#Just 10 movies that I think are worth watching for the season.

[classichorrorblog]

10 Movies From The 1980s To Consider For October/Halloween

[eloise-t-g]

i think for me, the watcher situation comes down to this:

it's absolutely respectable that the watcher team wants to grow and produce better quality content. it's respectable that they don't want to stagnate and end up pushing the same content out over and over again. that's not satisfying for them creatively, i get that.

however, if higher quality, more heavily produced content is not what your fans are asking for, then you can't ask them to fund it.

this all-or-nothing method they've gone for is frankly bizarre. it feels like they leap-frogged all other alternatives to improving their finances and ended up here, alienating and frustrating the majority of their fanbase (the fanbase they thanked for getting them to where they are).

i think this could have gone a lot better if they:

Hadn't hyped up this video for a week.

Hadn't announced the worth it successor just beforehand.

Hadn't put out a wishy-washy, "boo hoo we're so sad about this", over-produced video.

Hadn't made it $6/month (more in a lot of countries given exchange rates).

Had considered that this means fans in specific countries literally cannot pay for the subscription due to geo/region-locking.

my ideas for improving their funds, aka things they could have tried before blowing their brand up: create their own website with two options - a free version with ads and a paid version without ads, OR make better use of their patreon/make their website extra content, not all their content, for example:

Put the ghost file debriefs on there.

Put shows like survival mode on there (or even shift that show from pre-recorded video to live-stream - live stream access to patrons and VOD access to everyone, maybe).

Put episode commentaries there.

Do reaction videos to their old buzzfeed content, talk about memories and BTS, and put that there.

Put one/two episodes of each show, per season on there (and ONLY there).

Put the episodes up there a few days early.

Make specific, website only content (that's not your main and most popular series aka ghost files and puppet history).

Record the live, in-person shows and put those VODs up there.

EDIT (thought of something else lmao): put extended or even uncut versions of ghost files on there. Paranormal Detour on Detune's twitch channel has shown that people will willingly sit through 6+ hours of a ghost investigation.

EDIT: idk, do livestreams once a week where you watch scary movies with fans on discord or twitch.

(side note: the fact that they're not taking down their patreon and instead shifting all of their podcast content on there, something the patreons who have been loyally giving them money for years didn't ask for, is ridiculous and greedy. add to this the fact that they don't even get a free sub to the new website, instead get 40% off - a measly 10% more than anyone else who subs before the official launch).

the thing for me is that they're claiming they want to make "television" and "television-grade content". that's completely fine. what's not completely fine is acting like your four episodes a month is equal to netflix's entire catalogue.

this really felt like it should have been something they told us they were progressing towards, not something they revealed to be on the imminent horizon. idk, it just feels out of nowhere. no, they don't owe us all of the info about their company. but something had to be better than this.

final thought - it's okay and valid to be upset at the team for this. for a lot of people, it's a complete betrayal (especially the comment that $6 a month is something "anyone and everyone can afford", i mean yikes). i do think some people's anger got the best of them, and some of the comments i've seen across youtube, twitter, and tumblr are plain bullying, racism, and harassment. until we have the whole story, we can't decide that one founder (aka steven in a lot of people's minds) is solely responsible. i know a lot of these awful things are only coming from a small minority of the fandom, but they still get seen.

at the end of the day, all three of them got up in front of a camera and made this video, together. that can only lead us to the conclusion that they made this decision together. acting like these men in their 30s couldn't stand up against it if they truly wanted to, is so strange and parasocial lmao.

tl;dr there were much better ways of going about this announcement, if it even needed to be made at all. however, that doesn't excuse the hateful shit being spewed at the team. for now, all we know is the three founders decided they were done with youtube, and done with their loyal youtube audience.

(i have so many more thoughts on this but i need to stop lmao. however i do wonder how different things could have been if 1. they had hired someone with actual business experience as their CEO from the jump, and 2. this video was more of a "hey we're broke! this is a last-ditch effort to save our company!". guess those questions will remain ... well ... you know ...).

[still-cookiedough]

Five reasons why you should watch The Loyal Pin if you enjoy sapphic content:

A complete story: In the last couple of years countless US shows with sapphic couples have been canceled and most of them have been in the middle of the story with no conclusion. This show will give you a complete story with a beginning, middle, and an end you don’t have to worry about cancellation because the whole story is contained within 16 episodes. And if you end up enjoying the genre there are more shows to enjoy!

Sapphic romance to the max: One thing that I hate in US media is the death of the rom com and romance stories in general. Because these genres cater to women they are seen as lesser. The shows/movies that do get made are typically 95% to 100% straight. So my recommendation is that while we wait for the sapphic season of Bridgerton we enjoy a period romance that is entirely focused on two girls. Do you get annoyed by sub plots with straight characters? That’s okay because there are literally none in this show.

It’s free! In the time of 10 million subscriptions you can watch this on YouTube for free.

Quality sex scenes with more to come: An episode of this show opened with a 7 minute sex scene - if anything it was too long! Which is probably the best complaint to have. The intimate scenes are tasteful and clearly were made with the intent of the female gaze. Both actresses are comfortable with each other and have great chemistry. Over the course of the show it would be my guess that there will be 5 or 6 sex scenes if not more, and while the scenes are fun and hot there is no nudity (which can be a pro or con depending on who you are). Of course everyone has a different opinion on what they consider to be a good lesbian sex scene and quantity is not always quality, but aren’t you at least a little curious to check it out yourself?

Representation: It’s so refreshing to watch media that is not produced in the west. I think it’s so worth it to give international media a chance. Some things will be different, tropes that we typically rely on may not be the same and the production methods may be different. But that is part of the fun! Also I think we all know that we can use more queer content that does not center white people.

If you’re tired of your shows getting canceled by US production companies and just want to watch some sapphic romance, try it out! Almost half the episodes are out now for your binging pleasure!

[metalandmagi]

A list of underrated Christmas movies for everyone who is getting tired of watching the same things every year:

This year, I wanted to make a list of a few Christmas movies that I feel are a bit underrated and under-appreciated, because I’m tired of seeing the same things all the time. If anyone has any suggestions for their own lesser known holiday movies, please feel free to include them!

Arthur Christmas: An animated movie that should be a classic, but it was unfortunately lost to time because it had a horrible marketing campaign that made it look like complete shit. Well, I’m here to tell you that it’s not complete shit. It’s actually fucking amazing.

Arthur, the clumsy son of the current Santa Claus is known for being a lovable idiot who tends to ruin everything he touches, but when a little girl’s present is accidentally left behind one Christmas, Arthur, an elf named Bryony, and his grandfather (a previous Santa…so grandsanta) embark on a chaotic mission around the world to deliver the missing present. Every character in this movie is so fucking funny and empathetic at the same time. Arthur embodies the true meaning of Christmas in everything he does. Bryony is just…on another level entirely. Arthur’s brother Steve (a strategic genius who wants to use his new technology to ensure his place as the next Santa) is a perfect antagonist that the audience still feels sympathy for. They all just have such a fun dynamic, and it’s a crime that more people haven’t seen this.

Spirited: A fairly new addition to the Christmas movie ranks, since it came out in 2022 (but it was on AppleTV+ so no one watched it). Spirited is a modern, musical version of A Christmas Carol like you’ve never seen before (starring Will Ferrell and Ryan Reynolds, who are an amazing combination in anything). If you’re tired of seeing endless retellings of Dickens' story, just watch this. It’s hilarious, heartfelt, and it brings a whole new perspective to the story in a way that I’m not going to spoil. And the songs go so hard it’s insane.

Happiest Season: A rom-com in which a woman named Abby desperately wants to propose to her girlfriend Harper over the holidays during Harper’s family Christmas party…only to realize that Harper’s extremely rich and conservative family doesn’t know she’s gay. Fun rom-com shenanigans ensue. Did I mention Abby is played by Kristen Stewart, and Harper is played by Mackenzie Davis? Also Aubrey Plaza, Alison Brie, and that guy from Schitt’s Creek everyone loves are in it.

This could easily have been a completely different movie if the cast wasn't so funny and didn’t have such good chemistry. It starts out as a standard holiday rom-com, but I was tearing up by the end of this the first time I watched it. If you’ve ever felt like you’ve been hiding your true self from your family or if you’ve felt like you’ve never been good enough for them, I think you’ll see a lot to relate to in this. 

Violent Night: Another new addition to the ever-expanding list of Christmas movies, this aptly named action thriller also came out in 2022, and I feel like no one has spoken about it since, which is a crime because IT WAS SO MUCH FUCKING FUN!

When a grizzled, down on the world Santa (played by David Harbour) gets stuck in a rich family’s house while it’s being overrun by mercenaries, he has to Die Hard his way out and save the hostages (or at least the ones who are worth saving) before it’s too late. This was such a fun surprise, because violent action thrillers are so hit and miss for me personally. David Harbour is great. It’s just under 2 hours of watching shitty people get their comeuppance in unique ways. I’m so offended that it only has a 6.7/10 on IMDB, because this is a great movie to watch with a group of friends and some age appropriate beverages. Yeah, it’s not a masterpiece, and maybe my standards are low, but I had a great time with this.

Tokyo Godfathers: An anime Christmas classic directed by Satoshi Kon in which 3 homeless people (a former drag queen, a runaway teen, and a grumpy alcoholic) find a baby in a dumpster and try to reunite it with its family. This was the movie that tricked me into thinking Satoshi Kon’s other works would be just as comedic and wholesome as this one. It’s got humor. It’s got heart. It’s got twists and turns that will keep you guessing in the classic Satoshi Kon fashion. And the English dub is just as good as the sub, so you can’t go wrong either way.

Neo Yokio- Pink Christmas: Speaking of anime…I’ve talked about this one before, but I have to mention it again because it’s a staple for me every year. Pink Christmas is the Christmas special for the…anime (and I use that word in the loosest way possible) Neo Yokio…aka the one starring (and possibly made by?) Jaden Smith.

For anyone who’s never heard of it, Neo Yokio is a series on Netflix that is the closest thing to a professionally made Abridged Series we’ll ever have. The “plot” of the series revolves around Kaz, a pink haired guy who fights demons and does increasingly absurd rich people things with his robot mecha butler named Charles. The Christmas special involves Charles telling Kaz a Christmas story about the city’s Secret Santa competition for all the ultra rich people.

