about sex and falling in love and violence and drinking. The two are not mutually exclusive!!

Which is kinda the root of it, them not being mutually exclusive, bcs imo even if a genre was entirely saturated with songs exclusively about drinking and sex(which no genre is, you just haven't gone looking for the other stuff), I just don't think that's a problem or means the music is bad or less artistically meaningful?? I genuinely don't think there's a damn thing wrong with writing a song or twelve about finding someone attractive or talking about the violence a lot of people live with every day of their lives or even just churning out a fun party anthem for people to play while they get white girl wasted at a tailgate. Who cares if the art is shallow, why does it have to be "deep" to be worthy of respect, and why does deep and worthy of respect mean "no sex, violence, or drinking", three things that have been part of the human experience since we fucking became humans!

Honestly if you really are looking down on rap and country for being about sex and drinking and violence I want you to ask yourself why you think some artists should be denied the right to write about shit everyone else is writing about all the damn time to massive critical acclaim. Why should black people and rural poor people and women(bcs this is also a critique I heard a LOT aimed at female pop stars) be denied the right to explore the full spectrum of human experience and emotion in their art. Why do they HAVE to tell stories about something else to be taken seriously when their fellow artists can churn out entire albums full of songs about sex and violence and partying and not have anyone bat a fucking eye.

And, on top of that, please ask yourself why you think that something can't be deep while being about sex, drugs, partying, and violence. Bcs that is some fucking discount moral panic bullshit that needs to get knocked out of your head before it festers and you start insisting people who like horror are weird because violence can't be art.

[virtualtadpole]

Thailand's "cute boy" craze: an explainer

Here's another repost from Reddit, originally from 2022. Since Perfect 10 Liners is currently airing with the "cute boy" page as a key plot point, this seems as good a time as any to re-share (remember that the original novel was first released in 2018). Sorry this one is a wall of text, I wasn't sure it'd be a good idea to include example photos involving people who weren't really public figures at the time.

Those of you following Thai BL will probably have come across this concept of "cute boy" social media fan pages, and might have wondered whether they're an actual thing. Or you may have heard of actors being one of their university's cute boys before joining the industry, and wondered what exactly that meant. Here's my attempt at an explanation.

The roots of the phenomenon go back at least to the popular Thai web forums of the 2000s, especially the youth-oriented Dek-D.com, one of Thailand's biggest and oldest web communities (also known as the web fiction platform which launched many BL novels). Dek-D's forums had a picture-sharing section, with a subsection dedicated to photos of cute guys and girls. It was still the early days of digital cameras and camera phones, and these posts were popular among the site's teen users. A few (mostly girls) who became noticed from these posts became Thailand's first "net idols", many of whom went on to join the entertainment industry.

The arrival of social networking sites around 2007 (first Hi5, then Facebook a few years later) helped facilitate these posts, as publicly posted photos became more easily accessible. The issue of privacy wasn't really on most people's minds then, and most of it was done in a light-hearted spirit. Being featured in these posts meant a boost in followers and online popularity, enabling more teens to become recognized as net idols, but it would be a few more years before this really meant anything. On the other hand, the social networking sites themselves would eventually bypass the traditional forums as a central venue for such posts, and an increasing number of Facebook pages (followed by dedicated Instagram and Twitter accounts) would be created to offer a curated experience instead.

The actual trend of "cute boy" pages took off in 2012, around the same time as the explosive growth of Instagram. Teens flocking to the platform (escaping Facebook, which was now full of parents) filled their public profiles with selfies and portraits of themselves, generating a steady stream of material that these pages could pick up to post and promote. This in turn gave the kids likes and followers, a mutually beneficial arrangement for most thanks to the platform's like-seeking culture.

Of course, not all of these proliferating pages featured teen boys. "Cute girl" pages have their share of followers, though they don't seem to be as visible or talked about, perhaps due to a combination of factors including the way society doesn't consider it as creepy for girls to openly ogle after boys compared to the opposite.

As competition grew, these pages diversified into several niches, including those covering specific schools and universities. Most of the school ones aren't that unusual, given that it's quite natural for students to talk about the popular boys and girls at school, and this had been a trend in school forums long before then. Most of them didn't last long though, as page administrators soon graduated and moved on.

However, things were different for certain high-profile schools, particularly the country's four oldest boys' schools, which participate in the biennial Jaturamitr football competition: Suankularb (SK), Debsirin (DS), Assumption (AC) and Bangkok Christian (BCC). The schools had always been well known, but the Instagram era launched an unprecedented wave of interest in their good-looking students, many of whom attracted huge numbers of followers just by being on Instagram. AC especially stands out in this regard, as Instagram allowed outsiders to glimpse into this exclusive boys' world that served as the basis of Love Sick, the source novel of which was begun in 2008.

Not only were cute boy pages created dedicated to these schools (some by outsiders), some of the boys became minor celebrities in their own right, with fans (mostly sao Y (the Thai term for fujoshi), and also some queer folk) meeting up with and photographing them in real life, especially at school events such as AC's Christmas fair and the Jaturamitr competition. And they were serious about it, coming equipped with professional DLSR cameras and huge telephoto lenses. The schools' student bodies leaned into this popularity, having the popular boys promote fundraising events and selling merchandise to their fans.

The relationship between the boys and their fans seemed to be mostly good, the boys appreciating the positive attention and the fans getting to stan someone much more accessible than the mainstream celebrity. And if they later became famous, then there's the pride of having known them before everyone else. These being sao Y, there sometimes is a bit of shipping, though mostly jokingly. Of course, this was not limited to boys from AC and the other Jaturamitr schools, but they were much more prominent.

This was the backdrop against which Love Sick launched its casting calls in 2014, which generated a huge amount of online buzz throughout the cute boy pages and fan Twitter. There's a reason the series featured such a huge cast with so many minor roles - to provide ample opportunity for fans to latch onto the actors and the show.

In some ways, the cute boy label served as a distancing from the previous term net idol, which by 2014 had begun to develop into a negative stereotype of people using their online fame to sell beauty products for easy profit, especially those livestreaming on emerging platforms such as Socialcam and Bigo Live and whose followers tended to be less sophisticated as opposed to the urban middle-class. Which is why most people appearing on cute boy pages tended to come from higher socioeconomic backgrounds, and much more attention was given to those focusing on elite schools and universities.

