#most are from magazines
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theinternetisaweboflies · 1 year ago
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Ghibli Museum | Mitaka, Tokyo
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muzaktomyears · 1 year ago
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she gets it
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show-us-kaidenshenandoah · 6 months ago
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every time i watch anything with him in it (admittingly, predominantly from the Dropout app), i am reminded that Lou Wilson is the most handsome man to have ever lived. like, objectively. he just is. i will hear no arguments for any other person to be ranked higher. Lou Wilson: whose face single-handedly shows humanity can go no higher in beauty. he is THE most attractive man in the world. argue with the wall lmao
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yridenergyridenergy · 1 year ago
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Vicious August 1998
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gimmeshelter · 7 days ago
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"who would have thought about joan of arc doing amateur film?"
ingrid bergman behind the scenes of joan of arc (1948)
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anotherpapercut · 4 months ago
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my friends and I had a collage night where we all worked together to make masterpieces
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hotwaterandmilk · 2 months ago
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I'm seeing "Wedding Peach was unsuccessful" trotted out on Twitter again and it's honestly kind of funny to me. You can dislike the series, but you're rewriting history if you suggest it was a massive commercial flop/astronomical failure — it simply wasn't.
The Wedding Peach TV series maintained viewership throughout its run which is why it aired an entire year's worth of episodes (the full length it was intended to run) and didn't get cancelled like Nurse Angel Ririka SOS, for example.
I'm not going to pretend it did Sailor Moon numbers, dear god, it absolutely didn't get close hence why it wrapped as it did. I would suggest looking back now, that it was the definition of a mid-performing title for the time period. It sold toys decently but not outrageously, it got viewers but not an outstanding number, and it garnered a small but dedicated fanbase of male otaku. All of which is par for the course when it comes to a mid title in 1995.
Wedding Peach DX was produced because the TV series LD sales were decent enough to warrant it. Children were not buying LD box sets at this time, adult fans were and it was this interest that justified the creation of the four DX episodes as direct-to-video releases. If a series doesn't sell well they don't make more episodes, let alone higher quality deluxe episodes specifically for the home video market (and thus for older audiences with spending power).
It is very important to point out that Wedding Peach DX had NO INVOLVEMENT from the original creative team. Tomita Sukehiro and Yazawa Nao did not contribute to its creation, Tadano Kazuko didn't provide designs. Yuyama Kunihiko was the driving force behind the production of the DX episodes and he served as both director and writer for all four episodes (bringing on Wedding Peach animator and soon-to-be frequent Pokémon collaborator, Ichiishi Sayuri to serve as character designer).
What inspired these to be fanservice dreck to the level they ended up being is honestly beyond me. I mean the otaku market definitely wanted more episodes featuring the characters (and more songs featuring the seiyuu, if you want to see how keen otaku were for FURIL please see this post) but part of what they liked about the characters at the time was their (barfbarfbarf) perceived purity and innocence. The DX including panty shots and swimsuits kind of threw them for a loop. Even now, if you look at discussions about the DX among otaku there's a bit of a divide in opinion.
The DX episode sales were (as far as I can tell based on magazines from the time) also mid, but enough to cover four episodes. Three and four don't seem to have sold as well as one and two, but again the stats from the time aren't comprehensive. I think the fact that there weren't any after episode four says it all, honestly. OVA episodes are expensive to produce and it was extremely common for them to stop immediately if the sales weren't there. DX didn't justify its existence beyond those four episodes and Yuyama moved onto a far more successful project in Pokémon.
On that topic, I think it's important to note that Wedding Peach was OLM's first television series (albeit a coproduction with KSS). If it and the studio's adaptation of Mojacko hadn't made some level of profit it would have been quite difficult for them to adapt Pokémon. Neither Mojacko nor Wedding Peach set records with their viewership or sales numbers, but they both did "OK". It was in Pokémon however, that that OLM truly found a successful property with the series still running today. Sometimes you've got to have a few runs at producing things before you find success. Wedding Peach was one of these early runs, a project where a lot of people cut their teeth but one that didn't justify its own continuation beyond a certain point. Just a very standard media mix from the mid-90s, in other words.
Wedding Peach is a problematic title with indifference through to outright objection to representing love outside of heterosexual romance. Looking back now it feels like an absolute dinosaur on so many levels. Between the anime's fatphobic episode and Momoko dropping some gender essentialism, I'm not surprised people want to relegate it to the dustbin of history.
However, I think it is very telling that Tomita Sukehiro, when presented with the opportunity to tell a similar story in the modern day, chose to represent not just queer love, but platonic and familial love in Wedding Apple. While he can't undo the regressive and cringy elements of the original series, as a creator he has progressed and I'd like to think we can all continue to improve our outlooks and output as we grow.
Disliking Wedding Peach in the modern day is completely understandable. I'm not going to pretend anyone should watch it in 2024 without knowing that it is a camp, cheaply made relic of a time when heterosexuality was considered magic. However, just because it pandered to all the worst things trending at the time doesn't mean it didn't sell enough products or hold enough viewers to justify its production. It did, it just wasn't a strong enough property to go beyond that and that's representative of mediocrity rather than mind blowing commercial failure imho.
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kingkatsuki · 1 year ago
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The thought of Bakugou listening to those terrible Cosmopolitan articles about dating to try and court you.
