#much less difficult to write out fantasies
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I want to get you so high, get you all giggly and floaty and adorable, and then I want to violate you so disgustingly that all you can do is sit and cry and beg incoherently for some kind of release while I tease you about how cute and dumb you look.
I want to keep you on the edge until you just can’t take it anymore, it’s too much, everything’s so much worse with the high and you just aren’t sure how you’re going to survive.
#femdxm#intox kink#weed intox#intoxication kink#intoxication play#rough kink#bd/sm sadist#hnnnngh#big into this rn#I got bored cleaning my room#so I took a break#it’s so difficult to do the things you need to#much less difficult to write out fantasies
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first, im a bit new to cod but idk…
thinking about ghost’s spouse visiting him on base or some shit, and everyone else wondering how tf he was emotionally flexible enough to bag a bad bitch 🫶
note: this is just my personal little fantasy world headcanon lol so take it with a grain of salt!
Simon maintains a vaguely human lifestyle by adhering to one very strict rule: rigid compartmentalization. You don’t come up at work, and work doesn’t come up around you. Never the twain shall meet, he thinks. And he’s not exactly a watershed of information when he’s with his mates. And it’s not like anyone is asking “When was the last time you got fucked, Ghost?��� and seriously expecting a response.
He tells you about the crew, but not about what he does with them. Killing, espionage, torture– that kind of thing stays off the dinner table.
Let it be known that you do not surprise him at work. You respect his boundaries too much, which is why he’s so fucking serious about you, honestly. He calls, asking if you can run something to him. This is maybe the greatest symbol of trust he can bestow, as a man who has only a fraction of an existence in the eyes of the government: he asks you to bring a document of his. He gives you the instructions on how to find it, and trusts that you won’t look at anything you don’t have to.
You know Johnny lets out a low whistle when he sees you coming up with a manilla folder in your hands.
“Who’s that bloody bombshell, then?”
You spy Simon and jog up to him with a smile. He’s the one who embraces you, short but strong. Cue the nigh audible gasping.
“LT, you absolute dog.”
Simon rolls his eyes as the two of you are crowded in short order. You make polite introductions, but have a previous engagement– you really did only have time to stop by.
Hate to see you go, but love to watch you leave.
Everyone is wondering how this could’ve happened. For the record– I think in this scenario, Johnny and Gaz go through a constant string of heartbreaks, and John is kinda married to his job. So in a cruel twist of fate, Simon is actually the only one currently with a partner, much less a spouse.
“How’d you manage to bag a right beauty like that, LT? C’mon, spill it–”
Simon doesn’t mean to diminish your value or anything, but his answer is not going to be satisfying, because he doesn’t find it that difficult to get women. And also, you’re his true love, so you’re perfect for each other and growing close to you was as easy as breathing. But he doesn’t say that.
“S’not that hard. Remember the stuff she says, don’t keep no secrets… dick ‘er down the way she likes.” He doesn’t mean to be crude about it, but from his perspective, is one of the main reasons why you tolerate him. Soap howls at the response.
He’s telling the truth, though! He has a scarily good memory. Remembers every friend you’ve ever told him about, every movie you’ve ever mentioned, every meal he’s cooked for you and how you liked it. He remembers dates, times, and lists with no issue whatsoever.
And he’s never kept anything from you. He tells you how the fuck he’s feeling, and you return the favor, even if it isn’t pleasant. The only thing he doesn’t mention to you are the gorey details of his work.
And you have never had more of a communicative partner, ironically. There were times in the beginning when he didn’t know all of the ins and outs of coaxing pleasure from your body, so he asked you to show him how you like it. And that scary memory is at work yet again– every sensitive spot, every offhand mention of a kink you’ve not yet explored together, every arch of your spine and clench of your cunt. He’s got it down to a science. Could write novels about making love to you specifically.
What I’m trying to say, at the end of the day, is that Ghost bagged a bad bitch by being autistic.
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i know most ppl haven’t seen it yet but wanted to write something abt how annoyed some of the critical discourse abt I Saw the TV Glow is making me. MAJOR SPOILERS below the break, be warned!!
so idk i’ve seen so many reviews of the film positing that it’s about the dangers of obsessive fandom and overidentification with fictional characters, esp vis a vis real life self-actualization/coming out. (like, essentially every review has some of this in it, from what i’ve seen.) and, like: i don’t think that’s wrong, but i also think it’s massively underselling what schoenbrun is doing here. the metaphor of the show’s bleed-over is so smart because works in both directions at once.
like, in one direction: when maddy asks owen to come into the show by burying himself alive, you can read it as her asking him to abandon his real-life responsibilities, and the material facts of his real life body, in favor of a fantasy life where everything is already fixed. she’s inviting him to skip over the hard, messy work of transitioning and to sink even deeper into the analgesic obsessions he uses to numb his dysphoria. in this interpretation, it’s, like, the equivalent of overprioritizing “transition goals” instead of actually medically/legally/socially transitioning if that’s what you want, living forever in the ideal instead of taking difficult steps to change the material. (also, uh, if you don’t think she’s literally correct about the nature of reality, she is in fact asking him to kill himself. there’s that.)
BUT! it also works the other way. when maddy tells owen that the show is real, that their lives are just the buried dreams of dying girls in another life, she terrifies him by confronting him with something he’s always known about himself: he was supposed to be a girl. what she proposes is radical, dangerous, seemingly unhinged, and based on a childish fixation: all the things scared closeted trans people worry transition is, basically. on a more figurative level, too, the feeling she’s telling owen is real – that his real life is just a dream within a dream, that his home is not his home, that he belongs somewhere else, that he is supposed to be SOMEONE else – is something so, so, so many closeted trans people have felt before, myself so much included. when he sobs in the shower, yelling “this isn’t my home!” at his dad, i felt a sense of identification stronger than i’ve almost ever gotten from art before. when maddy finally calls him isabel, it’s the gentlest thing i can imagine.
in this read – which i do love, while thinking the other one is simultaneously true – it’s less “come sink deeper into delusion with me instead of dealing with your own life” and more “it’s going to be terrifying, but that childish dream of being a girl you once held wasn’t childish, and it can be real if you’re courageous enough.” he says he runs away from the football field because he thinks maddy’s not mentally well; it takes very little analysis of subtext to figure out he’s running away because he’s afraid of how much he wants what she’s offering. and, of course, the idea of the visible world being an illusion laid atop the world in which one is one’s truest self is a classic trope of trans cinema going all the way back to the matrix. (also: while i’m pretty death-of-the-author-pilled in most media analysis, it kinda seems like schoenbrun themself has interpreted the film in this way, as they’ve spoken at length in interviews about how, to them, transition felt like asking to be buried alive.)
all of which is to say: i think the film IS commenting on fandom, obsession, overidentification, and the ease with which queer people can sink into art as a way to dissociate from real life. but i think it makes the film so much more cynical and so much less tender to treat it as the ONLY read of the film’s relationship with the pink opaque. art, especially the sort of slow, metaphor-laden art schoenbrun makes, is best when it is complex and productively contradictory. the pink opaque is a problem, and an escape, and a fantasy, and it’s real, and one day isabel is going to wake up.
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Free Use Jail Cell, Part 7
MDNI // 18+ content
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 (final) | extra: Police Reports | extra: dinner date with Minho
Police Officer Skz ot8 x female reader
Premise: you're arrested and held for 24 hours by 8 police officers at the local police station / reader has her fantasy play out.
Word Count: 6.7k approx (part 6)
Chapter Summary: It's y/n's final encounter with all 8 members.
A/n: Hi Hi!!! So… here is the final installment of the series. As I anticipated, it was exhausting to write for so many participants, and my vocabulary started to dry up towards the end. But I am really pleased with how it played out. It was difficult to give everyone equal attention, so I hope I haven’t left anyone out too much (or at all! Fuck! Imagine forgetting to include a member entirely?)
Anyway, I hope you enjoy the following 6k + words of smut.
CW under the cut
CW: group sex, 8 guys x 1 fem, oral sex (m and f rec), spanking, fake knife play, masturbation, squirting, multiple orgasms, double pen (2 holes), anal sex, cum eating, name calling (baby girl, good girl, whore, etc), creampies, angst. Please let me know if I have forgotten anything significant and I will add to the CW.
>>>>>
You’re given yet another oversized button down shirt to wear, and instructed to wait in the Chief’s office to rest and wait for something to eat.
You really have lost track of time. It’s definitely daylight outside, but whether it’s late morning or early afternoon, you can't tell.
The creak of the door interrupts your thoughts, and you turn to find Felix returning with a tray of sandwiches and a big jug of water.
“Hungry?” He says cheerfully, like he hadn’t just fucked your brains out, and sets the tray down on the coffee table, like he hadn’t just double penetrated you on it with Chief Chan less than an hour ago.
You take a sandwich, scoffing it down quickly, and reach for a second piece. You’re absolutely famished.
Felix watches you and chuckles, then fetches his camera from the drawer and returns to sit beside you.
“Want to see what I captured?” He asks eagerly.
You stop chewing and look at him uncertainly.
“They’re really beautiful.” He adds.
You hesitate, then slowly nod. “Sure.”
“Great. So many pretty bruises and marks.” he coos. “Look.” He flicks to the cut on your neck. A small, red nick from Jeongin. There’s a flicker of an ache between your legs.
“Then,” His breath shakes as he takes in the next photo. It’s of your sore, red ass, and your puffy, swollen pussy lips. You whimper ever so slightly at the image. You look so used, so utterly ruined.
Then Felix shows you your bruised nipple.
You swallow your mouth full of food and bite your lower lip. Fuck, these photos stir up the desire, the need, to be fucked hard, rough, and like your’re nothing but a toy.
“You like that, huh?” Felix notices the effect the photographs are having on you. “You’ll get a copy of these, don’t worry.”
“I will?” You squeak and imagine future you laying on your bed masturbating with photos in hand.
“Of course.” He laughs kindly, and pops the camera down on the table and pours you a big glass of water. “Here. Drink this. You’ve got a big session shortly.”
“Do you do many gang bangs?” You ask casually, taking the glass and gulping down half of it in one go.
“Not often, no.” He admits, rubbing his hands nervously.
“Oh!” You blush. God, you really are one of a kind.
“I mean, it has happened, you’re not the only one or anything, don’t worry.” He scrunches his nose up in thought. “Usually, the client wants either several one on one interactions, or maybe up to three of our guys.”
You suck in your lower lip worriedly.
“I promise we’re experienced in a gang bang, or… running a train…whatever you wanna call it. It’s not going to be a clumsy, fumbling mess.” He reassures you.
With that you burst out laughing, relaxing a little. “A clumsy, fumbling mess?”
“Hey!” He laughs too. “You’re going to lose count of how many times we make you come.”
“I don’t doubt you for a second, Officer.” You wink.
>>>>>
Felix stays with you until it’s time to go, and you’re told that the final session will take place in the open office area where the officer's desks are located.
“They’ve added a few bits and pieces to make things more comfortable.” Felix mentions as you both walk down the hall.
You’re taken to the open office area where all the officer’s desks are, but there is also now a tatty couch at the end of the room and a random mattress in the middle of the floor.
Everyone’s waiting for you. The officers are all sitting at their desks, and Detective Minho and Chief Chan sit on the couch.
Most look hungry, a couple angry, especially Minho, and Han looks like he’s trying to contain his excitement. You don’t dare look at Jeongin.
Felix leaves your side to take his seat, leaving you standing in front of an unoccupied desk. You suddenly feel shy, your eyes fixed to the mattress on the floor.
“Strip for us, babygirl.” The Chief instructs.
You suck in an anxious breath as you bring your fingertips to the top button of the shirt, and you bravely look up at each of the eight men. Their eyes are glued on you, and you realize this is going to be your last encounter with them.
Determined to not let nerves get in the way, you decide you want to make the most of this, and put on a bit of a show for them. They pleased you so well, why not let them know just how much?
Your gaze turns seductive as you perch yourself on the edge of the desk and slowly unbutton the shirt, revealing the skin between your breasts, then dropping the garment off your shoulders and onto the desk.
Gasps of “fucks!” echo around the room and you smile inwardly.
“Play with yourself. Spread your legs.” Chan says with a strained voice.
Resting your left leg on the swivel chair in front of you, you open your thighs for the men.
“Wider.” The Chief barks.
You suck in your lower lip, plant your other foot on the desk and spread yourself wide open, displaying your cunt for the whole room to see.
“Play with yourself.” Another instruction.
You begin by squeezing a breast and rocking your hips. You pinch your nipple, then pop your finger in your mouth. Swirling your tongue around your digit to get it nice and wet, then bring it back to your nipple, tweaking it between your thumb and forefinger.
Han palms his crotch, and Changbin’s lips are slightly parted as he concentrates on what you’re doing to yourself. You watch him gulp as you coat your fingers with saliva again and bring them between your legs. You sigh as you drag your fingers through your folds, and rub circles on your clit.
Your cheeks flush as your body is filled with heat, and your cunt aches for more. Spreading your fingers in a V shape, you spread your lips to expose your entrance. It’s leaking already, so you use it to coat your outer lips and clit.
A whimper leaves your lips when you slip a finger inside yourself. Everyone watches in awe as you slip in a second, pushing all the way in so you can use the palm of your hand to grind against your clit.
You curl your fingers, digging into that spongy spot, and you become wetter than ever. The sounds of your soaking pussy that fill the room can only be described as squelching. Your eyes flutter closed as you surrender to the pleasure, your core tightening more with every scrape against your g-spot. You’re not certain what each of the men are doing, but you’re sure you saw a few with their cocks out, stroking them, preparing for what they’re going to do to you.
Your breath quickens with every moment that passes, until you’re panting for release, your chest heaving and flushed. The tension in your core is about to snap.
You rock your hips, grinding on your hand, chasing your climax, and opening your legs as wide as they can possibly go, so that every single one of the men can see your cunt sucking and gripping on your fingers.
You’re so close you cry out desperately with the need for release. Your eyes squeeze tightly closed, your thighs tremble then shake uncontrollably. It’s happening. You’re coming. Your walls grip your fingers, squeezing tight like a vice, then start pulsing around them. You keep finger fucking yourself frantically, as clear liquid spurts out of you, splashing your hand and trickling on the floor.
You throw your head back, panting, trying to catch your breath, while continuing to fuck yourself more gently, easing yourself back to earth. You slip your fingers out and rub a few lazy circles around your lips and clit as your heart rate comes down.
Eventually, you open your eyes to a still and silent room. They are all staring at you.
Changbin is the first to do anything. He stands and walks over to you, Felix on his heels. They come up to either side of you. “That was the sexiest thing we’ve ever seen.” Whispers Changbin in your ear. “Now we need to play with you. You got us all so hard.”
He plants a hot wet kiss on your neck while his hand finds your breast and squeezes it. Felix turns your head towards him. “Perfectly pretty.” he sighs and takes you in a feral tongue kiss. His hand slides down the front of your body to your pussy and slides two fingers inside your heat, gently pumping them in and out of you.
When you break the kiss, Changbin gently turns your chin so he can kiss you, his hand immediately finding your breast again. You moan into his mouth as they play with your body, making you melt. You close your eyes, focusing on how sensual they are being, when you feel two more hands on your inner thighs, pushing them wide. A wet mouth presses up against your core and an eager tongue explores your folds.
You look down and gasp, as the person you least expected is eating you out like a starved man. Seungmin. You moan as you watch him lap at your pussy, wrapping his mouth around your clit and humming. Then taking his tongue to your entrance and pushing it inside you.
“Oh God… Fuck!” you choke when he licks a long stripe back up to your clit.