At the university level, cute boy (or other similarly named) pages associated with the country's top universities became very prominent online and also offline, often collaborating with the universities' student bodies to promote events and sometimes also assisting in the universities' PR for prospective students. Many universities already had a pageant culture in one form or another, with which these pages tied in well. Most prominent among the pages were Chula Cute Boy and TU Sexy Boy of Chulalongkorn and Thammasat, the country's two oldest universities. The two universities have an annual traditional football match, which the Cute Boy and Sexy Boy pages played large parts promoting in recent years, and is another event that attracts many fangirls.

Some have argued that the net idol phenomenon serves as a democratization of the entertainment industry, opening up opportunities for aspirants to directly connect to audiences as opposed to the traditional model where everything depended on one being picked up by an agency. But it benefits the traditional model as well. While in the old days talent scouts would look for teens hanging out at Siam Square, today they only have to scan the cute boy pages. Many BL actors were discovered this way. Inn Sarin was a long-time favourite of Chula Cute Boy, and Up and Mix first became widely known from there as well. Many others have likewise previously been featured in various cute boy pages, and practically all of the younger actors who joined the industry more recently probably had strong followings before their debut.

But the craze might be coming to an end. While there have long been concerns over today's youth's obsession with looks, and the university cute boy pages have from the beginning been criticized for promoting shallow images of their universities at the expense of academic aspects, they didn't really have any effect on the trend. But this began to change in 2020, when a widespread youth protest movement swept through school and university campuses and liberal progressive ideas rose to the fore. The issue of "beauty privilege" became one of many perpetual topics of discussion, and many began calling for an end to university cute boy pages. Thammasat, long regarded as the university with the strongest student activism, saw the TU Sexy Boy page shutting down (though the admin cited personal reasons and it was never confirmed whether this was in response to the criticism). Many people seem to have stopped tweeting cute boy pictures since then.

On top of the political mood, the pandemic's disruption of normal school life also interrupted the cute boy momentum, as many photo opportunities dried up. Long-time page admins and fans outgrowing the topic and losing interest might also be a factor. The Chula Cute Boy page has also been inactive since late 2020, for undisclosed reasons.

The future seems at best unclear for now. There are still many active pages out there, but on the whole, from what I've seen, there does seem to be a loss of interest. If younger netizens are indeed disinclined to craze after them the same way, the era of cute boy pages might very well soon be over.

Or maybe they've just moved onto TikTok, and I haven't found out how.

----

In the above original post, I neglected to go into the phenomenon of real-people shipping, so I'm attaching this comment from later as an addendum:

Regarding real-people shipping, there are probably two lines of origin that influenced the practice. First is the rise of K-pop and the shipping culture that came with it, which led to a proliferation of online fanfiction in dedicated Thai web communities and a shipping culture forming around the reality singing competitions which were the talk-of-the-town entertainment programs in the 2000s. One of the first really famous shipped pairs was Nat and Tol from Academy Fantasia season 4 in 2007. (That is Nat Sakdatorn, whom you may recognize as the uncle from Never Let Me Go, among many other roles.)

The other origin is the rise of "net idols", which followed the arrival of social media sites (in Thailand this was led by Hi5 in 2006). I covered this in more detail in my post on Thailand's "cute boy" craze, but didn't really touch upon the shipping aspect. Indeed, a significant shipping culture did form (a few years later) around net idols/cute boys. At first this focused more on (people who were believed to be) real-life couples, like Both and Newyear, who became famous in 2012. From there, manufactured/imaginary couples naturally followed in hopes of cashing in on the popularity of such shipped pairs.

I'm a bit hazy on when the shipping of actors as couples actually became a regular thing in the BL industry. While the practice of fanservice moments on the promotion circuit go back at least to The Love of Siam, I don't think there was significant shipping of the actors' real-life persona, and the same seemed to be the case with Love Sick, especially after the series ended. The first actor pair to become shipped as such was probably Krist and Singto from SOTUS, and the practice quite definitely became a thing after that.

----

Postscript: Thanks for reading, and sorry the writing in this one isn't as good as the other posts I've shared. If you're interested in further reading on the topic, I can recommend the article The Yaoi Phenomenon in Thailand and Fan/Industry Interaction. (2019). Plaridel, 16(2), 63–89 by Assoc. Prof. Natthanai Prasannam, one of the leading Thai academics on BL/Y culture in Thailand.

[mostlysignssomeportents]

Pluralistic is four

I'm on tour with my new novel The Bezzle! Catch me TOMORROW in SALT LAKE CITY (Feb 21, Weller Book Works) and then SAN DIEGO (Feb 22, Mysterious Galaxy). After that, it's LA, Seattle, Portland, Phoenix and more!

Four years ago, I started pluralistic.net, my post-Boing Boing, solo blog project: an ad-free, tracker-free site that anyone can republish, commercially or noncommercially. It's been a wild four years, featuring over 1,150 editions, many consisting of multiple articles:

https://pluralistic.net/2020/02/19/pluralist-19-feb-2020/

As a project, Pluralistic has been a roaring success. I've published multiple, significant "breakout" articles that popularized obscure, important, highly technical ideas, most notably "adversarial interoperability":

http://pluralistic.net/tag/adversarial-interoperability

"End-to-end" as a remedy for multiple internet ripoffs, including as a superior alternative to link-taxes as a means of saving the news industry from Big Tech predation:

https://pluralistic.net/tag/e2e/

and, of course, "enshittification":

https://pluralistic.net/tag/enshittification/

These are emblematic of the sorts of ideas that I've spent the past 20+ years trying to popularize in tech-policy debates dominated by technologically illiterate policy ideas ("abolish Section 230!") and politically illiterate technical ideas (so many to choose from, but let's just say "cryptocurrency"). They require that the reader come along for a lot of cross-disciplinary analysis that often gets deep into the weeds. These are some of the hardest ideas to convey, but nuanced proposals and critiques that work on both political and technical axes are the best hope we have of successfully weathering the polycrisis.

