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thankskenpenders · 5 months ago

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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nikkento-writes · 4 months ago

Text

Babysitter - Part 1

Pairing: dad!Toji x babysitter!reader

Rating: Explicit – MINORS DO NOT INTERACT

Word Count: ~1.7k

cw: age gap (reader is 21, Toji is in his 30s), language, cheating, smut – PIV sex (doggy style), breeding kink, daddy kink

Summary: You're hired to babysit little Megumi for the summer, but you end up taking care of his father, Toji, as well.

Author’s Notes: This is repost from my old blog! I initially got this as a request and it became my first Toji fic ever, and certainly not my last lol. I'm posting this again because I actually wrote a Part 2, check it out! Thanks for reading! Divider credit to @/fic-dumpster.

You stand in front of a quaint house, checking your watch for the time. It’s been almost ten minutes now since you knocked, no answer. You gave the number from the listing a call, still nothing. Rolling your eyes, you take a seat on the steps leading to the door, waiting.

It’s the summer before you head back to university for your senior year. In an attempt to make some extra cash, you took a job as a babysitter through local ads in the paper. The first two clients were completely normal; this one is already leaving a bad taste in your mouth.

Fifteen minutes have passed. You try once more, pounding on the door with your fist as loud as you can. Heel turned, ready to leave, it suddenly swings open, revealing a muscular man with black hair, glaring at you. “What the fuck do you want?”

You step back, startled by his intimidating presence. Stuttering, you answer, “I’m the babysitter.”

He continues to stare at you, eyes following your body up and down, studying it. “Babysitter?”

Before you can explain any further, you hear a car rolling into the driveway. A woman in professional attire steps out quickly. “I’m so sorry I’m late!” She rushes towards you, holding her hand out to shake yours. “We spoke on the phone. I got stuck in traffic, I’m so sorry.”

You smile at her. “It’s okay.”

She faces the man, expression switching from cheery to dreary in an instant. “Toji, where is Megumi?”

He scratches his head. “Huh?”

“Megumi. Our child.”

He sighs. “Right. Uh, I’ll go get him.”

While he’s gone, the woman pulls you aside, speaking in a hushed voice. “That’s Toji, my husband and Megumi’s father. Unfortunately, he’s a complete deadbeat. That’s why I want to hire you. I started my new job and I need someone to take care of Megumi while I’m gone during the day.”

She swallows hard, blinking to fight off oncoming tears. “I have no one. I’ve been shunned by my family, my husband doesn’t give a shit about ours, and I’m all alone trying to give Megumi a good life. I know this is a lot to ask, but I’m desperate. This is just until I can save enough money to hire a full-time nanny.”

She grips onto your wrist with both her hands, begging for help. Truthfully, it’s a lot to unravel, more drama than you anticipated. But the anguish in her eyes tugs at your heartstrings. Plus, knowing it’s temporary doesn’t make it seem so difficult. How bad can it be? “Okay. I’ll do it.”

Relief washes over her. “Oh thank god. Thank you. Thank you. Let’s go inside and I can give you a tour.” She leads you through the entrance, removing her shoes as you follow her. “Oh, and one more thing.”

“Sure.”

“Toji is home most of the day, but he’s always couped up in his room, doing god knows what. Just leave a meal or two outside his door twice a day. That should be enough.”

“Huh?!”

She glances at you with a nervous smile on her face. “Yeah. I told you, he’s good for nothing.”

You don’t respond while you maneuver through the house, barely paying attention while she shows you around. It almost sounds like you’ll be babysitting two children…

~~~

The first two weeks of your new job go by smoothly. Megumi is an adorable baby; he’s almost two-years-old with hair as black as his father’s. While he never really smiles, he doesn’t cry either, expression usually stern, unless he needs a diaper change. He’s self-sufficient, always immersed by his own toys until it’s time to eat. Overall, he’s easy.

Toji, on the other hand, is another story.

You follow his wife’s instructions, leaving two meals outside his door, breakfast and lunch. And this asshole has the audacity to critique it! The bread wasn’t toasted enough. The eggs were too runny. There wasn’t enough seasoning on the meat. All this criticism while each plate is licked clean, not a crumb to spot. He’s never even uttered a simple thank you.

But what he lacks in social skills or personality, he makes up for in his physique. In between meals, he works out in the living room lifting weights, doing push-ups, sit-ups, and pull-ups at the frame of the door. It lasts for over an hour, and by the end of it, he’s shirtless, dripping with sweat. You’ve done everything in your power to avoid staring but it doesn’t prevent your mind from conjuring all types of lewd thoughts about him. You’re ashamed to admit that he is physically attractive, only because everything else about him is utter trash. Still, it doesn’t hurt to look, right?

On the third week, there’s a shift in energy between you two. When he isn’t working out or going out to meet with his sketchy friends, he’s usually couped up in his bedroom, ignoring you and Megumi. This morning, he actually joins you in the kitchen. You stare blankly at him, stunned by his sudden appearance. Megumi is unfazed by his father as he tries to pull your wrist towards him to get a spoonful of mushed up peas.

When he catches you, Toji glares. “What?”

“Um, nothing. Just surprised to see you here.” You clear your throat, focusing back on the baby.

He rolls his eyes. “This is my house. I can do whatever I want.”

“Yes, of course. Sir.”

For some reason, this triggers him. He stands up abruptly, stepping to you, leaning his face towards yours. The scar on the corner of his lip twitches when he gives you a wicked grin. “That’s right. I’m in charge here.”

You flinch from him, scared, maybe even slightly aroused. He’s intense, that’s for sure. But part of you finds it exhilarating to be in his presence.

Megumi whines for more food, to which Toji grabs the utensil from your hands to start feeding him. “Damn kid, he’s hungry all the fucking time.”

You sit up in your seat, regaining your composure. “You shouldn’t curse in front of children.”

He faces you, chuckling. “Curse? Seriously? What are you, five?”

You cross your arms, answering, “I’m twenty-one.”

“Interesting.” There’s that naughty smirk again, as if he’s thinking something obscene in that twisted head of his. And while you should be turned off, you’re not. You squeeze your legs together, pussy throbbing between your thighs. And of course, he notices this. He must, because he leans forward, lips grazing your ear, whispering, “Come by my room whenever Megumi is taking his nap. That’s an order.”

