#my dvds......... who is blu-ray........

[b-blushes]

WOW people who buy physical media are dvds becoming a thing of the past now..... is blu-ray taking over........

[gyllenhallelujah]

girl i'm talking to proposed a date where we do a saw marathon

who's gonna tell her...

[blogcherryblossomthings]

Treating myself to an Eleventh Doctor marathon for the first time in at least two years is the best New Years gift I could give myself. The first three episodes were just as strong as I remember. And now here comes River Song! I miss this part of my life so much.

[hide-your-bugs-away]

letting my manager borrow one of my copies of Dont Look Back ... please keep him safe.

[radio-4-is-static]

25コ目の染色体 | RADWIMPS

忘れてた泣き方 でも 今ここにある何か 目を閉じても零れそうな気がして

I will die for you, and I will live for you I will die for you, there is nothing more that I could really say to you

[street-corner-felines]

Zero Day Director commentary - With actor Andre Keuck

[sarahwatchesthings]

"Great Intelligence" is a pretty grandiose name for an entity who took 300 years to actualize the plan "attack monks with yeti robots," which then failed anyway when their equipment was smashed up by a couple of (fairly dimwitted) dudes who ran past them while they were distracted.

[thestenchofcheeseandregrets]

do y'all just not get physical media anymore?

the death of dvds is so fucked. what about bonus features

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.

[karasukarei]

Wind Breaker Drama CD vol. 1 – Fuurin, Memories of a Summer (Part 1)

I received a translation request for the drama CD that came with the first anime DVD/Blu-ray, thank you! It's quite long so I'll be doing it in sections. You can listen to it here!

I'll just be doing the script, if there's anyone keen to time it with the audio feel free to hit me up! Video editor found!

Translation masterpost here!

Note: I took some liberties with translations this time to make it read more smoothly. As always, if there’s any mistakes, feel free to let me know!

Shorthand because some names are really long:

Sakura – Sakura

Nirei – Nirei

Suo – Suo

Sugishita – Sugi

Kiryuu – Kiryuu

Tsugeura – Tsuge

Hiiragi – Hii

Umemiya – Ume

Scene 1 – 0:09~3:14

Nirei: Wahhh!

Tsuge: The blazing sun! The sparkling waves!

Nirei: This is the feeling of summer!

Tsuge: Kuu, I’m getting excited!

Kiryuu: How are they so full of energy? I’m about to melt~

Suo: Ahaha! It’s definitely really hot today!

Hii: They’re probably the kind to use up all their energy in the morning. (t/n: not quite sure if I heard this right; feel free to let me know if this is wrong!

Kiryuu: Nirei-chan, those are trendy sunglasses!

Nirei: Ehehe, I like this style! Eh, I’m getting too carried away, aren’t I?

Suo: I think it’s fine to go for a different vibe from usual! Of course, the usual Nirei-kun is great too!

Nirei: Thank you very much! (t/n: WHAT A PURE GOOD BOY)

Sakura: *grunts of anguish*

Hiiragi: Sakura? You’ve been quiet since just now, what’s wrong?

Kiryuu: Oh yo~? (t/n: THIS IS SO CUTE THANK YOU TOSSHIIIII) Sakura-chan, your face is all red, are you ok?

Tsuge: Do you have heat stroke?! You can have some of my special sports drink to replenish your fluids!

Suo: It’s all good! Sakura-kun doesn’t have heat stroke!

Nirei or Tsuge (edit: Thanks @/pikiiro!): Really?

Suo: Yup! He probably just can’t take the surrounding atmosphere.

Nirei: Surrounding?

Kiryuu: Ooh~ (t/n: this is with a cute down intonation <3) There’s a couple there, there’s a couple there, ah, there’s also a couple here.

Nirei: Speaking of which, it seems that this beach is popular as a date spot for couples!

Suo: You’ve just become embarrassed, haven’t you Sakura-kun!

Sakura: DAAAAAAAAAA

Kiryuu: Sakura-chan is so cute~

Sakura: Shut up!

Hiiragi: You guys shut up.

Suo: Ah yes. Hiiragai-san, thank you for inviting us today!