Look, there’s no good way to describe this one, but trust me when I say you don’t have to watch Neo Yokio to understand it, since even people who do watch Neo Yokio don’t understand it. In fact, I think it will be even funnier if you don’t watch Neo Yokio at all before watching Pink Christmas (but I encourage everyone to watch the series too, just because it’s more of the same insanity.)

Every line in it is pure comedic gold, not because it’s truly funny, but because it’s absurd and ridiculous in a way only Jaden Smith can be. I quote it incessantly while eating a Toblerone every year. 

Cabin Pressure at Christmas: Molokai: Okay, it’s not a movie or even a TV special, but I love Cabin Pressure so much that I had to include this too. Cabin Pressure is a comedy radio show (not a podcast, an actual radio show) that aired on BBC Radio 4 in the early 2000s about an airline crew for the world’s shittiest airplane. 

For anyone who watched season 2 of Good Omens, you might recognize the name John Finnemore as one of the writers. Well, Cabin Pressure is made by (and stars) the same person. The Christmas episode is one of my favorites of the series, and you 100% don’t need to listen to the entire series to enjoy it. It captures the humor and despair of being stuck with your co-workers on Christmas eve, but it keeps up the spirit regardless. This is another one I quote incessantly, and the whole show has become hardwired into my personality. PLEASE FIND A WAY TO LISTEN TO CABIN PRESSURE! I’m pretty sure the whole series is available on iTunes as an audiobook.

As honorable mentions, I want to include Rise of the Guardians and Klaus, because even though they have a fair amount of popularity, I still feel like people could appreciate them more. And sure, Rise of the Guardians might be more of an Easter movie, but it still includes Santa as a character, and he’s amazing. 

That's all for now. Sorry these are all specifically Christmas themed, but if anyone has movie suggestions for other winter holidays, please throw them in!

[bcacstuff]

🚨 [This story contains major spoilers from the season seven finale of Outlander, “A Hundred Thousand Angels.”] 🚨

In seven seasons of Outlander, Claire (Caitríona Balfe) and Jamie Fraser (Sam Heughan) have endured enough trauma to last multiple lifetimes. While they have always found their way back to each other and the family they’ve created together across centuries, Claire and Jamie, now in middle age, are perhaps more aware than ever about what they stand to lose.

“Jamie is very much aware of his mortality. He’s talked about it multiple seasons, about his nine lives, and he’s right at the end of them,” Heughan tells The Hollywood Reporter in a joint interview with Balfe about the season seven ending. “He didn’t want to be involved in this [Revolutionary War], but his choice now is that he has to be involved to protect those he loves. I think [Jamie and Claire] are aware that they can’t exist without each other and they’d rather not. So what does that mean for the future? I think if one loses the other, then I don’t know if there’s much hope for them.”

Despite that bleak outlook, Claire and Jamie have reason to be hopeful heading into the eighth and final season of the fantasy historical drama. In the season seven finale, as Claire recovers from being shot again and undergoing a life-saving surgery at the hands of Denzell (Joey Phillips), she and Jamie discover that their first daughter Faith, who they believed died in childbirth, had actually survived and was the mother of their new ward Fanny Pocock (Florie Wilkinson) and her late sister Jane (Silvia Presente), who Jamie and his biological son William (Charles Vandervaart) were tragically unable to save from captivity just days earlier.

That shocking cliffhanger — which was not in Diana Gabaldon’s Outlander novels — sets up the final 10 episodes, which Balfe and Heughan have already finished filming. Given that the show has remained a constant in their lives for 11 years, the actors, who both became producers during the fifth season, admit they are still in the early stages of grieving that loss and figuring out how to fill that new void.

“I’m reading a lot, I’m writing a bit, I’m watching so many movies at the moment — all of these things that I just didn’t have time to do,” Balfe says. “I feel like as an actor, when you’re working, you’re on output mode all the time, and it’s so important to feed your soul as well. I want to take my time, wait and do things that really mean something to me.”

Below, the actors behind one of the most beloved TV couples of all time open up to THR about the evolution of their onscreen and offscreen relationships, how they chose to play the key moments from the latest chapter of Claire and Jamie’s love story — and the one genre they would love to collaborate on in the future.

***

Having played Claire and Jamie for over a decade, what new layers were you able to find in the playing of these characters in the seventh season?

SAM HEUGHAN Jamie’s gone from being this tempestuous, impetuous highland warrior with very little responsibility to becoming a laird, and now he’s responsible for not just his men in battle, but everyone on Fraser’s Ridge. He’s essentially a landlord or a clansman. But what I think is really interesting as well is that over the past couple of seasons — but this one in particular — Jamie realizes what he’s got to lose. I think now he realizes he can’t have a life without Claire; he knows that life isn’t worth living without her. I guess being more fragile is what’s interesting about him, which I think comes with old age as well. He’s not as hotheaded, he’s definitely more experienced, and with age comes perhaps more insight into mortality.

CAITRÍONA BALFE Seasons five and six were such a huge shift in who Claire was. Going through the attack and then the ether storyline, it wasn’t like [she became] two different people, but Claire’s whole structure and her coping mechanisms had to change. In season seven, it was this tentative rebuilding of who she was, which was really interesting because I feel like up until that point, there was a lot of compartmentalization — she would do things, but it was put away in a box and she wouldn’t really deal with it. In season seven, there was a maturity to her, but it came with this new layer of vulnerability, especially the beginning of the second part. I think it just made everything much more porous and much more fragile.

As you’ve played these characters from their earlier adult years into middle age, how have you found ways to deepen the palpable sense of intimacy and chemistry between them?

BALFE One of the things that Sam and I were very interested in working out and exploring was this difference in intimacy. People talk about the passion of Claire and Jamie, and that is always a through line, but it can’t feel like those first throes of lust. You want to find something that has more depth, more maturity and more nuance. So we didn’t want to be chasing something that we had done in season one; we didn’t want to be always trying to replicate that. We wanted to find new ways of doing it — and we did.

We had those conversations for most of the sex scenes, and we had chats with the writers about how to find those intimate moments when they’re in conversation and when we see them working out issues in their marriage. It was really important to us to develop that as the seasons went on because sometimes, there’s a call from the fans, and they want to see those sex scenes, and they want the passion. And we want to give you that, but we want to give it to you in a more honest way.

HEUGHAN I think you’re absolutely right. Over the years, they’ve both had to accept each other and their failings, and all these things that have happened either together or separately. And it can’t be like season one because XYZ has happened, so therefore, who’s this character? Who’s this person in front of you now? If anything, they’ve become more understanding of each other, and I think that comes with just playing these characters over time when they’ve been assaulted and lost and found each other again.

BALFE There was a vulnerability to them in the beginning because everything was so new and they didn’t know if they could trust each other. As we were in the mid-seasons, it felt like they had really come into their own — and there was a strength. In the later seasons, there was this new and very different vulnerability. With the precariousness of life that they were experiencing, there was this whole new set of fears and vulnerabilities that came up. That wasn’t something that I expected or imagined would happen, but it naturally happened that way.

Lord John Grey (David Berry), left. Starz

Caitríona, grief is already a tricky emotion to play, but you had the added challenge of having to make the audience believe, even if for a little bit, that Claire had really lost Jamie in episode 10. How did you want to play the different stages of her grief?

BALFE It was really tough, because I feel like there is that sense of, “Does anyone really believe that Jamie Fraser is dead?” But you have to go for it. I had just lost my dad, so the last thing I wanted to do was go into work and feel these feelings. It was not my favorite couple of weeks at work. I worked really hard with the writers to craft a bit of a journey, and there was that [line] that I held on to as well: “I would know [if he died]. I would feel it.” She feels betrayed by herself because she feels like it should feel differently. So there’s the anger and the disbelief that comes with what it feels like when you can’t even trust your own emotions.

And then, of course, the added implication of Lord John Grey [David Berry] was a curveball. (Laughs) David Berry was an amazing scene partner in those scenes. To do intimate scenes with somebody other than Sam — usually all my stuff is with him, so it was like an added unknown territory. But what was also good was we approached it in a very different way to how Sam and I approached things. Sam and I have this shorthand — it’s very organic, and we don’t have to plan out things as much — whereas David likes to [plan]. I’m glad he did because I was quite lost about how we were going to achieve it, but I think in the end it worked quite well.

Claire’s grief-stricken hook-up with John — during which they were both picturing Jamie — has to be one of the most shocking moments of the series. How did you justify Claire’s actions in that moment for yourself?

BALFE I suffer from a real need for things to be logical, which drives the writers crazy, because for me to be able to play it, I need to be able to understand the journey. I think in the final edit, things are quite cut up and it’s not as linear as how we played it. But I think it was great that David and I found a linear journey into it so we could understand that [moment], because it’s also two people who are drunk.

When you’re drunk, there isn’t always logic, but there has to be those moments of, how do you get from A to B? How do these two people who aren’t sexually attracted to each other, who don’t have a history together, go from being alone, drunk and in pain to then being together? So it was finding that shared pain, that shared anger. Lord John was almost needing this kind of consolation in the beginning, and then it’s just the anger and the passion — and it had to come out in some way. So that’s how it happened.

But I think that morning after scene — that gorgeous story that Lord John had and the insight into his life — is so much more intimate than the stuff before. The intimacy the next morning is where you really see these two people form this bond that isn’t sexual, but it’s a friendship and a deep understanding of each other, which I thought was quite beautiful.

In episode 12, Jamie makes his feelings about Claire and John’s entanglement clear in a long, heated sequence where Jamie and Claire are working through their own emotions in real time. How did you each approach that fight?

BALFE Well, Sam had COVID. Do you remember? (Laughs)

HEUGHAN Yeah! It was certainly very challenging. In some ways, it was [shot] like a play, but I think we shot one direction, then I came down with COVID. I think quite some time later we shot the rest of it, and we shot it in two sections because it moves all around the house. I suppose [that sequence shows] why this couple are still together. They manage to work through it, to hear each other and to communicate despite Jamie’s stubbornness, anger and jealousy.

BALFE But neither are wrong, really. This was a situation that is so unusual and unique, so it’s totally understandable why Jamie would be so upset and angry, but it’s also totally understandable why Claire would defend herself. I think what’s great is you get this tension of these two people who ultimately love each other so much, but they’re going to stand their ground. I think both Sam and I relish when we do get to do scenes like this. There’s certain days when you’re on a show and you’re just sitting at a table and somebody’s passing somebody coffee, and it doesn’t necessarily feel like the most rewarding acting day. But when you get big scenes like this, you really feel like you have to work hard, give it your all, and make it work.