~~~

This is bad. Very, very bad.

You're supposed to be better than this. Clearly, you aren’t, because you’re currently getting railed by your employer’s husband while his child sleeps peacefully in the next room.

“Fuck, this pussy is tight,” he groans, pumping his thick cock in and out of you. You’re bent over the edge of the bed, his hips smacking against your ass as he thrusts into you. He’s got a tight grip on your hips, nails digging into your flesh, pounding away at your greedy pussy, absolutely drenched with arousal and lube. Your face is sticky with perspiration, pillow soaked with sweat and drool. It’s a fucking mess, but it doesn’t matter, because all you can think about is Toji fucking you until you’re seeing stars. Until your head is empty and nothing but his fat cock is occupying your thoughts.

“God, you’re squeezing me so fucking hard, princess. You gonna come again?”

You nod erratically, reaching your fingers to your clit. He smacks it away, doing it himself, his thumb flicking against your swollen bud. “Fucking come on my cock then. Make it nice and creamy for me, got it?”

His cock is buried deep inside you, hitting your sweet spot over and over until you unravel, gushing around him once more. You’ve lost count on how many orgasms you’ve had in this short amount of time.

After your climax, he doesn’t pull out, fucking you even rougher. Your body is pliant around him, yielding to his every touch like putty. You’ve lost control of yourself, completely enraptured in the intense pleasure he surrounds you with.

He leans forward, chest pressed to your back, lips brushed to your ear. “I’m gonna knock you up. Give Megumi a little brother or sister. Would you like that?” He’s crazy. Completely unhinged. Absolutely fucking psycho.

“Fuck yes, I want that,” you moan. “Give it to me, daddy. Breed me.”

And apparently, so are you.

“Oh fuck yeah, take my fucking cum then,” he growls. The bed creaks violently below you, his backshots brutal and frantic now, cock desperate for release. “I’m gonna get you fucking pregnant. Make you mine.”

He shoots his hot load inside you, stuffing you full of his cum. He doesn’t stop until he’s fucked it deeper into your pussy, watching with that sexy look on his face as his creamy cum leaks out of your slit.