Hiiragi: It’s fine, sorry for the short notice. Umemiya suddenly asked to invite you all.

Nirei: But it’s amazing isn’t it! He won first place in a lucky draw at the shopping street!

Hiiragi: That guy does tend to win these lucky draws… (t/n: Ume-chan can you gimme your luck for my ichiban kuji draws)

Tsuge: It even comes with a stay at the inn, I’m all fired up! (t/n: I can’t hear exactly what he said, it was either 2 or 3 nights’ stay. As for the inn itself, think of it as renting out a summer house where you can do whatever you want, it’s not a ryokan where there are people at your beck and call.)

Sakura: Anyway, where is that Umemiya?!

Suo: Now that you mention it, he hasn’t come yet.

Hiiragi: That guy, he’s late again… (t/n: rip Hiiragi’s stomach)

Ume: Hey everyone!

Nirei: Umemiya-san! Good morning!

Ume: Sorry about making everyone wait!

Sakura: You’re (“omae”) the one who invited everyone you shouldn’t be late!

Sugi: It’s not “omae”, it’s “Umemiya-san”!

Ume: Sugishita, don’t fight here ok? (t/n: he sounds like he’s talking to his pet dog LMAO)

Sakura: Also! Why is this guy here?!

Kiryuu: That’s true, Sugi-chan seems to hate stuff like this…

Ume: I invited him! Since it’s summer, let’s do stuff befitting our springtime of youth! (t/n: ok I took some liberties with this translation, but I think this sounds cooler)

Sugi: Thank you very much for inviting me.

Ume: I told you guys when you entered the school right? “This summer let’s all go to the beach!” Don’t you guys remember?

Sakura: He was serious about that?

Hiiragi: This guy is always serious.

Ume: I invited Kaji and gang too but they had plans today… next time it’ll be all of Fuurin!

Nirei: Isn’t that a tall order?

Ume: Anyway let’s get into the sea! Don’t you guys find it hot just standing around here?

Hiiragi: We were waiting for you!

Ume: Oh yeah, that’s right!

Hiiragi: *groans of acidic anguish*

Suo: Hiiragi-san, it’ll be nice if you won’t need to use your stomach medicine today ^^; (t/n: reading back on this it sounds as though he’s telling Hiiragi not to use his medicine. It’s closer to “man, I sure hope you won’t end up being forced to use your medicine today” – I hope this makes sense x_x)

Nirei: Ah, hahaha…

Scene 2 – 3:14~4:59

Hiiragi: I think we can leave our stuff here.

Nirei: Eh, is that so, Sakura-san?

Kiryuu: Hmm, what is it, what’s up?

Suo: It seems that this is Sakura-kun’s first time at the beach!

Tsuge: That’s rare!

Sakura: Is it that bad? It’s not like I had any reason to come anyway…

Ume: Isn’t that fine! Since it’s your first time, it means that you can start to have fun here from now on!

Sakura: *gulps of embarrassment*

Ume: Hehe, make memories together with us. Hey everyone, let’s go!

Sakura: Oi, don’t pull me!!!

Kiryuu: Ooh- They’ve left.

Hiiragi: *sighs* You guys go too.

Nirei: Hiiragi-san, aren’t you going?

Hiiragi: We need someone to watch our stuff.

Nirei: Then I’ll stay behind. We can’t leave Hiiragi-san to take care of our stuff!

Hiiragi: Don’t sweat on it, we can take turns later.

Kiryuu: Ah, I’ll be staying behind so it’s ok~ I’m not going into the sea~

Tsuge: You’re not, even though we came all the way here?

Kiryuu: Hmm, I don’t like getting all stick from the seawater, and I also haven’t cleared my login bonuses today~ (t/n: this man has his priorities right)

Nirei: As expected of Kiryuu-san, your resolve is firm!

Tsuge: He’s displaying his virtue here! (t/n: the literal translation was “I can smell his virtue” but it’s… kinda weird lmao)

Suo: I’ll be staying behind too.

Nirei: Suo-san, you too?

