#my memories dont matter my life doesnt matter

[xsaintseraphx]

i try to trick myself into thinking that my art matters. that i matter. but who am i kidding. i dont matter. my art doesnt matter.

[bloodcoveredgf]

longlegs is a movie about mother/daughterhood for real. throws up thinking about it actually

[opens-up-4-nobody]

...

[nero-neptune]

still watching manhunt. there's something about seeing black people in shows or movies set in the 1800s. there's this mix of sadness and anger i always feel bc the fucking unfairness makes me sick. and if it's something set the south? then i know that members of my family i'll never know would've experienced that. it would've been All they ever knew.

i always say "i'd hate to live back then" (bc um! i would!!), but i have to remember that they still lived. they had lives, despite the shit they had to endure. at the end of the day, the very fact that i'm alive means that plenty of my black ancestors existed and lived their lives while black in america (the american south, at that). through slavery, emancipation, segregation, integration, and on and on. so idk. i'm sure there were many different things in their lives that made their lives worth living. if nothing else, it was a life. and i doubt they saw their lives as some endless hopeless tribulation.

anyway, manhunt's a good show. got me pondering shit lol.

[featherymainffins]

I hate how this is all my fault because I am the stupid fool who broke no contact and now look at me! Look at me having to prepare myself for being hurt for god knows how long!

[29121996]

.

[redvore]

no fucking wayyy. lock in bra 😭😭😭😭

[phagodyke]

well.

[stinkyallegations]

cw TKaTB spoilers, theory, mention of guillotine, amnesia memories spoilers

TKATB and its characters belong to @fantasia-kitt !!

TKATB IS RATED +18. MINORS DONT INTERACT

Was about to post a theory about how sol could have been reincarnated to meet pumpkin again in a different timeline bc they werent allowed to be together in their own timeline, the bruise on his neck being an indication of being guillotined AND him giving purple tullips (sign of royalty and elegance) to pumpkin on valentine's, feeling insecure about his lunch (saying it isnt "extravagant" enough for pumpkin) and somehow using pardon me instead of excuse me (he doesnt usually use this type of elegant language i think. could be just me) kinda seems like we were royalty before? I mean, crowe mentioning marie antoinette and the game giving us many options for the question seems sussy to me. Why does MY opinion on the queen matter this much to both crowe and sol since their love meters go crazy with the answers? speaking of historical figures, i cant be the only one thinking sol WAS the "executioner". maybe that could be it. he was "the executioner" and we were a part of the royalty: swimming in money, expensive alcohol and the sweat of the peasants; and sol being one of them. Maybe we didnt even know who he was but him being a delusional yandere, he thought we were inseperable lovers. maybe that was why he was drawing someone in peasant clothes. He was just drawing his past life, could be the day he first saw us or the day he lost us. anything to support my theory? what inspired the game, ofc :D i was stalking fantasia's socials when i saw the game was was inspired by 3 gamea, one being Amnesia Memories (IM A HUGE FAN OF THAT SHIT). if you didnt know, amnesia memories is about a girl waking up with lost memories, trying to remember things. but bc it is an otome, she has a partner in every world she wakes up in. so if she fails to recollect her memories, she ends up in a different universe with a different partner. the relevance between tkatb and amnesia? in amnesia the final LI can also switch between different universes. he loses the mc in a fire and cant live without her. So a god helps him go to a different universe to be with her again. But everytime he goes to a universe, the world either kills the mc or him somehow. Following with pumpkin being royalty and sol not being able to live with us, what if after our death; he went to a different universe where we are classmates (equal parties!!) and now the entire purpose of his existence being, well, being with us forever?

But yknow. I decided not to post it since pretty much everyone already thinks this way! its probably what fantasia WANTS us to think to bamboozle us in the end, right? :3

P.S. not to mention his hatred for the rich. the rich and their stupid rules were the things that stopped him from being with us! but what if hyugo ALSO has switched universes along with him for his own reasons? Could this be the deal between the two, and the reason why hyugo wont allow sol to just die like that?