Felix and Changbin’s hands and mouths are still everywhere, all over your body. Felix is latched onto a nipple and Changbin is sucking love bites along your collarbone.
You rock and squirm in their hold, as Seungmin threatens to rip an orgasm from you. But they hold you firm, forcing you to take everything.
You’re getting close, and Seungmin knows it, so he stops entirely and stands up. You furrow your brow and whine in protest, but he smirks at how pathetic you’re being.
“I’m first.” He announces to everyone.
“Yah! I haven’t had her in ages. It’s my turn.” Changbin protests, but Seungmin has already tugged you away and is bending you over a different desk. He slaps you, hard, on your sore ass, making you cry out, then with one hand wrapped around your hair for leverage, he sinks into you.
He doesn’t give you any time to adjust before he’s slamming himself into you at a barbaric pace.
“I think everyone is treating you too nice, Princess. Someone needs to remind you just what you signed up for.” He digs his fingers into your hips, while with the other hand yanks you by your hair so your back is curved. The angle causes his cock to bash into your cervix cruelly, and you sob. But he doesn’t stop. Harder. Harder, he fucks into you, teaching you a lesson. Reminding you not to get too comfortable here.
“Time to choke on a cock while I rail you.” He snarls as Han comes to sit on the desk.
“Baby. I need your pretty mouth around me.” Han says in a deep, almost bedroom, voice.
Seungmin doesn’t even try to cooperate or slow down, he just digs both hands into your hips, and fucks you like he’s an animal, while you wrap a hand around Han’s cock and try to sink your mouth over it. The man’s cock is beautiful, and delicious, and you moan around it as you try to take all of him in.
You’re not able to go slow, or take your time, as with every savage thrust from Seungmin forces you down Han’s cock in an uncontrolled way.
But Han seems to like it like that. Every time you gag, he groans and pushes his hips up a little. “That’s it baby, a little more. A little more and I’ll be completely inside you.”
You prepare yourself to take the rest, but Seungmin grabs the back of your head and forces you down the rest of the way. The choking, gurgling sound is obscene. The two men love it. So much so, that Han blows his load straight down your throat, and Seungmin coats your inner walls, causing you to come unexpectedly.
Shaking, you lift off Han’s cock, and he leans down to kiss you sloppily. “Thank you.” he whispers.
There’s no thank you from Seungmin when he pulls out. Just him spreading your ass cheeks and calling you a slut when his cum oozes out and dribbles down the back of your thigh.
As your breath begins to return to normal your eyes catch Jeongin. He’s now sitting leaning back on the couch, faux knife in hand and an unhinged look in his eye. He licks the blade and arches his eyebrow, waiting for you.
“You think I’m mean?” Whispers Seungmin in your ear. “You need to go fuck him now.” He nods his head towards Jeongin and slaps you on the ass again.
As you walk towards the crazed officer, cum still dripping out of you, you glance around the room. Everyone is naked now, except for Jeongin and Minho. Your gaze lingers on the Detective, but he doesn’t meet your eyes. You can’t read his expression either, but you don’t have time to dwell on that. Jeongin has he dick out ready.
“How do you want me, Officer?” You say coyly, standing in front of him.
“Turn around. Straddle me. I want everyone to see me buried inside you.”
You do as he says, placing a foot on either side of him and slowly impaling yourself on his length. The fake knife immediately comes to your throat and you feel a thrill course through your body.
“Lean back and fuck me.” He whispers. You rest your back on his chest and slowly grind on his cock, as Seungmin’s cum and your juices gather at the base. This position drags him against your insides deliciously, and the way he grinds back makes you bite your lip and moan.
He reaches around and drags the tip of the blade over your tits then down your stomach. You pretend the blade is real, imagining that with each heave of your body, the blade could cut you. You shudder at the thought and your cunt squeezes. Jeongin laughs, noticing how much you enjoy knife play. He drags the blade down between your legs and drags it from where he’s buried inside you up over your clit.
You whimper. He does it again. Your eyes roll back into your head. He’s going to make you come all over his knife if he keeps doing this. Again he drags it over your clit, then brings the blade to your mouth.
“Lick it.” He growls low. You do, moaning at the taste of yourself.
Hyunjin kneels between yours and Jeongin’s legs, biting and licking his bottom lip, before leaning in and lapping at your clit.
You moan loudly at the softness of his lips against your swollen center, and he smiles against you. Then he’s messy, sucking, nipping, licking your pussy, even giving the base of Jeongin’s cock some attention when you lift off enough.
You’re covered in saliva, and sweat drips from Hyunjin’s forehead and hair onto your body.
Then the knife slides back down, between your folds, and over your clit. All while Hyunjin laps you up. His tongue presses on the blade, pushing it firm against your clit, the pressure making you almost explode. Then he pulls away and you whine in protest. But he just merely looks up at you with an expression that makes your skin blush.
He brings his attention back to your pussy, spreading your lips apart with his fingers. He admires your pretty hole being stretched and stuffed with cock, and your swollen clit, that’s being teased by Jeongin’s knife.
Jeongin takes this opportunity to grind the side of the knife against your clit frenziedly while he fucks up into you wildly.
You’re being bounced and thrown around by the cock inside you, and you squirt again when you come, splashing some in Hyunjin’s face.
Cheers resound around the room, and you’re reminded that they are watching the whole thing eagerly.
More cum oozes from your hole when you slide off of Jeongin, and you collapse on the couch beside him, too wobbly and too weak to stand.
You’re out of it. Exhausted and delirious, and only two of them have fucked you so far.
Jeongin brings a bottle of water to your mouth and you drink greedily from it, then rest your head and close your eyes. You feel your body being moved about are repositioned on the couch so you’re lying lengthways with your head resting on the chair arm.
Your eyes flutter open to find Jeongin gone and Hyunjin kneeling on the couch between your legs. He throws one of your legs over the back of the couch, and pushes the other one wide. He wastes no time thrusting into you, all the way. He holds your tits while he fucks you, massaging them in circles as they jiggle in his hands. Then he’s kissing your neck tenderly.
“I need to cum in you so bad. I needed to know if your pussy is as delicious as your ass. It is, by the way.” He chuckles and so do you. “Can I fuck you hard?” he asks.
You nod, yes. He smirks, moving his arm to wrap underneath you and hold you up against him. Then he’s railing into you. Hard, deliberate thrusts that hit your already bruised cervix. He grunts each time he bottoms out, and the longer he goes, the sweatier he gets. It pours off of him onto your body, creating that same slipperiness as when he and Han fucked you the day before.
His thrusts turn frantic as he nears his orgasm. “Play with yourself. Wanna feel you flutter around me.” he pants.
You slip a hand down between your bodies, and rub your overstimulated clit until you’re coming hard on his cock.
“Yes, that’s it…fuck!” he growls, pulling out suddenly and plastering your sweat covered body in cum. Unexpectedly, he leans down and licks up a puddle of cum and pushes it into your mouth in a slow tongue kiss. You moan and your pussy responds with aftershocks.
“Let’s get her up against the wall. She can’t stand on her own. Suengimin and I will hold her for you guys.” Chan advises the group of the plan.
You're lifted off the couch by strong hands, and pinned to the wall. “Wrap your arms around our shoulders.” Chan says to you softly. “Yes, like that. We’ll hold your legs, you don’t have to do anything. Just let them use you.”
You're hoisted up the wall, legs spread, cunt open and ready for the taking.
“Alright, who’s first, boys.” Suengmin calls to the others.
Han is there in a heartbeat. “Hello, baby!” He smiles at you, then he kisses you with those sinful lips of his. He pulls a moan from you as he rubs his cock through your wet lips, and he looks down to watch himself sink inside you. “You’re tighter than yesterday. You must be so swollen, baby.” He pulls out almost the entire way, then thrusts deep. You whimper.
“Sorry, baby. It might hurt a bit, but…ngh…” He slams in as hard as he can, Seungmin and Chan having to steady you from being fucked up the wall. “But, you see…” Another slam into your cunt. “You're pussy loves it rough. I know it does. I can feel it choking me.” He leans his head on your shoulder, and cups his hands under your ass, and grinds into you. Your clit rubs against him and you clench harder around him.
“Wish I could fuck you everyday.” He whispers against your ear so only you can hear.
His sweet words, coupled with his now desperate thrusts, has your head lolling back against the wall and you gently come around him. He follows almost immediately, adding his thick cum to the mix inside you.
Han pulls out with Felix poised to take his place. He moves into position quickly, gathering as much cum that’s seeping out of your hole onto the head of his dick and then squeezing inside you.
He foregos all his usual pleasantries to simply say “I need to cum so bad. Just let me fuck you quick.”
He fucks you with short, sharp, brutal thrusts, chasing his own orgasm and nothing else. “I’m not not interested in making you come, you’ve had plenty of those. I just need to…grrr.” He fucks you hard and fast, no more words, just pretty moans. You let him use you, watching his beautiful face in awe as it scrunches up with need, and then, with his mouth hung open, he’s cumming deep inside you. He trembles as he cums. It’s so pretty.
“Rightio, Minho. Your turn.”
Your eyes snap up when you hear his name. Minho. Your heart stops beating as he steps up to you, and you feel something flutter in your tummy. You swallow, your throat is so dry.
He moves in closer so the side of his cheek rests on yours. His hand finds your hip, gripping it gently, then with the other, he guides his cock to your entrance.
You hold your breath in anticipation. He hesitates briefly, and that kick starts your heart again. Now it’s pounding so hard there’s no way he can’t hear it.
With his body pressed right up against yours, he pushes into you. Slowly. So slowly, you whimper. You need his cock so bad that your cunt actually aches. A little squirming from you doesn’t spur him on. He just squeezes inch by torturous inch into you.
He bottoms out and you both sigh in relief. He stills. A long moment passes, and then he’s rolling his hips up into you. So deep, so deliciously deep. The way he moves his hips has his cock hitting you in different angles that the others can’t reach.
You take your hands from around Chan and Seungmin’s shoulders, opting to wrap them around MInho’s neck instead. He drops his head to kiss your neck softly. He moans with each thrust now, picking up the intensity. He’s not rough, he doesn’t need to be. Not with the way you’re coming undone on his cock like you are.
You’re partially brought out of your dazed state when you feel someone's fingers at your other hole. “Gotta start prepping you for the next phase.” Suengmin states.
While Minho continues to gently fuck your brains out, the others work you up to two fingers in your ass. You come when one finger is inside, making Minho growl and tell you you’re greedy, and now that two fingers are fucking you back there, you’re about to come again.
“I think our little whore’s ready to take more cock.” Suengmin ushers some of the others over. They gather around as Minho holds onto you and pulls you away from the wall. Your legs wrap around his waist, and his cock is still inside you.
He turns you around, presenting your ass for the others. “Remember you can use your safe word, okay?” he whispers against your ear.
You nod. “I know. Thank you for making me feel safe.”
He looks at you longingly, then his gaze drops to your lips. You want to smash your lips onto his, but you daren’t. He has his boundaries and you must respect those, just like he’s respected you.
So you just lean on his shoulder and let him hold you while you get your ass fucked.
Changbin is first to come up to you. “Finally, my turn.” He hisses, pressing the tip of his lubed cock to your ass.
He’s so thick that it stings, even with all that lube and previous preparation. You bite into Minho’s shoulder, and your fingernails dig into the back of his neck. Minho squeezes your ass, a little pain to distract you from the huge stretch Chanbin’s cock is causing.
“Yeah, bunny. That’s it. Good girl. So tight for Binnie.”
“So full of cock.” Minho hums and rolls his hips up into you.
You lean back against Changbin’s chest and he reaches around to fondle both your tits.
The pair hold you between them, rhythmically rolling their hips simultaneously. Jeongin kneels down next to you so he can get a good look at the action, and Felix suddenly has his camera out taking photos.
You’re delirious, putty in their hands. You stop noticing what’s going on around you, when suddenly you feel so empty. Changbin has blown and is pulling out, stepping out of the way so another could have a turn. This time it is Hyunjin with his long cock, delivering deep thrusts to your ass. He comes quickly, then makes way for Suengmin.
He is just as rough with your ass as he was with your cunt earlier, brutally fucking you until you think you’re actually going to pass out.
“Not gonna stop, or go easy on her unless she uses her color code or safe word.” He declares, hitting you extra hard. “She asked for rough. She gets rough.”
“Is she even conscious?” Someone, you think it’s Han, asks concerned.
“Hey! Babygirl.” Chan peels off some hair stuck to your cheek. “You still with us?”
Only your eyes move to meet his. “Don’t stop.” you manage to say.
Seungmin laughs. “See. Told you so.” He doubles down, thrusting up so hard you bounce on his cock, pushing you up the length of Minho’s, then slipping back down onto them. He repeats this several times, your moaning increasing in volume each time you slide back down their cocks.
“Fuck! I’m gonna cum.” Minho announces. The sensation of him pulsing inside you and the relentless attack on your ass has you coming too, long and hard, and you actually scream this time.
Satisfied with his efforts, Seungmin lets himself go, cumming deep up your ass with a growl.
>>>>>
After every one had calmed down, it is agreed that there’d be no more ass fucking after what Seungmin just did.
They carry you over to the mattress, laying you on your back, and examining your holes. You are still out of it, and you wonder if this is what sub space is?
Someone, you don’t know who, spreads your pussy and asscheeks apart, and you feel more cum leak out of you.
“I wasn’t that rough. I bet she could take two cocks up there at the same time.”
“Oooh.” Han’s interest is piqued.
“No!” Minho growls at him, then presses a bottle of water to your lips. “Here, drink.” He says lifting your head so you could take a sip.
“M-more.” You mumble. Minho brings the bottle back, but you shake your head.
“More what, love?” Felix asks.
“H-haven’t had the-the Ch-chief.” You whimper.
“I’m not sure you’re up for tha-”
“Please!” You wail, your hands grasping for him. “Want all of you again.”
Slap! A harsh slap across your cheek, brings you out of your delirious state. Your eyes snap open to find that Han was the one slapped you in the face. You blink rapidly, eyes watering, shocked.
“S-sorry. It’s just… I know how you’re feeling right now. You just want to float away and let us do anything we want. But we need to make sure we have your consent first.”
The others nodded in agreement.
“You can go back to La La Land in a minute, but you need to clarify what you want.” Chan reiterated stroking your thigh tenderly.
You looked at each of the men kneeling and sitting around you. Each and every one of them has satisfied your desires. None of them have overstepped any boundary, or hurt you in any way. You know they won’t hurt you now either.
“I want to…just lay here and have each of you fuck me again. I want cocks in my mouth. Fingers anywhere you want. Play with me. Touch me. Stroke me. Pinch me. Slap my tits. I want to let go, and just be.” You shrug.
They all look at you with understanding eyes. They get it. They know what you mean. Finally, you’ve stopped feeling ashamed. This is the real you. This is what makes you feel good. And it’s okay.
“Your wish is our command. Lay down for us, yeah? Let us take what we want from you?” Chan coos.
“Mmm hmm.” You whimper, laying back down, and letting yourself fall back into the blissful state you were in before.
Hands caress your body, some soft and gentle, others tugging and squeezing. Then mouths start to land on your body. Sweet, warm, gentle kisses peppered along your skin. Sloppy, wet sucking of nipples, earlobes, neck, toes. Your fingers are put into mouths before being wrapped around a cocks. Thick, skilled fingers fill your pussy.
You moan as the men devour you.
Chan lifts your legs up, folding them so your knees are up near your chest.
“Oh the mating press? That’s gonna be so deep. She’s gonna feel all of you.” Hyunjin notes.