Hiiragi: By the way, you guys are wearing parkas on top of your rash guards, isn’t it hot? (t/n: think of a light beach jacket, not a literal winter parka)

Suo: I don’t want to get sunburned!

Tsuge: Oh, that’s a virtue too! That’s great, I want to learn more about everyone’s virtue!

Suo: Eh… aren’t you going into the sea? (t/n: I see what you did there Suo)

Tsuge: Oh yes! Come Nirei-kun, let’s go!

Nirei: Yes!

Hiiragi: For crying out loud… I’ll be leaving our stuff to you guys.

Suo: Of course! Please take care!

Kiryuu: Everyone has so much energy~

Suo: Yes, it does seem that way.

[brokehorrorfan]

6 Things I Learned from the Lisa Frankenstein Commentary

We don’t get movies like Lisa Franeknstein often, which is a shame because it’s endlessly charming yet delightfully twisted. While it disappointed at the box office, it has "cult classic" written all over it.

The coming-of-age horror-comedy is out today on Blu-ray and DVD. Among the special features is an audio commentary by Zelda Williams. Here are 6 things I learned…

1. Catch Me If You Can inspired the opening credit sequence.

The opening credit sequence, which briefly depicts the Creature's love story from his previous life in the style of Victorian shadow box art, was inspired by Catch Me If You Can.

"We wanted to do something interesting with the credits in this bit. I was really inspired by Catch Me If You Can, which I thought the opening credits were particularly interesting and helped establish the story before we ever got to it. And because Creature doesn't speak this whole movie, I wanted an opportunity to show what his life would have been like."

2. The film was originally intended to be rated R.

Although Lisa Frankenstein pushes the PG-13 rating as far as it can go, it was originally intended to be a hard R. Williams cites the party scene, in which Lisa originally smoked a laced joint rather than drinking a PCP cocktail, as a difficult revision.

"This is where stuff got a little complicated when we were going from R-rated to PG-13. Originally there was a coated joint they were passing around. This is one of the only scenes that I'm not sure I'm as fond of in comparison to the joint stuff. Most of the rest of the changes were fine, but this one I find very strange. It's just a very different reaction and interaction than what used to be there. However, these are the things that happen when making a movie."

3. Creature is an homage to Day of the Dead's Bub.

Not only Lisa is seen watching George A. Romero's Day of the Dead in the film, but the Creature is an homage to its iconic zombie, Bub.

"Creature for me is definitely an homage to Buster Keaton, but he's also an homage to the zombie you just saw on screen, Bub, who was in Day of the Dead, a Romero movie that I'm very fond of. It was an incredibly emotive and a very intelligent zombie and ended up getting revenge against the asshole in the movie. It was one of my favorite monsters ever made, so when I could put that on screen during the movie, it made me very happy."

4. Zelda hid a tribute to her father, Robin Williams.

Williams is the daughter of Robin Williams, and she included his 1983 comedy album, Throbbing Python of Love, among the records scattered on the floor in Lisa's living room.

"Oh, there's Dad! We used one of Dad's vinyl albums because we had to scatter some across the floor." She refers to it as "a little, mini Easter Egg for me."

5. The police officers are named after John Waters.

The police officers in the film are Officer John (played by Walker Babington) and Officer Waters (Sylvia Grace Crim) — named on a whim in honor of cult filmmaker, John Waters.

"They asked me to name the cops, because obviously they needed to have name tags, so I named them Officer John and Officer Waters." She thought no one would notice since they're so small, but a viewer pointed it out at a test screening.

6. The film is sprinkled with movie references.

Williams wore her influences on her sleeve with her directorial debut, and she pointed out several references on the commentary:

A Trip to the Moon (clip featured in Lisa's surreal dream sequence)

The Cabinet of Dr. Caligari (stylistic inspiration on the dream sequence)

Weird Science (the party scene)

Suspiria (red lighting during drug sequence)

My Boyfriend's Back (camera shot from inside a grave looking up at characters)

Kill Bill (weapon point-of-view shot)

E.T. (a boy on a bike — played by Diablo Cody's son — at the end)

Notting Hill (reading together on a bench at the end)

Lisa Frankenstein is available now on Blu-ray, DVD, and Digital via Universal.