Blogging has always been a part of this project. For nearly 20 years, I posted nearly every day on Boing Boing – 53,906 posts in all! – taking note of everything that seemed important. Keeping a "writer's notebook" in public imposes an unbeatable rigor, since you can't slack off and leave notes so brief and cryptic that they neither lodge in your subconscious nor form a record clear enough to refer to in future. By contrast, keeping public notes produces both a subconscious, supersaturated solution of fragmentary ideas that rattle around, periodically cohering into nucleii that crystallize into full-blown ideas for stories, novels, essays, speeches and nonfiction books. What's more, those ripened ideas are supported by a searchable database of everything I've thought about the subject, often annotated by readers and other writers who've commented on the posts. I call this "The Memex Method":

https://pluralistic.net/2021/05/09/the-memex-method/

Pluralistic marks a new phase in my deployment of the Memex Method. With 50K+ notes in a database, I've gradually turned Pluralistic into a forum for far more synthetic, longer-form work that pulls on threads from decades of research into nothing in particular and everything that seemed important.

Pluralistic is also an experiment in retaining control over my destiny – but not my work. Rather than hitching my ability to reach an audience through a platform that can be enshittified at the whim of a mercurial, infantile billionaire or their venal, callous shareholders, Pluralistic is published web-first, on a site I control, and then syndicated to every platform that matters to me. It's a process called POSSE (Post Own Site, Syndicate Everywhere):

https://pluralistic.net/2021/01/13/two-decades/#hfbd

I want to spread the ideas I fight for, so I post them everywhere, and license them Creative Commons Attribution-Only, encouraging others to repost them. Lots of small sites do this, but so do large ones. Notably, Wired picked up my first breakout piece on enshittification and republished it under the CC terms:

https://www.wired.com/story/tiktok-platforms-cory-doctorow/

This was a really interesting process. On the one hand, I didn't get paid for this feature, which did really well for Wired. On the other hand, nearly 30 years of writing for Wired makes me doubtful that I could have gotten this piece out in the form it emerged, without substantially toning down (or, if you prefer, neutering) the rhetoric that made that piece more persuasive. A commissioning editor from one of the largest newspapers in the world got in touch with me after it came out and said they wished they'd published it – but also that they knew they couldn't possibly have done so. By publishing the story first on my blog, proving its audience, and establishing its canonical form, I was able to get it amplified by a service with a much bigger platform than me, without having to compromise on the form.

That republication gave me the much-maligned "exposure" – but it also carried the message to places it wouldn't have reached on its own. I don't write – have never written – solely as an income source. As both an artist and an activist, connecting with audiences has always been co-equal in my mind with earning my living. That's why I don't do a lot of film-writing: it pays well, but most of it never sees the light of day. It's also why I stopped writing for ad agencies: it paid well, but it didn't matter to me or my audience. To mangle Dr Johnson: "No man but a blockhead ever wrote solely for money."

The open nature of this blog, with its many open syndication channels, creates multidirectional pathways for evaluating and refining my attempts at making my ideas understood and my art land. My posts often circle back to points I made earlier, incorporating useful feedback from readers and colleagues, sure, but also anticipating and rebutting those areas where critics have convinced others in various forums. Vanity searching is unjustly maligned: I learn a ton about how to make by work better by lurking in Reddit comments, Hacker News, Twitter, Slashdot, Metafilter and other forums. I also take a sneaky pleasure in knowing that the persistent trolls who reliably pop up to grind their weird axes about me (sometimes referencing blog posts I made decades ago) have taught me how to neutralize them in advance, and it's delightful to see them try their same old lines, only to have other commentators point out that my latest piece makes it absolutely undeniable how wrong they are. Living well is the best revenge, indeed.

Four years. I've been writing Pluralistic for four years. During that time, I've published eight books – and beyond any doubt, Pluralistic helped me get those books into readers' hands. But far more importantly, during that time, I've written nine books – and contracted for a tenth – as the Memex Method paid off again and again.

I don't know how long I'll do Pluralistic for, but I don't foresee stopping any time soon. What's more, no matter what happens to Pluralistic, I can't ever see giving up on the Memex Method, keeping notes in public and making them work for me.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/20/fore/#synthesis

[derinthescarletpescatarian]

hi derin! i’ve been following you for a little while, and also bemoaning the nature of publishing fiction (indie or trad) for a little bit longer than that, and i only just realized today that…of course web serials are a thing i can also do!

i really love the idea of publishing serially (though i’m not totally sure i CAN, i’d like to try), so while i add this to my list of potential paths, do you have any advice for getting started? building an audience? marketing? figuring out if writing/publishing this way will work for you to begin with?

i know that’s a lot of questions, and you don’t have to answer all of them! i’m throwing spaghetti at a wall out here. i hope you have a good day though, and thanks in advance!

Getting started in web serial writing

Web serial writing has the lowest barrier of entry of any major method of publishing your story. You can literally just start. There are two steps:

start writing your story

decide how/where you want to publish it

The writing part, I assume you have handled. The important thing to note here is that you gotta see the project through. Start and don't stop until you're done. For publishing, you have a few options:

1. Publish on a website designed for web serial novels

There are a few of these around, they're usually free to publish on (although most offer a paid account to give you ad space or boost you int he algorithm or whatever), and your best choice generally depends on which one happens to gravitate to a niche that best suits your kind of work. The big names in this industry are Royal Road and Scribblehub, which, last I checked up on them (about a year ago) tended towards isekai and light erotica respectively. (You absolutely can publish outside these niches on these sites, it's just much harder to get traction.) Publishing somewhere like this comes with multiple advantages. Firstly, there's a writing community right there to talk to; there's usually a forum or something where people gather to talk about reading or writing on the site. Second, the site itself is designed specifically to publish web serials, and will come with a good layout and hit trackers and 'where you left off' buttons for the reader and all that; generally all you have to do is copy-paste the text of a chapter into the page and the site will do everything else for you. Third, there's an audience sitting right there, browsing the 'latest arrivals' or 'most popular' page of the site; if you can get high in the algorithm, you have to do little if any marketing.

