#most of the art I do is line drawings so this is different for me

[sergeifyodorov]

your wish is my command! for @puckpocketed

I. Connor Bedard

Each of the players being the suit they were was intentional. The four suits are typically associated with one of the four elements: clubs/fire, diamonds/earth, hearts/water, and spades/air. I didn't try and match those with the teams, just the boys! The sharks may be water but Macklin is an Earth Boy.

Connor being fire was an easy choice - the element of will, passion and creativity. He was also the only player I didn't use a specific image reference for; I watch the Hawks sometimes, so I've seen enough of his face I don't feel like I need a single specific reference to work off, just a general one.

His glove and stick are (mostly) accurate! I tried to put at least a little effort into getting the equipment right - I hate drawing gloves and helmets and stuff, so I thought I'd try and put a little more effort in.

This is my favourite little detail - if you look at the full card, the star halo is accompanied by a thin white outline of a similar star around the Hawks' logo. Combined with the blue pattern, laid out this makes the flag of Chicago.

The pattern on the blue stripes is directly copied from this edition of the Jack of Clubs.

II. Macklin Celebrini

I wanted to make the lines and overlapping centres different between each card. Celebrini was the second one I did after Bedard, so making them look in opposite directions was an easy way to separate them visually.

Diamonds are the suit of Earth, which usually corresponds to the realm of the material and physical - I chose Mack because of the way his upbringing is almost "engineered" and his familial involvement in the industry. All of these suit-player connections were decided ahead of time, so I knew Michkov was Hearts by now. Red and orange kind of look iffy with each other, but they're close enough that you could replace both of them with orange - the Flyers orange and the colour of the eye and stick in the Sharks logo.

This part of the wave in the background was inspired by wood block cuts, specifically the prints in Ursula K Le Guin's original A Wizard of Earthsea book. I love wood blocks!

These were used as reference images for the pose and his face.

III. Matvei Michkov

Matvei's looking in the same direction as Macklin, so I wanted to make his pose stand out in a few ways. First, he has both hands up; second, his stick is in the other hand, and third and most importantly he's wearing the Flyers' away uniform, instead of the home kit that everyone else wears. This is also because the Flyers are one of the few teams for me whose away kits are as good or better than their home ones.

The suit of Hearts is the suit of water - emotion, fluidity, and love. Philly is the City of Brotherly Love, after all, and Matvei is one of those hyper-fluid players offensively. I was debating between making him Fire and Bedard Water, but ultimately I chose Hearts so he and Macklin could both have orange suits instead of one red and one orange - it just looks more cohesive as a set that way.

These were the images I used as references. The left hand is angled up higher in order to fit it on the card. Matvei wears black-palmed gloves and black wristguards, and rolls his sleeves up all the way.

The background decal is meant to look like a distorted Flyer wing, and the halo mimics the squiggle from this Jack of Hearts' diagonal sashes.

IV. Lane Hutson

Lane! He's the only one facing forward, which I honestly hated doing and kind of regret - his face is actually pretty asymmetrical looking at it head-on and the art style I used for the cards is a lot more simplistic and almost cartoony than I usually do, which combined with "first time I'm ever drawing this guy" into a perfect storm of Hell. I'm still a fan of the rest of the card, though!

Lane was the suit of Spades and the suit of Air - intellect, insight and foresight. Defencemen are supposed to be the "thinkers" on the ice, given that they can see the whole play ahead of them and are supposed to be interacting with it.

Mostly used this one as reference.

The flowers in the background are poppies - you can see why I usually stick to drawing people - which have been associated with the Canadiens for a long time. The association with poppies come with the poem In Flanders Fields, a war poem and a piece of Canadian art so iconic that most of us go "yeah, we were supposed to have this mostly memorized in like fifth grade." It was written the year before the Habs' first Cup, and they've used a line from it as a motto all this time.

Hope that breakdown satisfied ^-^ Or you can take up a quarrel with me otherwise

The Next Generation

The jack, traditionally the lowest face card, has often been promoted to a higher or the highest position in the traditional ranking of cards, where the ace or king generally occupied the first rank.

[walterposting]

I just realized that I do NOT know how to shade a face, let alone an old man's face that isn't all smooth. This will take a while.