[3liza]

everyone arguing with material analysis/assertion about how art is a "luxury" has rarely if ever spent rent or food money on art, if they even pay rent or buy their own food, and if they did that would be considered extremely dysfunctional, and thats what i/we mean. artists are not providing a necessary service.

our plane crashes in the Andes and you are not particularly excited about my "can draw that Playboy centerfold of Marge Simpson from memory" like that is not an essential survival skill. lots of extremely skilled workers work in luxury artisan and craft jobs, it's not an insult to say even a very famous and very talented and influential artist is not producing a commodity necessary for the furtherance of human life. none of us are doing that, no matter how we stretch and strain the definitions of "essential" or even things like "morale" or "group identity". i will burn my copy of Finnegan's Wake to stay warm and thats what it comes down to.

i get foamy crazy snarling and biting about the idolization and obfuscation of what artists actually do because it is a labor issue! the public conception of artists as people possessed of a divine talent they dont consciously work to develop like any other skill, and the public idea that we are simply pleased and privileged to make art all day and "not work", something people say to my face every time i get asked "what i do", is largely responsible for the absolute dogshit reality of how subsistence and working class artists have to survive. we usually dont have health insurance unless we're so poor we qualify for medicaid AND live in a state that will enroll us. most of us are too disabled or crazy to go to a real job every day. most of us have tried, over and over, to enter the normal workforce, and have failed, and been forced to develop alternate skills that allow us to make rent in the ten hours per month we're actually functional. many of the artists i know work from bed because standing up is dicey. this has been turned into a charming eccentricity of famous artists and writers instead of people wondering why a person would need to stay in bed all day and take the enormous bother of bringing their stupid pens and paper and writing board or typewriter or whatever to their bed instead of just getting up and getting dressed and going to work. ive done this, i spilled ink in my sheets. its a huge hassle.

and artists play along with this mystique because people dont want to buy paintings from sadlords! they want to buy paintings and books and marge simpson nudes from cool guys who get a lot of chicks and wear rockstar outfits and party a lot, because of the transitive properties! of course!!! this is basic marketing!!!!! and if the artist doesnt play along they turn into Sad Story Artist where they're doing emergency commissions and posting about how sick they are all the time. this is not cool or fun or sexy. it's a sand trap and its very hard to recover from. im struggling with this right now!

famous and successful artists and writers are constantly ending up 60-90 years old with cancer and multiple sclerosis and dementia, being the subject of some sort of public, last-ditch, humiliating GoFundMe because painting paperback covers fr 60 years means you dont get a pension, you often dont even have kids who can take care of you, you dont have life insurance, you dont have health insurance. 'died penniless and alone' is one of the stereotypical artist endings for a reason, that is not fiction. this happened to more artists than i can list on two hands. look up what happened to Peter S. beagle, the guy who wrote The Last Unicorn. you write a book like that you should be set for life, right? NO. thats not how it works

i'm not saying 'all artists are disabled and working class or poor' because that isnt true, observably. nepo babies and trust fund artists exist, obviously. but they take an outsized portion of the spotlight when the public thinks of the concept of "artist". they are not actually the norm. the average artist is probably making under 40k and living in extremely precarious circumstances and has had periods of homelessness, illness, extreme debt and/or bankruptcy.