Lifting you up to lay comfortably on the bed, he rolls beside you, kissing you sloppily until Megumi’s whimpers blare through the baby monitor, indicating that he’s awake. Toji laughs, smacking your ass as you crawl over him to return to your real job.

~~~

You spend the remainder of your summer employed at the Fushiguro household until you have to go back to school. You and Toji continue to fuck each other silly every day that you’re working.

The day before you leave for college, you say your goodbyes to the family. Megumi’s mom, who remains blissfully unaware of your sins, hugs you tightly. “Thank you so much for all your help. I’ve finally saved enough money to afford a full-time nanny, so we’ll be fine.”

“It was my pleasure. I had a lot of fun. With Megumi,” you clarify, avoiding Toji’s gaze as he watches from the kitchen.

“Seriously. You’re a good person. I hope you know that.” She smiles, truly grateful. “And thank you for taking care of my good for nothing husband too.”

As the guilt of this dirty, filthy secret eats away at you, Toji stares at you from across the room, smirking.

#toji fushiguro #toji x reader #toji smut #toji x you #toji fushiguro smut #toji fushiguro x reader #jjk smut #jujutsu kaisen smut

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gallusrostromegalus · 1 year ago

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Basically. I got screwed.

I am very sorry for how relatively quiet this blog has been but I've been dealing with a very unpleasant situation the last few months, and now I need help.

Essentially, I tried to help someone out, and she took advantage of me, and I have no way to recoup my losses.

Earlier this year, I moved into a new house. Before we sold the old house, a Now-Former friend ran into some trouble and was about to become homeless with pets and a small child. Not wanting them to be on the street, we offered to hold off selling the old house so she could stay there for a little while, if she could pay the cost of the mortgage on that house (because I could afford one mortgage but not two) while we helped her find somewhere more permanent.

I was not making money from this- since I was still paying the utilities and property taxes, I was actually losing money, but willing to soak that in order to help her save up and get her on her feet.

Instead, she:

Never Paid a Dime towards covering the mortgage costs like she agreed ($12,000 for the nine months she was there)

Trashed the house ($500 dump fees for the trash alone)

Let her pets piss and shit all over the house ($1,500 bio hazard cleanup, $4000 to replace the carpet and other damaged flooring)

Caused an electrical issue in the garage ($900 to repair)

Broke the washer, dryer and refrigerator ($2500 to replace)

Broke the fence ($1000 to repair)

When I told her I could no longer financially support her and that I needed to sell the old house, she illegally squatted there for a solid three months and I had to hire a lawyer and actually take her to court to get her to leave ($2,500)

The resulting stress has been, as you can imagine, stressful.

So stressful, in fact, that it aggravated a the medical conditions my husband had and made him extremely sick. He had to go to the hospital and take time off work to recover. Now the health insurance is trying to weasel out of paying his short-term disability claim.

So net, this woman has managed to cost me around $25,000 and that's not taking into account the missed paychecks and medical expenses. I do not have $25,000, and until at least $13,000 of that is spent to repair the damage she did, I legally cannot sell the house to even begin to recoup my losses.

Theoretically, I could sue this woman, but she doesn't have any money and it would be me paying even more money I don't have to get... Nothing. So I'm asking for help to cover the costs of getting the old house ready to sell, my husband's medical expenses, and other expenses incurred by this debacle:

If you can help out in any way-share, donate spare change, anything- I'd be extremely grateful.

Thank you.

#signal Boost #fundraiser #original post edited for clarity

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ittyybittybaker · 2 years ago

Note

Hi!!! We're mutuals and I just wanna say I love reading your thoughts in the tags. Uhhhh that's all! I hope you have a great day! -🥰

aaaahhhhh thank you so much!!! i truly forget that other people can read them so anytime someone talks about my tag rambles it has me all shocked pikachu tbh

i just have a lot to say but usually it's not anything i think would truly ~add to a post so in the tags it goes !! they're mostly just for me so i don't forget how a thing makes me feel or a funny idea. and i'm not a good enough writer to write an actual fleshed out fic so writing little overviews and ideas and blurbs in the tags has been a really fun way for me to get those ideas out if that makes sense? like i don't really write scenes or dialogue but i can FOR SURE do a quick little funny outline of a situation!!! or a teeny tiny little scene that would honestly be silly to post anywhere else !!! or even just rambles about kevin's days fragile psyche, poor guy

but maybe now that i'm ~aware that people read my tag rambles i'll actually double check my spelling and grammar lol

but also if you ever wanna post my tags on a rb you're more than welcome!!! just tag me in it lmao

i also love when people put <prev tags !!! it's so fun for me when people actually like my silly little ramblings!!! i'm also down to talk about literally anything ever so send me a message if you ever wanna chat !!! anon or not i love making friends!!!

thank you again for brightening up my morning!! i hope you have a great day!!!!

#this really made me so happy !!!!!#this was the first thing i saw when i woke up and i'm smiling so big y'all have no idea #like when i say i don't expect people to read my tags that's not a humblebrag #sometimes i even forget what i wrote so if someone puts '< prev tags' i have to go back and read what unhinged thing i wrote this time #i truly do not remember !!!#i might go back and tag my rambles as 'tag rambles' when i have time so i can keep track of them better tho #that way they won't end up lost in the void of this 13 YEAR OLD BLOG #... how did this also turn into a tag ramble i am a parody of myself 🤪✌🏼#god i really am a verbose motherfucker huh #i will NEVER get to the point and that's a promise 🫡#ANYWAY thank you again anon you made me so happy!!!#tag rambles #ask #anon

