#most of these are canon how odd right | Explore Tumblr posts and blogs

not-neverland06 · 4 months ago

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conflicted spaces

Arthur Morgan x fem!reader

a/n: He doesn’t get TB in this. Why? Because this is fanfiction and I’m god and fuck canon (I just finished the game, I’m emotionally distraught and needed this)

Warnings: brief attempted SA

Summary: Your father is a gambling man and you’re always the collateral. He refuses to pay the wrong man and now you’re being dragged across country roads to a man you’ve never met. Arthur Morgan, an outlaw down to the bone, is in charge of making sure you get there in one piece. Except, he doesn’t feel right selling a woman off like she’s property.

You’re done being a doormat and letting the men in your life tell you what you’re worth. You’ve got three days to escape him, but you’re not prepared for the reality of the real world.

“Put your hands where I can see ‘em, cowboy.” Arthur’s shoulders tense and he curses under his breath. His hand darts to the revolver on his hip, but the second his fingers twitch towards it he hears a hammer being pulled back. The cool barrel of a gun digs into his neck and he raises his hand in surrender.

The man behind him lets out a familiar laugh and tugs him around. Arthur rolls his eyes and glares at Dutch. “The hell are you doing?”

Dutch clears his throat, still laughing slightly. “Relax, Arthur, but if I had been an O’Driscoll you’d be dead right now.” Arthur doesn’t point out that the only thing they have to worry about out here are the Lemonye raiders. He’s more focused on why Dutch is even out here. Rarely does he leave Shady Belle to traverse the streets of St. Denis.

None of them are particularly fond of the place. If he wanted to step in horse shit every other step he’d go to a stable. At least those smell better. Dutch slings an arm around Arthur’s shoulder, tugging him away from the saloon he was heading towards.

“You’re gonna have to save the cheating for later, Arthur, I need you for something.”

“You know I don’t cheat,” Arthur jokes and Dutch grins at him and it’s nice. This is familiar to him. This feels right. Dutch has been odd lately, the jobs he’s been taking, the risks he’s been imposing, none of them feels like the man he knows.

Now, Arthur would follow Dutch straight into hell without being asked. But he can’t abide by how he’s putting their people in harm's way. He’s felt like a stranger more often than not and he’s been doubting the people he shouldn’t. Right now, though, he can see the man he knows in the teasing curl of his lips.

“What’dya need?”

Dutch pauses in front of a tailor and pats Arthur’s chest. “I need you to look prim and proper for a party we’ve got tonight.”

Arthur’s brows furrow cynically and he scoffs. “Someone invited us to a party?”

Dutch hesitates, a stiff smile on his face. “Well, let’s just say someone is interested in our work.” Arthur wants to question him further, he’s hiding something from him. But Dutch is pushing him towards the door of the shop before he can argue. “And get a haircut, we need to look presentable not like a bunch of mountain men.”

Arthur watches as Dutch leaves, something heavy weighing down on him. Dutch doesn’t usually tell people about his plans beforehand. At least not every step of them. But this is odd, he’s definitely hiding something and Arthur isn’t sure he wants to know what.

With a resigned huff, he heads into the tailor. He has to mentally prepare himself for being stuffed into a starched collar and a stiff suit for the rest of the night. He hates these damn parties, hates having to pretend like he knows what the hell is being said.

Most of the people that attend are educated or pretend to be. And when he lets it slip that he’s more likely to shoot a gun than read a book they turn on him like jackals. You can’t let them see that you’re different than them or you’ll never get a word in edgewise.

The only part he enjoys is the booze and robbing them of their money. It’s not like they earned any of it. Most of it was made by breaking the backs of the people they mock for being too poor to afford a fancy suit.

Arthur takes a deep breath and looks for the cheapest suit he can find in the overpriced shop.

“Now,” Mr. Crane’s hand tightens around your bicep and he jerks you closer to him. You keep your face impassive, not letting him see just how much he’s hurting you. But you can feel your skin being stretched to its limits by his clammy fingers. “You’re going to behave tonight. I’ve got a few gentlemen I’d like you to meet.”

He looks at you expectantly but you keep your mouth firmly shut. His eyes narrow and he jerks you around roughly. “Understood,” you force the word out through gritted teeth. You’re trying to breathe as little as possible, not wanting to smell his cigar-laced breath any longer.

Finally, after a tortuously long moment, he releases you. You take ten steps back, smoothing out nonexistent wrinkles from the silk skirt he’d forced you in. You glance out the window of his office, watching as the workers scramble to set up the tables for tonight. You can hear cooks in the kitchen, shouting out orders for the food for tonight.

Everything must be perfect. Mr. Crane never fails to deliver on his extravagantly indulgent parties. The man himself is the very embodiment of greed. You glance over with a disgusted sneer as he sinks himself into his leather chair and pulls out a wad of cash.

He catches your eye and sends you a sickly sweet smile. “This,” he waves the money at you and you track the movement boredly. “Is how much you’re worth, sweetheart.” Your brows raise in amusement and you scoff. More than you thought he would put up for you.

You wonder who he’s going to have transport you. He’ll need you out of the city soon, your father is starting to catch onto what’s happening. It took him long enough. You’ve been missing a month, you’d think he would have put two and two together faster. Then again, he’d never been very interested in you beyond what you were worth to others.

“When will I be able to meet these gentlemen?” You ask, taking a step towards him. Your eyes dart towards the letter opener on his desk and for a brief moment you picture yourself strabbing it into his fattened jugular.

But he flicks his wrist and like magic the door opens, his men coming inside and standing resolutely by your side. “Not anytime soon, my dear.” He looks to the men surrounding you and you take in a sharp breath, wishing you’d just taken the chance when you had it. “My associate is feeling quite tired, take her back to her room, please.”

They grab you by the elbows, even though it's entirely unnecessary. You wouldn’t run, and even if you did you wouldn’t get far with the chains he has hidden under your dress. A punishment for the first time you snuck from his home. You’ve been well behaved since then but he doesn’t trust you.

You’re whisked away without another word. The trek of the stairs is a slow one. They’re forced to help you navigate by lifting your skirts and not tripping on the chains. It no longer brings you any satisfaction to cause a hindrance in any of their days.

Before, you would think of being an annoyance as a small victory. But it’s not, it never was. It was just a way for them to keep you complacent by allowing you to think you’d done something for yourself. You believe your father used to do the same thing.

It’s just another way of keeping you quiet.

When you make it to your rooms, they shove you inside. Like clockwork, you hear the jingle of the keys and then the lock clicks. You sigh and take a step towards your vanity, working on touching up your hair.

You think the worst part of this must be how well you’re treated. You have meals made by a private chef. Your quarters are decorated more lavishly than they ever were at your father’s house. Yet, you hear the suffocating tick of the clock as it counts down your doom.

You’re not entirely sure what their plan is with you. You know your father had made a promise to Mr. Crane involving some land. Or perhaps it had been a wager. But as always, you were collateral when your father refused to pay up.

You know Mr. Crane wants you out of town so that he has more time to negotiate with your father, to call in the interest he owes him. You also know the only reason your father is interested in finding you is because you’re meant to marry the son of a business partner in two months. The money he’ll get from that will be enough to finally pay off his debts.

Except, now, Mr. Crane tells you that should your father refuse to pay you’ll be married to one of his associates. And the deal he’ll make from that will be enough to cover what your father has refused to pay.

No matter what, you’re going to be married off to some man you’ve never met and yet again be a quiet trophy on a shelf. It’s a very convoluted situation, one which makes you think leaping from a window might be a better fate.

None of the men your father or Mr. Crane is in business with are particularly kind. They’ve got more skeletons in the closet than there are in the graveyard. You doubt you’ll live a very happy life with whoever they pick for you.

You slump forward onto the vanity, trying to fight off the burning feeling in the back of your eyes. You’ve known this would happen for years. Even before Mr. Crane had you kidnapped, you knew that this would be your destiny. You would never get to be one of the free-spirited women who fought for the right to choose. You would always be forced into this role.

Yet, being so close to it coming to fruition makes you feel choked and suffocated. You can feel the noose around your neck tightening, the hangman’s fingers twitching as he waits to see you drop.

You dig your nails into your palm, taking in a deep breath and fighting back the wave of despair. Where there is doom, you also see a sliver of hope. Your next journey will be a long one. He’s hiring someone to have you transported to an area further up the map.

If you play your cards right you might be able to escape while you’re traveling. If you’re incredibly smart about this, thinking with your head and not your heart, you might have a shot at freedom.

You take in a deep breath, reapplying your makeup and resolving yourself to another night of mindless entertainment. But you hold onto that fleeting feeling of hope. You have a shot, you just have to take it.

Arthur’s heard of these parties before. Some Mr. Crane fella that likes to blow all his money on food and booze. He indulges his guests and when they’re weakest, gets their secrets from them. He’s a snake and everyone knows it. Yet, missing his party is social suicide. They have no choice but to go and indulge in him.

Arthur had never had any interest in meeting him or doing any business with him. But Dutch had informed him that’s exactly what’s happening tonight. They’ll mingle for a little while, maybe scout some other jobs, and then Mr. Crane will invite them up to his office for a private discussion.

Dutch still hasn’t told him what exactly their business with him is. He brought Hosea along tonight so he has to assume it’s not going to be anything violent. But he can’t think of anything else they could be good for.

“Alright, gentlemen,” Dutch places his hands on Hosea’s and Arthur’s shoulders, a scheming smile on his face. “Try not to embarrass me.” He slips behind them, heading up the stairs of the home. Hosea and Arthur share a brief look before they split up, blending into the background of the garden.

Arthur lurks near the bar, he knows he should be talking to these assholes, possibly learning something useful. But he can’t be bothered. He orders a whiskey, gaze surveying the partygoers. They’re all loud with painted faces and fake smiles. Not a goddamn person here seems to be genuinely interested in anything they’re doing.

“First time?” The soft voice beside him catches him off guard. He glances to the side and is surprised to see that you’ve slipped past him. He hadn’t even noticed you slide up next to him. You laugh at the look on his face and it’s the first thing here that seems real. “Sorry, it’s just that look on your face, I recognize the disappointment. You’ve never been to one of Crane’s parties before?”

“No,” he clears his throat, still recovering from the surprise. “Uh, I can’t say I have.”

You suck on your teeth, narrowing your eyes at the people passing by. “They’re not worth the effort. Everyone who leaves here leaves carrying his debt on their back.”

Arthur chuckles a little, lips twitching up into a small smile. He’s surprised by your frankness, most people like to hide behind passive-aggressive digs. He appreciates the straightforward attitude. “Then why are you here?”

You shrug and Arthur finds himself enchanted. He shouldn’t be, he’s never been one for romance. He finds women pretty and he’s been in love before, but he’s never bought into the idea of love at first sight. Or any of that mushy stuff that Mary Beth devours in those books of hers.

But you are absolutely gorgeous, dressed in a silk dress that’s so expensive he’s sure he could buy two new horses with it. Your fingers and neck are decorated in dainty jewels that you fidget with as you stare down at your drink. When you set your eyes on him again he thinks he might have been struck by Cupid’s arrow.

“I don’t have a choice,” you finally answer, sending him a stiff smile. “What about you? Why are you here?”

Arthur suddenly remembers himself, remembers why he’s here and what he’s supposed to be doing. The fog in his head dissipates and he’s disappointed in himself. Pretty women have never done anything except get him in trouble.

“Business,” he answers vaguely. Your eyes narrow and your brows twitch in discontent. Something like realization dawns on your face and you back away from him. The easy attitude you’d carried yourself with is gone, replaced by a vague look of distrust.

“Right, should’ve known.” You let out a rough sigh and Arthur can’t help but feel like he’s said the wrong thing. “I suppose I’ll be seeing you again soon.” You slip past him before he can ask you what you mean. He hears the faint sound of metal clinking as you walk back up the stairs.

Something silver flashes under your skirts but he can’t get a good glimpse of it. He feels unsettled as he turns back to the bar. The whole interaction was odd. From how stricken he was with you to how cold you turned.

He doesn’t know what you saw in him but it was probably for the best that you left when you did. Neither of you needed the trouble the other would bring. He shakes his head, downing his whiskey and muttering nonsense to himself about not thinking with the wrong head.

It’s not that much later that Dutch is appearing on the balcony and silently motions him forward. Arthur leaves the bar behind and slips up the same stairs you’d disappeared on. Dutch says nothing as he leads Hosea and Arthur through the house.

The mansion is a maze more than anything. Arthur loses track of all the turns they take and the winding staircases they descend. Finally, Dutch stops them all in front of two large oak doors. He raps once on the door and then lets himself in.

A large, balding man with a shiny head is perched on top of a leather chair. He looms behind his desk, fingers steepled as he greets them all with a false smile. “Ah, gentlemen, so nice to finally meet you.”

Dutch grins and motions to Arthur, “This is the man who will be doing the transporting, Arthur.” Arthur’s eyes narrow in confusion but he says nothing as Dutch moves to Hosea, “And this is my associate, Hosea. He’s a lot better with money than I am, Mr. Crane. You understand.”

Mr. Crane lets out a boisterous laugh that makes Arthur’s ears hurt and nods his head, his cheeks jiggling with the movement. “That I do! Well,” he waves them forward when they linger in the doorway too long, “come in, come in.”

Arthur closes the doors behind them as Mr. Crane lifts himself from his desk. There are two couches positioned in front of an unlit fire. He takes one of them and Dutch and Hosea take the other. Arthur perches himself on the armrest of their couch, eyes surveying the office like it might reveal the truth of their visit.

“I trust Mr. Van der Linde has kept this all quiet?”

“He has,” Arthur grouses.

At the same time, Dutch says, “Of course, Mr. Crane. I promised confidentiality and Dutch Van der Linde is nothing if not a man who keeps to his promises.” Crane nods, looking satisfied and Arthur holds back a laugh at how easily he seems to trust Dutch.

“Good, good.” He dips his hand inside his jacket and Arthur’s palm instinctively drops to where his gun should be. Of course, they’d had to give up their weapons before they came into the party, if he does has a gun Arthur can’t do a damn thing.

But he doesn’t, instead, he pulls out the thickest stack of cash that Arthur has ever laid his eyes on. A loud thud resounds through the room as he slams the bills on top of the table between them. Arthur’s eyes widen and Hosea’s jaw nearly drops at the sight of it all.

This would be enough to get them out of St. Denis tonight. Shock sours quickly into suspicion. What the hell has Dutch signed up for? “Now, this is the first half. This is simply for accepting the job and,” he gives them all severe looks, “for your silence.”

Arthur shifts uncomfortably on his perch and waits for Mr. Crane to finish. “The other half will be given once the package has been safely delivered.” There’s a certain lilt to his words when he says package that has Arthur’s hackles raising. Whatever is getting delivered is not going to be good.

Crane turns towards the bookshelves on the wall and calls out, “Darling, won’t you join us?” Arthur figures the man must have lost his mind, they should just take the money and leave. But there’s a loud creak and something like metal gears grinding together. One of the shelves pops open and the panel swings forward.

You pop your head out, glancing towards Crane and then taking a step forward. Arthur, without even thinking about it, finds himself sitting up, and brushing some of the dirt off his pants from the ride over.

At first, he’s so confused by seeing you again that he doesn’t realize why exactly he’s seeing you again. Then you glance towards him, a knowing look on your face and it clicks. You’re the package. You’re what he’s meant to be transporting.

He glares over at Dutch, when exactly did they get into the business of trading women?

Hosea voices his doubts in a much calmer manner. “If I may, sir, why does she need to be delivered so discreetly?”

Mr. Crane laughs and your face twitches unpleasantly. You grimace, glaring at the back of the man’s head with something like murder in your eyes. He doesn’t know what he’s done to cause such a visceral look of hate and he doesn’t want to think about it. This whole situation is bothering him. You’re not here willingly, which means you’re not going to be transported willingly either.

None of this makes sense. Dutch would never have taken a job like this before, even when they needed the money. And there’s no way in hell a rich man like this one would want to pay a couple of grungy outlaws so much money. There’s got to be some sort of trick in all of this.

Cran clears his throat, “She’s a daughter of a, well,” he frowns and struggles for the words. “Let’s just say we’re in a hostile competition for a lot of land. This land, boys, could be very beneficial in expanding my business. He’s not interested in selling and, well, desperate times, desperate measures.”

You scoff, laughing slightly at him and rounding the couch. Dutch ignores you, Hosea looks uncomfortable, and Crane continues prattling on without missing a beat. “Should her father not pay me, she will be married to the associate you’re bringing her to. He’s promised me enough land and money to cover what I lost to her father. And if he does pay, she’ll be returned in time for her wedding here.”

Arthur’s eyes dart towards you and you send him a bitter smile. It makes him shift where he sits, hating the way your eyes bore into him. “I just need someone who's not afraid of getting their hands a little dirty to make sure she behaves while she’s delivered to my friend,” Crane glances over at Arthur. He asses him, the bulge of his arms in the suit and the scars on his face, whatever he finds must be satisfactory because he smiles over at Dutch.

Arthur stands, ready for Dutch to tell Mr. Crane that they’re not in the business of selling women off. But Dutch doesn’t, he smiles at Mr. Crane and reaches for the money, passing it off to Hosea to count. “Well, I do believe my friend Arthur is just the man for the job.”

“I think you’re right, Dutch.” He stands up now, pot belly nearly bursting the buttons of his shirt, and reaches for Dutch’s hand. “Pleasure doing business with you.”

Dutch smiles and takes his sweaty palm, “You as well, sir.” Dutch walks towards you and holds his arm out. “This way, my dear.” You glance between him and his elbow before rolling your eyes and reluctantly placing your hand on his arm. You follow him silently and obediently, no fight is left in you. Hosea follows after you both, a concerned look on his face.

Arthur remains in the office, standing dumbfounded and staring at the doorway you’d disappeared through. He’s struggling to process what just happened. Arthur has helped people get home safely before and provided protection. But he’s never been one to traffic a hostage.

Crane glances up, finally noticing him still standing there. He walks past him, patting his shoulder as he does and giving him an approving smile. “Don’t be afraid to take care of her should she get out of hand.” He’s nearly out the door but he looks back and adds, “Just don’t bruise her too much.”

Arthur’s fingers twitch for his revolver once more and he’s never wanted to shoot a man more. But he knows Dutch is waiting for him and he’d never make it out of here alive if he started a fight right now. Reluctantly, he makes his way out of the manor and towards where you’re all waiting for him.

He’s fuming by the time he stops in front of Dutch. He’s trying to help you onto his horse and Arthur finally realizes what the metal sound he heard earlier is. There are chains around your ankles and you can’t maneuver yourself on the saddle.

His eyes narrow and he glares at Dutch, “What the hell are you doing? We’re selling women now?”

Dutch glowers at the tone of Arthur’s voice. You watch them both passively, fiddling with the rings on your fingers and looking unbothered by the entire situation. “Watch yourself, Arthur,” there’s a clear warning in his tone but Arthur’s too upset to care.

They’ve done a lot of bad things. They weren’t good men. But this was just going too far. “We need this, Arthur. You want to get out of here, you want to keep our people safe?” Arthur let out a deep exhale, gritting his teeth together and nodding reluctantly. Dutch huffs, “That’s what I thought. We’re not selling anyone, Arthur. It’s a simple delivery.”