this is true even for the 'successful' artists. having one or two or ten good projects and being a household name does not save you from just not having the safety net provided by a normal career path. i was very close with a major, famous 2000s network television creator and team that you have heard of. they won awards, they changed culture entirely, they were a big deal. one of them was turned down for a half dozen projects by the same network that made millions or bilions on their franchise over several years (each pitch is completely unpaid btw, imagine carefully preparing a PowerPoint for morons for months at a time for no reimbursement and thent he morons ask you if you can put a teenage witch looking for her lost cat in the alps in it and you're like, haha, well, it's a 4 part hard sci fi miniseries set on Europa and takes place entirely inside a pressurized lander settlement, i mean Ridley Scot said he was interested already and he pitched a bottle episode about a carbon monoxide poisoning, soooooo....and the executives look at each other and they're like "it's jst not really what we're looking for right now, thanks for coming in" and you go to coffee bean and tea leaf and kill yourself and thats sort of what its like. i made that example up it didn't actually happen i'm using an illustrative example), worked on a canceled film, and just. gradually ran out of money. thats what happens. that guy ended up slowly selling off all his belongings, getting roommates in a one bedroom apartment, and then eventually having to just live on a friend's couch for years. famous guy. you probably know his name. another major member of that same team ended up in GoFundMe/commission hell for years (might still be there) because they had to take care of their two dying, dementia patient parents by themselves. these are people who go to GenCon and sign autographs for four hours at a time. THE PUBLIC IS NOT AWARE OF THIS SHIT and i'm sick of it. im sick of going to a gallery opening night ("vernissage") and drinking bad wine and having a guy with an email job that pays six figures and benefits tell me being able to push "undo" on the computer is cheating. that's a real example, that has actually happened to me. more than once.

artists currently have zero labor protections whatsoever. all of us are undercutting each other in an unregulated market and relying on welfare and private insurance and not having families or buying houses. zero security until we get so old all our illnesses and dysfunction finally ground us permanently and then we get turned into a charity case by fans (humiliating) or just fade away into ghosts and die

whats my punchline? idk i dont have one. it's possible and likely that any given artist you meet is permanently in precarity and will be until they die, even the famous ones. the culture of selling art demands that artists do not admit to this in public unless shit gets really really bad. i guess my point is you should know this, as a person who looks at or listens to or reads things that people have made for your amusement, not for your survival

[yanny09]

some things i devote to my deities

Lord zeus: surprisingly, just breathing. especially the sort where your used to the rhythm of your breathing so you inhale deeply with a strange enjoyment on how the air fills your lungs Lady persephone: my freedom of choice, the choice to do something productive or something creative that no one else thought of, especially in bitter memories that some people cant choose for themselves Lady artemis: growing up or leveling up and learning. just generally doing things i didnt know how to do before Lord dionysus: acting as myself without the need to mask around others, it doesnt matter if people think of me as a little crazy we all are in a sense why not let go and have fun? Lord ares: realizing you dislike something, that it makes you sadder or feeling worse than before and finding ways to get rid of it to be happier, sometimes we just go through the motions when we shouldnt Lady psyche: loving someone in a platonic way, loving them so much that you genuinely care for them and dont want them to leave your life. learning that indifference isnt the greatest way to live.

[where-does-the-heart-lie]

totally forgot what you think of shippy stuff but im gonna ask you anyway !!! do u think sabo n law would be friends ??! more than that ?! cause they have like . . . one arc together plus stampede and they dont seem to hate each other so !! im curious of your thoughts 🎤

Their dynamic for me is kinda just like “this guy is my little brother’s friend” kind of feel and thats really it for me. Like ifykyk what that dynamic is but for me they just,,,, theyre too similar to eachother to be much more than that in my opinion. I feel like Sabo naturally drifts to people who are very different than him, if that makes sense.

I think all the ship art I’ve seen of them is really funny though. Like they have a lot of comedic potential, I love people putting Law in Situations and that man is just doomed to be the StraightMan for the rest of his unintentionally sexy life.

And also like, to get into law’s world you really have to push and shove and claw your way in there, and Sabo is way too busy trying to get tf outta wherever he is to do that for law.

Now that im thinking about it though, i wish we knew how sabo and ace met. Cuz like luffy really had to push and shove and claw his way into Ace’s life, so i wonder if sabo had to do the same. Thats really besides the point though because i wouldnt really compare Sabo being completely alone and friendless when he was 5 and trying to find even a single friend in Ace, to Sabo in his adult years who grew up without a single memory of being alone and being constantly surrounded by people who love him.