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heavysighing-dreamyeyes · 3 months ago

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The Alley (and Your Boyfriend?)

Minors, ageless and blank blogs do not interact. Smut written with AFAB reader in mind. ~2.8k words

Jason Todd is your ex-boyfriend. Kind of. You dated, yeah, sure. But it was in high school, years ago now. You had moved away before the school year had finished, and both of you agreed to remain friends, to keep in touch.

Life had different plans for both of you. The last time you had been in Gotham was for his funeral, so you think you deserve some leeway if you're staring at the man across the bar who looks just like him. Well, not exactly like him.

You're supposed to be celebrating your new job in Gotham, the apartment you've finally unpacked with your friends, but his eyes.

You could never forget the color of Jason Todd's eyes. Not when he was your first everything. Not when you know how his eyes would glint before he stole a kiss. How they would shine as he whispered sweet nothings and pretty promises.

(Okay, so maybe he was more to you than you're willing to admit. Maybe he wasn't just kind of your boyfriend.)

You'd probably be lost in thought over the color of his eyes for the rest of night, if his gaze didn't happen to meet yours.

Heat spreads across your face, and you duck your head. Shit. He caught you staring. The big, attractive man across the bar who has the eyes of your dead ex-boyfriend caught you staring.

That's fine. Mortifying, yes, but you quickly focus back on whatever your friends are talking about, trying to play it off.

You're finishing your drink, hoping he brushed you off, when a low voice cuts in, "Can I buy you another drink?"

Your eyes snap up to meet Mr. Tall, Dark, and Handsome. Your train of thought halts to a stop, he's ever prettier up close.

Before you've even managed to find your words, your friends are pushing you up and out of your seat, scrambling over each other to agree that he can absolutely buy you a drink.

He tilts his head a little at you, feet firmly planted against the ground as he waits for you to answer, "Is that a yes from you, doll?"

"I– yes. Thanks," You stumble out, and you might have gone a little weak in the knees at his grin.

He guides you over to the bar, and holds up two fingers as the bartender comes over. "Whiskey, and whatever they want."

You ask for a refill of your drink and sit beside him at the bar before introducing yourself.

He raises an eyebrow at you, "I'm Jason."

"My ex was named Jason," You blurt out, then wince. That's probably not what anyone wants to hear when they're introducing themselves. And it's definitely not what they want to hear while trying to pick someone up at a bar.

He hums thoughtfully, "I don't remember breaking up with you."

You blink at him, is that some kind of a pick-up line? "No, I meant, I really dated someone named Jason in high school."

He grins at you, "I know. I was there."

You frown a little, "Like in the same class?"

He laughs. It's a really pretty sound, if you weren't so confused, you would have swooned, "No, doll. Don't tell me you don't recognize me?"

Your gaze hardens, "If this is some kind of a joke–"

He says your name, effectively cutting you off, "It's me."

"He died," You murmur, so quiet it almost gets lost under the beat of the music.

He shrugs, and pushes your drink towards you as the bartender sets it down, "I got better."

"Prove it," You retort, fingers tapping the glass of your drink. You're this close to up and leaving. It makes your stomach churn, not knowing what game this man is playing.

He gives you a familiar, lopsided grin, "Prove that I got better?"

You scoff and go to stand up, but you waver at how he actually seems upset over it.

"Hey, hey, wait," he protests, holding out an arm to block you from leaving, "We had our first kiss in the back of Wayne Manor, in that old gazebo covered in vines. You asked me out because I was so obviously head over heels for ya, but I was too scared to ask. You said you'd wait for me when your family moved, and I said I'd wait for you too."

Your breath hitches at his rambling, it's–all of it is true. Memories you held close to your chest but never let yourself relive because of how much they hurt, the bittersweetness of it all. "Jason," You breathe out.

He relaxes, and smiles at you, "Yeah."

"How are you..." You trail off, taking in every inch of him. How much he's grown. How much he's changed.

He rubs the back of his neck, "It's, uh, a long story. It's not very nice either."

You nod slowly, "We don't have to talk about it."

He looks genuinely surprised, "We don't?"

"No, it's just good to, you know, see you," You tell him. It's the truth, whatever story he's carrying, whatever events brought him here, doesn't really matter right now. Not as long as he's alive and in front of you.

"It's good to see you too," Jason tells you, and you feel butterflies when he reaches over to touch your thigh, "Hey, am I really your ex?"

The absurdity of the question makes you want to laugh, "It has been a while since we talked, Jason."

You do giggle when he actually pouts at you, "You said you'd come back to Gotham for me one day."

"I am back in Gotham," You point out, "Got an apartment here and everything."

Interest sparks in his eyes, "Yeah? You're staying around here?"

You hum noncommittally, "In Gotham at least."

It surprises you, how easy it is to slip back into a flowing conversation with him. You reminisce about your shared past, he asks you what you've been up to, how your life has been, and before you know it, your drinks are empty and the bar is informing you of it's last call.

"Can I walk you home," Jason asks, hovering at your side, "or call you a ride?"