His jaw clenches as he watches Dutch struggle to help you again. “It’s not going to work,” you inform Dutch. You lift your skirts, flashing him the chains he hadn’t seemed to notice yet. Neither of you gets a chance to say anything as Arthur pulls out his gun and shoots the lock off.

He feels a little guilty at how startled you look. Your eyes widen until they look like they might bulge out. Your hands fly up to cover your ears as the sound rocks through you. It breaks violently through the silence of the night.

Dutch turns and gives him a stern look, “Have you forgotten the meaning of subtlety?” Arthur can tell he’s trying not to shout and drag any more attention towards you all.

Arthur glares at Dutch, something wicked brewing in his stomach. “The lady wouldn’t be able to ride a horse like that.” He mounts his horse and rides off without a look back. He can’t stand to be near you or Dutch any longer.

The reality of what they’ve turned into hits him like a bag of rocks and it makes him irate. They’ve never been these people. Never traded a person off like they were an object. He’s sure plenty of people in camp would have a problem with this. But he doubts Dutch will let them know the truth until the job is done.

And by then, everyone will be too happy with the money to complain. Dutch is nothing if not good at saving his ass. He’s hitching his horse as the rest of you ride into camp. He lingers by Diablo, resting a hand on the thick neck of the shire while Dutch helps you off the saddle.

His eyes narrow in on the way Dutch’s fingers glide along your waist as you jump down. You take a step back the second your legs are steady sending Dutch a dirty look that almost makes Arthur laugh.

He starts towards Dutch, ready to try and reason with him again. But he holds his hand up and walks away, not even giving him a chance to speak. Arthur lets out a rough sigh as Hosea comes up behind him.

He pats his shoulder comfortingly, “You should get some sleep, Arthur. You’ll ride with her to Strawberry tomorrow morning.” He almost walks off but he whispers a quiet, “I’m sorry,” before he goes.

Arthur glances towards you but you’re looking around the camp, eyes lingering on Javier as he sings by the fire. He swears he almost sees you smile but it's gone as quickly as it came. He takes his hat off, running his hand through his hair and letting out a tired sigh.

“Alright, come with me,” he starts towards the house. It takes a minute to realize you’re not directly behind him. When he looks over your shoulder he sees you with your skirts lifted, tiptoeing through the mud and trying not to get your pretty skirts dirty.

He rolls his eyes, storming back towards you. Your eyes widen at the look on his face and you stumble back a few steps. Undeterred, he bends over, throwing you over his shoulder and walking towards the house.

Your hands claw at his back, desperately grasping onto his shirt so you keep your balance. He storms up the stairs, ignoring the alarmed looks he gets from others in camp. He can already hear them whispering, wondering who you are and why he’s dragging you into his room.

They can make up whatever the hell they want. Arthur’s too pissed off to give a shit about rumors tonight. He drops you unceremoniously onto his bed and storms back out. He heads downstairs, rooting around in one of the chests for some extra clothes.

You won’t be able to ride to Strawberry in those ridiculous clothes. You’ll need some pants if you’re going to sit on the horse properly. He tucks the outfit under his arm and makes his way back to you.

When he opens the door your hand immediately darts away from his shaving kit and shoves itself under your butt. His brows furrow as he catches a flash of silver in your hand. He places the clothes down on the end of the bed, eyes drifting towards his shaving kit. Sure enough, his razor seems to be missing.

He lets out a sigh and you tense up, hand clenching around your prize. He briefly debates taking it from you. But he figures you should be allowed a modicum of comfort. Even if you did try and use it against him it’s dull, he hasn’t sharpened it in a while and you wouldn’t be able to do much damage anyway.

He lets you keep it, leaving you on your own without another word. He can hear the exhale of relief you let out when he walks away and it makes him feel just a little better about this. At least you’re not completely terrified.

You change into the clothes Arthur gave you. They’re a little big, but you appreciate the pants. It’s much better than the ridiculous dresses Crane had you in. You collect your dress and toss it out the window of Arthur’s room, watching it sink into the mud pit below. It brings you some satisfaction to see Crane’s pretty silk getting ruined.

You take off the jewelry you’d been given and stuff it into your boots. If you did manage to escape while you were traveling with Arthur then you were going to need some cash. You could sell off the jewels and hopefully, it would be enough to keep you comfortable.

It feels nice, to wear real clothes. Not being dressed up like a doll for once. You envy some of the women here, who can wear what they want. There is an appeal to the outlaw life. As long as you’re on the right side of it, which, currently, you’re not.

You slip out of the house before anyone has a chance to retrieve you. The whole night you were curled up around a dull razor with your eyes wide open. Spending a night surrounded by outlaws isn’t exactly restful.

You figure you might as well try and walk around before you’re on the back of a horse for the rest of the day. There are more people up than you’d expected. Luckily, you don’t see Dutch around anywhere. You don’t feel like having to deal with any more of his false charm or empty apologies.

The same man you’d seen strumming his guitar the night before is asleep next to the dying fire. A blonde woman catches your eye, she’s walking past some other women in dresses. They’re still asleep but she looks like she’s been up for hours.

There’s a bit of blood on her pants and you briefly wonder what she’d been doing. “Who are you?” She asks, surveying you from head to toe with suspicion in her eyes.

“A package,” you tell her bluntly, walking past her towards the only lit fire of camp. She follows you, a wry grin on her face as she watches you pour yourself some coffee.

“You’ve got a real attitude, I like it.”

You huff out a laugh, taking a sip of the burnt coffee and giving her a brief smile. “I’m sure my future husband won’t.”

She rolls her eyes and scoffs, waving you off. “Husbands, good for nothing. I loved mine but he was useless as a sack o’ flour. You’re better off without them.”

Your smile turns strained and you look down at your feet, at the boots that aren’t your own. You’ll never get to dress like this again. Or speak like this to a woman who isn’t afraid to voice what's on her mind.

“Yes, well,” you shrug and meet her eyes again, “I don’t seem to have much of a choice.”

Her eyes narrow and she frowns, “What’s that supposed to-”

“Mrs. Adler!” Dutch’s voice booms from across the camp and forces the others awake. Most of them grumble, but they’re quick to get started on morning chores. “I see you’ve met our guest,” he says your name with a flourish that almost makes you laugh.

He’s a good actor. He’s especially good at covering up his mistakes. “Yeah, what’s going on, Dutch? Who is she? Why don’t you guys ever let me in on this stuff?” She fires off questions rapidly, you almost don’t catch them all. There are clearly underlying issues here other than your unexpected presence.

“In due time,” he assures her, laying the charm on thick. But even you can tell he’s full of it. He’s not planning on letting her in on anything unless it benefits him. “And this is our guest, her fiancee has paid us handsomely to provide her safe passage back to him.”

He walks towards you, laying a hand over your arm and squeezing slightly. You give Sadie a stiff smile and let him lead you away. “I do believe it’s best that you just wait for Arthur, dear.” He gives you a look that lets you know it’s an order, not a suggestion.

Still, you play along, “I think you might be right, Mr. Van der Linde, thank you for the hospitality.” You run a tired hand over your face, sitting down on the stoop of the house and finishing off the rest of your coffee. Dutch watches you for a while, never straying too far from where you are and intercepting anyone who asks about you.

He spins quite the romantic tale of your lost love and how he desperately wants you back. You wish it were true, that you were living out some wonderful fairytale and were about to be reunited with the love of your life. Instead, it feels like one long walk to the gallows.

The wood creaks behind you and you don’t need to turn to see who it is. “Ready?” Arthur asks and you figure he means, ready to leave freedom and happiness and the will to live behind?

No, “Sure,” you toss the rest of the coffee into the grass and leave the mug on the stairs. You get to your feet and let him lead you towards the horses. He shares a brief look with Dutch as you pass by him but it doesn’t look entirely pleasant.

He makes his way toward a towering black shire and your eyes widen in horror. “What’s this?”

He works on saddling the horse up, not paying much attention to you. “This is Diablo.” You take a step closer and the horse starts huffing, swinging his neck towards you with his lips pulled back. You jump back a step back, eyeing him warily.

Arthur glances over and lets out a low chuckle, “He won’t bite. He’s just curious.”

“Mhm,” you give him a disbelieving look. “You’ll have to excuse me for being wary, I’ve not met a lot of horses.”

Arthur looks a bit shocked by your admission. “Really?” He questions, sounding doubtful.

You give him a brief smile and nod. “Hard to believe, I know, but I’ve lived a very sheltered life, Mr. Morgan. Haven’t had many opportunities for exploring on my own.”

He opens his mouth, looking like he wants to say something. At the last second, he stops himself, instead taking a step closer to you. You flinch away from him when he reaches for you and he lets out a sigh. “You can’t spend the next three days terrified of him, come on.”

He coaxes you forward and you reluctantly step closer to the beast. He chuckles at the scared look on your face. You don’t appreciate how much amusement he’s gaining from this. “Come on,” he mutters, taking your wrist and leading you closer to Diablo.

The damn thing is named Devil, how could you not be terrified of it?

“He won’t bite, I promise.” You don’t trust him but he doesn’t give you much of a choice. He presses your open palm to Diablo’s nose and you wince, bracing for him to lash out at you.

But he doesn’t, he lets out a soft knicker and it seems like he doesn’t even care that you’re there. You let out a relieved laugh, running your hand tentatively over his muzzle. It’s shockingly soft and oddly squishy.

He doesn’t seem to mind as you awe over him. You smile and glance over at Arthur but it drops when you see the odd look on his face. He seems perplexed by your reaction and you can’t fathom why. “You really never have ridden a horse before, have you?”

You shake your head, “No. I told you.”

He purses his lips and nods. You don’t know what it is about this that’s bothering him and you don’t care to ask. If he doesn’t believe just how strict your upbringing has been then fine. “Alright, come on, we need to get a move on.”

He leads you around to the saddle and helps you up on the back of the horse. It’s beyond odd, sitting on something in pants. Getting to spread your legs freely is something you are going to greatly enjoy during this journey.

Arthur takes off without much warning and you yelp, throwing your arms around his waist to steady yourself. He glances over his shoulder at you but says nothing. You turn your head, watching as the camp gets smaller and smaller.

The people mill about, greet each other, and break bread together. It hits you suddenly, this will be the last time you get to see people being free. If you don’t get out, if you can’t escape, your life will be filled with starched collars and powdered faces. You’ll never have a genuine conversation with someone again. You’ll be turned into pretty jewelry hanging off the arm of a man you never met.

The ride to Strawberry is three days at least. You have three days to get your plan together and to escape. You almost feel sorry for Arthur and the repercussions he’ll have to face losing you. But not sorry enough that you’re not gonna try.

Arthur’s speed evens out and you let your arms relax, easing away from him slightly. Your wrist jolts against the gun on his hip and you eye it curiously. If you had a gun there would be no doubt you could escape. You see Arthur’s fingers twitch on the reigns of the horse and you move your arms higher up his torso.

You doubt you’ll be a quicker draw than he is. He is an outlaw after all. You don’t think he’d have many qualms about delivering you to your fiancee with a few extra holes in your gut. Your mind drifts to the razor in your pocket and you consider it for a moment.

You’re sure you’d be quick enough to just whip it out and slit his throat. You sigh and dismiss the thought. You were a lot of things but you were not a murderer. There are lines you can’t bring yourself to cross. Besides, as wicked as what he’s doing to you is, you know he’s a good man.

It was an instinctual feeling. Mr. Crane and your father were both horrible, evil men. They knew nothing but greed and would never be satisfied by all the riches they reaped. They were the type of men you looked at and knew deep down that there was nothing left to save.

Arthur has undoubtedly bad things. You don’t become an outlaw without spilling some blood. He was weathered and rough from a hard life, but that didn’t mean there was nothing good left in him. You won’t have his blood on your hands, no matter how much you might want to get away from him.

As grateful as Arthur is for the silence, it is odd. He’s helped a few ladies find their way back home before and for some reason, they seem to think he’s the best listener in the world. It seems everyone who rides with him wants to tell him their life stories.

You’re completely silent, though. He has to keep looking back just to make sure you haven’t fallen off the back of the horse. You’re pretty complacent, following along with whatever Dutch said and coming along quietly. You seem beaten down, the fight dragged out of you.

He wonders what Mr. Crane had done to you. A few times, he’s seen just a glimpse of the spark that used to be there. But it was snuffed out before he got a chance to know it. He almost wishes you would talk. It would distract him from what he was doing right now.

It didn’t feel right, bringing you along to marry a man you’ve never even met. He has to keep reminding himself that it would have happened no matter what. Ladies like you are always sold off into a profitable marriage. The only thing he’s doing is switching up who the fiancee might be.

None of that makes him feel better, though. He should be helping you, not dragging you away to your worst nightmare. But, his people come first. The amount of money Dutch’ll get from this will be enough to get them all out of here. This could finally be the last score.

You gasp behind him and he whips his head around, immediately expecting someone to be following along beside you both. Maybe your father’s men or just some raiders. But he doesn’t see anything except a herd of deer running through the trees.

His brows furrow in confusion and he glances back at you. You’re watching them like they’re something spectacular. Arthur’s always been a fan of the quiet beauty of nature. He appreciates them in ways most folks don’t understand. But you’re looking at ‘em like you just found God.

“Never seen deer before?” He teases, chuckling a little at your reaction.

You startle, not realizing he had been watching. You clear your throat and look away from them sheepishly. He almost feels bad for ruining the moment for you. “No. No, I haven’t.”

He knows it's possible, but it’s astounding to him that someone truly lived their whole life in the city. It just doesn’t seem right. Cities are full of shit, smog, and bad people. Not even having a moment out of that your whole life seems like torture.

“I’ll just enjoy it while it lasts,” you mutter, eyes darting back to the tree line. But the deer are gone and you don’t look very interested anymore.

“Right,” he shifts forward, the air between you awkward. He’d only meant it in jest. He didn’t mean to remind you of what was about to happen to you. He doesn’t like the silence, not this time, it feels wrong. It makes him stew in his shame and that’s a nasty feeling.

Selfishly, he prods you for more. “A few days on the road, you’ll be eager for the city again.”

You laugh but there’s no humor to it. “I very much doubt that Mr. Morgan.”

“Arthur,” he corrects, “just call me Arthur.”

“Right,” your tone remains cold, “well if you don’t mind Arthur, I’d like to ride there in silence.”

He's got no other choice but to comply. If you don’t want to talk he won’t make you. He just wishes he could make this a little easier for you both.

Camping is something. You don’t have a word for it. It’s nice to be out in nature and embrace it for the first time in your life. But you really would not mind the comfort of your bed right now.

Rocks digging into your spine and head do not make for a good night’s sleep. You’ve been lying in front of the fire for hours, flipping around uselessly. It doesn’t matter how much you shift, the rock stays digging painfully into you.

You let out a loud huff, flopping onto your back and glaring up at the starry sky in defeat. At least the view is nice. In the city, you can’t see the stars. The smoke’s too thick and you never get a good look at them.

Out here, they almost feel fake. They’re so bright and beautiful, you thought the paintings in the museum had always been exaggerating just how breathtaking a night sky can be. But you were wrong. And you hate that there’s a potential future where you’ll never get to see this again.

“Would you quit squirming so damn much?”

You shoot up, resting on your elbows and glaring over at Arthur. He’s got his hat over his eyes, arms crossed, and looking like he’s been asleep for the past few hours. You hadn’t realized you’d been keeping him up.

“Some of us aren’t used to sleeping outside,” you hiss, throwing yourself back down to the ground. He doesn’t say anything for a while and you figure that’s the end of it. You clench your eyes shut, counting sheep in your mind and trying to force yourself asleep.

You hear boots crunching across leaves and your eyes fly open. Arthur’s standing over you, hands propped on his hips as he glares down at you. “Can I help you?” You snap when you get tired of the staring.

He scoffs and shakes his head, kneeling to be eye level with you. You’re startled by the proximity, an odd heat creeping up your neck. “Come on, I’m gonna tire you out. Maybe then you’ll get some sleep.”

You gasp, astonished at the audacity of his suggestion. “Excuse me?” You demand, tone incredulous.

His brows furrow before he shakes his head and rolls his eyes. “Not like that,” he grouses. “Get up,” he doesn’t give you much of a choice. He places his hand under your back, shoving you onto your feet. You stand with a slight stumble, glaring at him as you brush dirt off your shirt and pants.

You can’t help the snotty tone of your voice as you ask, “What are we doing?”

“Huntin,’” He answers gruffly, going over to the horse and taking the bow out of his saddle.

Your brows furrow as you recall the few stories your father told you of hunting bison. “Aren’t you supposed to use a rifle?”

He shakes his head and nods towards the treeline. You glance back at the fire before reluctantly following him into the dark forest. The moon is full enough that it provides just enough light for you not to be terrified of what’s lurking in the underbrush.

“Got a friend,” he tells you, kneeling and glancing at some tracks on the ground. “Taught me how to hunt properly. Bows are quieter, less disruptive, and they provide quicker, cleaner kills.” He looks back at you and motions towards the arrows, “Less pain for the animal.”

Your face slacks with something like astonishment. All you’d heard from your father was the thrill of the hunt, the satisfaction of the kill. He never mentioned keeping anything from the animal, using it for meat, or about how long it took for them to die. You’d never thought there was anybody who actually cared for the creature’s comfort as it died.

You suppose there’s going to be a lot about Arthur that’s different from the men you know.

“Arthur,” a twig snaps behind you, and your eyes widen. You drop your voice to a whisper, not wanting to draw too much attention towards you both. “I don’t want to kill anything,” you hiss.

“Ha!” He barks out a laugh and you purse your lips in irritation. He stands and looks at you, chuckling again before shaking his head. “I wouldn’t be so confident in your huntin’ skill, kid.”

You click your tongue and glare at him, “Don’t call me that,” you snap. It’s the same patronizing nickname your father loved to use on you and you detest it. He raises his hands in surrender and you roll your eyes at the smirk on his face. “Then what’s the point of this?”

He shrugs and heads further into the trees, you have no choice but to follow along behind him. “Figure you should be taught a few skills before I get rid of ya.”

You want to argue with him that there’s no point. If you are given to Crane’s associate, you’ll never set foot in the woods again. However, if you do manage to escape him, learning a few survival skills wouldn’t be a bad idea.

So, you keep your mouth shut and let him lead you through the forest. “How do you know where to go?” You ask, trying to figure out what it is he keeps looking at in the mud. He waves you forward, moving you so you’re standing directly in front of him.

“You see that?” You have to squint, relying solely on the light from the moon, to make out what he’s pointing at. There are some tracks in the mud that look vaguely like hooves. “It’s buck tracks, you can tell by the size.” He kneels and when you don’t follow he tugs you down by the sleeve. “You can’t rely on just the tracks, though. You have to look for other signs of ‘em.”

You glance around, noticing some crushed twigs and grass a few feet ahead. “Like that?” You point towards it and he huffs in amusement.

“Caught on quicker than I thought.”

You feel vaguely offended by that but don’t bother voicing it, just glare at his back as he gets up. You walk silently through the forest, letting Arthur show you which tracks to follow and which to avoid. You’re not comforted by how many cougar prints you find. You stare up into the branches always expecting something to already be looking down at you.

Miraculously, no wild cat chooses you for dinner as you track the buck down. You find him near a small stream, antlers dipping into the water as he takes a drink. He’s got to be one of the most gorgeous creatures you’ve ever seen.

