#my favorite lost boy

[courageous-heart7]

[classichorrorblog]

10 Movies From The 1980s To Consider For October/Halloween

[lilybug-02]

Final Blow.

Bug Fact: The New Zealand Glowworm is a species of fungus gnat endemic to New Zealand's cave systems. The larval stage produces a blue-green bioluminescence.

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Masterpost

Some pictures of this amazingly unique creature and it's habitat.

[almondcroissantsandink]

You're a creature of the night, Michael!

[egophiliac]

Of the TWST cards you own, which is your favorite (or favorites of you can't decide)?

(not that I'm still salty over that, nope, no way)

seriously though, this turned out to be harder to answer than I thought! I did actually manage to pull Stitch Lilia (THANK YOU TWSTFEST for the free bonus keys!) and he's absolutely adorable, I've literally been doing random battles just to watch him surf around and high-five Stitch. a fine addition to the Lilia collection!

in terms of proudest/most unbelievable achievement, that is 100% when I somehow managed to pull every single Scary Monsters card except one (only missing Rook!). I think I used up all my luck on that one, but at least it was for the Halloween cards! (after Scary Monsters and Glorious Masquerade, I'm so afraid of what this year's Halloween event is going to be, what if they look amazing how am I supposed to save my keys nooooo)

if I REALLY have to pick one, though...there is actually one card that I think I would call my favorite! he just makes me happy every time I look at him. :>

[persephone-s-moon]

Yap sesh because I believe The Lost Boys NEEDED to die

I totally understand where some of y'all are coming from when you say that The Lost Boys shouldn't have died or they should have gotten a better ending, but that's kind of the whole point.

Their deaths were pointless. It didn't do anything, it didn't help anyone, it was meaningless, and that's why it happened.

I've talked a lot about The Lost Boys (1987) and how it relates to queerness, but as a refresher: it was directed by a gay man and came out during the height of the AIDS epidemic when queer people were left to die because they defied societal norms.

AIDS was medically recognized in 1981, but because it was primarily affecting queer people (sometimes referred to as "the gay plague"), it was left completely unacknowledged by the Reagan Administration until it took the life of Reagan's friend, the famous American actor Rock Hudson, in 1985. It still wasn't until 1987 that the epidemic was addressed because, as Reagan stated, "maybe the Lord brought down this plague."

(I fully believe that The Lost Boys (1987) is a criticism of the Reagan Administration, both their response to the AIDS epidemic and the ideal of the perfect nuclear family, and I WILL write an essay if prompted, but that is completely beside the point.)

Leaving queer people to die didn't get rid of AIDS or solve any of the world's problems because we were never the source of the problems. It was pointless, and that's part of why The Lost Boys also had to die. Because it solved nothing. Because we died, and we put ourselves in our art to highlight the injustice of it.

While I'm very pleased that we want justice for imperfect victims (because let's face it, The Lost Boys were NOT good people), I think that we should still recognize that the same message wouldn't have been conveyed narratively had they lived: we died and it was pointless, so take out the old man in charge to start fixing shit.

[thethirdfrogbrother]

Marko - The Lost Boys mood board 4/6

[bb-eb-db-bb-eb-b-ab-f-b-ab]

LMAOOOO I CAN’T WITH THESE LOSERS THEY REALLY HAD EZRAN LIKE

[goryhorroor]

day 14 of horror: horror movies + deeper meanings

[marlequinncos]

Cosplay Build Guide: Marko's Jacket from The Lost Boys (1987)

I am a lover of the horror genre; horror movies, books, games, you name it! And one of my favorite horror movies is the 1987 classic “The Lost Boys”, which focuses on a gang of motorcycle-riding vampires in the fictional California town of Santa Carla. I'm also a big fan of thrifting and modifying items for cosplay. I decided to combine those two things and make a garment that has lived rent-free in my head since I first saw the film: the colorful patchwork jacket worn by the vampire Marko.

I'm going to walk you through how I made Marko's jacket, breaking down the different parts that comprise the garment.

Marko’s outfit is made up of several components: a white cropped tank top, light wash denim jeans, leather chaps, custom painted leather moto boots, fingerless motorcycle gloves, a black skull earring, and of course, that iconic and extremely loud jacket. 

All four titular vampires have a signature jacket they wear in the movie, and Marko’s is by far the most elaborate and distinctive. It consists of three main parts: the base jacket, the Italian tapestries, and the patches. Because of the nature of this build, I had to do a ton of intensive research to determine the individual and highly specific parts of the jacket. My main references were photos from movie memorabilia auction sites whenever one of the original jackets went up for sale, since they photograph the jacket from all angles.