Sam, do you think Jamie could ever bring himself to forgive John?

HEUGHAN I think what Jamie did [to John upon learning what happened] — is it justifiable? No, from [the viewers’] point of view. But for Jamie, probably. But what he did to him is horrific and certainly has broken their bond. John Grey comes back and does justify it, and I think we hope that they will become friends again, but I think it’d be a lot for them to get over. Jamie is going to have to admit his wrongdoing, and I think that’s probably the hardest thing for Jamie to do. It’s certainly put a rift in that relationship, and I’m sure for Claire and John Grey as well, it’s also a pretty weird situation. (Laughs)

In episode 15, Claire gets shot in the battlefield and Jamie desperately searches for any kind of way to save her. Sam, how did you want to play Jamie’s inner turmoil?

HEUGHAN Jamie has always been in control in situations, and I thought it was really interesting in the script that he loses it and he’s lashing out. I think the only other time where we’ve seen him like that is when he lost Murtaugh at the Battle of Alamance. I think that moment was close because Murtaugh was his godfather, a father figure to him, but this is even bigger. It’s like, “How do you react in that moment when your universe has just imploded?” I didn’t want to plan it; I just wanted to go for it and see what happens. I think what’s cool about the writing and the space I got in the performance was that he’s not Jamie. He’s out of control, and he’s pleading with everyone, with God. He knows he’s on the edge of losing his entire universe.

How did you react, then, to Jamie’s decision to write his notice of resignation using Claire’s blood on the back of one of his soldiers?

HEUGHAN Look, it’s a really hard one to get your head around. It’s a book moment, and even in discussing the practicality of that [moment], we were talking about “What is the way to write on this guy’s back?” and we realized it’s actually very difficult. But I think it’s just sheer desperation; it’s a moment where he’s completely at a loss. I think he can’t work out how to get his message through to these people, and he just goes for the nearest thing. It’s a really dark idea. It’s amazing that after eight seasons — well, seven at this point — that these characters still surprised us as actors, and there’s so many times we’ve had these book moments where I’m like, “Jamie wouldn’t do that. Jamie knows better.” And then, I’m like, “OK, let’s see what happens.” And actually, you get this really dramatic moment which is shocking, and I think that’s what makes Outlander perhaps still resonate.

Caitríona, on the flip side, what was it like for you to play the aftermath of Claire getting shot?

BALFE It was very funny because they were very concerned about how comfortable I would be lying down for that long, and I was like, “Guys, I’m going to be lying down. It’s going to be very comfortable!” But they made a prosthetic for my stomach so they could do the operation. Look, I’ve never been shot. You can watch things, but sometimes we joke about it, like, “Am I just playing my version of what I’ve seen other actors do in movies?” (Laughs.) But you have to trust the director and everything that’s going on in the scene and go with it. I’m not going to lie: I don’t mind playing sick and half-dying. (Laughs.) You get to let other people do all the hard work, and you just get to lie there and moan a bit. But the set was amazing. When you have all of those things around — and Sam was incredible in those scenes — it makes your job very easy.

After they’re unable to save Jane in the finale, William has a heated confrontation with Jamie about William’s late birth mother, and William ends the conversation with the line, “I will never call you father.” The hurt on Jamie’s face is obvious, but what is going through Jamie’s mind in that scene?

HEUGHAN Jamie’s never been able to be a father to William, and I think he’s always wanted to be — from a distance. Here’s a moment where Jamie doesn’t really know how to be a father. He’s been a father to other people. He’s got so many surrogate sons — from Fergus to a bunch of people that he’s brought into this extended family that he’s got — but with William, it’s a really tough one. I think it’s great because you can see Jamie and his son are very similar; they both have that fire in them. And without giving away spoilers, it’s definitely something that plays out a lot [going forward].

But it’s also interesting because he is John Grey’s son in a lot of ways. He’s been brought up by John Grey, and that adds another dimension to that trio’s relationship. Jamie has all this pride, hurt and longing that he could be [Jamie’s] father, and also jealousy that John has been his father but also thankful [at the same time]. Certainly, it’s going to be a tough one for [Jamie and William] to both overcome their pride.

Jamie Fraser (Sam Heughan) and his biological son William (Charles Vandervaart). Starz

In the final scene, Claire overhears Fanny singing “I Do Like to Be Beside the Seaside,” a 19th-century song Claire sang to her and Jamie’s first daughter, Faith. After learning that Fanny and Jane’s mother was also named Faith, Claire now believes that Faith wasn’t actually stillborn and had somehow lived to have children of her own. How does that set up their journey in the final season?

HEUGHAN It’s a huge moment for them to find out that their daughter potentially lived, and now they have this grandchild in their life. It’s a great cliffhanger — one that I think book and non-book fans are going to be surprised by. I think it was beautifully done with the song. It’s interesting because even playing [Faith’s death] way back in season two, we played the truth of it; we had no idea ourselves. So it was a shock for us as actors reading it and learning about it, as it was for the characters. I think the thought process for Jamie is, “How is it possible?” The elation, the happiness that, actually, it could be possible. And then, who is this young girl in front of us right now?

BALFE I just love it when you are given a scene and you read it, and it’s like, “Ooh, that’s really good.” But in the playing of it, when the hairs on your arms are standing up, it’s pretty brilliant. Florrie is so amazing. Every time we have a scene with her, you’re just so blown away by how brilliant she is. It’s such an interesting cliffhanger because it just opens up this whole other world of questions, which leads us so brilliantly into the next season. I think for Claire, it’s like her heart stops, her heart breaks and her heart sings — all at the same time.

You’ve seen each other through just about everything in the 11 years that you’ve worked together. Looking back, how has your working relationship evolved over time, and what do you think has stayed the same?

HEUGHAN (Laughs) That’s a cool question!

BALFE Well, I think our childish sense of humor has stayed the same.

HEUGHAN I was going to say our humor, silliness. When we’re in the shit and it’s a tough day, or we’re in the dark and it’s cold, we’ve always had each other. I’m very fortunate to have spent so much time with such an amazing person and also managed to laugh a lot as well. But what’s changed, Cait?

BALFE I think when we first started, the job was our lives. We lived it, breathed it. Our schedules were so insane. We really didn’t do much of anything else. I think as we’ve gotten older, our lives have gotten so much busier and you have obviously a wealth of experience to fall back on with your character. So it’s not that we’re not as invested as much, but the show isn’t just the only thing going on. I think, in that way, maybe our approach to things is slightly different. Would you agree, Sam, or no?

HEUGHAN Yeah. It’s not sustainable to be all-consumed by something for that long, but in some ways, perhaps having a bit more space or a life outside of it, it also influences the work itself. We’ve just both grown over time, and I guess it’s depressing but also an amazing opportunity that we’ve got to live with these characters for so long.

What would it take, then, for the two of you to work together again? Maybe in a more modern story without wigs or period costumes?

BALFE I’d love to do a comedy with Sam.

HEUGHAN Yeah, that would be a lot of fun. And as you said, yeah, no wig. Well, actually —

BALFE The wigs would be alright. No corset for me.

HEUGHAN I’d wear a corset, so maybe there’s the comedy right there.

BALFE I’ll wear your wig. There you go!

***

All seven seasons of Outlander are now streaming on Starz.

[mostrovskaa]

Hi! I love your art, your color and shape work is amazing!!

I wanted to ask if you have any Polish media you can recommend to us non-Poles - movies, shows, stuff like that

Hi! Thank you so much for the ask! It is a great pleasure for me to share some Polish media to the people! I just have to preface this and tell especially my fellow Poles that: I am by no means an expert on the subject, I like a lot of bad media, I like a lot of children's media and mainstream media that I love to shape by my own creativity ok and I don't know every single niche thing so please don't come for me. Be nice please or I'll die of embarrassment! With that being said, here are just some of my picks of some cool things I like that I would recommend to check out! (Again I don't know about how available these are around the internet and what would be the subtitle situation but still, i love these pieces of media and think they are interesting to even just read or check out visually if anything!)

- The Akademia Pana Kleksa movies (Akademia Pana Kleksa, Podróże Pana Kleksa and Pan Kleks w Kosmosie) (1984-1988)- These children's fantasy and fable inspired beautiful movies based on a book incorporate beautiful puppetry and set designs, visually they are one of my biggest inspirations. Having both dark,whimsical and sci-fi elements they have been in my visual language since I saw them as a kid! Really really recommend looking into them, even though they may be wacky and strange at times! 

And they contain absolutely amazing songs :

Available to watch without subtitles unfortunately here, but worth to check out the visuals of all the movies in the series: https://www.ninateka.pl/vod/dla-dzieci/akademia-pana-kleksa/ 

- Poszukiwany, Poszukiwana (Man- woman wanted) (1972) (one of my favorite movies ever!) - a comedy film about a museum curator who gets accused of stealing a painting and goes into hiding as a maid. You would think with polish humor it would be the typical: haha man dressed as a woman, hilarious! type stuff but no! It’s funny, charming, sweet and smart and surprisingly based. Marysia, just one chance please queen. 

available to watch with subtitles here (alongside many other great Polish movies): https://35mm.online/vod/fabula/poszukiwany-poszukiwana

- Ranczo (tv show, 10 seasons, I believe it’s available on Netflix) - the epitome of Polish society. This is just pure Poland in tv show format. A timeless classic, never gets old, never stops being funny and relevant. Watched it a million times and could watch a million more and not get bored. An American woman with Polish heritage comes back to her family village and chaos ensues. I think the characters are so well defined you don’t need to know so much deep Polish lore to get what is going on so I really recommend it!

Other stuff you can find on Netflix I recommend are: 1670 - comedy show about 17th century Poland, Rojst (all seasons)- crime show set mainly in the 90’s.

And something that’s a Polish phenomenon that I absolutely love is media based around popular copypasta: a short film Fanatyk  based on this timeless classic of a copypasta, and a tv show called Emigracja XD - about polish guys finding work in the UK.

And obviously the shows I make art for are always something I encourage people check out like Czterdziestolatek (amazing old show with a cult following) and Ojciec Mateusz (absolute shitty formulaic 30 season tv show that i love with all my heart).