You’ve lived your whole life in St. Denis. The most you’ve seen are overworked carriage horses and mangy dogs. No life slips through the cracks of that place. There’s just smoke and misery. This is nature, real beauty. It’s breathtaking, the way the leaves ripple in the wind and the starlight reflects in the water.

You can’t imagine seeing this and wanting to tear it down to put up an oily machine that contributes nothing to the earth but death. It just makes you hate your father more. It also makes you more resolved to not be forced back into that life. You can’t do it. You can’t have this one taste of freedom and then let it go without a fight.

Arthur pulls the bow out and nocks an arrow. You glance between him and the buck and rapidly shake your head. “No,” you hiss, “I don’t wanna kill it.”

He rolls his eyes and moves you in front of him. You don’t have much choice as he places your hands on the string and guides you into the right position. “Relax,” he murmurs in your ear as you fight against his grip. “You ain’t gonna kill it.”

It doesn’t bring you much comfort, but if you’re going to make it on your own, sometimes you’ll have to do something you don’t like. “Now,” his hand drifts down your bicep and you suck in a sharp breath. “Don’t hold it too long, you’ll get tired.”

It’s dawning on you just how close you both are. You’re kneeling on the ground with him behind you, essentially cradling your body to him. You’ve never been this familiar with a man before, it’s making your brain short-circuit. You can hardly pay attention to what he’s telling you.

He lifts your elbow slightly and points you towards the left. “You need to keep your arm steady even after you let go or your aim will be off. Take in a deep breath and release on the exhale.” You give him an apprehensive look, still not wanting to hurt the buck. He just nods and there’s something in his gaze that lets you relax slightly.

You release the string and the arrow flies over the buck’s head, burying itself into the tree behind it. Its head shoots up and it turns towards you both before dashing off. You let out an astonished laugh, glancing down the bow and then back at Arthur.

“My god, I’ve never shot anything before.”

“Congratulations, you’ve killed your first tree,” he remarks dryly, but you see the glint of humor in his eye.

He gets to his feet and offers you a hand up. You smile up at him, undeterred by his attitude. “Thank you for this,” you tell him earnestly. He gives you an odd look but nods anyway. He doesn’t understand just how important this is to you. Knowing how to do something like this is the difference between life and death when you’re on your own. Of course, he doesn’t realize you’ll be making an escape attempt soon.

He retrieves the arrow from the tree and you run your hand over the curve of the bow. You wonder just how much he’d miss this if you took it from him.

Arthur’s tearing down the camp and you’re standing by Diablo, feeding him some apples. You stroke absentmindedly over the horse's muzzle, watching Arthur intently. He’s too busy pulling the tent apart to be paying attention to you.

You got better sleep last night than you did at Crane’s. He was right, hunting had tired you out. You were eager enough to sleep that you didn’t even feel the rough ground underneath you. He seems to be a little more lax about his watch over you.

Something about last night must have eased him into a sense of comfort that you’re not going to run. That’s his own fault, though. You glance over the curve of the hill, noticing a carriage that will be passing by soon enough.

You look back at Arthur and ease slightly away from Diablo. Arthur is still collecting the blankets and rolling them up. He turns towards the dying fire and tosses the rest of the coffee out. You take another step back and he keeps his back to you.

Slowly, you release Diablo’s reigns, giving him one last apple before you turn on your heel and run down the hill. Your foot slips out from under you and you let out a loud yelp as you go flying headfirst down the grass.

You land on your back with enough impact to make the breath rush out of you. But your descent is still going and you’re flipping over headfirst into the road. You slide forward, the dirt scraping up your chin as you cough and try and catch your breath.

“Look out!” You roll out of the way just before the carriage rolls over you. Someone shouts your name from the top of the hill and you see Arthur glaring down at you. He starts towards you and you scramble to your feet.

“Stop!” You scream, waving your arms wildly and chasing after the carriage. The man gives you a bewildered look as you throw yourself at him. “Please, sir, I’ve been kidnapped, you must help me get back to my husband.”

The man looks behind you, sees a very angry Arthur bellowing out your name, and moves to the side. “Hurry up,” he urges, giving you a hand on the bench beside him. You let out a relieved breath, taking his hand and throwing yourself the rest of the way up.

He whips the horses, hurrying them along all the while Arthur is yelling after you. It’s not hard to believe that he would kidnap you. He looks half-crazed as he follows along behind you. You turn over your shoulder, giving him a brief wave and a smile. “Thanks for the help,” you tell the man beside you. You offer your hand and name.

He glances down at it but doesn’t take it, instead looking forward and ignoring you entirely. Something uneasy settles in your stomach but you push it aside. You blame the feeling on the adrenaline still pumping through you.

“Where are you headed?” You ask, glancing into the back of the carriage. You notice some moonshine and a crate full of guns but decide not to question it.

“Said yer husband’s waitin’ for ya?” He demands, completely ignoring your question. You stare at the side of his face but his expression isn’t giving anything away. He comes to an intersection. You see a sign pointing towards a town and figure he’s going to take it, but instead, he pulls onto a smaller trail leading to the woods.

“Um,” you clear your throat uncertainly, glancing back at the sign. “Yes,” your voice cracks and you know you sound like you’re full of shit.

He laughs and the sound sends chills down your spine. You rip your eyes off of him, looking down at the horses and suddenly realizing just what you’d gotten yourself into. “You sure about that, little lady?”

Something cold digs into your side and you gasp quietly, looking down to see a gun pressed against your ribs. “You scream, run, or do anythin’ to piss me off and I’ll put a fourth hole in ya.” When you don’t say anything he digs it harder into you. “Understand?” He growls and you can do nothing but nod your head.

You want to move, want to shove him off the side of the carriage and make a run for it. But you can’t, you’re frozen solid. You’re so petrified with fear you can’t even blink. You think you’re holding your breath, as if taking in air is going to set the gun off.

He grins, a blackened curl of lips over rotted teeth, at your obedience and comes to a stop in the trees. “What are you doing?” You whisper, staring at the secluded area with a newfound sense of horror.

“Shut up,” he snaps, his voice echoing through the quiet of the woods. You hear no birds or animals and you feel so alone it makes you want to cry. He gets off the carriage and turns towards you. “Down,” he demands. Your eyes dart towards the reigns of the horses and he pulls the hammer of the gun back. “Don’t even think about it.”

You lift your hands in the air, slowly slipping down the seat. He doesn’t appreciate you taking your time He grabs the front of your shirt, jerking you further into the trees and tossing you to the ground.

You let out a rough groan at the impact, blood staining your shirt as your elbow slips across a jagged rock. It’s like something is snapped loose in your mind. He comes stomping towards you, kneeling between your spread legs and it finally clicks.

You lunge forward with a shout and he rears back in surprise. You wonder how often someone’s actually fought against him or just let it happen. You don’t want to die, you don’t want to get shot by this scum, but there are a lot of things worse than dying.

You grab the arm holding the gun, jerking it around, and knocking it out of his hand. “You bitch!” He hisses, bringing his open palm down across your cheek. The smack rings through the trees and ricochets through the air. Your head whips to the side so hard you think you might have snapped your neck.

Blood dribbles out from your lips, your teeth having bitten into the fat of your cheeks. You spot the gun nearby, the silver of the barrel glinting from under the leaves. Just as you reach for it, he’s wrapping his hands around your ankles and dragging you back towards him.

You feel like screaming as your hands desperately grasp at the dirt underneath you. But there’s not enough air to scream. You dig your nails into the mud, feel them split against the rocks, and kick at his chest hard enough to make him lose his breath.

His grip on you loosens and you throw yourself at the pile of leaves. Hands groping for something solid. Just as he flips you over you wrap your hand around the handle of the gun. You pull the trigger and the bang is deafening.

Your ears ring and your hands are trembling from the recoil. His jaw goes slack and he tumbles on top of you. You let out a grunt, breath pushed out of you by his weight. You scramble against his chest, something warm making your hands slip as you struggle to roll him off of you.

You glance over, waiting for him to spring back up. But there’s something dark pooling around him and sinking into the dirt below. There’s a hole in his chest and his eyes are already flattening. You fall back against the earth, staring up at the trees above you.

The sounds rush back to you all at once. The birds singing, deers prancing somewhere in the distance. You hear a stream rushing nearby and let out a stunned laugh. There’s a smile on your face but there’s nothing to be happy about.

You think you might be in shock. Mind still trying to catch up to what just happened. You glance down at the gun in your hand and toss it to the side, not wanting it near you anymore. Only a second later do you reach for it again.

You struggle onto your hands and knees, checking over yourself for any injuries that you might be numb to right now. The only blood on you is from the dead man on the ground. You keel over, hands on your knees, and suck in a deep gasping breath.

You stumble back, limping towards the carriage. You dig around in the back of the wagon, tugging out a giant hunting knife and walking towards the horses. You cut them loose, keeping the rope on one of them and tugging yourself onto her back. You tuck the knife in your belt and nudge her side, leading her forward gently.

You don't even have time to process the fact that you’re riding a horse on your own. Your body is moving on autopilot. You can only think about getting ahead, getting away. What just happened will hit you later. You slump against the neck of the horse, adrenaline leaking out of you and exhaustion catching up.

He’s going to find you and he’s going to kill you. Leaving while he had his back turned. Getting on some carriage with a man you’ve never met before. How dumb do you have to be? You can’t trust people out here. Not when there are gangs, raiders, hell, he’s encountered a few cannibals.

For all he knows, you’re already dead and he’ll be delivering a body to the train station. The thought makes him curse and urge Diablo forward. It’s not hard to follow the tracks of the carriage, what concerns him is when they lead into the forest instead of the town.

“Goddammit,” he mutters, “the hell have you done woman?” He leaps off Diablo, figuring it will be easier to track you on foot. He follows the paths of the wheels, finding the wagon abandoned and the horses cut loose.

His brows furrow in confusion as he wanders around the side and spots a lump in the leaves. All he can see is the bottom of a boot and blood splattered across the orange of the fallen leaves.

His stomach plummets and he races towards it. But it’s not you buried under the foliage, it’s the man who offered you a ride. “What the hell?” He kneels, brushing the leaves off his chest and frowning when he sees the blood splattered all along his chest.

He doesn’t need to look long to figure out what killed him. He’s sure the bullet buried in his heart did the job. Arthur curses and stalks away from the man. There are prints where the horses were but there are too many to tell which one you might have taken.

He’ll have to rely on instinct to find you. You’re becoming a real pain in the ass for what was supposed to be a simple job. Still, he can’t help but be a little relieved that it was a stranger and not you lying dead on the ground.

He turns back onto the road, taking the turn into town. Someone on horseback rides past him, they look disgusted by something up ahead and it makes alarms go off in his head. He urges Diablo forward, running the rest of the way into town.

An unsaddled mare lazily eats some grass as the sound of a rushing river meets his ears. Diablo’s hooves sound off against the wood of the bridge. He finally sees what disturbed the other rider so much.

You’re sitting on the railing of the bridge, legs dangling dangerously over the edge as you stare down into the crashing waters below you. Arthur gets off his horse, approaching you slowly. He doesn’t want to startle you and have you go tumbling over the edge.

He calls out your name and you glance briefly over at him. Blood is splattered across your neck and the front of your shirt is soaked with it. He knows it isn’t yours but it still puts him on edge. “What’re you doin’ kid?”

You don’t answer him, “Did you follow me?” He eases up beside you, straddling the railing so he can catch you if you slip. He nods and you let out a rough sigh. “Is he dead?”

He scoffs, “Sure as shit hope so, don’t know how someone would survive that.”

A manic laugh bursts through your lips and you double over your head falling into your hands. Arthur surges forward, steadying you before you dive headfirst into the river. “Alright, let’s go,” he quietly urges you around. You don’t put up a fight, letting him maneuver you how he likes.

He gets you on your feet and leads you back to Diablo. You latch onto the horse's reigns immediately, stroking your hand over his mane. Your silence is concerning. Arthur doesn’t know what your regular behavior is, the most he’s seen of you, you have been quiet. This is different, though. He’s seen this sort of quiet in women before and it never ends pretty.

“You’re alright, come on,” he tries to keep his voice low so he doesn’t set you off. He keeps his hands light as they land around your waist, giving you help onto Diablo’s saddle. Your gaze is distant and you move like someone else is controlling your body.

He collects the mare you’d brought along with you and leads both horses into town. He’ll have to get a saddle for her, she already seems attached to you. And maybe taking a horse with you into the city will let you escape a little.

The town, at least, is on the way to Strawberry so he doesn’t have to worry about being too far off schedule. Though, that’s the least of his concerns right now. His eyes keep darting up to you. Waiting for you to try and bolt again or finally break down. It doesn’t look like anything is going on in your head, you seem completely distanced from the situation.

It’s a good thing for him. He can’t handle a distraught woman. He’s not a kind enough man for it.

He hitches the horses in front of the hotel. You turn in the saddle, staring down at him and waiting for a hand down. You slide easily through his hands, landing in the mud with a dull thud and heading up the stairs of the hotel without prompt.

He huffs and follows after you. He doesn’t know how to explain the blood on your clothes away and hopes he won’t have to. The man running the place, thankfully, doesn’t have many questions. He looks disturbed but keeps his qualms to himself when Arthur slips him a little extra cash.

Arthur guides you up the stairs with a light hand on your back, opening the door of the bath for you. “Alright, here’s your room key. I’ll be out for a while so, just,” he sighs, taking in the blank look on your face and shaking his head. “Try not to cause any more trouble.” You nod and close the door behind him.

There’s no worries that you’re going to make a run for it again. He’s sure whatever happened in those woods was scarring enough to make you want to go back to the city and never see country folk again. He wouldn’t blame you, there are some nasty people out here. Himself included, but he could never imagine hurting a woman like that. It just ain’t right.

He heads to the shop across the street, buying some new clothes for you that actually fight properly. The horses are brought to the stables and he goes ahead and gets a paper for your mare under your name. Diablo will be faster tomorrow if he doesn’t have to carry the weight of two people. You might make it to your handler in time.

Arthur still doesn’t feel right about this whole thing. Leaving you with a man you’ve never met feels even worse knowing what happened to you today. He doesn’t think you being so calm about it all is a good thing. Shouldn’t women react?

Dutch likes to tell him women are a more sensitive breed. He’s seen some tough ones in his life, but this seems like the time to be in hysterics if there ever was one. He heads back to the hotel, planning on just leaving the change of clothes in your room.

He passes by the bath and hears an odd sound seeping through the cracks. Frowning, he presses his ear up against the door. A man passes by him, giving him a disgusted look as he goes into his room. Arthur sighs but he stays where he is.

It’s clearer now, you’re crying and it’s hard to listen to. It's the type that makes it hard to breathe. That sort of crying makes your ribs ache and bruise. It’s wrong to keep listening to such a vulnerable moment. So, he does what he planned, drops the clothes in your room, and then heads to bed himself.

Sleep comes easier than he thought it would. It’s not as restful as he’d been hoping but it draws over him faster than it normally does. He’s always been a light sleeper, though. It comes from years of having to be on guard in case some O’Driscoll is gonna try and slit his throat while he’s asleep.

When he hears the door creak his hand is already on the trigger of his revolver as he shoots up in bed. The glow of the lamps outside illuminates what’s clearly a woman’s form. But he can’t see your face until you take a step further into the room and the moonlight provides some light.

“Arthur?” You whisper his name, peering into his room. “Are you awake?”

“I am now,” he grumbles. With a sigh, he shoves the gun back under his pillow and runs a rough hand over his face. “What'd ya want?”

You let out a low breath and rock back on your heels. “I’m sorry,” you mutter. “I just, I can’t sleep. I keep thinking he’s gonna creep out of my closet or bust through the door, I-”

You cut yourself off but he can hear the emotion thickening your voice. He clenches his eyes shut in irritation, arguing with himself over what he’s about to say. “You wanna sleep in here?” He mumbles reluctantly.

You close the door immediately, practically running towards his bed. “You don’t mind?”

You’re not really giving him a choice, but he’s not going to say that to you. “No.” He grabs a pillow and blanket off the bed and rounds the end of the mattress. You frown as you watch him toss everything to the ground.

“Well, what’re you doing?”

“What’s it look like?” He snaps, angrily gesturing towards the floor. “I’m givin’ you the bed.”

You bite your lip and he feels horrible instantly because you look like you’re about to cry. He’s not trying to be rude but you woke him up in the dead of night. What’d you expect him to say?

“I was sort of hoping we could share the bed.”

His eyes widen and he glares at you in disbelief. “You mean-”

“No!” You cut him off with an aggrieved sigh. “You fool, that’s not what I mean at all. I just don’t want to be alone, alright?”

“Look,” he scoffs and shakes his head. “I don’t think I’m the man you want to bunk with for company, alright. I’m not that kind of guy.” You glare at him and snatch his pillow and blanket off the floor.

“Don’t be so damn stubborn.” You aggressively fluff the pillows, throwing the covers back and gesturing towards them, your brow set in anger.

“Right,” he huffs, “I’m stubborn.” He reluctantly crawls into bed and you follow behind him. It’s not that he minds sharing a bed with a pretty lady. He’s just not the sort of guy you should be coming to for comfort.

He doesn’t think he can provide whatever it is you need at this moment. But you seem to think otherwise as you inch towards him slowly. He lays on his back, arms under his head as he watches you out of the side of his eye. You think you’re being subtle, slowly moving into his side until you’re flush against him.

He doesn’t say anything to object and you don’t bring up the proximity. He doesn’t want to admit it but it is nice having someone else beside him. He’s so used to camping out on his own. He hasn’t had anyone beside him in a long while. He lost interest in women of leisure a long while ago. And ever since Mary, he’s given up on any sort of intimacy.

He hates to admit it, but he finds himself easing towards the warmth you provide. The second you feel him reciprocating you’re inching a tentative hand around his waist, cuddling closer to him. He recognizes it for what it is.

He’s always been looked at as someone who can protect, at least by the gang. He’s their muscle. To most others, he incites nothing but fear. It should be the same for you. But after what happened today, you just see someone who can keep the monsters in the dark away.

He doesn’t mind being used like this. He wraps an arm around your shoulders and waits until he feels you settle to ease into sleep again.

Arthur figures you should both get breakfast in town while you’re here. He reasons you should enjoy a hot meal before you’re on the road again. You don’t point out that you know he’s just trying to ease you into the day.

You appreciate it, honestly, but yesterday wasn’t your first run-in with men like that. It’s become incomprehensibly normal in day-to-day life, even for a city girl like yourself. You’d cried everything out in the bath once you’d scrubbed your skin raw.

You don’t think Arthur will ever understand just how much his presence helped you last night. If you’d been on your own, jumping every time you heard the wood creaking outside, you’d have driven yourself over the edge. He protected you, even if there was nothing to be protected from.

You don’t think he gives himself enough credit. Ignoring the situation you’re both in and what he’s taking you to do, he’s a good man. While the caliber of the men you’ve met is questionable at best, he’s one of the best ones you’ve ever known. At the end of the day, he disagrees with the whole situation, but he’s doing this for his family. That’s admirable in its own way.

But, god, does he have poor conversational skills. “So, yesterday.” You glance up from your toast, brows raised in question. He clears his throat, eyes darting between you and his food like he can’t choose what to focus on. “That man, did he…”

He trails off and you feel your hackles rise. “Don’t worry,” you hiss, a bite to your words, “I’m still pure for my husband. Your pay won’t be docked, if that’s what you’re worried about.”