[hinamie]

happy gojoday to all who celebrate

[hplonesomeart]

Hey!! So turns out a video I made between a certain “well beloved but highly sensitive/emotionally reactive T.V” and an “orange haired inkling-turned-human” has managed to sweep my YouTube channel and accumulate 100k VIEWS!! THAT’S A LOT OF PEOPLE ACTUALLY?? My most widely viewed video EVER to exist in this moment in time?? AAAAA?? Not even mentioning the various comments and staggering increase in subs! It’s so much more then what I expected or even prepared for—might even be the most impactful thing to happen for me this year <3

…aside from graduating high school + the social connections I’ve been fortunate to make lol

BUT THE POINT IS I’d been closely monitoring the YouTube growth through the entirety of October. It’s make me smile like a dork, gawk in astonishment, dance frantically in my room from the energy boosts, and grow courage to stop being so selective/self-conscious with what I wish to share with the world! It’s kept my ambitions going!

I needed to find some way to celebrate the occasion and express my thanks—because I can’t NOT acknowledge this milestone jksjskp. Typically I try to avoid getting tunnel visioned focusing on the metrics/numbers. Mr. Puzzles had already demonstrated how much those things can mess with the minds of creatives. Caring too much about chasing views or placing your artistic value in attention seeking gets damaging. But at same time…it’s hard to deny the sense of pride the 100k achievement has filled me with. I understand that reaching 100k views doesn’t immediately make me any “better” or “worse” then I was before. I’m still just me! It only helps me feel seen by others—and that’s all I really needed. To hear some nice words & receive reminders that my ideas are cared about. So thank you SMG4 fandom for that, seriously thank you.

Please accept this Mr. Puzzle drawing as a way of sharing the happiness around. He’s so entertaining. Love him for simply existing. So glad we can all collectively be super attached to him (and the rest of the SMG4 cast of course). Can’t wait to see more incredible artworks from the fandom :)

Just incase anyone is confused by my vague description over which “animated video” I’m referring to here—hopefully this photo will help clarify lol. It’s this one!! Sorry about not outright stating the title at the start, I got carried away with writing!!

I’ve been in an odd place mentally when thinking about it. Wondering to myself if any of the attention is deserved considering it’s not even fully colored and could be dismissed as “low effort” content (despite taking several days making it). It’s easy to get into a trap of comparing yourself to others and questioning how much of the videos success is based on your skills, sheer algorithm luck, or only because you used popular characters and catered to a specific fandom. And then judging yourself by looking at other peoples videos. I’ve seen several artists post higher quality works then my own but it somehow gets less views. So why did mine succeed when others (who should have gotten just as much attention if not more) didn’t? Sometimes you feel like you’ve unfairly robbed them of that chance to be seen. However I’ve realized that I can’t ever expect views to be consistent—and comparing is pointless. So why worry about it or feel inadequate? I mean it’s pretty common for funny cat videos to go viral, so who am I to question the system lol. “Popular” YouTube videos can range from a passion project which took 7+ artists…to a clip of Toad singing Chandelier or a nonsensical Vine sketch. Anything can happen when it’s the internet! And just-so-happened my video was chosen. I should stay glad about that and get rid of all the overanalyzing. So that’s what I’ve chosen to do :)

[chalkscrub]

revisiting my roots as an artist - never sketching, never planning, and going straight to the inks. and also drawing traditionally again. with some digital colours

speaking of my roots as an artist, so many people say my art is cute/storybook/wholesome vibes which is funny cause i started off drawing a lot of bloody evil gorey demon things. 14 y/o me would not be happy with me for going down the route i ended up taking - i wanted to be edgy.

[cuteniaarts]

@rokurookajima HI HELLO I’M CURRENTLY HALF ASLEEP BECAUSE IT IS 1:50 A.M AND I HAD A LONG DAY, BUT!! AS PROMISED, METALBANDERS AU RAAVA, RENDITION BY YOURS TRULY:

She’s judging you (¬`‸´¬) (you = Wan being a stinky bastard man /affectionate)

I HOPE YOU LIKE HER <3

[averlym]

@remylong :

[bacchuschucklefuck]

hi i just had to say i LOVE your art style i am obsessed with:

- how dynamic all ur pieces are the ones from fhjy ep18 captivate me especially

- the way u draw riz's ears like idk i just love them

- ur posework it is AMAZING

haha thank you very much! I'm very glad ur enjoying what's goin on around these parts :]

[franeridan]

was watching a process video of an artist i really like trying a style he doesn't usually go for and he's usually got this very flowy, free style but for this one he was doing lineart and he was obviously struggling with it and said something like he really doesn't know how people can comfortably work with solid lineart and that genuinely shocked me into stopping the video and looking at nothing for a little while ngl

[rubberduckyrye]

