#muse with me

[jev-urisk]

A Musing Monday 🎐

Today I'm musing about extradimensional spaces! Like Mary Poppin's bag, or 'eatery that connects to an isekai' anime, or your mind, even.

I do think the mind is a type of extradimensional space. We fit the essence of so many places and moments and people into the folds of our memory, contained in the little box that is our skulls. We imagine worlds, we dream entirely separate lifetimes. It's wild, and amazing, and a little terrifying.

Occasionally I think about how the entire world around me is MY world- in that my only access to reality is through my own interpretations, experiences, and the senses that link to my brain, all of which may or may not be close to the truth of reality. When I die one day, my world dies too- not one creature on earth will live in the same world that I knew due to my relationship with everything perceivable to me.

Before I get TOO existential here though (or maybe I'm getting more existential)- think of what that means for writers! We are masons crafting gateways to extradimensional spaces. Through what we do, people can visit the pocket dimensions of OUR minds, dimensions that have the possibility to continue existing long after the mind/wold that created it expires. And because everyone perceives things through their own lens, writing one story and sharing it creates the potential for countless alternate dimensions; every soul that reads your work will carry their own personal version of it in their mind. If you have a hit count or something similar on your work, THAT'S how many dimensions you've created, at least.

Not only that, but when someone reads what you've written, THEIR world alters. It may be slight, your work or your post might provide a momentary reprieve from the part of their world they're avoiding or decompressing from (which is still a very important thing), or it may give them an idea of their own, it may motivate them to make one choice over another choice, it may alter the very way they think and interact with their family, their partners, themselves. You very well may alter the fabric of what a person is, the dimension of their mind warping with the way it interacts with your dimension.

Never forget that as a writer, or any creator of art for that matter, you are a world-builder, a world-shatterer, a world-repairer; a powerful and magical being that may alter the course of history. Writing is magic, and it's sorcery, and I desperately hope even the small unconfident blogs on here recognize that power.

Tagging a bunch of cool writers: @cowboybrunch @the-golden-comet @lychhiker-writes @wyked-ao3 @rotting-moon-writes

@saturnine-saturneight @asablehart @tragedycoded @autism-purgatory @marlowethelibrarian

If I didn't tag you you're still super cool! The world of my brain is just made of swiss cheese and glitches a lot 🫠💕

@dragoninatrenchcoat @words-after-midnight @sableglass @gioiaalbanoart @illarian-rambling

@badscientist @officialauthorofanotherworld

[septemberkisses]

the fact that i'm no longer the same age as the protagonists of novels and films i once connected to is so heartbreaking. there was a time when I looked forward to turning their age. i did. and i also outgrew them. i continue to age, but they don't; never will. the immortality of fiction is beautiful, but cruel.

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

[baeglbites]

My boys… 🥺😢

[kaogens]

mikus once again :P

[noodles-and-tea]

Little Stan getting manipulated by Bill has excellent angst potential but consider.

Stanley just, keeps tricking Bill. Because Bill would definitely massively underestimate Stanley and how far he’ll go to protect Ford (like in the actual show). We also know Stanley has the street smarts between the twins and could absolutely tell Bill is full of it.

And because Bill would absolutely loose his mind if he kept getting foiled by a snot nosed eight year old that isn’t even supposed to be here

I like to think that he doesn’t even try that hard he just does not even care about bill

[erebus0dora]

i can't choose one, so let's have both, i guess..?

«I am the Devil's Minion, and he grants my every wish.»

brb here when i get some proper sleep for i still have a wish to rant on Eric Bogosian being actually a scary smart researcher in my bloodstream

[ao3-crack]

(x)

[butcharium]

I AM A BIG BUTCH! I AM BIG AND FEROCIOUS AS I STOMP AROUND IN MY BIG BOOTS! I AM SOOOO SCARY!! SUCH AN INTIMIDATING BUTCH!!

[coastaltowned]

the manuscript ending the album on the utter jawdrop moment that neither of the muses of the actual album were the first men to fuck her up with promises of marriage and babies, and that first heartbreak so long ago laid the scene for the woman she would become and the ways she would approach love and how we all watched her life like scenes in a show but she kept coming back to the manuscript of the first torrid affair that ruined her, to bookend an album about two love affairs that destroyed her utterly in almost the exact same way, because all her muses are acquired like bruises........ it's bone-chilling

[tofixtheshadows]

Sorry but Kabru is so fascinating to me as a character, in a pure mechanical sense, because of what Ryoko Kui does with him. Everything about him is a red herring. He's deliberately introduced as some kind of rival for Laios, a party leader who is hopeless against monsters but absolutely brilliant with people both in and out of combat, and who has good reason to oppose him.

