#my last period was april 2023

[dragons-and-yellow-roses]

Horrific news. My period might have returned.

[heartual]

waaaaghhh

[belligerentbagel]

realised while assembling this that wow you were REALLY hanging on by a thread for much of last year

lived, though ✌

[clairedaring]

Compilation post of my favorite Nadao actors (Nonkul Chanon, JJ Krissanapoom, Tor Thanapob) & Bright Rapheephong giving some interview answers on why they decided to star in queer/LGBTQ+ coded series/roles, some of their takes on being in BL (Y)/Queer series.

note: if you find this post familiar, it's because i've posted this on Reddit before. reposting here for archival purposes

TOR THANAPOB

Tor Thanapob interview in April 2023 when being asked about starring in Midnight Museum (a queer-coded GMMTV series) - (translation by infinitygraph_)

Tor: I think nowadays we should stop talking about gender. It doesn't mean that I have to act with women all the time or I can't act with men at all. I feel that I have proved to everyone that, work is work, and everything is about art. Even my team who are staying with me all the time has all kind of sexualities. It's not strange if someday we want to try telling story of other sexualities that we feel that we might be able to help them telling. If you ask me if today I am like that, today I might not, but I have a chance to understand them more, so I want to do it. Q: Is it because of the spoiler that [Midnight Museum] might be a series Y (BL)? Tor: Nothing to do with it. I tell you, sincerely, it has nothing to do with the spoiler. I just want to say that you don't have to overthink about it because nothing is fixed. Actors are actors. These days there are some award shows don't divide genders into categories anymore. I think this is a great step. Actresses also don't have to act with men all the time, they can act with women. And they both being the main characters Right. Because not all the main characters from every project have to come with the word 'love'. Even if there's 'love', there're many kinds of love. It's up to the audience what kind of feeling they have. Do they feel the same as me or they even feel more than I do? Q: So that means these days you can accept the work without any limit about what you are, which genders... Everything is about the story/script-writing? Tor: Right. I admit that I was afraid before.��I wasn't afraid about my image, I was afraid that I would tell the story without understanding it, because I didn't have any experience at all. But at some point I found the chance to be more open-minded, brave to act it out all the way, such as Midnight Museum...

Tor's Vogue Interview in February 2024 on Spare Me Your Mercy as another important milestone as an actor (all translation by saltymarbles on twitter)

Tor: As for Euthanasia, I’ve been interested in it just from its name. If we were to go back in time to the period of the Prime Ministerial elections last year, there was some talk regarding the laws about euthanasia. As such, I know the meaning of it but if I had to explain it, I wouldn’t dare to because I don’t know that deeply about it. Tor: Up to the day that this drama happens, the owner of this project told me he wanted to set this question before anything changed in society: ‘Actually, are humans capable of choosing their death?’. Tor: This question shot through the core of my brain and immediately, i was like: ‘I need to tell this story’. And the role that he hoped to give me also served that function too. It’s a character which sets up the question of ‘what is right?’.(t/n: "this question" likely refers to a more philosophical kind of question regarding morality which asks what does being ‘correct’ mean — what is ‘objective morality’ (if it exists)) Tor: Do the people who are really suffering have the right to ask to leave? (t/n: "leave" is just a polite way of saying die (Thai people usually don’t use directly use the word die when talking about humans, usually use a more polite way like how we say ‘passed away’ or ‘xyz has left us’) Tor: Thus I decided to play along with knowing that the timeline of Euthanasia will remain with one in a hundred (people), so I like shades of the polar opposite. If the first story is navy blue, the other will be red — not close at all.

NONKUL CHANON

Nonkul's response to the question “If you have a chance, would you consider playing in a BL series? If accepted, who do you to co-act with?” in a Facebook Q&A video in 2021

Nonkul: If that series is an interesting storyline for me, I am always open to any kind of genre. I never categorized BL series as an BL series, I just think of it as a series with another plot as part of my work. It is a normal series that can have any of the plots which I will categorize as Romantic Comedy, Drama or whatever. Thus, when I choose the BL series I want to work with, the love preference of the character does not affect my decision. If the plot of the series is interesting, of course I’m gonna do it for sure. Every work that I chose, I personally think it at least enjoyable for me. Of course, if in the future, there are BL series with plots that I find interesting, that I enjoyed the script. “Like, wow, that’s my type!”, I will definitely selected it to be my future project. A good written series is a good series. This is what I believe as an actor. For BL Series, I think I can work with everyone. I don’t think I have anyone in particular. One thing! I desire the character of that person/actor? to be close to the character in the series. At that point I will be satisfied. Sometimes, I as an actor have a chance to work with people who don't have a lot of acting experience. I will still discover something new from him as well. And there is a BL novel which I really like! [Nonkul explains the plot of his favorite BL Novel ‘Peremo’] I would prefer to choose the “heroine” role because it will be a new experience for me as an actor because it will be a new experience for me as an actor. Because basically I only play as a hero role for the main character or support character in my work, but a “heroine” role in a BL series is the only chance for me to play a character more feminine. So it is a new experience for me. [Nonkul continues raving about 'Peremo’]. But if you think that you can make [an adaptation of Peremo], please do not forget me, Nonkul! Pleaseeeeeeee, I will do my best, I promise!!! However, I’m not only fixated on this novel. I’m also open for many more BL series if there is an interesting plot.

Nonkul's response to being ask if he's worried about filming NC scenes in IFYLITA (translation by saltymarbles)

Nonkul: I have to say when I had finished reading [the novel] and it’s made me want to act (in this series). I am probably worried more about the CG because if it’s a fantasy story with time travel, if the CG isn’t good, people will feel that it’s ‘off’. Because CG is something we don’t know anything about until we see the final product. One of the reasons that I accepted this role is because for some series, when I’ve read (the script/novel) for homework, I don’t accept them because there are some scenes that are forced in just for the sake of fan service. And I’m not really into that. If it’s a natural NC scene, then I’m not bothered. I’m a person who places a lot of importance on the story in series making sense. So to me, if an NC scene is reasonable, I won’t be bothered by it. But if it seems forced, I’m not into it. It’s important to show human-ness.

Two clips of Nonkul being asked what he thinks about doing NC scenes in IFYLITA (Clip 1 and Clip 2). Nonkul said that he places great importance on the character's actions. If an NC scene is reasonable he wouldn't mind but would if it's not reasonable. For Nonkul, understanding character is very important, especially for himself as an actor. Nonkul also said previously he had rejected some BL series offers because he can feel when NC scenes are put in just for fan service, which is also a reason why Nonkul accepted to play Jom in IFYLITA is because the love scenes are natural and make sense.

JJ KRISSANAPOOM aka JAYLERR

JJ's interview in February 2024 on Spare Me Your Mercy and his chemistry with Tor (translation by saltymarbles)

JJ: The pilot of ‘Euthanasia’ has been received well since the novel has many fans already who are excited about it. JJ & Tor are similarly excited and are committed to doing their best. The chemistry between Tor & JJ need not be questioned according to JJ since they are already close with each other. The series is in the phase of pre-production currently.

One of my favorite fictional characters of ALL TIME (not just in Thai or BL series) has got to be Tangmo from Great Men Academy (2019) (the series that a lot of BL audience refused to admit it's a queer series). The character Tangmo (played by Jaylerr) was questioned by the press about his gay crush on the protagonist: "Do you think being gay affect your chance of winning the competition?" to which his reply was a stellar "Well then let me ask you something, Does being gay make my good deeds meaningless?"

This isn't the first time JJ has played a queer role, JJ has played a gay character in TWO seasons of the LGBTQ+ series Diary of Tootsies (2016 and 2017). JJ plays Gus, the love interest of the main character.

So even though many BL fans consider Spare Me Your Mercy to be JJ's "first" BL series (which I don't agree with this strict interpretation of BL series), it is definitely not his first QL (Queer Love) series nor queer-adjacent roles as shown through out his filmography.

It is also noteworthy that even during the airing of these series, JJ was already in a public relationship with his fellow actress girlfriend Thanaerng (who has also played sapphic roles). You can see that the real life relationship of JJ or Thanaerng do not influence how/what projects they take on because work is just work :D

BRIGHT RAPHEEPHONG (all translation by saltymarbles on twitter)

Bright at Mono29 Lineup event

Bright: I think that, as I’ve previously said, BL series are just like other ordinary series or movies. Like IFYLITA can be changed to be said to be more like a period drama. I feel that BL is just about two people loving each other, not about whether it’s about male-male or female-male. This series is a period drama and it’s a romantic comedy and the other series is an action drama.

Bright's Interview with LIPS Magazine

Q: What if one day, we’re sucked in by the ship? Bright: I think fans in this day and age don’t need actors to do fan service to that extent. For myself, I’ve never intended for it to be the foundation (of his work). I think it’s a matter of being partners and working together. As such, it’s somewhat good in every aspect because it’s not forcing it. But in some moments, there may some actions that may just be the result of being friends. So even if fans ship, it’s cute to me. (smiles) Q: Do you feel a sense of “newness” stepping into a full-fledged BL? Bright: I feel that BL series are another branch of acting. I don’t think of it as being a specific form of male to male communication. It’s just another type of series just like action dramas, comedy etc, it’s just another kind of role that we can play.

Bright's Interview with Praew Magazine

Q: How is it working with Nonkul? Bright: Nonkul is a person who already does a good job at his work. He does his homework and he is also good at delivering and receiving emotions when on set. It isn’t just Nonkul who is great but the other characters in this series too, this includes P’Tee, the director. We can always talk about ideas which made the work even better. If asked whether entering the scenes with Nonkul made me shy, I would say that BL series are just another branch (of acting), it is just another role. I don't think that when acting with another man, that there’s a need to feel anything. I feel that it’s just another form of work. Another thing is that our workshops were very complete. When we work together I know what level and extent I can go to, what I should do and also trying my best in how I should feel. Thus, I felt at ease working together.