[thisisnotawebsitedotcom-com]

Computer Code: ALEX / ALEX HIRSCH / ALEXANDER ROBERT HIRSCH / HIRSCH

Nothing will be shown on the monitor.

You will be redirected to the search for "flannel".

According to the Gravity Falls Wiki, there is an incredibly rare chance to get two pictures and some text. Text and pictures from the Gravity Falls Wiki.

I don't fancy my chances to get it myself, so no screenshots (for now and probably always).

The text says:

FACT: ALEX HIRSCH DIED IN BURBANK IN 2016 CHOKING ON A PENCAP WHILE BEGINNING TO OUTLINE SEASON 3. NOT WANTING BAD PRESS, THE WALT DISNEY CORPORATION QUIETLY DISSOLVED HIS REMAINS IN A VAT OF TURPENTINE, ACETONE AND BENZINE, AND HAD THEIR IMAGINEERS REPLACE HIM WITH A LIFE-LIKE ANIMATRONIC REPLICA MADE FROM A REJECTED ABE LINCOLN FROM THE HALL OF PRESIDENTS. MANY WERE FOOLED, BUT THE SIGNS ARE OBVIOUS FOR THOSE WHO KNOW WHERE TO LOOK! HAVE YOU SEEN HIM LATELY? HIS FLESH SAGS (BECAUSE ITS RUBBER), THERE ARE GREY HAIRS SHOWING (THESE ARE WIRES) AND HE LOOKS MORE VISIBLY TIRED THAN EVER BEFORE. (NEEDS RECHARGING.) THIS PHOTO WAS SNUCK OUT OF THE DISNEY VAULT BY AN UNNAMED CONTACT WHO WAS RECENTLY FOUND DEAD FACE DOWN IN THE WATER IN "ITS A SMALL WORLD." COINCIDENCE? THERE IS NO SUCH THING AS A COINCIDENCE! LOOK AT HIM IN INTERVIEWS POST 2016. WATCH HOW HE NERVOUSLY FIDGETS IN HIS SEAT AND WILL START TALKING TOO FAST WHEN THERE ARE TOO MANY LIGHTS ON HIM. WHAT COULD EXPLAIN THIS? ADHD? NO- THAT'S A MALFUNCTIONING HYDRAULIC TUBE IN HIS ACHILLES HEEL AND RPM SETTING THAT SPEEDS UP FROM OVERHEATING. HAVE YOU EVER SEEN HIM AND A MAGNET IN THE SAME ROOM AT THE SAME TIME? EVER SEEN HIM GO THROUGH AIRPORT SECURITY OR SOLVE A CAPTCHA? WHAT ABOUT HIS BLINKING. HE'S BLINKING DECIPHERED IS MORSE CODE FOR: "BUY MULAN 2 ON BLU-RAY AND DISNEY DVD!" I KNOW THERE WILL BE SOME WHO DOUBT ME, BUT IVE SEEN A FILE OF HIS SOURCE CODE, AND IT SAYS HE IS DUE FOR MAINTENANCE UPDATE IN DECEMBER 15TH 2024 AT EXACTLY 11:13 AM. SEE WHAT HAPPENS THEN. AND WHEN YOU DO, EMAIL ME AT MICKEYLEAK11111@GMAIL.COM. THE TRUTH MUST BE KNOWN.

[kanasmusings]

[Eng Subs DL] Musical Yuukoku no Moriarty (Moriarty the Patriot) Op. 4 - "The Two Criminals"

Hello, and Merry Christmas to those who celebrate~! Otherwise, Happy Holidays! I am here to share the English subtitles for more MoriMyu~!

Oh gosh, I apologize for such a long wait...! Life just punched me around a bit with studying for board exams (which I passed, thankfully!), a bit of technical problems with the BD version, and a lot of real life things I needed to take care of before the year ends (￣▽￣*)ゞ

Op. 4 covers chapters 33-47 of the original comic, with a few scenes/moments omitted. It is essentially the build-up to the climax of the story that was covered in Op. 5! We were also blessed with the addition of Miss Mary Morstan and Adam Whiteley for this musical, and I hope everyone falls in love with them, too~!