Your friends had long since told you they were leaving, and you have the urge to make this night last a little longer. It may be selfish, to want to stay in sight of those eyes, but you let yourself be selfish, "Walk me home?"

The way his eyes sparkle tells you you made the right choice.

You really do mean for him just to walk you home. So you're not exactly sure how you ended up making out with your ex-boyfriend in a dirty alley way.

It makes your head spin, how his hands dig into your waist to tug you closer. How he chases your mouth every time you pull back to suck in a breath.

It's desperate, needy, and you want to keep your fingers curled into the cool leather of his jacket forever. Jason crowds your space, backing you towards the wall, he trails kisses down your jaw, occasionally nipping at your skin to leave pretty, bruised marks.

"Wait–" You start, digging your heels into the ground.

He pauses, and pulls back, "Shit, I'm sorry, I didn't meant to–"

"No!" You practically shout, not wanting him to misunderstand, "it's just– the wall is dirty," You finish weakly.

He blinks, then grins at you, "Is that all you're worried about, doll? Just the wall?"

You nod, sheepish as you fidget with the zipper of his jacket.

He hums thoughtfully and kisses the crown of your head, "I got something for ya," he murmurs, tugging off his leather jacket.

Before you can ask what he's doing, he drapes the coat over your shoulders, and guides your arms through the sleeves, "There, better?"

"Better," You echo, much more willing to let him push you against the wall, to let him suck your pulse and press his hands under your clothes. The leather is soft, smells like him, and the bricks behind you don't even register as he presses against you.

You're both eager, both grasping at fabric and skin. Your eyes light up, when as you're licking a stripe up his neck, Jason tilts his head back and moans.

It's a noise you want to hear again, and when you take his ear between your teeth, you're rewarded with another sweet sound.

Neither of you waste any time to push aside the clothes you're wearing. Half-dressed and panting, you fumble with his belt in the empty alley. He doesn't hesitate to hike your leg over his hip, pressing sloppy kisses along your jaw.

"You're sure about this," Jason asks, lips hovering over the juncture where your shoulder meets your neck.

"Yeah," You breathe out, tangling a hand in his hair to steady yourself, "Are you?"

"Never been more sure of anything," he says firmly, and bites down on your skin as if to seal his words as fact.

He's hungry, as he captures your mouth with another passionate kiss, and you're just as desperate and wanting. Desire pools in your gut as you grind your hips into his, voice pitching into a whine, "Please?"

The neediness in your eyes when you look up at him nearly makes his knees buckle, "Fuck, yes, doll. Whatever you want."

He's not one to make you ask again, and shamelessly presses a finger to your cunt. "Look at you," he breathes out, slowly pumping one finger in and out, gathering your wetness, "You're dripping."

You don't bother choking back the whine that escapes your lungs, only grab his hair tighter when he adds a second finger, carefully working you open for him.

His eyes, your breath catches, when his eyes seem to darken, coveting every reaction you have, every expression that flits across your face.

"Feels good, doll'" he coaxes, scissoring his fingers. When all you manage is a hazy nod, he grins and adds a third finger, curling them as he presses deeper, "C'mon, you can use your words."

"Jason, yeah, feels good," You answer, breathless and full of desire. You squirm, bucking your hips into his hand in an attempt to get him to move faster, "but I want you."

He hums thoughtfully, and presses the palm of his hand to your clit, grinding into the sensitive flesh. When your eyes flutter and your body clenches around him, he coos in approval.

"Good," he says fondly, pressing a kiss to your lips before slowly pulling his fingers away. You almost pout at the loss, but the sight of him lewdly licking off the remnants of you in his hand more than makes up for it.

Your jaw may have dropped, and you may have looked a little more dumbfounded than you're willing to admit, but any embarrassment turns to excitement when he lines his cock up to your weeping pussy.

Neither of you looks away as he pushes into you, inch by delicious inch. It turns you into a whimpering, groaning mess as you sigh out his name, eyes half lidded.

“Yeah, pretty,” He prompts, voice a low rumble as he watches you. He can't pick which sight he likes better, the way your eyes flutter, or the way you're greedily taking in everything he has to give.

He can’t help the smug smirk that spreads over his face when you mewl out his name, clearly delighted at the effect he has on you. “There you go, Doll. Let me hear you say my name again," He coos, trailing his free hand over your thigh to find your clit again.

You're eager to chant his name again when he starts to shallowly thrust between your legs. He moans when you clamp down around his dick, and it spurs him to move faster.

Jason groans deeply as he feels your body react, his eyes darkening with desire as he pushes into you again. You both breathe out a sigh of relief and ecstasy when you take him to the base of his cock.

"Good. Doing so good, doll," he mumbles, using all his self-control to hold the pressure against your cervix for a few moments, letting you adjust, before pulling back slightly.

You tug a little at his hair, it's addicting, how full he makes you feel, how desperate you are for more, "You can move, want you to move."

He hums, and seems more interested in moving his mouth along your jaw, biting and sucking his way down your neck to leave marks on your skin. Jason sucks a prominent bruise onto your freshly bitten skin until it’s pretty and bruised and all his.

You groan, and it only encourages him to drag his hand from your folds and pinch your nipple between his fingers.

"Jason," You protest, rolling your hips to try and entice him to finally move.