His hand clenches around his fork and his eyes bore into yours, “That’s not what I meant,” he growls. “I wasn’t worried about that,” he snaps, “I was worried ‘bout you, woman.”

You take in a deep breath, actively biting your tongue from saying something spiteful. He wasn’t being rude, that’s just what you’re used to. “I’m sorry,” you concede lowly. “Nothing happened,” you repeat without the attitude.

“Well,” he huffs and goes back to his breakfast, “good,” he settles on dully.

“Good,” you agree quietly, pushing the rest of your food around. You find your appetite dulled and you push the plate away. You lean back in the booth and stare out the window. The horses seem to be getting on well enough. “Did you name her?”

Arthur gives you an odd look and you nod towards the mare hitched next to Diablo. He swallows the food he’d been chewing and takes a swig of his coffee. “No, figured you’d want to do it.”

Your brows furrow and your lips quirk in confusion. “Why?”

“She’s yours, ain’t she?” He grouses.

You shake your head, “Nope,” you tell him, popping the p. “I just took her so I’d have something to get me to town.”

“Yeah, well,” he sounds less sure of himself and he’s looking like he made a mistake. “I thought she’d be nice for you to have with you in the city. A way for you to get around without relyin’ on someone else.”

You can’t help but smile, something in your chest easing away at the kind gesture. “I appreciate it,” he lights up a little at your approval, but you crush it in an instant. “But I can’t keep her, I won’t be allowed to. I’ve tried to have my own horse before, hard to control something that can get away from you,” you tell him blankly. There’s no emotion in your voice because it’s something you’re used to.

He looks slightly horrified at how blunt you are. He can’t comprehend not having that freedom but he fails to recognize that he’s got a leash of his own. You doubt a man like Dutch would ever let his main asset just run off to wherever he wants to.

A few people walk into the saloon, the women giving you odd looks when they see the pants on your legs. You smile cheekily at them, reveling in what you know will be a short-lived experience. You’ve never been on the receiving end of a judgmental look like that.

You’ve always blended in. Been the perfect wallflower for the men in your life. You were never something to gawk at or cause trouble. It’s a relief to stick out for once, to break the mould for the first time in your life.

Arthur clocks the interaction and chuckles. “Missin’ the skirts yet?”

“Not one damn bit,” you tell him, smiling as you take a sip of your coffee. “I’m going to miss being able to run around without having to lug an extra four pounds of fabric behind me.”

“Ya know, you could just wear some pants, you’ve got a choice.”

You grin patronizingly at him, propping your head on your chin and watching him finish the rest of his breakfast. “You don’t know city men very well, do you?”

“Glad for it,” he grumbles, distaste clear in his tone.

A laugh breaks through your chest, the first real one in a while. “I’m going to be marrying one, Arthur. I won’t have a choice in much of anything anymore.” You can tell he wants to object, tell you there’s always a choice.

He’ll never truly understand what’s going to happen to you, though. You’re no longer human once you’re married. You’re cattle and property, meant to be bred and shown off. You accepted your fate a long while ago. And after you’re failed escape attempt, you’ve realized this is what you were always meant to be. There’s no point in fighting fate.

“Don’t apologize or argue,” you tell him, no spite or bitterness in your tone, just the honest truth. “I don’t mind anymore, really. What place is there for me in this world, anyway? I can’t exactly take care of myself.”

“You did a damn good job yesterday,” he snaps back quickly. He doesn’t seem too keen on the way you’re talking about yourself. But you’re not lying. Yesterday was a wake-up call. If you let yourself get screwed over by a hillbilly that quickly then how were you ever going to make it on your own? In your defense, you were raised to be dependent, you never had a chance.

“Sure, but that was a one-off incident. I’m not going to run again, Arthur. There’s no point. And there’s no point in fighting against the way things are, they’re never going to change for me.” You take in a deep breath, the easy mood ruined by your sincerity.

“I’m just gonna wait by the horses.”

You slide out of the booth, leaving Arthur to stare pensively at his plate. You’ve nearly slipped through the door when Arthur calls out, “You should name her.” You pause at the doorway, glancing back at him. He’s settling the bill at the front and you walk back out to the horses.

The mare picks her head up as you walk towards her, ears perked and tail flicking. “Hey, girl,” you run a hand over her muzzle, admiring the sleek silver of her coat. “I guess I should name you.”

You run a hand over her mane and swing yourself onto the saddle. “How ‘bout Bullet, it’s how I got you, anyway.” A dark joke, but it eases the macabre feeling hanging around you.

Arthur walks out of the saloon, tucking his money away into his bag. He lifts himself onto Diablo, glancing over at you with a knowing glint.

“Name her?”

You resent how smug he sounds. “Bullet,” you answer reluctantly.

“Bullet?” He questions, tone incredulous.

You grin at him, “It’s how I got her.” There’s a slightly stunned expression on his face before it slacks away into something more amused.

He shakes his head and nudges Diablo forward, Bullet follows alongside him eagerly. “Clever,” he mutters.

“Not really,” you snort, running a hand over her neck lovingly. “But I think it works for her.”

“Your husband’s gonna have his hands full with you,” you know he means it in jest. The lightness of the conversation turns into something heavier. Realization sinks over both of you and the smiles slowly drop away. “I-”

“How much further to Strawberry, anyway?” You effectively cut off whatever train of thought he was going to follow, distracting you both from the truth.

“Half a day,” he tells you, frowning when you refuse to meet his eye again. Half a day. That’s all you’ve got to enjoy the last bits of freedom you have. You’re gonna take your damn time getting there, that’s for sure.

You slow down from the steady trot Arthur had led the horses into, easing Bullet into a slow walk. You’re slowly getting the hang of riding a horse. It’s easy when she’s so intuitive. By god, though, your ass is sore.

Arthur shoots you a questioning glance at the slow pace and you shrug. “Might as well take the time I’ve got left.”

“You’re actin’ like you’re on death row,” he chuckles.

“Aren’t I?” He falls silent and you don’t know what’s bothering him but you don’t have the energy to inquire.

He’s slowing you down on purpose, he knows it and you know it. Neither of you says a damn thing about it but it’s bugging him. He shouldn’t be this bothered by a job. He knows how to separate himself from what he does. He just can’t this time.

There’s something about you that glows. You’re sitting beside him on the peak of a hill, overlooking the roads below you, and laughing as you make up stories for the people that pass by. It’s a far cry from the beaten-down woman he’d seen at Crane’s house.

Even after what happened yesterday, you somehow manage to seem happier. There’s nothing about it that makes him happy. This feels like the last goodbye of someone who knows they’re going soon. The last bout of happiness before they just give in.

You’re not gaining your spark back, you’re just giving in to what you think is inevitable. But it doesn’t have to be inevitable. You could fight back you just refuse to. He’s sure growing up the way you have, you don’t think it's possible to stand up for yourself.

But you don’t have to give in like this. You don’t have to roll over and let someone else dictate your life. Which is rich, coming from him. He’s practically Dutch’s lap dog now. Even when he disagrees he still follows along behind him.

He shouldn’t even be thinking like this. He can’t criticize you for not standing up for yourself when he’s the one thing standing between you and freedom. “Not hungry?” You nod towards the uneaten meat on his knife.

He shakes his head, plucking it off the blade and passing it to you. You give him an odd look before popping it in your mouth. “Ya know,” you mutter around a full mouth. You take a moment to swallow it down before smiling over at him. “I’ve grown up with private chefs my whole life, but there’s is something infinitely more satisfying about this.”

He takes his hat off, running a hand through his hair. He snorts at your comment, “I find that hard to believe.”

“No,” you shake your head, insistent, “I mean it. Being out here, hunting the game myself, I don’t know, it’s nice.” You shrug and lean back on your hands, gazing across the way at the trees and river.

“You can always get a bow and go hunting.” He speaks to you like it's a cut-and-dry truth that you’re just not accepting. Your face screws up and you give him an annoyed glare.

“No. I can’t,” you tell him again. Where your words were patient before, he can tell you’re growing irritated at how much he’s pushing this.

“Yes, you can,” he snaps. “You don’t have to keep yourself boxed up in some manor in the city. Get out, woman, do something with your life!” His voice echoes through the air and you flinch back from it, lips pulling down into a sneer.

“You know, that’s really easy for you to say, Arthur. You have a goddamn choice. Sure, I grew up with a silver spoon in my mouth, little miss rich girl crying about being pampered.”

He lets out a rough sigh, “That’s not what I meant-”

You cut him off, getting to your feet and glaring down at him. “You got to grow up with a choice. What to do with your body, your life, your career. You get to have an education if you want it. Every goddamn door is open to you. You don’t get hated for not wanting to have a family. You get to choose. And as much as you insist I can too, you will never understand the position I am in.”

You kick dirt over the fire and head back towards Bullet. “It’s a double-edged sword, Arthur. Sure, my life might be comfortable, but it’s never really gonna be my life.” He stays there on the ground, too stunned to get up.

You glare down at him, impatiently waiting for him to get a move on. This isn’t how he wants things to end. He doesn’t want you to go off thinking he’s just some ignorant fool. But he is, much as he denies it, he’s always been a fool.

He should never have thought he could make a difference in your life. Not when he’s the one backing you into this corner. He could have helped you escape the very first night he saw you. But he was too selfish to let you go, now you’re both paying for it.

He mounts Diablo and you both head back to the roads silently. You’re moving faster now, leaving him behind if he lingers in one area for too long. You’re too pissed off to enjoy the rest of your day and he hates that he ruined it for you. You, at the very least, deserved a slower journey towards your future.

You’re in Strawberry before he’s ready, he’s sure you aren’t. “Hey, we could-”

“I think that’s him.” You cut him off before he says something stupid like spend another night in town before you go. He’ll miss you, he thinks. Odd, he’s known you such a short time but it’s been so different having someone beside him as he rides. It was nice, what he wished he and Mary could have had.

Arthur follows your gaze and lets out a tired sigh. Sure enough, some prim and proper ass is standing in front of the ticket station, foot tapping impatiently. He’s got a large bag beside him, gaze wandering around expectantly. He doesn’t doubt the man who looks like he’s got a five-foot stick up his ass is Mr. Crane’s associate. He’s got the same slimy glint.

You slide off Bullet and Arthur follows suit, taking the reigns of both horses and leading them towards the platform. The man’s eyes narrow in on you before lighting up. He calls out your name and it’s like a mask being dropped over your face.

The spark is gone once more, a subdued and demure smile resting on your face as you wave at him. “I apologize for my dress,” you tell him as you walk up the steps. “Pants were more conducive to such a long ride.”

He takes your hand, pressing a lingering kiss to your knuckles that makes Arthur roll his eyes. “No apologies necessary, I brought you a change of clothes. I figured you would be less than put together after such a journey. I’m only sorry I couldn’t accompany you.”

You scoff and nod along, “Okay,” you mutter, not believing a word of his bullshit. You take the bag from him and move towards the saloon to find a room to change in. They both watch you leave, though the other man with a much more devious glint in his eye.

Arthur’s hands tighten on the reigns of the horses, anything to keep him from reaching for his revolver. He’s already getting a bad feeling about this. There’s nothing trustworthy about the man in front of him.

“Mr. Finch,” he holds out his hand and Arthur gives it a distrusting look before reluctantly shaking. Finch attempts to squeeze the life out of his hand but Arthur can barely feel it. He tightens his own grip and revels in the way Finch’s face blanches.

“Arthur Morgan.”

Mr. Finch looks him up and down in the same way Crane had. He sees a commodity, not a person. “I trust,” he drawls, “nothing unsavory happened.”

Arthur feels rage bubbling in his gut. The only damn thing he cares about is whether or not you’re “pure.” Not if you were okay or injured during the journey. If he told him that he’d punched you out for talking back Finch would just ask if you were bruised.

“She’s fine,” Arthur grits out.

“Oh, good, good. Glad everything went smoothly.” Finch has a way of talking he’s found most self-important men do. He draws everything he says out, and forces you to listen to him speak. Makes you pay attention so he can pretend he has power for a moment.

His gaze darts behind Arthur and he turns just in time to see you slipping out of the saloon. The dress Finch has provided you is ridiculously large. It poofs out at the waist in a way that makes Arthur wonder how you’re going to fit into your seat.

You look beyond uncomfortable. Grimacing as you join them again. You try and plaster a smile on but it’s a struggle. You look to Arthur, a finality on your face that makes him want to throw you over his shoulder and run. He’s doing this for the others, he reminds himself. They’ll be on a boat to Tahiti in a week.

“Thank you, Mr. Morgan, for everything.” The smile you leave him with is real, if just barely. Something lurks under your words that Mr. Finch will never understand and Arthur knows it will drive him crazy.

“Let’s go,” Finch grabs your hand, looping it through his arm and tugging you towards the doors of the station.

“Wait!” Arthur calls out, feeling foolish when you both look back at him with perplexed expressions. “You’ll be wanting Bullet, won’t you?”

Mr. Finch answers for you with a condescending tone, “She won’t be needing a horse, thank you.” You give him a knowing smile, turning away and slipping through the doors of the station and onto the train.

Arthur stays rooted where he is, something crawling up in his chest and rooting around restlessly. The whistle blows and the wheels start cranking slowly forward. Arthur just barely catches a glimpse of you through a window as the train chugs past.

“Shit!” He hisses. He tugs himself up onto Diablo’s saddle and urges him after the train. He was born a fool, he’s always going to be a damn fool. But he’d have to be a complete moron to just let you go.

Mr. Finch keeps a painfully tight grip on your elbow, jerking you through the passenger cars and practically throwing you into your seat. You land with a thud, your arm bouncing against the window painfully. You keep a stoic expression, trying not to let him break you so soon.

He takes a seat beside you, straightening out his jacket and tugging on his tie. Something white flashes in his jacket pocket and you lean forward, perplexed when you realize what it is. “What is that?” You question, not quite believing your eyes. Finch glances down at the thick wad of cash in his jacket and grins.

“Oh, this? Mr. Morgan must have forgotten to collect the rest of his payment.” He sends you a condescending smile and you flinch away in disgust. “He was too enamored with my fiancee to pay much attention, I’m afraid.”

“That’s his money,” you snap, the volume of your voice catching the attention of a few other passengers. Finch sends them apologetic smiles, making you seem like a mad woman. “He earned that!” You object, eyeing the money warily.

His hand snakes out, gripping you tightly around the arm and dragging you towards him until your noses are nearly touching. You nearly gag at the smell of his cigar-infused breath. It’s not like when Arthur would smoke one, you didn’t mind that. But this was making you sick to your stomach.

“Let's get a few things clear, I will not be dealing with an obstinate wife. You can either get yourself in order or I’ll do it for you.”

Your lips pull back in disgust and you jerk yourself out of his grip. He’s not as strong as he pretends to be and you’re not going to be scared into submission again. “I’m not your wife yet. My father still has time to pay.”

He laughs at you, spittle flying from your lips and sprinkling across your cheeks. “He has time to pay, but that doesn’t mean he’ll be getting you back, sweetheart.” Your eyes widen with the realization and you want to throw yourself off the side of the train.

You never had any chance to get out of this situation. Mr. Crane was always in control of it all. To even think of having a hope of getting back home was foolish. To believe for a second that you were going to escape this had been utter idiocy.

He sees the crestfallen expression and sinks into his seat with a satisfactory look on his face. He thinks you to be subdued. But now you’re nothing more than a cornered animal with no other choice of escape. You’ve got nothing left for you, nothing to hold onto.

As much as you’d thought you’d bonded with Arthur, you were still nothing more than a job to him. You were nothing more than a commodity to be traded between men. You would never have a say over your life.

You have nothing, you doubt you ever actually had anything left for you. You glance over at the man beside you and feel a cool dread blanket itself over you. Nothing left to lose.

There’s a solid weight tucked into the bodice of your dress. Its cool metal has been warmed by your skin. Its handle curves around your ribs and it only has one bullet left. You reach down the front of your dress, fingers curling around the revolver you’d stolen from a dead man.

Finch glowers at your inappropriate behavior “What are-” You pull the gun out, turning it on him. He jumps back in shock and throws his hands in the air on instinct. “Please-” you revel in his pathetic pleading only for a moment. Pulling the trigger a second time is surprisingly easy. The screams that ring out through the train car are less enjoyable. “Shit!” He cusses, hands coming up to try and staunch the flow of blood pouring from his stomach.

You slip your hand into his blazer, stealing the money before he can object. You run out of the passenger car, leaping to the flat car with all the cargo. It will take a few minutes for them to catch onto what happened and figure out where you went.

You don’t know what you’re going to do now. You’re stuck on a moving train, there’s nowhere for you to hide. You hadn’t thought when you’d shot him, you just wanted that smug look on his face to disappear.

“Where is she?” You hear the guards shouting out your name, flipping over crates to find you. They’re still at the front of the train, but you don’t have long until they start moving back here.

God, what have you done?

You just know, if you made it to that train station, you were never going to make it out. His men would be waiting there to transport you. You’d be watched every second of your life, you can’t do it again. You can’t be locked in a gilded cage, that’s not a life worth living.

There’s no escape for you. Nowhere left to run, nowhere to hide. You glance over the left side of the train. There’s a slight dip into a deep ravine. The crashing water looks almost peaceful from up here.

You don’t know if it would be a quick death but you know it would be merciful compared to what’s waiting for you at your last stop. You keep your eyes on the water, see yourself taking control of your life for the first time, and take a step up on the rail.

Someone shouts your name from the right side of the train and you gasp, arms circling wildly as you almost go toppling over the edge. They shout your name again, panic laced in the tone. This doesn’t sound like Finch or any of the other guards. You whip around and find Arthur riding his horse beside the train.

“What the hell are you doing, woman?”

Your brows furrow in confusion and your eyes dart between him and the ravine. “Jumping! What the hell are you doing?”

His gaze narrows and he shouts to be heard over the rumble of the train tracks. “Stopping you from being a goddamn fool. Get over here!” You hear the guards getting closer as they storm down the rest of the train.

You don’t have long to make a decision, you can already see his horse struggling to keep up with the speed of the train. There’s a bridge coming up in a moment, he won’t be able to go any further and they won’t be able to come after you.

It’s a split-second decision, one that has you pushing off the railing of the car and rushing towards him. You don’t have time to doubt yourself or plan this out further, you take a running leap off the train, towards his outstretched arms.

He barely catches you in time, jerking on the reigns of the horse and bringing him to a sudden stop before all three of you go tumbling into the water. Shots fire off on the train, but they’re gone before they can do any real damage.

Your chest heaves as you dangle from his arms, fingers digging into his shirt desperately. Your heart is pounding so hard against your chest that you almost can’t hear what he’s saying, but you get the gist of it.

“The hell were you thinking? Trying to jump off the damn train! You’re a fool, woman.” He tugs you onto the saddle the rest of the way. As much as he tries to sound angry you can feel his relief in the way he squeezes you close to him.

“Thank you,” you whisper, head sinking into his neck and breathing in the familiar scent.

He sighs, struggling between yelling at you more and just enjoying the fact that he got to you before you did something neither of you could recover from. “You’re welcome, just,” he pauses, holding you a little closer, “don’t be so damn stupid again.”

You laugh and it’s a little wet as tears start to pool in your eyes. “I’m not planning on it.” You sit up, easing away from him and glancing over your shoulder. You watch as the train grows smaller until you can only see a plume of smoke and nothing more. “What the hell are we going to do?”