Sabo isnt like Luffy is with making friends. Luffy has had multiple points in his life where hes had to really force people into friendship to have someone, anyone, in his life. This naturally is because he hates being alone, mostly stemming from just truly no one being there for him to connect with. He’s been woefully devoid of peers in his life. So for Luffy, having to brute force his way into people’s lives is just par for the course for him, which of course is how he became Law’s friend (self proclaimed)

But Sabo, with how he was raised post amnesia, he was never lonely. So in my opinion he wouldnt really have that drive to force his way into people’s lives like his little brother does. He wouldnt have that insecurity that Luffy has/had to make him like that.

And Law….. he’s had everyone he’s ever loved ripped away from him time and time again. To say being Law’s friend is extremely fucking hard is an understatement to say the extreme least. Sabo is also not the kind of guy to do things for people. Like for example Bartolomeo drowning in the colosseum as sabo destroyed the arena and just telling him “youre a man, do it yourself.” And then two seconds later to his woman friend he’s like “since when can you not take care of things yourself?” Like he’s very You Gotta Meet Him Halfway If Youre Gonna Meet Him At All. (‘Woman friend’ being koala, of course, but i just wanna emphasize those two points because truly it doesnt matter what your gender is or even if youre a close friend, that ‘do it yourself’ is rated E for Everybody)

Law needs to be broken in with a semi truck to be his friend, not even mentioning trying to be his lover and i really dont think sabo would put in the effort to do either of those things. I honestly think law shouldn’t be in any romantic relationship for a very long time because of how unbelievably traumatized and broken and ruined he is especially with certain recent events. So i really have a hard time shipping him with anyone even though theres lots of characters ripe for the picking.

TDLR: in my eyes, neither of them would put in the effort of trying to be anything with eachother and are kinda just on good terms because of a mutual friend.

By Every Means Necessary though, please keep shipping them and drawing ship art of them, i feel like the stuff i see with them is so creative and i encourage you to keep drawing those tragic men making out.

If you have any other thoughts or any ship/friendship propaganda for me though lmk please. This is kinda one of those ships where i really dont much understand it beyond The Bit. I’m just not the kind of person to really like ships without seeing a direct and canon dynamic between them I can pull from. Like even if its a negative dynamic i can still get into it but like these two truly have Nothing. So by all means, help me understand.

Thank you for coming my ted talk and thank you for the question, i really had to think hard about this and it was a lot of fun coming to the conclusion i came to.

[lavaablast]

My headcanons pt1 (because i self project on everything)

(my opinion remember this is all silly fun) (also i change my mind contantly so expect me to edit this post constantly)

Kai Smith:

the band aid on his eyebrow is there because he has an eyebrow piercing, and he wants to protect it from getting ripped in battle (also doesnt want a scolding from Wu hehe)

self harms but instead of c///ing he burns because well, obvious reasons (less likely to be found out too)

orthorexic, is obsessed with being in peak physical form

hear me out on this one, i know he eats junkfood (so do orthorexics okay every 3d is diferent) anyway he never does it alone. he eats junkood only with other people, and he's always thinking he'll "make up for it" later. so yes he eats junkfood and yes he is orthorexic (felt like i had to defend my point there dsfsd)

body dysmorphia. knows he looks good but doesnt know what he looks like

"if i gave up on being pretty, i wouldn't know how to be alive" or wtv mitski said

has an extensive skincare routine but if anyone asks him he'll just say he "washes his face with cold water"

anger issues, but like he can explode on the ninja too and then he immediately regrets it but its too late which leaves him with... ->

guilt. ALL THE TIME. its in the back of his head wherever he goes

sun aries, moon sagittarius. i wont back down on this (im a sun aries and moon sag)

claims he "doesnt care" but actually cares so much it hurts (especially about Nya/Lloyd he'd do anything for them you hear me ANYTHING)

has strong morals and ideals but will give them up in a second when needed for survival of himself or the ninja (people often see this as a bad thing but he just wants everyone to live no matter the cost)

ironically, can't handle spicy food and is ALWAYS made fun of it by the others

is reckless and takes stupid risks because he does not care for his body whatsoever (the others think he doesnt know whats at stake, he does, but doesnt care when it's just his own saftey he's risking)