“Mhm. You like the sound of my name, pretty? You wanna keep saying it while I make you feel good?” He murmurs, his voice low and rough and breathless against your skin.

He starts to roll your nipple between his fingers, pinching and kneading the sensitive peak.

"Jason, move'" You whine, almost desperate. His eyes lock on your eyes, and you're completely lost to him.

His thumb gives your nipple one last swipe before he settles his hand between your thighs again, eyes raking over your face like he wants to memorize the expression of pleasure that’s taking over at the moment, "There you go, it sounds so perfect when you say my name like that."

His other hand squeezes your thigh affectionately, and before you can protest again, he pulls halfway out, savoring how you twitch around him. You cry out in pure pleasure when he thrusts back into your heat.

He swallows your cries with a kiss, and starts to pick up his pace, steady and relentless.

You can only tip your head back and moan, as you drag your nails along his scalp, panting and trembling under his grip.

“So goddamn good,” Jason mutters, pressing himself as deep as he can go with every movement. He starts to ramble your name, driving his cock against the spot that makes you gasp over and over.

He's relentless, all consuming and you almost miss it when he murmurs against your throat, "Not your ex now, am I?"

You curse, and shudder around him, clawing at his shoulder. It doesn't make his pace falter, if anything it drives him to push a little more, to move a little fast, to test your limits.

You feel his pleased smile form against your skin when you start to chant his name, breathless and needy and so, so close to the edge.

"There ya go, come for me, doll," he encourages, and when you do, when you soak his cock and sob his name, he fucks you through your climax.

He ruts into your fluttering hole until his own hips stutter, his fingers dig into your skin hard enough to leave bruises, and he cums inside of you. He rides out both of your releases, fucking his spend back into you even as it starts to leak and drip down your thighs.

Jason presses his forehead to yours, going still against you, his eyes dart over your face as you both pant, sticky, sweaty, and messy. He grins at you when you blink at him with glassy eyes, "You look good like this. I could see it every day, and it still wouldn't be enough."

You're not exactly sure where he finds the energy to praise you, but it makes you tuck your face against his shoulder as you catch your breath.

He presses a kiss to the side of your head, "Gonna take you home and run you a bath. Then, we're gonna cuddle till you fall asleep and I'll make you breakfast in the morning. Sound good?"

You whine softly when he pulls out of you, already mourning the feeling of him inside you, but you manage to nod.

True to his word, Jason carries you home and draws you a bath. You fall asleep with him curled around you, and when you wake up, the sound of him cooking breakfast makes its way to the bedroom.

And if you entice him to bend you over the counter before you eat, letting the food go cold, or suggest you show him just how well you fit in his lap, that's none one's business but yours.

It shouldn't surprise you, if you do encourage him to find out what you taste like on his tongue, that Jason never really leaves. Sooner rather than later, he'll make sure any use of the word 'ex' disappears from your lips.

#18+ mdni #smut #jason todd x reader #jason todd #x reader #jason todd x y/n #jason todd x you #ex-bf!jason todd #jason todd smut

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chanswhxre · 2 months ago

Text

Channie's Room [Kinktober '24]

✩ kinktober masterlist ✩ requests ✩ kofi ✩ ao3

♡ Pairing : chan x afab! reader

♡ Genre : smut, daddy kink

♡ Word count : 2.5k words

♡ Warnings : 18+ nsfw, explicit sexual content. I will not put any more specific warnings to avoid spoiling the story. Read at your own risk!

❗️ minors, ageless, and blank blogs that will interact with me or my work will be BLOCKED.

September is almost ending, and nothing in your life seems to be going well. You have a job, but it isn't what you wanted in the first place but it pays well, though; you just broke up with your boyfriend of 2 years, you're getting kicked out of your old apartment for adopting a kitten, and when life couldn't get any worse, your cat just puked on your favorite rug just before you were about to pack it, you wanted to scream, but you didn't want to scare off your cat. You loved the little bugger even if he's a pain in the ass sometimes. You wanted to relax a bit before going back to packing, and you remembered it was Saturday night, and that only means one thing,

🔴 Channie's Room is now LIVE

You settled in with your comfortable clothes, your favorite drink, and, of course, your favorite toy. You got into the stream and saw him, only in a white, fitting tank top, camera stopping on his neck; he's got a new wolf scratch tattoo on his shoulder; shit makes him hotter than ever.

"Hey everyone, it's your favorite Korean-aussie, Channie!" He greets, making hand gestures.

He seems awfully cute with his greetings. He takes his time to catch up with his viewers and greets his loyal patrons and generous tippers. You've been a patron for as long as you can remember, and you loved his genre. Even though he streams NSFW content, he makes you happy and giddy. You also know deep down that this guy looks good.

"Oh wow, thanks for the tip, wanderingbae. I haven't even started yet." He giggled, and you could see his abs tense. You bit your lip wondering what he got in store for today's live.

"Tonight, I'm doing requests! I want to know what my baby girls and boys want to see for tonight. So let's open up my ngl." He giggled.

"Oh, baby girl asks if daddy can take his tank off and..wow you want to hear daddy whimper? Tell you how much he likes it and how bad he needs to cum?" How can this man go from cute to sexy in just a blink? He was giggling a few seconds ago, and now he's straight-up teasing.

This would be another Channie's room that surely won't fail to give you mind-blowing orgasms. Let the stream begin!