Bright’s Interview with NineEntertain

Q: Are you happy to do “ship” activities like this? Bright: I feel that if there’s an opportunity with regards to being an actor, I don’t want to be stuck in ships like this. I accepted this role with the status of an actor and I want to accept various roles too. It doesn’t always need to be BL or a specific kind of series. I will have another series next year which is ordinary boy-girl relationship and not a BL series. I feel that BL series are just another category of series — not like BL series are just BL series. It’s another category like action, romcom, or drama. It’s just another category. Q: There is still the possibility of coming to act as per usual. (unclear of what the interviewer said) Bright: I feel that with every work opportunity, it’s more about the script and storyline of the work that I were to accept. For example, I accepted the role of Khun Yai in IFYLITA as i felt that it was a script that was suitable for me. I didn’t think of it as “oh it’s a BL series, I need to accept it” because to be honest, I have been contacted for various BL series but because [IFYLITA] storyline is really good, I wanted to try acting in it. Q: What is the difficulty of acting in BL as an actor? Bright: I feel like there isn’t any difference compared to regular series. I feel that when two men love each other or kiss, I don’t think of it as (me and) a man, I think of it more as each of the characters or persons. Q: Does that affect the trend of being a ship? Bright: Hmm… Actually I am not able to answer that because I feel like it depends on people’s perspectives. Because some people may prefer that (an actor) has a (onscreen) gf/bf but some people may be upset about it. I feel like the trend depends on the people’s perspectives as people have different ways of thinking (about it). I think that I am open to listening to all different opinions on this. I feel that working (in this industry), you should be able to explore different things and you should not be fixed in one thing. We need to continue moving onto the next thing. I feel that Non has his own work and I also have my own work, and other actors too have their own upcoming work. It doesn’t mean that coming to act in IFYLITA means that you stay in IFYLITA forever. Q: Some may feel that it’s sad their their ship is coming to an end and that they are gonna work with different people. Bright: Actually, there are still some upcoming pair events but as I’ve said earlier, everyone needs to continue to do their own duties as an actor. Q: What if people change their minds about shipping your ship in the future? Bright: I think it’s a normal thing. I feel that when someone (likes us), they also like our work. I feel like our fanclub likes both Yai and Jom, and they also like Bright and Non. They like the characters and that Bright and Non play these characters and they so they like us at this point. I feel like people who came to like us are also fans of other people. I feel that they are a source of encouragement for me when they like me but I am also glad if they meet someone new or support another person. I feel happy when they come to meet me and if they’re happy when they meet other (celebs), it’s a good thing for them. If there’s a new person, an older person, a regular person or a person they just met that they are happy to meet, I feel that it’s nothing to be stressed about. Let’s say a fan comes and likes me and is following my work and there’s someone new who enters and they like their work, I am glad for them to go support that other person because that person can bring happiness to the fan.

Wow, I really got carried away with this compilation but as a fan who's followed Nonkul, JJ and Tor since their Nadao days, watching them star in queer-coded series/roles like Bangrak Soi 9/1, Hormones, Diary of Tootsies, Great Men Academy... (or in Bright's case a gay character in lakorn Rivalry), I'm just so proud that they have been able to receive "BL" series script offers that they would like to take on.

I've never sat well with the difference in the treatment of the press to "BL actors" and "non-BL actors". I wish there weren't such a distinction because it feels like the notion itself holds a lot of prejudices baggage with it, to both "BL" and "non-BL" actors. To quote a friend on Reddit, "I believe most actors would feel more fulfilled if they knew their fans loved/respected them as individual artists, instead of only seeing them as one part of a unit whose value is lower when 'separated' from their official partner."

[idrellegames]

Wayfarer 2024 Roadmap

It’s the start of a new year and I’m excited to announce my plans for Wayfarer’s development.

The primary focus for 2024 is finishing Episode 3 and starting Episode 4. My goal has always been to get the alpha build to the point where it is one episode ahead of the public build, and forcing my way through this period has been very difficult. Episode 3 has turned into a more challenging endeavour than I anticipated due to its sheer size and complexity. I did not intend to take over a year to finish it, but if I’ve learned anything from the creative process it’s that it is unpredictable and things never go according to plan.

The 2024 roadmap is for an idealized scenario. I am hoping I have given myself enough wiggle room should things go off-course. With that in mind, the plan for the last 6 months of the years is an estimate and will likely change. Regardless, the goal remains the same: finish Episode 3, finish Episode 4, and release Episode 3 publicly.

Winter • January to March

This quarter will be focused on finishing the next stages of Episode 3. Episode 3 is divided into 4 parts:

Part 1: the beginning of the episode, following the routes that occur if the player ends Episode 2 with Aeran or Veyer. This part is finished and was added to the alpha build in May 2023. It includes over 300,000 words of playable content.

Part 2: the beginning of the episode, following the routes that occur if the player ends Episode 2 with Melchior, alone, or drunk. This part was skipped over and will be returned to at a later date.

Part 3: the middle of the episode, split into three different routes that eventually bottleneck at a specific point. This part is currently in-progress, with Route 1 nearing completion.

Part 4: the episode finale

January and February will be devoted to writing Episode 3 Part 3, which includes finishing Route 1 and completing Routes 2 and 3. In March, I will code that material and playtest it. Once it has been thoroughly playtested, it will be added to the alpha build (playable on my Patreon).

March will also see an update to the public build. Patch 2.7. will not add any new content, but it will patch reported bugs in Episodes 1 and 2 and update some quality of life issues.

Spring • April to June

This quarter will be focused on writing Episode 3 Part 2, the Episode 3 finale, and coding and playtesting all of the remaining material. Should all go according to plan, the Episode 3 alpha will be finished at the end of June. All routes will be playable for members of my Patreon.

The next round of playtester applications will open in May. Playtesters are volunteers who play the alpha build in search of bugs, continuity errors, and typos. They get first access to new content, and updates and patches before anyone else does. Because Wayfarer’s gameplay includes hundreds of choices and many, many variations that build on each other, playing multiple times and checking different options is essential for testing to ensure each area of the game functions as intended.

In June bonus content (short stories, writing tutorials, worldbuilding and lore posts, etc) will return to my Patreon. It is currently on a break, but the backlog of extras and specials are available to members of the Apprentice tier.

Summer • July to September

If the Episode 3 alpha is finished on time, this quarter will start the development of Episode 4. Episode 4 is divided into three separate routes that have no-crossover and each feature a main companion. Alexia’s (Route A) will be worked on in August and Ren’s (Route B) will be worked on in September.

This is an estimated timeline and is subject to change.

Fall • October to December

The last quarter will see the end of Episode 4’s development. This includes Calla’s route (Route C) and additional coding and playtesting. A second round of playtester applications will open in October. If all goes well, December will see the release of the Episode 4 alpha on Patreon and Episode 3 will launch on the public build.

This is an estimated timeline and is subject to change.

[rivnedell]

I'm just fucking ashamed to be French, though I always was more proud to be European and identified as citizen of the world (well European proud now is questionable tho..) And I never felt like I was born in the right place, something always felt off. And fuck, tonight.. I feel so kxndkdkdokdjxf.

I love many things in France. But.. I think I hate more things that I love some.. I've always felt attracted to foreigners, talk to them, speak with them and exchange point of views.

I'm glad I was born here bc yeah, we have social security, we can vote, woman can proceed abortion, we are Free (well, les and less since Macaron 🥲, I know, we like to call him this way)..... And fuck things were bad before he arrived at the Elysée but since 2017......... It's H.E.L.L.

ALSO

My fellows foreign friends who would like to come to the Olympics in Paris PLEASE DO NOT COME !! It's going to be a shit show (I'm looking forward to seeing that shit happen tho so it will shut the fucking bureaucrats' nuts head).

Reasons not to come :

- They forced students to move out from they student lodging !! Like... Some are on the streets now ?? They encouraged renters to move their tenants so they could rent their apartment at crazy rates to tourists. (All of this in Paris.)

- They forced to move, like literally took them in buses, homeless refugees out of Paris and Ile-de-France (Paris region) to farer regions (invluding where I live), they left them there, without any care or home, the gov b just like... "Let's just move the "problem" but we don't make anything to help them" ���� So where I live now there's countless men, hanging in the streets, helpless, homeless, drunk and cracked, and I'm scared, even walking during daytime. I have all the sympathy of the world regarding to their situation + how they were treated by the governement, but the lack of help makes them, in a righful title, more aggressive and defensive. (And this is how the gov keeps the vicious circle going, no help, defensiveness, aggressiveness, more police etc etc..)

- The metro tickets will go from 2€50 (WHICH IS EXTREMELY EXPENSIVE ALREADY WTF) to 4€ YALL do not come and waist your money to the metro company please !!!

- The government/senate passed a law for "exceptional" video surveillance with AI for the Olympics, which Amnesty Internation did condemn bc it flirts with violation of Human Rights... Well Macaron activated it... A fucking year ago, yes in April 2023 and will last WAAAAY after the Olympics. And on top of it they didn't confirm that AI facial recognition will be totally prohibited. They didn't fucking confirm it's an absolute no, they reserved themselves the possibility to use it "just in case". They let the fog settle so they can sell and use citizens' private data. Bros are going to transform France into China, extra militarized and super aggressive police... For the universe's sake, I can't stand those jerks.

So the Olympics are clearly used as pretexts to pass laws and things that are NOT OKAY at all. I mentioned the main things of course but all of the organization is outraging for us here. And I pray the Universe Macaron will caught a cold when the atrocity of this will hit his nose in a great wave of cruel ice just as cruel and degrading he is.

Period.

[toasttt11]

goodbyes

April 6, 2023

The Umich Hockey team was getting up about to head out onto the rink about to play the Frozen Four game against Quinnipiac.

Sebastian stood up and saw Luke across the room still sitting on his stall and fiddling with his gloves. Sebastian walked over letting everyone else walk out and the room was empty besides Luke and him.

He sat down next to Luke and put his arm around Luke bringing him into his side, “I know my love.” Sebastian mumbled comforting Luke kissing the top of his curls. Sebastian knew how nervous Luke was for this game because so was he. If they lose they were leaving tonight to head to New Jersey and signing their entry level contracts.

“I’m gonna be sick.” Luke mumbled resting his head against Sebastian’s chest listening to the even sound of his heartbeat and taking slow deep breaths. Luke has never been this nervous for a game before but this game was a lot in general and adding the pressure of the signing and joining the NHL after put a lot more pressure on it.

“I know.” Sebastian and pressed another soft and long kiss to the top of his head, “Let’s go out and enjoy this.” Sebastian gently stood up and held out a hand for Luke to take.

Luke grabbed his hand and stood up and looked at Sebastian’s soft and comforting eyes and reassuring smile and took a deep breath breath and nodded dropping his boyfriend’s hand.

Sebastian and Luke walked through the halls and jumped onto the ice warming up their team not knowing it would be the last time.

The game started and it was tense from the start, the first period started and Quinnipiac scored first and then Seamus got a goal making the score a tie before Quinnipiac scored once more before the period was over.

Luke knocked his helmet against Sebastian’s as they stepped back onto the ice for the second period.

Luke passed to Sebastian who passed the puck to Adam leading to Adam scoring a goal and making the score tie once more.

Sebastian and Luke shared one more soft look as they stepped back onto the ice for the third period.

Luke passed the puck to Sebastian making him shoot the puck and getting a goal, and making Michigan lead for the first time all night.

“Let’s go baby.” Luke cheered as he knocked his helmet against Sebastian’s smiling widely as they celebrated the goal.

The happiness didn’t last long.

A few minutes later Quinnipiac scored again. And again.

Michigan lost 3-5 to Quinnipiac.