Thank you again, sorry for the long post! There’s obviously many more cool Polish media to watch but this is just what immediately popped into my head! :-))

[astoundingbeyondbelief]

Kaiju Week in Review (March 24-30, 2024)

A coworker asked tonight me how Godzilla x Kong: The New Empire measured up to Godzilla Minus One, and I responded, "Almost as good, but in a completely different way." If you like monsters (and if you're following me I have to assume you do), see it, no questions asked. There's about a million of them and they're all delightful. The franchise has long struggled to recapture the specific charms of the Showa era, and I think this comes closer than any of them. (It's the climactic tag-team battle... also Mothra returning to knock some sense into Godzilla). Pure junk food, but you can't just watch Oppenheimer all the time.

Godzilla x Kong tore up the box office this weekend, performing well above expectations. Its $80 million opening Stateside was the second-best of the Monsterverse (after Godzilla). It added another $114 million internationally for the best overall opening of the (still-young) year. China was a big part of that with $44 million; giant monster movies are among the few Hollywood imports that still play well there. With a $135 million budget, lowest of the Monsterverse by a wide margin, it's a matter of when, not if, Legendary announces the next one.

The Oxford English Dictionary has added an entry for tokusatsu, defined as "A genre of Japanese film or television entertainment characterized by the use of practical special effects, usually featuring giant monsters, transforming robots, and masked and costumed superheroes." It's part of a group of 23 freshly-acknowledged Japanese loan words; unclear if the timing is coincidental. Oh, and if you're curious, they added kaiju in 2018. As someone who remembers when the only English-speakers who used either word were in fandom, it's pretty wild to see.

French company Extralucid Films will release Gappa on Blu-ray in June. The impressive-sounding bonus features are naturally all in French, but there's one that transcends language: 17 minutes of extra monster footage. The U.S. version of Gappa, Monster from a Prehistoric Planet, only has about 7 minutes worth of shots absent from the Japanese version, so I'm pretty curious about the other 10. It's also the first time this footage has been released in HD (Tokyo Shock blew it in 2020).

Season 2 of Chibi Godzilla Raids Again is indeed receiving official English subtitles, starting the same day as the Japanese premiere, April 10. Godzilla Battle Line also added a hilariously busted joint Chibi Godzilla-Chibi Mechagodzilla unit, along with a Destoroyah variant. (Maybe Godzilla x Kong units are next month?)

A new Monsterverse movie means new books to buy. The prequel comic Godzilla x Kong: The Hunted is out already (not recommended), but officially you'll have to wait until April 23 for the novelization and May 14 for the art book. Chalk that up to the late release date change, maybe. Unofficially, people are already getting the novelization from Amazon, because they're a monopoly that can afford to pay the fines from publishers for breaking street date. The audiobook version also released on the same day as the film. I don't have intel on what it adds and changes yet; adding everything from the film itself to Wikizilla is all I can handle right now.

The San Francisco Giants are offering a Godzilla VIP Experience on May 17, a long-overdue acknowledgement of the savior of their city. Tickets are almost gone, though I think it's a shame that the promotion is opt-in to begin; what happened to giving these tchotchkes out to the first thousand fans? Well, figures that they'd make getting merch of the Minus One Godzilla in the States a hassle.

[dearsholmes]

Autism movie/show deep dive and my very general thoughts on them!

(everyones different these are my own opinions as an autistic woman please watch for yourself and share any additional thoughts you have on them!)

Music (2021)

Enough said.... had to get this one over with 0/10

Adam (2009)

I found most of these movies to be outdated BUT I actually really appreciate Hugh Dancy's recreation of an autistic character (those who know him as Will in Hannibal would probably also agree). Even though originally I wasn't a fan of the ending I came to appreciate it that he wasn't 'saved' by romance and that it proved he was able to be independent and had great character growth while still respecting himself and his passions. I think it offered a decent insight to the different aspects of autistic joy, passion, while still including the difficult aspects with socializing, navigating relationships, grief, and meltdowns but now being overshadowed by them or 'becoming a problem'. However, I do love space so that could've also been responsible for my love for this movie. 8/10

Heartbreak High (2022)

I absolutely love Chloé Hayden who is autistic herself so her character in the show feels real and more relatable. Pretty much what I said about 'Adam' but to an extreme I think the script and character interactions are such a fantastic and understandable demonstration of what being an autistic women is like (granted everyones experience is different). Cannot wait for the next season! This show is such a great modern day representation and not based in stereotypes like others are 10/10

Big Bang Theory (2007)

I will never not defend this show - I know people tend to hate this because Sheldon is heavily stereotypical but I find him incredibly relatable as I do fall into a lot of these stereotypes myself. Once again everyones experiences are different so I don't understand why people write this show off completely. Love it 10/10

Atypical (2017)

Unfortunately I don't have much to say about this show in regards to his autism because the constant inconsistencies during scenes deserve their own post and were too distracting to focus on anything else. Another thing that upset me about this is that the show is meant to take place in Connecticut yet they filmed in one of the most recognizable aquariums in the west coast. This show probably could've been good if it was just made better/had quality control. The only thing I remember liking was the pros and cons list because I also do that. 4/10

Mozart and the Whale (2005)

I'm going to preface this one specifically that I know everyone's autism presents differently but I almost found her... offensive? I think this is because it was made in 2005 and is just outdated but I felt like a lot of the characters especially hers were more caricatures than characters. Sheldon being stereotypical is one thing but this felt kind of insulting? I'm having a hard time putting it into words. There were moments I liked though - it was a weird back and forth. 5/10

What's Eating Gilbert Grape (1993)

Other than the mistreatment/beating/abuse I actually am pretty fond of this movie. Once again, outdated. But almost... endearing in a way (minus the mistreatment once again). I hope anyone who has seen it will understand what I feel. I did find the love interest annoying but that is unrelated to this post yet I felt the need to warn you all, I don't like her. 7.5/10

My Name is Khan (2010)

I watched this movie six years ago in school before my diagnosis and I didn't even remember or realize he was autistic but I do remember having generally positive thoughts on this movie ?/10 (someone let me know if its worth a rewatch.

A Brilliant Young Mind (2014) ((also called X+Y))

There is a lot of downtime in this movie so it can be kind of boring but it is honestly one of my comfort/go to movies. Of course its the whole "autistics are math geniuses" thing but the movie itself I think is sweet. It shows his diagnosis, he loses his father, he has almost a fill in father who coaches his math, his mother is really supportive of him but not in a savior kind of way, he experiences going out of the country for a competition, struggles with socializing/overwhelm, romantic interests, and there is another character who is autistic and his struggles are also shown in a relatable way, nothings (in my opinion) is annoyingly over exaggerated like it sometimes can be in movies. 9/10

The Good Doctor (2017)

I never actually finished the show because the person I was watching it with kept making fun of me by relating myself to him. Since then I also haven't seen much of a positive reaction from other people either but please let me know your thoughts on it! ?/10

The Imitation Game (2014)

Alan Turing himself was autistic and so even though it's not a main focus of this movie I still wanted to include it because I love this movie! 9/10

Sherlock Holmes (timeless)

I have to also through him in here, obviously some versions are more autistic coded than others but I'm going to generally say all of them are great autistic representation <3 10/10

Not Dead Yet (2023)

Like in Heartbreak High, Rick Glassman an autistic actor plays an autistic character and I think its another great modern day representation. It obviously isn't the main focus but they honestly do a pretty good job being educational in regard to social situations/difficulties and explain it in a way that people can learn from. 10/10

Bones (2005)

I honestly can't remember if they ever say it but Temperance is 100% autistic and I think this is a very endearing show. Since its not the main focus I don't have much to say other than sharing my recommendation 9/10

Criminal Minds (2005)

I mean... enough said. I love Reid with my whole heart. He is very much the 'autistic genius' again but you can't not love Reid! 10/10

Community (2009)

Abed. Another one that doesn't really need much to be said about it. Abed is great 10/10

Dr Who (timeless) ((quite literally and figuratively))

Now this could be considered a reach or projection but Dr Who... autistic! simple as that 10/10

House (2004)

I had to just throw this one in at the end because its really just another version of 'Holmes' and 'Watson' now as 'House' and 'Wilson'. Sherlock, previously said as autistic means House is also autistic 10/10

[itsclydebitches]

It's weird to think Vol 10 of RWBY just straight up might never happen. much less further volumes. No matter how bad it got I would still have loved some form of ending but Barabas comments don't paint a hopeful picture. Alas fics of RWBY will go until the end of time.

It's very weird. Most shows I come across have either already concluded, or give their audience an estimate of when things will wrap up ('We're planning another two seasons and each takes us about two years to film, so...'). I have shows that unexpectedly get more content after providing an ambiguous, but still satisfying ending (Alice in Borderland), shows where each season is self-contained so it can end whenever without issue (Bake Off), shows that were cut short and had to scramble to wrap up (Sense8), and of course there are always shows that are straight up cancelled and can't do a thing to mitigate that... but RWBY feels almost, almost unique in this combination. It's a webseries rather than a traditional TV show. It's gone on for a decade with absolutely no indication of where it's heading. Each season feels threatened to the point where the fandom can no longer differentiate between a real cancellation concern and Internet exaggeration. The story has hit what's arguably its most important narrative peak - the team has traversed an alternate world, Ruby has "overcome" drinking the tea, Summer finally appears on screen - only for news of the story's future to remain frustratingly vague. Not only have we never had a sense of when RWBY's story will end, now we don't even have confirmation of whether it will end. That's such a frustrating way to approach storytelling given that your audience relies on some level of commitment to remain engaged.

I too want RWBY to finish up because I am not immune to the Sunk Cost Fallacy: I put this much time into the series and it needs to satisfy me with a conclusion, even if the conclusion itself will inevitably be unsatisfying. Outside of any normal disappointment with a story you love getting the ax, I generally don't mind embracing unfinished works. I read abandoned fics, watch cancelled shows, browse barely started comics, because getting a taste of the world is always worth it if it's compelling to me. I never regret meeting characters whose stories go untold because as a writer myself I can at least imagine that on my own terms. But RWBY? Losing it now would be a real kick in the teeth. I personally don't think the story is salvageable at this point, but at the very least fans deserve a conclusion: one that will likely please a lot of devoted viewers and allow critical fans to put a satisfying tick mark on the box in our heads labeled "RWBY."