He sighs and turns the horse around. You maneuver yourself around, facing forward and pushing back against him. “I don’t know. Dutch ain’t gonna be happy about you comin’ back with me.”

You bite your lip, a hundred different possibilities swirling through your head. You’ve never been able to make a choice before, faced with it, you’re overwhelmed with options. You can’t pick one so you blurt out the first coherent thought you have.

“What if we don’t go back?”

Arthur stills behind you, “What?” His tone is low and filled with something you know means he’s ready to say no.

“Just for a little while,” you rush the words out quickly, trying to fight for a chance to get him to listen. “We can send this to the camp,” you tug out the wad of cash you’d stolen from Finch and Arthur barks out a laugh. You feel his chest tremble behind you and it makes you grin.

“Did you steal his money?”

“Your money, technically,” you correct, grinning over your shoulder at him. “Besides, he doesn’t need it anymore.” He gives you a concerned look but you just wave him off. “We can send the camp some money and go off on our own for a while.”

“I don’t know, kid.”

“Don’t call me that,” you interrupt, glaring at him. “It’ll only be for a little while, Arthur. Come on, I’m free for the first time in my life, enjoy it with me.”

He looks uncertain and you know it’s an odd notion to him, putting himself first instead of the camp or Dutch. You’re sure he’s never done it before. Breaking away from them instead of going about like the loyal soldier he is.

“Just a little while?”

You nod, turning just enough to tuck the money in his pocket. “Just a little while,” you swear.

“John Marston!” You frown, turning away from the oven and glancing out the window. Arthur’s grinning by the gates of the horse pen, leaping over the wood, and walking out to greet someone. You abandon the stew, heading towards the door of your home.

Outside are two horses, one with a woman and her son, and an abandoned one. The owner is currently bringing Arthur into a brief embrace, John, you presume. Arthur’s told you about him a bit. They weren’t always close but it was getting better before Arthur went away.

Sometimes you feel bad, having dragged him away from everything he was familiar with. You meant it when you said you only wanted to be gone for a little while. You knew if you went back immediately there would be hell to pay with Dutch and you’d both be put to work.

You’d be going from one owner to another. All you’d wanted was a few weeks on the road on your own. But a few weeks turned into six months and then a year, and it was Arthur telling you he couldn’t go back. He couldn’t stand what the gang was turning into. What Dutch was turning into. All you’d given him was an excuse to finally get out before it all blew up.

You walk down the steps of the home Arthur built, wiping your hands off on your apron. You give a brief wave to the woman you assume is Abigail. She waves back, slipping off the horse and helping Jack down.

Arthur pulls away from John, turning towards you and motioning you forward. John gives you an apprehensive look. “Do I know you?”

Arthur gives him your name, throwing an arm over your shoulder and pulling you in closer. “That job Dutch got from Crane.” John’s face lights up with recognition and he smirks.

“I see,” he shakes his head and gives Arthur a knowing look. “It’s always a woman with you, isn’t it?” You snort at how aggrieved Arthur looks. “Well,” John turns towards you and smiles, “nice to finally meet the woman that got him under control.”

“Nice to meet you too,” you smile lightly at him, pulling away from Arthur. “Are you going to be joining us for dinner?”

“No, he’s not,” Arthur answers at the same time John says, “I would love to.”

Arthur and John share a look you can’t understand. You glance past John and wave Abigail forward, “Come in, please. I’d enjoy the company.”

“Forgive my obstinate husband, he tends to linger where he ain’t wanted.” She brushes past him and you lead her inside your home. Leaving Arthur and John to bicker outside. Jack stays outside, smiling up at Arthur. You know he’s missed the boy, you’re sure he’s okay entertaining them for one night.

Abigail helps you set the table while Arthur and John catch up over a bottle of whiskey. Arthur tried to pull out a cigar but you’d shut that down quick. He’d had a cough a little while ago and the doctor advised cutting down on tobacco if he wanted it to go away. You know it’s hard but you’re cracking down on how much he smokes.

“We got the money you sent,” John’s telling Arthur as they come over to join you all at the table. Jack eagerly hops into the seat beside Arthur before you can snag it and you grin. “Dutch blew it all and wouldn’t tell us on what. He kept saying we still needed another score.”

John shakes his head and the distant look in his eyes makes your stomach churn. “You’re a lucky bastard you got out when you did, Arthur, truly.”

“Hosea?” Arthur questions and you grimace at the look on John’s face. You can see Arthur deflate as John shakes his head.

“There was a bank robbery, Molly told the Pinkertons we were going to be there, he didn’t make it.”

Arthur’s hand clenches around the fork and you wish you could say something that would make him realize it’s not his fault. “I should have been there,” he mutters.

“Wouldn’t have done anything, man. Hosea had given up in the end. We all had. It was so damn divided, the family was gone.”

“Still.” Arthur insists, glaring down at his plate like it had offended him.

“No,” to your surprise it’s Abigail that snaps. “Dutch was gone and that bastard Micah just kept pushing him over the edge. The only thing you would have done is get yourself killed. You’re damn lucky Arthur Morgan.”

You’re sure he’ll still blame himself later. Reason a hundred times over that had he been there something would have been different. Even if it was him on the other end of the gun he’d be happier knowing someone else hadn’t died when it could have been him. You couldn’t stand that these self-sacrificing ideals Dutch had drilled into him were still present.

But you know Abigail and John help ease the guilt slightly. It’s on Arthur to let it go entirely, though you doubt that will happen anytime soon. John picks up on the change in mood, he’s reluctant to let the night sour so soon.

He turns towards you with a look that makes you feel like you need to prepare for trouble. “So you did all that to escape getting married. And then you marry this moron?” He motions towards Arthur and you can’t help but laugh.

“John!” Abigail snaps but he only smiles at her. You can see the way she fights the twitch of her lips and it makes you smile in turn.

You correct him, “We’re not technically married-”

“Might as well be,” Arthur argues, glaring at John. You reach across the table, taking his hand in yours and gently squeezing. You can’t help but laugh at him.

“Yeah, we might as well be,” you agree. “But it was never about not wanting to be a wife. I just wanted to have a damn choice. That’s what I got out here. I can hunt or cook. Sew or go out and make some money. And it’s a lot nicer being a wife out in the country than it is in the city, I’ll tell you that much.”

“Here’s hoping,” Abigail mutters. She glances towards Arthur, “That’s why we’re out here. We got word from a few people that you might be lurking around here. John’s thinking of getting a house, really settling down.”

Arthur sighs, leaning back in his chair and glaring at John. “That’s why you’re here? You want a handout,” he accuses.

“No!” John snaps. “Dammit, Arthur, why you always gotta assume the worst of me?”

“Because it’s usually true,” Arthur mutters. “If that’s not what you want then what is it?”

John purses his lips and lets out a spluttering breath. “A loan,” he lands on, struggling to find the right word.

Arthur barks out a laugh, slapping his hand on the table and poking a knowing finger into John’s chest. “I knew it!”

John swats his hand away and glares. “Look, Morgan, I only need a little. Just to buy some animals, get started on the house.”

“What’d ya want Marston, my whole damn house?”

Abigail lands a gentle hand on your arm and nods to the porch. “They’ll be at it for a while.” You nod and leave the table, following her to the swing out back. She settles down on it with a sigh, gazing out at the trees that line your home.

“You’ve got a nice life out here.”

You smile fondly, “I like to think so. We’re thinking about getting a few cows, maybe starting a proper ranch.”

Her face lights up at the idea and she laughs. “That’s what John wants. It’s unbelievable how similar they are, they’re too thick-headed to see it.”

You can still vaguely hear them bickering inside the house. You peer inside and see Jack sitting at the table, watching them both with an entranced expression. You can’t help but grin at the look on Arthur’s face. He’s laying into John but he looks happier than you’ve seen him in a while.

You know he’s missing everybody, has been for a long time. Maybe if Abigail and John are close by he’ll have that sense of familiarity again. “The others,” you start, turning back to Abigail. “Charles and Sadie, what happened to everyone else?”

“A few of them are living good lives, some of them aren’t. Most of them are drifting, not ready to give up the outlaw life just yet.”

“It’s hard to watch the world change while you’re still stuck in the same spot.” You brush some hair out of your eyes and smile at Abigail. “Me and Arthur are gonna help you and John. But I’d like it if you were both close by. It would be nice to have someone familiar near us, we’re pretty lonely up here.”

She gives you a brief smile back, “I think that would be nice.”

John’s voice picks up from inside and you jump, “Oh that’s a load of bull-”

Abigail’s smile drops and she leans over your shoulder to shout, “Watch it!” at John. You laugh when you see the perturbed look on his face. She motions towards his son and Arthur gives John a smug look.

“You gonna help him?” You ask Arthur as you settle into bed later. He opens his arms, pulling you into his embrace once you’re settled under the covers.

“John?” You nod, brushing a strand of hair out of his eyes. “Yeah, ‘course I’m gonna help him. But there’s nothing wrong with jerking him around a little bit first.”

You roll your eyes and shake your head, tucking yourself under his chin. You almost think he’s asleep but then he’s speaking up again. “We should really do it.”

You pull back, brows furrowed in confusion. “Do what?”

There’s a certain look in his eyes that causes something to swirl in your stomach. It’s not an unpleasant feeling, just an excited one, “Get married.”

You give him a bewildered look, shaking your head in disbelief. Nearly five years you’ve both been living out here and he’s never once mentioned getting married. You never thought you two actually needed it. You always knew what you were to each other, how much you meant to one another.

You were each other’s salvation. There’s no telling what graves you would be laying in were it not for Dutch bringing you both together. You hadn’t thought he wanted to be married, he always told you he’d given those dreams up. “You really mean that?”

He shrugs like it’s the easiest decision in the world. “Might as well, right?”

You shake your head, but there’s no fighting the way your lips curl up. “You’re a fool, Arthur Morgan.”

He nods, dipping his head down to press a gentle kiss on your temple. He treats you so gently, it makes you want to cry. But then he goes and says something ridiculous like, “Yeah, a fool for you,” and he makes you laugh.

You tug him down, lips nearly touching his. “Yes,” you whisper, “I’ll marry you.” You were always scared of living a life like this. Being tied to one man for the rest of your time on earth. But he’s not some city man looking to make you into a pet. He lets you live, breathe, and be free. He’s a partner not a warden and that’s all you’ve ever wanted.

#Arthur Morgan x reader #arthur morgan x you #arthur morgan imagine #Arthur Morgan #rdr2 x reader #rdr2 x you #rdr2 imagine #rdr2 #red dead redemption 2 #Red dead redemption 2 x reader

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nefastnefertiti · 1 month ago

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WHY CHAPTER 431 OF MY HERO ACADEMIA SCREAMS CENSORSHIP

First let's start by the "afterword", the note Horikoshi left after 430 and before the extras, chapter 431.

Original japanese for those who understand.

The best traslation I found and most people are agreeing with.

Key sentences are:

1.The real final chapter is 429, 430 is more like a curtain call.

2. PS: For chapter 431, I turn off the cameras and free the characters from their dramas.

This note being left after 430 and before the extras is so important. . The clarification of "the real final chapter is 429" and 430 is the curtain call is screaming: the show has ended here. This is further stated by "i turn the cameras off" by the man who use to refer himself as the camera man, I leave you with an example.

(They're talking about Vol 37 cover)

And back to point number 2: "and free the characters from their dramas", which could perfectly be understood as "the characters are no longer tied to their previous plots and drama" no longer connected to the main story.

It may seem like a reach until here, we're just trying to convince ourselves that's not canon, right? They´re delusions, right?

The problem is how far away everything about 431 antagonizes the whole story, the characters doesn't feel like themselves, they even regress back all their development, the drawing style looks totally different and there are many irregularities that call for our attention.

Dabi, 431 and by Horikoshi

Toga and Ochaco in 431:

Toga and Ochaco by Horikoshi:

All Might's signature for Katsuki (Horikoshi would never mess this up):

Kirishima with 6 fingers lol, Horikoshi loves drawing hands, he would never.

Katsuki's odd teeth what the fuck. (His hand looks good to me)

Ochaco and Shoto just look, weird. It's clearly not Horikoshi's art style.

And this awful background (center) was the main giveaway.

Horikoshi's backgrounds are so professional:

At this point I'm getting tired since the difference is astounding, don't believe me, just check the manga.

I don't think Horikoshi would've allowed those mistakes had he have a role in the making, maybe he did, there's no saying about that, but clearly if he did his involvement was very low.

Character's development wise now.

Seriously? "Deku"? And Katsuki complaining for picking him up. He cried his eyes out when Izuku lost his quirk and now he's back at season 1?

Izuku would never in a million years turn down that offer. And if he did, it would never be like this, so devoid of emotion and empathy.

430 showed us an Izuku aiming for his dreams again and at 431 this Izuku ¿? It's okay with being a teacher? Ok. And if that's not the problem, why he outright rejects Katsuki out of nowhere? When their rivalry was one of the main points of the plots for 430 chapters and now just um over? Without justification? Ok.

Ok.

Now specifically about that ship canonization and bkdk.

Horikoshi has been doing this for 10 years. The choices he took the whole manga were incredibly intentional, all those romantic tropes given to bkdk, his interviews, all stand in direct opposition to what happened in this last chapter.

I, myself, don't know much about Jump but what I've heard is they end lot of shonens with the same heterosexual formula. I don't think all of this is a coincidence.

Something really important that needs to be adressed to is what happened back in June (I think), when suddenly MHA announced it was ending in 5 chapters could've something to do with this. The manga was suddenly rushed to its ends with unsatisfying resolutions and as if that was not enough, one month later (at most) the same happened to JJK and all of this came accompanied by a switch of one of the heads of Jump.

About 431 again though.

I was just thinking what would I do if I was pressured to write something that ruins the biggest project of my life and goes against everything I was hoping for? Refuse. Tell them to write it themselves. If I can't do anything to stop it and it'll be there, alright, but I WON'T DO IT.

And I think this could be Horikoshi's case.

I've never seen a shonen manga come so close to implying his male protagonist and his male deuteragonist are in love before. Yes, it was not EXPLICIT but it was so fucking clear if you knew how to read, all the way up to 430. All those cliches tropes he gave them, he knew, we know.

I thought I'll die trying to explaineverything that seems wrong with this with nothing to back me up but the fact that he added that note is clear for me. I'm surprised they allowed him to publish it, I thought we wouldn't even have that.

PS:

It's interesting this being posted the same day 431 comes out. Also "heroaca is pretty dark, huh?"

I'll not go into this anyways because it's kind of a reach but the conclusion is: I think it's a "soft" censorship and Horikoshi did his best to relay his message given what he had.

Thanks for reading!

#bnha #deku #izuku midoriya #mha #mha 430 #bakudeku #katsudeku #bkdk #mha 431 #mha extras #bakugou kastuki #bakugou #kacchan #katsuki #dkbk

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mahyuume · 4 months ago

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BAKUGOU KATSUKI AS YOUR BOYFRIEND!

synopsis. bakugou katsuki as your boyfren headcanons/scenarios!

genre. fluff, romcom lowk. | pairing. bkg x fem!reader (obvi) | mlist

req. bakugou x yn headcannons? - anon, 080224. reminders. this all takes place in UA timeline! :3 part 2 with timeskip prohero!bkg? maybe….

“For an extra like you, you’re not as half bad like the rest of these losers.” were one of the first words your amazing, strong, beautiful, handsome, and most importantly heroic boyfriend said to you when you both first started dating

Very, very lovely of him, No? Yeah. It wasn’t, but because it wasn’t super romantic, you laughed it off with him… more like you just laughing at his stupid statements and him basking in the sound of your laughter; which makes him smile. thinking about the natural melody sounding off of a cherished laugh he loves oh so much.

Speaking of your laugh, he loves it. Like, love, loves it.

He’s like ASAP rocky; he can hear you laugh from a whole mile away and turn his head around just to check if you’re near, while saying “The fuck was that? You heard that shit too right?” to one of his many best friends, specifically the one with the hardening quirk, just for kirishima to look at him weird and say no.

Bakugou thinks he has a weird spider sense when it comes to you, but in this case it’s called ‘yn sense’.

He wasn’t the one who made it up, it was obviously Denki and Mina, with a little bit of Sero in the mix. The trio noticed how your explosive boyfriend would always have an odd reflex when it came to you, which invented the ‘yn sense’, that only Katsuki Bakugou has.

And I’m talking weird but really observant reflexes. You feel a cramp coming up while training? He’s right behind you with his handmade heating pad (his own hand). Feel dizzy? One look at you and you don’t even notice how he got you prompted on his back so quick. Hungry? He already bought you your favorite meal last night and brought it with him ‘just incase’ (he says). You also don’t need to worry about your food being cold, like ever. Because he’d already have it warm it up for you.

Now, on the topic of food, it’s known he’s an amazing chef. You’d think he’s better than Gordon Ramsey or whoever you see on those professional cooking shows.

You once gave izuku money to buy a limited edition all might figure that was on the market, but in order to get the money, he had to put water in Katsuki's mouth when he was asleep. (he snores loud asf)

You both got burnt hair afterwards as a result.

Izuku still got the money as half of an apology.

hi guys! im so sorry for going ghost.. life has been sooo busy esp since school started again. these head canons are pretty short but just dragged out, I hope you guys like it! starting to do more requests again lol.. so sorry for the waiting! :(

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merowkittie · 5 months ago

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Hiii idk if you are still taking requests but Poolverine has taken over MY LIFE haha I would die for a Logan/Wade/Reader where they just worship their tiny lil mutant gf who could 100% kick their asses if she wanted to

hi hii!! i’m always taking requests, as long as my pinned post says ‘requests are open’!

poolverine has taken over my entire being i fear.

Lil Ass Kicker — DP & WV

summary: due to ur size most of the time sometimes people under estimate how strong you truly are. besides your boyfriends; they like when you remind them <3

warnings: none besides canon typical violence =] !

notes: i didn't specify if reader had specific mutant abilities..maybe i'll come up with a specific one laterr for future fics / hopefully this meets ur expectations, enjoy!

at this point, you didn't get offended when people looked at your stature and thought you were some weak tiny human, when in reality you were just as strong as Logan.. maybe even stronger?

you could kick a grown mans ass in seconds! your boyfriends have witnessed it AND have been on the receiving end before. and lets just say,

they LOVE it.

"ohh, come on peanut!" wade yells from your far left in a somewhat disappointed tone, "I'll admit you look hot but that's just disgusting."

you'll admit this wasn't the prettiest site, even though wade just called you sexy. you were sweaty, kind of covered in blood, and had just broken a mans arm and was using it to make him punch himself in his face. it was very amusing to you until wade burst your bubble.

with a roll of your eyes and the slightest quirk of your lips tugging up in the corners you tossed the man to the side and skipped over to logan who was almost covered in blood completely; his knuckles were basically dyed red from his claws coming in and out and with the blood of half of the people he stabbed..

you guys were an odd trio, but you worked!

"looks like yer having fun, huh?" logan looked down at you with a smirk.

he can also admit that you look beautiful right now sweaty and kicking ass left and right. he'd definitely show you how much he enjoyed witnessing this when you three got home.

you nodded in response to his question humming out an "mhm".

once wade caught up to you two, you guys began to wrap up your mission. it went by in a flash with constant grunts, bodies hitting the floors, gun shots, and to many bones breaking.

yea it was a bit over the top but hey! wade wanted to be a 'good' guy today so this is the schedule! what wasn't on the schedule was watching wade get impaled in the head by his own katana.

logan was too busy fighting to come over and give wade a hand so you had to take matters into your own hands.

silently, you snuck over to where he was and took the guy who impaled your boyfriend by surprise. your elbow reeled forward and hit him in the back the head, causing him to stumble. quickly, your leg swept his feet from under him causing him to trip over his own two feet. right before he fell, you took your gun from it's holster on your thigh and shot him in the head just as he hit the floor.