The downsides of such places usually come down to the same things as the advantages. Such sites are a flooded market. Your story absolutely will drown in a sea of other stories, a great many of them terrible, and most of them with the advantage of catering to the site's niche. Gaining an audience there is often a matter of trying to game an algorithm, and the community can be... variable. Some of these places are nice but most of them are a bunch of authors trying to tear down everyone around them to make their own work look better by comparison int he hopes of poaching audiences for their story instead. If you go this route, I'd recommend shopping around for a site that fits you personality and writing style (or just posting on many sites at once; you can also do that).

These places also tend to get targeted by scrapers who will steal your story and sell it as an ebook, which is very annoying.

2. publish on another site

Plenty of people publish web serials here on Tumblr. I do not know why. This site is TERRIBLY set up for that. It makes tracking stories and updates a pain in the arse (people end up having to *manually tag every reader whenever they post an update*), building and maintaining archives are annoying, community building is surprisingly difficult for a social media site, and it's just generally far more work for both writer and reader than it needs to be. You often do have a ready-made audience, though.

This does tend to work better on other sites. Reddit has multiple communities for reading and writing various types of fiction; publishing on these is a bit more work than somewhere like Royal Road, but not very much, and many of these communities are very active. There aren't as many forums around as there used to be, but you might be able to find fiction hosting forums, if that's what you prefer. And of course, many writers who simply want to write and don't mind not being paid choose to write on AO3.

These sites are a good middle ground compromise for people who want a ready-made community and don't mind putting in a bit of extra work.

3. make your own site

This is what I did. You can make a website for free, giving people a hub to find you and all your work, designed however you like. You can also pay for a website if you want it to be a little bit nicer. This option is the most work, but gives you the most control and leaves you free of having to worry about any algorithm.

The obvious downside of this is that there's no community there. If you host your work on your own website, you need to bring people to it. You need to build an audience on your own. This is not an easy thing to do.

Building an audience (general advice)

Here is some general advice about building an audience:

1. Consistency. Consistency. Consistency.

If you want people to read your writing, the best piece of advice I can possibly give you is have an update schedule and update on time, always. If you need to take a break, give people as much warning as possible and tell them exactly when you will be back, and come back then. Do not take unnecessary breaks because you don't feel like writing. (Do take breaks if you get carpal tunnel or need time off for a major life event or something -- your health is more important than the story.) If you're taking a lot of breaks to avoid burnout, you're doing it wrong -- you need to rework your whole schedule from the start and slow down updates to make these breaks unnecessary. Two chapters a month with no breaks is a billion times better than four chapters a month with frequent burnout breaks.

Consistency. Consistency. Consistency.

A reliable schedule is the #1 factor in audience retention. If readers need to randomly check in or wait for notifications from you to check if there's an update, guess what? Most of them won't! They'll read something else. You want your audience to be able to anticipate each release and fit it in their own schedule. I cannot overstate the importance of this.

2. If you can, try to make your story good.

We writers would love to live in a world where this is the most important thing, but it actually isn't. Plenty of people out there are perfectly happy to read hot garbage. How do I define 'hot garbage'? It doesn't matter. Think of what you would consider to be just a terrible, no-effort, pointless garbage story that the world would be better off without. Someone is out there writing that right now, making US$2,500/month on Patreon.

It is, however, a real advantage if you can make your story good. At the very least, it should be worth your audience's time. Preferably, it should also be worth their money, and make them enthusiastic enough to try to get their friends into it. Managing this is massively advantageous.

3. Accept that you're not going to get a big audience for a really long time. Write consistently and update on schedule every time anyway.

It took me over a year to get my second patron. For the first year, I updated Curse Words every single week, on schedule, for over a year, and had maybe... four readers. One of them was a regular commenter. One of them was my first patron. There was no one else.

My audience has grown pretty rapidly, for this industry.

You're not gonna start publishing chapters for a big, vibrant community. You're just not. And you have to keep going anyway. These days, I have a pretty good readership, and those couple of loyal readers (who I appreciate beyond words) have grown into a much larger community, who hang out and debate theories with each other and liveblog and drag in new readers and make fanart. My discord has over 550 members, with volunteer moderators and regular fan artists and its own little in-jokes and games and readers who make a point of welcoming newcomers and helping them navigate the discord, all with very little input from me. I start crying when I think about these people, who do the bulk of my social and marketing work for me just because they want to help, and my patrons who, after writing for over 4.5 years, have recently helped me pass an important threshold -- my web serial (via patreon) now pays my mortgage repayments. I can't live off my writing alone, but boy is that a massive fucking step.

You're not gonna have that when you start. You're gonna have a couple of friends. And that's it. Maybe for a year. Maybe less, if you're good at marketing and lucky. Maybe longer.

You have to update on schedule, every time, anyway.

Building an audience (more specific advice)

"Yeah, that's great, Derin, but where can I find my fucking audience?" Well, if you publish on a web serial site, then the audience is there and you jsut need to grab their affention using the tools and social norms offered to you by the site. I utterly failed at this and cannot help you there. You can still use these other tips to bring in readers from off-site.

1. Paid ads

I've never paid for ads so I can't offer advice on how to do it. I've Blazed a couple of posts on Tumblr; they weren't helpful. This is, however, an option for you.

2. Actually tell people that your story exists and where they can find it.

I used to have a lot of trouble with this. I didn't want to bother people on Tumblr and soforth by telling them about my personal project. Unfortunately you kind of have to just get over that. Now I figure that if people don't want TTOU spam, they can just unfollow me. If you're like me and want to just politely keep your story to yourself... don't. You're shooting yourself in the foot doing that.

You need to mention your story. Link your story in your bio on whatever social media sites you use. Put it in your banner on forums. Make posts and memes about it. Eventually, if you're lucky, extremely valuable readers will start to talk about your story and meme and fanart it for you, but first, you need to let them know it exists.

It will always feel weird to do this. Just accept that people can unfollow you if they want, and do it anyway.

3. Leverage existing audiences and communities

Before I started doing this web serial thing, I used to write a lot of fanfic. The original audience that trickled in for Curse Words comes from AO3, where I was doing a full series rationalist rewrite of Animorphs. They knew how I wrote and wanted more of it. Nowadays, I still occasionally pull in readers through this route. Most of my new readers these days come from a different community -- people who follow me on Tumblr. Occasionally I bring in people who don't follow me because we'll be talking about how one of my stories relates to something different, and fans of that thing might decide they want to check my stories out.