“Baby girl needs to feel us for days to come.” Chan grunts and hisses as his thickness stretches your entrance. “That’s the girl. Let Channie in.” He eases into you slowly, pushing on the backs of your legs to ensure ultimate depth.
“S’big.” You mumble, and a few men chuckle softly as though you’re endearing to them.
Fingers come to your mouth, Han’s, and slip inside. You suck on them immediately, willingly, allowing him to slip them in further, like he’s gently fucking your face.
You think you’ve gone cross-eyed when Chan pushes in one last time and bottoms out. “So deep, huh? Feel good?” He asks you.
You moan around Han’s fingers.
“Gonna fuck you now, yeah? Nice and deep.” He slowly pulls out halfway, pauses, then presses inside to the hilt. He pauses there for a moment too, before pulling back out and repeating the movement. Each pause feels like an eternity, and he laughs every time you whine in protest.
“Oh, you want me to go faster?” He smirks, but you are too out of it to see his expression, so he just starts to fuck you harder and faster anyway. Your tits bounce for you on each impact, and eager hands continuously grope at them. Jeongin slaps one of them, and Felix bites the other.
You only realize the fingers are gone from your mouth when you feel a cock brush against your cheek.
“Hey! Hey.” You automatically turn towards it, seeking it blindly. “Shh.. Here you go, pop this in.” It’s Changbin bullying his cock head into your mouth.
“I’m gonna cum, baby girl. You ready?” Chan pushes into you as far as he can, holding himself there as he empties himself into you with a high pitched moan.
>>>
You’ve lost track of who’s inside you, one after the other take turns, while you’re continuously fed cock. Some pull you in different positions, like flat on your stomach while they lay flush against your body and grind into you from behind. Another has your legs thrown over their shoulder.
Han can’t decide on what position to have you, but eventually settles on having you half turned on your side while he straddles your straightened leg, and uses your bent leg for leverage. “It’s the best of both worlds. I can grab her ass, or her tits” he pants whilst giving them a slap and a squeeze.
“Yeah, and I can slide my cock right down her throat.” Chan decides he needs to feel your mouth around him one last time before this ends.
Finally, Minho hovers over you. He has you wrap your legs around his waist and your arms around his neck as he lays against your body. He watches your face intensely while he fucks you so incredibly slowly.
You’re not sure what the others are doing, they’ve all stopped touching you, and you don’t care to look for them. You’re too captivated by the man above you, and you don’t dare look away. His eyes are curious, kind, and so utterly accepting of you.
You bite your lip and the smallest of whimpers escapes your mouth. The corner of his lip twitches as he holds back a smirk.
“Feel good?” He says low. You grin and nod your head. “What about this?” He rolls his hips in a way that grazes that spot. Your eyes threaten to roll back in your head, but you don’t let them. You want to watch his expression as you come around him.
And you are coming. It’s not a big, violent release, but blissful waves of pleasure. The pulsing doesn’t ease, and as Minho continues to fuck you, you realise you’re coming a second time.
“Oh!” You choke as this one hits you with more intensity.
“I know you’ve got one last one for me. Come with me, kitten.” He says so only you can hear.
His thrusts speed up as he seeks his own release, and with one final thrust, you both fall off the cliff together. Squeezing, pulsing, throbbing. Together.
>>>>
After care with these guys is exquisite. You’re wiped down with warm wet towels and given plenty of water to drink, followed by more food.
“You need to eat before you get washed up properly. We don’t want you fainting in there.” Seungmin explains. “Then we’ll sort out your debrief and release process.”
>>>>
Minho carries you to a bathroom you haven’t been taken to before. It isn’t nasty like the one where he found you sobbing on the filthy tiles.
He’s relieved to finally get you properly soaked and cleaned. Would you know that it was him who washed and folded your clothes and left them on the bathroom counter? He’d even retrieved your panties from the floor of the police car.
The tub was already full of hot water and bubbles, and after he undresses you, he lowers you into the tub carefully. He makes the mistake of looking at your face. Why do you have to look at him like that? Sucking in your lip and gazing at him longingly.
He sighs, thinking about how you wanted all the others, and him, to fuck you absolutely dumb.
“Here, let me wash you properly.” He says sternly, trying to force his thoughts to stay on task. But that doesn’t help because you’re exposing your breasts now, letting him soap them up.
Jesus fucking Christ. The way your walls squeezed him when you came three times for him at the end there, it felt like his heart was being squeezed at the same time. Those three orgasms were just for him too. You were too focused on looking into his soul to notice anyone else. No one else was touching you. It was just you and him in that moment.
Stop it. He wills the thoughts away. But when the sponge he’s washing you with slips between your thighs, and he’s washing away everyone’s cum, he thinks about how he felt watching you be fucked.
You looked so beautiful at the mercy of so many cocks. It made his dick throb seeing you with Seungming taking you from behind while you choked on Han’s dick. And the way you begged for more while your eyes lost focus and you didn’t care whose cock you had in which hole? It was erotic, and he loved it.
But he also wanted to pull them all away and have you just for himself.
“Are you okay, Minho?” You ask softly and bring him out of his thoughts.
He nods. “Yeah. Just kind of like having you around. We have discounts for return customers if you’re interested?” He grins.
You look at him incredulously. “Really?” You say, pulling back and looking at him suspiciously.
He nods again and laughs. “I promise I’m not shitting you.”
He is shitting you. They don’t really have discounts, but maybe Chan and Seungmin would make an exception?
Eventually, he pulls himself together, managing to help you out of the tub and dressing you without losing control and doing something inappropriate.
You’ll be gone soon and it won’t matter. It won’t take long to forget you. That’s a lie and he knows it.
>>>>>>>>>
You’re given your debriefing session with Chan, and Seungmin, who you have come to learn, is very much part of the administration and organization side of things for their establishment-slash-services.
“This is your folder of information, feedback forms, photographs… Oh, and your police reports from the Officers.”
You take the folder from him, flicking through the pages quickly.
“Also,” Chan adds. “You will receive a phone call in a week to check on your wellbeing. Minho will now take you to your car. It was a pleasure pleasuring you.” He smiles and gives you a big, warm hug, and you don’t want to leave.
MInho walks you to your car, which at some point had been driven to the police station and parked around the back.
“I’ve put your address in the GPS, so you’re good to go. Keys are in the ignition.” He says.
“Thank you.” You say, turning and leaning on the door of the car. “I can’t believe it’s over.”
You sigh.
Minho takes a step back, hands deep in his pockets and eyes fixed to the ground. “Yeah, it went too quickly.” He scuffs his shoe through the gravel on the ground in front of him.
You wait for him to say something more, but he doesn’t.
“O-okay. Well…I’ll be off then.” You say with a big smile, hoping he doesn’t hear the strain in your voice. You turn to open the car door, to leave forever. Well, you can always hire them again, right? You remind yourself as you go to open the door.
You’re taken by surprise when a hand pushes the door closed again and spins you around and presses you against the car. Minho. He holds the side of your waist one hand, the other comes to cup your cheek. He looks into your eyes so intensely that you stop breathing. Then he lowers his eyes to your lips.
“Minho?” You squeak.
He doesn’t respond with words. Instead, he leans in closer, brushing his lips with yours. Tingles spread through your entire body just from this minute contact. But then he’s crashing down on you, taking your lips harshly, desperately, passionately.
You’re melting, your legs weakening, but he holds you firm.
He only breaks away to catch a breath, then he’s back, kissing you deeply, this time seeking to slip his tongue inside your mouth.
He moans against you when you fight back and push your tongue into his mouth.
He pushes his crotch against you as your tongues continue to dance together in the perfect balance of soft and wild.
Your body is on fire, the butterflies in your tummy swirling uncontrollably, and your core aches for him. You wrap your arms around his neck, pulling him closer, not wanting to let go.
He hooks an arm under one of your thighs, lifting it so he can grind harder against your core. The friction from his hardness against you has you soaking.
Eventually, the kiss comes to completion, and Minho pulls away to lean his forehead on yours.
“Thought you didn’t do kissing on the lips, Mister?” You smirk.
He smiles. “I don’t. But I don’t normally crush on a client either.” He strokes your cheek and leans in for another long kiss.
>>>>
A/n: I hope you enjoyed the series! I'm a little sad it's over, but you never know what can happen in the future. I'm happy to answer asks about this series too. Like for example "what did they put in their polices reports?" or "give us a first date with minho." You know, things like that :-)
>>>>>>
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BY THE FIREPLACE // t. nott
RATING: PG-13 / 2.9K WORDS
Theodore Nott x Fem Reader
+ SUMMARY - *Requested - based on this* You have been an Animagus for around a year now. You have quite a knack for learning everything you need to know about it quickly and Professor McGonagall really likes you. However, a fellow classmate, Theodore Nott, does not like you. And you couldn't care less. Both of you are in for a surprise when you accidentally meet in the library. (Fluff?, sort of Comedy)
+ WARNINGS - Language, nothing else really
+ MUSIC (listened to while writing) -
Fantasy - Mariah Carey (don't judge me)
---
“And, ladies and gentlemen, please remember: ten inches of parchment on the side effects of incorrectly transfiguring a toad back into a human!”
Professor McGonagall’s voice pierced the slight murmuring that had started amongst the crowd of students. You suppressed a groan at the assignment, knowing well enough that you’d be putting it off as long as possible. It wasn’t that you weren’t grateful to be here, it was just rambling on about the properties of toad warts left over on humans after unfortunate experiments didn’t really get you going, at least, not like they did Professor McGonagall.
You had found a kind of special liking for her after you had put yourself through the very exciting—albeit brutally difficult—process of becoming an Animagus. It had been your absolute dream since accidentally discovering that your mother was also one. You had been wandering around the garden during the summer between first and second year and had come across an absolutely beautiful doe. You had stopped in your tracks, taken aback by the creature’s beauty. Just as you were going to hold your hand out to the creature and offer it some of the grass blades clutched in your fingers, the creature before you changed entirely. Its long, graceful body curled into a small flash of light and then, without so much as a breath, your mother was back. Standing in the place of the deer. You could hardly believe your eyes.
Your mother was an Animagus and you thought you should be as well. She had warned you of the difficulties and hardships of the process and how annoying it was to have to get registered with the Ministry of Magic but you didn’t care. The wonder that had been in your eyes when you’d seen your mother transform surpassed all the cons of becoming one. You were going to be just like her. And now you were. Well…sort of. You were an Animagus but, much to your disappointment, you did not transform into a beautiful doe. You were a cat. Not a sleek black cat or a graceful Sphinx. No. You were a large, overgrown, long-haired European Maine Coon. At least, that’s what you were pretty sure you were. You hadn’t exactly performed a DNA test on your Animagi identity. You wondered if that would even work.
The crowd of students urged you towards the door and out into the grand hallway just outside the Transfiguration classroom. The light poured through the gorgeously carved stained glass windows along the stone walls and illuminated everything in its wake. You absolutely adored the castle and its beauty and reckoned you didn’t stop and admire it as often as you should.
A body bumped into you roughly, nearly making you lose the books clutched in your arms. You gasped at the sudden shock that went through your body when you realized you’d nearly missed a step down the staircase, your heart dropping through your ribcage.
“Hey,” you shouted. “Want to watch where you’re bloody going?”
The culprit turned with an annoyingly charming smile printed on his lips. His darkened eyes found yours amusedly and sent you a single wink. Your blood boiled.
“Sorry, darling, I’m in quite a rush,” he smirked.
“Doesn’t mean you can break through crowds like a giant,” you retorted, rolling your eyes. “Maybe you should take a second to think about the other people in this school and not just yourself for once, Nott.”
“Bite me, love.”
Asshole. You watched the back of his head disappear amongst the rest of the students as they waded around you as if you were an island in the midst of an ocean. You could not stand that boy. He and his stupid friends had been nothing if not the most obnoxious people you’d ever met. Even from your first day, he was rude, loud, and annoying. No matter how handsome he was, he couldn’t just steamroll over people. And yet, because he wasn’t ugly in the slightest, everyone just let him do whatever he wanted. Him and all his friends. It made you so angry.
Your eyes found your watch. You probably—erm, definitely, needed to get started on the paper for McGonagall’s class. That’s what pointed your feet toward the direction of the library. The thoughts of the warm hearth and those plush green chairs that hovered around it were calming the worries for this assignment. The library was—in your opinion—one of the most comfortable areas in the entire castle. It oozed comfort and warmth, much like your dorm room. It just felt soothing. You had noticed the amount of time you were spending in there was increasing as the days got colder. The fireplace in the dorms and common room were just as warm, of course, but those areas tended to be more populated during the day. And if you were going to get this paper done, you likely shouldn’t be surrounded by friends. You could be quite talkative when it came down to it—especially when it came down to procrastinating an assignment.
One of the large wooden doors to the library came into view slowly as you sauntered down the stairs just before the entrance. You could practically feel the warmth radiating from the vast room. Sweetened chills broke out over your arms and a small shudder passed down your spine. You clutched your books a bit tighter to your chest as you pushed past the threshold and felt the warmth on your skin.
You smiled gently as you made your way toward your usual fireplace. The smile on your face seemed to grow exponentially as you realized nobody was even in the general vicinity of your favorite spot and…thank Merlin…the tea cart had been brought around. The silvered, intricately designed cart that the librarian left out for wandering and cramming students sat right beside the fireplace. On it sat a few tea cups, a large, enchanted teapot that filled itself back up as soon as it was emptied, two sugar bowls, a large cream pitcher, and a few crumpets and cream horns. You might have died and gone right to the afterlife.
You set your bags and books in your favorite armchair—the one on the left—and made your way over to the wonderful cart. You shivered in delight as you prepared yourself some tea, just the way you liked it, and grabbed a cream horn—or two. Wandlessly, you conjured the wool blanket that sat upon the foot of your bed and snuggled in amongst the cushions. This was absolutely delightful. Between the tea, the snacks, the warmth, and the dim lighting, your homework was the last thing on your tranquil mind. Your books and bag remained untouched.
Once finished with your snack and beverage, you found yourself closely watching the curls of flames dance in the fireplace. Soon enough, absolutely without your consent, you were gently lulled to a deep sleep. Your eyes fluttered shut and your breathing stilled, your hands were curled against your chest and your knees were brought up against you.
-
Theo rounded the corner of the main stairway just before the library. He had an enormous amount of work to do and figured he wouldn’t get anything done if he stayed with his mates. He watched his feet as they jogged down the stone steps, his bag jostling on his shoulder every few moments.
Once past the doorway, his eyes found that set of green armchairs in the corner just in front of the fireplace. There appeared to be no one in them and he smiled a bit. Hopefully he’d be able to complete all of his work without any interruptions.
He set his bag down beside the armchair on the right. He reckoned he should start on the paper for McGonagall’s class since it was likely going to be the most difficult way. He should probably just get it out of the way, then everything else would be a breeze.
As he began to rummage through his bag for the appropriate materials to get started, he noticed something out of the corner of his eye. A white wool blanket lay spread across the other armchair and an empty tea cup, plate, and school bag were discarded beside it. He figured someone had been working there only moments ago and had slipped away for a quick bathroom break or something of the like. A groan began to build up in his throat as he realized he likely wasn’t going to be alone after all. Whatever…as long as they were quiet.
Finally, his fingers brushed his quill set and the Transfiguration book. He pulled everything out and settled himself in the chair, preparing to get to work. A thought popped into his head as he spread everything out comfortably. He wondered who had been sitting there. If it was someone he didn’t know, he’d likely have no issue ignoring them. He kind of hoped it was none of his friends, though he could have sworn he’d seen that bag before. Maybe it was Enzo’s?