Sebastian watched as Luke tried to hurry off the ice towards the bench and quickly realize what was wrong, he rushed over grabbing the bucket and held it for Luke while blocking him from all of the fans and camera.

“Sssh let it all out.” Sebastian softly cooed and gently rubbed Luke’s back as he puked into the trash can Sebastian was holding. Sebastian was just as upset as Luke but was better at hiding it.

Luke went to try to speak but Sebastian just gently shushed him understanding how upset he is.

Sebastian gently wiped off Luke’s face and grabbed his water leading him down the rest of the tunnel and through the halls catching up with their teammates.

Sebastian sat with Luke in his stall not wanting to leave Luke alone and not wanting to be away from Luke.

Mark pouted and walked over sitting on the floor in front of Sebastian and Luke leaning his head on Sebastian legs, Ethan looked over and quickly walked over sitting down next to Mark on the floor. Mackie was sitting on the other side of Sebastian and Dylan sitting on the other side of Luke.

Sebastian could honestly say he had no idea what their coach said as he was just playing with Luke’s fingers the whole time.

Players started slowly shuffling to the showers and Luke gently stood up and pulled Luke with him. Sebastian wished he could shower with Luke but knew he couldn’t hear so he guided Luke to a shower and took the one next to him.

Sebastian quickly took a shower and threw on a pair of sweatpants and t-shirt, he waited outside the showers for Luke, who did take the longest out of everyone and most of the team was back in the locker room already.

Luke looked sadly towards Sebastian and could tell his boyfriend was struggling too, Luke walked over and pulled him into a gentle but tight hug letting Sebastian burry his head into Luke’s neck. Luke could feel the shaky sigh he let out.

“Me and you?” Sebastian soflty mumbled against Luke’s neck.

“Me and you always.” Luke reassured him and pressed a kiss to the side of his head and reluctantly let Sebastian go and stand back up.

They shared one more look before heading back into the locker room that was just a sad atmosphere, The two saw their suitcases that they brought by their stalls with their hockey bags all packed up completely.

Sebastian let the freshman tackle him into a hug and he fondly rolled his eyes but group hugged all of them back, he wouldn’t admit but they all grew on him.

Luke was saying his goodbyes to the older players before Sebastian came over and Luke went to their freshman group.

Once Luke and Sebastian said their goodbyes to almost the whole team expect their grade, Mackie, Dylan, Ethan and Mark.

Mark lunged forward and tightly hugged one of his best friends, “Don’t be a stranger alright.” Mark mumbled as he tightly hugged Sebastian.

“Never.” Sebastian promised hugging back someone he’s always going to consider a best friend.

Dylan and Luke were hugging each other tightly. Mackie and Ethan watched sadly.

Mark reluctantly let go of Sebastian and let Mackie and Ethan hug him at the same time.

Sebastian let out a fond sound and hugged the two tightly back.

Mark walked over and hugged Luke tightly, “Take care of him?” Mark whispered.

“Always.” Luke promised, once he was jealous of the relationship between Sebastian and Mark but he realized Mark and Sebastian understand each other in a way no one else does and Luke knows now that the two are truly just platonic, platonic soulmates.

Dylan walked over and pulled Sebastian into a tight hug, Dylan took a deep breath trying not to cry as he was saying his goodbyes to his two best friends, not sure when they would see each other again.

“Thank you.” Sebastian mumbled hugging Dylan back, Dylan was surprising but he crept into Sebastian’s heart and became needed Sebastian knew he always needed.

“Always bud.” Dylan sadly mumbled back and reluctantly let go of him.

Dylan and Sebastian looked over seeing Luke just getting out of the hug with Mackie and Ethan.

Sebastian and Luke shared a look and nodded they both turned around and grabbed their bags. The two started walking out of the room and looked back once more at the team before starting to walk away.

Luke and Sebastian both nodded many goodbyes to Michigan staff as they walked through the arena and to the outside where the car was waiting to take them to the airport.

They gave the bags to the driver and Sebastian opened the door letting Luke hop in first, Sebastian got in after him shutting the door.

Luke gently grabbed Sebastian’s hand and fiddled with his fingers the whole drive to the airport, Sebastian leaned against the window looking out the car the whole time and gently rubbing Luke’s hand with his thumb.

They thanked the driver and headed through the airport, through security and headed to their gate, they got there just at the plane was boarding and walked right on.

Sebastian let Luke take the window seat as he put their hockey bags in the overhead before sitting in the middle seat and putting the arm rest up between them. Luke held onto Sebastian’s hand tightly as they sat there waiting for the plane to take off. Lucky for them no one sat next to them and it was just the two of them in the row.

Luke let out breath he was nervous but he had Sebastian and that made all the fears go away because no matter what he had Sebastian with him.

Sebastian scooted and found a comfortable position and rested his head on Luke’s shoulder closing his eyes.

Luke let his head fall onto of his boyfriend’s head and closed his eyes.

Sebastian slowly woke up at the shake and felt the plane landing on the ground, he opened his eyes and looked at the screen seeing they just landed in New Jersey.

“Lu baby.” Sebastian gently cooed running a hand through his curls softly, Luke mumbled shuffling closer to his boyfriend warmth, “Come on we landed.” Luke slowly peaked his eyes opened and nodded lifting his head up and rubbing his face.

Sebastian stood up and grabbed their bags for them and let Luke walk down the row first and off the plane.

They headed down the pick up their checked bags and quickly grabbed them and walked through the airport to the outside where Jack was picking them up.

Jack was waiting in the pick up lot and smiled widely as he saw the two walking to him, he was ecstatic when Luke got drafted to the Devils and it only became better when Sebastian was drafted too. Jack has know Sebastian for so long now he’s become a younger brother to Jack. And Jack has always been glad how good of a best friend Sebastian has always been to Luke.

Jack and Luke quickly hugged other tightly, Jack softly ran his hand through his bag brothers curls before reluctantly letting him go and pulling Sebastian into a hug as well.

Sebastian bent down slightly and hugged Jack back, Sebastian would never admit it to anyone besides Luke but Jack is someone he sees as a brother and so is Quinn.

“Come on let’s get you guys home.” Jack giddy smiled, he helped them put all of their bags into the car and then the two hoped into the backseat while Jack drove them.

Jack had recently moved before the start of the season to a a lot bigger apartment, with alot of extra rooms and space because he knew the two would stay with him at least a year and he wanted to be able to have alot of guests but be able to let any other teammates stay with him.

Sebastian had wanted to get his own apartment with Luke but Jack all but begged that two would stay with him at least for a season as he wanted them to stay with him so badly.

Sebastian knew that Luke missed his brother and he did miss Jack too so it wasn’t hard for Jack to convince them to live with him.

Jack yapped for the whole drive back and pulled into the parking garage, he parked the car and they all got out.

Luke and Sebastian grabbed their bags and followed Jack through the building and elevators up to the floor, Jack led them down the hallway and to the apartment door and opened the door.

They walked in after Jack, Jack lead them down a hallway, “Here this is a Jack and Jill rooms so i thought they would work good for you too? And my rooms across the apartment.” Jack opened the door to one of the rooms and led them in.

“It’s all good Jack thank you.” Luke smiled patting his brother on the shoulder.

“Alright i’ll let you to settle in.” Jack smiled once more and walked out of the room closing the door behind him.

Sebastian walked to the bathroom and opened the second door and it connected to his room, which was convenient for them. As Jack still has not realized that Sebastian and Luke are together.

Luke walked through their bathroom into Sebastian room and grabbed his hand pulling him to the bed, Luke pushed his boyfriend onto the bed and quickly climbed on top of him and laying down on him.

Sebastian just wrapped his arms around Luke and gently played with his curls.

Luke let out a long breath and held onto Sebastian tighter.

[fereldanwench]

I didn't want to completely sit out a year-in-review, but for reasons I'll explain at the end of this post and under a cut, doing the traditional pick-one-pic-from-each-month approach just wasn't going to work for me. So instead, here are 20 of my favorite shots (in no particular order) of Valerie from 2023!

(I'll share solo Goro shots and shippy/story shots in two other posts before the year ends.)

Some thoughts about this year (cw for anxiety and depression mentions):

So yeah. I actually hadn't planned on joining in on the virtual photography year-in-review fun in part because... Well, frankly, I wasn't sure if it would actually be fun for me.

Although I do have pictures for every month, the first third, maybe even half, of the year was a struggle on almost every conceivable level. A lot of it was shit that carried over from the end of 2022, which was also an incredibly difficult year for me. I don't really want to delve too deeply into why--Some of it was personal, some of it was professional, some of it was fandom, and if you know, you know.

The main obstacle I had here is that looking at a lot of the shots I took from about January to May (give or take a few weeks on either end) honestly reminded me of Bad Times™️. I've worked really hard to pull myself out of that depression/anxiety cycle and return to a healthier approach to fandom and online socialization in general, but I just didn't want to spend a lot of time in that mental space. There are a few shots from those months that made it to my favorites, and I hope one day I can look back on that stuff and just feel the good from it again. Alas, that day is still not here.

But I am happy to report that the other reason I wanted to approach the review differently is a lot more positive! It's also two-fold: 1) I spent the earlier part of this year exploring more of a technical side of virtual photography and 2) I was really prolific the last third or so of this year so trying to narrow faves from about August until now was just not possible.

One of the few good things about the end of 2022 was being able to upgrade my graphics card, which meant I then had a rig that could support ray-tracing and hot sampling. As a result, I started putting a lot more focus on lighting and getting acquainted with new tools. I also was trying to work with the new AMM posing system, which is very convenient in some ways (100s of poses without reloading the game!) and a complete pain in the ass in others (can't move characters without their poses breaking!). Custom photomode poses + Nibbles Replacer has been the game changer I've been waiting for.

Or to put it more succinctly, December 2022 through about April 2023 felt like a relearning/return to basics kind of creative period, which is essential, but also means I just don't really like a lot of what I did, lmao.

Then, shockingly (I'm not shocked at all), starting treatment for my anxiety and depression in the second half of this year suddenly made creating a lot easier and fun again! Crazy how that works.

Even bumping this little review up to 20 shots instead of 12, there are still pictures from the past few months that I had to cut as favorites. There was just no way I could condense the amount of fave shots I took from August to now in just 5 options.

I also owe quite a bit of this revival to modders for asking me if I wanted to take shots for them--Exploring more of a fashion photography approach to my shots I think did a lot to build on what I had learned earlier in the year and encouraged me to try something new. I don't want to tag anyone in this long-ass glorified diary entry, but if you invited me to take mod shots for you, just know that it really meant a lot. ♡

And that's where my head has been with a yearly review! Is filling out a little template with 12 pictures this serious? No, it definitely is not, lmao. But hey, overthinking shit is still something I'm working on. ✌️

[vgperson]

What Did I Do In 2023?