lowkey a perfectionist, but has a different idea of perfect than others so they wouldnt know (aka he needs things/himself/stuff he makes to be perfect, but not perfect objectively, perfect to what he thinks is right)

loves his parents because they tried their best, but still resents them. he hates that he does, but he does

cried all of his tears out ONCE after Nyas "death" and didnt cry at all after that, instead taking so much on his plate that he didnt get a single chance to think about it again (it'd be too painul, this was easier) which lead to....->

his grief being put on hold; and only when Nya already was back did it come out and he had no idea why he was feeling this way so he didnt tell anyone (what would he have said, im in agony for no reason at all?) and it was HELL to do it alone

tied to the above; he couldn't ask for help if his life depended on it (literally)

loves too hard

hates too hard

BPD coded (i dont wanna diagnose him but,,, im justsayinnn *whistles while walking away suspiciously*)

trust issues, but lowk all the ninja have them because like,,, just look at what they have to deal w bro

commitment issues because freedom is the most important thing in the world (after Nya/Lloyd) so settling down or commiting to one thing too long feels like threatining his freedom

actually smart (both emotinally and intelligently) but doesnt use his brains capabilities that much

great memory but also shit memory (remembers a whole row of numbers for no reason but forgets he has to pick up lloyd from the arcade..)

hot. thats all i rest my case

loves himself but hates himself

everything and nothing at the same time, everything about him contradicts himself, but also doesnt, but also does

hes a really simple person, really. but also the most complex one youll ever meet.

hates labels, especially being labeled by others (for the reasons above)

likes men but hates labels so,, no labels (not even the label "unlabeled")

infact he has a deep hatred for the label 'unlabeled' because if something is unlabeled, then why are you LABELING IT

red. everything is red redredred RED he loves red

has sibling bracelets with nya and lloyd (kai has green & dark blue, lloyd red & dark blue, nya red and green)

everything has to be red except the things that are black and orange. i rest my case once again

drinks just a bit too much for it to be considered concerning (started at 14)

will yell and scream at anyone who tries to help him (why do they think he needs help? why are they babying him? why cant the see he is capable?)

wouldnt let nya touch a bottle until she was 18 (be thankful nya its for the best)

paints his nails black or red.

has a strand of hair dyed red all the time

perfect teeth even tho he often forgets to brush them (how? fuck do i know)

would be a hyena i he was an animal

hates smartphones so he has a.. push-button phone?? whatever they're called. and he also only has the nokia brand. wont change it for a thing

"hates technology" but couldnt live without video games

loves to try new things but will have a breakdown if he HAS to try new things

stubborn asf, wont ever do anything he doesnt want to, which...->

makes people think he's selfish, but actually he's quite the opposite

selfless in an unconventional way, i'll make a drawing explaining it

please understand what i mean with that chart because it explains it so well in my brain

thats it for now cfdsfdr

[mueritos]

a big brain dump about autism, life, being indigenous, and whatever else is going on

so the past few months I made it a personal journey to understand my autism more (and maybe a possible ptsd diagnosis but whatever whatever whatever). and that's what i'm calling it--the autism--because no other thing makes sense for me, and while i'm parsing through childhood memories and experiences, it's definitely...a bittersweet conclusion? bitter because in a lot of ways, i dont relate to the stereotypical autistic experience because every autistic person who has clocked me was usually a White Queer. It's probably why it's taken so long to get to this point of concluding Autism is what it is. I grew up in an immigrant family as a girl, and for that reason I was expected to not be disabled and to be a completely normal and high achieving Mexican catholic girl who went to college and became a doctor or whatever. Now i'm a fag of a man doing none of those things haha.