"oh god, i'm so painfully hard right now, babe." wade's voice chimed in from the floor. he still had the katana sticking through his head and you could tell he was feeling that loopy effect of it right now.

with a sigh, you helped him to his feet and yanked the katana out of his head. he shook his head side to side and groaned at the feeling of it being pulled out.

"thank you my incredibly strong, beautiful, and tiny girlfriend." he made kissy noises from underneath his masks, wanting you to kiss him over it. with a bit of a grimace you stood on your toes and pressed a quick kiss over his lips.

"wha' about me?" logan said from behind you, referencing to the kiss.

with an exaggerated groan and playful stomps of your feet you turned around him and gave him a kiss too.

"I hope you guys know this is very unprofessional!" you shouted as you walked away from the two with a huff.

they were definitely going to show you how in love they were with you when you got home.

#deadpool and wolverine #deadpool 3 #deadpool #wolverine #logan howlett #james howlett #deadpool x reader #wolverine x reader #logan howlett x reader #wade wilson x reader #poolverine x reader #poolverine #hugh jackman #ryan reynolds

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dontbesoweirdkira · 2 months ago

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There's just so much potential for platonic !yan Tim Drake that isn't really explored. This post may flop but I like to imagine that yan! Tim Drake is actually the worse out of all his brothers...

Masterlist

Requests: always open

Look...you and i both know that Tim is canonically unhinged. But Batsis!reader doesn't. It's so easy for you to forget that your brother Tim is so dangerous. I mean he doesn't really seem all that different from any other nerdy 19 year old. His body doesn't loom over you like the more bulky of your brothers, and his presence is rather...calming? I mean there's still a bit of uneasiness there but it's so subtle that you can brush it off

He's normal when he interacts with you. He doesn't bug you to spend time with him or uncomfortably touch you like Dick does. He is sweet and gentle...He knows how you prefer to be engaged with and respects what you don't like.

But, that's what makes him so dangerous. He knows you. Every. Last. Detail. He's gotten so good at being a nasty little fly on the wall that sometimes you forget he's even in the room. He's always around you, observing and collecting data. He's got you wrapped around his fingers and you don't realize it.

But it's not your fault. It's hard to even imagine that someone as mellow as Tim could ever share the same traits as his brothers.

Yan! Tim fully picked up just how intuitive you are and how you can spot red flags easily. He's so calculated and careful with every interaction. It's amazing how natural he makes these conversations flow. Well, they better. He's spent hours analyzing and practicing how to speak to you. His heart is pounding with anticipation, as every shred of information you give him is going right into his files on you.

Oh! The files he has on you? When Jason and Dick asked him about how many he had, he said only 4. Which is true. but those 4 files have much more information and pictures of you than they could comprehend. ...and he wasn't accounting for the hard drives and physical stacks of papers he stole. I believe Tim knows more about you than you do. When was the last time you've seen your medical records? Passports? Birth certificate? Is your ID even in your wallet? Don't worry, your brother Tim is keeping them safe for you.

Yan! Tim is a little stalker who may or may not have put a tracking/listening devices in your bag so he can keep tabs on you. <33 That's why he's always wearing headphones so he cab listen in. A small piece of missed information could cost him so much. Don't be mad, batsis! He cannot risk making you suspicious of him by asking you invasive questions so this is the only way.

I Like to think you automatically sit by him. whether it be during breakfast, watching a movie or in the car. You feel safer with him and it's a better option in your head than being with Dick who will be overbearing. Tim always acts cool, even a little annoyed by you at times but inside he's screaming. Your scent, your small smiles at him and nudge his shoulders when he makes a funny remark all send him into overdrive.

But i must say, it's exhausting for him to hold back his obsession all of the time. Sometimes he envies his siblings and how shameless they are in their obsessions. Tim Drake thinks about how great it would to be to just be hugged by you or for you to want to fall asleep on him like you do with Jason.

Sometimes, our creepy detective will slip up. He will say or do something that is odd to you

"I cannot remember the name of that song i used to listen to...what was it.."

"It's this one by that local band, sis."

"oh, yeah! wait...how did you-"

"I know you better than i know myself..."

"...what?"

*an incident happened where dick basically forced you to say i love you back. Tim was there and he was so so jealous*

"You love me the most though, right?"

You laughed, thinking it was a joke\

"Sure, Tim. You are my favorite Robin."

*Tim is very visibly becoming feral. Almost in the same way as Dick and you are slightly alarmed*

"...I'm your favorite Robin? So you do love me more than them."

"0-o"

He repeats it over and over again in his mind. If he was recording it like he does with many of your interaction, it will be on instant replay every morning as an affirmation.

That one time you were chilling in the study with Tim. His head was ducked, low into the computer. It was super late by this time and you didn't really want to bother him so you ended up leaving without saying anything, and headed to your room. Tim was beyond hurt that you were breaking his version of bonding time and you had the audacity to not even announce your exit. He's so swift that it startled you when he grabbed your wrist from behind. His grip was....strong.... to say the least..... and he questioned why you were leaving him.

speaking of his strength, Tim is so skinny that you forget he is well trained with a nice bit of muscle. Maybe not as strong as his brothers or Bruce but he can easily subdue you.

He's definitely broken a lock or two, to get into your room at the dead of night and watch you sleep. This is the only time when he can be as fucked up as he wants to. The unhinged look in his eyes while going through your things and taking what's interesting..The adrenaline that you might catch him, excites him. He can't help but to sickly smile as he makes his way over to you and observes. A gentle hand caresses the sides of your face. You're so perfect. He whispers on and on things he wishes he could tell you while you were awake and wouldn't think it was weird....

Maybe even once he's crawled into bed with you, wrapping his arms around you. So happy to be able to finally be able to cuddle like this.

And if you happened to wake up, and realize your dear brother, Tim was there...he has a plan for that. He knows how to play mind games on you and makes you seem like the crazy one. No one would believe you anyways. The locks are all fixed by the morning.

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just-trying-to-fangirl-in-peace · 3 months ago

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Inspiration (Sauron x fem!Elf!reader)

-> in which you struggle coming up with new designs for the Nine, and the Lord of Gifts helps you overcome your creative block

Warnings: smut (p in v, cockwarming, tease and denial, dom!Annatar vibes), reader hesitates at first because she’s surprised by Annatar’s advances but she’s on board with it, manipulation cause she doesn’t know Annatar is Sauron, small discrepancies with the canon timeline for the sake of the fic’s (very little) plot, unrealistic(?) method of solving artistic blocks (the irony is that I wrote this fic to get out of writer’s block with another one and it worked😆)

Mature content below the cut - minors DNI!!!

“How fares your progress?”

Lord Annatar’s voice nearly startles you when you see him approach. You thought you were alone in the forge room, with nothing but your thoughts and the unfinished Ring designs currently staring in defiance up at you from a piece of paper.

“Well enough,” you say, reflexively. Then sigh, letting your pencil fall on the table. “Well, in fact... it is slow,” you confess, glancing at Annatar as he walks towards you. You wince internally when he looks over your shoulder at your sketches. “My skills are no match for Lord Celebrimbor’s, and even he has had difficulty finding the right designs.”

“And yet he chose you alone to carry on with the efforts in his absence,” he argues, even when faced with what you deem to be your far-less-than-satisfactory attempts. Looking up, you find him offering you a sympathetic smile. “You sell yourself short, my friend. It is a real pity.”

You avert your gaze, attempting yet surely failing to conceal your fluster. His compliments, however small, always have a sincerity about them that touches you deeply.

Lord Celebrimbor had, quite literally, worked himself into oblivion after one too many failed attempts at crafting the Nine, and more hours without rest than even an Elf could endure. He had refused to retire to his chamber for some much needed sleep until he had fainted upon his own worktable, and even then, he had refused for anyone but you to even attempt to create new designs for future tries in his absence. He had been odd, of late, mistrusting and, dare you say, even irresponsible at times. But you were his oldest and most trusted apprentice, and that seemed to earn you some of the good will he still had left.

Not that you feel he has made you much of a favour, leaving you to labour alone on such an intricate task. You are not exactly freshly rested yourself, and you have seen so many Ring designs in the past few weeks, you seem to have been drained of the ability to come up with any fresh ones.

There was only one idea you had that might help you, and you had risen from your seat and sat back down two or three times already, changing your mind about whether you should seek out Lord Annatar or not. Whether it would be appropriate. Now that he has come to you, however...

“I was wondering...” Your eyes wonder about the room, hesitating to meet his. “If it isn’t too bold to ask...”

“Be at ease,” Annatar intercedes with that same gentle smile, and it isn’t so difficult to look at him anymore. “My very purpose here is to aid you in your endeavours. You need not hesitate to ask for my help.”

All of a sudden, you feel quite silly for ever doubting you could speak with him openly. He has been most willing to share his knowledge as he worked closely with you these past few weeks. It’s just that now, he has taken on Celebrimbor’s duties as Lord of Eregion as well, and you hate to feel as though you are keeping him from more important matters simply because you cannot seem to handle your own given task.

“It’s just that I feel so... utterly uninspired,” you confess, casting a dismayed look to the sketch-filled papers in front of you. “The proportions, the aesthetics... I cannot seem to get all the elements right at the same time and the more I try, the farther I stray from the desired result.” You raise your gaze to Annatar’s. “Might you spare a moment to assist me, if only with one design? I’m sure it’ll be inspiration enough for me to finish the others whilst you tend to the affairs of the city.”

“Of course,” he says, placing a reassuring hand on your shoulder. With the other, he picks up the piece of paper, and you are now grateful that his attention is solely on the drawings, for the sudden contact has made you rather flustered. “You see,” Annatar says, contemplating the sketches, “sometimes the artist’s mind, though creative as ever, tends to... restrict itself, in the most frustrating way. So great is the desire for perfection in the end result, that it stifles the natural flow of the precious ideas without which no result may be reached at all.”

You resonate with the wise words, but you are not sure you understand the advice they carry.

“Are you suggesting I... draw whatever design I like first and worry about the practical aspects of it later?”

“I am suggesting,” he says, putting the paper down, “that you do not worry at all.” You frown. With that, you do not resonate at all. But your main focus now is that Annatar steps behind you, this time placing his hands on both your shoulders. Your heartbeat quickens as he speaks, at leisure, “That you do not even... think about the task at hand—not entirely—and that you simply... give in to your most natural instincts.”

“I am... not sure I understand,” you say quietly.

After a moment’s silence, Annatar asks, “May I show you?”

You knit your brow, unsure. You had expected him to help you by simply completing one of the sketches, or even just discussing some new ideas. These cryptic words, along with the physical contact, is all quite peculiar.

But you do trust him. You more than trust him, if you’re being honest. That is why the sudden closeness feels rather nice, though you do not wish to make a fool of yourself by showing it.

In the end, you give a small nod.

“Very well,” he says, and you hear the pleased smile in his voice. “For that, you need only resume your work, and trust me.”

Failing at producing quality designs right before his eyes doesn’t sound exactly ideal, but you put your faith in his methods, whatever they are. You pick up the pencil once more, bring a fresh sheet of paper before you, and begin your fumbling attempts anew.

You note—how could you not?—that Annatar has yet to remove his hands from your shoulders. Because of that, you sit more upright than you usually do, but you doubt changing your posture is his sole purpose. Slowly, he begins to move, thumbs brushing your skin, then softly pressing down onto it in a languid rhythm.

You are grateful that he cannot see the wide-eyed surprise on your face as it dawns on you that the Lord of Gifts himself is giving you, a common Elf, a massage. His thumbs come to knead the flesh at the base of your neck on either side of your spine, and the slight pressure feels divine, especially when you have spent so many hours hunched over the table. You bite down an audible sigh, willing your hand not to waver while you work. You still do not feel particularly inspired, but if he meant to bring you relief from the constant stress of the past few weeks, his efforts are most certainly appreciated.

You mean to offer him a polite and rather bashful thank you, when one of his hands begins to stray. His fingers leave a tingling trail across your skin as he draws them up your neck, softly cupping your jaw from behind. You are quite stunned by the gesture, and find yourself retracing the same pencil line a few unnecessary times before you move on. His fingertips graze their slow way up your jaw, straying briefly through your hair before they reach your earlobe. It’s almost as though he is drawing his own intricate pattern along your skin, and your hand slows in its movements as your heart races in your chest.

Surely, he would not— oh, but if only he did—

And he does. His fingers take their sweet time tracing the shell of your ear, and finally, they reach the tip, where they catch the pointed bit of flesh between them, tugging ever so gently.

Your breath catches in your throat, shivers rain down your spine, and your hand freezes on the page. Because your kind do not touch one another’s ears in such a manner unless they are, or wish to be, courting. The simple reason is that, as you are now vividly reminded, those pointed tips are quite sensitive to touch, erogenous in nature for most Elves—including yourself.

You do not question Annatar’s wisdom or the grace with which he has assimilated into your ways of life, but perhaps he is somehow not aware of this particular intimacy-related aspect? Should you let him know, as courteously as possible? But then how would you explain that you had felt his intent, and despite having been given all the time in the world before his fingers had reached that most tender spot, you had done nothing at all to prevent such a caress?

Before you can decide, his hand returns to your shoulder, any movement halted.

“Is something the matter?” he questions, concerned.

You cannot tell him. You simply cannot. In truth, you miss the touch already.

“No—” you clear your throat, willing the waver out of your voice. “No, my lord.”

“Then, why have you stopped?”

He sounds genuinely curious, as though he could not fathom what had affected you so. You give no answer, other than to put pencil to paper once more. The moment you resume your work, his hands resume theirs—massaging, caressing. He does not touch your ears again, though his fingers do come dangerously close to doing so as he runs them through your hair, and you berate yourself for hoping each time that they would find those sensitive peaks again, catch them in their delicious hold.

So distracted you are by the prospect of it and the images you strive to continue creating, you do not even sense Annatar leaning down. Not until you catch a glimpse of long, blonde hair at the periphery of your vision, and then there is the soft graze of his lips over your neck. You draw in a sharp breath as your skin is set alight, and the pencil slips from your fingers.

“My lord!” you gasp, chest heaving as you whip around to fix him with a most alarmed look. There is no misinterpreting the intent behind that particular gesture, and he knows it very well.

But he doesn’t seem fazed in the slightest as he stands to his full height, seeming to you more majestic in appearance than ever as you look up at him.

“Keep drawing,” he instructs calmly. “Unless you wish for me to stop.”

Your brow furrows even further, your confusion growing, and then—

It all clicks in your mind.

The rules he has demonstrated thus far are simple enough: you stop, he stops. It’s both a condition and a reassurance. You do not have to outright refuse him. You need only refuse to continue drawing, and he shall leave you be, and all will return to the way it was before. But if you do pick up the pencil, it would be tantamount to confessing to the desire you have held secret within your heart for weeks, and that would change everything. Not to mention it would be unprofessional. Most inappropriate.

Your skin still sings where he has touched it.

Be it courage or folly, you turn away from him, pick up the pencil, and draw.

You think you can feel a smile on his lips as they return to your neck. This time, you close your eyes, finally able to savour the sensation—only for a moment, though, for the blissful touch depends on your ability to keep forming shapes on the paper, so you open your eyes and do your best to conjure some semblance of a coherent design as Annatar peppers your skin with unrushed, tender kisses. His lips are even softer than you had imagined, and you tilt your head lightly to offer every inch of skin within his reach. Now that the door has been opened, there is no more use pretending like you do not crave his affections.

Before long, his fingers ghost along the neckline of your dress, then his hand ventures below, to the swell of your breast. You do not make the slightest move to stop him. In fact, you pray to the Valar for the ability to keep your hand drawing at least somewhat relevant lines on the page. For you keep reminding yourself that if you stopped, so would he, and you cannot fathom the loss of his delicate grasp of your soft flesh. He easily finds a stiff nipple, peaking through the fabric of your dress, and tugs it between his thumb and forefinger. You shudder, holding back a whimper—but to your embarrassment, the beginning of one does escape you when his hands and lips suddenly leave you.

“Do you need a respite?” he says with a tinge of admonishment. You’ve abandoned your efforts on the paper without even realizing. You shake your head, not trusting your voice, wishing for nothing more than to feel his touch again, and resume scribbling lines on paper.

“Very well,” he says, and his hands return to you.

It’s increasingly challenging to keep drawing through each graze of lips, each brush of your ears, each tease of your nipples through your dress. It’s already so much, so fast, and yet it only makes you long for so much more. You’ve given up biting back the soft moans in your throat, lacking the power of concentration to spare for that purpose as well. And you certainly cannot help how your thighs press together in a futile attempt to ease the ache growing between your legs.

The sketch of one Ring is already finished, but you don’t even stop to consider whether it’s satisfactory before you begin another. His method shall be most efficient in increasing the quantity of your work, if not the quality. Would he do this with any other smith, you wonder, simply as a means of encouragement? Is this what he has been doing to Lord Celebrimbor on the late nights when the other smiths have gone to sleep, and they alone remain to carry on working in the forge? The thought stings, but the only question on which you can truly focus at the moment is how much further will he go with you, right here and now? As if in answer, his hand begins a most tantalizing descent, over your stomach, down to your navel, and you desperately repeat to yourself to do not stop drawing, no matter what, as you part your legs to receive him without shame.

When he cups you intimately through the fabric of your dress, you truly do not know by what force you are able to keep the pencil on the page, let alone keep wielding it. But thanks to the muscle memory acquired over many years of training, you do, even as you whimper and rock your hips into Annatar’s hand, even as he massages the throbbing bud which had longed for his touch on the shamefully many nights you had stroked it yourself while thinking of him. You wonder if he can feel how wet you have grown for him even through the fabric of your dress, wantonly hope that he does—

He stops. Even though you haven’t—you are so sure of it, you’ve been so careful. You only cease drawing when he lifts himself from you and you turn to him with a questioning, pleading look.

“Stand,” he instructs simply.

You nearly protest. But you remember yourself, that you are meant to be putting your trust in him, and do as you are told. You are hyperaware of the wetness between your legs as you stand, leaning against the table for support. The haze of desire has left you pleasantly weak.

Annatar steps towards you, facing you fully for the first time since he has begun to touch you intimately, and it is both relieving and electrifying to see that desire darkens his gaze as well as he takes in your breathless state. Taking gentle hold of your chin, he lifts it so your eyes meet his, and not a moment later his lips are upon yours, soft and tender. It’s barely more than a short peck, just enough for you to melt into the kiss only for him to pull away before you can fully savour it. This teasing of his is so maddening, like a game to which the only rule you know is that you either submit to his rules, or forfeit altogether, and you can only hope he will not leave you wanting in the end.

Stepping back, be pushes his robes to the side, and proceeds to unfasten his trousers with relaxed, steady movements under your longing gaze.

He pauses whilst he is still decent, and patiently asks, “Will you welcome my flesh?”

Welcome it? You could think of little else for weeks.

“Yes, my lord,” you murmur.