Your first readers will come from communities that you're already in and that are already interested in something similar to what you're doing (people reading my fanfic on AO3 were already there for my writing, for instance). Keep these people in mind when you start out.

One additional critical source of existing communities is your readers themselves. A huge number of my readers are people I've never been in any group with -- they were pulled in by their friends, relatives, or community members who were reading my stories and wanted them to read them too. This is an absolutely invaluable source of 'advertising' and it is critically important to look after these people. enthusiastic readers, word-of-mouth advertisers, and fan artists are the people who will bring in those outside your immediate bubble.

4. Your "where to find me" hub

If you're publishing on your own website, you can simply link everything else to your homepage, and put all relevant links there. For example, I can link people to derinstories.com , which links out to all my stories, social media I want people to find me on (you don't have to link all your social media), patreon, discord, et cetera. If you don't have your own website, you're going to have to create a hub like this in the bios of every site where you garner audiences from. This is the main advantage of publishing on your own website.

Monetisation

There are a few different kinds of monetisation for web serials, but most of them boil down to 'use a web serial format to market your ebook', which to be honest I find pretty shady. These authors will start a web serial, put in enough to hook an audience for free, and then stop posting and release an ebook, with the intention of making readers pay for the ending. Now, to be clear, I am absolutely not against publishing and selling your web serial -- I'm doing exactly that, with Curse Words. I am against intentionally and knowingly setting up the start of a web serial as a 'demo' without telling your audience that that is what you are doing, soliciting Patreon money for it, and then later yanking it away unfinished and demanding money for the ending.

Monetisation of these sorts of stories is really just monetisation for normal indie publishing with the web serial acting as an ad, and I have no advice for how to do that successfully.

Your options of monetisation for a web serial as a web serial are a bit more limited. They essentially come down to merchandise (including ebooks or print books) or ongoing support (patreon, ko-fi, etc.) Of these, the only one I have experience with is the patreon model.

This model of monetisation involves setting up an account with a regular-donation site such as patreon, providing the base story for free, and providing bonuses to patrons. You can offer all kinds of bonuses for patrons. Many patrons don't actually care what the bonus is, they're donating to support you so that you can keep writing the story, but they still like to receive something. But some patrons do donate specifically for the bonuses, so it's worth choosing them with care.

The most common and most effective bonus for web serials is advance chapters -- if people are giving you money, give them the chapters early. You can also offer various bonus materials, merchandise, or voting rights on decisions you need to make in the future. 'Get your character put in the story' is a popular high-tier reward. If you're looking for reward ideas, you can see the ones I use on my patreon.

Patreon used to offer the ability to set donation goals, where you could offer something when you were making a certain amount total or had a certain number of subscribers. They recently removed this feature because Patreon hates me personally and doesn't want me to be happy, so you kind of have to advertise it yourself now if you want to use these goals. I release chapters of unrelated stories at donation goals, and I found this to be far more effective than I thought it would be.

The important factor for this kind of monetisation is that it's ongoing. The main advantage of this is that it makes your income far more regular and predictable than normal indie publishing -- your pledges will go up or down over a month, but not by nearly as much as book sales can. The main thing to keep in mind is that it's not a one-time sale, which means that however you organise things, you want to make sure that donating keeps on being worth it, month after month. Offering bonuses that aren't just one-time bonuses, but things that the patron can experience every month, helps here. So does making sure that you have a good community where patrons can hang out with other patrons. (Offering advance chapters does both of these things -- the patron can stay ahead in the story and discuss stuff with other patrons that non-patrons haven't seen. I've found that a lot of my patrons enjoy reading an emotionally devastating chapter ahead of time, discussing it, and then all gathering a week or two later to watch the unsuspecting non-patrons experience it for the first time.)

Whatever method you use for monetisation, rule #1 is (in the words of Moist Von Lipwig): always make it easy for people to give you money. The process of finding out how to give you money should be easy, as should the process of actually doing it. And, most importantly, the spender should feel like it's worth it to give you money. This is a big part of making it easy to give you money. Make your story worth it, make your bonuses worth it, make sure that they're happy to be part of your community and that they enjoy reading and supporting you. And remember that support comes in many forms -- the fan artist, the word-of-mouth enthuser, the person who makes your social hub a great place to be, the patron, all of these people are vital components in the life support system that keeps your story going. And you're going to have to find them, give them a story, and build them a community, word by word and brick by brick.

It's a long process.

Good luck.

.

[writingquestionsanswered]

Have you got any advice/resources for non US writers trying to write something set in America? The internet is so US centric that it’s kind of tricky to find research sources that don’t assume you know a lot of things already, making it difficult to work out cultural differences I should be aware of, or to find points of reference I can properly understand. I need a part of my story to take place in the US and I want it to fee asl accurate as I can get it (but I can’t afford to fly over)

Non-U.S. Writer Setting Story in U.S.

I don't know of any resources dedicated specifically to non-U.S. writers who want to set their story in the U.S., but keep an eye on the comments in case anyone knows of any.

The cultural differences you'll need to be aware of depends on your own culture, where in the U.S. your story is set, and who the specific characters are, as many places in the U.S. culturally diverse.

Google Searches - Specific Google searches may be your best bet. Like, for example, "What are some cultural differences between Tokyo, Japan and Atlanta, Georgia?" You can also try something like, "What is the cultural makeup of Atlanta, Georgia" (for example) and then research those specific cultures. And, to get a feel for the general city/state/regional culture, you can try searches like, "What is the culture of Atlanta, Georgia" or "What is the culture of Georgia, U.S.A. like?"

Groups and Forums - Groups and forums (such as on Facebook, Discord, and different web sites) can be a great way to chat with others about specific topics. If you can find travel groups/forums based in your country, you might be able to find posts about traveling to the location of your story setting. Or, you could post and ask if anyone from your country has traveled there and what it was like.