Given its popularity I wouldn't be surprised if RWBY wound up cancelled and then concluded in a comics run, or a one-off movie. Beyond the fact that this would no doubt mess up the writing even more (now you have to iron out this mess of a plot on a time limit, in a new medium, with new authors!) it would, unfortunately, be kind of hilarious too:

[generic tour guide voice] "Hello. Welcome to RWBY. Our fandom is known for having copious side stories connected to the canon in confusing ways. Some are incidental to the main series. Some outright contradict it. Some are crucial to your understanding of the primary plot and must be engaged with in a timely manner. These texts range from comic runs to random bits of information in abandoned mobile games. Please note that this corpus did not grow naturally across decades of storytelling, as is the case with fandoms like Star Trek and Star Wars, but was rather cobbled together by RT in an attempt to 'fix' numerous, ongoing issues with the webseries. Our latest addition? The ending. Yes, if you would like to finish RWBY please refer to this index of sources that together provide a semi-cohesive conclusion to a ten year show. Now, on your left you'll see the ongoing brawl as fans attempt to determine whether this index is canonical or not. Please watch your step..."

[gothicbarbie]

TOP 30 BL'S OF 2023

It's that time again! The end of 2023 is here, and 2024 is upon us! Once again, we were blessed with some truly amazing BL series and I have tried my hardest to rank them all. I could only narrow it down to 30 this time cuz there were so many good ones. If a BL is not listed, it probably means I haven't watched it yet, but it is likely on a "for later" list.

GOD TIER 10/10

1. The Eighth Sense (KOREA) Absolutely ADORE this series, it was so well done. Beautiful filming and locations, each episode felt very different in terms of setting, the pacing was nice, and the chemistry was really good too between the main pairing. It was great to get some nice kissing moments as well. Def. one of the best KBL's I've seen ever and easily fits into my top 5 BL's of all time.

2. I Cannot Reach You (JAPAN) One of Japan's best series imo. Very cute storyline, I found both characters extremely likable and fun. I love their cute friendship and subtle build up. I really enjoyed watching this one.

3. My Personal Weatherman (JAPAN) Another great one from Japan, with lots of high heat scenes. Parts of the storyline were a little confusing to me at times but I think a change of scenery could have benefited the series, but regardless, I still really enjoyed it week to week.

4. Kiseki Dear to Me (TAIWAN) Probably my favorite Tawain BL ever after We Best Love. I mainly just loved the chemistry between the two couples, they were both really fun to watch and had wonderful chemistry as well as lovely kissing scenes. Def excited to rewatch this one in the future.

5. Our Dating Sim (KOREA) It's hard to believe this was from 2023, but I recently rewatched the whole thing and it held up! It was a very fun and cute series, and the build up with the main pairing was so well done. It really felt like the writers took their time with this series.

TOP TIER 9/10

6. Stay With Me (CHINA) Shocking to see a chinese series on this list, but this is one of my all time favorite BL series. Some people might argue that it isn't BL, but I highly disagree. We got a few "cheek" kisses and most romantic scenes were heavily implied but for me, it was still worth the watch. The ending was rough to say the least, and I really hope we get a season 2 to sort of rectify that, but regardless, I really loved it.

7. My School President (THAILAND) Another series that feels like it was SO long ago, but is def. at the top of my list for Thailand. Gemini/Forth's chemistry was on point and I loved the cute moments and subtle build up in this one.

8. A Shoulder to Cry On (KOREA) My only critique with this series is the lack of a kissing scene. I know for some people that isn't important, but to me it is and I was a bit frustrated to get nothing after such incredible build up, but regardless, the series was really nice and I loved the tension between the main two characters.

9. City Boy Log (KOREA) This one is still ongoing and not quite a BL series technically, but its scripted, and we get lots of BL moments, so I will count it in my list. I am loving the web style filming of this series and both couples a lot. I hope the main pairing gets the opportunity to be in an actual series together.

GREAT 8/10

10. Utsukushii Kare 2 (JAPAN) Sadly haven't been able to see the movie just yet, but the 2nd series was pretty well done. Not as enjoyable for me as season 1 but I still really enjoyed watching the main pairing navigate their relationship.

11. Never Let me Go (THAILAND) One of the better series from Thailand this year imo. I really liked the chemistry between pondphuwin and the episodes were packed with some pretty interesting storylines and build up, it was very fun to watch.

12. Ameiro Paradox (JAPAN) I've seen some people hate on this series, but personally I loved it. I found the chemistry between the leads to be super strong and I loved the build up to them recognizing their feelings. The kissing scenes were great as well. There were a few blah plots but overall I really enjoyed it.

13. Moonlight Chicken (THAILAND) Something about this series felt a bit more mature to me and it was a nice change from some of the cheesier bl's that try so hard to be funny? I really loved all the pairings in this series and the storyline was nice.

14. Tokyo in April (JAPAN) For me this one started out great but then kinda lost me near the end. I did love most of the storyline but other parts were super frustrating to watch. I enjoyed the manga a bit more I think? But still, it was nice.

15. Bed Friend (THAILAND) Loved this one on first watch but on rewatch it was just okay for me. I think some of the plots were just over-dramatic and too depressing. But the friends with benefits plot was well done and the chemistry between the main two was really strong. It was fun.

16. A Breeze of Love (KOREA) I might have enjoyed this one a bit more had I seen the eps slower. Because I binged it's hard to get a good grasp on it but I did really like it. I liked the chemistry between the main couple and there was a sweetness to it I enjoyed.

17. Love Class 2 (KOREA) I think I slightly preferred the overall storyline of season 1, but in this one I preferred all the couples. For me that was the biggest draw. It was a tad bit confusing at first, but then it started to come together near the middle. Not the absolute best from Korea but enjoyable.

Good 7/10

18. Bump up Business (KOREA) Great chemistry between the leads but unfortunately the plot fell a bit flat for me. I feel like they could have done so much more with it. The kiss was also extremely weak, but that was expected. It was a nice series to binge, but not one of my favs this year.

19. Destiny Seeker (THAILAND) Parts of this one were really odd and I think part of my issue was having wonky subs, but regardless, I really enjoyed the series and especially the chemistry between the main pairing. Loved watching their story build, their banter was so fun. I also liked the side pairing but wish they had a bit more focus.

20. Why R U Korea (KOREA) This one did not remind me of the OG at all, which is fine, but overall I found this series to be a tad slow. There were good and bad moments.

21. Love Mate (KOREA) Some of the KBL's this year get a bit confusing and I mix them all together... this is one that sort of got lost in the shuffle for me and I would need to rewatch to give a better opinion on it but I know I did enjoy it.

DECENT 6/10

22. HiStory 5 (TAIWAN) Sadly didn't enjoy this season of HiStory as much as past seasons but it was okay. I think it had some good moments but overall left me a bit underwhelmed.

23. The New Employee (KOREA) Didn't love this one as much as others have seemed to. I didn't find the chemistry to be that strong and I also am not fond of office romances, but it was okay.

24. Dangerous Romance (THAILAND) This one was forgettable but again, had some enjoyable moments. I think I liked it more in the beginning rather than the end.

25. If It's With You (JAPAN) Sweet series that simply just fell flat for me because it just felt too short so I couldn't really get invested in it. But it was cute.

26. My Story (FILO) This one was good, I liked both pairings a lot and there were some decent kissing scenes, but there were also a lot of cringey moments and moments I had to fastforward. For The Philippines I think it was one of the better series this year, but it's not at the top of my list.

27. Sing My Crush (KOREA) Another KBL that is so quick that you can binge in one night... this one didn't deliver for me as much as it did for others. The chemistry was good and it was sweet but I just found myself a bit bored of it. Still cute tho.

28. The Director Who Buys Me Dinner (KOREA) The plot is weird AF and I am not a big fan of like historical past lives romance type of plots but I did enjoy the chemistry between the main two. It might be a bit higher if the ending wasn't so weird...

29. Starstruck (KOREA) Another KBL that is a bit forgettable to me but from what I remember I enjoyed it.

30. Bon Appetit (KOREA) See above. lol.

Honorary mentions: These were good but not quite good enough for my list. I liked them but had small issues with them. Either cheesey or boring plots, or the chemistry was lacking for me. Also they are in no particular order:

1. His Man 2 (KOREA) - Not BL at all, but a reality series which was AMAZING. LOVE LOVE LOVED the ending pair... but couldn't put it on the main list because it's not scripted.

2. Minato’s Laundry 2 (JAPAN) -season 1 was amazing, this one didn't hold up. Hated how awkward they were as a couple and it just felt too unrealistic to me. Regardless, i still love the chemistry between the main two and liked seeing them again.

3. Hidden Agenda (THAILAND) - love joondunk and wish they would get a better storyline. This plot was all over the place but the chemistry was there. The kisses were top tier!

4. Only Friends (THAILAND)- i did love the messiness of this one and there were some fun pairings with hot scenes, but overall I felt the SL was a bit chaotic and some characters never really grew. I wish they had leaned into the sexy/messiness of it a tad bit more tbh.

5. Stay by My Side (Taiwain) - cute but a bit forgettable. I did enjoy the chemistry a lot in this one tho.

6. You Are Mine (Tawiain) - same as above, except the pairing wasn't as exciting for me.

7. Our Dining Table (JAPAN) - i know everyone loves this one and it was very cute and sweet, but a bit too slow for my taste.

8. End of the World With You (JAPAN) - some interesting plots and fun to watch, but overall a bit messy and problematic at times? lol.

9. Til the World Ends (THAILAND) - see above.

10. Jack O Frost (JAPAN)- decently cute series but the tone of it was a bit too depressing for me.

11. The Day I Loved You (FILO) -started great but was too emotional/sad for me after a few eps in.

12. Unintentional Love Story (KOREA) - seems a lot of people loved this one but it wasn't really my cup of tea. I found the plot very slow and the main couple was kinda bland imo. But I am willing to rewatch it and give it another chance soon.

13. Between Us (THAILAND) - technically this started in 2022 but it finished in 2023, so I'll include it. It was okay but not great. Much better series for bounprem but still found myself a bit bored.