An hour or so of straight working went by before Theo came to a pause and set his things aside. He stood from the chair and pulled his body into a sweeping stretch that popped a few joints along the way. He groaned at the pleasurable release, grateful that he wasn’t so stiff anymore. His hands shoved in his trouser pockets and he began shuffling in place to try and work some feelings back into his legs.
The person who had been there previously, he realized, had never come back. Being as curious as he was, he glanced around the library, spotting only a few fully concentrated students with their heads down. Whose stuff was this? He nonchalantly wandered over to the items and squatted down next to the bag. He picked it up gently and rolled the fabric around in his hands. He wasn’t trying to be too nosy, just wanted to see if there were any embroidered initials or names. Quickly, he flipped the top flap open only to discover a messily scrawled name imprinted over the white tag near the top of the bag. It was, much to his dismay, your name. That obnoxiously uptight girl in his Transfiguration class. Every day, in and out, rubbing everyone’s nose in the fact that you were bloody awesome at McGonagall’s class and everyone else was just shit. He wondered if you were cheating or doing some favors for other students. No way you were that good at that boring class.
A slight movement out of the corner of his eye shocked him away from the bag. His hands frantically dropped the material and he backed away quickly, not wanting to be caught snooping. Yet, he saw nothing. He glanced around wildly trying to find the culprit of the movement but not seeing anything. He could’ve sworn he—
Another movement. From the center of the white blanket. A cat. A rather large one, at that. Yawning slightly and stretching its little limbs out. His heart nearly melted.
“Aw,” he smiled, “hello there, love. You nearly gave me a heart attack.”
He slowly slid his hand over the edge of the chair’s cushion and rubbed the back of his first two fingers over your head. Unbeknownst to him and your sleepy state, both were blissfully unaware of who was touching whom. You yawned once more and curled into his touch. He laughed softly at the movement and began petting your head with a full hand. A deep rumbling purr radiated from your chest at his movements.
You weren’t sure what about this dream was so real, but bloody hell was it comforting. An unknown character in your dream was ever so gently sliding a hand over your head and occasionally scratching under your chin. Maybe it felt odd for them to do that, but it was so relaxing you didn’t care.
He stood back up and gently scooped your curled figure up, keeping the blanket wrapped softly around you. He took a seat in your armchair and placed you on his lap. His fingernails ever so slightly scratched over your head and smoothed the hair along your back. Your thick, bushy tail curled lovingly against his chest ever so often.
Something that you didn’t know and something that Theo didn’t know, either, was that you had the subconscious tendency to transform into your Animagi identity when sleeping. Whether as part of a dream or mumbling in your sleep, every once and a while, you would slip down to your smaller self and remain curled up as such. It had been going on for a couple of months now and you had yet to notice it. Your roommates most definitely had but they had said nothing as they assumed it was a purposeful action. They figured it would be nice to sleep as a cat as well.
The purring emanating from your soft chest rolled against his leg as he continued to brush his fingers through your fur. Your head occasionally curled further into his stomach at these gentle actions. This might have been the most relaxing dream you’d ever had.
“Hey, man, been looking everywhere for—”
“Shush!” Theo berated the loud voice. Mattheo came around the back of the armchair with a look of confusion plastered on his face. He glanced down to see the feline stretched across his lap, an eyebrow raised.
“The baby is sleeping,” Theo whispered, smiling gently. His hands never stopped brushing you.
“Did you find him—?”
“Oh my god, shhhhh!” Theo repeated. Pansy and Enzo followed the same path that Mattheo had. And just like him, their eyebrows cocked awkwardly. All three of them glanced at the other.
“I told all of you I was going to the library to get some homework done,” Theo whispered.
“Yeah, it sure looks like you’re getting a ton done,” Pansy rolled her eyes.
“I was...,” Theo insisted, “before this baby wandered up. Isn’t she just the cutest?”
“Yeah, adorable,” Mattheo mocked, a smile building its way onto his face. “I’d love to have McGonagall Jr. sat on my lap, if you know what I mean.”
Enzo and Pansy’s faces blended from blank to confusion to realization to stifled laughter. Theo was extremely confused and becoming a little irritated.
“Ew, what is that supposed to mean? I don’t think all cats are related to Professor McGonagall—wait, she’s not even really a cat, she can turn into one. I don’t think she’s really related to any cats,” Theo argued.
“Yeah, man—not what I meant,” Mattheo laughed. His two companions began to laugh with him. “Whose bag and stuff is that?”
Theo glanced down at the bag and snack plate that had been left behind as he refrained from rolling his eyes. He probably shouldn’t admit he knew who the stuff belonged to as he totally figured it out by snooping, but they didn’t necessarily have to know that.
“That’s that really irritating girl that’s in McGonagall’s with us, you know? The one I ran into this morning and was like ‘Why don’t you watch where you’re going, blah, blah,’ do you remember?” Theo spoke.
“Yeah, I remember,” Enzo giggled. “It’s almost like she's still in the room with us.”
“I know, that’s her stuff,” he nodded in the direction of the things left behind. “I was wondering when she was going to come back and get it but it’s been like an hour and she hasn’t come back.” Theo shrugged and returned his focus back to you who still remained curled comfortably in his lap. His thumb brushed over your closed eyes and ears.
“Did she ever leave?” Pansy laughed. “Maybe she's still here.”
“Maybe so, I didn’t go looking for her, though,” Theo responded, brushing a finger down the slope of your nose.
“Yeah, she was acting kind of catty earlier,” Enzo spoke. The three students burst out laughing, clutching their stomachs and flicking tears from their eyes. Anger rose up the side of Theo’s neck.
“What is your deal? Is something funny? Anybody want to fill me in on the joke?” he asked. They remained laughing as hard as they could, almost as if they wanted to annoy Theo further.
“Whatever, me and my new friend are going to study elsewhere. At least she doesn't laugh at me,” he harrumphed and grabbed his things, keeping you cradled tightly in your blanket in his right arm. The three students didn’t stop laughing the whole way as Theo stomped off, taking you with him, and touching his nose to yours with a smile.
“Oh, Merlin,” Pansy chuckled, a tear falling from her eyes. “So we all knew that she's an Animagus, right?”
“Yeah, she told me last year when her acceptance letter from the Ministry came in. She was pretty excited about it.” Enzo struggled not to start laughing again. “She's really nice and really smart, I think Theo can be a bit much sometimes.”
“Yeah, I agree with that….” Pansy responded. There was a few moments of silence before Mattheo tilted his head towards the other two.
“So, we’re sticking around for when she wakes up and realizes she's sitting on Theo’s lap wrapped up in a blanket like a child, right?” he laughed. The other two chorused a variety of ‘yes’ and ‘absolutely,’ as they made themselves comfortable at a table near the one Theo had assigned as his. This was quite possibly going to be the best thing that ever happened.
Part Two!
#fanfiction#creative writing#fanfic#writing#harry potter#harry potter fanfiction#oneshot#reader insert#slytherin#theodore nott x reader#theo nott#theodore nott#enzo berkshire#mattheo riddle#pansy parkinson#gender neutral reader
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Let's talk about writing fantasy.
Fantasy is one of my favourite genres, to read and to write. But the worldbuilding required and the existing tropes can make it difficult to craft a unique, compelling novel. There are a number of less-discussed nuances that might not always be at the forefront of writing discussions. Here are some tips to help you out:
Ground it in reality: Even though fantasy allows for boundless imagination, grounding your world in elements familiar to readers can make it more relatable and believable. Making it too otherworldly can make it difficult to understand or follow, and will likely make it much more difficult to interweave the explanation of your world and its society into the text seamlessly.
Consistency: Fantasy worlds can be complex, with their own rules, magic systems, and histories. Ensure consistency in your worldbuilding, avoiding contradictions or sudden changes without explanation. I find it helpful to keep a world bible or notes to track details and maintain coherence throughout the story.
Character-driven plots: While epic battles and magical quests are exciting, don't forget that compelling characters drive the heart of any story. Develop multi-dimensional characters with strengths, weaknesses, and personal arcs that resonate with readers (see my post on character development for more).
Avoid clichés and stereotypes: Fantasy often draws from familiar tropes and archetypes, but try not to rely on them too heavily. Subvert expectations and breathe new life into old conventions by adding unique twists or exploring lesser-known mythologies and cultures. Make it your own!
Magic has consequences: Magic adds wonder to fantasy worlds, but it should also have limitations and consequences. Consider the societal, environmental, and personal impacts of magic on your world and characters. A well-defined magic system can enhance the depth and realism of your story.
Worldbuilding through storytelling: Instead of dumping large chunks of exposition, reveal your fantasy world gradually through character interactions, dialogue, and plot progression. Show, don't tell, and let readers piece together the intricacies of your world as they journey through your story (check out my previous post on worldbuilding for more tips).
Embrace diversity: Fantasy worlds should reflect the diversity of our own world. Include characters from various backgrounds, cultures, and identities, and explore themes of inclusivity and acceptance within your narrative.
Conflict beyond good vs. evil: While the battle between good and evil is a classic fantasy trope, consider adding layers of moral ambiguity and complexity to your conflicts. Explore themes of power, redemption, and the consequences of choices made in the face of adversity.
Research is essential: Even in a world of imagination, research plays a crucial role in grounding your story in reality. Whether it's drawing inspiration from historical events, cultural practices, or scientific principles, thorough research can enrich your worldbuilding and add depth to your narrative. Even fantasy worlds and elements require some sort of basis to make them more believable.
Revise: Like any genre, writing fantasy requires extensive revision and polishing. Be prepared to revise your manuscript multiple times, seeking feedback from beta readers or critique partners to strengthen your story, characters, and worldbuilding.
Happy writing!
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#writeblr#writing#writing tips#writing advice#writing help#writing resources#creative writing#plot development#worldbuilding#fantasy worldbuilding#fantasy#fantasy writing#deception-united
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Thinking of a fantasy something au where you go pray to a winged angel statue for guidance, protection, and health for your parents and siblings, but never praying for anything for yourself.
The statue was something you stumbled upon after one long day of work in your parents family owned bakery within the small village you all lived in.
The statue had jagged, broken wings and the head was missing too. Though the statue's hands still held out to anyone and everyone.
Despite the statue being broken, you saw it as a sign that maybe the aeons were listening. Your family and the village keep getting tormented by sickness, taxes, and criminals who come and ransack the place everyone fews months.
It was all getting too much. Medicine was overpriced, traveling merchants were cruel and unjust with their prices, the lord of the land demanded a heavier tax, and the knights never lifted a finger to help.
So you sought an aeon's guidance. You weren't well educated. Reading, writing, and such were far above your knowledge. So learning about the aeons was something you could never delve into. (You did try to teach yourself once, but to no avail it was too difficult. And hiring a tutor would be something you couldn't afford.)
"Please, I may not know your name, nor your blessing, but please help my family and the village."
Nonetheless, your lack of knowledge and there of did not stop you from cleaning the statue, placing small offerings in front it, and praying.
Though, that day had been particularly rough, so after your prayers, you had laid your head at the foot of the statue, your eyes closing as you hugged yourself. You didn't want to go home. Not yet. You knew you wouldn't be able to nap there. And as you dozed off, a figure materialized beside you. Your head being fixed into his lap as he gently ran his fingers through your hair.
"Silly girl, you don't have to give me gifts to be blessed."
Sunday bent down then and placed a gentle kiss to your forehead as a silent promise that he will start helping you.
The key word there being; you. He could care less about everyone else. Because out of everyone in that village, you were the only one who sought him out. Devotion as such as yours should be blessed, should it not?
#hsr#honkai star rail#hsr sunday x reader#sunday x reader#sunday#sunday x you#sunday x y/n#honkai star rail sunday#hsr sunday
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donnie had. SO. much concept art lol. i really enjoyed the whole design process though. his base design is very difficult to work with because of the battleshell, but it gave me a lot of chances to get creative and i'm happy with the results :)
(also as a disclaimer so i don't get asked about this: i don't have motivation to finish raph or the wish art for donnie, so i'm just posting what i've got)
i didn't annotate these as much since there'd be a lot to write, but i'll write out some of my thought processes and go into some detail about his final design below the cut if you're interested! (it's long. i'm talkative 😔)
1st row - first iteration; much more literal 1:1 translation of his design into a fantasy setting. very steampunk-y. ended up completely scrapping it because, simply put, he looked more like an npc than a playable character. obviously, several features did still carry over throughout the design process :3 also wanted to imagine his attack pattern cuz i thought it'd be fun to incorporate his spider arms.
this was actually the first design of any of them i'd come up with! i've definitely learned a lot about genshin's character design style since then and i think it shows 😂
2nd row - playing around with the idea of a floating battleshell (rather than a backpack-like one in the the show & first version), inspired by nahida's cape. also hard light constructs/attachments. was leaning too into the sci-fi and rectangular motifs with the design, but i liked the idea.
3rd/4rth rows - concepts for his final outfit and shell designs (the colored/more-detailed pics are the more finalized ones). took a lot of inspiration from sumeru this time around. it's a lot sharper, shinier, and less rectangular than his og aesthetic, but i think it's more in-line with genshin's design philosophies.
5th row - not entirely sure why i went through all the trouble of making a 3d model for this. i mostly just thought it'd be fun and good for reference. i was right, but i don't know what to do with it now lol. can't be bothered to be a perfectionist about it though, so don't look too closely at it 😭
6th row - incomplete thumbnails of his burst/wish art. not super sold on that "wing" design in particular, but i do like the idea of his shell splitting and deploying hard light weapons/rocket launchers/etc sort of like in canon.
battleshell/misc notes - i'm thinking his battleshell is controlled using the pink sensor on the back of his coat, possibly in combination with his headset. it floats behind him by default and is sturdy enough to protect his back, but he can also freely fly it around like a drone if he wants. the holes on the side are mainly for the spider arms and the banners(?) and handles(?) with the blue/pink gradient are made of hard light and only appear when the shell is in use.
i imagine like in the series, his tech here isn't necessarily very reliant on his vision/powers; much of it he likely made himself long before he received a vision and he just uses his vision to enhance it.
his burst is a barrage of missiles from his shell that lock onto an enemy and deal a large burst of electro damage in an AOE. not sure if i want his skill to be a deployable or some sort of electro-infusion/boost 🤔 maybe something that involves deploying his shell to boost his damage while leaving him vulnerable, like a glass canon? though i'm not sure he'd be that sort of risk-taker... 😅 dunno! his signature weapon would totally be his tech bo though.
that's about all i can think of. thanks for reading!
#rise of the teenage mutant ninja turtles#rottmnt donnie#rottmnt au#rise genshin au#rottmnt art#my art#mangastudio#3d#art#process
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Got anything for dialogue
Writing Dialogue 101
Dialogue is conversation, nothing more, nothing less. The catch is: diagloue is EDITED conversation. It must be more concise, purposeful and witty than the everyday sentences we speak, while sounding natural.
The Purpose of Dialogue
Diaglue is definitely a fiction elements that pops everything up and out. Thus, dialogue is going to have more impact than your normal paragraphs, in order to:
Characterizes/reveals motives
Sets the mood in the story
Intensifies the story conflict
Creates tension and suspense
Speeds up your scenes
Add bits of setting/backgronud
Communicates the theme
Matching the Dialogue to the Genre
The dialogue in a book should speak the reader's language. There is a type of voice that suits each genre/category of fiction, and we must understand what matches the reader expectations and rhythm of the plot we are writing.
