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#morgan phillips
arrgh-whatever · 7 months
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klearilist · 2 months
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rockstar and their "curious couple and unruly son"
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turnipoddity · 5 months
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ROPE CONTENT?? FROM THE SAW FAN ARTIST?? amazing taste, no notes!!
here i can’t help myself to draw the og be gay do crime
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gjesse · 7 months
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me when homicidal homosexuals
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jarvis-cockhead · 1 month
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What if we killed a guy and hid him in a trunk from which we served a dinner party for his family and friends (and we were both boys)
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antonivs · 7 months
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cod-dump · 9 months
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Graves: Hey, Ghost!
Ghost: Fucking hell-
Graves: Hey, man! Feel like we haven’t talked in days!
Ghost: I do my utmost to avoid you
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rockabully · 2 months
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DID YOU THINK YOU WERE GOD, BRANDON?
redraw of an old piece i did back in sept 2023, shown below the cut. i apparently forgot to upload it to tumblr when i drew it then.. gg.
ignore the mistake on phillip's pant legs ok. just ignore
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sharkboyandlavalieb · 6 months
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THE PACIFIC - fandom text posts
insp. (1) (2) (3) (4) (5) (6) (7)
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rcbertleckie · 5 months
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THE PACIFIC PART 1 and PART 3
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plasticgecko · 2 months
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rope doodles bc i GUESS i miss them🥱🥱🙄
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arrgh-whatever · 7 months
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oliviascully · 7 months
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Am I the only person in the Rope (1948) fandom whose headcanon is that Brandon actually treats Phillip well? I don’t mean during the movie, but I’d like to think on the average day when they’re not plotting, committing, and hiding a murder, that Brandon and Phillip don’t act in such extremes all the time.
I feel like we get some glimpses of their everyday relationship. Nobody talks about the fact that Brandon had arranged a piano debut for Phillip and is driving him to his mother’s house to stay there and practice. Or how he offers to take Phillip on a trip wherever he’d like to go after Phillip has started to snap on him.
I just get the sense in their dynamic that Phillip is totally devoted to Brandon and obviously the submissive one, but Brandon absolutely adores Phillip and would do and probably does do quite a lot for him. He can’t say enough how superior they both are. Brandon also seems so easily affected by what Phillip says and thinks about him. When Phillip says he’s always been frightened of Brandon, Brandon looks like he could cry, until Phillip says it’s part of his charm, and then Brandon totally melts. Brandon then brings it up again later and looks elated when Phillip says Brandon astounds him.
I just like to think that their dynamic maybe isn’t as fucked up on a normal day and that they really do love each other 🤷🏻‍♀️
I know they’re murderers but also like… I love them and like to think of them as happy before that
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trebo · 24 days
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the methods of promotional posters for rope 1948 and how its queer identity affects it
you know i see a lot of people in the rope 1948 community analyzing every aspect of the film and stage play and the entire thing in general, but i haven’t seen anyone yet touch on the film posters. which is what i’m gonna do right now, i have something to say about the posters.
(one of) the most prominent patterns found within old hollywood posters— and this doesn’t take a long time of studying to find— is that almost all of them always feature a man and woman, which happen to be the love interests of the said film in question. romance is SO common in nearly EVERY classic movie, regardless of how it is presented or depicted or alluded to. but this of course applies to your heterosexual relationship, heteronormative ideas of cinema at that time. so what happens when you make a movie about queer romance and queer characters? well, if you were a poster designer in 1948, you probably wouldn’t be bold enough to simply plaster two men onto that poster the same way you’d plaster a heterosexual relationship, embracing each other, looking each other in the eyes, etc etc etc… which is why, in the case of rope, it’s always jimmy stewart as the focal point, and him alone. phillip and brandon are in the background, despite them being the protagonists of the film. and in some cases, we get a glimpse of one of the female characters with brandon (as demonstrated below). but of course, we know that they aren’t love interests. but to a passerby who’s just been introduced to the film DURING that year, it wouldn’t be illogical to assume that some people could think that they are. i think this is just another way of hiding the queer theme of the movie through their promotional materials. more subtlety and cleverness rather than having your poster immediately scream “HEY!! HEY!!! THIS MOVIE’S CHARACTERS ARE GAY AND YOU SHOULD TOTALLY CHECK IT OUT!!! BRO!!!!!!!!” to newcomers.
one more thing is i want to analyze a part of this poster specifically, because there was something here that caught my eye. it’s the captions. “in one man’s hands, rope is a deadly weapon… in one man’s arms, love is a shameful thing!” i want to you ask yourself, what love are they referring too??? obviously not heterosexual romance. what other love is most apparent in the film? it’s the gays!!! i thought it was really interesting to say love is a shameful thing, because WE know that it’s probably talking about the relationship between brandon and phillip. but to your average movie-goer in 1948, they might’ve thought it was just referring to another man loving a woman.
but in today’s world, assuming that the only movies you’re gonna watch are about heterosexual couples might ALSO be just a little shameful too.
thanks for coming to my ted talk. what yall think?
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henrythepug · 2 months
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introducing the two sides of the spectrum:
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"be gay, do crime"-----------------------------------"be gay, solve crime"
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jarvis-cockhead · 7 months
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good morning ropeheads
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