Watched these ones in 2023 but they didn't make much of an impact in me. They had good and bad bits but to me, mostly bad. lol (No particular order)

1. Jun and Jun

2. Past-tenger

3. Love Tractor

4. Egoist Movie

5. Happy Merry Ending

6. Be My Favorite

7. A Boss and a Babe

8. Step by Step

9. Naked Dinner

10. Wedding Plan

11. My Dear Gangster Oppa

12. Cutie Pie 2

These series were forgettable or annoying imo and and I wouldn’t necessarily recommend them to anyone. However, they might be worth skimming through like I did? Good luck! lol. (In no order)

1. Hit Bite Love

2. Naughty Babe

3. Laws of Attraction

4. Remember Me

5. Love Bill

6. 609 Bedtime Story

7. All the Liquors

8. Be Mine Superstar

9. House of Stars

10. La Pluie

11. Our Sky 2

12. Venus in the Sky

13. Tin Tem Jai

14. Middleman’s Love

15. Future the Series

16. Tie the Knot

17. Luminous Solution

18. Bake Me Please

19. Our Winter

20. Stay Still

Shows I watched in 2023 but that are from previous years:

1. Bad Buddy (loved it!)

2. Advance Bravely (weird but enjoyable)

3. Why You Y Me (good)

4. Ghost Host Ghost House (okay)

5. La Cuisine (meh)

6. Win Jamie’s Heart (forgettable)

7. Kabe Sa Doujin (blah)

8. Catch Me Baby (skimmed for netjames only)

9. 21 Days Theory (what is this again?)

10. Innocent the Series (already forgot it)

Tried and Quit: I just couldn't get into these at all... I will probably not watch these ever.

Crazy Handsome Rich

Dinosaur Love

Low Frequency

Love Syndrome 3

If a show is from 2023 and not listed above, then likely I plan to get to it later. Either I tried the premiere and it didn’t capture me at first, I couldn’t find the episode when I tried to look for it, or I simply just haven’t had time for it yet.

A few on my list that i plan to watch because I heard good things about them are: I Feel You Linger in the Air, Lost in Translation, Beyond the Star, Shadow, My Universe. Plus many others. Let me know if there is a show you really loved that I didn't mention so I can check it out!

Oh, and here are all previous lists since TUMBLR is being a little bitch and not saving the tags.

2022: https://gothicbarbie.tumblr.com/post/705139242020618240/my-top-20-bl-series-of-2022

2021: https://gothicbarbie.tumblr.com/post/705227666795741184/my-top-15-bl-series-of-2021

2020: https://gothicbarbie.tumblr.com/post/705674738528354304/my-top-15-bls-of-2020

2019 and earlier: https://gothicbarbie.tumblr.com/post/705678223200174080/my-top-bls-of-2019-and-earlier

[classichorrorblog]

10 Body Horror Films To Consider For October/Halloween

[sotwk]

Thank you for decorating my tree 🫂🎄❤️

Here are 12 Christmas Questions for you!

No pressure: feel free to answer some, all, or even none. :)

1. Favourite Christmas season activity?

2. Favourite Traditional Christmas song?

3. Favourite Modern Christmas song?

4. Favourite Christmas movie(s)?

5. Favourite Christmas episode (any tv show)?

6. Favourite food to eat or serve for the Christmas meal?

7. Favourite Christmas beverage or dessert? 

8. Most memorable Christmas gift you received as a child?

9. Best Christmas gift you ever gave to anyone?

10. If you have a Christmas tree, what’s your tree topper?

11. What’s your favourite version of Santa in a movie?

12. Which fictional character would you like to be caught under the mistletoe with?

Oooh a boomerang ask! XD Thank you @vellichormybeloved for asking and giving me a chance to share my own Christmas favorites!

1. Favourite Christmas season activity? Getting our Christmas tree the day after Thanksgiving, setting it up, and decorating our house. It's a family affair and my kids really love it.

2. Favourite Traditional Christmas song? O Holy Night--pretty much every version!

3. Favourite Modern Christmas song? Merry Christmas, Happy Holidays by N'Sync (I just feel so joyful whenever I hear this song!)

4. Favourite Christmas movie(s)? "While You Were Sleeping" and "A Charlie Brown Christmas" are my annual must-watches these recent years!

5. Favourite Christmas episode (any tv show)? Here is my rec list: “Express Christmas” from Modern Family: S3, E10; "All About Christmas Eve" from Will and Grace: S5, E11; “The One With the Holiday Armadillo” from Friends: S7, E10. And pretty much any Christmas special of Downtown Abbey.

6. Favourite food to eat or serve for the Christmas meal? Pot roast with mashed potatoes; dishes with prosciutto.

7. Favourite Christmas beverage or dessert? Chocolate crinkle cookies and hot chocolate that my husband makes.

8. Most memorable Christmas gift you received as a child? In my preteen years, my brother would support my silly celebrity crushes by getting me Christmas gifts of teenybopper magazines (think Teen Beat and Bop) and even unauthorized biographies of actors like Leo DiCaprio. My parents would never give me that kind of stuff, so this was an act of love from an older sibling.

9. Best Christmas gift you ever gave to anyone? One year, I got my mom tickets for her and I to watch a Barry Manilow concert together.

10. If you have a Christmas tree, what’s your tree topper? A glittering golden star--classic!

11. What’s your favourite version of Santa in a movie? I have an unexpected new favorite this year: "Nick" from Red One, played by JK Simmons. Don't listen to the critics; he alone is absolutely worth watching this movie for.

12. Which fictional character would you like to be caught under the mistletoe with? Steve Rogers/Captain America. Hands down. I have MANY fictional crushes, but this is a very easy choice. :)

[flightfoot]

Hey dude! I'm in dire need of a little help. For you see, I have been writing a fanfic for the past couple of months (ML fandom) and have come to the jarring and embarrassing realization that I *clap* don't know *clap* what *clap* I'm *clap* doing *clap.*

It's my first baby and sometimes I want to throw it against a wall. The words just don't come when I need them and I can't even finish half a chapter in one sitting.

Anyways, I was kinda maybe hoping you could throw some ML fic recs my way? I'm scared I'm gonna mess up the romance aspect (which is half the story), so it would be super awesome and magnanimous of you if you could recommend some fanfiction with good chemistry between Marinette and Adrien. Preferably, as either their civilian or their superhero selves since those are the main pairings I'm working with.

Thank you for reading, have a good night, bless your ML-loving heart.

Huh. I mean, there's a lot of great Adrienette and Ladynoir fics out there... hm. I've got some that I think are good to learn from. I tried t avoid ones that are too AU, since the circumstances don't map on as well.

Not A Monster At All by @book-sandwich

Adrien Agreste overhears a conversation he shouldn't, and a revelation sends him falling onto the terrace of the only person he can trust: his good friend (?) Marinette Dupain-Cheng. Senti-person Adrien fic that takes place sometime after the first two episodes of season 5!

---

Fate, Destiny... A Hamster? by @mostmagical

After finally moving into his very first apartment per Ladybug’s suggestion, Adrien stumbles upon something no movie or TV show could have ever prepared him for: someone else's hamster. At least now there’s an excuse to talk to the new neighbor. (Adrinette Never Met AU)

---

Blue Crayons by @talkstoself

After the eventual defeat of Hawkmoth and spending five years away, Adrien comes back to Paris to find his friends don’t blame him the way he blames himself, in fact they’re happy to have him back. Nino and Alya are married, Chloé’s nice now (sort of), and Marinette even had a baby!

---

Into The Unknown by NUMBER1ANGIRL

Marinette Dupain-Cheng has been Ladybug for 12 years now. She’s been fighting Hawkmoth by herself in this time, without the partner she was promised. When Hawkmoth is defeated, she starts fighting a new villain, and the strange ache of something she wasn’t aware was missing.

---

Evergreen by Tanyatakaishi

Everything was gone. The entire cityscape had been obliterated, leaving them in a valley of trees. Blue mountains, peaks dressed in snow, stretched tall in the distance and at their foot lay an array of vineyards, miles wide with no civilization in sight. AKA: two heroes lost alone in the woods with no cheese.

---

Someone To Watch Over Me by @dfcfanfics

Adrien is used to his father taking him for granted and treating him poorly, especially since his mother's disappearance... but it's never been anywhere _near_ this bad before. Between that and trouble at school, his life is in quite the downward spiral. He's been putting on a brave face, but he's struggling... and his friends are starting to notice. One special friend in particular. Marinette is determined to help him, any way that she can -- with _and_ without her mask. But when Akumas fly towards Adrien, he soon finds himself more deeply entwined in Marinette's life AND Ladybug's private life than he'd ever imagined. Can Adrien possibly decide between the two angels who are making his life worth living again? Can Marinette process Adrien's crush on Ladybug AND his growing feelings for her? And can Gabriel stop laughing long enough to launch his master plan? A fluffy DFC - buggachat Ladrienette jam. 10/15: Our story is now complete with the posting of Chapter 24, the epilogue. Thank you so much for reading, as always.

[animebw]

Seasonal Reflection: Winter 2024 Anime

My feelings on the first anime season of 2024 can be summed up thusly: Most of my favorite shows from winter 2024 were continuations of shows that were already great from last season, not new entries. That's not necessarily a bad thing, and there were plenty of new anime I at least enjoyed watching. But it became clear about halfway through the season that aside from a couple fall 2023 holdovers, there was barely anything truly exciting going on here. Most of the adaptations I watched didn't do much to truly elevate their source material, and most of the few original series we got ended up the worst of the bunch. I can't say nothing good came out of winter 2024, but if this is any sign of how the rest of the year is gonna go, we may be in for a slog. For now, though, let's take stock of the anime I watched this season, and which ones are worth your time.

Metallic Rouge: 3/10

If you asked me what the worst show I finished this season would be at the start, I never would've guessed Metallic Rouge. I mean, it's a cool-ass original sci-fi anime from Bones with slick 2D mecha animation, surely that's gotta be at least a little cool, right? Sadly, no. Because this is, without question, one of the most baffling scripts I've ever seen in anime. Almost every single detail of its world and plot are barely explained, if at all, and the mechanics of what's even supposed to be going on are so nebulous that every attempt at a plot twist feels like a twist on something that never actually existed. Characters are plopped into the story without even an introduction. At times it feels like whole scenes have been cut out entirely. The only thing I can compare it to is the original Suicide Squad movie from 2016: a story so cut to the bone in the editing room that you can barely tell what's supposed to be happening half the time, and yet enough of the original story remains to suggest it was never any good in the first place. The one thing it gets right is the prickly chemistry between its two leads, and then it fucking keeps them separated for like half the damn runtime! How do you even unforced error that badly?