Part 1: The Base Jacket

Marko’s base jacket is, according to my research, a men’s black Levi’s denim jacket in a size 40, which I believe translates to a medium. Now, I’m a petite woman (5’3”, athletic but slim), so I knew that the exact jacket would be too big for my frame. Instead, I found a men’s black denim jacket in an extra small; it's very similar in style to the original, but a little better proportioned for me. It's still very much oversized though. The first things I did were remove the buttons and pockets, and I cut off the hem of the jacket and the sleeve cuffs. Then I tossed the jacket in the washing machine to fray the edges. 

Part 2: The Tapestries

The hardest part of the jacket by far was finding the tapestries, for two reasons. The first is that the tapestries were all from the 1960’s and 1970’s, meaning I had to scour vintage stores and websites to find the right ones. The second is the variation. Six jackets were made for each Lost Boy in the movie; this is standard for a film, since some jackets would be used for closeups (the”hero” jackets) while others were used for stunts, and a few even have intentional holes in them for harness rigging. Because of that and the thrifted nature of the jacket, the Marko jackets for the film all differ slightly in the placement of the tapestries and patches.

There are five tapestries in total. Three are velvet: the matador, the peacock, and the leopard with the messed up face. These are impossible to dupe via Spoonflower or Contrado (custom fabric printing websites) due to the fact that these three are essentially small rugs. The other two, chariot lady and cat lady, are dupable via Spoonflower or Contrado printing since they aren’t the same fabric as the others.

The two pin-up tapestries are nearly impossible to find, more so than the velvet ones. In my months of searching, I never found either pin-up tapestry, so I had them printed by Contrado, along with the collar trim.

If you go searching for the velvet tapestries, you'll notice that there are several different versions of each one, with slight changes in color and placement of things in the art. How accurate you want to be is up to you. My peacock and matador are accurate to the tapestries on one of the stunt jackets, whereas my leopard is the correct color but wrong direction. That's doesn't bother me much, personally, especially since the leopard is the hardest of the velvet tapestries to find by far.

Once the tapestries were acquired, I measured different sections based on the dimensions of the jacket, mapped it out using washi tape on the tapestries, and then cut them all out. There was a decent amount of math involved here, specifically regarding scaling the sections of tapestry down by a few inches since my jacket is smaller than the original. I then arranged them all onto the denim jacket and pinned them in place before hand sewing them (yes, you read that right; I hand sewed this whole thing) on in the correct overlap. I also added the rhinestones to the cat lady.

I recommend using embroidery needles and upholstery thread to attach the tapestries to the jacket, due to the thickness and the weight. I also sewed along the designs in the tapestries themselves to better hide the stitching within the image.

Part 3: The Patches

Marko’s jacket has a total of 26 different patches on it, most of which are motorcycle or punk themed. For these, I found a seller on Etsy who makes 24 of them, and I used Contrado to print the remaining two (the anarchy symbol and the large skull) on canvas and added the stitching. You could thrift and find the patches as well, but here's the thing: while some of these patches are pretty easy to find, others seem to be nonexistent, to the point that I wonder if some were made exclusively for the movie. That's why I went and purchased my patches instead of hunting them down. My personal favorite is the “Screw U” one. One fun fact about the patches is that the large winged skull on the back is a leftover from the movie “The Warriors”.

I once again hand sewed these all on as per the references from the movie. You might think that ironing the patches on is an easier method, but there's a few reasons why that won't work: 1) the patches in the movie are sewn on; if you zoom in, you can see the stitching 2) I'm not sure the patches would even adhere to the velvet and velour of the tapestries and 3) if you decide you don't like the placement of a patch that you sewed on, you can just seam rip the stitching and adjust it, which you can't really do as cleanly with an ironed-on patch.

Part 4: The Tassels

The tassels on the jacket’s shoulder are not tassels at all; they’re squid skirts (a type of fishing lure), which is something I never knew existed until I started researching for this build. For these, I found a fishing tackle website that had the closest match to the colors I needed, a blue-grey/orange and a yellow/green. Both squids also have glitter and little eyes painted on.

Part 5: Weathering and Finishing Touches

Lastly, I weathered the jacket to give it that lived-in look. For the dirt/dust on the patches, I used powder eyeshadow. I also picked at the edges of the tapestries to fray them a bit. And to make the patches less stiff, I just broke the jacket in by wearing it around my house. The great thing about this jacket is that the more I wear it and the more it weathers, the better it'll look.

FAQ

How heavy and warm is the jacket?

The jacket is made of denim and rugs, so its pretty warm and heavy. It honestly feels like wearing a weighted blanket, which is a nice bonus if you're anxiety made flesh like I am. It makes a lot of sense for the jacket to be on the heavier side, because if you’ve been to Northern California, you know how cold it can get on the coast, especially at night (not sure if vampires can feel cold, but ¯\_(ツ)_/¯)

How long did it take you to make the jacket?