Whatever I wanted, mostly.

----

As I mentioned last year, my site now has an RSS feed with basically everything I've done back to 2020, so this will mainly be going over the same stuff from that, just with added context.

In January, I finally sat down and properly realized an idea for a short story I'd had sitting around for a while: From the Sidelines, about a fantasy RPG expedition going sideways. I remain very proud of it in both concept and execution, and hope people read it.

In February, Your Turn To Die was released on Steam Early Access, receiving character profiles and some bonus mini-episodes, adding two more later in the year.

After finishing From the Sidelines, I carried that momentum to revisit my Ut0p1a story series about funny computer animals. I'd always meant to continue it - and conclude it - but hadn't been satisfied with the ideas I had for it until totally rethinking them this year. In March, I posted the remaining stories one after another: Right to Code and Left to Code. I'm very proud of these as well. Also in March, Kenshi Yonezu released LADY. (Video, interview)

In April, Uri released the Data Book of the Strange Men Series, a big collection of the writing she's done on the games in the series, with a lot of new parts as well, all translated by me.

Then in May... uh, well, let's see. In April, Capcom released the Mega Man Battle Network Legacy Collection. I always adored the Battle Network games, and was initially excited that they finally did the thing... but by the time it came out, I was pretty disappointed by how, while you certainly couldn't call them low-effort ports, the effort didn't extend everywhere I thought it should, with the biggest offenders being the total absence of any "convenience features" except Buster Max Mode, the bad font, and the almost entirely untouched translations.

So, I ended up deciding I might as well just replay the originals, and that was a fun time (aside from the parts that were bad). Doing this, I couldn't help but notice how... turbulent the translations were, even if I'd always known they were less than ideal. I mean, the first two games just used periods for ellipses despite the tight character limits, then in BN3 they had an ellipsis character... but it's center-aligned, Japanese-style? Aside from the intro, which has normal ones? Gosh, somebody should fix that - it's simple enough to find and edit in YY-CHR. "JapanMan" is silly, too - I wonder if anybody made a patch for that? Wait, what do you mean there's just a tool to extract and insert text in all the Battle Network games including the Legacy Collection???

Thus began a journey that sort of occupied the rest of my year. First I did the BN3 Translation Revision, trying not to worry too much about cross-referencing the Japanese text unless something seemed wrong, so that I didn't spend too long on the project. Then I began to consider BN2, with its unfortunate "foreigner" text that would need some more significant reworking. I established more convenient tools for comparing with the Japanese script, and thus did a much more thorough job with it, releasing the BN2 Translation Revision in June (AKA Princess Pride Month).

Finally, after giving myself time to recover and actually finish replaying the series, I knew what I had to do to close things out. With the BN4 Translation Revision, you can finally play Battle Network 4 with a translation that isn't such a mess. Whether you'd want to is for you to decide, though if you can get over the structure, I don't think it's the worst game in the series by any means. (Oh, and in December I also updated the BN3 Revision to 1.1, doing a thorough pass with the methods I'd honed. But I think I'm pretty much good on MMBN translations now.)

Anyway, backtracking to other things that happened during my Battle Network haze... June had Kenshi Yonezu's Moongazing (video, interview), and July had Globe (video, interview, interview).

Last but not least, released in November, I translated Refind Self: The Personality Test Game, a short game from Lizardry (creator of 7 Days to End with You) with a fun concept.

----

Obviously I was right to have said "no promises" last year. But really, Your Turn To Die should get its final part on Steam sometime next year, maybe even early-ish in it. That's certainly the goal.

I'm also hoping to buckle down and finish one of my own games, but as usual, who knows how that'll pan out. Letting my whims carry me this year let me finally finish From the Sidelines and Ut0p1a, which was great, and it also led me down a Battle Network rabbit hole, which was... fine, but definitely for a narrower audience. I'd always like to get back to more free game translations and the like, too, but it takes effort to find things I'd want to translate. For now, I think my increasing desire to be able to let loose some of these original games I've been planning, and the stories in them, might come out on top.

[couch-house]

2023 baybeeeee. havent done an art summary in a while since i basically stopped drawing early 2020 and didn't get back on the horse until mid-2022 (i wonder... what could have caused that!) i dont feel like my art has really changed this year, only in the ways that I draw specific sonic characters (looking through my archive is fun bc i can see the progression of the diseases known as Giving Them Big Eyebrows and Drawing The Monoeye) and--more exciting 4 me--my practice with paneling comics! :)

i think the progression is much more noticeably when you line it up with last year's sonic art... i can see all the Milestones.. more talking abt that under the cut

May: couch gets into sonic. June: Yucky Sonic 1.0. this was also the month when i Heard Of fleetway super. July: couch comes back from brazil, having read stc. this is also when i start dong actual short comics. compare may -> june -> july. (also please forgive whatever tf i was doing with skintones. i needed some practice)

august: merger au takes shape. dog invented. also i just really like that speed racer sonic mspaint picture. its fun :) september: deep in the fleet mines. october: i lose a lot of steam and mostly just doodle. another comic comparison for those three months:

november: frontiers comes out. i go crazy mode and make that sonic + knuckles comic with the pretty backgrounds and LOTS OF TINY TEXT. december: winter break AND im tired. january 2023 i come back insane crazy mode and write some fanfiction?? still havent finished that LOL. made some nice cover art :) february: i shift into knuckles mode fora month. make another comic. this one is much better i think :) november -> february

march: i shift into transfem metal sonic mode. also just stick to a lot of doodling. also write more fanfiction. crazy. april: transitory period as i shift back into stc/exit: sonic mode. may: more fanfiction. more comics. i really like how both of these turned out :) while the last two were definitely taking a lot more notes from stc, i think around here i start paying attention to and trying to learn from more creative panelling from artists i admire. like @/superemeralds THOAM and @/starrjoy's pandora au.

june: i play sa2 and it's good. july: i play unleashed and it is both miserable and good. i get in kind of an artistic frustration zone and wiggle my way out. august: idk i think im just chillin. super react dot jpeg happens. it's not even named that, it's named after the other image on the canvas, which was maria holding baby shadow. more comics.

september: i burn out for a bit. get real tired. eventually get back up and make more comics. the goal here and last month has become "try to make more interesting panel shapes. I've noticed other artists don't just use rectangles--try playing with irregular polygons and see where it gets you." well it gets you mixed results as you learn :) also i think after that pause i accept the monoeye into my life. sigh...

october: oc showdown starts and @/neurotypical-sonic asks me to make some halloweeny art :) feels like i dont do much this month bc i focus on those. november: A LOT OF ART?? INSANE. more oc showdown stuff. i play shadow the hedgehog (2005). it's good and i love it. i draw a ton of shit on one canvas for it. Fucking Dember: i have shifted back into stc/EXIT mode. motivation's a little weird bc work's a little weird. doing commissions also makes it weird. well im having fun and being myself :) a final handful of comics from this month:

idk maybe ill do something sicko crazy b4 the end of the year. mayb i'll follow exit sonic's example and #GetWorse. who knows :) well this is fun i love looking at my art and seeing and noticing things. thank u all for your support and I hope we all have a great 2024!

[tamamatango]

“Holy shit they actually froggin did it”: A Keroro Gunso anime revival preliminary info and speculation post (late as hell edition)

Okay first of all,

AWAKEN

That’s right, vanished-into-the-void bastard Kirb here, I am an alive person still, though I’m certain a lot of stuff on this blog is horrifically outdated. Don’t get too used to my presence, I’m a whole ass adult with a 9-to-5 now and don’t really have the energy to put into consistently maintaining this account, at least not to the degree that I used to (took me well over a whole ass MONTH just to write this post). However, I’ve returned for a special occasion, as basically anyone still in this fandom is already aware considering it’s been forever now:

We are so fucking back

It took thirteen years and counting, but here we are, a brand new Keroro anime project is in the works—no “the short anime of all time” Flash series here, this is the real deal, straight out of 2004–2011, and goddamn is it beautiful. I might’ve been off the mark when I called it for the 15th anniversary, but it’s now the 20th, five years later, and the madmen did what was once thought impossible by many.

So let’s break down what the hell is actually going on here, because when this got revealed last month, Keroro fans on all sides of the globe basically started collectively running around like headless chickens. I’m gonna divide this aggregation post into the following sections:

Where did this even come from

Clearing up misconceptions

Okay so like what is “““Project”””

Collection of statements from official accounts, staff and cast, etc.

The Localization Question (TM)

Miscellaneous thoughts that don’t really fit anywhere else

I was originally going to make this a living document of sorts but some small stuff has already happened since I started drafting this the day after the reveal happened, so this should be it for the time being. It’s a hefty enough post as is. I am just a master procrastinator :V

That takes care of all the goofy intro nonsense, now for the parts you actually want to read, starting underneath the cut!

Section 1: The Signs Were There

As previously stated, 2024 is the 20th anniversary of the Keroro anime, along with the 25th anniversary of the manga’s serialization but apprently even they don’t care about that since they’ve made no fanfare around it whatsoever, unlike the joint 15th & 20th anniversary back in 2019. Maybe they will as we get closer to the manga anniversary in November, but for now-obvious reasons the anime has been overshadowing the manga side by a lot.

If you’ve been monitoring the Keroro PR account on Twitter (you bet your ass I’m still calling it that) you’ll have noticed an increasing output of Stuff over the last year or two, even compared to the prior anniversary. These include but are not limited to:

In 2021, the series opened an official YouTube Channel, where they’ve been doing reruns of the anime (region locked to Japan), PR podcasts, etc. It’s also where the revival announcement premiered on April 1 at midnight JST.

In 2023, the series opened an official Fan Club with a paid membership. Originally it was a temporary project meant to last for only the two anniversary years (2023 for the pilot oneshot’s anniversary, and 2024 for the anime/manga), but was ultimately extended indefinitely due to “good reception” (my guess is it was always planned to be more than two years but they didn’t want to make it too easy to guess as early as last year that the anime was returning lol). They have a merch store, giveaways, and some kind of social component. I don’t know much about it otherwise because it’s a paid membership that I don’t have access to.

The series has had an overall increase in merchandise and collabs since 2022 or so. This has pretty much always been the case, but there was a bit of a lull between the Flash series ending and the ramp-up period to this (I’d start at 2021 when the YouTube channel opened). Save for the 15th/20th stuff in 2019, for which the major project was Keroro UC, a spinoff manga/plamo line that just…never released all the models and has never been brought up again. Guess it didn’t do very well :V

A number of international releases/rereleases happened as well, but I’ll get into that a little bit more in its dedicated section. For now let’s just say that the anime being finally licensed and put up on streaming in North America may indicate the new series will be English translated in some capacity. It’s also made a resurgence in Korea, its biggest market outside Japan, where it’s had new exhibitions and collab cafes, a redub (that only got through 2 seasons I think), and even a new mobile game.