Bucchigiri: 3.5/10

Man, this was not a good season for original anime. Bucchigiri might not have been as staggering a writing trainwreck as Metallic Rouge, but its sin is arguably even worse; it's boring. It's a wacky, colorful high school delinquent romp with rainbow-haired Jojo's punks beating the snot out of each other with genie powers, it's sort of a re-imagining of Aladdin, it's got freaking Hiroko Utsumi at the helm, and it's boring. Why? Because this show gets absolutely stuck in the quicksand of its own status quo and refuses to budge an inch. Character growth is nonexistent, the protagonist is an aggravating loser wimp who never learns his lesson, and nothing of actual meaning happens from the first episode to the end. Literally everything you think is setting up a character arc where someone learns a lesson or grows as a person, all of it amounts to nothing. It's a limp, inert world that perpetuates the same overdone jokes and contrived, misunderstanding-based drama over and over again until all the outsized Utsumi visual personality feels like a tacky coat thrown on top of a lifeless corpse. What an utter waste.

Urusei Yatsura Season 2 (1st Cours): 5/10

I'm still not quite sure what to make of the Urusei Yatsura remake. is it charmingly dated? Annoyingly dated? A welcome throwback or a sign that some things should stay in the past? If nothing else, it never fails to get at least a couple chuckles out of me every episode. But the more it tries to lean into being actually sincere, the more its inherent cheesiness and lack of depth starts becoming a problem. I'm sorry, this cast of characters is just too abrasive and purposefully insane to take seriously, and none of their relationships are healthy enough to unironically root for. Lum and Ataru are not a couple I want to see actually get together, at least not unless Ataru stops being such a fucking shithead. And if him being a jackass could be charming in season 1, then this season is really starting to test my patience with him. It's one thing to be a serial skirt chaser, but his actions this season regularly cross a line from womanizing to unambiguous sex pest, and there's only so many wooden mallets he can get knocked over the head with before it stops feeling like like he's getting punished as much as he deserves to be.

Undead Unluck (2nd Cours): 5/10

Good news, everyone: Undead Unluck finally gave up on those awful groping gags that were ruining its central romance! Bad news: at the same time, it spontaneously developed one of the worst cases of recap padding I've ever seen! I'm not just talking overlong recap segments at the start of the episode, I'm talking constant flashbacks to events we just saw just moments before, straight up playing the same footage again just minutes apart, all climaxing in a truly unforgivable episode that spends seven goddamn minutes on recycled footage. Not even Tokyo Revengers was this bad with its time-wasting. And to add insult to injury, once it finally gets its feet unstuck and returns to a reasonable amount of recap for the final arc, it's probably the best arc of the entire show! It's some of the most bonkers high-concept emotional storytelling I've ever seen attempted, let alone pulled off so spectacularly. It's proof that there is so much brilliance to Undead Unluck, if it could just get out of its own way. But as long as it continues suffering from such massive systemic flaws, it's only ever going to be an also-ran.

Solo Leveling: 5.5/10

Okay, look; is this show dumb as a bag of rocks? Absolutely. Is it as nakedly an adolescent power fantasy as any anime has ever been? Ditto. Does it solely exist for dweeby incels to feel like swaggering douchebag chads getting revenge on all the normies who looked down on them by becoming The Bestest Strongest Chadliest Awesomest Of All Time? You know it. But god dammit, it's actually fun. I cannot pretend I'm too mature and sophisticated to enjoy a big, helping heaping of dumb edgy schlock when it's actually done well. I'm the one person on the face of the earth who still caries water for Akame ga Kill, for crying out loud. And Solo Leveling makes two really smart storytelling choices that keep it (mostly) on the entertaining side of dumb fun: building a genuinely interesting and intricate world that exists well beyond the scope of the protagonist's actions (for now, at least), and making sure that no matter how stupidly overpowered Jinwoo gets, his opponents are always just a little bit even more stupidly overpowered, so he's still pushed to his absolute breaking point and barely scraping together a win by the skin of his teeth every time. There is an art to edge that's too often taken for granted, and this show is proof that being the living embodiment of a twelve-year-old boy's wet dreams is no excuse not to be at least a decent version of that. That said, let's be real, Jinwoo was so much more attractive before his supposed glow-up. Give my boy back his scraggly rat locks, you cowards.

Bang Brave Bang Bravern: 6/10

What happens when a campy, cartoony 70s-style super robot anime crashes headfirst into a much grittier real robot anime? Well, what happens is Bang Brave Bang Bravern, the latest ten-car pileup of mismatched genres from the Cygames masterminds behind "What if horse racing but idols?" Take a desperate war story of survival against impossible odds, airdrop a skyscraper-sized superhero into the mix, and watch him completely shatter the original tone one cheekily ironic powerup and power-of-friendship speech at a time. It's a beautifully bonkers sendup of mecha tropes that has some of the funniest individual moments in this entire anime season, and the absolutely wild twist it pulls with the titular robot's identity in the back half is more than worth the price of admission on its own. Unfortunately, if it wanted to be as perfect a parody-until-it-isn't mecha series as Akiba Maid War was a parody-until-it-isn't mob flick, it probably should've tried being as long as most mecha series tend to be, i.e. more than just twelve measly episodes. There's just not enough time to develop any of the characters or world beyond the most essential parts, resulting in huge chunks of the supporting cast hanging around with nothing to do but take up space. And it leads to this show, which is trying to be so big and over the top, instead feeling so small and half-formed. Also, the secondary romance is gross. Like, really gross.

A Sign of Affection: 6/10

I think this show has helped clarify something for me: I'm really getting tired of how quickly modern romance anime get their main couple together. As much as we rag on the endless will-they-won't-they of ages past, taking so much time to build up the characters and their relationship before they finally make it official can result in some truly one-of-a-kind storytelling when done right. I might agonize over how long Sawako and Kuronoma take to get together in Kimi ni Todoke, but the payoff is so transcendent that none of those complaints matter. Whereas Yuki and Itsuomi getting together so quickly in A Sign of Affection... I mean, they're cute, I guess? His cool demeanor plays off her sincerity very well? But it feels like the show's in such a rush to get to the good stuff- and so determined to make Istuomi the dreamiest, most perfect boyfriend ever- that it skips over so much of the careful character-building that makes all the best anime romances so special. It's a sugary sweet confection, but wipe the frosting away and there's just not that much cake underneath. Honestly, I find the side characters a lot more interesting because they're allowed to have messy internal conflicts with a bit more meat on their bones. But hey, props for putting a deaf heroine at the center of your shoujo romance and taking so much time to explore how that affects the way she interacts with the world. That's a cause well worth celebrating.

Sengoku Youko: 6.5/10

Rejoice, everyone, we finally have an adaptation of a Satoshi Mizukami work that doesn't look like absolute garbage! After the flaming disaster that was Lucifer and the Biscuit Hammer's barely animated hackjob production, Sengoku Youko has arrived to give the cult fave manga artist a chance for his work to actually shine on the silver screen. As someone who only knows him through Planet With, I've always wondered if Mizukami deserved the reputation his manga gets, and with White Fox delivering as tight and intense a production as they gave Re:Zero, I guess it's time to finally find out. And the answer is... mostly? Like, the biggest problems in this sci-fi/feudal fantasy mashup are the characters being a little too eager to state the themes out loud and one pretty crummy death that's about as hamfisted and over-telegraphed as I've seen in a while. But there's a shockingly gripping narrative underlying it all, a story about the scars trauma leaves on people, of characters making bad decisions and facing real consequences for them, of hatred and poisonous ideology forced to reckon with the more complex reality of the world as a whole. And it all climaxes in an absolute barn-burner final episode that knocked my score up a half point all on its own. If future seasons can make good on all the potential this first season has set up, then I may just end up a Mizukami fan myself when all is said and done.

Blue Exorcist Season 3: 6.5/10

I'm of two minds about Blue Exorcist's second return after a six-year gap between seasons. On one hand, it's clear the new staff is just nowhere near as talented as the folks who first brought this series to life at A-1 Pictures. The action is abysmal, the storyboarding is clunky, and the animation feels like it's constantly fighting for its life to maintain a passable standard. And it sucks that a series that once brought such great life to its story is now held back by such a mediocre production. But on the other hand... holy fuck, am I glad Blue Exorcist is back. I once described The Devil is a Part-Timer as the mathematical average of anime as a concept, but if you were to ask me what the best possible version of that mathematical average looks like? It would be Blue Exorcist. This is, hands down, one of the best straightforward shonen action stories in the whole medium, a reminder of why all the most generic and overused tropes were once powerful enough to become generic and overused in the first place. It's proof that even the simplest of "superpowered teens kick demon butt with the power of friendship" concepts can result in a wonderful goddamn series when handled with good old-fashioned storytelling fundamentals. And not even the rough-as-hell production is enough to keep season 3 from delivering on the thrills, tears, laughs, and cheers that make this series so magical. Just, please, give the next season more time in the oven so it doesn't feel like it's wading through molasses to hit those heights. Okay?

Delicious in Dungeon (1st Cours): 7/10

Delicious in Dungeon's biggest problem is that it takes a while to really settle into itself. The opening scene of the protagonist's sister being devoured by a dragon sets the tone for an intense and desperate rescue mission, but the actual series that follows this harrowing opening is as lackadaisical as can be. And it's jarring to be thrust into a gag-filled, character-driven fantasy cooking comedy where the harsh tone of that opening scene and the ticking clock of Falin's digestion completely disappear from the characters' heads in favor of how beast to cook and eat the various fantasy monsters they encounter in the dungeon. Yes, it makes a little more sense once the mechanics of death and resurrection are explained later on, but it's a weird note to start on. Which is a shame, because once Delicious in Dungeon gets a handle on what kind of story it's trying to be, it's really fun! Its sense of deadpan comedy coupled with Trigger's expressive animation makes for some really unexpected gags, and the way it explores its fantasy cuisine is genuinely some of the most creative stuff I've ever seen in the cooking anime genre. Plus, with the dark tone coming back in at the end of the first cours- and landing much more naturally this time- I have high hopes for how this series will marry those two sides of itself moving forward. If the manga fans' reactions are any indication, I think we're in for a damn good time.

