#my art feels dogshit

[kwyoz]

drawing random references with my inky

[super-nova5045]

sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)

[cenomatic]

finally drawing my reagent.. my best girl… Coyle is there as well

[fishfingersandscarves]

behold. bowls

[shortcakelils]

felt a bit sad so I made them miserable

[trideca-art]

Anton studies to start the blog off with

[baberoe-archive]

the alexander jefferson collection.

[deepfriedseagullfeet]

i hate these. they hate each other as well

[stabbylambchop]

I think I got the ‘rona again

[nintendoni-art]

Bumblekast Thumbnail for March 18th, 2024!

You know, I found the most recent Wonka Movie pretty charming.

I already liked the director's earlier works, and though some of the songs aren't the most memorable in spots, I have found myself humming "You've never had chocolate like this" to myself more than I thought would be possible.

Chalamet still can't quite hold a candle to Wilder's Performance, mind you, but that's like comparing a Pink Lady to a Honeycrisp, it's apples, but they both have different textures and flavor profile that make them stand on their own, you know?

[mikomiio]

Mentally I am here

[sleep-nurse]

i crave to give hima a headpat. ask hima on my behalf if i can give a headpat

she's just a bit anxious but it's fine

[axemetaphor]

sometimes dave wonders if john has a deathwish

[ashclouds366]

greenflower week day 6 comic books

[puppyeared]

for like 3 weeks i was wondering why i was sleeping so much and felt listless. and just now I managed to email 3 people and responded to a month old message in the span of an hour because I got back to TAKING MY FUCKIN MEDS..........

[ichorblossoms]

🫵 Get uno reversed. Tell me about Honeybee!! What's up with Grimm and Yarrow!!

HAIIIIII !!!! OKAY SO i did write about the general premise of honeybee and it's three parts before here. that's the basic "what the fuck are you talking about mintt" intro that i have locked and loaded now for if people ever ask me what the fuck it is i'm being so mentally ill about

AS a story itself, i envision honeybee as an illustrated novel of sorts, told in a semi-linear way. because i apparently cannot be a normal person who wants to tell stories in normal ways. the illustrations and whatnot will need to be decently worked out once i get a solid first draft of the story written, but i currently want to do something like this with the pages where instead of traditional illustrations it's something more akin to comic panels

(caveat that this is a mockup with first-draft unedited writing (with <placeholders>) and quick doodles. this is as not-final as it gets dshgklfdhlgh)

colors not final and this is definitely NOT the art style i'll be using for honeybee, i just needed to convey my ideas dhklghdflkg also i do want to get really fun and funky with the layouts but this was with csp and not like. indesign so it'll be a whole Process come time to actaully tell the final version of honeybee hdklghfdlg

basically i want to have the best of both worlds where i can get into grimm and yarrow's heads when i need to (it's written in third-person limited in both of their povs depending on the chapter/scene), while also showing things as they happen bc i feel like there are crucial moments in the story that hit harder when you see the characters reacting rather than what's going through their heads in the moment? this also is fully bc i'm a visual artist before a writer, but the nature of reading comics means people generally will consume the story faster, so i want to disrupt that a bit

like i said, i'm still on the first draft of the story, so i have a general arc of where i want things to go and land, but i'm still figuring out a LOT of the in-between details. the out-of-date thought-vomit outline is at almost 11k words, while the actual first draft is at 43.5k, which is…..mmmmmaybe about 1/3 of the way done…..? idk, there's a lot of stuff i want to say and do with the story that i haven't yet, so i truly don't know how long the full draft will be. i also think i'm gonna end up trimming a lot of what i currently have written and i also have scenes that have completely changed but. gotta get a draft down first

AS for grimm and yarrow well. god where do i start. they kind of have a different dynamic in each part of the story. p1 is about two strangers—one who gives without thinking and another who has received so little kindness—getting to know one another and learning about how the world is both kinder and crueler than they expect. p2 is about two people who knew one another but are sort of strangers again trying to open themselves up to trusting one another despite a number of personal issue on both ends, and how the process of doing that fucking hurts both parties, but, in the case of these two at least, results in both of them being the happiest they've been in a long, long time. p3 is about two people who are madly in love with one another trying to wreak havoc on the people responsible for getting in the way of that. they drive me bonkers fuckin yonkers for different reasons on their own AND together. yeehaw

briefly back to what i mentioned earlier abt the story being told semi-linearly: p3 is the "present day" of the story, so despite me calling it "part three", honeybee as a work opens with the beginning of p3. from there the story flips between the past (parts 1 and 2), as it is told chronologically, and the present. this is bc i want to make it abundantly clear from the get go that the two of them are so in love with one another and this is a story about both how they got there and what the fuck they're doing now

i could go on about a lot of things here for a lot of time bc i've been hyperfixating on trying to build/tell this story for almost a year and a half now, but i'm gonna call it with the post now bc if i don't, it will dissolve into even more rambling (but you are welcome to ask follow-up questions. no pressure though hfkghldf)