#music sounds better with you?

[trevor4ever]

what song are they listening to?

[ladelnet]

[kolaepup]

Music sounds better with you

[in-consist]

[mlentertainment]

ugh my boombox chewed up my cassette before i could digitize it 🙄 take this dub my friend Patty made

[shalom-iamcominghome]

Thank g-d for jewish punks who make music explicitly about being jewish 🙏🥰

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

[clove-pinks]

@victoriansecret has been assisting me in my quest to find traditional fife and drum field music with only ONE fife and ONE drum. I am in love with this recording he found of The Duke of York's March (Short Troop), by the Old Fort Niagara Fifes and Drums [Facebook link]. There is something deeply poignant and stirring in the sound of this minimalist arrangement.

If I heard something like this 200-250 years ago I would IMMEDIATELY take the King’s shilling, they wouldn't even need to tempt me with free ribbons and alcohol! You had me at fife and drum.

[hylialeia]

"i can't come up with a fantasy name for my world so i HAVE to use chatgpt to get the gears flowing" have you all forgotten what fantasynamegenerators.com has done for you

[svnflowermoon]

i'm so sick of people putting successful female artists against each other as if they can't both be talented at the same time, some of y'all jump at literally any chance to bring one woman down with the disguise of bringing another up and it pisses me off

[gummi-ships]

Kingdom Hearts Dream Drop Distance - Symphony of Sorcery

[ladelnet]

[icarusbetide]

it will never fail to amuse me that john jay, the (apparently) level-headed, reasonable guy that everyone passes over, caught a stray in hamilton. it doesn't have time for the jay treaty but it does have time to say "john jay got sick after five", forever cementing his memory in the public consciousness as the slacker in the group project.

[francesderwent]

I’ve been on a real Fearless kick lately and it always makes me feel some kinda way about Olivia Rodrigo’s body of work. and not even primarily about her and her talent and her songwriting, just about how different an experience it seems to be growing up as a young millennial woman versus growing up as a young gen z woman. take the total absence of any jealousy/self-image song on Taylor’s debut album or Fearless—because social media wasn’t this omnipresent perfect image factory and so the insecurity of growing up looked more like “Place In This World” or “The Outside”, fundamental experiences of questioning and longing that are deeply connected to our humanity, as opposed to “jealousy jealousy”, “pretty isn’t pretty”, or “lacy” which are founded on an obsession spiral that is literally only possible on that level because of the invention of the smartphone.

look at “Tell Me Why” or “Other Side of the Door” as opposed to “vampire” or “logical”—Taylor’s approach was a very straightforward “you acted this way and this is how it made me feel." it wasn’t until later that she started to make statements about patterns of behavior, because she simply couldn’t see them except in hindsight! she couldn’t say “this is what kind of man you are” or “this is what sort of relationship we had” until she had fully processed what happened—which is when we get songs like “Fifteen” and “Would’ve Could’ve Should’ve” and “The Manuscript”. but because the younger generation breathes the air of pop psychology buzzwords, Olivia is diagnosing her exes and labeling her relationships right away. and you might say this is a good thing, that young women are armed with terms like “gaslighting” and taught to be suspicious of age gaps because of the power differential. but having the knowledge doesn’t seem to have protected Olivia at all. she still makes all the same mistakes, there’s literally a whole song all about knowing something is a bad idea and doing it anyway. she still dates the older guy, but then she has so many labels readymade to explain why it didn’t feel good that she doesn’t ever actually get down to saying how it felt—because I don’t think she knows. the younger generation acts like processing an experience means figuring out what tiktokified sound bite applies to it and then slapping the label on and moving forward. “my parents were emotionally abusive” “my ex was a narcissist” “my ex best friend gaslit me” etc. but it seems to me that’s skipping some necessary stages of actually processing your shit. “vampire” is Olivia trying to write “Would’ve Could’ve Should’ve” before she’s ever written (or felt) “Tell Me Why”. it’s the difference between “here’s to you and your temper, yes I remember what you said last night / and I know that you see what you’re doing to me, tell me why” on the one hand and “went for me and not her ‘cause girls your age know better” or “master manipulator, you’re so good at what you do” or “you convinced me it was all in my mind” on the other hand.

and another side effect of this, the big names in this younger generation of artists aren’t really writing love songs, and I don’t think that’s accidental. they literally do not have the vocabulary to do so. the psychology buzzwords that go around are all about toxic relationships and red flags. and so, deprived of a way of thinking about being in love, the love songs either fall flat (“I’ll go anywhere he goes and he says I’m so American”) or they simply don’t exist. the open-hearted sincerity of a “Hey Stephen” or “Jump Then Fall” is nowhere to be found.

[ourfag]

i think ed would feel like in theory he ought to benefit from putting on a set of noise cancelling headphones and listening to a guided meditation but every time he tries it takes approximately 30 seconds for him to start thinking “i could be listening to system of a down right now”