Google how do you draw faster without losing quality--

[gibbearish]

how quickly we forget duchamp's fountain

i mean, its crazy right? it is completely and totally just a matter of bias and preconceived notions and reactionarism pushing people to arrive at the idea that a person using a generative model soley based on their own work intentionally creating a specific piece of art they have already visualized in their mind is "not art" because... well... um...

well they can't even say! they say "it's not intentional" (it is, he already knows what he wants it to look like!), "it's not work/effort" (god i want you people to see how long it takes me to generate the simplest of anime girls in midjourney), or most bafflingly "the prompt is art but the image output isnt". and nobody can actually explain WHY because there ISNT a good reason! they just have this kneejerk hatred and disgust of this new technology and art form and any attempts at prodding at that feeling are met with aggression or blank stares.

[alfheimr]

My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

[yamujiburo]

if you don't mind, would you rank ash's outfits from worst to best? (also on the same topic, would you have wanted to see him in ethan, brendan, victor, and any other missed protag's outfits?)

Oooh this is a great question I've never really thought about

Shoutout to @/leafbladex_yt for this cool edit of all Ash's fits! (it's helping me judge the clothes alone rather than the art style). Ranking under the cut!

Going from least favorite to most favorite! AG, DP, SM, JN, XY, BW, OS

AG- I'm not a huge fan of this one. I feel like there's not a lot helping break the colors up in this design. The block of blue and the white "U" shape are competing to draw your eye and it feels unbalanced. I feel like if the "U" shape was on his chest or took up more space it'd help

DP- This outfit is pretty similar to AG's except Ash has a popped collar rather than a hood. However this one has two things going for it that I like. The "V" shape placement is nice and is what I wished the AG design had and also the black shirt is very unique compared to all of Ash's other designs that tend to be blue-leaning! Also like the extra pockets that make the pants feel less empty than the AG one

SM- Another unique look for Ash that I do like but isn't my favorite. It's simple and I do like the pants a lot actually but idk I just want a little more. The shoes make me laugh a bit. I like that they're going for a more slick look for the shoes but the little circles on em feel vaguely clown-like haha

JN- From here on I really like these designs! I like the JN shoes a lot and they honestly be my favorite shoes of the bunch. Not the hugest fan of the hat but I really like the vest and the white undershirt with red stripe. The balance and colors are really nice! My only gripe is the color of his shorts. It's not egregious but the purple that's only slightly different in value compared to the vest is weird to me. It works but idk I think a higher contrast might've been nice or just going for simple black shorts would've felt better to me (?)

XY- Don't have much to say about this one! It's just a solid, clean design. The hat is fun, the simple shirt with white trim and just enough lines to make the design look cool but not crowded is great! I also like the black undershirt. It's subtle but this design would look weird without it

BW- UGH this design scratches my brain just right. I looove the tall collar/hood, the 1/3 blue 2/3 white combo is soooo clean especially with the blue accents for the pockets. It's also nicely broken up by they yellow zipper and bold black "U" lines to separate the blue and white. So beautifully balanced

OS- This is a hard design to beat. It's just so iconic. Love the league symbol on the hat and the white panel in the front of that hat (forgot to mention I like that about the BW design too). The green gloves are great, I'm kinda sad they just defaulted to black in his other designs. The blue overshirt is great with the white collar/white sleeves. The yellow trim on the bottom, for the buttons and pockets give it just enough visual interest while keeping the design interesting. Keeping the overshirt open for the black tshirt is sooooo nice. It draws the eyes to the center and balances well with the light jeans. Love that it's tucked in also so the overshirt is noticeably longer creating even more variation. The belt is also a great touch! Love a belt. Belts are such a nice way to break up a design. The cuffed jeans are a look and I love that the shoes are designed but not over designed. The black and white combo with red accents is balanced super nicely. 10/10 no notes.

As for an outfit I'd wish we'd seen Ash in........ honestly Victor's. It would have been a huge deviation from what Ash usually wears, similarly to SM. Idk if it would have been my favorite look but it would be so wildly different to see Ash in long sleeves, actual skinny jeans and a beanie haha. Might have to draw this at some point

[theelvishfiddler]

AN ARTIST'S GUIDE TO HANDS

No, sorry it's actually not an artist's guide to drawing hands. Those are just warmup studies (which I'll talk about in this post.)

This is a guide to Your Hands and how to take care of them when making art.

No one ever sits down and teaches artists how to take care of their hands. They didn’t even teach me this while I was in art college. This is just what I've learned myself through years of pain and scouring the internet for advice.