My older brother was supposed to be assessed for ASD in his youth, and like most immigrant dads, mine decided that nothing was wrong with him and the rest is history. Except my older brother is a man riddled with childhood trauma, shame, and so much autism. Absolutely uncharted rates of autism, and while he gets some sort of pity from my parents for him ("it's all out fault" "he never got the help he needed" "cut him some slack he doesnt understand"), I can never let my own parents know about how much I struggle. Hell, I can barely show it to my own friends because even they don't understand the extent of my autistic struggles. it's actually caused continuous miscommunications, people mad at me, me mad at myself, meltdowns, shutdowns, and a lot of crying. And shame. (a peer recently even demeaned my habit of keeping to myself, despite the fact that I had actually been trying to put myself out there more)

so i'm at a point in my life where I've accepted that I can only take responsibility over how I communicate, and I take ownership over that. Accepting this responsibility allows me to keep myself safe, as I've essentially lived over 2 decades of my life feeling like I was responsible for not just my communication, but everyone else's, including all of the judgements, missed cues, failures, miscommunications, and whatever else came from it. It's definitely double empathy. Last time I truly took on everyone's communication, it nearly killed me (cue over a year of suicidality). But, in a lot of ways it's very freeing. I'm sort of detaching myself from this neurotypical/White need to socially interact with others on their terms. In other ways, it's restricting. I uh. Don't really talk to a lot of people nowadays, and there used to be days where I wouldn't say a single word out loud. But because I don't talk to as many people, I'm able to put energy into the quality of my connections and not just the quantity. Which unfortunately a lot of people take personally. They dont like you admitting that you only see them as an acquittance, or as a classmate, or something like a friend but not quite there. I find comfort knowing how people feel about me, even if its that they actually dont feel close to me. Great! Now I know! Knowing makes me feel safe! But I'm finding that people actually really fucking hate when you admit that to them, the how you actually slot them in ur brain in terms of social levels. I can understand why, but I also don't get it.

Another thing that's helped is I've changed how I do eye contact. I used to make eye contact with professors or classmates while I spoke up in class because I thought that was important. Now I've found I can actually focus more on what I'm trying to say when I don't make eye contact. My god how freeing that has been. I don't have the same anxiety as I used to before, nor do I experience all of the involuntary blushing as I did for many years of my life. It didn't matter how confident or how prepared I felt, I would just blush furiously and I fucking hate it. Now my blushing is almost nonexistent, and I say what I mean with the flat ass tone that I love speaking in because it makes me feel safe. Sure, I miss the real-time non-verbal reactions to my words in class, but it's an okay trade-off for feeling more safe in myself and more confident in the classroom.

another thing is my internship. I work with majority neurodivergent students, and many of my clients have autism, adhd, or both, and are sometimes BIPOC, trans, or children of immigrants. Man, I've been having a blast. Sure, I'm learning how to be a therapist and best practices, but screw everyone in my life who has called me "cold" "emotionless" or "heartless". I have connected with so many people on such a human level, and I have sat there and helped them hold their pain in that tiny gay office for 45 minutes every week, and even though it's only 45 minutes, i'm showing them that they're allowed to ask for help holding that pain. I have had challenging sessions, difficult conversations, and times where I wasn't sure I would know what to say. But at it's core, I know that I'm capable of connecting with the person in front of me because my autism brain is automatically in tune with the person in front of me. It is so wonderful, and overwhelming, and so confusing all at once. When people start crying in front of me, I feel tears well up in my eyes, even if I'm not actually sad with them. It shows me that I'm capable of this empathy that so many people over my life have questioned, which they questioned all because I processed things slowly, or made quick decisions, or because I was honest about how I felt.

on to being mixed indigenous. Phew. I've been trying to build more connections with other Native folk, and I have a couple who I can thankfully call friends and who have never disrespected my detribalized experience. but recently I was interviewed a few times for a fellow indigenous researcher's dissertation, and I did not expect to be chosen on account that I am detribalized. But it had been a lovely experience and I finished my final interview today. It really left me with a lot of emotions that are hard to put into words. Mourning would be one of them, as I likely won't ever know what my tribal affiliation is. Never knowing who my people were, what language they spoke, the land they lived on...I can't describe just how much it destroys me. It feels like literal death, because that's what it is. A disgusting colonial death. And it's why I abhor that of all my identities, being autistic and being mixed indigenous has been met with the most vitriol online. like i guess people can only handle the trans fag mexican dude when hes not autistic and mixed indigenous, because now I am far too ambigious for anyone else's good. though i do know better than to listen to what random people online have to say about me and my path toward reconnection/neurodivergency.