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demolitiondecay · 2 years ago
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a small mcr zine that i made over the last few months :) one page for each album, everything is made from scraps of magazines i had lying around
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francesderwent · 5 months ago
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I’ve been on a real Fearless kick lately and it always makes me feel some kinda way about Olivia Rodrigo’s body of work. and not even primarily about her and her talent and her songwriting, just about how different an experience it seems to be growing up as a young millennial woman versus growing up as a young gen z woman. take the total absence of any jealousy/self-image song on Taylor’s debut album or Fearless—because social media wasn’t this omnipresent perfect image factory and so the insecurity of growing up looked more like “Place In This World” or “The Outside”, fundamental experiences of questioning and longing that are deeply connected to our humanity, as opposed to “jealousy jealousy”, “pretty isn’t pretty”, or “lacy” which are founded on an obsession spiral that is literally only possible on that level because of the invention of the smartphone.
look at “Tell Me Why” or “Other Side of the Door” as opposed to “vampire” or “logical”—Taylor’s approach was a very straightforward “you acted this way and this is how it made me feel." it wasn’t until later that she started to make statements about patterns of behavior, because she simply couldn’t see them except in hindsight! she couldn’t say “this is what kind of man you are” or “this is what sort of relationship we had” until she had fully processed what happened—which is when we get songs like “Fifteen” and “Would’ve Could’ve Should’ve” and “The Manuscript”. but because the younger generation breathes the air of pop psychology buzzwords, Olivia is diagnosing her exes and labeling her relationships right away. and you might say this is a good thing, that young women are armed with terms like “gaslighting” and taught to be suspicious of age gaps because of the power differential. but having the knowledge doesn’t seem to have protected Olivia at all. she still makes all the same mistakes, there’s literally a whole song all about knowing something is a bad idea and doing it anyway. she still dates the older guy, but then she has so many labels readymade to explain why it didn’t feel good that she doesn’t ever actually get down to saying how it felt—because I don’t think she knows. the younger generation acts like processing an experience means figuring out what tiktokified sound bite applies to it and then slapping the label on and moving forward. “my parents were emotionally abusive” “my ex was a narcissist” “my ex best friend gaslit me” etc. but it seems to me that’s skipping some necessary stages of actually processing your shit. “vampire” is Olivia trying to write “Would’ve Could’ve Should’ve” before she’s ever written (or felt) “Tell Me Why”. it’s the difference between “here’s to you and your temper, yes I remember what you said last night / and I know that you see what you’re doing to me, tell me why” on the one hand and “went for me and not her ‘cause girls your age know better” or “master manipulator, you’re so good at what you do” or “you convinced me it was all in my mind” on the other hand.
and another side effect of this, the big names in this younger generation of artists aren’t really writing love songs, and I don’t think that’s accidental. they literally do not have the vocabulary to do so. the psychology buzzwords that go around are all about toxic relationships and red flags. and so, deprived of a way of thinking about being in love, the love songs either fall flat (“I’ll go anywhere he goes and he says I’m so American”) or they simply don’t exist. the open-hearted sincerity of a “Hey Stephen” or “Jump Then Fall” is nowhere to be found.
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theclockworkkidart · 1 month ago
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Forgot to post here.
Joined a cosplay collab (Jojo slumber party) on Insta hosted by @ahappymetalhead (on Insta)! The first pic was what’s featured on the collab post, the others are some extras. Wore an oversized Metallica tshirt for the Melone cosplay here because I don’t think Melone would wear much for sleeping so he stole something for the party- Also managed to find my snake plush. Shoutout to my mum for helping take the pics.
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bethanyactually · 9 days ago
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sometimes I boggle at things the fandom Youths™ don't seem to know these days, especially in an era where virtually anything you want to look up is a mere internet search away and then I realized: it's because bored tweens don't have to resort to reading old issues of Ladies' Home Journal or Glamour in waiting rooms anymore
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prettydykeboy · 19 days ago
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me: I'm not obsessed with him-
my literal phone wallpaper:
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(original version and blue version!)
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solradguy · 3 months ago
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Always a little jumpscared going through old (<2005) USA gaming mags for Guilty Gear reviews and seeing decent scores and nice things said about them lol
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sysig · 5 months ago
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Finally made a Parapluesch OC, introducing Mama Oz ♥ (Patreon)
#Doodles#Parapluesch#Do I need to tag all of them? I don't want to so I won't lol#I can tag my original I guess :P#Mama Oz#She's based on this absolutely ridiculous and darling object I found at the same place I got my new-to-me video games haha#So apparently in the 60s this specific type of - magazine rack? in the shape of a kangaroo?? was made??#Ridiculous. So ostentatious. I fell in love immediately and had to make her into a Parapluesch#Like as soon as I laid eyes on her standing there I was like ''Oh you're from Die Anstalt'' - Instantly started filling in her backstory#Mama Oz's deal is your classic Stages of Grief - in her case from losing a child#Since she's a plush she never had an actual baby but she lost Her Child if you get me - she stopped being played with#And so she projects that grief onto others and adopts them in an attempt to get Her Child back#Except if this new relationship isn't within that framework then she rejects it and goes to the next one#She doesn't really realize that she's inconveniencing them by trying to adopt them and limiting herself from forming lasting connections#Not allowing change or growth - stagnating and trying to reclaim something lost#One of my favourite parts of Die Anstalt is that each of them is shown to have flaws#They still need and are deserving of help! But their uglier symptoms aren't shied away from#Dolly and Lilo use self-harm as a coping mechanism#Sly is shown to seek out the high at times and be short and destructive#Dub takes pride in his overwork#Kroko is surly and prickly#Don't even get me started on Dr. Wood lol#So it's fun to imagine what Mama Oz would be doing to - even by accident! - harm herself or others#The whole point of helping them is for them to become their best most comfortable selves :D#I also think what's especially funny is that I've been Meaning to make a Parapluesch OC for /years/ now#I always planned for it to be a Gender Dysphoria diagnosis since that's in the DSM and I had a design and route planned and everything#No. Kangaroo magazine rack. Okay#Lol
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small-spark-of-light · 1 year ago
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day 25 was to draw in a style ive never drawn in before!!! so i replicated @zankydraws and @0xeyedaisy
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