This is going to be a long one and geared towards illustrative traditional/digital/pen/pencil artists specifically, but artists of other mediums and crafts should take care of their hands too! Well, we all should take care of our bodies in general, but this is about hands.

(advice is below the read more)

First off I'm not a professional or anyone with actual medical advice. I'm just some guy with chronic hand pain who makes art. This advice is free for you to use or discard.

WARMUPS!

Ever sit down in the morning to draw and wonder why your art is so stiff and looks so much worse than what you were drawing last night? It's because you didn't warm up!

You know how for physical sports they all warmup and do stretches before getting into the actual sport. To prevent injuries and all that? Yeah, it's good to do that for art too.

One way to warmup is to just draw lines. Try to keep them as straight as you can. Going up and down and diagonal. Draw squares. Big squares. Small squares. Circles! You are warming up, keep it loose and relaxed! Basically just scribble away.

(examples. I usually keep going until there is no paper white left. This can double as practice for drawing straight lines without a ruler, which is a great skill to have when freehand city drawing.)

Before hopping right into drawing people you can try doing some quick gesture drawings. Line of Action has timed sessions with a large variety of clothed or nude models. I usually do the 30 min class as it has a nice balance of short and long timed poses. The point isn't to draw nice art, but to warm up. Try to get the basic form down, not the details. I find that doing a full class session can really help my drawings feel more loose and grounded in reality for the rest of the day.

Some examples I found in my folders. I suggest looking into what a line of action (not the site) is and giving it a try with some of the studies!

COOLDOWNS!

For sports it's to return your body back to your everyday baseline after a workout.

Example; you are working on a big project! A masterpiece! It's detailed and cool! You have been focusing on this for hours and drawing so intensely. But you need to stop working for the day.

A cooldown is for winding down out of the go go go mindset. Put away the big project and do a couple small doodles and sketches. You are relaxing your hand and letting it stretch out. Keep the sketches loose. Let the art happen slowly. Don't polish anything, that can happen another day. Just ease yourself out of drawing.

...

Cool! Now we get into the meat of this thing.

HAND PAIN

How to avoid it and how to manage it if you already have it.

I love you artists and creatives, I am begging you to please take care of your most important creative tools. I really don't want this to sound like scare tactics like "oooh you better do this or blah blah!" Nope. I just had to learn all this the hard way and I'm extremely passionate about it.

Take this advice or don’t ╮(ﾟ～ﾟ;)╭ I can't tell you what to do, I'm not your dad

Adjustments and Small Solutions

If you are feeling physical discomfort while drawing there are many different solutions to try! Here are some suggestions that may or may not work for you.

Hold your pencil more loosely. Stop gripping that thang so tightly!!! Relax that hand! They make these… squishy pen grip things... I think they are called Adaptive Pencil Grips or Adaptive Writing/Drawing Aids? They stop your hand from being all cramped up by making your drawing tool wider. It's going to take a bit of time to adjust to drawing with it, but it's worth it for those who hold pencils too tightly.

Don't press as heavily. For traditional art, if you find yourself pressing really hard to get darker lines try moving to a softer pencil. Most standard pencils are HB, the B pencils have softer graphite. Experiment until you find the right one for you. For Digital, adjust your pressure settings so you don't have to press as hard to get thicker lines. You should not be pressing so hard all the time, it wears out both your hand and your tablet! It takes a bit of time to adapt to pencil or pressure changes. Try doing some unimportant sketches, they don't have to be good. You are just training your hand and mind to adjust using less pressure.

Draw with your arm and not your wrist! It's small repetitive motions that cause the most strain. You probably hear this one a lot, what does it even mean? It means moving your arm with the motions of your line, and trying not to make too many tiny movements with your just your fingers or wrist. This one is hard! It takes time and conscious thought to change the habit. Tips? Work bigger. Zoom in more. Use bigger sheets of paper.

(Motions exaggerated for a clearer example)

Change the angle of your drawing surface. They make angled tablet holders, angled desks, angled desktop raisers. Experiment, find and angle that is comfortable and the one that causes the least pain. (It's also good to make sure you don't have to hold your head at an uncomfortable angle when drawing. Staring straight down or hunching over a paper flat on the table can cause pain!)

Compression Glove? Wrist brace/tensioners? Some folks use them and I've been thinking of getting one for years now. I can't give advice on this one, because I don't have experience with it. Look into it if you want!

Managing Pain

First things first.

IF YOUR HANDS START TO HURT WHILE YOU ARE DRAWING. STOP! Put the pencil/pen/paintbrush/whatever down. The art will still be there for you to continue tomorrow.