Frieren: Beyond Journey's End (2nd Cours): 8/10

So remember in my last post how I said that it was kind of disappointing whenever Frieren turned into an action show because of how disconnected the fights were from the beating heart that makes this show so special? Well, apparently the writers heard me and decided what I meant was I wanted this peaceful, meditative tale about grief, change and the passage of time to turn into the goddamn Hunter Exams for ten episodes straight. It's one of the most shockingly ill-advised storytelling swerves I've seen in an otherwise good show, discarding all this series' strengths in favor of a half-baked tournament arc with tonally jarring grimdark elements and a bland, overstuffed cast of characters who only start becoming interesting in the rare moments they're allowed to stop slinging spells at each other and just, like, talk about life? You know, the stuff that Frieren's actually good at? Not this brainless slice of shonen envy that only avoids being a complete slog thanks to how spectacular the action is across the board? Ugh. Look, Frieren is officially the most beloved anime on the goddamn planet right now, and its best moments are so incredible that I wish I could join that chorus as well. But it's so disappointing to me that a show this singular and special has so often chosen to be the least interesting version of itself.

The Dangers in My Heart Season 2: 8.5/10

It's official: director Hiroaki Akagi is the master of middle school rom-coms. No other creator so perfectly grasps the specific blend of immaturity, awkwardness, cringe, and heart-on-sleeve sincerity that defines the love stories of early adolescence. That was already clear with his work on Teasing Master Takagi-san, but now that he's pulled it off twice, there's no room left for argument. And just like with Takagi-san, the second season of The Dangers in My Heart takes a show that was already shockingly good and catapults it into all-time greatness. This is a coming-of-age triumph, a soaring tribute to embracing your own cringeworthy self, flaws and all, and sharing that self openly with the people who matter most to you. Ichikawa's journey toward maturity, Yamada's journey toward self-love, and the way their romance sparks the best in both of them is the stuff that dreams are made of. I laughed, I cried, I squealed like a little girl, and I felt my heart grow three sizes by the time it was done. This is a new gold standard for anime rom-coms, and if you can stomach a bit of groanworthy fanservice, it more than deserves your attention.

The Apothecary Diaries (2nd Cours): 8.5/10

Most of the time when I cover a two-cours show on these seasonal reflections, I end up in a pretty different place by the end of the second cours than I did at the first. Either it sort of fell apart in the second half, or found its footing and took it to the next level, or it changed in some interesting way that affects how I view the show as a whole. But The Apothecary Diaries has stayed the course from the first episode all the way to the end. Start to finish, it's remained pretty much the same show, with the same ideas and attitude, exploring the same themes in the same ways. And you know what? When you're as good as The Apothecary Diaries ended up being, there's nothing wrong with that. This is a spectacular historical drama that builds such a rich, compelling world for its equally rich, compelling characters to inhabit. It's a powerful exploration of how old society treated the disadvantaged- women, poor people, people with all severities of disability- and how one deeply abnormal girl carves her way through this viper's den with her body and soul intact. It's the kind of mature, thoughtful series we so rarely seen done this well, and with the announcement of a season 2 already confirmed, we may well end up with close to 50 episodes when all is said and done. That, folks, is what a true shoujo/josei renaissance looks like. And I'm so happy such a deserving series is leading the way in reminding us how damn good women's stories can be when they're given a chance to shine this brightly.

DROPPED

Cherry Magic: Dropped at 2 episodes for looking like butt and the central romance feeling pretty lifeless.

High Card Season 2: Dropped at 1 episode because I realized I didn't care anymore.

Ninja Kamui: Dropped at 2 episodes for being dull tryhard edgy bullshit with overdone fight scenes that are impossible to follow.

[kolbisneat]

MONTHLY MEDIA: November 2024

A busy work month so not as much reading and watching as I would've liked, but still managed to find some good stuff! Here's how I spend the month of November.

……….FILM……….

She's All That (1999) I was never really into teen comedies as a teen but I vaguely remember seeing this. Actually all I remember is the pubic hair pizza scene. Now, as an adult, I appreciate the bit where the dad keeps confidently answering Jeopardy! questions wrong and the prom photography saying "there's a memory". Great stuff.

End of Evangelion (1997) For what it's worth, I liked the original ending to the series. It really moved away from the premise and dipped into philosophy 101 by the end, but that last episode at least wrapped up Shinji's arc. This movie? This undoes all of that and really seems to hate its characters. Just a miserable experience with some really great visuals (and also some really repulsive ones). Not for me and a real bummer.

……….TELEVISION……….

Nobody Wants This (Episode 1.01 to 1.10) Turns out watching two charming people fall in love is great television. I hope the second season shifts to focus more on Joanne's world. I ALSO hope the loser siblings remain platonic to show that it is possible to maintain friendships with the opposite gender.

Arcane (Season 2.01 to 2.03) Having never played the show, I always feel like I'm understanding 10% of what's going on. But dang if the visuals aren't stunning. I mean I GENERALLY understand what's going one, but with so many intertwining plots, I feel like I'm often missing how they all tie together. Will probably do a full series rewatch after I wrap up season 2.

Dan Da Dan (Season 1.05 to 1.09) The show I most look forward to watching each week. Everything is so heightened and light that each episode just breezes by. And as someone who loves a world with lore and rules, this has that in spades. Great stuff.

……….YOUTUBE……….

How Jordan Peterson's Suits Taught Me Fashion by CJ the X An excellent study in history and self expression featuring a great interview with Derek Guy (also worth checking out is this podcast episode featuring Derek). VIDEO

You Don't Need Any More Turkey Recipes by Internet Shaquille You don't always need to do something new. It's okay to repeat and perfect. Sometimes making something familiar is the most radical thing you can do. VIDEO

……….READING……….

The Girl with the Dragon Tattoo by Stiegg Larson (Complete) Based on how many used copies I see at thrift stores, I knew this was popular, but wasn't at all expecting it to be as good as it was! Two great lead characters and I'm looking forward to digging into their next adventure. Oh and definitely checking out the film adaptations!

William Gibson's Alien 3 by William Gibson and Johnnie Christmas (Complete) Having never seen Alien 3, I'm happy to simply accept this as the third entry. I found the visual similarities between the two main locations made it tricky to keep track of where I was and who I was following, but I think a second readthrough would help clear it all up. An excellent continuation of the characters you know and love from Alien and Aliens.

……….AUDIO……….

From Zero by Linkin Park (2024) Went into this with a morbid curiosity. While I didn't keep up with Linkin Park, I was surprised by how much Emily Armstrong sounded like a natural fit. Do I like this new album? I don't know yet, but is it Linkin Park? Absolutely.

……….GAMING……….

Wonderland: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) Hey this finally got released this month! The Tuesday crew continues to scratch the surface and you can read all about it here.

Neverland: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) Back to where it all started. The group is reassembling a cursed skeleton they scattered years ago. You can ALSO read all about it here.

And that's it. See you in December!

[sugdenlovesdingle]

⚠️If you are still fragile about Tommy & Buck, please don't read this.

I just watched 911 Season 8 Confessions episode and Tommy Buck beak up made ZERO sense to me!! 🤷‍♀️ Honestly, did Tommy break up because he was weirded out by Abby & Buck? Or did he get cold feet when Buck asked him to move in? Or was the ghost of Eddie and Abby too much for him? Like couples who basically love each other and have been together don't just break up with one sentence!!! They did have the option of scale back a bit.

Also, Buck had ZERO reaction to Eddie in his underwear and without a moustache. So, are we to assume that it has happened before?! 🤷‍♀️😳

Also, they made Tommy sound a lot older with Josh's pre Glee post Glee comment!

And the priest knew Eddie from his voice? He has no other preoccupation than to peer over people's shoulders to see what others are buying? Also, we know Eddie at some point is going to have a wet dream about that priest.

Anyway, imo it is hilarious how Shannon and Abby keep showing up as ghosts to prevent Eddie and Buck from getting too serious with anyone else. 😂

Btw what do you think of Josh and Tommy? I want Josh to have a good solid romantic partner. And they are both strong personalities and both kinda pedantic. Might be interesting to see if they are THE PERFECT COUPLE because they are SO SORTED. Or are they a complete disaster because they can't agree on anything!

I am still fragile but I'm kind of healing myself with Lou on SWAT (i never thought I'd actually enjoy that show) and Lou's movies and bucktommy fics (bless fic writers in ANY fandom tbh 9/10 times the fics are better than what's on screen)

and yes THANK YOU - see even a buddie shipper (affectionate) thinks that break up made no sense! Like we've had a few weeks to think/obsess over it and I think the general opinion (Lou included) is that it was a) shit writing and b) Tommy got scared because he's been hurt before/ has been left by a guy who he (thought) he really loved because he was 'just' the first and not the last/not the guy to settle down with/not enough. And then there was Buck saying he admired him and making him out to be some gay hero - which he doesn't think he is at all (big beefy man, zero sense of self worth) and he just ran so Buck wouldn't see who he really is and decide he wasn't enough and leave him xx amount of time down the line.

I think Abby was more of a problem for Buck (at first) and Eddie is Tommy's friend too (he was his friend first and his ankles paid the price) so that wasn't a problem either.

Tommy is 40 (according to Tim) and Josh (assuming he's the same age as Bryan) 45 - so the pre/post glee does kind of make sense I guess. Though I would have gone for pre/post Will & Grace - but that's not a Ryan Murphy show and I suppose he just wanted to pat himself on the back there.

And yeah if I showed up at my best friend's place and he was dancing around in his underwear and had suddenly shaved the pornstache he'd been rocking for *mumbles amount of time* I would have at least been a bit surprised. Even if my boyfriend of six months had just broken up with me out of the fucking blue.

And that priest was fucking weird. Like sure he might have recognised Eddie's voice but then to randomly go "ACTUALLY your pornstache is a mask and you won't let yourself have joy because you don't buy juice" dude - what??

As for Josh/Tommy - maybe. In a world where Evan Buckley doesn't exist. Because #TommyLovesEvan (thank you Lou) I think people like Josh with Eddie more really. Since that time Eddie spent at dispatch and they basically had daily (verbal) bitch fights. I can see it - though I don't think show!Eddie is into guys, but fic!Eddie could be.