And finally, a week or so before the announcement, a new Twitter account was created specifically for the anime side of the brand. I think this was really the big tip-off, as Keroro PR has been the hub for all things related to the franchise for the last nearly 15 years, even when the original anime itself was still running during Twitter’s infancy. Keroro PR has posted everything for every other anime anniversary. The fact that now all of a sudden they had to sector off the anime stuff into its own account made it clear something bigger was going on. (Accordingly, the Keroro Anime account has labeled Keroro PR the “original work” account, AKA the manga side of things.)

Essentially I think they’ve been planning this to some degree since as long ago as 2021, the first time the president of Bandai Namco Pictures (animation studio comprised of Sunrise staff that took over the Keroro IP in 2015 and are now producing the new anime) openly acknowledged the possibility. I’ll just link my own tweet with the translation of his statement here. This was right around the opening of the YouTube channel, so I don’t think it’s a coincidence.

tl;dr Momentum for the anime component of the franchise has been building for the past couple of years pointing toward a new anime around the 20th anniversary, so I wouldn’t say this comes off as a huge surprise, though I was expecting something smaller scale than what we might be getting (more on that in the “what is this” section).

Section 2: No It’s Not April Fools, Guys, Plus Other Clarifications

With the announcement spreading across the internet, I’ve seen a few points of confusion going around that I’d like to clear up before I go any further.

As I’ve made clear in the section title, yes the new anime was revealed on April 1, no this is not a prank. A lot of Japanese companies do post April Fools pranks, but keep in mind April also marks the start of the new fiscal year in Japan, so many legitimate announcements are made as well. Plus, the original anime’s exact anniversary was on April 3, just a couple of days after the announcement.

I’ve seen a lot of people call this a new series, season, etc., but officially, the only term used to describe this so far is “new anime project”. That could mean literally anything, from TV series to movie to ONA and so on. I am leaning closer to a certain interpretation, which is what the entire next section is for, but for the time being, calling it anything other than “new anime” is technically not concrete info.

There seems to be a little bit of confusion on what studio is working on this, but in short: it's Bandai Namco Pictures (BN Pictures or BNP for short). As previously mentioned, this is the studio that inherited the Keroro IP when it spun off from Sunrise in 2015. Sunrise, the anime's original studio, is now a brand name for the larger anime management company Bandai Namco Filmworks. Although they've held the IP for almost a decade, this is the first time they've really gotten to do anything with it besides merchandise licensing and some anti-piracy commercial from a few years ago that they’ve ironically scrubbed from the internet now. If you've seen the name Studio BIND (Mushoku Tensei, Onimai) floating around, they're assisting with the production but are not the primary animation studio. Of course this is all assuming this setup continues on to the final project and not just for the PV, but I see no reason to assume otherwise at the moment. It would be rather unusual for BNP to outsource anything if it was solely for a 30 second trailer.

I think that does it for the main points of contention I wanted to address for now, so moving on to the thing we all really want to know…

Section 3: Okay But What Is It Actually???

Well, as I said in the previous section—we don't know, lol. At least not officially. But if we put our thinking caps on, we can make a few deductions:

The anime project will be broadcast on TV. In other words, it won't be an ONA (original net animation). This is determined based on the fact that TV Tokyo, the network the original anime aired on, is on the production committee. For those who don't know, a production committee for an anime is the collection of parties/companies who contribute to the production and funding of the anime. For comparison, the Keroro Flash Series, which aired only on the TV channel Animax to accompany a dedicated timeslot for the original anime reruns, did not have TV Tokyo in its committee. So, it will likely air on TV Tokyo once again.

It's (probably) not a movie. This is going to be more evidenced by point 3 than anything, but BNP has been pretty clear about when something is a movie specifically in the past, such as when Kaiketsu Zorori had various feature films in the 2010s before getting an actual TV anime revival in 2020. Still, we can't be 100% sure until someone directly says otherwise.

It's going to be more than a one-off. I will post the statement in full in the next section, but the Keroro PR account uses specific wording (“resumption,” “new start,” etc.) that sounds very much like they’re making a longer term commitment, so this is straight from the horse’s mouth, essentially.

The series will be a continuation of the 2004-2011 series rather than a reboot. This one’s probably my flimsiest prediction as the PR statements sort of obfuscate whether it’s one or the other, but the character bios section on the new anime portal site gives away a big hint: the Garuru Platoon, Pururu included, is there. This means that we can reason that, at minimum, all or part of Season 3 has already occurred. The character bios themselves also summarize things that weren’t revealed until a little while into the show, such as how Momoka and Tamama met. That all said, the Garuru Platoon members do not have bios, so I suppose they want to keep what’s being done with them a bit of a secret; perhaps they intend to reintroduce them with some kind of dramatic arc again. Either way, if the series does retread/retell some old material, it probably won’t be the bulk of the story. This makes sense to me, as it’s not like the show has been so hard to find in the last decade that a reboot is necessary to get a modern audience on board—it reruns constantly on kids’ TV channels like the Japanese version of Cartoon Network, is available in full on multiple streaming platforms (movies included), and is now on its second rebroadcast of the whole series episode by episode on the YouTube Channel. Unless you’re a literal toddler, if you’re interested in the series, you’ve probably watched at least some of it already.

In conclusion, based on the above (admittedly sparse) evidence, I am inclined to believe the new anime project is a TV series that will air on TV Tokyo as the 2004 anime did and will be a continuation rather than a reboot; however, there is no way to determine episode length, episode count, etc. at this time. It could be a cour (for those who don't know anime, "cour" is your average 12-episode season), it could be consecutive cours, it could be split cour (in other words, goes on break for a season before returning), it could even be a year-round anime if they really wanna go all the way with it. Granted, I hesitate to believe that they would do the latter simply due to the nature of anime production these days, and as far as I know, BNP has not done a single year-round airing since its founding. Even the aforementioned Kaiketsu Zorori revival was a two cour (24-25 eps) series each year from 2020-2022. My guess is we're looking at something similar here, but Keroro is a pretty big deal, so could they make an exception? Maybe, but this setup would already lead to more episodes than the vast majority of anime these days, so it would still be plenty enough to be happy with.

Considering all this and the list of numerous hints that we were potentially getting a new anime as far back as three years ago as bulleted in Section 1, you might question what made me doubt that it could be a series in the first place. Well, besides just the series being so old and it being so long since the anime ended that it felt a little like wishful thinking, at least three members of the cast said that a new series was not something they were specifically looking to do...I think, anyway. Let me explain.

Last year, on December 9, a Keroro birthday event with Kumiko Watanabe (Keroro), Etsuko Kozakura (Tamama), and Takeshi Kusao (Dororo) was hosted in person and livestreamed on TwitCast for fans that paid for a ticket. There were two timeslots for the in person event, and only the evening show was streamed, with the afternoon one being in person only. Now that I have adult money, and being the impulse driven gremlin that I am, I paid for the virtual ticket. Most of it was just cute little segments like the three cast members doing live commentary on some of the birthday episodes, discussing the results of a “favorite lines from their characters” poll hosted on Twitter a few weeks before the event, and a brief visit from Jashin-chan of Jashin-chan Dropkick/Dropkick on My Devil, a series that Keroro recently collabed with for a series of merchandise. Unfortunately the event wasn't archived publicly and they specifically asked to not upload materials to social media, and I'd like to respect that request mostly out of consideration for the cast, so you will just have to take my word for it :P (besides those who were watching me talk about it in real time on discord).

The reason I'm going on this tangent is because, at the end of the stream, a special prerecorded video featuring the three cast members was shown exclusively for virtual attendees. In it they essentially explained that they still greatly enjoy the characters/series and would love to partake in more events and projects, but "not necessarily a new series." I promise you I listened to this clip over and over the entire time it was available and that's what I heard. Now look, the room they recorded this in was echo-y, and my Japanese is pretty decent (enough for my N2 anyways, yeah I did that while I was away from here clap clap) but listening comprehension is my weaker area, so maybe I just take a massive L here. When I started writing this post there was a sentence here guessing about whether they were just being cheeky or didn’t know yet, but an interview came out last month that gave what’s all but a conclusive answer to that. More on it in the next section but tl;dr, they likely did not know it was happening at all. Well, at least they got to be as surprised as we were :V

Anyways now that the thing has been revealed none of the last two paragraphs even matter, so I just prattled on for no reason besides to admit my own shame. Next bit.

Section 4: SAUCE PLOX??? (Current testimonies from relevant people/entities)

Naturally, when the trailer dropped, we got a pretty decent handful of comments from whatever staff and cast are on social media. Most of these are just people going “yay we’re back hooray!” (paraphrased) but the Keroro PR account statements are actually kinda sorta hints? So I’ll start out with those. There’s two tweets that I want to highlight here:

First is from April 1 (JST), the day of the reveal. In this tweet the account wishes everyone well for the new school/fiscal year, but the important part is the last sentence, This can be translated any number of ways (thanks to yoroshiku onegaishimasu and its 50 potential meanings, every Japanese translator’s worst nightmare), but essentially it’s something along the lines of “we hope you’ll support the restart/resumption of the Keroro anime for a long time to come.”

The keywords here are obvious: 再始動 (saishidou) meaning either restart or resumption. I know you’re probably thinking those are two very different things, but the nuance here is that it’s more of a restart in production than restart of the continuity. For the latter, I think it’s more common to see リメイク, which is just the English word “remake” in katakana. Worth noting that the Flash anime used none of these words in its marketing, but it did use language such as “brand new invasion plan,” “rebirth of Keroro,” and so on…in addition to, you know, having a completely different artstyle and a title change to just ���Keroro”, which this clearly does not (the artstyle is relatively faithful to the old one and the project is under the original Keroro Gunso name).

The other big word is 末永く(suenagaku), which…also doesn’t have one exact translation, but implies somewhere between years or even an indefinite period of time. I didn’t want to say a specific unit of time in my translation of the statement because well, we can’t really be sure of anything here, but either way, they’re signaling that they’re most likely in it for the long haul.

Then there’s the tweet from the PR account commemorating the actual anniversary of the original anime (April 3). This one uses 新しいスタート, “new start”—no real multiple definition shenanigans here, this is about as literal and straightforward as you can get. In terms of the reboot or not question, this could lean either way, but it definitely adds to theory that it is a series of some sort.

Okay, that’s all for the individual tweets I’m gonna totally overanalyze, otherwise I’d be stuck here for even longer than I already have been. Here’s a quick list of involved staff who tweeted about the reveal:

Unsurprisingly, Kumiko Watanabe (Keroro) posted that day, reiterating that it is real and saying “believe usssss!” (As a reminder, half the internet was convinced it was April Fools for like a whole week)

Adding to the cast comments, Etsuko Kozakura (Tamama) says, “Whoo-hoo! Can’t wait for more news! Keroro Gunso is still the greatest!!”