I know from experience that it's extremely hard to pull away when you are hyper focused on an art piece. It's hard to remember all sorts of basic needs like food or bathroom when hyper focused. But you Need to stop when you feel that pain. (Preferably even before the pain…)

Take Breaks! Let your hands rest when you can. Just like a machine, if you don't schedule maintenance, the machine will schedule maintenance for you. Often that means having to wait a few days for it to return to functional. Best to take a day off from heavy usage or take an occasional 30 min break throughout the day to let your hands rest.

Stretching is important! Full body stretches are good; your arms, shoulders, neck, and spine are all connected, but I'm specifically talking about HAND and wrist stretching. There are a lot of stretches and massages for carpal tunnel and arthritis out there. I find they work for hand pain in general. Move into and out of each stretch slowly. Do not push a stretch if it hurts!! Be gentle!!

I am not a qualified professional and I will not be giving out specific stretches (that is beyond my personal comfort level). There are other artists out there who have made helpful stretching info-graphics which are cool, but I will not be because i don't want to be responsible for someone accidentally hurting themself. Ask your doctor for stretches & advice or look some up on your own.

Don't feel bad about forgetting to stretch frequently! Of course it is good to do it regularly and frequently, but I would be a hypocrite if I said that I remember to stretch daily. Setting timers for stop and stretch sessions can work for some people, but also doing stretches whenever you remember is fine! If you are sitting on the toilet you can idly do some hand stretches. On the bus? Laying in bed? At the beach? Do a couple stretches! Even just once a week is better than… nonce a week.

Using Cold or Heat to treat pain. If you really overdid it, put your hands in some cold water or wrap a cloth around an ice pack and apply it to your hand. Cold works best for me, but warmth works for others. This is just pain reduction and reducing inflammation from overuse! This is not a permanent solution.

If your hand hurts a lot! Frequently! Talk to your doctor? Idk mine has never given real advice. Just gently poked my hand and told me there isn't much to be done about it :/ but there are really good doctors out there who will care and give helpful advice!

Again. IF IT HURTS TO CONTINUE DRAWING. STOP DRAWING! This is not a "no pain no gain" type situation. Drawing so much that you hurt yourself isn't noble, it's just… limiting yourself. You only get one set of hands. These things are very handy to have.

Other Advice

Things I couldn't figure out how to fit into the earlier sections.

Your other hand can't handle the strain! Lets say you hurt your drawing hand... the other hand is right there free to use for art. Right? Wrong. Your other hand can't keep up with the demand, it hasn't been trained to the same extent as your dominant hand, it does not have the built up muscle. If you want to use that hand for drawing you are going to have to use it s l o w l y and train it bit by bit over a long period of time. When I tore a tendon in my right hand I decided to just keep drawing with my left and I got Really Good at it. It only took like two months before my left hand hurt too much to move. Then I had 0 functioning hands to pull up my pants. Not fun!!

People who draw on phones. That is extremely impressive! I'm amazed by the things people can create on such a small space. But phone artists are the ones I see most frequently mentioning hand pain. please please please make sure you are taking breaks. Would a stylus work instead of using a finger?

Outside of Drawing. Sometimes it's things outside of drawing that are causing the pain. For me there are multiple sources, but I also have tiny baby hands. Holding a phone too long causes pain. The handheld mode for my Switch causes A Lot of pain. The way my hand rests while typing on my laptop hurts! Playing tense videogames for too long hurts! Find the source of your pain and make some changes. The same things will apply to most; take regular breaks, do some stretches, and find soft things to prop up or rest your arms on.

Change your Artstyle. This one is more of a last resort. You might have to change your art style if you are getting sharp pains every time you draw. I loved drawing tight clean lines and many small fancy details, but drawing like that left me in so much pain at the end of the day. In 2023 I had to take the better part of year off from illustrations just to learn how to sketch and draw more loosely. I had to learn how to be gentle. To stop gripping my pencil so tightly. Learn! Adapt! You might discover a new style that you love even more!

A lot of this stuff gets more complicated in a work setting where you have to draw fast and long in order to get paid. Things like reducing your workload can help, but that can be... financially rough. But outside of that, it’s ok to be a slow artist. Going full steam and hurting yourself is not worth it.

Aaaaaanyway, thats all folks. Today's rant brought to you by me! The guy with chronic hand pain who always forgets to stretch! The guy who got frustrated with a sketch yesterday and decided to push to keep drawing for just one more hour! The guy who woke up this morning and had to spend 2 hours massaging and stretching their hands. The guy who probably shouldn't have typed all of this out because ooww ow ouch

If your hands do hurt, it's going to be ok! You don't need to be a speed demon who draws all the time. It's ok to take your time and take frequent breaks. You are going to do great things! Just be gentle with yourself...