Only then does he bear himself to your gaze. He is a masterpiece, hard and swollen and glistening at the tip. The state of his cock denotes much more impatience than he demonstrates as he gracefully seats himself in your chair. Your cunt clenches around a gnawing emptiness at the mere sight.

“Return to your seat, then,” he invites with a cheeky little smile.

You find it strange that he has not pulled the chair away from the table, sitting in it as though he means to work there himself, rather than receive you in his lap. But you obey either way, a daze of elation coming over you. It’s such a foreign, illicit feeling, pulling up the skirts of your dress with trembling fingers as you step between the chair and table to face Annatar, ready to straddle him.

Before you can lift one knee onto the chair, he stops it with a gentle but decisive hand.

“I do not believe you have finished the designs,” he says. “Have you?”

Frowning, you give a slow shake of your head. His tone nearly makes you feel like a chastised student. Disoriented, you are nothing but pliant as his hands guide you into turning around so that you are now facing the table. Surely, he cannot mean for you to keep drawing once he is inside you? You could barely manage to control your pencil strokes whilst you sat relatively unmoving with his hands upon you, you could not even manage to find the paper if you begin to ride him.

You are about to ride him. Lord Annatar. The thought banishes any such concerns from your mind, leaving nothing but blinding lust in its wake. He adjusts you so that your legs are bracketing his thighs, pulls your garments out of the way to expose your soaked folds, and guides you down so that the tip of his cock is only just breaching your entrance.

That initial stretch alone pulls a small whimper from you, and you plant your hands on the arms of the chair for support, trying not to make any rash downward movement that might hurt you both. But his hands are strong and so safe on your hips, and you surrender to their guidance as he eases your joining. He slowly teases the tip of his cock in and out of your cunt, each time reaching a little deeper than before, until you cannot take it any longer and and sink onto his length completely.

The stretch pulls a mewl from your throat as you finally settle in his lap. You strive to catch your breath, looking down as if to reassure yourself that this is, indeed, real. Your dress covers the place where he has disappeared inside you, but you are so heavenly filled by the length and girth of him, you fear the sight alone might cost you your sanity. You whine, your eyes falling shut as Annatar pulls you to his chest, one hand pressing down on your belly whilst the other gently wraps around your neck, and he whispers in your ear, “How does this feel?”

Your voice is no more than a trembling whisper, “Wonderful.”

You cannot bear to wait a moment more. You try to circle your hips in his lap, moaning as his cock begins to prod at all the most delightful spots within you—

He plants his hands on your hips, trapping them in a firm hold.

“Be still,” he demands. It’s no easy feat, but you settle down, awaiting his direction. “Good,” he purrs in your ear. “Good. Now...” he pauses, letting you quiver with anticipation, “you shall remain still until you have finished the designs.”

Your eyes shoot open, wide and confused as you twist your head to look at him. There is no trace of jest in his eyes. Even the pleasure he feels in the warm embrace of your cunt is a faint glimmer beneath the surface of his determination, subdued with utter discipline. You realize he truly means his words, and you despair.

“But...” You cannot even make a coherent plea. So dreadful is the thought of enduring the pleasure of having him inside you without pursuing it, you are reduced to little more than a pitiful whine, “My lord—”

“Shh,” he coos, tenderly kissing away a tear that had slipped down your cheek, aiming to soothe you as if he is not the very source of your torment. “I know,” he murmurs. “I feel it too. This all-consuming ache to reach fulfillment, this longing for release... the wonders of your mind crave the very same. Open the door to set them free, as you have opened yourself to allow me in. You managed well enough before .”

“Yes, but you were not...” You grimace, clenching around him without meaning to in your anguish. “It’s so deep—”

“And you are so warm. So tight,” he breathes out, hoarse with want. “Yet I shall wait, patiently, for as long as I must. For your sake.”

His tone leaves no room for argument, which only worsens the ache between your legs. But you know by now—either play by his rules, or stop the game altogether.

You sigh, defeated, and nod. “All right.”

Annatar presses a light kiss to your temple, a gesture so sweet and chaste, it makes your head spin as much as his praise. “Good girl,” he rasps out. “Go on, then.”

He offers some support as you will your limbs into cooperating and begin to lean forward, towards the table. The movement jostles his cock within you ever so slightly, and you groan as you withhold from moving your hips in search of any further friction. The position is somewhat awkward, with you leaning over the page from a slightly too high angle, but you plant your elbows on the table and get on with it, determined to see this through.

If someone had told you this was how you would finish the designs—seated in Lord Annatar’s lap, his cock buried snugly inside you, so perfectly stretching you out that it drives you to the brink of insanity—you would have called them a most impolite adjective, and slapped them for good measure. But even less probable, even more scandalous, is that it’s almost easier this way. After a few moments of adjustment, you no longer scratch out attempts before they’ve even begun to take shape, or overthink each stroke of the pencil to the point where you forget what your overall intention had been in the first place. The wonderfully torturous stretch of Annatar’s cock within you takes over that part of your mind, and what is left of it is high on the thrill of it all, the anticipation, the graze of Annatar’s fingers as they trace the occasional languid line along your spine, so tender and encouraging.

The practical knowledge is there, deeply rooted in your mind from years of practice, and the creativity is a gift that’s never truly left you. But it is only now that you finally understand how to let them intertwine without trying to control it, to give in to the flow of inspiration the same way you are giving in to him.

And he keeps his word, sitting silently until the last stroke of your pencil, his hips never once giving the lightest stir. Only when you sit back to show him the finished sketches does he lean forward slightly, taking the paper from your hand as you take deep breaths to cope with the new stimulation.

You plant your hands on his knees for support, nerves filling you now that the creative haze is over. You are left only with great unfulfilled lust, and the creeping doubt that, perhaps, your work is no more adequate than it was before. You’d found a way to push through so far, but you are not sure you could manage such a feat a second time if he asked it of you.

But you would try. You would try anything, if it allowed only the sliver of hope that your Lord Annatar would finally take you, unrestrained and to sweet completion, at the end of it.

To your great relief, when you turn your head, you find him studying the paper with a most appreciative smile.

“See what you can accomplish when you give yourself permission to do so?” he says, caressing your thigh as if in reward. “These are splendid.”

“Thank you, my lord,” you murmur. Before, you would not have dreamed to ask for more than such words of praise. Now, you bite your lip and entreat, “May I... May I, please...?”

“Seek your pleasure?” His voice is knowing, teasing, as if he is not furiously hard within you this very moment. Even after all this, a bout of shyness makes you avert your gaze briefly as you nod. “No,” he says seriously, and your eyes snap to him in alarm. “Not in this manner,” he goes on. “I wish to look upon your face.”

You have no doubt he meant to have your heart lurch in your chest. There is a wicked side to this messenger of the Valar, a shadow hidden within the light with which he surrounds himself. It only arouses you further.

Annatar helps you stand, and the emptiness left behind as he slips from within you would render you an inconsolable mess, if it weren’t for the promise of soon-to-be-found relief. You can’t help but eye his cock, drenched in your arousal and bobbing enticingly as he rises to his feet as well. He sets the precious sketches on the table with care, then turns to you with, at last, unveiled hunger, and reaching to the back of your thighs, hoists you in his arms in one swift move.

You wrap your legs around his waist, cling to his shoulders, and gasp as he carries you to the nearest wall, pressing your back against it. He holds you up effortlessly, even as one hand slips between you to touch your clit directly for the first time. The bundle of nerves has been helplessly throbbing for so long, it only takes a few firm strokes of Annatar’s fingers to have you fall apart with a brisk whimper, burying your face in his neck.

“How sensitive,” he muses, quite content as you pant through the sudden burst of pleasure. “You have craved my touch for a long time, have you not? I admit it has been quite distracting.”

There is the slightest hint of accusation in his voice, and you know he doesn’t just mean since he first touched you today. You must have failed, in all those weeks you worked together, to withhold the lustful thoughts he invoked in your mind from showing in your eyes. And so you had distracted a messenger of the Valar from his work on the crucial task to save all of Middle-Earth.

“Forgive me, my lord,” you whisper into his hair.

“Whatever for?” he asks as though you’ve said the silliest thing. Cupping your face, he tilts your head up so your gaze meets his. “Have you forgotten my name?” he speaks softly. “I am here to give.”

And give, he does. He slides inside you to the hilt, gladly welcomed back by your still-aching cunt, and this time, finally, finally, he withdraws and sinks back in once, then again, thrust after thrust until he builds to a quick rhythm that has you drowning in the pleasure after which you had thirsted for so terribly long. A string of ‘pleases’ leaves your throat, unbidden, even though you can hardly ask for more than the stretch of him inside of you, the relentless press and drag against places so sweet and deep within, the ceiling is filled with all the stars in the night sky as you throw your head back against the wall with abandon. Annatar leans in to kiss your neck, his tongue setting your skin even more ablaze. Your sole remaining ability is to moan and cling to him, receiving the pleasure you are being given.

Sauron is deeply satisfied as he takes his own. He has been aching as well, though the Maia is far more skilled at mastering the urges of his flesh. You had been quick to obey, eager to follow his commands, even without his influence nudging at your mind to suit his purpose, which in itself was as pleasurable as having your tight cunt wrapped around him as you worked. And now you are so pliant in his embrace, moaning in sweet submission as you reap the reward he most graciously offers—the very picture of the peaceful surrender he seeks to accomplish through the Rings. If only every being in Middle-Earth would accept the blessing of his authority as easily as you have, they would spare themselves so much wasteful bloodshed.

Perhaps he will keep you safe from it. Perhaps he will keep you to himself.

But you don’t know what is to come, nor would you care as your pleasure crests towards its peak, and you cry out with the force of your release, clenching around Annatar’s cock.

“Thank you,” you mindlessly gasp in between whimpers as he generously fucks you through it, “thank you, thank you, thank you—”

With one last, brutal thrust that pins your hips to the wall, Annatar groans, long and deep as he throbs and spills inside of you. It occurs to you that he has barely made a sound besides his laboured breathing throughout your coupling. Before he even slips out of you, spent, you wonder if you might have the privilege of hearing more in the future.

He is gracious enough, as your high subsides and you catch your breath, to carry you back to your chair. You doubt your legs would support you this very moment. He sets you down, fixes his robes, then stands before you as poised as ever. If it weren’t for the spark of mischief in his eyes, one would think you had done nothing but discuss Ring designs over a cup of tea.

“Thank you, my dear,” he says, retrieving the sketches from the table, “for your most valuable work.” He admires them for a moment, then gives you a knowing smile. “Do not hesitate to ask for my aid, should you need it again.”

With a polite nod, he leaves you sitting in your chair by the table, much as you were when he had found you. Only, at that time, his spend had not been pooling between your legs, and it was hard to imagine it ever would be.

You smile to yourself. What an unconventional emissary, and how lucky you are that the Valar have sent him to guide you in your endeavours. For indeed, you are sure you shall require his assistance again quite soon.

Sequel -> Further inspiration

#annatar x reader #sauron x reader #annatar smut #sauron smut #the rings of power

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alargehunkofdebris · 1 year ago

Text

Why There’ll Never Be Another Good Omens 2 Experience

The strangest thing happened after a few days post my watching of S2. I got a wave of real, bittersweet sadness.

Not due to the obvious – I was dealing with that too, but with more excitement than anything – but because I realized something, as a writer and consumer of media. I realized that it’s unlikely I’ll ever get a media experience close to what I experienced at the end of Good Omens 2. Because really, its setup was absolutely unparalleled – in general, and for myself personally.

I am currently writing my third romance, and what I’ve learned primarily about the genre, the way for it to really work, is that there needs to be something keeping the couple apart initially. The more things keeping the couple apart, the stronger the romance hits. The more the couple clashes with each other, the better it is. Societal norms, class issues, initial dislike, literal danger—all these aspects are what make a romance a story. It’s that conflict that creates the compelling narrative. No romance was ever popular because things worked out well from the beginning – it’s that “look at what we were, and look at us now” aspect that gives readers/watchers that satisfaction. It’s the “I can’t believe this happened” effect. The “I would never have foreseen this” effect. The “they’ll never be together” effect. It’s why forbidden romances are so incredibly popular.

Another aspect that makes a romance story really work well is the amount of time it takes for the romance to develop. A couple that gets together after a few days? Eh, it’s tricky. You better make it really dramatic somehow. A great example is Titanic – class differences, betrothal, and a huge amount of danger threatens this couple, so them being in love after only a few days works. But what really sells this one is because we can see how this romance has survived beyond those few days. We see it 80 years in the future, still there, in the memory of Rose. That is why it hits so hard. Romances that span over long periods of time (especially ones that are bittersweet/tragic) hit so much more than ones spanning a short period.

But wait! There’s more!

You can up this effect by not only having the romance take time in story…but having it take time in real life, for the viewer/reader.

This is why romances in TV shows that take years to finally work out are so compelling. It’s that “Pam and Jim” effect, that will-they-won’t-they deal. We are waiting right along with them, and we’re feeling that same relief when all those things keeping them apart finally fall away. This is harder to pull off, because there’s never that guarantee that the story will make it that far. TV shows get cancelled, creators lose interest or die, etc. So it’s not just “Will They, Won’t They,” it’s “Will They, Won’t They, Can They Even Try?”

This is also compounded by that fear that it won’t happen in-story after all, and while in romances you’re pretty positive that things work out (they kinda have to, for it to be labeled a “romance”) in other media, there’s always that possibility. Look at Community – there’s a forbidden/conflict-ridden romance that didn’t end up working out, even though it was “Will They, Won’t They”d for six entire seasons. You also then have shows and ships where fans are almost sure it won’t happen, but still hold out hope. (See: Supernatural, Sherlock, etc.)

Now. Now look at Good Omens. Look at that absolutely unparalleled, unbelievable set up. It’s unbelievable because it takes almost every single thing that makes a romance compelling, and not only uses all of them, but dials them up to 11.

Why are they at odds? Why are they forbidden from being together?

Because they are literally the most opposing forces you can imagine in Western Canon. They are the Angel Guarding The Gate and The Serpent of Eden. The literal only way you could’ve made this a bigger deal would’ve been to make it God and Satan, and even that would’ve not hit as hard, because it’d be like two CEOs getting together – there’s no fear of a higher power adding that delicious conflict. And to add to all this, in real life, the couple is portrayed as two men, which adds that second meta level of conflict.

And what fear/danger is keeping this couple apart?

Not just familial disappointment—but disappointment from God and Heaven and Hell. Not just moral guilt, but the guilt of potentially dooming the entire Earth. And finally, on top of that, the very real danger of being killed. Not only that, but making it as though you never even existed.

And in real life, they face all those roadblocks that queer couples in media have been battling for years and years, but I'll talk about that more in a second.

Okay, then Time. How long have they been kept apart?

For…all of it.

All of the time that ever existed.

They, quite literally, could not have been kept apart longer.

And this leads into those final two points, the ones that actually really sell it. Because I can sit down right now and write a story about an angel and a demon falling for each other at the beginning of time against all odds…but what I can’t do is to have already written it thirty-three years ago.

That’s how long this story has existed. Thirty. Three. Years.

I’m not even counting how this is using characters that have existed as opposing forces for thousands of years. I’m not even saying that, even though that’s also a part of it. But besides that, this story, this exact story started thirty-three years ago, and is still being continued by the author to this day.

Do you know how uncommon that is?

Yes, we have canon that has lasted for many, many years. Hundreds. We get new versions of beloved older stories ever year. But it’s so very rare that they are by the same creator. We get new Sherlock Holmes content, but it is not written by Arthur Conan Doyle. This, on the other hand, is actual canon content, written by the author of the original. That is unbelievably rare.

That means we’ve got a fandom where some people have grown up with these characters. People who read it at twenty are fifty-three. People who read it at fifty are eighty-three. Kids who saw their parents reading the book now have children of their own. It is a cult classic that has been in the hearts of so many people for generations. Me, personally, I fell in love with it ten years ago, at age twenty, at the very beginning of my own writing journey. This story means so much to people, because it’s stood that test of time.

And yet, this story was never explicitly romantic. So many saw it that way, but it was never something confirmed. Because this was a book from the 90s, at a time where this kind of romance just wasn’t in popular media if it wasn’t played as a joke. It was, back then, the same kind of “forbidden” as a romance between angel and demon. So people imagined, but they never expected anything more. And they’ve continued not expecting more, because even in the 2019 first season, there was never any true confirmation of anything, and people accepted it. You have a 33-year-old story here – it’s possible that this major change/confirmation could happen, but all things considered, it was unlikely. You would never blame the creator for not making major developments to a story they wrote with their late friend a lifetime ago. And no one in production was saying a word to confirm or deny, but we’ve seen all this before. It was a Will-They-Won’t-They…Probably-Not situation.

And then you have the end of S2.

And that's where that bittersweet sadness comes in for me, personally. Not at a huge level, not to the point where I'd have it any other way, but it's there regardless. Because I realized that this was a unique situation that could never be replicated, for me, and likely for many, especially readers of the book pre-show. In all likelihood, I would never again experience a romantic payoff like this one. Because it was the most forbidden of forbidden romances, the couple of which have been kept apart by the worst of all dangers and highest level of guilt for the longest amount of time literally possible, written over a real-life span of time where this kind of romance went from “completely taboo even in real life” to “finally acceptable in popular media,” written by the same creator, and not confirmed as canon until the story reached the age of Jesus Christ himself.

And the real kicker is, even after everything these two literally star-crossed lovers have gone through…they’re still being kept apart. They’ve still not taken down those final, seemingly insurmountable barriers between them. It wasn’t a “here you go 😊” move to make long-time fans happy – it’s being used as a perfect, painful plot point. After 33 years, we’re still having to wait longer.

Chef's kiss. Couldn’t have been a better set up if it was mathematically calculated. And yet, the best part is that it happened organically.

It just works.

#good omens #good omens 2 spoilers #go2 spoilers #good omens 2 #gos2 spoilers #good omens s2 spoilers #good omens spoilers #good omens season 2 #good omens season 2 spoilers #gos2 #good omens meta #good omens 2 meta #neil gaiman

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ckret2 · 1 year ago

Note

please more evil ford please i stare with my puppy eyes for this i am obbsessed

Yeah all right, I've been working on some art. (For context, we're talking about this Evil Ford.)

Evil Ford is Evil as in "cheerfully works with Bill even after learning his full plot" and "is totally ready to conquer and/or destroy the world." But other than the shocking lack of basic ethics and the supervillain objective he's mostly the same guy—which means he still cares about his family. He's hoping to get them to join in on the world conquest plan.

Forty-odd years ago he went off to college promising someday he'd be a big shot scientist who changes the world and he'd make his family a fortune. If taking over reality doesn't qualify he doesn't know what does. The family can join him and his buddy Bill and rule the universe together. Pines Pines Pines Pines!

Unfortunately for him, the rest of the family still has normal moral compasses. And also they've met Bill.

Bill can't currently possess Ford due to Reasons; but even though he can't get in the driver's seat he still has permission to ride shotgun at any time. Ford talks to him pretty regularly. He HAS been caught doing this. Stan thinks he's just gone a little nutty from thirty years of isolation.

Naturally, since he was always on Bill's side, Ford's perception of events during Weirdmageddon is a bit different:

I finally made an official Evil Ford New Costume Character Design, check out his exciting totally different brand new look:

I decided that, since Ford is still basically the same person aside from his terrible life goals, he'd probably have the same fashion sense. And so... nothing changes except two tiny details lmao.