I don’t time my cosplay builds, but I can guess based on the amount of TV/movies/podcasts/playlists consumed as I was working on it. I'm also pretty fast when it comes to hand sewing. By my estimation, the jacket took me about 45-50 hours of work, and that’s not counting the time I spent searching for the tapestries.

Can you make me one?

Sorry friend, I don't take commissions. Even if I did, there's no guarantee I could find the exact tapestries again. I appreciate the interest though!

One of the most useful resources for making this jacket is the Replica Prop Forum! There's a ton of information there, as well as discussions and troubleshooting about the construction of the jacket.

I hope you enjoyed this walkthrough of Marko's jacket! This was a fun build and I'm really proud of the finished product. I'm going to make the rest of Marko's outfit + wig to complete the cosplay, so stay tuned for that!

If you have any other questions, feel free to plop them in my inbox! In addition to tumblr, you can also find my cosplay work on instagram and bluesky @/marlequinncos

[popironrye]

Being in 'the lost boys' fandom has been great cause you got these 4 vampire biker boys standing together like they're in a police lineup and we as fans just point them out like

"Ah yes, I choose that one!"

[classichorrorblog]

10 Vampire Movies To Consider For October/Halloween

[queenqunari]

I love it when vampires are tragic and plagued by their remaining humanity but I also absolutely adore a vampire who experiences little-to-no guilt and just serves insane levels of cunt

[rawpastamoth]

From a few days ago - Homestar's trip to Chicago! I brought him along to the windy city to see the TMBG concert there! It was an awesome time (except for the fact that everywhere we wanted to go was closed except Jolibees. Lol)

Oh and here's a video of my terrible Homestar impression

This video + a lot of these photos were taken by my brother so shout out to him!

[karleksmumskladdkaka]

Diabolik Lovers Dark Fate Vol. 3 Chapter of the Last Quarter — Short Story Translation

A short, sweet, and comedic tale about the Mukami brothers being supportive siblings… and nearly committing accidental fratricide in the process. Meanwhile, Yui watches with increasing concern as the disaster unfolds.

Please refrain from using or reposting the translation anywhere without my permission.

[Note: The story is written in Yui's POV.]

─── ⋆⋅☆⋅⋆ ───── ⋆⋅✮⋆⋅

"Uh...something's wrong..."

Kou-kun groaned as he stared down at the pot.

"Should I help after all?"

"Eve, you mustn't get involved...okay? Just quietly watch over us."

Even though he said that, an increasingly terrible smell was spreading throughout the kitchen. Despite being told not to interfere, I was starting to get a bit worried.

"Maybe it needs some sugar-chan!?"

"Ah!!"

Before I could stop him, Yuma-kun dumped several sugar cubes into the pot, filling the room with a foul stench. I felt a sense of despair.

The whole mess had started when Ruki-kun injured his hand.

"Ruki-kun always cooks for us, so let's all pitch in today!"

And so, Kou-kun's plan of making dinner ended up as disastrously as I had feared.

"...This is...?"

"Well... It's supposed to be curry..."

Kou-kun glanced at me as if pleading for help. When I looked at Yuma-kun and Azusa-kun, they averted their eyes. In short, something horrible had been created. Its color was... to put it nicely, pitch black. After tasting it, Yuma-kun commented nonsensically that it was "bittersweetsalty". Dubbed "Mukami Brothers' Style Curry" it had transformed into a mysterious substance resembling anything but curry. Just by looking at it, anyone would instantly recognize it as inedible.

Yet, Ruki-kun was peering at the plates lined up on the table with a happy look on his face.

"Maybe it's better if we don't eat this..."

In spite of Kou-kun's uneasiness, Ruki-kun scooped up the substance with a spoon and brought it to his mouth.

". . ."

"It's disgusting."

We all shared the same fear. That even though he's immortal, Ruki-kun might die from this.

Despite his words, Ruki-kun's expression suddenly relaxed. We stared at him in amazement.

"R-Ruki-kun...!!"

"Ruki..."

"Ruki...! Damn it! Yer such a...!"

The three brothers, seemingly drained, collapsed to their knees on the spot. Ruki-kun simply watched them in silence as he continued to eat.

And then, afterwards—Ruki-kun was bedridden for three days and nights. Even though Vampires aren't supposed to get sick...

Seeing this, his brothers made a firm vow to themselves. They would never try to cook again.

─── ⋆⋅☆⋅⋆ ───── ⋆⋅✮⋆⋅

[stromer]

if elias pettersson's hidden talent is juggling while riding a unicycle and nils höglander's hidden talent is also juggling while riding a unicycle... who's flying this plane???? x, x, x, x