Anyway, here are the subs~! A huge, huge thank you to @mouldering for helping me with proof-reading and quality checking! I wouldn't have been able to finish this before Christmas without your help~! ♡ ～('▽^人) I will be updating the folders with the bonus content subtitles when I am able to as well, but for now, please enjoy the main show's subs~!

Links, notes, and disclaimers under the cut, enjoy~!

BD PURCHASE LINK (International cards and shipping accepted!): CDJapan - BD ver. | DVD ver. Official Sites: Twitter | Website (MoriMyu General) | Website (Op. 4) MoriMyu Op. 1 Subtitles | MoriMyu Op. 2 Subtitles | MoriMyu Op. 3 Subtitles

NOTES:

※ THE FILE IS SUBTITLES ONLY, VIDEO IS NOT INCLUDED! ※ The folder contains subs for a DVD version as well as a Blu-ray version! (I tested the DVD version on the BD a lot of times, and there was always a slight delay with the syncing, so I re-timed and re-styled it for the BD. You could technically load the DVD subs onto the BD, but you'd have to manually adjust the timing on your media player.)

All songs and lyrics were translated by me. A bit of creative liberty was exercised to fit context and some cultural references. As usual, the lyrics actually help move the plot, so I didn’t include the romaji for any of them. But, if you’d like to have the complete lyrics, I do have them saved up in PDF form, so feel free to DM me for them if you want ^^

Again, I’m not a native British English speaker, so some terms might be off. I consulted with a friend to help me check them, just in case, but please forgive any mistakes.

As usual, some scenes in the musical differ from the anime/manga for time and fluidity’s sake, so please don’t hit me for things that I can’t control ^^;

There aren’t particularly any triggering scenes here, but please do watch with caution since some subjects and terms used might be sensitive and/or triggering for other viewers.

@kumoriyami-xiuzhen​ requested me to do the bonus content subs, so I will be reblogging and updating the main post when they are up as well! ^^

RULES:

[MOST IMPORTANT] Please DO NOT re-post the subs and the link outside of Tumblr! If you want to share outside, please, please DM me about it and link my blog to your post. That’s all I ask.

Please DO NOT remove my credits.

Please DO NOT re-translate without permission.

SUBS DL LINK: GOOGLE DRIVE 

※ Please only DM me if there is a problem with the subtitles. I cannot help you if it’s related to the videos. ※ If you enjoyed my work, please consider buying me a coffee here, if you can. It’ll really help me out a lot.(o^▽^o) Thank you!!

[magentas-dystopia]

Something I really lament is the move towards digital media. Slowly we start to never own the things we like. Even if we "buy" a digital game, or movie or show. It's locked behind a certain platform or service. Once it shuts down we lose it forever.

(me when big booby anime girl explosion Is taken off of Netflix)

I also feel like there's a certain charm to owning physical media, like things you can hold and the satisfaction from pressing a clicky button or putting a disc or cassette in and seeing it work.

(oooh so classy so retro so.. expensive in the modern day)

More people should try to make copies of what they own digitally, or try to buy physical media before it's lost from streaming services and digital storefronts forever. Like the case with certain games like Godzilla 2014 and Transformers War for Cybertron. They don't exist digitally anymore. Only hard copies exist outside of emulation and at insane resell prices like... INSANE ones for a mediocre Godzilla game

So yea. Buy some more CDs of those albums you have on replay! Buy a DVD of that niche obscure anime you like! And most importantly PLEASE PLEASE START MAKING HARD BACKUPS OF SHOWS YOU LIKE THAT YOU PIRATE!!! media preservation is important!

(me downloading every episode of Daredevil onto my hard drive to burn to a DVD later so I can give it to all my friends)

This is now going to be a Comprehensive guide on how to rip a CD

POLL TIME!

Burning and Ripping Disc's❤️❤️💕💕🏳️‍⚧️🏳️‍⚧️

STEP ONE:

BUY A CHEAP BLU-RAY/DVD DRIVE FOR YOUR WINDOWS COMPUTER

here are some I recommend!!!

i personally use this pioneer one :)))

DVD drives in general are relatively cheap from 30-20 smackeroos, but Blu-ray drives are around 80-100 bucks depending on the manufacturer but offer better support for copying HD video such as on a Blu-ray.