By the end of chapter 31, you might even think Kabru's going to end up as some sort of anti-villain, an antagonist with the best of intentions who nevertheless tries to foil our hero's plans. He wants to defeat the Mad Mage himself, he suspects Laios of being too irresponsible to be trusted with control of the dungeon, and his crew even thinks that Laios's party stole from them (and they're kind of right!). All signs point towards an inevitable showdown.

And then ... none of that happens.

Confrontation over the stolen treasure? Kabru is literally too smart to fall for the classic miscommunication trope and correctly decides it's not worth making a big deal of.

Kabru's deadly PVP skills? Aside from trying to take down Falin, he never fights another human again.

Wanting to be the one who defeats the dungeon? Turns out he was only doing that because he didn't think any other adventurer would have people's best interests at heart, and he's more than willing to play a support role in the whole affair.

Thinking Laios is up to no good? He really did just want to get to know the guy more. He has his misgivings, but ultimately ends up trusting Laios with his life.

Is Kabru going to get some sort of comeuppance for hating monsters and not appreciating their ecosystem? Well no, he has good reasons for hating monsters. He ends up wanting to learn about them through Laios's eyes, but he's never forced into any "Wow, guess I was wrong about them!" revelation.

Hell, even his implied ladykiller ways, which might lead you to think he'll end up being the stock "chivalrous lech" type of character, don't really manifest. He has a lot of opportunities to act flirtatiously around women, but doesn't. He's just a guy whose natural charisma makes him into human catnip.

And that's all hysterical to me, to pull it off. It's a fascinating way to tell a story. To introduce a character explicitly as a rival, potentially even a villain, and instead make them a deuteragonist. It's like a magician making a coin disappear, then slowing down their trick to show you the misdirection. "Did you see what I did there?" they ask with a wink. "The coin was in my other hand the entire time."

[contactlessdrivethru]

there is something unique and deeply special about monkey d luffy as a protagonist. he’s overwhelmingly ADORED by the fandom. he’s consistently the most or at least top 3 most popular characters in the whole series. peoples takes about him are gushingly positive. and that’s… really uncommon.

a LOT of fandoms i’ve witnessed or been in have a tendency to favor characters other than the main character. especially in anime. the main characters are often written as a blank slate for readers/watchers to project onto, but that makes them not as interesting and so they don’t get the fan attention.

but luffy is so far from that. and he’s ALWAYS been this way. we love him so much. he’s the heart of the story and the heart of the fandom in every single way. and i think that speaks to how well-written he is as a character. he’s fun and charming and complex and interesting and he makes us laugh and cry and cheer and hope and love. he’s able to inspire so much joy in people, both in his world but also in this one. and i think that’s really special. i feel so grateful to have found this story that means so much to me, and i’m so grateful that luffy exists.

[achromaticegoist]

I did it... I saved the town....

@huecycles @ckret2 @jozlyn-moon @bitzzoxl @donniipao @spoonyspine @qoolk @YALL GET ON TUMBLR 🥺🙏 (people not mentioned r in the post image)

I GOT BRUTALLY REJECTED FROM 2 ZINES FUCK IT WE BALL

[no-lullaby]

[moonjxsung]

Han Jisung constantly being reduced to some lesser version of himself for struggles with anxiety/mental health, being rampantly feminized because he’s become 1/2 of the face of a popular ship within the fandom and consequently not fairly recognized for the sheer individual GENIUS he is; finally making a personal instagram and casually posting all the song covers he wants to, getting 3 tattoos in one session just because he can. Trusting us enough to share what the tattoos are on a fancall- sharing little tidbits of his personal life when he’s ready, and keeping things sacred to him when he’s still able to. Seeing him have this autonomy over himself and embrace the creative person he is and always has been is so, so refreshing. Maybe we’ll never know him beyond a killer instagram song cover, we’ll never see his baby photos or perhaps even bear witness to his first few tattoos. But we do know he cried 3 times watching the movie “Up”. And the little glimpses we get into his personality and his artistic vision as he walks this fine line between privacy and rawness as an idol are nothing short of endearing. I don’t know what was in those contract renegotiations, but he’s never seemed more like himself.

Han Jisung my multi-faceted muse. Do whatever you want if it means you’ll always be this fulfilled

[ruporas]

it's time to go, my love (ID in alt)