Magical Dialogue
"Do not kill him even now. For he has not hurt me. And in any case I do not wish him to be slain in this evil mood. He was great once, of a nobel kind that we should not dare to raise our hands against." - The Lord of the Rings, J.R.R. Tolkein
"As much as I want you and want to be with you and part of you, I can't rear myself away from the realness of my responsiblities." - The Bridges of Madison County, Robert James Waller
This is the language of The Hobbit, Star Wars, The Lord of the Rings, The Wonderful Wizard of Oz.
When writing literary and mainstream fiction (that is targeted at the general public rather than a target audience), we need to go with what sounds real, even with a magical setting
Science fiction and fantasy can be more unreal, i.e. things like "May the Force Be With You."
In romance, magical dialogue takes on a differen form. It's magical in that it transcends the way we talk to each other in normal society. Magical in that all of it makes perfect sense and is said in such eloquent langauge that we marvel at it while at the same time knowing that if we are left to ourselves, we would say something absolutely banal.
Cryptic Dialogue
"You know, the condom is the glass slipper of our generation. You slip it on when you meet a stranger. You dance all night, then you throw it away. The condom, I mean. Not the stranger." - Fight Club, Chuck Palahniuk
This is the dialogue in literary and religious stories that dealw ith abstract ideas and vague concepts and has double meanings. Readers aren't meant to understand theses right away.
These bits of dialogue plant sublimnal messages in the reader's mind that help communicate the theme later on, ultimately making sense.
Cryptic dialogue is difficult to do well. If we're not careful, we'll end up sounding preachy, moralistic and dogmatic.
You need to be able to view the world in different perspectives.
Descriptive Dialogue
The literary, fantasy and historical story often relies on dialogue for worldbuilding (expplaining history, magic rules, etc.)
The author's goal in descriptive dialogue is to provide the reader with information. However, the character's goal cannot be sacrificed for the author's. Dialogue can still have tension and suspense and can be inserted into a scene of action so the story doesn't bog down while the readers get some info.
Shadowy Dialogue
In shadowy dialogue, the character's job is to keep the reader suspended in a state of terror/suspense. Then you periodically tighten and loosen the tension.
The key here is uncertainty. The reader cannot trust the speaker, so we're always questioning him, wondering whether he's speaking truthfully or is presenting the full picture.
Keep the tone as dark of possible, using action and background as supporting tools.
Make it cryptic, or even better, offering an omnious threat of what is to come.
Provocative Dialogue
This is the type of dialogue that conveys the theme, talking about the "universla truth" your book is trying to convey.
Readers like to be challenged in their thinking, provoked to consider other ways of thinking, and shaken up in their belief systems with a fresh perspective about the world.
Consider this example from To Kill A Mockingbird:
"...but there is one way in this country in which all men are created equal - there is one humna institution that makes a pauper the equal of a Rockfeller, the stupid man the equal of an Einstein, and the ignornant man the equal of any college president."
There is no way we can read this and not think about something that is bigger than our daily lives.
Make your readers squirm, and shock them out of their comfort zones.
Uncencored Dialogue
Uncencored dialogue in YA stories are of young people, but that doesn't mean it's filled with hip-hop words and slag.
While adults cencor themselves when they speak, teenagers haven't yet learned that skill so their dialogue is more raw, edgy and honest.
Readers of YA novels expect realism, so make it as authentic as possible. The last thing we want to is for our characters to be brash and honest, but NOT sound like they've just stepped out of Planet Way Cool.
For example:
"What if he doesn't like me back?" "You are too much of a chicken to do anything aboutit but mope."
As an adult, how often do you admit fear of rejection out loud to another, or call out your friend to her face? In YA-type of dialogue though, we can just write what comes into these characters' minds.
So that sums up the different types of dialogue. Consider the nature of your plot, what your readers and the genre of the story you are writing to choose an appropriate way for your characters to speak!
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
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Hello! I hope you're doing good
I saw your post the other day that you were accepting requests but I don't know if you still are, but if you are, I was wondering if we could get some Nolan Grayson content👉👈
Nolan Grayson NSFW alphabet
I was given the chance to write anything, so alphabet time. This is post season 2 Nolan, cuz hes my bbygirl, and I think hed be a better partner in general.
A = Aftercare (what they’re like after sex)
I don’t believe viltrumite culture really does aftercare. They sleep together to have offspring, or maybe as a dominance thing, but I can’t see them doing a lot of healthy kink stuff, or just cuddling afterwards. He probably did something akin to it with Debbie, but its only after leaving it all behind after season 1 and getting with you that he would start to see more importance in it, especially when you give him a lot of aftercare whenever you are in charge. Hes not the best at it yet, but he does try.
B = Body part (their favorite body part of theirs and also their partner’s)
On his partner, Nolans favorite part would be any muscularity they have, or if you happen to have a beard. If you have neither then its his partners thighs and hands. On himself its his muscles, especially his torso and arms.
C = Cum (anything to do with cum, basically)
I hope you got a bucket, viltrumites get the kryptonian treatment in this house. Which means, theres so much cum. Nolan produces even more than Mark. Mostly because hes older and is in his “prime” if that makes sense. Unlike Mark though, Nolan doesn’t see the amount he makes as an annoyance, since hes still quite prideful. You do catch him puffing out his chest a little if you mentioned its something you find attractive though.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
Has always had fantasies of being dominated or defeated in battle, whereafter the enemy will have their way with him. He has never once acted on these fantasies, but now that he’s with you and has gotten a reality check he might little by little try to step out of his comfort zone. Has had a few fantasies of being defeated, captured, and made into some kind of trophy wife, think like Leia in the slave dress type situation.
E = Experience (how experienced are they? do they know what they’re doing?)
Theres no way to know how old Nolan is, but its assumed hes thousands of years old. This doesn’t mean hes got a lot of experience, since like I mentioned before, I believe viltrumites only do it to reproduce or for dominance. Hes probably gotten more game on earth than most of his life up till that point, so theres things you’ll have to teach him.
F = Favorite position (this goes without saying)
Any position that puts you above him or has you pinning him in some way, especially loves any position where you choke him in some way, be it your hands or with your arm. When hes feeling more dominant himself you better except him to pull an amazonian position or something like that.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
Nolan is serious in most situations, and the bedroom is the same, especially since part of him feels a little strange just doing it for fun like this. But also because Nolan thinks he has to pay attention and learn, to make up for his less stellar experiences in the past.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
Nolan doesn’t shave any of the hair on his body, except for his beard to get his usual stache. Viltrumites I believe would take pride in their bodyhair. He does keep it neat and tidy though, kinda like a controlled chaos.
I = Intimacy (how are they during the moment? the romantic aspect)
Nolan doesn’t really know how to be way too romantic in the moment, since being in love without a purpose is still so new to him. He has his moments though, where he just kinda looks his partner in the eyes with the most love filled eyes. Saying it, is still difficult though.
J = Jack off (masturbation headcanon)
The normal amount for viltrumites his age, which I believe would be once a day or once every two days, just to keep themselves from backing up too much of it. up until recently hes probably mostly done it for his health, but after getting with you he starts to do it for fun.
K = Kink (one or more of their kinks)
Doing it in the suit, or just his cape for that matter.
Strength and power in general.
Blood kink, pain kink, what comes with fighting.
Sparring and training with his partner.
Powerplay
BDSM
Sensory deprivation
Asphyxiation and choking
Edging and overstimulation
Breeding (secretly, on him)
Roleplay (like the slave Leia and owner type roleplay. Getting this from him will be almost impossible though)
Dom/sub or master/slave
L = Location (favorite places to do the do)
Nolan could honestly do it anywhere, he doesn’t have a preference. That comes with being his age and having an ego like viltrumites tend to do. Hes a preference for doing it on battlefields or wherever you guys spar though.
M = Motivation (what turns them on, gets them going)
Its not that hard to get Nolan going, but hes much better at containing it than Mark, but that’s more because of age and life experiences. The easiest way to get him going is to get his adrenaline up, so sparring or even outright fighting. That, or just jerking off somewhere nearby, cuz he will hear and smell it with ease.
N = No (something they wouldn’t do, turn offs)
Share. Nolan wouldn’t share himself or his partner with anybody, he is very possessive. Especially other viltrumites. It would be like putting to male hamsters together, one of them dies before its over.
O = Oral (preference in giving or receiving, skill, etc.)
Didn’t have much of a preference in the past since it wasn’t really anything he paid too much attention too. But with Debbie he preferred receiving, since it was the more “dominant” role. But with you he learns that he quite likes giving, he just has a hard time in the beginning getting on his knees below you.
P = Pace (are they fast and rough? slow and sensual? etc.)
Depends on the situation, but most of the time its slow and hard. But if its after you guys have sparred or fought, its faster and even rougher. He loves when you treat him roughly too. But there are times where its more slow lovemaking than anything else.
Q = Quickie (their opinions on quickies, how often, etc.)
Nolan doesn’t have anything against quickies, its just not his favorite. If you both are in the mood, sure he enjoys it, but he prefers when you guys can take your time. But this also stems from viltrumites having so much damn stamina that one quickie doesn’t even scratch the itch.
R = Risk (are they game to experiment? do they take risks? etc.)
Nolans for trying most things, even more dangerous stuff, unless you are vulnerable like a human or something else in that genre, he wouldn’t want to accidentally crush you with his thighs or anything.
S = Stamina (how many rounds can they go for? how long do they last?)
More stamina than you could imagine, you can’t even dream of keeping up unless you are a fellow viltrumite, like Allen, or some other species like that. Could probably go nonstop for days, if not a couple of weeks without having to slow down. In the end, even If you are a fellow viltrumite, you guys probably just stop more out of boredom or because you have other things to do than exhaustion.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
Doesn’t own toys, and doesn’t really see the purpose for the most part. Of course, he still has fantasies where they fit very well, but Nolan won’t admit it even if you can tell hes thought about it from his blush.
U = Unfair (how much they like to tease)
Depends on his mood for the most part. If you guys are alone, I could see him getting handsy or mumbling the raunchiest of things. The type to “accidentally” rip your clothes just right, or his own clothes for that matter, just to show off a little. He loves when you tease him too, he’s just still very bad at waiting it out.
V = Volume (how loud they are, what sounds they make, etc.)
Not very loud, even if you’ve somehow gotten him deep into subspace. He’s mainly grunts and groans, and he clenches his teeth a lot, meaning you’ll have to put something in his mouth. But if you do put something in his mouth, you might get some gasped moans and whimpers if you’re lucky.
W = Wild card (a random headcanon for the character)
Has written multiple very successful adult novels under a penname when he lived on earth. One happens to be an extremely popular series based around his own most shameful (in his opinion) fantasies, involving a muscular warrior put under the boot of an even bigger and more muscular warrior. He’s not good at it, but Nolan likes to draw. It tends to mainly be doodles, but he’s surprisingly good at vehicles and landscapes.
X = X-ray (let’s see what’s going on under those clothes)
Very big and thick, like, you are so lucky he turns out to like bottoming the most. How Debbie took it, you’ll never learn, but that woman deserves a damn medal. Both a grower and a shower, you think he’s big when he’s soft, you’ll be in for a surprise when he gets hard. Veiny and uncut.
Y = Yearning (how high is their sex drive?)
Its always been quite average for a viltrumite his age and position, meaning he was fine taking care of himself up until now. Now Nolan finds himself fumbling every now and then, because he feels like an uncontrollable animal at times with how much he wants it. Nolan is able to suppress it though, more for his own pride and dignity than anything else.
Z = Zzz (how quickly they fall asleep afterwards)
Nolan doesn’t really fall asleep afterwards on the regular, its only if you’ve really wrung his dry mentally, by for example putting him in subspace or similar. But its almost impossible to get him physically tired enough to sleep. He does like to cuddle afterwards, even if he doesn’t like to admit it.
#male reader#invincible#nolan grayson#omni man#invincible imagine#invincible headcanon#invincible x male reader#invincible x reader#nolan grayson imagine#nolan grayson headcanon#nolan grayson x male reader#nolan grayson x reader#omni man imagine#omni man headcanon#omni man x male reader#omni man x reader
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guts
summary: Wednesday confesses her feelings for you in her own Wednesday Addams way.
warnings: cussing and fake death (mention of blood)
word count: 2,514
a/n: this is based off of this post! This sucks, just a fair warning. I love Wednesday and I know how she would do romance, but articulating it is super difficult. I'm hoping I can get better at writing her since this is only my first time and I love her so much. Anygays, enjoy!
The day had been dreadful for you.
Dreadful in the sense as it being so awful that you wanted to go home and just gently cry yourself to sleep. Ever since knowing Wednesday, you had realized just how potent perception was to each individual. A dreadful day for Wednesday would end with a gentle tugging of the corner of her lips before crossing her arms comfortably across her chest.
They were not the same. It didn’t take much effort into noticing the differences between the Addams family and the rest of the world. And yet, the two of you always seemed to get along. Well, getting along in terms of Wednesday Addams. That meant there was less scowling and a minimum amount of threats within the presence of each other.
Developing a fascination with Wednesday was almost instantaneous for any and everyone. Harboring a crush for the goth wasn’t an unusual occurrence either. Being compared to Wednesday only meant pointing out all the differences between Wednesday and the other person. It was only natural to become intrigued by the lifeless, unblinking stare and morbid interests.
As for the feelings, Wednesday Addams was aesthetically pleasing to the eyes. Her pale skin and raven hair were stark yet appealing contrasts with freckles sprinkled around. One could simply not fall in love with the goth after noticing the sea of freckles. Not to mention how soft and full her lips looked, always pale but darker than her pale skin.
The aurora that surrounded her and the way she held herself were both handsome attributes that lured you in. Her intelligence was admirable (as well as sexy if anyone was to ask you). Her voice was often times even and lifeless as she spoke, or even and factual; the sound was always pleasing to the ears, caressing the skin of your body and your heart.
It was when emotion trickled through her voice that you were really left weak in the knees. The fact that ninety-percent of that was directed towards you when conversing? Well, it would be more of a mystery to not fall for her.
So, yes, you were completely and utterly infatuated with Wednesday Addams. Her grace and beauty were so captivating. The goth’s entire being was an addiction for you.
Wednesday wasn’t a romantic person though. She burned romance books and nearly fell ill whenever Enid or Divina decided to display a romcom. Any form of affection had her wrinkling her nose and stitching her eyebrows together in a ferocious, pout. She always made discouraging remarks about Ajax and Enid’s relationship; everyone only knew the remarks were half-assed because the rainbow werewolf had managed to worm her way into the goth’s heart.
Yoko and Divina holding hands as they walked along the lake or cuddled on the couch for movie night always prompted a scowl from Wednesday.
Of course, everyone knew how much she abhorred physical touch. Despite wanting to drift your fingers through her bangs to smooth them out after a vision or lightly drag your fingers along the palm of her hand, you never did. Kissing Wednesday was the most prominent and recurring fantasy of yours, but you left it at that.
You respected Wednesday’s boundaries and loved her too much to attempt to cause the girl any discomfort.
Even with all of the walks to classes and shared isolation wasn’t enough to warrant suspicions from you. The only person allowed to be present during Wednesday’s writing period (Enid would be there wether she was allowed or not) was you. You’d never once asked to read her novel, but you did mention wanting to if Wednesday ever changed her mind; to that she had just hummed thoughtfully.
Her eyes were always a shade lighter and her face marginally softer when in the company of you. She declared you were the least annoying person out of “this group you all like to label as a friend group.” To Wednesday, it was just a group of people that she didn’t want to kill (as badly as others). Even her digs at you weren’t as callous as the others.