STEP TWO:

FIND A PIECE OF MEDIA YOU ENJOY.

in this case its gonna be a CD!!

i really enjoy Vespertine by Bjork, but i wanna have it on my computer just in case anything happens to my CD. SO. ill open Windows Media Player

(she hasn't changed since 2011 <3333 be urself girl)

NEXT

ill insert the disc into the player. and it'll start playing!

Pause the disc and go into Rip settings

NEXT!! select the format!

if you want to conserve space and don't mind sacrificing audio quality select MP3! if you want to hear the same level of audio quality as preserved on the CD, select a format labelled LOSSLESS. I recommend .WAV files as they'll work with most devices including an android phone or iTunes on PC (more on that later ;3 )

NEXT!

create a folder on whatever u wanna save ur music to! (u can call it whatever u want the world is your oyster bestie)

THEN!!! FINALLY

go into more options on the Rip Settings menu!

select ur folder and press Rip CD!!!!

the fun thing of this now, is that you can pull these files on your computer and put it onto your Android device so you can listen to your hearts content without lugging around your CD in a player at high quality without any subscription service with free reign of who you can give your download to!

But Magenta! what if i have an iPhone?

ohohoo fear not bestie because iTunes on PC has an even EASIER way to do it

because simply putting in a disc with iTunes downloaded prompts THIS

(oooo so new age)

and if you have apple music on your iPhone this will sync to your phone if you logged into iTunes on PC!!

thank you for coming to my TED talk

[muffinrecord]

"Currently, some folks in the Magia Translation Union server are working on archival efforts for the game to HOPEFULLY create a private server once the game goes down. While a large majority of the game's content has been covered at this point, we do have one glaring hole: the bonuses that came with the DVD/Blu-rays for the anime's release. If you happen to have any of these memoria and are willing to temporarily transfer your account so we can collect its data, please reach out to me via DM or on Discord (my username is bavarianilluminati), and I'll be happy to walk you through the next steps. An updating list of the currently-missing memoria can be found here. Any memoria that are greyed out have been seen in game (be it as a support or in the vault)."

Hey everyone, the MUT folks are working on a server that needs help with assistance in some very rare missing memoria. These memoria include all the bluray memoria, what looks like all the Nanoha collab memoria, several merch purchased memoria (like from the anime booklet), and several memoria that came from the recent reruns.

If you have any of the missing memoria listed in the above link and are willing to download the server app, then please consider reaching out and assisting. If you aren't interested in downloading the server app but are willing to lend out your account, then contact the person above. I can confirm that I lent my account to them and received it back safely, so if this whale is fine then you should be too.

This new app won't just keep the game alive for us who want to play it once in a while, but also with recording future translated / json'd videos. These kind folks need our help and it will be a great benefit to the community to keep the game and its translations alive long after EOS. If you can help then please consider doing so <3

[dunmeshistash]

Have you seen RK’s new blogpost about asking folks to stop reposting the blu-ray comics? I’ve seen it’s been a bit controversial, to most fans it is obvious to follow her request, but some are complaining that the Blu-ray’s/dvd boxes are too pricey/hard to find/region locked for her to expect 0 circulation, likening it to “rare material”

Did see, pretty common for authors to make similar requests, will continue to pirate since I can't get them here

I don't see why be mad at her for the request tho she's in the right and we're the ones committing a crime technically. I'm always surprised when people get mad at mangakas complaining about illegal reproduction and piracy as if that's something wrong to request.

I do piracy how I find ethical for myself but trying to impose it to other people when we're both in committing a crime seems silly. My idea is that since they're too new I won't share them to the general internet anymore but I also don't judge people who do

Anyway remember kids whenever you read scanlations watch anime on illegal websites and all that you're pirating, the author asking you to stop it's just them acknowledging the illegal thing you were already doing and don't really change how wrong or right it is since that should be your default assumption

Buy their work legally when available if you want support authors and have more things be available! It's what I do