[pascals-doll]

candy

ellie williams x reader

🫧 happy valentines day to all my beautiful followers | enjoy this vday special 🩷 am i uploading this ar midnight because a bitch had classes and work yes but its valentines (was technically) IM GGONNA WRITE AN ELLIE FIC 🧘‍♀️

🫧 inspired by the song candy by doja cat | bed of roses PT2

🫧 description: fluffy, cute surprises, reader knows how to know paint a bit, just fluff, cute fluff,ellie sings to you (i took the scene from the game because i cherish it sm) smut, SLUT SMUT💋, power dynamic, dom!ellie, sub!reader, you and ellie live together, reader is PUSSYHUNGRY (mmm im so- i would do anything for that tsunami), reader eats out ellie on stairs (you’re welcome), fingering, praises, no use of y/n, use of petnames like doll, mama, and good girl, very little degradation, hair pulling, clit sucking, face grinding, cum eating, just ellie getting eaten so good! enjoy

She's just like candy, she's so sweet

but you know that it ain't real cherry

know that it ain't real cherry

🫧

it was valetines day today which meant ellie got to spoil you rotten; it is very well- deserved.

you would always be very thoughtful with your gifts.

this valentines day, you sneakily woke up around 1 AM and worked until dawn on customizing a wooden workstation that you got her for her artwork.

you knew you had work in the morning but you would do anything for the woman who’s protected you, provided for you, and pleased you.

you painted the workstation very carefully a dark earth-green. you let each coat of paint dry before beginning to carefully paint details on it.

you were going to paint symbols for each of her favorite memories onto it. you took references from her own beautiful drawings.

one of the details you painted were the beginning of Joel��s; now her guitar, painting even the moth.

one of the guitar strings then ran around the whole work-station, dragging the brush till the end.

you began to draw small moths and different flowers with herbs carefully placing them along the string line.

lastly, finishing it up by drawing a silhouette of the both of your bodies intertwined, then painting an outline of ellie’s knife and joel’s gun side by side on the side of her workbench.

once you were done, you carved both of your initials into the side of the workbench.

you transfered all of her essentials from the small broken down drawers; that could barely hold up to her made with so much love customized workstation.

you made your way back into your shared warm bed, careful not to wake up ellie.

sunrise made its way into the sky, ellie waking up now as you now slept.

ellie noticed you got up in the middle of the night, searching for your warmth but she shrugged it off before knocking into slumber again.

ellie got up very quietly, planting a kiss on your head before heading into her work room to get her guitar.

she walked into her art room, stepping as she scans the room. she immediately stopped in her steps, her eyes falling onto your beautiful workstation.

ellie’s heart pounds outside of her chest, tears wanting to form in her hazel eyes as a rush of emotions take over her.

she walks around the small wooden dark-green station, her handing brushing it softly as she takes in your designs.

she couldnt help but think about although you had work sadly on valetines day, you still did this for her.

this was bigger than the world to ellie.

you were the most perfect girl and if one thing was for certain, ellie would be spending an eternity of valetine’s day with you.

🫧

I can be your sugar when you're fiendin' for that sweet spot

Put me in your mouth, baby, and eat it 'til your teeth rot

I can be your cherry, apple, pecan,

or your key lime

Baby, I got everything and so much more than she's got

you were now currently at work, you hated how you got called in today.

you asked ellie if she was going to be good with you going to work today, in which she responded by pulling down your panties.

lets just say, you had a very pleasant morning before going into work.

while you were away at work, ellie got to work on her surprise because eating your cum for breakfast wasn’t enough.

she went to almost all the floral shops she could, selling them out of their pink and red roses.

ellie covered the entryway with petals, even the staircase that leads upstairs, and leading all the way up into your room.

the living room, she had a fairy lights hung along with pink lit candles on the ground.

ellie had a huge case of flowers waiting for you, wrapped in the arrangement of your inital.

that was only the downstairs, your room was filled with more surprises.

your shared bed was covered in rose petals, a couple small gifts waiting for you while your surprise gift was tucked away by ellie.

ellie finished up any last miniute preparations before you came home from work.

she changed from her pj shirt and boyshorts from this morning to a flannel with a black-tee and some baggy shorts that exposed her Calvin Klein lining.