The following day, you filed for leave to facilitate your moving to a new apartment. You went later in the afternoon after you finished packing all your stuff. Your room was on the fourth floor, and it's just your luck that the elevator was being repaired for the day and would be fixed late in the evening.

"Great, just great." You sighed, looking at your things. You didn't really have a lot of stuff: two big suitcases of clothes and other necessities, a huge box for other essential life stuff such as kitchenware, your cat's things, and your cat carrier. How could you bring these to the fourth floor? Sure, multiple trips wouldn't be the problem, but the weight of what you're going to carry was the one you're worried about.

"Need some help?"

You turned to look at the man who spoke with a familiar voice, making you unconsciously drop your jaw at the gorgeous man in front of you.

"Oh, it's fine. I can wait for the uh elevator."

"Really? I heard it won't be fixed until late in the evening. What floor are you moving to?"

"Fourth, but really, I can wait. I don't want to bother you or anything, " you insisted.

"I live on the fourth floor, too! Nice to meet you, neighbor. My name is Chris." He smiled. You know you're not supposed to trust strangers, especially good-looking ones, but who cares about stranger danger if it's this man? You feel a good vibe from him, and besides, he probably lives next to your new apartment. Getting to know your neighbors is a good start.

"I'm Y/N. Nice to meet you, too."

"Let me help you carry these. I insist." He offered again.

"Are you sure? We're probably going to make a few trips up and down."

"I can handle it. Carry what you can, and I'll take care of the rest." He winked.

You carried what you could, and it was done in a flash. How did this guy carry all of it? How does he have so much stamina? He settled your things in the living room, and you thanked him for it. You asked him to stay so you could order food for him as another way of saying thank you, but he said he'd come over another time, and then you added that you could cook for him.

Settling into your new apartment was surprisingly easy, especially when your neighbor is very kind, not to mention eye candy. He gets along with your cat so well. You've shared a few conversations, and you have even invited him over for dinner sometimes or just to hang out, and he would be totally down for it. You've spent quite some time together for a month already, and you'd be a liar if you didn't say you hadn't had a single dirty thought about this man.

"Cool tattoo you got there." You complimented him on the wolf scratch tattoo on his arm. It's the first time you're seeing it since he rarely wears a muscle tee or tank top outside since it's cold. It looked oddly familiar, though.

"Thanks." He smiled.

It was your first time in his apartment since he usually visited yours. He graciously offered to cook dinner tonight, and while he was setting up the table, you looked around and saw a few pictures of him, his baby pictures, his family back in Australia, and his dog. You saw a guitar and a keyboard near the shelf of a thousand albums of probably his favorite artists, and then a small opening of his room showed he had LED lights and a computer setup inside. His room looked like you'd seen it somewhere, but you just couldn't point out where. It's your first time coming to his apartment that's why it baffled you why it was so familiar.

Dinner was served, and it was delicious. Chris opened a bottle of champagne to celebrate. He said that he had reached a milestone on his channel. Chris had told you he worked online as a freelancer, but now that he's mentioned the word "channel," he might be a famous YouTuber, but you were too dumb to notice.

"So, what's your youtube channel? What content do you do?" You asked him.

"Oh, I don't upload on youtube. I livestream on some website."

"What website?" you asked out of curiosity, and then it clicked to you exactly who he was: the broad torso, the muscular arms, the tattoo, and the accent. It's him—it's definitely him. You're not being delusional.

"An adult livestream site." He gave you a mischievous smile. "Judging by your expression, I have a feeling that you know who I am."

"You... you're Channie in Channie's room, aren't you?" you hesitantly said, and he laughed at how cute you were blushing when you mentioned his screen name and channel. Obviously, you were a patron since you knew who he was and the title of his streams, but he didn't know that you were a generous tipper, too.

"Guessed it right." He chuckled. "You a fan?"

You were hesitant to tell him the truth; would he make fun of you? Or would he think that it's hot how you watch him every weekend? Oh how you wanted to scream from fangirling, you've always wanted to see how Channie looked like and you were right, he looked like God had taken the time to perfect him with the just the right amount of everything but overflowing with sexual appeal and gorgeousness all over.

"So you are." He concluded with your reaction, and you gulped. "Hey, there's nothing to be shy of, baby girl."

Your clit buzzed when he called you baby girl, and you might have felt a little wetness start to pool down there.

"You're shitting me. How come I didn't notice right away? Those kissable lips you show from time to time, the fucking hot wolf tattoo—oh shit, I said too many words, was it too much?—"

"So you think I have kissable lips?" He teased.

"No! I mean, yes, you do! I didn't expect you'd be this hot in person and that you'd be m-my neighbor!" You stuttered, getting nervous for the first time in his presence.

"Well, did I exceed your expectations?" he asked, and you nodded, pursing your lips, scared that you'd accidentally tell him your nastiest thoughts about him. "Wolf, got your tongue?"

"N-no..I don't know." You said.

You can't even look him in the eye. You wondered if he was imagining how you'd play with him every weekend, and you got embarrassed thinking about it, but little did you know he was already imagining it. Did you like his streams? Did you get turned on out of your mind? Did his streams make you sopping wet? Did he help you have earth-shattering orgasms?

