#murder he could ever commit

[fictional-men-enthusiast]

When I saw Jimmy and Jay’s “relationship” would be less like adopting an abandoned animal off the streets and slowly letting it come to trust you with love and kindness and more like taking in a feral because you want to be the one to “fix” it, and constantly forcing that animal into situations it’s uncomfortable with, only to be shocked when it lashes out and hurts you, leading to you punishing it HARDER in some sick, twisted feedback loop, you know what I mean, right?

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[luck-of-the-drawings]

IMAGINE. working at ur stupid uhhh job or whatever. pulling into your drive way and ready to work on some crazy project in your garage. opening the door to the most unfamiliar silence. did your wife and kid leave for something? could you imagine knocking on your kids door, hardly getting an answer, and opening it to find the splattered remains of your wife across his room your child is scared! hes hardly consolable, in a state of shock and terror. you are too, but youre the adult here. you need to take charge. you need to protect him. you need to do something. you need to do something.

[grishaverse-chaos]

following up on my post from earlier, I'd like to remind all darkl!ng stans that Nikolai faced all the same problems as king (in the kos duology) that the darkl!ng did, as well as several other new problems (the demon, having to find a wife, etc) and committed ZERO mass murders. your fav could never

[soullessjack]

being a jackgirl is terrible enough but being a jackgirl who understands dean is a burden I would wish on everyone so we’d stop having the same seven-year-old discourse about whether or not dean is really jack’s dad

[milkstoner]

I don't have an insta 😔

I do have to respect that honestly.

[deathwis-arc]

honestly, it's really interesting thinking about how the events of the desert dream in 1998 would get blown out of proportion in the coming years ; hell, it already kinda is twenty-four hours later. not only does the fbi get involved ( and they get involved quick ) but the entire thing is immediately labeled as 'the desert dream massacre' which is ... simply not true. if tyler doesn't kill joyce and michelle isn't shot then the total body count is four cops, with two on life support from the motel burning down. this is literally confirmed in game!

events get labeled as massacres if there's a huge body count, or if it's violent enough. the desert dream killings were neither. all the victims were shot, usually at a distance, or they suffered from burns ; which, while violent, it was more of an escape attempt on the holts' part than anything else. i also find it telling that, even if the holts kill a hostage or two, agent bradley doesn't bother mentioning that in private. all he cares about is the cops lost to the standoff. it's no surprise that killing an officer will get you a more severe punishment then if you kill a regular person, that it can sometimes send you straight to death row on its own, but the fact they don't even care about the deaths of any of the hostages ... it sure is something.

especially since the only hostage deaths in the desert dream can turn the only two kids in the game into orphans. or on the flip side, if the holts didn't harm a hostage, there's no mention of that either. or how the hostages were treated, which compared to usual hostage situations, they got it better than most. it's just the fact that they killed cops ( who were under the thumb of a corrupt sheriff, by the way ) that made this into a massacre. though i wouldn't be surprised if to the public the force would then heavily focus on any other victims, that's usually what happens normally, after all.

anyway, point is, classism does play a role in how cases and crimes are treated -- especially back then. the holts were poor, notoriously so, and they were a family full of drop-outs with nothing to their names. the very second they escape the motel, their names are plastered all over the country and their fates ( including jay's, who's merely an eighteen year old who was an accomplice at best ) are decided : they're going straight to death row. even if jay tries to do the right thing and come clean to agent bradley, tries to turn on his family, said guy immediately goes to pin all the murders on him, for seemingly no reason at all! it's very unjust, and ah ... shady!

the news and papers hype up their crime spree and i wouldn't be shocked that within a couple years, the holts would be presented as bloodthirsty rednecks who were simply greedy rather than a family that didn't have any help and got in way over their heads. the narrative would be twisted so much, especially if three of the holts were never found. there'd be no word from their side, no mention of the thugs who were threatening to kill them, just a true crime story where they were at the forefront of a very unfortunate situation and got away with it. leaving gossips to fill in the blanks as they please, and considering the police's and the fbi's behavior towards this case, they would only fuel the narrative that the holts were a family who did all this on purpose and relished in the aftermath, a family who loved doing the crime.