beside's that, i'm trying to find neurodivergent spaces that feel safe, and I'm trying to find ways to keep myself safe. stimming, carrying stuffed animals around, using fidget toys, engaging in my interests, listening to the same songs, eating the same foods. I've had coffee with bagel and chive+onion cream cheese for over a year now. I've listening to almost only Pearl Jam and Alice in Chains for nearly a year now. I rewatch the same youtube videos over and over again. I wear the same few outfits. I wear the same shoes everyday. I walk the same way to and from campus everyday. I try to be in nature as much as I can, and really see it. I imagine nature where it isn't, and I get emotional thinking about the life that used to be on it. I wish so badly that I was a cat, a horse, a bunny, a deer, all so I could experience life through their eyes. i'm putting trust into people, into the universe, and into myself. safety is hard to come by, but im doing my best to accept the risks of life, trying to be flexible, and learn how to sustain myself for the good of the world. I deserve to be here too.

that's about it. besides that, i'm moving to philly once i'm done with grad school ^-^

[basil-does-arttt]

been thinking about Trish a lot lately, and her connection to Eva

(Big ranty thing with some analysis into her character + my own headcanons about trish below)

She was created to be a carbon copy of Eva, right down to the most unimportant details. So much so that Dante recognized her immediately he didnt even do a double-take, as soon as those glasses were off he saw Eva standing infront of him instead of Trish. (I mean, blonde haired+blue eyed women arent uncommon and its not like Dante has never been into a public space before. Hes probably seen similar women to Eva many times throughout his life, but only Trish was so perfectly like Eva that he couldnt see anything else but his mother in her that first moment they met.)

But thats just physical features. It'd be too easy, too simple for Mundus to just create a look-alike to Eva. And i dont think that alone would've been enough to trick Dante either, Dante isnt an idiot no matter how dumb he acts sometimes. So, how deep into this "recreate Eva" thing did Mundus actually go?

Does Trish experience the same motherly instincts Eva had toward Dante (and Vergil)? Does she feel the need to protect them and cherish them like Eva did? Does she get urges to hold them, kiss and hug them and give them praise as Eva once did in their childhood? If so, does she ignore these feelings, pushing them down untill they're buried so deep within her mind that she's forgotten them entirely, or does she let them be and let them pass on their own, wether she acts on them or not. She's quite sassy with Dante in dmc4 and seems quite aloof in dmc5, so maybe thats how she copes with it instead - acting the total opposite to what Eva ever would.

Going even deeper into that, does Trish have any of Eva's memories? Even just vague snippets or imaginings of Eva's life, considering how well Mundus made Trish then that might not be an impossibility. If so, how much would she have the ability to recall? Could she even recall the fire, maybe? If she can, how would she feel about it. Would she grieve? Feel anger, regret, or nothing at all?

And how would she feel about all of this overall? Being a clone of Eva right down to the gritty details even Dante wouldn't know. Trish is so strongly contrasted to Eva in personality, style and tastes that i'd like to imagine she isnt that much of a fan, put simply. She's her own person, she wants to be her own person and she hates the person she represents. She hates how her existence causes pain to somebody she's wired to care so deeply for - sometimes against her will - and she hates seeing him cry or drink himself to death over that dusty old picture thats been sitting on his desk for decades, knowing that she'll only ever make it worse for him in the end, that his grief extends so far into the core of his being that nothing in existence will ever truly fix it.

She's conflicted.

She's Trish. But is she really? Or is that just who she says she is in an effort to push back and ignore the reality of her existence? Nothing more than a fake, a husk of a person who's time was cut short prematurely then taken advantage of by the very being that killed her in the first place.