Enid had been trying to convince you to make a move because “Wednesday totes likes you!” but, “is too stubborn to make the first move.” But you’d spent enough time studying Wednesday and enough time putting yourself out there just to be shut down, to not make a move. You wouldn’t label the relationship between you and the goth as a friendship, but in their own unique slash dysfunctional slash bizarre way, they were friends.
You didn’t want to lose the nights of wordlessly stargazing after having watched her practice her cello, of days where she glared at Xavier in botany for even attempting to converse with you, of philosophical spiels from the goth and her in return trying to keep up with your hyperfixations, of her warning you to be careful if you were in the woods alone before deciding to accompany you because it was the “smarter” decision.
Wednesday was different with you from the others, you knew that, but the reasoning having to do with romance was absurd.
Absolutely, completely, and totally absurd.
Yoko was staying at Divina’s for the night, so you flipped the light-switch as soon as stepping foot into the shared dorm. You made sure to lock the door behind you, knowing that Wednesday would pinch your ear if she found out you didn’t.
She always threatened to hurt you if you got injured or killed and glared when you would laugh at the irony. You didn’t really mind though, because you could only find her scowl adorable and not intimidating. Though, you’d never dream of saying that to her. She’d probably either ignore you for a week or stick needles in her eyes.
You dropped your bag off by your desk then went to your closet to find some pj’s. As heavy as your limbs were and how your eyelids kept drooping, you knew you needed a shower and showers before bedtime always helped you sleep better. So, you quickly brushed your teeth and turned all of the lights off.
The last thing you did before rolling onto your side and easily drifting off to a different state of mind was plug your phone in.
You weren’t sure how long you had been under Mr. Sandman’s spell, but the sky was just as thickly black as before and Yoko wasn’t back. In fact, the door wasn’t even opened. The window leading into your shared dorm was opened barely an inch, and you knew it had been shut before going to bed. No one could get into your room from there anyways, unless they were Spider-Man and could climb walls.
The chilly noise that had roused your from your sleep wasn’t uttered again. Deciding you were probably only half-asleep and imagined the noise, you moved to curl back up in your previous position. But then there was a thump and a swirl that sounded like a body zooming across the room, ending with a thud on the floor.
Considering your deep-rooted love for horror and having faced a Hyde and a Pilgrim raised from the dead, not much could scare you at this point. Your hand was sturdy as it reached out to turn your lamp on and the racing of your heart wasn’t an obnoxious thump but a steady hum. What you saw next had your heart stilling in your chest.
“Wednesday!”
You leapt off the bed without a second thought and rushed to the aid of a seizing goth. Her body flung itself so she was on her back. Despite her head flinging this way and that and the rest of her body spasming, you quickly grabbed her and cradled her against your lap.
“Wednesday! Wh-what’s happening?” You asked despite her seemingly partly unconscious.
Two shallow breaths scratched the thick air around them and then Wednesday’s small body slumped. While it wasn’t unusual for the goth to be laying exceptionally still and her face expressionless, it was dialed to one-hundred. Or more like negative-one-hundred from how still and chilly she was.
There was blood scattered all over her body, turning her black clothes even darker. Even her sweet face that held so much information with the lack of expressions had blood splashed all over. There was barely an inch of her skin that was just her pale complexion and not slick blood. Her bangs that you were so obsessed with were messy and the rest of her hair was goopy with blood.
You gently cupped her cheek, as if that would keep the Addams girl from being harmed. She was already unmoving and unresponsive, you didn’t want to make matters worse. You couldn’t hurt Wednesday, especially when she already was so terribly hurt.
You sniffed and strummed your thumb along her elegant cheekbone. Her already chilly skin was even cooler, causing your fingertips to twitch and the rest of your body to spasm. Tears were cascading down your cheeks and dripping onto Wednesday’s face. You hadn’t even realized you were crying, you didn’t feel the slick heat on your cheeks or your eyes burning.
You didn’t feel anything. All you could feel was the barbed wire tightening further and further around your trembling heart. You were sure you were bleeding internally from her heart, and you hoped it would overflow so that you wouldn’t have to live in a world that didn’t have the insatiable Wednesday Addams in it.
“Wednesday, come on, wake up. This…” You swallowed hard. “This isn’t funny, though I know you find your cruel shenanigans to be just that.”
Seconds ticked by without a witty remark from the cold girl in your arms. Tears kept spilling down your face, so much so that you could wipe all the blood off of Wednesday. When too many tears blurred your vision and you could never see the most beautiful person ever, you dropped your head to her chest and clung to her tightly.
‘I should’ve listened to Enid.’ You couldn’t believe that something so horrible and so horribly cliche could be true! All this time you had waisted pining for Wednesday and now she’ll never know how you truly feel about her. You’d never get to know if she’d rather know or not, even if she didn’t feel the same.
Enid.
How were you going to explain this to her? The person she deemed her best friend, the girl she risked her own life to save last her, her roommate, was now dead. Someone so special in life and to Enid’s heart was no longer going to be around to threaten people and stun strangers and make their classmates laugh.
The girl you loved was gone.
“Oh, cara mia, it was all just a playful ruse.”
You jerked away from that metallic voice grazing your skin and kissing your ears. The rare tone of voice that was either used when speaking about a devious plan or talking to Uncle Fester or Enid. It was smooth and warm with a slight rasp tickling it, but still even and steady like her daily, monotone voice.
When you jerked away, you were met with a smile gracing the lips of the girl you had thought was dead. For a full sixty seconds, you were sure that Wednesday had been possessed because Wednesday Addams did not smile. But then you remembered her smirk at Outreach Day when her and Thing had successfully ruined the event, and you remembered the very few times she had snuck a smile here and there.
You could hear Enid’s voice in your head screeching how Wednesday looked at her with the goth’s own version of heart eyes. And you remembered how Wednesday would escort you to class and offer to hold your books, how she’d sit with you at lunch and didn’t threaten you like the others. How angry she got whenever you were careless and your safety was at risk.
That smile was innocent and it was infectious. A one-hundred-percent, bonafide Wednesday Addams smile.
Her hand cupping your cheek startled you from the reverie you had been induced in. The subtle shutter had that small smile widening and a warmth flooding her eyes. You always found the girl to be so beautiful that there were no words to adequately describe her, but this smile and the heat in her eyes was something even more remarkable.
She ran her thumb along your cheekbone and smirked as you leaned against her delicate touch.
“Y/N, my heart beats when your heart beats, and I suffer when you suffer. Which is not as fun as I expected suffering to be. As long as the earth rotates, that will never change. My fealty belongs to you and my heart will never forget the kiss your presence has left on it.”
Even if you had ever fancied the thought of Enid being right, you never in a million years expected Wednesday to say that as her love confession. And definitely not with that smile that kept trying to pull up further! You jerked your head down and counted your fingers and were left stunned to count ten. So you weren’t dreaming.
Your heart was thudding harder against your ribcage from that declaration of love than it had been when you thought Wednesday was dead.
Dead. Right. This whole sweet and enchanting confession was only given after she had faked her death. She pretended to die for what exactly, your reaction? If you hadn’t reacted appropriately would she have left you to believe she was dead? Or would she have woken up and left unimpressed?
As relieved as you were that she was alive and you got to do the next thing, you were pissed at her.
You smacked her - hard - on the bicep and glared at her. “Wednesday Friday Addams!”
“I’m assuming this is in response to my flawless scene I had enacted of demons possessing my body and effectively murdering me.”
“Yes! This is in response to…all of that!”
Your response only made her grin bigger. You guessed that it was only satisfying Wednesday’s knowledge of you reciprocating her undying love. As aggravating as it was, it was what made Wednesday Wednesday and you loved her more than breathing.
Sighing, you cupped her face and rubbed your thumb against the red stain on her face. “I’m assuming this is pig’s blood.”
She gave a single nod of her head, her eyes doing all of the smiling for her. “My smart girl.”
There weren’t any powers in the world that could have prevented you from shuddering at that compliment.
Wednesday’s smile morphed into something wicked, very on par for her, and she began to lean in.
“Darling, as much as I love that devious brain of yours,” she smiled brightly, loving the adjective. “Don’t you ever scare me like that again.”
She gave a solemn nod of her head. “Allow me to make it up to you, cara mia.”
And with that, you finally let your love kiss you.
#gfaddamswritingcorner#ghostfaceaddams#wednesday addams#jenna ortega#wednesday addams x y/n#wednesday addams x reader#wednesday addams x female reader
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mutual understanding
Chapter I | Chapter II: Time for a little truth | III | IV | V
PAIRING: Kenpachi/AFAB!Reader CONTENTS: AU - Fantasy, Medieval, Royalty, Arranged Marriage, Misunderstandings, Miscommunication, Pining, Explicit Sexual Content in later chapters. WARNING FOR THIS CHAPTER: Mentions of mild blood and minor violence. WORDCOUNT: 3404
Summary:
Despite your first hand experience, it was getting difficult to admit to yourself that Kenpachi wasn’t actually as bad as he initially seemed. He was violent and obsessed with fighting, that was obvious and even more so when you started living there, but he had never treated you roughly. Not even a single word out of place towards you, less alone one threatening action.
Notes:
I struggle writing this chapter a bit, confrontations are hard lmao but they are always necessary and i'm glad we can move on to sexier parts now!
Let me know if you wanna be tagged!
header by me, divider by @/saradika
taglist: @actuallysaiyan @lol-ktr @vrgelivvvv
The night was beautiful. It had been raining days prior, and you couldn’t wait to go for a walk in the garden that night. It was the only alone time you had, with no maids trailing behind your every move, not when they didn’t notice you sneaking off.
You rarely went past the trees signaling the limit of the palace. The forest was on the other side, and people rarely went too deep into it, knowing what kind of magical creatures existed was enough to ward anyone off.
You only wanted to explore a little, not enter the woods completely, but as soon as you took two steps into it, something felt off.
The first thing you heard was a distant howl, before a gust of air threw you down onto the ground. Your vision got blurry, heat covering your body as claws tightly held onto your arm, digging into your flesh. You couldn’t even scream, completely confused as to what was even happening, and who or what was even attacking you. Blood trickled down your arm, and that was when you could finally let out a shaky cry.
Whatever was holding you suddenly dropped you, and you fell with your back against the dirt, breathing heavily as the world stopped spinning rapidly enough so you could open your eyes and focus.
You gasped loudly at the sight above you; an enormous man with an eyepatch and a scar across his face standing in front of you, holding a sword. Half his face covered in blood, making your body shiver in fear.
You barely crawled away before feeling too weak to keep moving, heart beating fast inside your ribcage, and you kept your eyes on the man in front of you, holding onto what was left of your consciousness as you heard far away voices resonating around you.
“Captain Zaraki just saved a girl!”
“Was that a werewolf?!”
“That’s the princess!”
“We need to get her back to the castle!”
You woke up, feeling hot and sweaty under the blankets, gasping for air at the flashback you had for a dream.
That was the day Kenpachi saved you, the day you met him for the first time. It was embarrassing to even remember, as you had been more afraid of him than you had been of the actual creature that had harmed you. Albeit you hadn’t actually seen the werewolf. You only found that Kenpachi had sliced him in two once you woke up a few days later and one of the maids informed you about it.
You still didn’t know what to think of that experience, only that it made your blood run cold at times.
It has been a couple of weeks since you had moved to the castle, and the days passed by easily. You didn’t feel as tense as the first few days, when you were still testing the waters of the place.
Yachiru was actually a good company, despite her short age. She was vivacious and gave you strength and hope with her every move. You even met Ikkaku and Yumichika one night while you took a walk through the gardens, and even though they weren’t as strong as Kenpachi (not that you cared, but they let you know the fact nonetheless), they were much easier to talk to than your husband was.
Once Kenpachi had given you permission to reorganize the garden (his exact words were ‘do whatever you want’), you focused solely on that, and as the early weeks of fall began, the weeds and overgrown grass had been removed completely. You knew it was a bad time to start planting seeds; if the cold in the first few days didn’t kill the plants, the snow might do that job once winter arrived. But you couldn’t wait; it was the only thing that kept you occupied.
As soon as you became more familiar with the castle, you realized there wasn’t a library or a banquet hall. Why would there be any of those rooms if Kenpachi did not seem like the type to enjoy those things? Nevertheless, you wanted to fix that, but in order to do that, you had to ask your husband about it, and you felt like you might be overstepping with such an expensive and ambitious project. The garden will have to be done for now, and once that part was done, you could move on to something bigger.
Yachiru was helping you a lot in her own way, spreading the seeds across the soil of the garden (and though you specifically told her not to mix them you knew she was doing it), and once you were done for the day, you headed back into the castle.
“Are we gonna do that again tomorrow?” She asked cheerfully, running across the entrance.
“Tomorrow we have another task for the garden, we have to water the soil, remember?” You said, looking at her with a smile. “We have to do that everyday, and hopefully flowers will bloom by spring!”
“We’ll have flowers by spring?” Yumichika asked, walking through the entrance along with Ikkaku.
“I am planning for that, however it does depend on the weather, and how crude these colder months are.” You replied with a soft smile. “I have faith that they will bloom!”
“Flowers never really grew in that place,” Ikkaku commented, looking at the still brand new garden through the window. “It was always full of weed, nobody really cared for it.”
“My mission is to make this place nicer! Once the garden is done, I wish to create a ballroom!”
“You want a ballroom?” Kenpachi's deep voice resonated from behind you, making you jump. “Why?”
“Well… So people can come over…” You replied quietly, turning around to face him with unsure eyes.
“Come over for what?” His frown got deeper and it only made you more nervous.
“For socializing! Dancing and eating, mostly.” You replied, confused and slightly irritated. “Is that not to your taste?”
“We never had dances!” Yachiru replied, loud and joyful. “I bet it’s super fun!”
It was your turn to frown when you heard him sigh like he was annoyed before he spoke.
“I will never understand women.”
An uncomfortable feeling raised inside you, more rapidly than you expected when you noticed from the corner of your eye that Ikkaku was looking at the both of you with eyes wide open, and Yumichika had covered his face with his palm.
Embarrassed and frustrated, you couldn’t contain it even if you tried.
“And I do not understand you.” You spat, looking up at Kenpachi as if he wasn’t twice your size. “Are you going to deny this to me? It is your right to do so, but this would not even be an issue if we were not married. You could have vehemently said no to this union, even escape from it! So I might as well enquire why exactly did you accept it? I was the one who had no choice!”
You kept your eyes on his for a moment as he stared at you, wide eyed, as if you had sprouted another head.
Not interested in listening to whatever that could have been said, you ran out of the castle towards the garden.
*
Kenpachi stood there looking at you as you got smaller the further you ran, and was only brought back to the present time by Yachiru’s voice.
“Dumb Kenny.” Yachiru commented, way too loud for Kenpachi’s taste, but he only turned to look at her, confused and annoyed. She paid him no mind and only ran up down the hall towards the kitchen.
“What in the hell…” He grunted, unsure of what to do. Under any circumstances, he would start a fight, but even he knew that was a terrible idea.
“Captain,” Yumichika called for him, making Kenpachi turn to him. “With all due respect, you are an idiot.”
“What?” Kenpachi practically growled, but Yumichika went on despite the threatening tone.
“This girl is alone here, with no friends, no one she can confide in, and you just made her feel more alienated than ever. She had no choice in coming here, and she cannot leave at her own free will either. I suggest you actually tell her the truth.”
“What the hell are you talking about?”
“You have affection for her, don’t you?” Yumichika asked softly, not really expecting an answer. “Go talk to her and tell her the truth. She will say she doesn’t want to talk, but pay it no mind. She’ll want to know.”
“How do you even know that?” Ikkaku asked, arching an eyebrow.