But he DOES have tattoos:

I traced a canon character model and took off its top to get a base to slap tattoos on, and then went dang... they gave him a big head and arms. He looks goofy. Anyway,

His forearms have less incriminating tattoos—just a birch tree and a sunrise. (The sunrise looks like the Journal 3 "The Muse Has Spoken" page.) The red text is the "triangulum entangulum" ritual; if anyone asks he'll go "it's uhh an ancient Sumerian poem about how great science is." It's not until he's topless that it's like "oh so he's a CULTIST cultist." The one exception is an unconcealed Eye of Providence on his right palm—but it's in an ink that's only visible in certain lighting. It's there so at any time he can point his hand at something and go "Bill are you seeing this BS?"

Of course, he still has the "hey now, you're an all star" neck tattoo. I didn't have room to draw it.

As you can see, he's made being Bill's right hand man a core part of his personality. Rather than spending 30 years scrabbling around the multiverse desperately searching for a way to destroy Bill, he spent 30 years chilling in the Quadrangle of Qonfusion as Bill's specialest favoritest Henchmaniac, and only scrabbling around the multiverse occasionally for fun & profit.

Here's a photo Bill & Ford took at a Nightmare Realm house party like fifteen years ago, three minutes before Bill started an argument and set the house on fire.

Most people have their wild party years in college, Ford has his in his 40s.

#stanford pines #grunkle ford #bill cipher #(he's in enough pictures; he's worth tagging too)#gravity falls #gravity falls fanart #evil ford au #my art

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satoruxx · 11 months ago

Text

SAUDADE.

✧ PAIRING: gojo satoru x f!reader, geto suguru x f!reader | 3.7k words

✧ SUMMARY: canon au, set after geto leaves so lots of unresolved feelings, alternate between past and present, megumi and tsumiki cameo, satoru has a raging crush on you but you're blind, suguru also had a raging crush on you but you were still blind, slight angst bc canon jjk events, lots of longing on suguru's end, you're confused af, satoru PINES for you and shoko is so tired of him, but overall very fluffy

✧ RHEYA'S NOTE: will i ever publish the actual canon au? who knows. this fic is written in that same au but it's just a snippet of their lives. if you've read angel on my shoulder, just know that's an alternate ending of this au where reader dies lol. but this is very sweet bc you don't die !! you and satoru love each other lots but suck at showing it. happy valentine's day everyone <33

you glance at satoru's giddy smile, wariness creeping up your shoulders before turning to shoko. "what's wrong with him?" you ask, shifting slightly from where you're leaning against one of balconies of jujutsu high.

"who knows?" she sighs, eyes flickering up to glance at the snowy haired sorcerer just barely before they turn back to you. "ignore him."

"hey!" satoru huffs, walking closer to sling an arm around your shoulder—casual, like it's something he doesn't have to think about. you grumble under the extra weight, shooting him a glare, but he's too busy smiling like he's up to something.

"so…" he grins down at you, eyes shining and full of mischief. "know what day it is today?"

you blink at him, trying to scour your brain. "what's the date again?"

satoru gives you a blank stare, before sighing heavily. "god you're slow. it's february 14th, stupid."

"oh," you reply blankly, relaxing because it's nothing inherently important. "so valentine's day?"

satoru's smile comes back full force—cheeky and blinding. "exactly! and when i went shopping today guess what happened?"

"what happened?" shoko asks boredly, shaking her head when she makes eye contact with you.

"well," he drags out the word, crossing his arms like he's pleased with himself. "i was walking along after picking up some sweets because—"

"because you have an addiction," you supplement, and satoru pauses to glare down at you, reaching out to flick a long finger against your forehead.

"it's not an addiction! and don't interrupt me! anyways—"

you smother a smile that shoko mirrors.

"—i was walking and then these two girls came up to me all smiley. like they were giggling and shit, right?"

"uh huh."

"and they started going on and on about how i was the most handsome guy they've ever seen. and then they asked how come i was walking around by myself on valentine's day."

you blink, suddenly feeling a strange mix of interest and irritation.

"so i told them that it's not really my thing and that i didn't have anyone to celebrate with anyway. and then they said it was actually a crime that someone like me was single on valentine's day."

you have to suppress a roll of your eyes, though you're not sure why.

"so basically the moral of the story is that i'm extremely charming and super good-looking too! and that girls love me!"

he looks at you, eyes scrutinizing your expression as you glance at shoko, unimpressed.

"that's it? that's your crazy story?"

"well you guys always say i'm full of it when i call myself hot! now i have proof that it's a universal truth!"

"well we're not stupid—" shoko rolls her eyes, hugging her arms to push away the cold as she leans against the railing. "—we know you're freakishly hot. you're just obnoxious and we like teasing you."

"ugh." satoru rolls his eyes, huffing as he stretches his joints. "you guys are ridiculous. and—"

he pauses, an odd expression crossing his face as he blinks in thought. then he's turning to you with the most smug smirk you've ever seen on him. "wait. you think i'm hot?"

you frown, lips parting in mild confusion. "huh?"

"that's what shoko just said. that you think i'm freakishly hot."

your brows shoot up, an unfamiliar rush of heat crawling up your skin. "but she said both of us! like it's just something that's obvious. i mean as long as you have eyes anyone can see—"

"oh so it's obvious, is it?" satoru's expression is oddly giddy, a pink flush settling high on his cheekbones.

you gape at him, suddenly speechless. you don't remember satoru ever having the ability to make you speechless before.

you can't comprehend the stirring in your chest—uncomfortable and unfamiliar.

"you—" you scoff, reaching up to shove him away. "you're full of shit. doesn't change no matter how hot you are."

shoko has gone quiet, eyes darting between you and satoru with an uncharacteristic glint of curiosity. but satoru's gaze does not stray away from you, pearly whites on full display as he licks his lips. he doesn't say anything else, running his fingers through his hair.

"sure sure," satoru hums—pleased. "whatever you say."

you throw shoko an exasperated glare, and she shakes her head, though there is a shine of amusement in her eyes—like she knows something that you don't.

"i mean, they were right you know?" satoru ponders, leaning back against the railing. "why aren't we doing something fun today? we used to go out and buy a shit ton of chocolate back when—"

he stops, expression going sour, before disappearing all together. there is a clear absence, one that the three of you notice but try not to linger on.

("valentine's day?" suguru had asked years ago, glancing down at you with a smile. "you like it?"

"definitely not," you reply, cheeks warming as you fiddle with the sugared churros in your hand, unable to look at him. "what's so great about a day where couples spend a shit ton of money on each other to make the rest of us singles feel miserable?"

a muted chuckle, and when you look up suguru's eyes are shining with mirth. "i'm sure you wouldn't think that if you weren't single."

"i guess," you huff, glancing at the sidewalk. your face feels like it's on fire—but suguru has always had that effect on you. "not very likely to happen though."

the expression suguru throws you will linger in your mind until the day you die. "what do you mean?" he asks—incredulous, like you were speaking nonsense. he stops in his tracks, the busy streets bustling around him as you continue to walk.

you take a bite of your churro, glancing back at him with clear confusion. "huh? oh i just meant me dating someone is unlikely," you shrug, though suguru looks speechless, lips parted and eyes wide behind dark bangs.

"why on earth do you say that?" he asks, shoving his hands into his pockets. he seems to visibly shake off his initial shock to continue walking, and you patiently wait for him to rejoin your side—he does.

"i don't know," you say, somewhat bashfully because you don't usually talk about these things with him. "do you really think there's room for things like that in our lives?"

"do you?" he counters, and you're too busy formulating your answer to notice that he's oddly interested, eyes continuously darting over your face.

"i mean, it'd be great if there was," you ponder, taking another quick bite. "it'd be nice to be able to settle down with someone even after all the crap we've gone through."

"right…" suguru seems to nod along with you, matching your steps even with his longer stride.

"but—" you stress. "considering that most of us are too traumatized or dead by that time, i don't have much faith."

you laugh at your own statement, but there isn't much amusement in it at all. putting it into words makes you truly realize how shitty your lives are even at such a young age.

your mind drifts to the cerulean eyed sorcerer who's currently off in a different city, being made to fight because he is god on earth in a seventeen year old body. it drifts to a brown haired girl who sits, secluded in a room as bodies are sent to her on a conveyor belt, her hands outstretched to feel blood and gore and horror day in and day out. then it drifts to the boy who is most like you, the one with the dark bangs who rationalizes this pain, this service you have devoted yourselves to with the need to do good for others—because there is no other explanation for why you have to go through this.

the same boy who takes your answer in critically, eyes heavy with an oddly somber sheen. he doesn't say anything, thinking hard, and you focus on eating your churro because you've never once found silence with suguru to be uncomfortable.

you are halfway finished when he breaks it.

"well…" suguru's voice is oddly high, a tick of nerves that doesn't usually infiltrate his calm tone. "if there was room for it, what would a good valentine's day look like for you?"

you laugh, loud and unfiltered, and suguru's skin flushes at the sound.

"i don't know!" your laughter dies down into hushed giggles. "i can't think of anything. besides this is stupid as hell!"

"indulge me," he says quietly, and when you turn to look up at him he's staring at you deeply—eyes hooded and smile gone. you suddenly feel oddly parched as heat crawls up your neck.

"um—" you swallow, the churro in your hand forgotten as you glance at the sidewalk again. "i-i'm not sure. i've really never thought that much about it."

"would you want flowers?" he asks. you suddenly become acutely aware that his voice has gone lower, throaty and deep in a way that sends chills up your spine.

you shake your head quietly, somehow nervous to look at him. "it makes me sad that they die off in a few days. better to keep them planted than cut them for a bouquet."

a quiet huff of laughter—fond and nostalgic. "that's on par for you. very in-character."

you lick your lips, tasting the sugar from the treat in your hand. "i guess…maybe i'd like chocolates?"

"chocolates?" suguru repeats, like he's surprised. you don't know why his reaction has you stumbling, but you shake your head quickly, appalled that you're even telling him this in the first place.

"i mean—it's not a big deal or anything! even just a small box of them would do! i don't really care anyway—"

"i would've guessed you'd like a plushie or something along those lines." he hums, a small smile stretching across his face. there's a dust of color blooming across his cheekbones, and you think he looks unfairly charming.

"that's good too!" you reply, too quickly, before catching yourself and ducking your head. "i mean…i don't know. plushies are really cute. i think they'd be a cute gift."

there's a beat of silence, and when you look up suguru is smiling at you like you've just put the stars in the sky for him. he hums to himself, eyes darting around the streets and looking much more at ease than he did a few minutes prior. you find yourself unable to look away.

"what would you want?" the words escape before you can stop them.

"me?" he asks, tilting his head in mild surprise.

"yeah. what would you want for valentine's day?"

suguru blanches, gaze darting over your facial features with shocking speed. it lingers on your eyes, before flickering downward, then shooting back up. you're trying to trace them but they're too fast, and he shuts them before you can process anything. he keeps his eyes closed as you curiously await his answer.

to this day you don't quite understand what he meant.

"anything i can get," he answers with a rueful smile, shaking his head at you fondly. his eyes bore into yours with an intensity you've never seen before. "anything at all.")

a familiar voice tickles your ear amongst the silence even now, and you rub your palms together. you can feel satoru's gaze on you, trailing over your expression—searching, analyzing.

you let him—used to it.

"that's enough of that for now. plus don't the two of you have to go check on the kids today?" shoko asks, eyeing the two of you pointedly. her voice has a strain to it, one that you can only pick up because you've known her so long. but you're grateful for the change in subject as you glance at satoru, who checks his phone.

"ah shit. they should be back from school by now but we were supposed to pick up some groceries beforehand," he mutters under his breath before looking down at you. "you wanna head over there first and i'll go get some stuff?"

"sure," you reply, patting shoko's shoulder in farewell. satoru steps closer, digging into his pockets before dropping the apartment keys into your palm. he pushes his shades up the bridge of his nose, eyes trailing over your face like he's searching for something, and yet you can't make out what.

a beat of silence.

"d-don't forget to get some of those cookies tsumiki said she liked last time." you drop the keys into your bag and shrug off the odd feeling of this conversation—something strange that you don't feel like looking into because you're scared of what you'll find out about yourself.

satoru's eyes go soft, a mixture of somber and affectionate, and he smiles easily. "you got it." he reaches out to ruffle your hair, licking his lips as he heads for the door. "see you later."

you watch him go, and think that you'd rather have him by your side. but you keep that to yourself—so used to sewing your mouth shut.

("which do you want?" you ask satoru, who peers at the shelves over your shoulder. his close proximity does nothing to you, but he seems oddly giddy when he glances at your side profile.

"hmm, the white chocolate," he answers, low and hushed, like it's meant only for you to hear. you can feel the energy radiating off of him—can feel it shake your very soul.

"okay," you reply, reaching up for the box, but satoru beats you to it. he stretches up, towering over you and you shoot him an playful glare. he had gotten a growth spurt over the holidays and wouldn't let you forget it.

"aw this is so sweet of you," he teases, excited and all too pleased. you roll your eyes, hiding a smile.

"you're the one who's been bugging us for valentine's day chocolate."

"like it wasn't a good idea," he counters with a grin. "even if we're all single we should still get chocolate."

you snort in amusement, before turning to call out across the aisle. "suguru which one should i get you?"

the dark haired male meets your gaze, and the warmth of it sends a tickle through your stomach. he shakes his head with a gentle smile, eyes crinkling at the corners. "don't worry about it. you know i'm not big on sweets anyway."

you deflate—he smiles at you like he's happy you asked.

"you can give me his share," satoru interjects with a playful smirk, pressing his palm into your shoulder. you shake your head in exasperation.

"no way. i'm still going to get him something." your eyes dart across the shelves, before you reach up and pull down a box of unsweetened chocolates, tied with a red ribbon. "this should be good."

satoru eyes the box, and you glance at him. "suguru would like these right?"

"yeah," he shrugs, before crossing his arms. "as long as they aren't crazy sweet. he hates sweet stuff."

"okay good. then i'll get him these!" your smile stretches wide, and it doesn't go unnoticed.

"you're being awfully thoughtful today," satoru comments. you look at him quickly, quirking a brow.

"well i can't just get you one. you're not my only friend." you shoot back.

satoru grins. "guess that's true."

his arm takes its position around your shoulder as you head towards the counter.

"you were really particular about getting suguru something though. any special reason?" he pipes up, and you immediately go still, looking at him as you try to bite back an uncharacteristic surge of panic.

"of course not! i got something for everyone. i even got shoko the rum and raisin chocolates." you say quickly, fighting the urge to crumble under satoru's implications. "besides this was all your idea anyway!"

you dig into your wallet, pulling out exact change and smiling at the cashier, who puts all of your chocolates into a bag. you decide you'll gift them later, when you're in the comfort of the dorm.

"okay let's leave—" you pause when you turn around, breath catching.

because satoru is staring at you, an odd expression on his face. there's something behind his eyes—realization mixed with another emotion you can't quite place.

you're not sure if the expression excites you or scares you.)

you don't expect tsumiki to be so excited when you push open the door. she bounds out of her small bedroom, practically tripping over herself as she chants your name over excited giggles.

"hey kiddo, how was school?" you smile as she throws her arms around your waist. you pat her hair, making a mental note to take her for a haircut sometime soon.

"good! my friends gave me some chocolates today!" she's giddy as she says this, and you smile playfully.

"oh yeah? any boys?"

she immediately flusters at your quirked brow and teasing grin. "of course not!"

you laugh, patting her head again as you take a seat on the couch. "okay okay! where's your brother?"

you don't see the dark haired nine-year-old anywhere. normally he'd be doing his homework at the kitchen table—so much more diligent than you ever were at that age.

"he's in his room," tsumiki answers, and your eyes catch the sneaky bit of amusement in her face.

"doing what?" you ask curiously. she smothers a smile, shrugging.

"i'm not sure." she raises her voice to call out. "megumi! she's here!"

you can hear him grumbling down the hall, hear his little footsteps padding across the floor—affection swells within you.

you think back to the day satoru dragged you to meet him, and you internally remind yourself to thank him.

"hey gumi." you offer the kid a smile, though it falters when you notice the way his hands are hiding behind his back even as he mumbles a quiet greeting in return. "what's wrong?"

"i…" his voice catches, and you notice the heavy pink flush crawling up his neck and into his cheeks. "i just wanted to…"

he trails off again, and tsumiki nudges him discreetly. "just do it!" she whispers, not all that quietly. your eyes dart between them in confusion, and megumi tries to sink into his sweater's collar.

"megumi what's wrong? are you okay?" there's a note of concern you can't keep from your voice, and tsumiki gently pushes him closer to you. "did something happen?"

"no…" he mumbles, attempting to hide his face even more. "i just wanted to…give…"

you blink owlishly. "give…?"

megumi lets out an exasperated huff, brows pinching helplessly before thrusting his arms into your line of sight. "here!"

your lips part. in his little hands are a box of chocolates and a small stuffed bear.

"this is…" you trail off, taking them from his hands.

"he wanted to give you something for valentine's day! to show you how much he appreciates you!" tsumiki interjects, practically bouncing on her feet.

"no i didn't! it's just chocolates stop making it sound like such a big deal!" megumi immediately snaps, glaring at his sister. you can practically see his cheeks burn with embarrassment, and you think you will never stop caring for this kid. there's a tickle of a distant memory—small fists clenched around a backpack and deep green eyes that stare up at you in childish apprehension.

those same green eyes now sneak glances at you, assessing your reaction, and you decide to put him out of his misery.

"this is so sweet megumi. thank you!" you smile at him gratefully, touched beyond recognition. your heart swells with affection once more.

megumi shoves his hands into his pockets, a stubborn pout on his face that makes the fat of his cheeks look that much more endearing. "whatever, it's not a big deal."

tsumiki shoots him a glare, before turning to you with a wide smile. "he says that but he was really excited to get you something!"

megumi gapes at her, eyes going wide in betrayal before they narrow. "shut up! besides it was gojo-san who gave me the idea!"

you blink, before smiling somewhat gingerly. though there is a strange sort of satisfaction in you when you hear those words—the mention of satoru's name. as detached as he tries to remain, you know all too well how much more there is to his character.

"i thought gojo-san would suggest flowers," tsumiki ponders, reaching out to squish the little bear before looking at you curiously. "aren't flowers a typical gift to get someone for valentine's day?"

you shrug, smiling carelessly. "i guess so. but i'm glad he didn't because i don't really like flowe—"

it hits you. echoes of a conversation that occurred many many winters ago. it washes over you, a refreshing tide that cools your skin and tickles your face.

of course, it made sense now that you thought about it. there were no secrets between satoru and suguru after all.

a chime cuts through the silence. you glance down at your phone to see a casual text from the snowy haired wonderboy who has been by your side since the beginning, and you can't help but smile.

i'll be home in a minute :P

a promise that has remained constant all these years.

so you type back.

hurry back. waiting for you.

you smile to yourself, heart thudding heavily against your ribcage. "hm."

tsumiki quirks a brow. "what?"

"nothing," you shake your head, wetting your lips as you reach down to tuck a strand of her hair behind her ear. she smiles at you, stars in her eyes, and you think you'll remember that smile forever. "i was just thinking."

"about what?" megumi can't stop the curiosity from seeping into his voice as he peers at you. you grin, gently patting his head with the bear plushie and laughing when he swats you away.

"valentine's day," you answer, smiling at them as you stand up to head to the door. you already know who's about to knock. "i was just thinking that it's not too bad of a holiday."

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