She's Trish. Not Eva. She can't be Eva, and she never will be Eva. Nothing will change that. Not a dusty old picture, not an old man's delusions, not some dead demon king who breathed life into her form in the first place.

She's Trish. But who even is Trish? Her entire being has always been about Eva. She doesnt know anything else. So she overcompensates with acting sarcastic and sassy, looking hot and sexy and playing with guns and swords because those are things Eva wouldn't ever do herself. Eva. Again, it all comes back to Eva.

She's Trish. Devil hunter and the most 2000s representation of "hot blonde" one could get. Thats who she is. Or at least, that's who she's trying so desperately to be.

Trish needs more love from the developers, her character is so interesting. I have other analysis' of the other characters too if anybody would be interested in that but for now, ill leave you with my take on the iconic blonde from this wonderful series.<3

[ofcowardiceandkings]

companion piece of young Link

AAHH i finally finished something :'D

i've uh had some very specific Thoughts about Zelda's childhood for a while now so its about time i put them to paper - this is actually round TWO since the original doodles are lost to ... somewhere ... i like these second editions better though so alls well that ends well

we're looking at ages around 4, 7 and 10 years old here touchin bugs in the dirt, archery practice, and playing a lyre ;w;

more detailed Thoughts under the cut 💙

iiitssss customary ranting about my BotW/TotK opinions tiiiimeeee welcome my darlingsss jfkdjfkd 💙

i had a much more solid idea about where i was going with Zelda than with Link but some of it is kinda abstract or weird lol

we know a fair amount about her upbringing in general, or can infer as much from Zelda's interactions with her father and what they and people around them wrote. she was clearly a smart and vivacious kid with a strong personality from the start, no matter how much you sort of squash that shit for the public face, repression etc. so yknow, her mother's death when she was 6, awful. her father's change in attitude especially in her teens, awful. being under public scrutiny her whole life, awful. restrictive structure of royal life, dull (i bet it bored Zelda to death at times no matter how strongly duty-oriented she is). having said that though, she got by and just by looking at her study, she clearly got stuff done to herself - you can take the kid away from the science but the science stays with the kid !!!

additionally, forgive me for mentioning ... timelines ... but in my humble onion, BotW/TotK serve as a Dragon-Break scenario which are SO far in the future from other entries that ALL timelines will inevitably converge and lead to that point, so it doesnt matter any more (i dont like extended Timeline theory, Nindooty doesnt like extended Timeline theory, the current writing team seem to want shot of it, let me be). being a history guy i also subscribe to leaning on the LEGEND aspect of 100 and 1000 year games of telephone, it makes things spicy. tradition is a strange thing, we do things we dont have much of a context for anymore, we're still living with the cultural hangovers of people living when mammoths were around and no thats not hyperbole lol its WILD. ive typed around the point enough lets get going

she was a bugs girl !!!! she still IS a bugs girl lmao but if our 16 year old girlie is gonna pounce on frogs apropos of nothing, that 4 year old girlie is gonna go catch bugs in the Royal Gardens and freak out her maids or escorts with them, good for her 💅

the other two are where my timeline thing comes in; the triforce is never mentioned by name, its just there in symbolism ?? something about the blood of the goddess ?? divine sealing powers ??? no one knows in the same vein, i like to think that its traditional for Hylian Princesses to learn archery and play a lyre or harp ... but no one remembers quite WHY ?? so Zelda does. the Priestess-Princess* role means the public is aware that Zelda had formal singing training, but its not really common knowledge outside of the Castle that the Royal Girls do THIS (no one knows why that part is important either, but it stays in the Castle). she might be a little out of practice now, but give that muscle memory enough time and she might be able to really surprise people.

*this is part of the Japanese translation, at least in Kass' final song Zelda is referred to as an term roughly meaning Priestess-Princess - which makes total sense to me

ohhh my god i talked a lot okay i just love my gorl fhjdkfjdk

actual footage of me explaining my shit and going way long