Blogs, Vlogs, and Articles - You can also look for travel blogs written by travelers from your country, as well as travel vlogs on YouTube, to see if they have gone to the location of your story setting. Travel articles in online travel magazines published in your country are another option.

Location-Based Web Sites - Most towns, cities, counties, states, and regions have their own web sites and web-based travel guides geared toward visitors. For example, if you Google, "Visit Atlanta, Georgia, U.S." the first hit is a web site called "Discover Atlanta," which features information about things to do, popular events, areas of the city, getting around, and more. In fact, under their "visitor guides," they have a guide specific to international visitors available in multiple languages. Odds are, other big cities as well as states will have something similar.

My post Setting Your Story in an Unfamiliar Place has some other general suggestions that might be of help. You can also send your questions here, and I can do my best to answer them as will others in the community who are from/familiar with the location of your story.

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[identityarchitect]

if im being honest its also kind of fucking terrifying every time a post making fun of people who cant write emails or make phone calls or stutter when telling the barista they got their order wrong or cant tell the barista they got their order wrong at all gets popular.

i was not on this website during the height of ace discourse (thank fucking god) so this comparison may be unwarranted but it feels kind of like that, right? posts get popular that make fun of you and yours, not just your struggles but your joys, posts where someone tries to explain and gets shut down because people find it funny to be bigoted towards you.

sometimes, posts come across my dash, reblogged by people i consider myself genuine friends with. these posts read: im not worried about threats from people on this site because most of you cant even make a phone call. i can barely handle a web chat, no mic or video. i don't say that. these posts read: you need to eat more veg. being autistic doesnt matter. i can count the amount of regularly available safe foods i have the energy to make on one hand. i don't say that. these posts read: we need to make using chatgpt embarrassing wdym you cant write an email. i can't write an email and because i refuse to use chatgpt i either need to get my carer to do it for me (and he's disabled too), or make it the only thing i do that day because of how much energy fighting the anxiety takes. i don't say that.

and it's terrifying. knowing that those people, however much i consider myself friends with them, no matter how many conversations we have, how much we know about the other - they would still rather throw me under the bus. for a funny post.

[crownmemes]

Advice; Where to Make Rules and About Pages

If you've read my advice post about the difference between about and rules pages and why they're both important, you may not be wondering the best way to make them. The good news is, there are plenty of options!

Tumblr

The simplest choice. In the past, people would make custom pages on their theme. However, since dash view has become popular (and you can't view custom pages via it, nor can you view them on mobile), most people simply post their about/rules page as a normal text post, and link to it in their pinned post. If you have a custom theme, make sure to link the pages in the navigation bar too!

Using a plain Tumblr post increases your page's readability, but reduces the amount of formatting you can do. If you make your pages elsewhere, you will be able to customise them a lot more.

Carrd

A free website maker. You can make a small site with a free account, and the prices are pretty reasonable if you need to make a bigger site. Carrd has a minimalist aesthetic, and it will also adjust what you make to fit a mobile browser (though this may break your formatting if you have designed something complicated).

Carrd is easy to use, but it is best used for simple designs. If you want to do something more complicated than a basic Carrd layout, you're going to spend a lot of time trying to make the formatting work. If you want multiple pages for your site, you're also going to spend a lot of time formatting as you can't clone pages, therefore have to recreate each one every time instead.

It uses markdown for formatting text. If you're familiar with it, this can speed up writing, but it may slow you down if you've never used it before.

One of the benefits of Carrd is that there are lots of free templates available within the rpc! Here are resources I found with a quick Google search, but there are plenty more out there if you look for them: [x] [x] [x]

Weebly

Another free website maker. You can make more for free here than you can on Carrd. Weebly sites should adapt to work on a mobile browser.

I've never seen anybody use Weebly for about/rules pages, but I do recommend it! It's very easy to use, and, unlike Carrd, you can copy and paste entire pages. This makes it ideal if you have lots of muses that you want to make individual about pages for.

It uses a more typical text editor than Carrd. Instead of markdown, it's more like Microsoft Word - where you highlight text and click buttons to add formatting. You also have HTML/CSS options.

Weebly does offer some free templates, but you're likely to want to edit them to suit your needs more. This is okay! It isn't difficult to do!

Google Docs

A popular, completely free option. As with Carrd, there are plenty of templates and resources within the rpc (here are three examples: [x] [x] [x]). These pages will be viewable on a mobile browser, but the theme may not translate well. Keep readability in mind if you use this option.

If you use this option, also make sure the link you share is viewer only and doesn't have editor permissions!

Other Options (WordPress, Self-Hosting, etc)

Don't feel you have to follow the crowd. If you like to use WordPress, use WordPress. You could also use Neocities, or any other website builder!

Personally, I already own a web domain because I have websites for other online activities, so I use about pages that I've coded from scratch and host them myself. For my rules page, I just use a Tumblr text post that's linked in my pinned post. In the past, I've used Carrd and Tumblr pages for about pages.

If you want to write your site using HTML, some free website hosters will allow you to do this (Neocities, for example). If you're interested in coding, I do recommend this! It allows you to have full customisability, and coding can be a really useful skill. However, one downside of this is it can make your pages hard to read on a mobile browser. It's up to you to decide how important this is.

If you're interested in learning HTML (as well as CSS, JavaScript, and other coding languages), this site is a great resource!

[dying-signals]

Nekoweb: An alternate static site host that may fit you!

On the topic of digital mutual support, did you know that nekoweb, is a static web hosting platform similar to Neocities, however offers a considerable number of features and pros, some of the most important in my opinion are access to file types and coding options that make automation and customization broader than ever, a cheaper membership plan that supports an active development and moderation team, and the ability to allow multiple users to edit a site!  This last feature let me help @goobergrove get their original site set up! Web development and making websites does not have to be a solo venture, you can help your friends! While Neocities is quite popular due to the oldweb revival scene, and the lasting legacy of the now defunct Yesterweb, nekoweb may be a fantastic platform for people looking to leave Tumblr and such but not necessarily abandon the web entirely. I'll keep posting resources, but this is a place to start. Read the full article

[writers-potion]

Writing Webnovels 101

There is one key difference between printed/ebooks and a webnovel: you need to adapt your writing for a highly distracted audience.