She's just like candy, she's so sweet

But you know that it ain't real cherry, know that it ain't real cherry

She's just like candy, she's so sweet (She's so sweet)

But you know that it ain't real, know that it ain't real

🫧

you came home a bit exhausted but excited because you picked up a teddy bear that held a heart with the writing “i love u” on it from a street vendor, leaving your job.

once you made it home, beginning to turn the keys to step through your front door.

you open the door to see your beautiful auburn-hair girlfriend.

she was sitting there on your shared loveseat, her beautiful fingers strumming her guitar.

the melodious tone from the strums of her guitar strumming the song your love for each other shares.

she began to sing softly “talking away” your hand cant help but go ovee your mouth as you felt tears begin to form.

the sound of her silky voice singing through your ears, making your heart pound and face hot.

“today’s another day to find you”

you could listen to ellie sing for the rest of your life, tears were already streaming down your face. ellie couldn’t look you in the eyes while she sang because if she did, she wouldn’t be able to finish.

you made her heart go a million miles per minute like a schoolgirl crush.

you made her stomach flutter like she was born with a butterfly nest inside her.

you made her soul shine like the sun after never-ending rain.

ellie finished serenating you, putting her guitar down

she finally looked up at you, clutching a teddy bear with tears streaming down your face.

before ellie could say anything, you ran into her arms; immediately taking you in to her embrace.

this was a feeling words couldn’t express, but only actions.

your heart felt like it was going to pop out of your chest with the clash of ellie’s lips onto yours.

you weren’t alone with ellie barely being able to catch her breath but so desperate for you.

the way your lips moved with such hasty movement but yet still passionately and amorously.

you began to walk towards the staircase, lips not leaving a moment. your eyes slightly opening time to time to make sure you were guiding you and ellie correctly.

“all i wanted-“ you began but were interrupted by her lips again.

“all day was to” ellie pulled away momentarily to let you continue.

“come home to this” you whined out against her lips, your tongue slightly licking over them.

🫧

Sugar coated, lies unfolded, you still lick the wrapper

It's addictive, you know this, but you still lick the wrapper

Sugar coated, lies unfolded, you still lick the wrapper

It's addictive, you know this, but you still lick the wrapper

you were fillied with arousal and need to please as you dropped to your knees…on the staircase. you could careless at this given moment.

your hands ran through her back, feeling each crevess of each toned muscle, then coming back around to her arms.

you gave her strong-toned arms a soft squeeze before having them go up to her chest. you needed to have her.

“doll i got a surprise in the room, lets-” ellie begins but you didn’t care.

“no” you said, looking her in the eyes as you unzip and unbutton her shorts “right here, right now” you whine out, pulling down ellie shorts completely.

ellie would be lying if she said you dying to eat her out on each other’s staircase wasn’t the hottest thing, especially on fucking valentine’s day.

it was you, how could she deny you.

“that desperate, mama?” she teases you as you peck her toned abdomen. you gave her a slight whimper as you nod.

she brings herself down to sit on the stairs, grabbing you by your jaw to pull you in for a kiss.

your lips meet again, your hand traveling down into her boxers immediately feeling seeping slick cunt “you drive me insane” you moan out, your mind was so drunk by her.

she had you high on her scent, taste, look, and touch. anything ellie did could have you on your knees, just like this.

your fingers begin to rub her clit in circular motion causing her breathing to hitch and soft moans of content escape her mouth as your lips travel down to her neck.

you begin to suck on the skin as your fingers massaged her clit, slightly putting pressure here and there causing ellie to let out gentle-yet-loud groan.

ellie’s hips began to rise to meet your hand “my beautiful doll-s’good f’me” she mumbled under her breathy moans.

you were sure you left her a purpletrail from her neck leading into her shoulder before going down a couple more steps.

you waste no time in pulling off her boxers, meeting with her wet pussy “s’pretty els, i love you.” you were just completely dazed by ellie at this point, wanting to please her and have her taste on you for days.

“you gonna drool or eat up, doll?” ellie smirks, she knew the effect she had on you and it made you fiend to please her even more.

your hands go to spread her thighs open a bit more before diving your head in between her legs. you met face to face with her juiced pussy, her slick coating your tongue as you lick a stripe.