anyway, it's just something i love thinking about for post canon stuff when it comes to my adf muses. how wildly inaccurate the story's become in time, simply because people got bored or because of the classism back then that was so woven into the broadcasted crime that it's become impossible to separate the two. they'd paint the holts out to be wildly dangerous, cruel individuals and probably spin tales about unsolved murders and robberies and how it could be the work of a holt who had got away. their entire motivation would be obscured and would've gone unsaid, leaving random civilians and a force who hates them to speak for them instead. it'd be a whole thing! and the desert dream was dramatic, sure, but by the time everything is said and done you'd probably barely recognize what the media was talking about had you actually been there.

[adrianastrix]

A worrying amount of my protags would be accused of arson. And at least one of my protagonists did commit it. I'm POSITIVE that it will shock you to learn who it is.

That said, "being accused" doesn't mean "committed it".

[lexydakitten]

man i would probably be able to like. complete this drawing if i drew on it. ouaaghgh but if i didnt have my one at a time rule i'd never complete anythinggg g this is not fair. and becoming more efficient is NOt an option i die on this hill weekly. i pile taller than the hill itself, even, i lay claim to the inefficiency hill

[akihikosanada]

farewell my turnabout is perfect as it is but if the plot twist had somehow been that will powers (aka a past defendant) was the true culprit that would have fucked hard too

[enigma-the-anomaly]

every time I remember there are ppl that think mondo killed chihiro “cuz she’s trans” I die a little inside

[kenonade]

Tags by @ishalf

Its insane to me how incapable Light is at Acting Normal. Like we all clown on him for not jerking off to porn mags but like. The way L will get inches away from his face and he DOESNT REACT. You're sitting ramrod stright next to some dude in your space PUNCH HIM BACK UP ANY NORMAL HUMAN INSTINCT. He's SO obsessed with not appearing suspicious that he digs himself a deeper fucking hole by being a FREAK. Any NORMAL person would have gotten tired of Ls shit and had a breakdown. They would have left LONG before the Yotsuba arc it does not matter if you're actually innocent or not. The closest he ever gets to being Normal is when he has amnesia and refuses to manipulate Misa. Outside of that he's still so stupidly insistent on proving his innocence to his detriment that I'm convinced he was always just Like That

[fingertipsmp3]

Just called the police lol. How’s everyone’s night going

[krowbby]

Ankh-Morpork Dashboard Simulator

happy 40th anniversary everyone 🥳🥳

🌅peach-bi-street

who’s that watchman who’s kinda skrunkly

🐀↺riverrat Follow

helen. 

HELEN. ARE YOU TALKING ABOUT NOBBY NOBBS.

🌅↺peach-bi-street

oh yeah

#are you gonna look at me and tell me that im WRONG?

24 notes

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590 notes

🚹humantwitter Follow

4,981 notes

💌postal-service-top Follow

saw the postmaster today in his stupid gold suit. hes so hot

🌚↺lesbianbaker

i don’t get why people say this he’s the most average looking guy ever. his WIFE however

#you know that post that’s like ur at a lesbian bar and a hot older woman is smoking #and ur like. ‘can yuo put that out on me’ #yeah

120 notes

🥁evenmoremendeddrum Follow

do you guys think the patrician has a secret blog

��️↺makeyefret Follow

No, but I bet his secretary is on studyblr

🐶↺wufflesgirl Follow

are you kidding me the patrician is definitely on tumblr. brb committing treason so i can compliment his shoelaces

🥁↺evenmoremendeddrum Follow

peer-reviewed tags

#lord vetinari if ur reading this is legally a joke #wear an owl pin if ur one of us

🏚️↺ankhmorporkheritageposts Follow

Ankh-Morpork Heritage Post

1,074,228 notes

trainhoe-deactivated19890205

hot take but i kind of think the guild of assassins and thieves are problematic. like one of them you could ruin someone’s life and the other one you’re literally KILLING people. i know rich people are delusional but i can’t believe they literally think the best school for their kids is murder college.