Unlike a traditional reading experience, people reading on the web have a gazillion other tabs, windows and notifications demanding their attention. So, here are some things to keep in mind when you’re writing for a digital platform.

Short, To-The-Point sentences

Keep your sentences short so that the reader doesn’t lose themselves in the middle.

Keep descriptions short and to the point while focusing on the action of the story.

Fast-paced

Each chapter must have significant action that contributes to plot progression.

Use well-placed cliffhangers that wouldn’t lose the reader in between chapters.

Trope-Led Story

The function of tropes is to provide a distracted reader with a ready-built framework to understand the story.

Using the right tropes is also important to attract your target audience since it tell up upfront about what kind of experience they’re going to have.

Emotion-Led Story

Deliver emotional highs and lows right off the bat, because big, intense emotion is what the readers are looking for.

Emotional information is easier to digest and retain than technical description.

Big emotions are easier to hook into and relate to.

Linear Storyline

Keep flashbacks, flashforwards, time skips to a minimum.

For a distracted reader, a straightforward timeline is a lot easier to understand and return to after a hiatus.

Focused Plot

Having multiple subplots weaving in and out of each other is probably not the best idea.

Keep delivering the emotional experience that the reader is looking for and provide only relevant information.

Technicals

Choosing the right platform

There are so many ways you can write online, from building your own website to writing short episodes on social media platforms.

You can use: novelfull.com, readlightnovel.me, Ltnovel.com, Wattpad, Webnovel, Wuxiaworld, etc.

Before you start posting on a platform, research into the kind of readers it has, what are the most popular genres, etc. Make sure you are pitching to the right audience.

Promoting Your Work

Many writers now promote themselves through newsletters, Instagram, YouTube, etc. but for someone just starting out, creating digital content on top of writing can be tough.

Join a webnovel community and get to know some of your fellow writers! The goal here is not to span other established works to links of your site. As time foes on, linking to one another and making recommendations would come naturally.

Set a Realistic Posting Schedule

Your posting schedule determines how often your readers get to interact with the story world and with one another. It’s how often life gets breathed into your story.

However, going for five days a week isn’t going to be sustainable, unless your story is already finished.

There is no magic number, so figure out a consistent, regular schedule that you can stick to. At least once a week is recommended.

If you like my blog, buy me a coffee! ☕

References:

https://creators.wattpad.com/writing-resources/write-your-story/what-is-a-webnovel-indepth-guide/

https://www.drewhayesnovels.com/blog/2014/1/25/shit-i-wish-id-known-before-starting-a-web-novel

[the-sleepy-archivist]

Favorite Firefox Extensions

Firefox is a very extensible browser - through a combinations of addons and userscripts you can make it behave just about any way you want. The best part is, they're all free. Here are some of my favorites.

Note: if you have an Android device, check out my post about Firefox for Android's new extended support for addons!

Note: if you have an Apple device, check out my favorite Safari extensions here!

Last updated June 2024 (fixed link for Bypass Paywalls Clean).

Index:

uBlock Origin

Tab Session Manager

Sauron

Bypass Paywalls Clean

Auto Tab Discard

Video DownloadHelper

Highlight or Hide Search Engine Results

TWP - Translate Web Pages

UnTrap - YouTube Customizer

Indie Wiki Buddy

Cookie Auto Delete

ShopSuey - Get Rid of Ads on Amazon and Ebay

LibraryExtension

uBlock Origin

(compatible with Firefox for Android)

This is the first addon I install on any new Firefox browser. It's an adblocker, but at its core it can remove pretty much any HTML element from a website, and it comes with pre-configured lists for removing everything from ads to cookie banners to those annoying popups that ask you to sign up for email newsletters.

Tab Session Manager

Have you ever accidentally lost all your open browser tabs due to a computer update, or even just accidentally closing Firefox? With this addon you no longer have to worry about that - it automatically saves your open tabs and windows every time the browser closes, and autosaves a restore point of tabs every few minutes in case the browser crashes unexpectedly. Opening all your previous tabs and windows is a one-click deal.

Sauron

Ever wished your favorite website had a dark mode? With Sauron, now it can! Sauron attempts to intelligently figure out how to edit the color scheme of the web page (including text) to make it dark-mode friendly. It preserves the original color of images, but dims them so that they don't blind you. You can disable image dimming or dark mode on a site by site basis too. It's not perfect since it is making guesses about which colors to change, but it goes a long way toward making the internet an enjoyable place for me.

Bypass Paywalls Clean

This addon removes paywalls from hundreds of news websites around the world or adds links to open the article in a wrapper that provides the article text (like the Internet Archive etc.)

Auto Tab Discard

Ever wanted to keep a tab open for later use, but you notice the browser getting slower and slower the more tabs you have open? Auto Tab Discard will automatically "hibernate" tabs that you haven't used in a while so that they use less resources on your computer. It's smart enough not to hibernate pages that are playing media (like YouTube) or that have forms you haven't submitted yet (like job applications). You can customize how fast it puts tabs to sleep too and exclude certain websites from hibernating at all.

Video DownloadHelper

This addon can download streaming videos from most modern (HTML5) websites, and even finds soft subtitles that accompany the stream and downloads those too. Just browse to the webpage that has the video on it, click the icon in the Firefox toolbar, and select the video you want to download and click "Quick Download". For YouTube I would recommend using a YT downloader website (like KeepVid) to download the video directly, but Video DownloadHelper really shines for websites that aren't popular enough to have dedicated downloader websites like that. I've used it download videos from a Japanese film festival streaming portal, news websites, etc.

Highlight or Hide Search Engine Results

This addon allows you to blacklist websites and completely remove them from Google, Bing, or DuckDuckGo search results. Don't want to see image search results from AI websites? Blacklist them. Searching for tech support advice and getting frustrated by all the auto-generated junk websites that stuff themselves full of SEO terms to jump to the top of the search results without actually providing any information at all? Blacklist them so they don't come up in your next search. Conversely, you can also whitelist websites that you know and trust so that if they ever come up in future search results, they'll be highlighted with a color of your choosing for visibility.