“ah fuck, doll!” ellie moans out, her hips slightly bucking against your face as her hand had a grip on your hair.

the way you were on your knees on these steps buried into ellie’s pussy, your tongue collects her juices as you begin to swirl your tongue around her clit sucking softly.

she tasted just like candy, you grab her one of her thighs, hooking it up to balance on your shoulder.

the wider angle made her throw her head back “s’fuck doll! just like that. eat it just like that.” her vile voice praising the way you took the way she slopped her pussy against your tongue.

ellie began to work herself towards her orgasm on your tongue, her hand following the movement of your head.

you ate her out like this was your last meal, not wanting to let a single drop “god fuck-y-you’re insane!” she whined out as you worked you fucked her with yout tongue.

ellies stomach stomach flexes, her toned abdomen becoming more prominent as her breathy moans turn into pants and loud gutteral moans as you took your free hand; licking her asshole all the way up to her clit.

“fuck fuck fuck, doll! s’such a good girl” ellie’s hand swore she could’ve pulled your hair our by now but you could careless, the only thing on your mind was making this woman cum.

she deserved the way you ate her with delight, completely letting her use your face for her orgasm.

your nails dig into her thigh as you feel yourself slowly loosing your breath; but you were not leaving till she had came all over your face.

“s’close god! youre such a fuckin’ slut f’me.” her orgasm finally riding out.

“atta girl, lick it all up again.” she praises, pulling you back up from her pussy to her lips, tasting herself momentarily before her hand finds the back of your head guiding you to the white cum-beed that seaped out of her now fucked-out hole.

you licked her from asshole up, completely picking up her cum onto the tip on tongue causing you moan out as your lips were wrapped around her.

once you pulled away meeting her eyes, her cum covering your lips causing your face to glisten lightly.

“you’re a demon” ellie brings you into her embrace on the stairs.

“its not my fault you’re my favorite candy”

🫧

She's just like candy, she's so sweet

But you know that it ain't real cherry, know that it ain't real cherry

She's just like candy, she's so sweet

a/n > part 2 ??? 😇

[patchwork-artists]

Hey you! Have you seen this post by @pigswithwings? Do you like it? Do you like animation? Well do I have the news for you! With the author's permission and consultance, I am running a 5 minute animation short film on it, called "Angel back at home"!

Now, here's the most exciting news: We are looking for storyboarders, background designers, and 3 voice actors of all genders! Even better, you don't need to be a professional on any of those things whatsoever, only have some knowledge on them (and be of minimum age 16) to try and apply for the role!

Unfortunately, it is not paid, as for legal reasons we can not make profit out of it. Why should you join then, you ask? In this project we guarantee three things:

Portifolio building: Everything you will be producing, you can be using to add to your personal art portifolio, if this is a career you'd like to follow!

Resume: The short-film will be hosted on several film festivals, so you'll be able to put a big list of festivals your work was featured in, if you'd like to follow any art career. If not, the entire experience can be written in several bullet points on a resume ("experience with working in group", "experience of working within a deadline", etc) for any general job.

Advice and art growth: Every art that gets made on this project will be seen by me, the producer, and will be given advice for improvement. This is especially good if you've been on an art block, is self-taught, or overall would like a different perspective on your art. Don't worry, I'm not harsh!

Additional points is that it allows me to know new artists and new talents! From the last project I had run in this format, I had taken notice of 5 to 6 different artists that I hadn't known were so talented for their specific skills, which made me keep their names for the next project I'd produce. I am someone who dreams of opening an animation studio for new underrated talents and non-professionals that are studying to be professionals, so i'm looking forward to finding the artists on this project that will catch my eye and I'll bring over to the next project.

The timing is flexible since it is a volunteer ran project, if I can't pay I can't demand work hours of a job, so the deadline won't be too tight. For 5 minutes of film, the boards, voice acting, and single music will all in total take about 3 months, with the deadline starting in ferbuary and ending in the end of April. The following months will be given towards animation, sound editing and mixing, and video editing.

Requirements for storyboarders: Know how to draw, understand rule of thirds, enjoy drawing expressiveness through body language. You can be using any drawing device, whether that's computer, cellphone, or traditional, as long as you use the storyboard template in question and stay faithful to references.

Application link for storyboarders

Requirement for voice actors: have a somewhat good microphone(doesn't need to be professional and expensive, just good enough so we don't want to give the audio editors too much work), have interest in acting (preferably have had at least one theather class).

Application link for V/A

Lines for V/A

Requirement for background designer: Know how to draw or how to put together a 3d model of free assests, you don't need to be super experienced and specialized with drawing backgrounds but it'll be good to have a basic idea of it. You will be given specific references for the backgrounds, and you won't draw every single background, it'll be split work

Application link for background designer

Applications end by ferbuary 8th, but may be pushed forward if the applications are low. Everyone that passed will be noticed two days after.

Best of luck to everyone!