“I actually have the emotional range of a human being.” Yumichika rolled his eyes.
“Shut up.” Kenpachi grumbled, pondering on the idea of actually telling you how he was feeling for a while before deciding it was the right thing to do. “Fine, whatever.”
Walking out the entrance and towards the garden, he tried to organize his thoughts. It wasn’t like he was a complete prick; he knew what could be insulting to say, he simply didn’t care for those things. But apparently you had been uncomfortable since the moment you’ve been declared husband and wife.
Kenpachi hadn’t actually thought about anything regarding your life and feelings, simply because he hadn’t paid too much attention to details beyond what you had shown him. He had even let you have the bedroom all for yourself because he assumed you were terrified of him; the way you looked at him the first time you met spoke volumes. And even occasionally you seemed petrified whenever he was around, even after you’ve been in the castle for weeks.
It had pissed him off to hear you talk about him behind his back the way you had, though it probably came from a place of fear rather than arrogance, no matter that you moved around like the princess you were. That lovely bit of confidence he saw in you when you still lived in the palace diminished terribly when you moved to his castle, or at least around him it did, and he wasn’t going to keep contributing to it.
Out in the garden, Kenpachi spotted you underneath a tree, sitting on the ground with your knees to your chest.
It was time for a little truth.
“I do not wish to speak to you.” You said, voice shaky, as soon as you noticed he was nearby.
Kenpachi didn’t get any closer, but he spoke, regardless of what you said.
“Just shut up and listen.” He sentenced, making you turn your head slightly to the side, enough so he could see your glossy eyes. Trying to pay it no mind, he went on. “I know marrying me wasn’t your choice. I was greedy. I didn’t want to refuse that opportunity so I didn’t really put up a fight when your father told me to marry you, even when you made it clear that you think I’m a barbarian. I didn’t care.”
Your frown and sniffle distracted him momentarily, especially when your eyes kept avoiding his. You had turned to face him, but you weren’t actually looking at him at all.
“I hate how you keep looking at me, like I’m going to kill you at any given chance.” Kenpachi admitted through gritted teeth. “I didn’t really think about how this marriage would affect you so if you wish to leave and go back to the palace, I’ll make it happen.”
He spared you one last glance at you before turning away, when it was clear you wouldn’t respond to his words. You seemed even smaller, and the way you briefly looked at him before he left made you look powerless.
*
You stared at Kenpachi as he walked away, surprised and confused, trying to focus on one of the things that he said at a time.
He was being greedy? About what, exactly? It wasn’t like was using the dowry money to expand his fief. He didn’t even want you to expand the castle at all. His greediness did not involve money, so why did he say that?
You didn’t think it was so noticeable how afraid of him you were, even if it was a fleeting feeling at times. You couldn’t help it; he was imposing and his constant aggressive expression made it impossible for you to see him differently. It had a lot to do with that night when you first met, when he saved you. He hasn’t been the one who hurt you, but your mind just couldn’t fully dissociate what actually happened with the bloodlust he had in his eyes when he looked at you. On top of it all, he heard you calling him a ‘barbarian’ when you were trying to talk your father out of this marriage.
However, despite your first hand experience, it was getting difficult to admit to yourself that Kenpachi wasn’t actually as bad as he initially seemed. He was violent and obsessed with fighting, that was obvious and even more so when you started living there, but he had never treated you roughly. Not even a single word out of place towards you, less alone one threatening action.
Not to mention the fact that he adopted a small girl he found in the woods, and the undying loyalty of his men revealed a lot about what kind of person he was. And he had even let you sleep by yourself every night since you got there, knowing your discomfort.
Maybe it was time to make amends.
Waiting for Kenpachi that night, you paced around in your nightgown, hoping he’d come to the room after dinner. He usually did even if he didn’t spend the night, so you were ready to talk to him once he got there.
When the door opened, you looked at him, feeling slightly intimidated. He had the same hard expression he usually wears, but it was starting to feel natural to see him that way, so you immediately relaxed.
“I do not wish to go back to the palace.” You started promptly once the door was closed. Kenpachi remained impassive, only keeping his eyes on you once he removed the eyepatch. You gulped before going on. “I’m very comfortable here. I have to confess, you’ve treated me more like a person than anyone else might have done before, and I’m very thankful for that. And I’m… sorry, too.”
It was hard to read him at all, he only stared at you without moving a single muscle on his face, but somehow that was helpful enough to keep you talking.
“You saved my life, and I judged you horribly, without even attempting to know you. I insulted you and hurt your pride, so I must ask for your forgiveness.”
Looking down, you bowed at a ninety degree angle, staying still for a moment before returning to an upright position. You kept your eyes on the floor, waiting for him to say something, hopefully words of encouragement that would mean he accepted your apology, and that you could stay.
“You hurt my pride, huh?” Kenpachi’s gruff voice brought your eyes back up to meet his as he made his way towards you; it surprised you that he was smirking. “Is that what you think you did?”
“I think so… Weren’t my words insulting?”
“For reasons you’re not seeing.” He paused, eying you up and down quickly as his smirk faded. “I didn’t care that I was probably offending you when I accepted your hand. Your father threatened me with my past, saying he would hand me over to another kingdom for the nobles I’ve killed when I was a mercenary.”
Your eyes opened wide at his words. You knew your father was a politician and a strategist before even being a father, but you couldn’t believe your ears. It was startling, but not unrealistic, that he had basically sold you to a murderer.
“But I couldn’t care less about that, he could have done it and I would have managed to get away anyway.” Kenpachi went on nonchalantly, looking to the side as if he hadn’t given any of the things he was saying a lot of thought. “The reason I ended up accepting your hand, the reason I was greedy, was you.”
“I don’t understand.”
“Your father offered you to me on a silver plate in exchange for my loyalty, and I accepted, just because I wanted to have you.”
You stared at him, bewildered.
Kenpachi wanted you? You had seen him for the first time that night you had been attacked in the woods, and you weren’t so vain as to think of yourself so charming that one look would suffice to capture a man’s heart, especially a man like Kenpachi, who seemed so ruthless and aggressive to even care about those kind of things. Even more so when you looked terrified at that moment.
If anything, you were sure that you couldn’t actually judge him based on his expressions if he was telling you he wanted you with such a stoic look.
His eyes were on you for a while, obviously awaiting a reaction, but as moments passed by in silence, he turned to leave, at which point you decided to speak.
“Wait!” You called for him, and Kenpachi turned to look at you. “Please stay. We’re husband and wife, we should sleep in the same bed, yes?”
“Aren’t you afraid of me?”
“I’m not-” Kenpachi snorted in disbelief, making you jolt in surprise. You slapped yourself mentally for the slip but went on. “I mean, I was, I won’t deny it! Nevertheless, you’ve been nothing but nice and considerate since I got here.”
His eyes stayed on you to the point where you started to feel self conscious, until he finally sighed and took long steps to approach you.
Everything about Kenpachi was intimidating; it was inevitable due to his size and expression. But after everything he had told you that day, nothing inside you made you anxious about him. If anything, you could see features that you might consider attractive (not that you didn’t notice them before, but fear and trepidation always won those battles). There was a rugged charm about him.
“You’re asking me to share a bed with you after everything I told you?” Kenpachi asked with a smirk. “Are you doing it on purpose?”
“You can do whatever you want with me, nothing I say could stop you,” You said, staring back at him, straining your neck in the process. “But you've been attentive enough to make me trust you.”
When his hand slid up your shoulder and into the hair in the back of your neck, it surprised you but not enough to make you react. You were curious about his intentions since he made it clear he desired you for a while.
“You have a lot of confidence for a tiny woman,” Kenpachi’s grin only grew, making you smile in return.
“It comes with the royalty title.” You shrugged. “It won’t change anytime soon.”
“I don’t want you to change.”
With a firm grip on your hair, Kenpachi leaned down and kissed you. You made a noise in surprise; he had practically pressed his face against yours, bumping your noses and roughly crashing your lips together. You held onto him, gripping the front of his shirt tightly, when he slid his tongue past your lips and into your mouth.
You could barely keep your legs from collapsing as he tasted every corner and every inch of your cavity. His desperation for you was palpable, and it made you all the more dizzy. It was difficult to even keep up with him, you were reduced to trembling legs and occasional gasps that left your mouth as you ran out of air.
If it wasn’t for the arm Kenpachi had slid around your waist, you would have fallen down once he pulled away. The lack of air had made you lightheaded, and your face felt impossibly hot.
Were kisses supposed to feel that good?
“Another.” You demanded once you’ve caught your breath, gazing at him with pleading eyes as you ran your hands up his tunic to bring him down again. “I demand another.”
With his usual cocky smirk, Kenpachi leaned down to kiss your lips once more. This time a little slower and gentler, but still just as eager.
#kenpachi zaraki x reader#kenpachi x reader#kenpachi x you#bleach smut#kenpachi smut#bleach fics#bleach imagines#my writing
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The Joy of Trans Creation
On the liberty of making unapologetically transgender art.
Originally published in Prism & Pen.
For me as a child, there was no real transgender representation around me.
Transfeminine characters were exciting when I saw them, even though they were frequently the butt of jokes, highly sexualised, or the targets of violence from the narratives they appeared in. They were never afforded complex character arcs, and I can’t recall any trans women on my screens or on the pages of the books appearing for more than an episode or in small appearance before being killed or disappearing off-screen.
And trans men?
Nothing.
In the British soap series, Waterloo Road, there was a narrative about a trans guy that started when I was a young teenager myself, and it was… difficult. The narrative was clumsy and uninformed about trans experiences. It seemed more about cisgender parents’ anxieties about their trans children and was very conservative in extending liberty or freedom to the trans guy’s life or his body. He was sporty, a football player, and dykey — he was presented almost as if he was transitioning just to play sports.
And the obvious inspiration for this Waterloo Road plot, She’s The Man (2006) was…
Well, that wasn’t much to write home about either. The film is about a girl disguising herself as a boy in order to play soccer. I know that Amanda Bynes, who played the protagonist in She’s The Man, has talked in interviews about experiencing a lot of gender dysphoria whilst in the role, but what better encapsulation of the fact that trans roles were and still are so often played by cis actors who have no business doing so?
I remember watching She’s The Man as a kid and finding a lot of the jokes not very funny. These two trans male narratives, the only ones that I ever saw until I was much older, bore no resemblance to my life, my desires, and my feelings, whatsoever.
They were cisgender heterosexual people’s fantasies of transgender men. One is about a woman “thankfully” going back on her vile trans ways and revealing herself to be sexy and female after playing at being a pathetic and unmasculine man; the other is about an undesirable and lesbianish teenager who is “obviously” transitioning to get around misogyny, more than for any of his internal feelings.
I felt far more gender euphoria — far more excitement, more sense of feeling loved and cared for and genuinely represented and validated — when I saw effortlessly queer and fruity men on my screens. Characters like Hook and Smee in Hook (1991), or Armand and Albert in The Birdcage (1996): two silly, middle-aged men being overdramatic and in love with one another. Or characters like Hollywood Montrose in Mannequin (1987): fashion-focused, catty and, emotional.
Or, hell, even characters like the sexy gay leather bikers in the Blue Oyster Bar in the Police Academy movies — they’re intended as a recurring punchline, but nevertheless portrayed hot hairy men who dance the tango and unapologetically love and desire other men.
I did not feel like or want to be an eternal little boy for being transgender, continuously infantilised and emasculated, treated as if I wasn’t a real man. Moreover, I had no interest in feeling or acting as though manhood or masculinity or men were something I should have been superior to.
I’m a fashionable, pretty gay dude with so many joint problems that going for a jog can put me out of action for days. Narratives about straight trans guys, let alone ultra-sporty ones, couldn’t bear any less resemblance to my life or my desires as a man.
There’s a reason many cisgender people are attracted to these narratives about transmasculinity, and unfortunately, it has nothing to do with truly supporting the trans men who are lesbians, or who are sporty or straight. It has more to do with their feelings about which “women” are best to “allow” to transition, and so much of those feelings are based on their expectations of female attractiveness or desirability within heterosexual society, and never truly afford love or respect to those men.
And men like me?
We’re unthinkable, and thus, invisible.
Times have changed, a little — I do see more trans men on television and in film, bit by bit. I know that in animation particularly, great strides are being made in portraying various trans characters, and we see a much wider variety of trans characters in shows and film.
I do still think that I see far more they/them trans masc types who are often a white monolith with similar butch lesbian stylings, dyed hair, and certain piercings, often as a sort of introduction for cis hetero viewers to the concept of nonbinary identity or the use of they/them pronouns. I know many people like this in real life, nonbinary or trans, and the issue isn’t their physical appearance or the fact that they’re depicted like this — it’s that their characterisations are so often one-note.
I can’t think of seeing a character introduced as nonbinary who appears more transfeminine, or who characters would automatically label as “he” instead of “she” before being corrected to they/them, because nonbinary identity is treated in popular media as a sort of woman-lite; I can think of one gay trans guy who’s in Shameless; I can’t think of many trans men on television at all or in film who are fat, non-white or disabled.
Television and film are still a long way behind the beautiful diversity of real trans experience — but I write books and short stories. I get to create, as a gay trans man, trans men like me, and trans men like my friends, and craft narratives about trans experience that cisgender people would never be able to.
I published my second novel this month. One of the main characters is a transmasc fallen angel with BPD — he’s cold and arrogant, manipulative, cruel, and at the same time, he’s endlessly loving and charismatic, he’s beautiful and savage, he’s radical and believes strongly in his ideas, and in the rights of everybody.
I could not have imagined in my wildest dreams as a child seeing a character like that in any book I read. But many other trans men, trans people, queer people, and readers in general, will be able to pick up my book and connect to that character, see themselves in him, and love him or despise him as they might any other character.
There is no limit as an indie author to the trans characters that I can create, or how many of them I can have. I don’t have to limit myself to having a singular trans man on a cast of cis-hetero characters, his whole person and physicality aligned to the cisgender stereotype of transmasculinity.
I have dozens of trans characters in the universes I create, and many of them are trans men like me, or not: fat trans men, trans men of colour, Jewish trans men, disabled trans men, traumatised trans men. They’re tailors, revolutionaries, students, teachers, historians, archivists, office workers, stablehands, fops, librarians, adventurers, rogues, pirates, sailors, bastards or angels, heroes or villains.
The sheer joy of that reality is striking me regularly at the moment whenever someone leaves a kind or enthusiastic comment on my works or in their reviews. There’s so much joy that people display in reading my short stories or buying my books, and God, the wonder that I feel when I attend conventions or events and people recognise me or recognise my work and enthuse about it to me.
There is no greater compliment to me, no better assurance, no more loving thing to be told or to overhear, than “Finally, I feel seen.”
“He’s just like me!” or “I’ve never felt so represented,” or “Oh, I want to be him. I am him already. I love him.”
It’s lonely to be transgender.
In a society that punishes and penalises any acts of gender transgression or perceived deviation from the norm or expectation, the transgender or nonbinary or otherwise gender-nonconforming person is constantly at risk — and aware of the risk — of ostracisation, of victimisation, of violence, or assault. We go through life aware that we may be attacked or discredited, violently assaulted, denied medical care, treated as unworthy of love, abused, harmed, hurt.
We must fear and be wary of isolation from our friends, our loved ones, and our communities, because society fears us and has been taught it can hate us. Other people, those that we love, that we care about, forging those connections and keeping them strong, they are how we can survive.
And how do we do that, when we don’t know in our heart of hearts that those like us exist? When we can’t be sure that we exist?