Jouji Nakata (Giroro) didn’t make a specific comment about the trailer, but has been retweeting the other official accounts and such and replying about it, so he has acknowledged it otherwise. As a substitute, here’s a picture of him visiting the Keroro Exhbition in Ikebukuro a day early.

Here’s an interesting one—Haruna Ikezawa (Momoka) said about the trailer, “Really?! Is this real?!?!?!” While no cast members outside of the Keroro Platoon were officially revealed to be reprising their roles, I’m assuming they’re going to try their best to reassemble as much of the cast as of season 7 as possible—besides Keiji Fujiwara (Paul/Narrator), who sadly passed away in 2020—so I kind of figured Ikezawa would know about this, but maybe not…? Well, considering that the main five were completely blindsided by this to the point where they weren’t even sure this was a real thing until they were in the middle of recording it (as I said previously, more on that later), I suppose the other cast members were just. Not told. I don’t really doubt Ikezawa would return (she even stated it could happen someday all the way back when the then-final season ended in 2011 and did come back for Flash)…but unless they were like really worried about leaks why even keep them in the dark to learn with the rest of the public, idk man :V (so much for not overanalyzing tweets huh)

On to production staff now, here’s the tweet from Satoshi Koike, animation director of the latter third of the original and also the reveal trailer, indicating that he’s most likely back for the new project. It’s just a simple “Welcome back! (de arimasu)” but the images he used were drawn back in 2019 to commemorate the start of the Reiwa era, spoofing the original lyrics of the first opening. The reveal trailer tweet itself from the Keroro Anime account does this too (“Starting today, the Reiwa era shall be known as the Keroro era!”).

New to the staff is Jouji Furuta (yes we have two Joujis now har har), who did the storyboards and direction for the trailer. He’s relatively new to the scene as a whole, with his most well known project being Shaman King Flowers. Although he never worked on the series before, he did a pretty good job emulating the original, and based on the last line of the tweet, it seems like he will be staying on for the full project as well.

And now for a kind of weird section where I talk about the few related accounts that the Keroro anime twitter is following but haven’t made any kind of verbal acknowledgement yet.

First and foremost is Mine Yoshizaki—you know, the guy who created the fucking series, whose name is on the copyright string and whose explicit permission they had to get to do another anime in the first place? Yeah so it’s been over a month since the reveal now and there has been zero acknowledgement from him. I do know his personal social media account has been inactive for quite a few years now (I feel like the anime account is only even following it for symbolic reasons), but he had multiple other opportunities to say something at this point. He did contribute some signed artwork to the anime-focused exhibition that just ended but nowhere in it does he directly mention the new adaptation, and so far he hasn’t commented on it in Shonen Ace (maybe in the next volume, assuming that’s soonish). I have my theories about his relationship to the anime, especially now that the Kemono Friends fiasco has occurred, but that’s all a story for another day or never. I’m sure he’ll contribute something later, but even so it’s just really bizarre to have nothing to say about your biggest creation’s first new adaptation in over a decade. Oh well.

Character designer Fumitoshi Oizaki, who has been around since the beginning if I remember correctly, has been retweeting things, but no official comment just yet. (He discretely left a message at the expo apparently, but didn’t post it online, so no idea if it mentions the new anime.) He isn’t credited on the trailer, but considering he’s still been pretty involved with the franchise’s promotion over the last few years, I would be very surprised if he wasn’t returning.

Last but certainly not least is Junichi Sato, the chief director for the original anime for the first two seasons, arguably its most well-known and critically praised era. He’s also a very notable director in his own right, having headed other famous series like early Sailor Moon and Ojamajo Doremi. Sato didn’t direct the original anime for the majority of its runtime (though he did direct the first four movies), but he still directs and storyboards on projects to this day, including for other franchises’ major anniversaries (namely Doremi and Precure). Though not certain, I think it’s very possible that he returns for this in some capacity, if not as director than perhaps for storyboarding or general advising.

To close out the testimony section, I’m going to share here the translation I did of the aforementioned interview with Kumiko Watanabe in last month’s issue of Newtype (anime-centric magazine published by Kadokawa). I won’t re-summarize it here since it’s not particularly long, but the main takeaways from this in terms of hints as to what we can expect are that a) the cast was surprised by this and potentially didn’t even know back in December when they last discussed the possibility of working on Keroro again, and b) as I previously speculated, this is going to be a long term enough project that at least Watanabe feels the need to physically prepare for it lol. And thankfully, it seems they’re all excited to go back to the series. I spent a long time thinking they might not be up to it again since it’s been so long and they’re much later in their lives/careers (Nakata just turned 70 oh man) but I’m glad I was wrong! Though I don’t expect this to be another 300 episode commitment anyway; in spite of the PR comments I don’t think we’re going for that long with the nature of anime production these days lmao.

And now for a topic which I think many of you are concerned about…

Section 5: “But what if my 日本語 is not 上手???” (The Localization Question)

If you did not get the joke in the above headline without looking it up, it’s probably safe to assume that if you want to watch this Thing, you will need it in a language other than Japanese (and even if you did get the joke you will know if you are truly 日本語上手 when people stop saying 日本語上手 to you). I’m going to focus on English for this post since that’s the primary language of the audience here, though I would be very shocked if there isn’t at minimum a Korean translation—dub more likely than sub imo, since the most famous version of the show there had different names for the characters and was changed to be set in Korea, and the series is HUGE there to the point where it almost rivals the Japanese market.

So, English. Well, if it were a few years ago (say, if this came during the 15th anniversary like I was originally coping over), I would be markedly less optimistic about getting any official translation at all. At that time, the dub was explicitly dead and the only English sub had been delisted for a few years, and even that was only available in a select few countries in Continental Europe on a pretty obscure streaming service called Viewster for like a year or two before getting pulled. It’s no surprise that this particular sub eventually became more well known as the subs on the torrents compiled by ColdFusion (whoever that was, I’m still not sure myself). That was until…

…the magical year of 2021, when our heroes at Discotek licensed the ENTIRE SERIES (minus the movies) for an official English release using Viewster’s existing translations! That’s right, we got all of it. And not only that, the whole series was also added to Crunchyroll, though only the sub; Discotek had the Funimation dub but it seems it did not get ported to Crunchyroll when the merger happened this year. It does seem that Crunchy has still not made the series available outside of the US and Canada, which is a shame, but man is it still surreal to have the entire series legally available both digitally and physically after nearly two decades of scattered fansubs and hardly accessible official releases. Surely this was a huge win for Discotek, right?

Weeeeeell…no. Of course they weren’t able to say it out loud, but it’s been extremely heavily implied that unfortunately the BluRay/DVD releases flopped for them, and they did say they definitely won’t be getting the movies or the Flash series. They also stopped releasing the discs on a one season a year basis and started bundling them together, with seasons 5–7 coming out all at once later this year, so they’re clearly trying to just get it off their plates. To be honest, this was pretty predictable because…it’s been on Crunchyroll since before the discs even came out. Look, physical media is super cool and all, but who in this economy is going to pay $40-60 per box for a handful of seasons at most when they can get the whole damn thing on their phone for like $8 a month. Crunchyroll isn’t necessarily a disc killer; their release of Digimon Adventure, for example, still seemingly did well despite that series being available on Crunchyroll two years prior, but in addition to Digimon being more popular in the west, it’s one $60 purchase for the whole series versus having to spend like over $200 for 358 episodes. I applaud them for rolling the dice and trying to get this behemoth of a release out there, but I’m not surprised about the lack of financial returns.

However, since Crunchyroll now has set a precedent of having the original series available on their platform, we just might get the new series available on there as well—if not as a simulsub, then at least dropped in batches later on. I’m not 100% confident in this, particularly because technically Discotek still holds the license, but my guess based on the way they’ve talked about the series is that they’re pretty open to someone else taking it off their hands when they’re done releasing the original series (and the translations weren’t originally theirs to begin with anyways, they purchased them and did some touch-ups to the existing translation with added typesetting). As far as simulsubs go, the kids’ shows that get simulsubbed tend to be from Toei, with whom Crunchyroll has a known partnership. But if it is split into cours rather than being a year-round anime, I think the chances of a simulsub go up. Whatever the case may be, it’s for sure in a better position to get an official subtitled release than it ever was before. I’m certainly praying this happens because I believe most of the people capable of fansubbing (with good translation anyway) have gradually moved away from the fandom over the last decade for various reasons—myself included, though mostly I just quit fansubbing/scanlation in general for Personal Reasons(TM). Fingers crossed, everyone.

So subs remain as a not-guaranteed-but- definitely-not-low possibility. But what about a dub? If you recall, Keroro has had a very rocky history in 3D with English dubs, with the American dub being in licensing hell for years before finally falling into Funimation’s lap and subsequently failing to take off despite remaining a beloved cult classic to Some Fans (I am not as high on it, but longtime Kirb followers probably know that by now), and the only other English dub is relegated to the network Animax in Hong Kong + Southeast Asia with no official home release, leaving all of it besides parts of seasons 3 and 4 as lost media (and the voice acting sucked ass but at least the script was accurate). But we’re not in the mid 2000s to early 2010s anymore; this is the screamin’ ’20s, baby! So much anime is getting dubbed now, sometimes at almost the same time as the Japanese release! There must be a chance, right?!

Eeeehhhhhh I wouldn’t bet on it. Even the Toei kids’ shows Crunchyroll started simulsubbing usually don’t get dubs (Digimon is an exception, and the reboot’s dub took YEARS to come out). Anime dubs, as far as I’m aware, are not cheap to produce (though it’d be great if more of what the companies are pocketing went to the actors’ wages >_>), and if the show does have the potential to become somewhat of a long runner, I think they’ll need to see more interest around the IP to fund one, and both Funimation and now Discotek’s releases have proved that the audience for it isn’t always there. I also speculate they’d be doing a lot of recasting; the casting process is not as smooth and (I believe) more expensive than it is in Japan, and a lot of the original cast are not working as often in the field anymore and/or have been involved with some pretty serious controversies—I’m sure those in the know are thinking of a specific drawn-out conflict but I’m pretty sure it’s more than just About Him at this point. So let’s just say that while some of the cast still remembers the show fondly, I think trying to get them all in the same project again would potentially open some cans of worms better off left closed. It’s not 100% impossible it gets dubbed, you never know what the industry can manage to make work these days, but I’d wager it’s like 90% not happening. Just a hunch. If anyone more knowledgable than me on anime localization (this goes for both the dub and sub stuff) would like to argue me with better explanations than I have I’d very much be glad to hear it.