TWP - Translate Web Pages

(compatible with Firefox for Android)

Does what it says on the tin: auto-detects a website's language and provides a button that can translate it to a language of your choosing. You can also just select individual text on the page and translate just that. Note that this sends whatever text you translate to the servers of your selected translation service (Google, Bing, Yandex, or DeepL), so keep in mind the privacy implications if you don't want your IP address associated with having read that text.

Edit: As of version 118, Firefox now has the ability to translate text locally on your computer, without needing to send it to a cloud service. You can enable this in Settings -> Translation -> Install languages for offline translation. Note that at this time (May 2024), 18 (mostly European) languages are supported. More info here.

UnTrap for YouTube

(compatible with Firefox for Android and they have a Safari for iOS extension too)

This addon lets you tweak the YouTube interface and hide anything you don't want to see. For instance, I hide all the "recommended" videos that come up when you search YT now. They have nothing to do with your search, so they're essentially just ads YT puts in your search results. I also hide Explore, Trending, More from YouTube, and Shorts sections, but you can customize it to fit your preferences.

Note: depending on the particular set of tweaks you want to make to YouTube, you may prefer to use YouTube Search Fixer instead. User preference.

Indie Wiki Buddy

I loathe Fandom.com wiki sites - they are cluttered and filled with ads and autoplaying videos that follow you down the page as you scroll. The organization is also hostile - if a community tries to leave their platform and bring their content to a new wiki hoster, Fandom bans them from the platform and reverts all their deletions/changes. Indie Wiki Buddy attempts to find an independent alternative for the wiki you're trying to browse and automatically redirects you to it, and if one doesn't exist, it will redirect you to a proxy site like antifandom or breezewiki that shows the Fandom content but removes all ads/videos/background images so you can actually, you know. READ it.

Cookie Auto Delete

(compatible with Firefox for Android)

Websites store "cookies" - little text files with info about you - on your computer as you browse so they can track you as you browse the internet. This addon automatically deletes cookies from a website a short while after you close the last tab you had open for that site. You can customize how long it waits before clearing cookies too. Note that this can sign you out of many websites, so you can whitelist any site you don't want cookies cleared for.

ShopSuey - Get Rid of Ads on Amazon and Ebay

Removes the ads/recommended products that clutter up Amazon and Ebay search results and product pages.

LibraryExtension

This fantastic addon recognizes when you are viewing a book on many popular websites and can automatically check whether that book is available in any of the library systems or subscription services you have access to, including how many copies your library(ies) have and how many are currently checked out. The best part is it shows the availability for physical books, ebooks, AND audiobooks at supported libraries. The extension currently supports libraries in Australia, Canada, Germany, New Zealand, the United Kingdom and the United States, but it also supports some global repositories like the Internet Archive and subscription services like NLS Bard for the blind and print disabled, Kobo Plus, Libro.fm, Anyplay.fm, Bookmate, and Everand. Great extension for people trying to support their local library and also save money.

Filtering+ for Tumblr

This addon lets you add tags or phrases to your tumblr tag filters with two clicks, without leaving the dashboard. I've been asking Tumblr for this tag filtering behavior on their mobile apps (i.e. press and hold a tag to get a filter option) for at least a year now in asks and surveys, without ever stopping to see if someone had already implemented this on desktop. More fool me. This addon is from the author of XKit Rewritten. Note that the right-click tag filtering only works on the dashboard; it will not appear if you are on someone's blog. Right-clicking selected text to filter the phrase works everywhere based on my testing.

[pintsizebear]

A guide on using RSS

This is an extension of my previous post about diversifying your internet use!

What is RSS?

RSS (short for Really Simple Syndication) is basically an update log for a website. When a site has new content the RSS feed will update, and an RSS reader will show what's on the RSS feed. Think of an RSS reader like a centralized timeline/dashboard for all your favorite sites.

Why use RSS?

The most important reasons are to reduce your reliance on any one site, and to save time by compiling all the websites you check in one place instead of having to visit each one individually.

There's also no algorithm that decides what you see (or don't see.) No more shadowbanning, it's all where it's supposed to be. Plus, it makes it incredibly easy to jump ship from a platform that's endlessly fucking up, without having to start over entirely or maintaining profiles on 20 different sites.

Examples of websites that have RSS feeds:

Blogging + Social media sites (tumblr, cohost, blogspot, livejournal, mastodon, bluesky social, reddit, etc)

Video sites (youtube, dailymotion, vimeo, etc)

Podcasts

Forums

News sites

Personal websites (if the person running the site has added one. Here's a guide on adding an RSS feed to your own website! And here's a shorter one!)

How to use RSS?

You will need an RSS reader. I personally like and use Feedbro, which is a free browser extension (available on chrome, firefox, and microsoft edge.) Feeder is free and popular on android. Chrome on android also has a built-in RSS reader that can be enabled. Feeeed is a good free option on iOS.

How to find RSS feeds?

Some RSS readers like Feedbro are able to automatically find the RSS feed for a page with minimal effort on your part, you just click a button and it'll pull up the info.

Others will need you to paste the feed URL into a box, which isn't particularly hard either. There's a few ways to find an RSS feed URL. Some sites will have a direct link to it. It'll usually be an orange icon that looks something like this:

Less commonly, it'll be a link that says "subscribe", "web feed", or just a + icon.

Many sites don't have a direct link listed anymore, but that doesn't mean they don't have an RSS feed. A simple tool for finding unlisted feeds is Thirdplace Discovery. On that website, you paste the URL of the site or page you want the feed of, and you're given the URL of the feed if it exists.

Some sites simply don't have their own RSS feeds. That can often be worked around with tools like OpenRSS, RSSHub, or RSS.app!

It's also worth suggesting for websites you like to add their own RSS feed or to add the link in an accessible place. The more interest people show in it, the more likely it is to be supported.

That's about all you need to get started!

RSS is infinitely useful and customizable, it's worth trying out at the very least. Once you get settled in, it's very easy to use.

There's a huge amount of RSS reader options out there. Don't like the reader you started out with? The vast majority of them will let you export your subscription list as a file that can then be imported into a different reader! Feel free to experiment with different options to see which one you like best.

Also feel free to ask questions if you have them!