I was very lucky as a young man to feel confident and assured in seeing myself and then establishing myself as like the queer, fruity men that I saw and loved on the screen, no matter that they weren’t made with the thought of transgender men like me. Yet so many others, people I talk to, people I’ve never heard of, do not have that assurance.
They stand in front of a mirror and they don’t see anything. To feel transgender before one’s transition is often to see oneself or think of oneself as existing in potentia. We are an egg yet to crack and hatch; we are a soul without a vessel as yet.
How can we imagine a future for ourselves when we can’t envisage it? When we have no framework or canvas or idea of how a person like us can look, can live, can exist? How can we conceive of what we might be or what we truly are, when we might be grappling with our own pains and trauma and dysphoria, and at the same time society’s disregard of us, when we have never known or thought of others like us existing — let alone existing in beautiful diversity, in variety, in the complexity that we truly do?
Whenever I get one of those comments or whenever someone says a kind word to me about my work as a trans man and I see the light in that person’s eyes or the enthusiasm in the words they’ve written, there is an unspeakably immense happiness and joy in it.
To have taken part in that, to have created a mirror for that person to see themselves in, a character or characters that make that person feel real— not merely validated or represented, but seen and loved and cared for by a complete stranger, I can name no greater privilege.
It’s a shame I didn’t have that in my childhood, sure, but what’s important is that I and, far more importantly, a whole variety of trans and nonbinary creators, are doing that work today.
In Daniel Ortberg’s Something That May Shock and Discredit You, there’s a truly beautiful quote:
As my friend Julian puts it, only half winkingly: “God blessed me by making me transsexual for the same reason God made wheat but not bread and fruit but not wine, so that humanity might share in the act of creation.”
In being transgender I have created myself — no longer in potentia, I have developed and evolved. I’ve played with my hair and my face and my jewellery and my clothes; I’ve fed and nurtured my masculinity and my love for men and manhood as a gay man; I have created myself, and that’s been very joyful for me…
But to create works that help other people, transgender or otherwise, men or otherwise, create themselves? See for themselves the sort of people they’d like to be, how they would like to make themselves created?
That is a triumph beyond measure, and I am so grateful to do so.
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About Writing Lilia x Reader
Firstly: I love Lilia. Platonically. I am a person who believes that if someone doesn't like a character like Lilia, there is something wrong with that person. 😝
BUT my "problem", or better said, what makes me have a little more difficulty writing x Reader with Lilia is… well, more than one thing, but the main one is Silver.
I often need to forget Lilia's real age and his life experience and especially the fact that he is Silver's father to be able to write something without feeling weird.
Of course, his personality, appearance, and the fact that he's a fae are the things that make this... less weird for me.
But whenever I remember Silver, that Yuu is most likely supposed to be around the same age as him and think that I'm writing something where Yuu is dating the father of someone the same age as them… in real life that creeaps me out. But like I said, the fantasy part makes this less creepy.
This doesn't stop me from writing things with him, after all, a lot of you like him and have him as a favorite. And I'm writing this for you, so yeah.
I just felt like sharing why can be difficult for me to write Lilia x Reader imagines. And I wondered if any other Twst writers felt the same way.
But I do love Lilia and totally understand why people can have a crush on him. 🩷💚 And because I like the character so much, I ended up having fun writing with him. IF I forget those points I mentioned. 😅
P.S.: If the comments are restricted, I didn't put them like that, I also don't know why this happens. And this also tends to make me unable to comment too.
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oh my god I am frothing at the mouth PLEASE tell us about how Unohana is SO WEIRD ACTUALLY
(her reveal is my favorite thing in the whole series and I was obsessed with Bleach for a good long time)
I love Unohana. She's magnificently insane and deliciously fun to write so far.
My take on AEIWAM Unohana is that fundamentally, she just wants to be happy.
Oh, that doesn't sound too nuts. I hear you say.
Yeah, but I also headcanon that she has ADHD. We joke a lot about it on this site, but if you have the good fortune to have functioning dopamine factories, allow me to explain the worst part of it, for me.
There's no passive happiness.
Most people, as I understand it, if left to their own devices without undue stressors like capitalism or any particular stimulation, tend to be able to feel pretty okay most of the time. Which fascinates me because if I am left alone without undue stressors but no stimulation, my malfunctioning dopamine factories will shut down and I will rapidly develop a terrible black depression and paranoia that life is cruel and I will never experience happiness again and also my appetite vanishes and sleep cycle collapses and I will end up mentally and physically distraught, sometimes in less than an hour.
So I've always got to be doing something, or The Horrors get me.
So imagine Unohana, and with a brain that wants to die if she gets bored... living in fantasy magical ancient japan. Not much to do, out in the early days of the soul society, besides being attatcked by monsters, or participating in warfare, or starving to death. the first two, at least, get the blood pumping, but the first is difficult to come by regularly, so as a young woman, the most interesting thing that happens to her on the regular is Mortal Combat.
And how exciting it is! Adrenaline! Dopamine! And on the rare occasions she meets a fellow combat enthusiast, she also gets one of the best things about ADHD- Recognition Responsive Euphoria. You know that great feeling you get at Con or meeting another person with your special interest and you guys just VIBE and it feels like you've been best friends for life in less than five minutes? Yeah, apparently Non-ADHD people don't get that.
So naturally, she develops her skill in combat, not in pursuit of Honor or The Art or something nebulous like, that, but in the simple Pursuit of Happiness. She gets very good at it, and a lot of people die.
But she starts getting... too good at it. The fights don't last, there's nobody willing- let alone able, to meet her on her level and the previous joy she felt fades and fades until she is once again left in the darkness.
Then, a Miracle happens! Some punk stabs her in the lung :)
Man, what an evening for her. Kills a hundred men with barely a stroke and there's no more joy in the world for her when suddenly some barely-legal scarecrow looking bastard with a raggedy sword he pulled out of someone else's corpse appears at the top of the pile of bodies and then goes Ape. Fucking. Shit. on her.
It's the most fun she's had in ages! He's strong and fast and his moves are inefficient but delightfully unpredictable and by the GODS the STAMINA! Alright, she might be 1,000 years his senior but in the soul society age really is just a number and she can't help but be charmed.
So she flirts back by nearly cutting his face off. This DELIGHTS him!
And there it is again, that sudden feeling of intimacy between like-minded individuals, only these two ships aren't passing in the night, there' here to make Titanic 2: Electric Boogaloo. They make eye contact, and know-they're just like me.
True Love is a wonderful thing.
It's also a great opportunity for a surprise thrust and she only sort of manages to block it, and despite the feeling of blood pooling in her lung, she returns the blow full across his chest.
She staggers back, coughing.
He, miraculously, sits up, coughing. He won't die if he can crawl off somewhere to lick his wounds, but he can't continue the fight either.
She stands up, teeth gritted through the pain, and sheathes Minazuki. "What's your name?" She asks. "So I may find you to fight again."
"Don't have one." he wheezes. "But I'll never forget yours."
She's had men spit that as a threat to her before. It sounds very different as a declaration of love.
"Yachiru." she says, trying to not cough up blood. "Unohana Yachiru."
*
A Year later, there's a problem.
Soul Society has a bit of a problem with lungs. They can make entire fake bodies for shinigami to travel the living world, but individual organs, especially lungs... never seem to transplant well. Perhaps it's the fact they're already dead.
Her left lung is "healed" in the sense that it no longer has extraneous holes in it, but... Godsdammit, she still has all the power but none of the stamina. Barely 10 minutes into a fight and she's wheezing worse than The Old Man. 20 minutes and her hands are starting to shake and she's seeing spots in her eyes because she can't breathe well enough to keep the oxygen in her veins. Her fights usually last seconds so functionally she's still one of the most powerful people in the afterlife but it's a far cry from where she was before.
She can no longer be the 11th division's Kenpachi. Hell, she can no longer be the woman she was before.
"Unless you figure out some new medical miracles, this is as healed as it's going to get." Explains the chief medical officer after yet another frustrating checkup.
"...If that's what it takes." She decides.
The next morning she re-enrolls in the Shinigami Academy, under the name Unohana Retsu. The sole change she makes to her appearence is to braid her hair down the front of her chest because people WILL ask about the scar, and she doesn't want to think about how badly she's letting down that warrior with no name.
Either she needs to learn how to get back to his level, or find a new rival and learn to heal them to actually last the 20 minutes she has, or she'll die.
She studies.
To her vast surprise, bodies are actually fascinating. She'd previously seen that there were lots of interesting organs inside people but now learning what they are and how they work and the fact that the human body is already astonishingly death-resistant compared to most animals AND a carefully balanced meat sculpture minutes away from catastrophic failure at all times delights. She learns about the extreme ways humans can survive and the bizarrely mundane ways they can die, and she starts to form an idea- not an image, not a philosophy per se- but a working theory of how to keep someone alive and moving for as long and far as they will go, and what they need to stay upright.
This idea shines so brightly that it can keep that terrible darkness away.
The century practically flies by, and one night she stays up manually pumping the mechanism on a device used to keep the also-failing lungs of a young boy going after the power goes out. He's been blessed by A God that he's lived as long as he has, but even Gods can fuck up sometimes and she effectively has to breathe for him for twelve hours until the God gets its shit back together and he can breathe under his own power again.
"Hell of a fight you put in, keeping him alive." says one of her colleagues, collapsing beside her out in the 4th division medical garden where all the doctors go to smoke.
Retsu slowly exhales the smoke, fatigued but still coming down from the high of success. She cocks her head. Her body aches and her mind races and her heart thrills, just like- "I guess it was. " she realizes. "Interesting fight, going 12 hours in the ring with a dying child and winning because he walked away at the end." She laughs, and hands him the cigarette to share.
"You weirdo." he colleague laughs. He's far too young to remember when she was Yachiru. Most of them are these days, and it's a weird sort of peaceful anonymity and personal joke. "You weren't fighting the kid. If we were actually allowed to fight patients, I'd've stabbed the Kuchki hypochondriac decades ago." he grumbles, taking his own drag.
She snorts. "Who was I fighting then?"
"Death?" smoke billows out as he laughs, like it's the most obvious thing in the world.
She freezes. Oh. Oh. That's why she likes this so much. She's gone from fighting mere men to the one opponent she knows she can win battles with, but never the war, and who will defeat her personally someday.
"Are. Are you crying?" he asks, a little worried.
"I- yes." She laughs, tears streaming down her face. "I just fell in love all over again."
"Ouch." he nods sympathetically, offering her the cigarette back. "Who with?"
"Death's own Angel, apparently." She giggles, feeling positively prepubescent with this crush.
And thus she goes on, for centuries, learning everything there is to know about bodies and minds and how the two keep each other going and the ways she can help. She gets very good at it, and a many more people do not die.
But there is a special, secret place in her heart for that nameless warrior that defeated her in battle, and made her stronger than every before.
*
Nearly 1,000 years after she stopped being Kenpachi, she is supervising the annual "see if you can kill the captain" tournament. Her colleague Kaname is there, a walking anxiety disorder with undoubtedly real but strangely hard to diagnose phantom pains, but he's still easily in her top 10 coworkers of all time because he made her a new medical record filing system so functional they were actually able to recataloge three millennia of medical records into a usable format in under a decade. He can come twitching into her office any time he likes, especially if it gets her that mass vaccination process for the Rukongai he's been biting The Old Man's heels for.
Then
as suddenly as he had appeared the first time,
He's back.
He's older now and larger, having matured into a spectacular bastard, but there's no mistaking that cutting edge on his reiatsu (which, oh, that has gotten much, much stronger since last time) or that scar running down his face as he turns from where he had just cleft the previous Kenpachi in twain, and stares out into the crowd in the shower of blood, challenging anyone to do something about it. Hell, even when Yamamoto appears to congratulate him on his promotion, Death's own angel's first reaction is to turn to fight the old man without hesitation.
He then promptly picks three different fights with four captains in under five minutes, tells Yamamoto to shove the job up his ass, imply he's had a WILD collection of vocations in the last millennium and furthermore, he has to get home to his daughter.
...Named Yachiru.
Hilariously, Unohana is only having the second weirdest time about this here, because Kaname and Kenpachi are, somehow, even weirder than she is.
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Long Post: Why I Don’t Like The Drow
I’ve been ranting about this to a friend on discord (a lot of points I make will come from him) but I’ve finally figured out what my issue with the drow is outside of inherently evil groups being dumb.
The drow are boring. Drow lore is less of a dive into a unique culture and more of a list of fucked up things they do. Like, I cannot name a single interesting aspect of typical drow society that does not directly involve murder, sexism, or slavery, or Lolth. And even then, most of those things are written about in an incredibly bland fashion with them.
The Drow don’t really have much depth to them, and are just kind of evil for evil’s sake (or “because Lolth said so”). They do slavery, but the only real purpose of doing slavery for them is “because Lolth said so”. It isn’t for cheap labor, it’s to be more evil. They betray each other purely because that’s what evil people do. They’re misandrist, not for any real societal reason, but because Lolth hates men. There’s none of what would make slavery an interesting topic or story element, no justification for why they should be allowed to commit one of the worst injustices possible, no real economic reason for it. They just do it because Lolth says they should, and from a writing perspective it hammers home the fact that they’re evil. They aren’t evil because they enslave and murder, they enslave and murder because they’re evil, if that makes any sense.
Them being written as comically evil as they are also hurts them from a worldbuilding perspective. They’re so reliant on slaves for menial labor that the lower class of their society struggle to get jobs. Drow culture so obsessed with betrayal and dumbass house wars that even when actively under attack from the outside they sabotage each other. They’re so decadent that their buildings are held up with magic and semi regularly collapse when a spell fails. To put it bluntly, drow society feels like one that should have collapsed in a few centuries, which, funnily enough, is way longer than D&D elves live.
Their culture being so monolithic also makes writing anything about them difficult. Every drow antagonist is going to have near identical motivations, methods, and ideologies as every other drow antagonist. Every drow protagonist is going to ultimately feel very similar to Drizzt, because leaving their fucked up society to become a do-gooder is such a common backstory element that they added a whole extra god just for doing that. In fact, you can divide 90% of drow characters from any official materials into these categories:
Manservant
Ambitious male, usually a wizard (5 bucks says he has long hair and a widow’s peak)
Dommy Mommy Warcrime Woman
Drizzt Do’Urden or one of his many duplicates
Self-loathing and/or resentful Drider
And finally, their existence almost purely to be humanoid enemies you can fight at nearly any levels is just kind of lazy. This is a problem that I have with the “evil races” of a lot of fantasy but having a group that’s evil by birth just feels like an excuse to not have to write actual motivations for your antagonists. It’s the difference between “go attack this camp of soldiers because they’re part of the SkullMurder army and their general wants to use our land to build a dread fortress” vs “go attack this camp of soldiers specifically because they’re drow/goblins/orcs/the dreaded peepee-poopoo folk”. Using stuff like this just feels like an excuse to not have to write an actual antagonist since it comes pre-written in the group’s lore. This has the side effect of whenever such a group is the antagonist of the plot, the players or audience know near exactly what to expect. The orc is here to conquer, the goblin is here to steal, and the drow is here to enslave or do some dark ritual.
I’ve legitimately heard people say “well if XYZ can’t be inherently evil anymore, who will we use as bad guys?” It’s very simple: whoever the fuck we want. Write an evil queen, or a scheming wizard, or an underground slave trade network. For God’s sake, anyone can be evil, you don’t need to tie that to a specific ethnic group and write it as “they’re just like that”. Write an actual character for your antagonist.
#dnd#dnd lore#rant post#it’s also incredibly funny to me that the duergar are a near exact copy of the drow (but with dwarves)#and they somehow manage to be more interesting than the drow
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