Section 6: The Stuff That Doesn’t Fit Elsewhere + Final Thoughts

There’s not going to be any real organization to this section. Here’s just some bullets of miscellaneous stream of consciousness thoughts related to whatever:

The character bios page on the site linked in section 3 has some WEIRD romanization choices. I don’t expect these to reflect on any official localization because chances are they’ll go with what Viewster used, which is largely what the fandom is used to besides the Kululu/Kururu split. It is indeed Kululu here and Kululu has been the de facto official spelling for a very very long time now but I still have a personal preference for Kururu because “Kululu” loses the onomatopoeia joke and I’m a rebel. But like. “Tololo”? Since when has Tororo ever been called that in any media? And worst of all, “Pole”? POLE?? That’s literally never been a thing what glossary did they pull these from.

Also worth noting, Alisa and the Narrator had merchandise sold at the Keroro expo (will talk about that next btw) despite not being on the characters page. This isn’t a confirmation of anything but I would be very surprised if Alisa doesn’t return at some point since she was pretty prominent later in the show and Yoshizaki seems to have a particular fondness for her, and the Narrator will obviously be there with a recast, though jury’s out on if his little ’sona guy will show up too. It won’t be the same without Fujiwara :(

I do want to touch upon the “Keroro expo”, officially known as the “Keroro Gunso Super Gerogero Museum” (expo is a fine shorthand because the Japanese word can mean exhibition also), since I’ve mentioned it a couple times throughout this write-up. This was an event that was held in Ikebukuro just recently from April 27–May 12 that was basically a walkthrough experience recreating settings from the anime, having artwork and stuff sprinkled in between (all reused, no new concept art or anything sadly). The main gimmick was that the venue had an exclusive app that let you take AR pictures with models of the Keroro Platoon. It also had an AI chatbot feature where you could talk to each member of the platoon, and not too many posted pictures of this feature but apparently the chatbots were uhhhhhh weird. I have no idea how much of it is generative from other LLMs, and I’m assuming they programmed it at least partially with their own original input/databases (which is the only way to make generative AI even close to ethical), but from the few screenshots I’ve seen their speech was just a little bit awkward and some of the stuff they said was really bizarre. At one point users started to turn it into an otome game and successfully romanced the frogs, which I’m assuming is a little bit out of the bounds of what they were expecting from this experiment. If they do release that app publicly at some point—they labeled the version at the expo to be a “test version,” so maybe—I sincerely hope they at least fine tune it because Good Lord. Finally and maybe most importantly, there were new voice lines recorded for the exhibit to give it an audio-drama type simple story, but unfortunately it was probably not archived because video recording was not allowed inside the venue. The platoon all had new voice lines along with Fuyuki and Natsumi, reportedly still played by Houko Kuwashima and Chiwa Saito respectively, so most likely they will return to reprise the roles for the new anime, though I don’t think those two were much in question. That’s really like the only important part of this for the purposes of this post I’m not sure why I mentioned anything else here actually. AI chatbot Dororo wants you to know he enjoys tickles from Giroro and Tamama. Yeah this thing’s a little fucked

I didn’t want to get too deep into this in section 3 because it’s not really a production related question, but…are Shin Keroro and related new characters gonna be in this or not? For what it’s worth the site seems to count the Flash series as part of the anniversary celebration, and screenshots with Shin in them are there even if he is completely absent from the character page. Flash was a total reboot so I don’t think it will be that exact iteration of the character if he is in the new anime, but there must be some way to work his stuff into the existing anime canon even with its many differences from the manga. Honestly I think the main obstacle to him appearing is just that the guy is not very popular lol. He’s hardly in the manga anymore and Tomosu and Myou are in it even less. I’m not sure if it was just franchise fatigue following the end of the anime but the reception to Shin was very meh across the board (at least among longtime fans, kids might’ve liked him I think. Which makes sense). So I could totally see them skipping him entirely. There’s still a lot of post-anime manga-only stories without his involvement at all, some that included him but he could easily be changed to some other character, and for the stories that revolved around him, well, the Flash anime got to a decent amount of them. This could really go either way but for now I’m going to lean toward him not being included. If he’s put in I think it will not be until the “second season” (whatever the definition of that ends up being) so we can be eased back in to the existing cast first before shaking things up significantly.

I like the new artstyle, assuming it carries over from the trailer to the final project. It looks like they hit a happy medium between the early and late artstyles of the original anime. This is the most obvious with the human cast who haven’t received new official artwork by Koike and/or Oizaki in a looooong time, and they look much better than the last time we saw them in season 7 where everyone got weirdly lanky for some reason.

Okay FINALLY I’m done here for now I think. At the time of writing we’re pretty much just in a “wait and see” phase with no other real concrete info around that I haven’t touched upon in this post. Trust me, I’ve tried digging for more, but I couldn’t find anything really interesting staff-wise and very few of the staff credited in the trailer are even on social media (sometimes staff can be a bit loose-lipped so it’s possible to get hints there). I’ve also checked every nook and cranny of the official sites of both animation studios and the companies on the production committee and turned up with nothing of note. I’m hoping we get some more info at least sometime between now and autumn.

Thanks for reading all the way to the end (or speedscrolling here, don’t worry I won’t be disappointed lol). I hope you found it informative even though I probably spent way too much time yapping about dumb shit. It took me entirely too long to write this post, but I don’t have as much time as I did as a teenager and it’s been a good few years since I’ve done a really deep dive into Keroro stuff. Needless to say, I’m beyond excited for this project and can’t wait to see how the last seven years of me huffing unhealthy amounts of copium pays off. I’ve had like a month and a half to sit on it now and it honestly still doesn’t feel real!

I will most likely return to report when we get some amount of substantial info—hopefully with way fewer words lmao. Until next time! Ge-gero~

[lizardsfromspace]

The problem with discussing the impact of reality TV is that there were two booms of reality TV that were very different, and people conflate them

The first one from 1999 to the mid-2000s was mainly reality-competition shows, and mainly on broadcast networks. This was the one networks did as a ploy to replace writers with cheaper content. This wave was also dying or dead by the end of the 2000s. The biggest hits survived, but it became harder to launch new reality-competition shows, and all the smaller shows and specials that clogged up the schedule (and some famous ones, like Fear Factor) went extinct, a victim of oversaturation - something foreshadowed by the show that kicked off the boom, Who Wants to Be a Millionaire?, going from hottest thing in TV to cancelled as it expanded to five nights a week. Like, if you look them up, most of the big reality-competition shows now either started during these boom years, or are spin-offs of one that did (like the Gordon Ramsay shows all springing from Hell's Kitchen). The network's dream/the industry's fear of reality replacing scripted content never came to pass

It's actually a huge commitment to launch a new "the viewers at home vote!" reality show, since you have to assign a untested show two hours on one night for the live show and one hour on the next for the results show, and throughout the 2010s networks would look for ways to ditch the results show. In some countries you could do voting live (British reality shows do due to having just one timezone), but you can't in the US due to episodes airing on a delay on the West Coast

I don't think you even can do a show of American Idol's level anymore, since it thrived from a brief period of overlap: where phones & internet were common, but we still had some kind of a monoculture. My proof of this is that there's a new season of American Idol airing right now, in April 2023. Did you know it was still on? I didn't. Do you know who won last year? I'm not sure I could name a winner or even contestant since the Bush years. I never watched it, but everyone knew who won it in its early years, since it had a saturation you just can't get anymore, except with sports. Hell, at its peak everyone knew the names of people who didn't get past the auditions. This is not a growth industry, it is one crystalized around a few shambling forever-hits, and that one show where famous people sing in animal masks

The second boom is the one that took off around the time of the strike, which was made up of "personality" based reality shows. These were most common on basic cable channels, and crucially, basic cable channels that didn't really have scripted content. Keeping Up with the Kardashians didn't displace anything, because E! was a celebrity gossip channel that was all-reality from the beginning. The fears around this kind of reality show were more intangible, that Jersey Shore or the Kardashians were a kind of cultural downfall, though they weren't in any sense a new evil but just the latest manifestation of tabloid culture. In past generations the type of person to keep up with the Kardashians would've religiously bought the National Enquirer, and far before that they would've kept up with the society pages.

Anyway people act as if these two booms were the same when they were very different and treat the first one as if it's ongoing and not very firmly dead

[notfinancialadvice]

It's been awhile, but I have a new thought for folks starting out investing

This blog is called "not financial advice" so this is not financial advice. Nothing on this blog is.

And.

I am working on a large-scale D&D-style banking system for a private client (my job is weird). This is putting me in touch with a lot of people in very expensive suits and it I keep pinging them:

"Let's say someone has $100 to start investing, what should they do. Like, literally $100. With $0.00 added after."

I've cobbled together some thoughts (not advice don't sue me) and cut out the bullshit and sales pitches.

Start a high-yield savings account in an FDIC insured bank. As of this writing (April 27, 2023, United States-based), it'll be somewhere between 3.5 - 4.25% APY (annual percent yield -- i.e. interest)

Go with a bank that is FDIC insured. Banks pay for this, you do not. Here are smart people talking about what FDIC is.

The percentage difference listed above is 0.75%. Moving money is a bitch, is it worth chasing 0.75%? That depends on your situation, time, etc. Here are smart people who built a calculator to help you figure it out if it's worth it to you.

Touch it as little as possible.

Start a spreadsheet that tracks your finances.

In the cell that lists the amount of this balance, give it a name. Something fun, something that speaks to you. I did this as an experiment + to participate, mine is "Slime Research Adventurer Destruction Fund".

Write a prospectus (fancy word for "this is what the goal for this cash is to do").

Slime Research Adventurer Destruction Fund prospectus: Follow the path of high-yield savings rates at {bank}. Review quarterly if other banks have a substantially better rate (+1.5%).

The entire point is to break the idea of "them not me" and "today vs. someday" and "I cannot begin to build wealth vs. someone else can."

A $100 savings INVESTMENT IN A SAVINGS ACCOUNT with a rate of 3.5-4.25% will give you interest of $3.50-4.25 at the end of the first year, then continue on growing onwards.

That is your return.

Is it as high as investing in the market? No.

Is it safer? Holy fuck yes.

When you invest in stocks, bonds, etc. you are looking for a return. This is your return.

This is not a grindset mindset work 24/7 chunk of advice. This is not a reality-disillusionment "I am struggling I need to work harder."

You need to be knowledgable about how things can work for you so you can leverage what you have, where you are, when you have it, as you can.

A high-yield savings account is not going to make you rich.

It probably won't make a difference in an emergency.

It will absolutely make a difference in non-emergency times, over a period of time.

Slime Research Adventurer Destruction Fund Destroying Adventurers.

That last point is where I'm coming to.

If you don't have enough cash to invest and/or you're not comfortable investing, that's fine.

Give your savings account a name that speaks to you. This is your investment. Your savings account = your investment account.

There is no moral or ethical difference between "I have cash shoved into a savings account" and "I have cash shoved into the stock market."