Chris thought his heart would burst because of your cuteness, and he couldn't help but be curious; since you saw him cum on cam for god knows how many times, he wanted to see how hot you looked cumming too, but he didn't want to cross a line if you weren't good with it.

"Hey, don't be shy. I should be the one who should be embarrassed. You've seen me play with myself and cum loads of times, I bet." He tried to reassure you.

"Yeah..it was really sexy every time you do." You bit your lip, gathering your courage to look him in the eye. Flashbacks of him playing with himself and shooting hot strings of cum running through your head at full speed.

"I'd really like to see you cum too, if I may." He said, trying to shoot his shot.

"What?" Your eyes widen in shock. "I don't think I look sexy when I cum."

"Let me be the judge of that, kitten." He said, and with that, he moved closer to you, brushing his nose against yours. Were you going crazy? Yes, you were. Were you just letting this man have his way with you? Absolutely. Were you going to make him cum just like in his livestream? Why the hell not? "So, are you down?"

"Yes, daddy." You didn't know how that slipped, but that answer made Chris growl.

You softly placed your lips on his, and he went berserk at how soft your lips were. He didn't want to be rough, but he couldn't help but feel excited, so he cupped your cheeks and deepened the kiss. Your hands roamed around each other's bodies as if you missed each other for a long time, leaving no part untouched.

Chris suddenly carried you, not breaking the kiss and flopping you on his bed. He climbed on top of you. He swiftly unclipped your bra, and before you knew it, both of you were undressed in his bedroom. He trailed kisses down your ear, jaw, and neck all the way down until you felt his hot breath reach your dripping core.

"Fuck, this is how wet you get for me, baby?" He groaned; he couldn't wait anymore and started devouring you.

Wet. Hot. Messy

That's how Chris liked it, and honestly, this was driving you crazy as well. You never thought you would end up like this, sprawled in his bed as he eats you with much gusto. He never tasted cunt as sweet as yours, and that instantly made him addicted to your taste. He circled his skilled tongue on your clit, making you moan loudly, and when he sucked on it, you grabbed on his hair for dear life.

“Fuck, daddy!” You moaned, feeling your orgasm build up.

“Yeah? You like that?” He growled between slurps, drinking your juices like he was deprived of water in the desert.

“Fuck! I’m gonna cum!”

“Come on, cum for daddy.”

Your body shook hard as your orgasm washed over you, and Chris hadn’t stopped sucking on your clit even if you were already shaking from sensitivity. He hooked his strong arms around your thighs, preventing you from getting away from his mouth as you writhe from the slight pain and sensitivity.

"Fuck, I would pay to see you cum every damn time!"

As you came down from your high, you pushed him on the bed and straddled him, kissing him, tasting yourself through his mouth.

Finally, you can live out your fantasy of sucking his cock and not just stare at it through the screen. He was already leaking. You always wondered what his cum tasted like, so you licked a bit of it on his precum-coated tip while making eye contact. It was everything you've ever imagined. His eyes were looking directly at yours with desire and anticipation.

You wrapped your hand around his thick girth and spread his precum with your thumb all over the tip of his cock, which earned an exasperated sigh from him. You licked from the bottom of his shaft all the way up before swallowing him whole. You knew Chris was a moaner in his streams, but hearing it in person was absolute euphoria. You sucked and swirled your tongue on his cock as moans spilled from his mouth, and before you knew it, he was already pulling you to sit on it. He got a condom in his bedside drawer and slid it down his thick, hard cock quickly.

You held his cock to position it on your dripping entrance and slowly sank on it. Both of you let out a satisfied groan once he bottomed out. You grinded on his cock at a slow pace which was frustrating him, so he flipped you over and slowly started picking up the pace. It was rough but delicious. Your eyes were rolling to the back of your head as he began hitting that sweet spot inside you.

“Who’s your daddy, baby girl? Tell me.”

“You are...SHIT!” You screamed as he started rubbing your clit with his thumb as he thrusts into you hard and deep.

“Like that baby? You like daddy rubbing your little swollen clit like that?”

“Yes! FUCKING YES, DADDY!”

You felt his cock twitch every time you called him daddy. He continued his ministrations, and he felt your pussy tighten as you reached your peak and then it contracted uncontrollably as if your orgasm was milking Chris into his very own, and with a few sloppy thrusts, he came into the condom. Moans and profanities slipped out of his mouth as you both rode your orgasms out. Chris withdrew and threw the condom out and laid beside you—both of you sweaty and out of breath.

“That was..”

“Mind-blowing.” He finished your sentence for you.

“Mind if we do it again sometimes, daddy?”

He giggled, cringing at the word you called him by in a non-sexual situation.

“Sometimes?” He cocked his eyebrow. “I guess you don’t want the full Chris experience then?”

“Every day then, if you let me join in on your streams someday.” You teased, unserious about joining, but it wouldn't be bad, though.

“Deal!”

✩ reblogs, feedback, & comments are highly appreciated. it motivates me, and it is the lifeline of my blog. To everyone who read and interacted with my works, such as comment, and reblog especially with text, thank you so much 정말 감사합니다 ♡

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- love, jan ♡

�� 2024 Chanswhxre

#stray kids smut #skz smut #chanswhxre kinktober 24 #bang chan smut #bang chan x reader #chan smut #skz hard hours #stray kids x reader #skz #skz x reader #skz imagines #skz bang chan #chan x reader #kpop smut #kinktober2024

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