#music that i listen to

[frankierotwinkdeath]

Y’all want Taylor Swift to be gay so bad but you won’t even write femslash about her

[itsnotafashionstatementitsablog]

when a song has a callback to earlier songs on the same album or even songs from a previous album. that’s the good shit right there

[haze-of-hyperfixations]

*meanwhile, in the Underworld* Polites: Eurylochus, back so soon? And...there's the rest of your crew. And by the gods, what happened to you? Eurylochus, who is sick of thematically-significant reprises: >:(

[nuria-keller-arts]

More Hermes because this unhinged guy is somehow curing my burnout

[meziniart]

Ruthlessness is mercy upon ourselves

[chloesimaginationthings]

Why the FNAF puppet loves the music box,,

[o3o-lapd-o3o]

*after the events of the odyssey*

*telemachus and odysseus walking down to the docks, after odysseus said he'd go sailing with his son*

(listen the man had missed 20 years of his son's life, he could ask ody to dress in drag & do the hula and odysseus would already be shouting "LUAU" in a grass skirt before tele finished his sentence)

telemachus: i'm so excite- *looks ahead*

telemachus: *stops walking* oh no *sad noises*

odysseus: *still walking* what's wrong son?

telemachus: *points to the sea beyond ithaca's shores* poseidon must be angry today, look at the storm in the distance

odysseus: *looks ahead but without worry on his face* no need to worry, we can still go sailing, follow me

telemachus: *confused but follows his dad*

*both make it to the docks*

odysseus: you get started, i've just got something to do & then i'll join you on the ship

*telemachus hops on the ship and odysseus turns to face the sea*

odysseus: *red eyes activate* i'm. going. sailing. with . my. son.

*the sea storm dissipates in record speed*

odysseus: good.

odysseus: *red eyes deactivate*

odysseus: *turns to telemachus smiling like nothing happened* shall we go then?

telemachus: *happy but very confused*

telemachus: *mumbling to himself*what just happened?

[oof-i-did-it-agaaiiin]

Beautiful from Ordinary Days

[notherpuppet]

There is a train of dancing radioapple on twitter. I love these two dancing ♥️

[thatdykepunkslut]

Taylors wift is just elon musk for horse girls and gays who are afraid of faggots

[pissmoon]

Average tumblr user flexing how underground and weiiiiiiiirddd their music taste is

[modemica]

“I keep on trying to embrace you both, why won’t you let me?”

[phantom-of-the-memes]

Saying this as an Irish person since the new Hozier album just came out and there are lyrics in Irish; it’s Irish or Gaeilge (pronounced “gwhale-ga” or “gale-ga” depending on region), not Gaelic or Celtic or any other name people come up with.

It’s just a normal language that people speak in their everyday life. We learn it in school in the republic. People like myself are bilingual in Irish and English. It’s not a “fairy aesthetic cottage core leprechaun” language.

Please respect it. Our language is a touchy subject seen as how England tried to erase it by forcing English on us and severely punishing those who spoke Irish.

At the same time that does NOT mean it is a dead language. Our (in the republic) road and safety signs are in both Irish and English, same with legal documents. Our politicians speak it, and we are trying to preserve the language!

Anyways enjoy the album!

[classichorrorblog]

Bride Of Chucky (1998)

[chungledown-bimothy]

I cannot overstate how much I love Tom Lehrer's story. It sounds so fake but is entirely real.

He's a goddamn genius- he started studying mathematics at Harvard when he was 15 and graduated magna cum laude. He worked at Los Alamos for a few years before being drafted and working for the NSA, where he claims to have invented jello shots to get around alcohol bans.

He then went back to Harvard for a couple years before starting to teach political science at MIT.

Through all of that, he was writing and performing both some of the funniest shit you'll ever hear (Poisoning Pigeons in the Park, Masochism Tango) and absolutely scathing political satire (Who's Next, Wernher von Braun, Send the Marines). Until the mid/late 60s counterculture gained momentum. He didn't like their aesthetic, so he stopped making music.

Shortly after, he moved to California and started teaching math and musical theater history at UC Santa Cruz for the next 30 years.

I don't know if non-Californians understand just how goddamn funny that is. It's where stoners and math (and now computer science) kids who couldn't get into Berkeley go. Leaving Harvard/MIT for UCSC is peak academic phoning it in. And by all accounts he had a blast.

Plus the whole putting all of his music in the public domain thing. That fucked.

[malaloba]

The thing about Monster that I'm currently obsessed with: the way Odysseus humanizes his enemies as he dehumanizes himself. He correctly describes the motivations of the Cyclops, Circe, and even Poseidon which takes a level of understanding that people struggle with under the best circumstances. But then in the same verse he describes himself from the view of the Trojans. ("Does a soldier use a wooden horse to kill sleeping soldiers because he is vile?")

and of course the whole song is "Monster". If Odysseus can't stop seeing his enemies as people (seeing his own son in the Trojan infant), if that is what is killing his men and if there is no future where he makes it home as the person he is, then of course he has no choice but to stop being a person.