The only difference is potential risk, growth, and fees (never pay for a savings account), liquidity ("how quickly can I convert this thing into cash to buy an apple at the grocery store, pay a bill, etc.").

Make money less scary via weird names and fun graphics.

Go to a piccrew site and make a catgirl with pink and blue hair.

Name your fund "Catgirlsnax Fundsies".

Make. Money. Management. Less. Scary. By. Taking. Control. Via your own. Desires. Goals. Weird quirks.

Here is to hoping these gifs are not from horrible shows I don't know anime I know money and business and monsters.

If they are then I apologize for it.

I've read the notes on my blog and a lot of you like anime. I'm hoping these resonate.

[blueepink07]

I decided to look at the calendars and the timetable in Muu's MVs and I think I found some interesting things!

Taking in chronological order, the first calendar should be this one, which has the cherry blossoms. In Japan, usually, the flowering cherry trees come into full bloom around the beginning of April. It is the month when the new year of school starts for students.

So it seems that the friend group started the bullying, since the beginning of the school year, Rei's clothes being wet and her items being splattered on the floor. (the calendar in this scene also shows the cherry blossoms)

Remember this is the moment when Rei decides to turn "upside down" Muu's reputation at school, when she considers that enough is enough.

So then it raises the question... How much time Muu was bullied at school?

Well to find out we have again to look at the calendar.

This one should be a month from autumn, more exactly early September.

To understand better my line of thoughts, I will explain how did I reached this conclusion!

Beginning with the timetable!

Considering that the murder takes place during sunset, I thought that it was important to find when Muu finishes her classes.

"In a typical high school in Japan, teachers gather each morning at 8:30 a.m. for a brief meeting. Students meet at 8:35 a.m. for a 5-minute homeroom period. Regular classes begin at 8:45 a.m. and there are four 50-minute classes before lunch. High school students eat in their homeroom. "

With this information, I figured out that the empty space between hours is for lunch, because there are already four classes before it.

"Two afternoon periods are followed by school clean-up and a 5-minute homeroom meeting, after which students are dismissed at 3:30 p.m."

Muu has, after lunch, one or two afternoon periods.

Also, interesting she also has four classes on Saturday, something that is pretty common in Japan. "On Saturday the day ends after four periods, at 1 p.m."

Getting back to the topic, the classes usually end at 3:30 pm or 4 pm most of the time. However, it's pretty clear that it's not the hour when Rei goes home and the murder happens. Not only the sunset will not start so early, but also Muu's phone gives us a hint of the time.

But why are they at such a late hour at school, if the classes should end at around 3:30 pm? Simple, club activities after classes, at which most students in Japan attend to!

"Club activities are held after school and run until 5 or 6 p.m. One hour per week is devoted to mandatory club activity. Other club activity is voluntary."

They last around 2 hours, so, if we take into consideration Muu's timetable, the clubs should end at around 5:30 - 6 pm. (might depend on the club)

Now, I want to point out this specific interrogation question:

"What kind of kid where you?"

The past tense it's very interesting to me: "I did many extracurricular activities". Yes, it might refer to her younger self, but, considering that, even in high school, clubs are heavily encouraged in Japan, it's rather odd that she doesn't say that she still attends them.

That's because, in reality, she probably stopped going to those once she started to be bullied, which explains why she is the only one in the classroom, waiting for the club activities to be finished, so she can go home.

"School club activities, commonly known as “bukatsu” in Japan, play a significant role in the lives of students. These extracurricular activities are an integral part of the Japanese school experience, providing a platform for personal growth, skill development, and fostering a sense of community."

Club activities are a good way to spend your time with your friends, while doing something that you like. Because Muu started to be bullied, she had no reason to attend to these anymore. Not only she would spend her time alone, but also risk being picked on again, preferring to stay in the classroom.

With the idea that the clubs from Muu's school should end around 5:30 pm, we can decide the month based on when the sun fully sets.

I will admit that it took me a while to notice the yellow dots, which should resemble the leaves, so, because of the warm colours, I thought that the calendar showed July. Not August, because, in most schools in Japan, there is a summer vacation which starts from July 20 to August 31.

However, considering that Muu lives in Minato Ward, Tokyo, as seen in this post, the sun should fully set at around 7 pm, during July. Which doesn't really makes sense, because Rei should be outside of school, after club activities and some time spent preparing her herself to go, at around 5:40 - 5:45 pm, when there is not a sunset.

What made me, at first, not consider autumn as an option, where the green leaves from this scenery. So I researched a little and found put that in Tokyo, the leaves don't start to fall until late November.

Which left me with two options: September and October.

October was easily out of the question, because, in the first day of October the sun fully sets at 5:26 pm, which is too early.

Which leaves us with September, when the sun sets at around 6 pm. Taking into account the minutes before Muu reaches Rei in that day, I think it's safe to assume that early September, should be the time when the murder took place.

I hope I gave a good explanation and found some interesting things about Muu! Thank you for reading!

Sources if anyone is interested!

[ateez-himari]

'HIMARI' PROFILE

... BASICS

Stage Name: Himari (히마리) Birth Name: Min Himari (민 히마리) Korean Name: Min Ha-Yun (민 하윤) Nicknames: Sunshine, KQ's Princess, The Siren, Korea's Angel, White Swan, Hima/Hime, The Holy Maknae, God's Touch, Hand of Midas (w/ Yoongi)

Representative Animal: Tiger 🐯 MBTI Type: ENFP Position(s): Lead vocalist, Sub-rapper, Producer, Maknae

Date of Birth: November 23, 2001 Birth Place: Kurashiki, Okayama Prefecture, Japan Association: Yeoheung Min Clan & Fujiwara Clan (Hokke) Family: Min Won-Shik (father, 1965-2012), Konoe Asuka (mother, 1970-2012), Min Hanzo (older brother), Adoptive Mother, Adoptive Father, Min Geum-Jae (adoptive older brother), Min Yoongi (adoptive older brother)

Blood Type: O Height: 157cm (5'2")

... CAREER

・As of November 2024, Himari has 213 KOMCA credits

・Was the first 4th generation artist promoted to a full Korea Music Copyright Association (KOMCA) membership in 2022

・Established as an official producer for SHINee member, Taemin, following the release of 'Never Gonna Dance Again : Act 1'.

・Joined JYPE in late 2014 to be part of girl group Twice but was deemed too young to debut after 10 months of training

・Was the first trainee to join Hongjoong at KQ Entertainment and the last to join ATEEZ - following survival show 'Last Qing'

・Became a producer during 'TREASURE EP.1: All to Zero' with credits on 'Stay', 'Twilight', 'Treasure' and 'My Way'

・Officially a part of ATEEZ's 'Demon Line' alongside Hongjoong, Seonghwa and San

・Made a special appearance on the 6th episode of MNet's show 'Good Girl', aired June 18 2020, to perform a cover of Dreamcatcher's 'Red Sun' against the cast.

・Made her acting debut in the K-Drama 'Hellbound' where she played the role of Jin Hee-Jeong. She then obtained the lead role in 'Where We Fall' alongside Yunho in September of 2023.

・She sang the OST 'Suzume' for the animated movie 'Suzume no Tojimari', 'Long Black Night' for K-Drama 'The Glory', 'Rewrite Me' for 'Where We Fall' and 'Blue' for 'The Killing Vote'

・Her fans are called 'Hirangies' which is a play on her representative animal called '호랑이' in Korean as well as her own name and '사랑' which means love.

... INTERESTS

・Her hobbies are traditional ink painting as well as photography and she enjoys leaning how to reform clothes from Hongjoong.

・Loves Studio Ghibli movies, her favorite being Grave of the Fireflies, and K-Dramas, her favorites being Death's Game, The Glory & My Name.

・Aside from the many groups whose fandoms she is a part of, there are quite a few soloists she tends to fangirl over, those being: Gemini, Penomeco, DPR Live, Han Seung Woo, Woodz, pH-1 and Zico. During her room tour in a recent live several albums of B.A.P could be seen resting on a shelf and she admitted to being a BABY whose bias is rapper/leader & soloist Bang Yongguk, whose albums were also spotted in her room. She calls herself a lucky fangirl as she has filmed the 'Bouncy' challenge with him as well as Woodz and Penomeco.

... HEALTH

・Was diagnosed with anxiety around 6 months following the group's debut, then a major depressive episode in the beginning of 2021.

・Suffers from hearing loss on her right side following a car collision costing the life of her biological parents - subsequently leaving scars on that side of her body.

・Has stress induced nightmares, though not as frequent as earlier in her career.

・Fractured her left ribs during a rehearsal for the first stage of 'Kingdom: Legendary War' in February of 2021, then again during the shooting of the 'Guerilla' music video in 2022. She received surgery in April 2024 following Coachella due to the risk of irreparable damage following several health complications.

・Since contracting COVID during the quarantine period she has had breathing problems which have permanently weakened her cardio and cause frequent needs for an oxygen mask especially when fatigued. The condition still remains unknown.

... MISCELLANEOUS

・Her favorite color is white because she feels like it is elegant, which is why she chose it as her microphone color.

・Her birth name means 'Sun' and her Korean name means 'Beautiful Summer' , chosen because the sun symbolizes hope

・The youngest of her brothers, Hanzo, is the National South Korean Soccer Team's captain and currently contracted with the PSG after leaving the Jeonbuk Hyundai Motors at the end of 2017

・When speaking quickly or passionately about something she tends to slip back into satoori (Daegu dialect)

・A palm reader stated that it was both her and Seonghwa's first life, which is why they approach things with such excitement.

・She can play the Koto (Japanese stringed instrument).

・The members tend to refer to her as '우리 Hime' which means 'Our Princess' using the Japanese word for the title and is also a play on words with Himari's shortened name.

・While other members claim that Halazia has one of the easiest choreographies, she finds it to be one of the hardest songs to perform as she has to sing background vocals through nearly the entire song while keeping up with the steps.

・Loves to cook but often tends to be careless when it comes to the amount of spice she puts in. In addition to this, she loves beef and hates any seafood that has a shell.

・Her ideal type is someone warm hearted with a sense of humor and who can accept her care when they need it.

[starfleetdesign]

Stat Trek!

Last year #Netflix released some viewing data and I started but only just finished producing this chart showing the relative popularity of the classic #StarTrek shows on the platform. No big surprises, but there are some interesting observations to make…

Most surprising to me is that Enterprise works out to be the most popular show if you account for the fact that there are fewer episodes. Per hour of available content, it is slightly more in demand than TNG.

Season 1 is by far the most popular season of TNG! Why? Well, one interesting observation people made on Xhitter is that Picard season 3 aired Feb-April 2023 and may have boosted the amount of people who started watching the show during this period.

Poor Animated Series. 😢

Please do let me know if you see any errors. As much as I like a good infographic, I'm not really much of a numbers guy. But my little wormhole by DS9 is cute, right?