🐲essential-dragons Follow

assassins got them

20,391 notes

[evilminji]

You knooooowwww... >.>

The only difference, technically, between a school in the Zone? And on Earth? Is the American government won't recognize your Zone diploma...

Not accredited. But like..... I'm JUST SAYING? If you didn't try to pass your school off as some Big Ivy League type? Pulled the "oh yeah, you'd never have heard of it, it's local." And the COMPUTERS say it's legit?

How many people will dig deeper?

If you legitimately have the knowledge, you legitimately have the knowledge. Not YOUR fault you left out the whole "extra-dimensional" part. It makes folk nervous! And nervous folks get stabby.

So like? If you were ALREADY planning to "Move" as you euphemistically put it? Talked it over with your VERY concerned folks and friends? Who do NOT like the look of the steady but concerning rise of Anti-Ghost Powers That Be? Who finally put their foot down and reminded you that you are a TEENAGER and it's NOT your responsibility to fix the world?

Well...

Fuck those guys, I guess. You'll miss the old house, but Team "Taking our ball and going literally anywhere else" makes some good points. Why ARE you putting up with this?

And honestly, you've never SEEN your dad have so much fun. Him and the Reality Realtor just sorta... Vibe. Himbo to Himbo communications. Smatters of advanced physics. Fudge. It's great.

They move the portal. Collapse the old one in a way that makes it impossible to recover or recreate. You... kinda don't want to ask. They had that "mad scientist glint" in their eyes.

And while everyone's checking out brochures to different realities? You? Head off to the nearest College. It's the Zone, so technically you could go to any of endless billions. But you'd like your education some time this century.

Cue! Danny Fenton! Entering?

Academia's wet dream. A sprawling CITY of a college. Where the classes are on EVERYTHING and the price is FREE. People have Obsessions okay?? They NEED to teach. Debate and discuss! Study! Right papers and read them! It's been going on a while! And what happens when you find a subject that's NOT covered?

YOU COVER IT!

It's like if New York was a College. Good fucking luck find the dorms. Sleep on the floor like the rest of us, you casual.

Danny was Not Prepared ™.

He loves it though.

Classes on aeronautics next making the perfect sandwich, shoved next to historical basketry, stacked above alien slam poetry. But only on Tuesdays! Ever shifting. Breaking his Fenton Born Adhd in to a fine PASTE to be smeared upon bread. Happy mental stimulation chemicals go Brrrrrrrr

If it wasn't wildly inappropriate, he would LICK IT to claim it as his then wrap around it and gaurd like a territorial cat. He thought he HATED school! Turns out he just hated high-school. College though? College, or at least ZONE College, is fuckin AWESOME.

He's sit in SO MANY random classes just cause.

Picked up and dropped them at a whim. When they no longer sparked joy. He's been a flighty bitch and for once? No one CARES. No one says "you HAVE to commit and stick with this FOREVER once you choose this" and? It just? It's so FREEING! He's learned so MUCH!

He's probably gonna come back!

Which? Is how a deeply, DEEPLY weird aerospace engineer from supposedly bumfuck NOWHERE, end up working at Wayne Industries. He's.... a lil crazy behind the eyes. Ha ha... CONCERNING ™!

Dude sleeps on the lab floor. Has weirdly spotty knowledge. Can be an unprecedented genius one second and not know who the current president is the next. Doesn't know what DAY it is. Forgets to eat. Tried to make a fusion reactor out of the break room toaster before Sandra from accounting distracted him with pictures of her cat.

It's like he wanders through life blissfully unaware that he is both terrifying and about three seconds from killing them all. Then FUCKING TRIPS because he forgot to tie his shoelaces again.

Who hired this man?

WHY!?

I mean, we KNOW why. Probably to put him on a watch list. But? He's like a terrifying murder puppy! Built like a tank! That's stoned out of its mind half the time. And have you HEARD his college stories? That CAN'T be legal. Was this guy raised in a cult!? Aaaaaaaaaaa!!!!!????

@hdgnj @legitimatesatanspawn @babbling-babull @dcxdpdabbles @hypewinter

[justasopearchive]

Adding this for posterity:

Cr.:@/fruttolosope

23/? underrated Sope moments