#my hand is too heavy ;_;

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[hinamie]

shhhh

[turtleblogatlast]

One of my favorite headcanons is that Leo grew up watching telenovelas with Splinter.

It just works so well - his bits of Spanish that he spouts randomly, his showy way of apologizing, and, of course, his love for dramatic betrayals all point to this being a very real possibility.

Plus, it’s very cute to imagine a tiny Leo at his father’s side as they both gasp in shock when the show’s eighth plot twist in just as many episodes happens.

[dilfmobius]

Kneel.

[deheerkonijn]

[fisheito]

omg where'd you get your top it looks like it would fall apart after one cycle in the wash

[icewindandboringhorror]

Still always looking for ways to use this cardigan in things because I really like all the silly little pictures on it, but it doesn't match with much since it's such a bright pinky kind of color. but is similar to these very fluffy shoes lol

[faaun]

i feel like my life is falling apart and then my friend makes tiramisu and gives me some and asks if i wanna come to the little gathering on wednesday i feel alone in the world and then another friend asks if i want anything i feel unloveable and then we gather in my room with candles and blankets to watch a film all together until midnight it all becomes so much warmer w friends

[katabay]

some sketchbook pages

[sidewalk-scrawls]

"I loved you... best I could." It's possible to love someone but love them poorly, and that's what Ed is acknowledging here. That he loved Izzy, but that he didn't love him *well*. That he wasn't able to. Ed's line here isn't a criticism of Izzy, it's a criticism of himself.

[zappedbyzabka]

Devotion isn’t just for God, it’s for your boy too.

[shortnotsweet]

1. ANATOMY OF A KITCHEN (excerpt from THE THRILLING AND NOT AT ALL REPETITIVE ADVENTURES OF CAPTAIN MAN AND KID DANGER: “A CHRONOLOGY OF ENTIRELY TRUE AND HEROIC EVENTS COINCIDING WITH THE END OF HISTORY”) [2] [3] [4]

If you want to know a person, watch how they treat their servers, how they treat their food. Living with them is the second best option. Living with Ray is not Henry’s only option, but it is the best. They don’t even need to watch the other eat; they know each other already.

[ “There is a man in my house. There will always be a man in my house. I will find him even when he is not there. And one day, when I find out there is no man in my house anymore, well—I will go find one and invite him in.” Paraphrased and reappropriated from Catherine Lacey’s “Cut”. The borrowed text refers to the uncanny feeling Henry experiences as an adult reflecting on his childhood relationships. ]

Catherine Lacey writes in her short story “Cut”: “If you're raised with an angry man in your house, there will always be an angry man in your house. You'll find him even when he is not there. And if one day you find that there is no angry man in your house—well, you will go find one and invite him in!” Peggy—a professor—reads this poem, which a female student has placed on her desk, and grapples with a response, to which she is advised, “It’s not your job to save anyone from their life or explain anything to them or even really teach them anything”.

PANEL NOTES

This follows the format of the catalyst stranger approaching the downtrodden protagonist in a dingy bar from behind, backlit by the hazy yellow lights and smoked out shadows. This is not a bar, but a kitchen—the center of any living space.

The borrowed text is tweaked, and excludes the descriptor “angry”, as the theme of the storyboards is not anger.

The use of red is limited and strategic, and scattered throughout like evidence; dusting for fingerprints. It’s tempting to drape Henry’s back in red against the blue background, as if bathed by an overhead lamp, but Ray is the anomaly. Henry is colored by an anxious, slightly melancholic blue (as well as shaky panel borders), while the flints of red signify danger (knock on wood) or non-literal symbolism.

The white wolf is curled around the blue in a protective gesture that also doubles as a stranglehold, snakelike.

Something, something, about wolves and lambs, consumption, and the simultaneous loss and retention of innocence through transformative processes. Note there are three lambs; these could stand either for Henry, Jasper, and Charlotte, or Henry (singular).

[nohara-rin-dot-mp3]

the eye of the needle (is easier to thread with a guiding hand)

[rosechata]

today marks two years since we moved to the central coast and i still feel like i’m waking up in a dream 🌊

[w98pops]

cry all you want. this wont change anything

[bookshelfpassageway]

if the new rivals season doesnt have a payload map where you're transporting a stack of Dracula's money to Moon Knight i'm throwing